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WINTER& SPRING2012DELAWARE COLLEGE OF ART & DESIGNCONTINUING EDUCATION

THU WED TUE MONADOBE DREAMWEAVER + CSS I & IIADOBE INDESIGN I & IIBASIC DRAWING, RENDERING &SPACE PLANNINGBLACK AND WHITE PHOTO TECHNIQUESADOBE PHOTOSHOP I & IIBASIC LAYOUT & TYPOGRAPHYFOR WEB & PRINTCOMMERCIAL DESIGNDIGITAL PHOTOGRAPHY IADOBE FLASH I & IIADOBE ILLUSTRATOR I & IIBEGINNING PASTELSCOLOR THEORY TO PRACTICEABSTRACT PAINTING IN ACRYLICSTHE ART OF INK BRUSH PAINTINGINTERIOR DESIGN BUSINESS PRINCIPLESINTRODUCTION TO GRAPHIC DESIGNFOR WEB AND PRINTBLOOMS IN WINTER:INSPIRATION FROM MANETFAUX FINISHES ANDEXPERIMENTAL PAINTINGFIGURE & PORTRAIT SCULPTUREDOCUMENTARY PHOTOFACE THE MASTERSINTERACTIVE & SOCIAL MEDIAMARKETINGMONSTER MASK CLASSDIGITAL DESIGN COMMUNICATIONFOR INTERIOR DESIGN IILLUSTRATION INTENSIVE:MONSTERS VS. MANINTRODUCTION TO INTERIOR DESIGNIPHONEOGRAPHY: PHOTOS VIA IPHONEPHOTOSHOP FOR PHOTOGRAPHERSPORTFOLIO WORKSHOP FORWEB & GRAPHIC DESIGNFILMMAKING WITH DSLR AND IPHONEMIXED MEDIA AND EXPERIMENTALDRAWING TECHNIQUESWEB DESIGN FUNDAMENTALSOPEN FIGURE STUDIO: DRAWING,PAINTING AND SCULPTINGPAINTING WORKSHOP: INSPIRATIONFROM GIORGIO MORANDIIPHONEOGRAPHY: PHOTOS VIA IPHONELIGHTING DESIGNPORTFOLIO WORKSHOP FORPHOTOGRAPHERSLEARNING TO SEE:DRAWING FOR EVERYONEWATERCOLOR PAINTINGWEB DESIGN FUNDAMENTALSSUNADVANCEDCHAIN MAILLEWORKSHOPContinuing EducationWinter & Spring 2012www.dcad.edu302.622.8867 x 110SATADOBE PHOTOSHOP I & IIADOBE WEEKEND WORKSHOPSALTERED BOOK WORKSHOPBEGINNING CHAIN MAILLE WORKSHOPCARTOONING & BASIC ANIMATIONCREATING LIGHT & SPACEWITH GOUACHEDARE TO PAINTDRAWING MARATHONEN PLEIN AIR PAINTINGFIGURE DRAWING3-D ANIMATION - MAYA I & IIINTRODUCTION TO OIL PAINTINGLANDSCAPE PHOTOGRAPHYMACROPHOTOGRAPHY II: A CLOSER LOOKPRE-COLLEGE PORTFOLIODEVELOPMENT WORKSHOPPOINTED PEN WORKSHOPTHE SELF-PORTRAIT:A FIVE-WEEK ALLA PRIMA WORKSHOPTRANSFERTECHNIQUESFOR MIXEDMEDIA & MORE

The Continuing Education Program at the Delaware College of Art and Design invites you to join a communityof aspiring and professional artists and designers who are committed to a lifetime of learning and exploration.The six-week Winter semester begins Monday, January 2.The 12-week Spring semester begins Monday, February 13.The Delaware College of Art and Design’s mission is to educate talented and committed students to become art makers, idea generators,problem solvers and visual communicators who can redefi ne the way we perceive and experience the world around us. It also serves asa visible stakeholder, cultural anchor and catalyst for the revitalization of Wilmington.Join us to sharpen skills, enhance your artistic abilities and advance your career through classes in these areas:Web & Graphic DesignCONTENTSWEB & GRAPHIC DESIGN 02FINE ARTS 07JEWELRY DESIGN 13INTERIOR DESIGN 14PHOTOGRAPHY 17YOUNG ARTIST PROGRAMS 20SPECIAL EVENTS 21REGISTRATION 23Fine ArtsInterior DesignJewelry DesignPhotographyYoung Artist Programs (for high school students)Use this code to register online.DCAD also offers structured Certificate Programs which provide students with the opportunity to accelerate their careersthrough focused, compact courses that develop the creative and technical skills needed to excel in the areas of Art & Design,Interior Design, Photography and Web & Graphic Design.The Continuing Education Program at DCAD is dedicated to providing the community with dynamic courses that foster personaland professional growth. You will fi nd that DCAD delivers challenging and inspiring courses, the convenience of a downtown Wilmingtonlocation (with free parking), the fl exibility of an evening or weekend schedule, and personalized, small classes conducted by an engagingand supportive faculty of working artists and design professionals – all focused on your success.Registration may be completed online at www.dcadevents.com, in person, via phone or mail.The complete catalog, including all course descriptions, is available at www.dcad.edu under “Continuing Education.”Please contact me to discuss any questions you may have or fi nd out more about what DCAD has to offer.We appreciate your interest and look forward to seeing you this year at DCAD!P.S. Our 8th Drawing Marathon will take place on Saturday, March 24, from 9 am to 9 pm. See page 21 for details.Design by Shawn Hall(DCAD INQB8 DESIGN GROUP)Cover Photos by Jessica Sturgis and Ed CunicelliJane CampbellDirector of Continuing Education302.622.8867 x110jcampbell@dcad.eduREGISTER ONLINE AT WWW.DCAD.EDU01

