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Klaus Schöning Born in 1936, director, author and until the beginning of 2001 Director of the West German Broadcasting Corporation's (WDR's) Acoustic Art Studio in Cologne which he established in the 1960s. The author of numerous essays analyzing the media; features and documentaries on the esthetics and history of the new (radio) play and of acoustic art. His work as a director has mainly involved experimentation. He produced the first transcontinental satellite sound sculptures in media history, Klangbrücken Köln - San Francisco - Kyoto (Sound Bridges Cologne – San Francisco – Kyoto) by Bill Fontana and the first marathon broadcasts Ulysses/James Joyce and NachtCageTag (nightCageday). More than 30 of the projects he has been involved in have won international prizes, most recently a work of voice art by Friederike Mayröcker, which he also directed in 2001. Public events/performances worldwide with intermedia artists. Involved in the latter's productions at international festivals, art exhibitions and symposia. First exhibition of annotations and scores for acoustic art, Cologne 1985. Initiator and artistic director of the Acustica International festivals in Cologne, New York, Montreal, Copenhagen, San Francisco. Was present at documenta 8 in Kassel as the curator of the first comprehensive audio library Acoustic Art on the Radio. Other sound installations in major international museums. Initiator and jury member of the WDR's Prix Ars Acustica. Member of the Goethe Institute's advisory council on media. For many years Chairman of the first EBU Working Group Ars Acustica. Teaching posts, writer in residence, lectures, performances and workshops in Europe, North and South America, Japan, New Zealand and Australia. Teaches at the Art Academy for Media in Cologne. In 1983 he was awarded the Berlin Academy of Arts' Art Prize. (endowed prize for film/radio/TV broadcasting) In 1993 he received the Media Art Prize from the Center for Art and Media Technology (ZKM), Karlsruhe. Author and editor of several books and audio books (with works by Mauricio Kagel and John Cage) and the Wergo CD edition Ars Acustica. Vom Reichtum der Akustischen Kunst.(Ars Acustica. On the Richness of Acoustic Art).
Dr. Renate Schumacher Born in 1957 in Wilhelmshaven 1976-82: Studied geology and mineralogy in Kiel and Edinburgh / Scotland 1982-3: Research at the University of Massachusetts in Amherst / USA 1983-6: Took her doctorate in Bonn on "Petrology and Geochemistry of Epidote and Clinopyroxenebearing Amphibolites and Calc-silicate Rocks from Central Massachusetts, USA" 1986-90: Scientific staff member at the University of Kiel 1990-4: Scientific assistant at the University of Münster 1994-7: Head of the Mineralogical Museum in Kiel Since August 1997: Scientific staff member at the University of Bonn's Mineralogical Institute and Museum and Head of the Mineralogical Museum Job title: Senior Academic Staff Member Key responsibilities: looking after visitors, PR work, substantive and organizational planning of special exhibitions, in charge of the mineralogical collection, teaching, honorary press officer of the German Mineralogical Society Publications/Articles since 1994 Schumacher, R. & Faulhaber, S. (1994) Summary and discussion of P-T estimates from garnet-pyroxene-plagioclase-quartz-bearing, granulite-facies rocks from Sri Lanka. Precambrian Research, 66, 295-308. Rötzler, K., Schumacher, R., Maresch W.V. und Willner, A. (1998) Characterization and geodynamic implications of contrasting metamorphic evolution in juxtaposed high-pressure units of the Western Erzgebirge, Saxony, Germany. European Journal of Mineralogy, 10, 261-280. Schumacher, R., Rötzler, K. & Maresch W.V. (1999) Subtle oscillatory zoning in garnet from regional metamorphic phyllites and mics schists, western Erzgebirge, Germany. The Canadian Mineralogist, 37, 381-402. Schumacher, R. & Balzer, R. (1998) Rio Grande do Sul: Kristallstufen aus der Urkraft der Vulkane, Tópicos 3, 36-39. Schumacher, R. (1998) Steine prüfen und benennen. Der Sachverständige 12/98, 30-31. Schumacher, R. (1999) Rote, grüne, blaue… Minerale des Mineralogischen Museums in Bonn. Aufschluss 50, 325-330.
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