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Performers at Osaka's Big Stage - Deafblind International

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<strong>Deafblind</strong>ness in OsakaCelebr<strong>at</strong>ing <strong>Deafblind</strong>ness in OsakaOsaka <strong>Big</strong> <strong>Stage</strong> performersThe <strong>Deafblind</strong> Service Center“SMILE” was establishedin 1999 in Osaka Japanfor people with deafblindness.Organizers <strong>at</strong> SMILE havedeveloped various services so th<strong>at</strong>people with deafblindness can leadactive lives and can be accepted asequal member of society.We celebr<strong>at</strong>ed our 10thanniversary <strong>at</strong> Kadoma City Hall inOsaka, Japan, 13 November, 2010.We held four commemor<strong>at</strong>iveevents during this year to raisepublic awareness about thisdisability in our region. Ourmessage is th<strong>at</strong> people withdeafblindness are all around us,they have potential and the abilityto live on their own. During eachevent we fe<strong>at</strong>ured performancesby people with deafblindness, tohighlight their abilities.In the event “5th <strong>Big</strong> <strong>Stage</strong>of People with <strong>Deafblind</strong>ness inOSAKA 2010” we four-walled(self-cre<strong>at</strong>ed) a movie fe<strong>at</strong>uringpeople with deafblindness whoprovided musical performancesusing Japanese drums as well astraditional Japanese dancing. This‘four-wall’ movie, demonstr<strong>at</strong>ed tothe audience the challenges andneeds facing these individuals.While practicing for theseperformances, the most difficultpart was <strong>at</strong>tempting to have theindividuals understand the soundsand the movements. Music anddance evoke various emotions,which were then associ<strong>at</strong>edwith figur<strong>at</strong>ive expressions. Thisdemanded of them much p<strong>at</strong>ienceand cre<strong>at</strong>ivity until they learnedwh<strong>at</strong> was a ‘sharp’ sound, howto make a ‘free’ sound, wh<strong>at</strong> is‘loose’ movement and how tomake ‘easy’ movements. It was agre<strong>at</strong> challenge to explain to theseindividuals wh<strong>at</strong> we, as hearingand seeing individuals, can actuallyhear and see! To do this we had tomake a lot of body contacts usingthe tactile senses.With a gre<strong>at</strong> deal of effort,these people with deafblindnesswere successful in gaining positiveexperiences through playingdrums and dancing. Wh<strong>at</strong> theyhad obtained through theseexperiences was not only newskills but also new confidence.<strong>Big</strong> <strong>Stage</strong> was indeed a wonderfulopportunity for self expressionand self realiz<strong>at</strong>ion for theseindividuals.We are happy and proud th<strong>at</strong>the audience enjoyed our <strong>Big</strong> <strong>Stage</strong>and th<strong>at</strong> the deafblind individualswere able to achieve their goals.Truly it is a disadvantage to live ina world without sight and sound.At the same time, this the<strong>at</strong>ricalexperience was a wonderfulopportunity for these deafblindpeople to ‘step into the other side!’In closing, we extend ourappreci<strong>at</strong>ion to William Green,President of DbI, who contributeda message for our commemor<strong>at</strong>ivepublic<strong>at</strong>ion.Akemi FujiiSMILEwww.deafblind-smile.orgfujii@deafblind-smile.orgJan u a r y – Ju n e 2011 • DbI Review • 47

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