WEB & GRAPHIC DESIGN02WEB DESIGN CERTIFICATEWeb Designers focus on the art of creating aestheticallypleasing websites with effective usability. This compactcourse of study enables students to design the look and feelof an original website or upgrade an existing site, as well asimplement the website by embedding images and objects inHTML (HyperText Markup Language) and defi ne the layout inCSS (Cascading Style Sheets). This program is well-suited forcreative individuals who wish to advance their careers, buildtheir competencies and enhance their technical and creativeskills by adding Web Design to their creative toolbox.WEB DESIGN CURRICULUMSemester OneIntroduction to Graphic Design for Web and PrintAdobe Photoshop I/IISemester TwoWeb Design FundamentalsWeb Design with Adobe Flash I/IISemester ThreeWeb Design with Adobe Dreamweaver & CSS I/IIJavaScript for Non-ProgrammersSemester FourPortfolio WorkshopElective IGRAPHIC DESIGN CERTIFICATEGraphic Designers are artists, visual communicators andcreative problem solvers for their clients. This curriculumenables creative students to communicate messages throughprint media, including books, posters, newsletters, magazinesand packaging, while also providing an introduction toapplication of basic graphic design principles to the web. Thisarea of study is ideal for individuals who wish to establish theirown business, freelance or work within a corporate advertisingand design environment.GRAPHIC DESIGN CURRICULUMSemester OneIntroduction to Graphic Design for Web and PrintAdobe Photoshop I/IISemester TwoAdobe InDesign I/IIAdobe Illustrator I/IISemester ThreeBasic Layout & Typography for Web and PrintWeb Design FundamentalsSemester FourPortfolio WorkshopElective IStudents who are currently enrolled in the existing Web & Graphic Certifi catePrograms may meet with the Director of Continuing Education to review theircurrent transcript and transfer into the new Combined Certifi cate if desired.WEB & GRAPHIC DESIGNCOMBINED CERTIFICATEFor those students who wish to gain the technical and creativeskills to excel in both web and print, DCAD now offers aCombined Certifi cate in Web & Graphic Design. Students willbecome well-versed in design principles as applied to bothtraditional print publishing as well as digital communications.Students may further customize advanced study throughelective classes (offered in the spring and summer semesters).WEB & GRAPHIC DESIGNCOMBINED CERTIFICATE CURRICULUMSemester OneIntroduction to Graphic Design for Web & PrintBasic Layout & Typography for Web & PrintAdobe Photoshop I/IISemester TwoWeb Design FundamentalsWeb Design with Adobe Flash I/IISemester ThreeWeb Design with Adobe Dreamweaver & CSS I/IIAdobe Illustrator I/IISemester FourJavaScript for Non-ProgrammersElective IElective IISemester FivePortfolio WorkshopParamount Project

FACULTYWARREN CHASEBA, Rochester Institute of Technology. VP, Web Design atDigital Eye, LLC. Warren designs and builds websites for avariety of regional clients. www.digitaleye.comKATI DRISCOLLSocial Media Analyst at AAA Mid-Atlantic and consultant witha focus on non-profi t & local organizations. Kati has severalyears experience in interactive marketing and combines atechnical knowledge of social platforms with a passion fordigital community. about.me/katidriscollDAVID MANZOLILLOBA in advertising, NYIT, NY; AA in Advertising Art & Design,SUNY Farmingdale. Creative Director, JP Morgan Chase.David has taught at DCAD since 1998 and was an instructor atSUNY Farmingdale from 