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Università degli Studi di Napoli
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P. 169 CHAPTER VII. Nollywood abroa
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owner or any of his friends. Once t
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Nollywood. From this analysis it tr
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phenomenon, affirming new aesthetic
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CHAPTER IDefining the field of enqu
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wave of young scholars interested i
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“Small screen cinema”: The hist
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villagers could assemble to watch
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content to an audience disappointed
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event that made the industry. While
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Pentecostal churches’ Sunday serv
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the essential heterogeneity, fluidi
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) The social life of thingsWhen con
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the art or fashion market, is accel
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QuestionsNollywood, as a phenomenon
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Throughout the three sections that
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who was shooting a video in those d
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The Nigerian video industry has lon
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CHAPTER IIRegulating mobility, resh
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The production crisisWhen the video
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distribution than the video format
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As Jora emphasizes through a number
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impact on the video industry’s ec
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systems of rules that regulate the
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(Meagher 2003: 59). Informal market
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distribution points for pirated goo
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conducted by the numerous artists'
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imperialism. In many cases the comb
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Governor Fashola seems to be losing
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CHAPTER III.From Nollywood to Nolly
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on the contrary tended to reduce th
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Emmanuel Isikaku, the president of
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you now have two distinct formation
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willingness to screen Nigerian film
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Paths of formalization (II): The di
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the United States and then in Ghana
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etween the video-boom era and the n
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will discuss further below, many of
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- Page 149 and 150: From melodrama to the “melodramat
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- Page 169 and 170: CHAPTER VIINollywood abroad: The tr
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of the image, but on its margin. Th
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this genre resembles closely to the
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Within this genre, crime stories an
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However, the position of marginalit
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III: People watching a video in a v
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on the periphery of the video pheno
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which part of the Nigerian video in
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accident an abandoned statuette of
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discussed in chapter six, the prota
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This ideal of modernity, however, w
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Dangerous Twins. Dir. Tade Ogidan.
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Rattlesnake 2. Dir. Amaka Igwe. Chr
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BibliographyBooks and academic jour
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Athique, Adrian. 2011. “From cine
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Cohen, Robin; Toninato, Paola. 2009
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Gilroy, Paul. 1987. There Ain't No
- Page 219 and 220:
Jedlowski, Alessandro. 2011. “Una
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Liang, Lawrence. 2005. “Porous le
- Page 223 and 224:
Miller, Daniel. 2005. “Materialit
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---. 2007a. “Introducing the spec
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Silvio, Teri. 2007. “Remediation
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Newspaper and blog articlesAbulu, T
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Ezigbo, Onyebuchi. 2006. “Anti-Cy
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Obi-Uchendo, Ebuka. 2007. “Nollyw
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Igwe, Amaka (Nigerian director and