SPORTEL 2010NICLAS ERICSONHEAD OF TV ANDNEW MEDIA, FIFAOLI SLIPPERJOINT-CEO,PERFORMNEIL OUGHTONDIRECTOR OF CONTENT,INPUT MEDIA“We’ll see aggressive inroads of newentrants into <strong>the</strong> media l<strong>and</strong>scapewhich will create fresh opportunities<strong>for</strong> <strong>sports</strong>. This will not onlygenerate a higher evaluation ofmedia rights but also offer effectivesponsorship opportunities.”“Technologies will make it far easier<strong>for</strong> rights owners to broadcast <strong>and</strong>market television offerings directlyto <strong>the</strong> consumer, cutting out<strong>the</strong> broadcaster.”“Stronger, more robust <strong>and</strong>increasingly more flexible technicalsolutions will be required if we areto meet all <strong>the</strong> dem<strong>and</strong>s asked ofus. Producers will need to becomemore technical, <strong>and</strong> techniciansmore editorial.”HOW SPORTS MEDIA develops in <strong>the</strong> comingyears is dependent on <strong>the</strong> industry’s ability tounderst<strong>and</strong> <strong>and</strong> exploit <strong>the</strong> convergence of media<strong>and</strong> communication technologies.The <strong>sports</strong> media industry will be able to costeffectivelyproduce <strong>and</strong> deliver content suitable <strong>for</strong><strong>the</strong> varied consumption of <strong>the</strong> <strong>sports</strong> fan, whe<strong>the</strong>r<strong>the</strong> fan is at home, on <strong>the</strong> move or in a café or bar.It will be interesting to see how plat<strong>for</strong>ms fur<strong>the</strong>rconverge <strong>and</strong> new software st<strong>and</strong>ards enablesearch across plat<strong>for</strong>ms <strong>and</strong> devices.Ano<strong>the</strong>r significant aspect in <strong>the</strong> <strong>sports</strong> mediaìndustry’s development will be fully underst<strong>and</strong>inghow to monetise content on new mediaplat<strong>for</strong>ms such as social media. This will takeenormous speed in <strong>the</strong> coming years with newtechnologies <strong>and</strong> applications in fields such astargeted advertising.We can also expect a new or different trendtowards monetisation of <strong>sports</strong> content via‘apps’ compared to today, where <strong>the</strong> internet isconsidered free of charge. In this process, <strong>sports</strong>media plat<strong>for</strong>ms will be more interactive <strong>and</strong>more personal - more emphasis will be placed on<strong>the</strong> possibility of sharing content <strong>and</strong> experiencesby <strong>the</strong> <strong>sports</strong> fan.I think too we will also see aggressive inroads ofnew entrants into <strong>the</strong> media l<strong>and</strong>scape which willcreate fresh opportunities <strong>for</strong> <strong>sports</strong>. This will notonly generate a higher evaluation of media rightsbut also offer effective sponsorship opportunities.Certain <strong>sports</strong> will also produce new <strong>for</strong>matssuch as 3D <strong>and</strong> exp<strong>and</strong> <strong>the</strong> offering around <strong>the</strong>core content - <strong>for</strong> example non-match footage.For us at FIFA, it is above all important tocontinue developing basic TV coverage as thiswill remain our main exploitation in <strong>the</strong> coming10 years.In short, <strong>the</strong> future is promising <strong>for</strong> sportbusiness.AS WE COME to <strong>the</strong> end of <strong>the</strong> first decade of <strong>the</strong>21st century, it is apparent just how much <strong>the</strong><strong>sports</strong> media l<strong>and</strong>scape has changed over <strong>the</strong> lastdecade. Choice has widened <strong>and</strong> audiences haveaccordingly fragmented as more sport than everbe<strong>for</strong>e is available through varying <strong>for</strong>ms of media.We have already seen media consumption habitsshift dramatically in <strong>the</strong> last ten years, with fansconsuming <strong>sports</strong> content, once exclusively <strong>the</strong>domain of TV <strong>and</strong> radio, on multiple devices viamany different communication technologies.We are only seeing <strong>the</strong> tip of <strong>the</strong> iceberg though,<strong>and</strong> <strong>the</strong> life of linear TV broadcasters will becomemore <strong>and</strong> more uncom<strong>for</strong>table unless <strong>the</strong>y adapt<strong>the</strong>ir business models <strong>and</strong> follow <strong>the</strong> consumer to<strong>the</strong>se new plat<strong>for</strong>ms, with tailored content offerings<strong>for</strong> PC, tablet, smartphone, connected TV <strong>and</strong> aplethora of o<strong>the</strong>r devices that will undoubtedlyemerge during <strong>the</strong> next decade.Key developments will surely be Apple <strong>and</strong>Google’s push into <strong>the</strong> living room with <strong>the</strong>irconnected