1993-1996. http://manzomedia.comJASON OLNEYBFA in Film with a minor in Animation, University of the Arts,Philadelphia Jason Olney is a freelance designer, illustrator andphoto retoucher in Newark, Delaware. Fluent in Mac and PC,Jason also attended DCAD. http://jasonolney.com.CHARLEY PARKERStudied at the Pennsylvania Academy of the Fine Arts.Cartoonist, illustrator and web designer. Produces the awardwinningonline comic Argon Zark! and works for a variety ofagencies in web development. www.cparkerdesign.comPATRICK SKELTONBFA, Animation, University of the Arts; AFA, Animation,Delaware College of Art and Design. Patrick is an artist,designer and animator, skilled in 3D modeling, characteranimation and graphic design using the latest animationsoftware, such as Maya and Zbrush. Patrick is activelyinvolved in local arts and fi lm festivals.JOY SMOKERBFA in Communication Design, Pratt Institute; AFA in GraphicDesign, Delaware College of Art and Design. Joy is the SpecialEvents & Design Coordinator at Children & Families First aswell as a freelance illustrator and design consultant.ROB WHITEHEADWeb Designer, Web Publisher at Bank of America. Rob hasextensive experience in photography, pre-press and imagingtechnology. Owned and operated Colourworks Photo Lab.WEB & GRAPHIC DESIGNREGISTER ONLINE AT WWW.DCAD.EDU03

ADOBE CREATIVE SUITE 5 WEEKEND WORKSHOPSWINTER SEMESTERInstructor: David ManzolilloSaturday, 10 AM – 4 PM, January 14, 21, 28NON-CREDIT Tuition: $100 each/$275 for all threeSharpen your skills or brush up on new features with threeweekend workshops that will explore the basics, introduceimage manipulation, color correction, vector illustration, pagelayout and pre-press production. These three workshopsprovide an overview of Adobe Creative Suite 5 and will betaught through discussions, demonstrations, and hands-onexercises. A half-hour lunch break will be provided; studentsmay bring their lunch or visit a local eatery.WEEKEND 1: ADOBE PHOTOSHOP CS 5COURSE ID: GD0064Saturday, 10 AM – 4 PM, January 14Learn the basics of Photoshop, image manipulation,basic color correction, and tips and tricks to enhanceyour work fl ow.WEEKEND 2: ADOBE ILLUSTRATOR CS 5COURSE ID: GD0070Saturday, 10 AM – 4 PM, January 21Explore the basics of Illustrator, and the advantages of vectorillustration, Live Trace and Live Paint.WEEKEND 3: ADOBE INDESIGN CS 5COURSE ID: GD0071Saturday, 10 AM – 4 PM, January 28Complete your workshop experience with learning the basicsof page layout, importing Photoshop & Illustrator fi les, andutilizing the built in pre-press production tools.WEB DESIGN FUNDAMENTALSCOURSE ID: WD0040Instructor: Warren ChaseTWELVE SESSIONSSection I: Monday & Thursday, 6 PM – 9:15 PM;January 2 – February 9Section II: Thursday, 6 PM – 9:15 PM; February 16 – May 3NON-CREDIT Tuition: $490/Lab Fee: $35; 3.9 CEUsCREDIT Tuition: $900/Lab Fee: $35; 2 CreditsThe fi rst course in the Web Design Certifi cate programexplores HTML and Cascading Style Sheet (CSS), the majorcomponents of website development. Learn how to formattext, control page layout and understand hyperlinks and keysto comprehensive website navigation. The course will covercreating compressed graphics, developing an online form,considering basic guidelines for search engine optimizationand using an FTP application. Students will employ newknowledge to construct their own functional website as a fi nalproject. Prerequisite: Photoshop I.INTRODUCTION TO GRAPHIC DESIGNFOR WEB & PRINTCOURSE ID: GD0077Instructor: Joy SmokerTWELVE SESSIONSThursday, 6 PM – 9:15 PM; February 16 – May 3NON-CREDIT Tuition: $490/Lab Fee $35; 3.9 CEUSCREDIT Tuition: $900/Lab Fee $35; 2 CreditsThis introduction to current computer graphics technologyincludes an overview of page-layout, vector-based illustrationand pixel-based digital imaging software. Publishing techniques,rough composition skills, concept development andfundamentals of typography are introduced as students learnhow such technology is used in real world applications.Mac OS knowledge required.

ADOBE PHOTOSHOP ICOURSE ID: GD0057 (MAC BASED)Instructor: Jason OlneySIX SESSIONSSaturday, 10 AM – 1 PM; February 18 – March 24COURSE ID: GD0054 (PC BASED)Instructor: Rob WhiteheadSIX SESSIONSTuesday, 6 PM – 9:15 PM; February 14 – March 20NON-CREDIT Tuition: $300/ Lab Fee: $35; 2 CEUsCREDIT Tuition: $450/Lab Fee: $35; 1 CreditThis course introduces the new user to Photoshop, the mostwidely-used image processing and manipulation applicationfor the desktop. Students explore this program’s powerfulpainting, color-correction and retouching tools and investigatethe relationship between image capture, resolution and outputquality. Basic computer knowledge required.ADOBE PHOTOSHOP IICOURSE ID: GD0058 (MAC BASED)Instructor: Jason OlneySIX SESSIONSSaturday, 10 AM – 1 PM; March 31 – May 5COURSE ID: GD0055 (PC BASED)Instructor: Rob WhiteheadSIX SESSIONSTuesday, 6 PM – 9:15 PM; March 27 – May 1NON-CREDIT Tuition: $300/Lab Fee: $35; 2 CEUsCREDIT Tuition: $450/Lab Fee: $35; 1 CreditBuild on your basic understanding of Adobe Photoshop.Learn to unleash the power of this program through anexploration of layers, masks, paths and channels. Customizethe application by combining multiple images from diversesources. Prerequisite: Adobe Photoshop I.ADOBE INDESIGN ICOURSE ID: GD0053Instructor: David ManzolilloSIX SESSIONSMonday, 6 PM – 9:15 PM; February 13 – March 19NON-CREDIT Tuition: $300/Lab Fee: $35; 2 CEUsCREDIT Tuition: $450/Lab Fee: $35; 1 CreditInDesign is the latest tool for page layout and electronicpre-press preparation. Because it’s an Adobe product,InDesign is designed to work with Photoshop, Illustrator andAcrobat. In this course you will gain basic experience with thesoftware as you work with page layout creation, creating andformatting text, inputting and manipulating images, and gain abasic understanding of color as it relates to printing. Exercisesare designed to take full advantage of the basic tools withinInDesign. Macintosh knowledge required.ADOBE INDESIGN IICOURSE ID: GD0060Instructor: David ManzolilloSIX SESSIONSMonday, 6 PM – 9:15 PM; March 26 – April 30NON-CREDIT Tuition: $300/Lab Fee: $35; 2 CEUsCREDIT Tuition: $450/Lab Fee: $35; 1 CreditExpand your knowledge of this powerful layout andproduction tool. Students will learn to create complexmulti-page documents utilizing master pages and advancedparagraph and character styles (including the new nestedstyles feature). The use of tables within InDesign will beexplored to automate design tasks. InDesign’s robust PDFexport capabilities, its helpful prefl ight and documentpackaging functions will also be explored.Prerequisite: Adobe InDesign I.WEB & GRAPHIC DESIGNREGISTER ONLINE AT WWW.DCAD.EDU05

ADOBE FLASH I: WEB ANIMATION AND INTERACTIVITYWITH ADOBE FLASH AND HTML5 ICOURSE ID: AN0013Instructor: Charley ParkerSIX SESSIONSWednesday, 6 PM – 9:15 PM; February 15 – March 21NON-CREDIT Tuition: $300/Lab Fee: $35; 2 CEUsCREDIT Tuition: $450/Lab Fee: $35; 1 CreditThis class is focused on Adobe Flash but has been expandedto incorporate new HTML5 alternatives to Flash, both fromAdobe and other developers. Add Flash to your range of webdesign skills. Master the fundamentals of the most powerfuland versatile tool for creating animation and interactivity forthe web. In-class projects will show you how to create motiongraphics for banner ads or web presentations, and how tobuild Flash-based websites. The course starts with the basicsof Flash interface, moves through tools and techniques into thedesign, planning and creation of Flash projects and publishingFlash fi les on the web. The course includes an overview ofHTML5/Canvas alternatives like Adobe Edge, Adobe Wallabyand Tumult Hype. Computer graphics knowledge required.ADOBE FLASH II: WEB ANIMATION AND INTERACTIVITYWITH ADOBE FLASH AND HTML5 IICOURSE ID: AN0014Instructor: Charley ParkerSIX SESSIONSWednesday; 6 PM – 9:15 PM; March 28 – May 2NON-CREDIT Tuition: $300/Lab Fee: $35; 2 CEUsCREDIT Tuition: $450/Lab Fee: $35; 1 CreditExtend your command of the interactive power of Flash withthis intermediate-level class. Add sophisticated techniques forcreating multi-level movies that improve load time, using movieclips to organize and manipulate content, and importing andcontrolling sound and video fi les. The course also de-mystifi esthe fundamentals of ActionScript. Flash’s powerful scriptinglanguage can be surprisingly simple to use and gives youextraordinary control over animation and response to useractions. Students will be also be introduced to one or moretimeline-based HTML5/Canvas alternatives to Flash, with afocus on creating content compatible with iPad and iPhonedevices. Prerequisite: Adobe Flash I.BASIC LAYOUT & TYPOGRAPHY FOR WEB & PRINTCOURSE ID: GD0076Instructor: Joy SmokerTWELVE SESSIONSTuesday, 6 PM – 9:15 PM; February 14 – May 1NON-CREDIT Tuition: $490/Lab Fee: $35; 2 CEUsCREDIT Tuition: $900/Lab Fee: $35; 1 CreditLearn to communicate effectively using principles of designand typography. Issues of space, texture, color, rhythmand meaning are addressed. Type and visual elements arecombined to create effective layouts. Computer typographyis introduced. Pre-requisites: Quark I or InDesign I; Mac OScompetency.ADOBE DREAMWEAVER I + CSSCOURSE ID: WD0052Instructor: DCAD FacultySIX SESSIONSMonday, 6 PM – 9:15 PM; February 13 – March 19NON-CREDIT Tuition: $300/Lab Fee: $35; 2 CEUsCREDIT Tuition: $450/Lab Fee: $35; 1 CreditUnleash the power of Dreamweaver, a professional authoringtool for creating and managing web pages. Learn the palettesand inspectors used to construct web documents. Beginningwith text formatting and tables, the class will cover the use offrames and the construction of image maps.Prerequisite: Web Design Fundamentals.ADOBE DREAMWEAVER II + CSSCOURSE ID: WD0053Instructor: DCAD FacultySIX SESSIONSMonday, 6 PM – 9:15 PM; March 26 – April 30NON-CREDIT Tuition: $300/Lab Fee: $35; 2 CEUsCREDIT Tuition: $450/Lab Fee: $35; 1 CreditIn this intermediate level class, students will expand theirunderstanding of Dreamweaver by exploring advancedprogramming capabilities, including behaviors,cascading style sheets, and Dynamic HTML.Prerequisite: Dreamweaver I.