TV strategy. We have already seen <strong>the</strong>impact both <strong>the</strong>se technology behemoths havemade to <strong>sports</strong> content owners’ ability to monetisemobile content through <strong>the</strong>ir iOS (Apple) <strong>and</strong>Android (Google) operating systems, turning acontent set that was previously unmonetisable intoa significant revenue opportunity.If Google <strong>and</strong> Apple TV do really take off, we maystart to see not only <strong>the</strong> business models of linearad-funded television networks come underpressure, but also pay-TV operators. To date bothhave been recession proof - largely driven byconsumer willingness to pay <strong>for</strong> premium live sport- but technologies will make it far easier <strong>for</strong> rightsowners to broadcast <strong>and</strong> market televisionofferings directly to <strong>the</strong> consumer, cutting out<strong>the</strong> broadcaster.O<strong>the</strong>r <strong>the</strong>mes we are likely to see includeleagues following <strong>the</strong> US model <strong>and</strong> retaining aproportion of <strong>the</strong>ir live games to launch <strong>and</strong>distribute <strong>the</strong>ir own multi-plat<strong>for</strong>m channels,widespread Twitter bans <strong>and</strong> <strong>the</strong> creation of‘super short’ variants of all <strong>sports</strong>.THE OLYMPIC MOTTO ‘Citius, Altius, Fortius’ –Faster, Higher, Stronger – was coined in <strong>the</strong> late19th century to usher in <strong>the</strong> era of <strong>the</strong> modernGames. Today this old-fashioned mantra couldeasily be adopted by all of us working in <strong>the</strong>modern <strong>sports</strong> media – production or technology- as we face <strong>the</strong> challenges of <strong>the</strong> next 10 years.Fundamentally, we need to shape up <strong>and</strong>become even more flexible to ensure we ride <strong>the</strong>punches diversity will throw at us while deliveringcontent to many different plat<strong>for</strong>ms.Over <strong>the</strong> next decade, technological innovation,combined with new, cost-effective productionsolutions, will mean live event coverage becomesan option <strong>for</strong> all <strong>sports</strong> – not just those with <strong>the</strong>high-profile rights traditional broadcastersclamour <strong>for</strong>.Expect diversity to dominate over <strong>the</strong> nextdecade. While live football will continue todominate traditional mainstream broadcasting,expect o<strong>the</strong>r <strong>sports</strong> increasingly taking <strong>the</strong>ir fight<strong>for</strong> visibility onto internet <strong>and</strong> mobile plat<strong>for</strong>ms.As plat<strong>for</strong>ms like Project Canvas in <strong>the</strong> UKcombine broadcast with broadb<strong>and</strong> content <strong>and</strong>deliver both to TV, so <strong>the</strong> challenges will mount.New <strong>sports</strong> will emerge onto TV screens from<strong>the</strong> shadow of football <strong>and</strong> <strong>the</strong>y’ll expectprogramme production techniques customised tosuit <strong>the</strong>ir specific needs, plat<strong>for</strong>ms <strong>and</strong> markets.As producers, we have to adapt - continuing towork on high-end, traditional <strong>sports</strong> broadcastswhile finding different ways of working to createcost-effective content that fits <strong>the</strong> new, TVinternetplat<strong>for</strong>ms.The pace of change will continue to beunrelenting. HD is still not st<strong>and</strong>ard across <strong>the</strong>industry, yet 3D lurks menacingly on <strong>the</strong> blocksready to launch ano<strong>the</strong>r race <strong>for</strong> knowledge over<strong>the</strong> next decade.Stronger, more robust <strong>and</strong> increasingly moreflexible technical solutions will be required if weare to meet all <strong>the</strong> dem<strong>and</strong>s asked of us.Producers will need to become more technical,<strong>and</strong> technicians more editorial.SportBusiness International • No.161 • 10.10 53
COMPANY PROFILEA YEAR TO REMEMBERFOR IMG MEDIAContinued investment in facilities, <strong>the</strong> agreement of significant new contracts <strong>and</strong> <strong>the</strong> growth of existing business havemade it a memorable 12 months from IMG Media <strong>and</strong> created a plat<strong>for</strong>m <strong>for</strong> future growth.IN THE 12 MONTHS since <strong>the</strong> majorplayers in <strong>sports</strong> media last ga<strong>the</strong>red <strong>for</strong>SPORTELMonaco, economic conditions haveimproved <strong>and</strong> <strong>the</strong> market <strong>for</strong> <strong>sports</strong> rights hasbecome more favourable.It has been an economic environment inwhich IMG Media has thrived, with each of <strong>the</strong>company’s operating divisions - production,facilities, technical services, distribution, archivemanagement <strong>and</strong> closed