ADOBE ILLUSTRATOR ICOURSE ID: GD0041Instructor: David ManzolilloSIX SESSIONSWednesday, 6 PM – 9:15 PM; February 15 – March 21NON-CREDIT Tuition: $300/Lab Fee: $35; 2 CEUsCREDIT Tuition: $450/Lab Fee: $ 35; 1 CreditOne of the backbones of modern graphic design andelectronic publishing, Illustrator is the leading vector-basedillustration software available. This course instructs thebeginning student in the software’s typical uses in today’sdesign and publishing environment, covering basic drawing,tracing and typographic techniques.Mac OS competency required.ADOBE ILLUSTRATOR IICOURSE ID: GD0042Instructor: David ManzolilloSIX SESSIONSWednesday, 6 PM – 9:15 PM; March 28 – May 2NON-CREDIT Tuition: $300/Lab Fee: $35; 2 CEUsCREDIT Tuition: $450/Lab Fee: $35; 1 CreditBuild on your basic understanding of Illustrator in this handsoncourse. Explore the advanced capabilities of the softwareby creating dynamic type effects and using blends for realisticillustrations. Learn to integrate illustrations with AdobePhotoshop and web applications through a variety of problemsolvingexercises. Prerequisite: Adobe Illustrator I.INTRODUCTION TO 3-D ANIMATION I - MAYA ICOURSE ID: AN0054Instructor: Patrick SkeltonSIX SESSIONSSaturday, 10 AM – 1 PM; February 18 – March 24NON-CREDIT Tuition: $300/Lab Fee: $35; 2 CEUSCREDIT Tuition: $450/Lab Fee: $35; 1 CreditMaya is the leading 3D design animation software. Thisintroductory class will provide students with an introductionto this powerful software, including an overview of tools,modeling, rigging, simple environments and basic animation.3-D ANIMATION II - MAYA IICOURSE ID: AN0055Instructor: Patrick SkeltonSIX SESSIONSSaturday, 10 AM – 1 PM; March 31 – May 5NON-CREDIT Tuition: $300/Lab Fee: $35; 2 CEUSCREDIT Tuition: $450/Lab Fee: $35; 1 CreditBuild on your knowledge of Maya to learn about lighting,cameras, textures, advanced rigging, surface painting,advanced modeling, and character animation.Prerequisite: Maya I.PORTFOLIO WORKSHOP FOR WEB & GRAPHIC DESIGNCOURSE ID: WD0068Instructor: Rob WhiteheadFOUR SESSIONSThursday, 6 PM – 9:15 PM; March 29, April 12, April 25, May 10NON-CREDIT Tuition: $200In a critique environment, students will develop their portfoliothrough new web and/or graphic design assignments todemonstrate their creative and technical skills, ultimately expandingtheir body of work in order to enhance marketability. This course isrecommended for all advanced Certifi cate students.INTERACTIVE & SOCIAL MEDIA MARKETINGCOURSE ID: PH0068Instructor: Kati DriscollSIX SESSIONSTuesday, 6 PM – 8 PM; January 3 – February 7NON-CREDIT Tuition: $200; 2 CEUSUnderstanding online marketing is essential for the modern artistand designer - whether you’re looking to attract the attentionof prospective clients & employers or promoting your creativeworks. The purpose of this course is to provide students withthe knowledge they need to enhance their digital presencethrough live demonstrations, case studies and hands-onapplications. Focus is on the technical basics & best practicesfor multiple social networks. Popular platforms, such as twitter,facebook, LinkedIn and Google+, will be covered - in additionto the advantages of blogs, social marketplaces & onlinecommunities.WEB & GRAPHIC DESIGNREGISTER ONLINE AT WWW.DCAD.EDU07

FINE ARTSART & DESIGN CERTIFICATEThe Art & Design Certifi cate provides students with theopportunity to build creative and technical skills in order todiscover and realize their artistic potential. With required“core” courses in drawing and painting, the student maychoose Fine Arts electives or a course from any other area,such as Computer Graphics, Interior Design, Photography,or Jewelry Design. This unique and personalized course ofstudy is available only through the Delaware College of Artand Design and offers aspiring artists the ultimate fl exibility increating a customized art and design curriculum.SEMESTER ONEFirst course in DrawingFirst course in PaintingElective ISEMESTER TWOSecond course in DrawingSecond course in PaintingElective IISEMESTER THREEThird course in DrawingThird course in PaintingElective IIIThe above-described curriculum chart refl ects a total of108 weeks of Continuing Education Art & Design courses.Although courses may meet for fewer than 12 sessions, thecurriculum may be completed by taking any combination of 3,6, 8, 10 or 12 week courses in order to accomplish the full 108weeks required for certifi cate completion.FACULTYRAYMOND BROWNRaymond has a lifelong involvement in visual art including:teaching, drawing, painting, printmaking, portraiture,storyboarding for animation and live-action production,logo design, and computer graphics imaging. Teachingexperience includes instruction of drawing and painting atthe Arts Council of Princeton and storyboarding at the OtisCollege of Art and Design.DONNA CUSANOBFA, Tyler School of Art, Temple University, with aconcentration on Illustration, graphic design and Painting.Studied for one semester in Rome concentrating onRenaissance Art History and Painting. A pastel and oil painter,Donna been teaching for more than 12 years at regionalvenues such as The Wallingford Community Arts Center,The Howard Pyle Studio Group and extensively at her privatestudio in Aston, PA. She is published in The Best of PastelBooks I and II, Chester County Living Magazine, and ArtMatters Magazine. She is currently working on a continuingseries of abstracted landscape paintings based on a trip toDonegal, Ireland. www.donnacusano.comJEAN DIVERArtist, designer, writer and illustrator. BFA in graphic design,Moore College of Art & Design in Philadelphia. Jean hasstudied painting and graphics at Corcoran School of Art +Design with Bill Neumman and Johan Severtson and studiedpainting with many artists such as Eo Omwake, Tom Bostelleand Bo Bartlett. Presently represented in galleries in NewJersey and Pennsylvania. www.jeandiver.comBRIAN DUNNA.F.A., Delaware College of Art and Design. Brian has alwaysbeen infl uenced by the monsters and creatures from horrorfi lms and masks in the Halloween shop; these were thesubjects that shaped his interests and art. Brian startedsculpting for stop-motion puppets, then went on to createlife-size busts. Since then he has continued his studiesby watching other artists, studying anatomy and the facialstructure. Brian has taught a portrait sculpture continuingeducation workshop at Pennsylvania Academy of Fine Arts;and a creature and character design class workshop withcreature designer Jordu Schell. www.alter-ego-dezines.comCATHERINE DRABKINArea Coordinator, Fine Arts, MFA, Queens College (CUNY);BFA, Maryland Institute College of ArtCatherine Drabkin is a founding faculty member and the AreaCoordinator of Fine Arts at DCAD. She has participated innumerous group and solo exhibitions both in the U.S. andabroad, including The Ohr-O’Keefe Museum of Art, TheNational Academy of Design, and Kraushaar Galleries inNew York. Her work has been featured in American Artist:Watercolor magazine, and on the cover of Flying at Night:Poems 1965-1985, by poet laureate Ted Kooser. Shehas received a variety of fellowships and is represented innumerous public collections. In 2010, Catherine was invited bythe Association of Petite Cites de Caractere and the BretagneBoard of Tourism to visit and paint eight historic towns inBrittany, France. An international traveling group exhibition anda book are currently in production.ELLEN DURKANMFA, Towson University; BFA, Corcoran College ofArt + Design; AFA, Delaware College of Art and Design.Ellen is currently working on a body of forged metalwearable pieces. These garments have a performanceaspect as they immobilize the female fi gure, yet thehammered steel framework is seductive, as it stands alonewithout a fi gure inside.EVA FREIBERGERMFA in Visual Art with emphasis on painting, MarywoodUniversity; BFA, minor in art history, West Chester University;AFA, Delaware College of Art and Design. Eva teachesin DCAD’s AFA Degree Program as well as at NeumannUniversity and Penn State University.08

FIGURE & PORTRAIT SCULPTURECOURSE ID: FA0036Instructor: Harold KalmusSIX SESSIONSSection 1: Monday, 6 PM – 9:15 PM; January 2 – February 6Section 2: Monday, 6 PM – 9:15 PM; February 13 – March 19NON-CREDIT Tuition: $240 (each section)This course will explore the materials and methods for fi gureor portrait sculpture while working from a live model.Students may choose to work on a full fi gure or life-sizeportrait. This course is intended for students of any levelinterested in developing a sound foundation in fi gure sculptureor improving their existing skills. Working with clay from livemodels on a series of fi gure studies, students will focus ongesture, proportion, and basic anatomy, with an emphasison honing three-dimensional perception and the creation ofsculptures with full and rich volume. Students will be providedwith a materials list upon registration.PAINTING WORKSHOP: INSPIRATIONFROM GIORGIO MORANDICOURSE ID: FA00215Instructor: Carol Tippit WoolworthEIGHT SESSIONSTuesday, 6 PM – 9:15 PM; February 14 – May 3NON-CREDIT Tuition: $285; 2.6 CEUSCREDIT Tuition: $450; 1 CreditExplore the world of Giorgio Morandi’s still life paintings fromtheir architectural stillness to subtle use of color. The coursewill begin with drawing exercises to familiarize students withhis work, observing his structure and contrasts, and thencontinue to replicate a painting. Students will then build theirown still life settings to paint and incorporate techniques andapproaches based on Morandi’s work to create personal andpoetic paintings based on their observation and study.OPEN FIGURE STUDIO:DRAWING, PAINTING AND SCULPTINGCOURSE ID: FA0136No