circuit - reporting new<strong>and</strong> renewed deals <strong>and</strong> income growth whileinvestment in new hardware <strong>and</strong> facilities hascreated a plat<strong>for</strong>m <strong>for</strong> future growth.Production is a key part of IMG Media’sbusiness <strong>and</strong> <strong>the</strong> new HD 24/7 PremierLeague Content Service has been one of <strong>the</strong>most challenging projects undertaken by <strong>the</strong>company in recent times. In <strong>the</strong> same monththat IMG’s Singapore production hub launchedMio Stadium, ano<strong>the</strong>r 24/7 Football Channel <strong>for</strong>Singtel, <strong>and</strong> an all-year-round Racquets Channel<strong>for</strong> Starhub comprising tennis, table tennis,badminton <strong>and</strong> squash. Coupled with <strong>the</strong> trottingchannels in production in Stockholm <strong>and</strong> Oslo,<strong>the</strong>re no doubt that IMG has established itsreputation as a channel <strong>and</strong> programming blockcontent factory, bringing a new dimension to thisestablished business model.That capability was seen in action at <strong>the</strong> 2010Ryder Cup, <strong>the</strong> largest single outside broadcastevent in <strong>the</strong> UK. IMG is <strong>the</strong> key component ofEuropean Tour Productions, which broadcast aHD world feed lasting 12 hours per day to overhalf a billion homes <strong>and</strong> 200 territories around<strong>the</strong> globe. The 18,000sqm TV compound saw 900staff working with 50 different broadcasters on sitein 30 outside broadcast trucks. Over 100 cameraswere used to produce <strong>the</strong> tournament coverage,which <strong>for</strong> <strong>the</strong> first time included a unilateral 3Dfeed produced exclusively by Sky Sports.In addition IMG Media is also involved in<strong>the</strong> host broadcast of <strong>the</strong> 2011 Asian WinterGames in Guangzhou, China, <strong>and</strong> had over 100personnel working at <strong>the</strong> World Cup in SouthAfrica <strong>for</strong> HBS (Host Broadcast Services). Theteam had over 200 people working on cricketproduction of <strong>the</strong> Indian Premier League,continues to produce football <strong>for</strong> sn, <strong>and</strong>produces snooker, darts <strong>and</strong> <strong>the</strong> Football LeagueShow <strong>for</strong> <strong>the</strong> BBC.Looking ahead to 2012, IMG will produce<strong>the</strong> 2012 Paralympics with Sunset <strong>and</strong> Vine<strong>for</strong> Channel 4 <strong>and</strong> will also cover Wimbledon<strong>and</strong> The Open golf <strong>for</strong> ESPN. It’s an unrivalledportfolio of major <strong>sports</strong> event production thattouches every corner of <strong>the</strong> globe.Continued investment is key to <strong>the</strong> company’ssuccess <strong>and</strong> significant capital has been investedin IMG Sports Media’s facilities division,Mediahouse, to service <strong>the</strong> next generation ofbroadcasters. Construction of a new 800sqft,five-camera HD production studio <strong>for</strong> use by<strong>the</strong> Premier league Content Service - which isbroadcast 24 hours a day to Europe <strong>and</strong> Asia– has been completed, while <strong>the</strong> new StudioD joins <strong>the</strong> busy studio complex providing <strong>the</strong>BBC’s Football League Show <strong>and</strong> ESPN UK’sfootball programmes.IMG’s Digital Spine is now in service,providing digital archive to key federations suchas <strong>the</strong> All Engl<strong>and</strong> Tennis Club <strong>and</strong> <strong>the</strong> PremierLeague. This media asset management systemprovides a state of <strong>the</strong> art digital storage system<strong>and</strong> features a powerful search engine thatallows complex queries of footage, all of which isextensively logged. This summer has also seen amajor upgrade of productions systems from SDto HD with <strong>the</strong> vast majority of systems beingHD capable.To keep ahead of <strong>the</strong> game, IMG technicalservices have invested in MPEG-4 satellitetechnology <strong>for</strong> <strong>the</strong> distribution of PremierLeague, Euro 2012 Qualifiers, FIVB (volleyball),Chelsea TV, Ajax TV, Barca TV, Manchester CityTV, WPBSA Snooker, Eredivisie, <strong>and</strong> Russian,Belgium, Swiss, Danish, Ukrainian, Indonesian,<strong>and</strong> Argentinean football leagues. The divisionnow manages <strong>the</strong> technical distribution of onaverage seven events per day.IMG Media now holds <strong>the</strong> world’s largestportfolio of <strong>sports</strong> programming with over19,000 hours of content. Football, tennis,badminton, golf, boxing <strong>and</strong> action <strong>sports</strong> haveTHE TEAMFrom left to right:Michel MasquelierChris GuinnessBen NicholasKristian HysenIoris FranciniRupert HampelAdam KellyMichael MellorNick Chesworth54 SportBusiness International • No.161 • 10.10