InstructionTWELVE SESSIONSTuesday, 6 PM – 9:15 PM; February 14 – May 1NON-CREDIT Fee per session: $10;12 – session pass: $100This uninstructed studio session provides access to the modelin a series of short and long poses which artists may draw,paint and/or sculpt. Payment is per session. Artists must bringtheir own materials.WATERCOLOR PAINTINGCOURSE ID: FA0159Instructor: Michael RobearTEN SESSIONSThursday, 6 PM – 9:15 PM; February 16 – April 19NON-CREDIT Tuition: $335/Lab Fee: $20; 3 CEUsCREDIT Tuition: $675/Lab Fee: $20; 1.5 CreditsIf you have found this medium to be frightening, diffi cult andunforgiving or perhaps this is your fi rst attempt – fear no more!This course will begin with a solid understanding of traditionaltechniques such as washes, bleeds and layering. Studentswill then explore the expressive qualities of the medium and itschanging effects on a variety of paper and end the course bydeveloping a painting from start to fi nish. A Saturday visit tothe Brandywine River Museum will be planned. Some drawingexperience is preferred, but not necessary.FIGURE DRAWINGCOURSE ID: FA0070Instructor: Aki SareTEN SESSIONSSaturday, 10 AM – 1 PM; February 18 – April 21NON-CREDIT Tuition: $355; 3 CEUsCREDIT Tuition: $675; 1.5 CreditsUnderstanding the human fi gure is a fundamental skill for visualartists. This course will focus on drawing from live models.Tackle complex fi gurative forms through careful observationand innovative drawing techniques. This in-depth explorationof the human form will stress anatomical structure,proportion, foreshortening, value and line quality. Developexpressive mark-making and strengthen compositional design.MIXED MEDIA AND EXPERIMENTALDRAWING TECHNIQUESCOURSE ID: FA0045Instructor: Ellen DurkanEIGHT SESSIONSMonday, 6 PM – 9:15 PM; February 13 – April 2NON-CREDIT Tuition: $285; $10 materials fee; 2.6 CEUsCREDIT Tuition: $450; $10 materials fee; 1 CreditStudents will learn how to attack a drawing with an energeticand tactile approach to form while using mixed media. This isan experimental class for beginner or advanced artistsinterested and open to exploring new ways of drawing.Students will explore different techniques, styles and materials.Students are encouraged to combine elements from thenatural world through careful observation, while at the sametime tapping in to their subconscious expressing personalconcepts and ideas. This class is a perfect opportunity forartistic experimentation!

THE SELF-PORTRAIT:A FIVE-WEEK ALLA PRIMA WORKSHOPCOURSE ID: FA0212Instructor: Raymond BrownFIVE SESSIONSSection I: Saturday, 10 AM – 1 PM; January 7 – February 4Section II: Saturday, 10 AM – 1 PM; March 31 – May 5NON-CREDIT Tuition: $175; 2 CEUSAlla Prima means “all-at-once”, literally in one sitting. Beginningwith a limited color palette, and ending with a full color range,students will explore characterful self-portraiture through oilstudies, completing one painting per class. Open to all levels,but some drawing and painting background will be of benefi t.BEGINNING PASTELSCOURSE ID: FA0086Instructor: Donna CusanoFIVE SESSIONSWednesday, 6 PM – 9:15 PM; February 15 – March 14NON-CREDIT Tuition: $175; 1.5 CEUS“Drawing is the mother and painting is the child.” Thecolorful and versatile medium of pastel is the bridge betweenthe drawing and painting disciplines. Students will begin bylearning to observe and create value relationships within thepicture plan in order to construct a balanced image. Next,through the use of basic color theory, students will practicetransparent and opaque layering techniques, developingbrilliant and unusual color palettes as well as compellingsurface textures. Attention will be paid to each student’sindividual style and expression. Demonstrations and individualinstruction provided.CARTOONING & BASIC ANIMATIONCOURSE ID: AN0004Instructor: Josh HowellSIX SESSIONSSaturday, NOON – 3 PM; February 18 – March 24NON-CREDIT Tuition: $230; 2 CEUSCREDIT Tuition: $450; 1 CreditThis class, for artists of all skill levels, explores the processand creation of hand-drawn animation and teaches the skillsto bring comics, cartoons and basic animation to life. Studentswill learn the basics of creating dynamic drawings, engagingsubjects, story-telling, transitions, stop-motion animation andhand-drawn animation. This course encourages every styleof drawing, allowing for experimentation while achieving newlevels of vivacity.LEARNING TO SEE: DRAWING FOR EVERYONECOURSE ID: FA0001Instructor: Eva FreibergerTEN SESSIONSThursday, 6 PM – 9:15 PM; February 16 – April 19NON-CREDIT Tuition: $355; 3.3 CEUsCREDIT Tuition: $675; 1.5 CreditsLearn to draw anything in this drawing course, open forbeginners to experienced artists. Whether you want to be thenext Rembrandt or simply want to achieve a handle on themechanics of drawing, this class will focus on understandingthe fundamentals. Through the careful study of still life andmodels, students will learn how to create life-like drawings ofthe things around you. We will discuss measuring and sighting,as well as basic concepts of design. Along with working fromstill life and models, there will be historical discussions, casualcritiques and demonstrations. The mediums used in this classwill be charcoal and pencil. A materials list will be provided atregistration. Please bring all basic drawing materials to the fi rstclass meeting. No experience necessary.ILLUSTRATION INTENSIVE: MONSTERS VS. MANCOURSE ID: IL0012Instructor: Tim FureyTEN SESSIONSWednesday, 6 PM – 9:15 PM; February 15 – April 18NON-CREDIT Tuition: $355; 3.3 CEUSEnvision another world where epic battles are fought – ingraphite. Develop your imagination and drawing skills throughstory development and narrative illustration featuring beastsand brutes battling man (or woman). Explore the process ofcreating engaging and dynamic characters and bringing theseother-worldly encounters to life. With instruction from awardwinningillustrator Tim Furey, you will work to develop a seriesof illustrations that can stand alone or tell a complete and clearstory through multiple drawings. This course is opento all experience levels.POINTED PEN WORKSHOPCOURSE ID: FA0233Instructor: Valerie Wilson JermusykSaturday, 10 AM – 4 PM, February 25NON-CREDIT Tuition: $75Take your calligraphy to the next level! Love the look of thosehand-written addresses on wedding envelopes? Intrigued byold-time correspondence? Did you know this art form canbe translated into decorating cakes and cookies? Learn thesecrets and techniques of working with dip pens, brushes andeven frosting bags! Add elegance to edible and non-edibleprojects. A half-hour lunch break will be provided; studentsmay bring lunch or visit a local eatery.FINE ARTS11

ABSTRACT PAINTING IN ACRYLICSCOURSE ID: FA0184Instructor: Amanda KamenEIGHT SESSIONSThursday, 6 PM – 9:15 PM; February 16 – April 5NON-CREDIT Tuition: $285; 2.6 CEUSCREDIT Tuition: $450; 1 CreditThrough demonstrations, discussions and critiques, studentswill explore the language of abstract painting. Students willexplore historic and modern abstract painting traditions whilecreating their own studio work. Students should have somedrawing experience.DARE TO PAINTCOURSE ID: FA0232Instructor: Jordan GrawTEN SESSIONSSaturday, 1 PM – 4 PM, February 18 – April 21NON-CREDIT Tuition: $350; 3 CEUSCREDIT Tuition: $675; 1.5 CreditsThis course is designed to push painters to the next levelthrough challenging weekly assignments that drive them tocreate with freedom and confi dence. With inspiration fromcontemporary painters, students will develop their paintingvocabulary and techniques through challenging course work,demonstrations and discussions. Students will use paint andcolor as expressive tools while experimenting with value, texture,subject matter and time constraints. Specifi c assignments willinclude painting wet into wet, creating ten paintings in one class,painting on top of another painting as well as other projectsdesigned to develop critical awareness, analytic skills andexpressiveness. This class is open to painters of every level,but students should have some drawing experience.INTRODUCTION TO OIL PAINTINGCOURSE ID: FA0177Instructor: Jean DiverSIX SESSIONSSaturday, 1 PM – 4 PM; February 18 – March 24NON-CREDIT Tuition: $230; 2 CEUSCREDIT Tuition: $450; 1 CreditsThis course offers a tranquil way to review the oil painting basicsfor beginners and returning painters. This course will introducestudents to all materials – even learn to stretch a small canvas.Basic color theory and mixing will be covered. The class willlearn a three-dimensional painting method using a still life model.Students will have a better understanding of different paintingmethods as well and take home information for future referencethroughout the session.COLOR THEORY TO PRACTICECOURSE ID: FA0016Instructor: Donna CusanoFOUR SESSIONSWednesday, 6 PM – 9:15 PM; January 4 – January 25NON-CREDIT Tuition: $150Demystify the use of color in this workshop by moving fromcolor theory to practice. Working from your own photographs,still life set up, or cityscapes visible from the expansive DCADstudio windows, you will be guided through the process ofworking in limited yet expressive palettes. These exercises willhelp you develop your own color vocabulary. Group critiquesand individual instruction will be provided; bring materials inoils, pastels or acrylics.EN PLEIN AIR PAINTINGCOURSE ID: FA0064Instructor: Jean DiverSIX SESSIONSSaturday, 10 AM – 1 PM; March 31 – May 5NON-CREDIT Tuition: $355; 3 CEUsCREDIT Tuition: $675; 1.5 CreditsCome relax and enjoy the fall season in this 10-week courseof painting “in the open air.” The experience of painting outdoors, rather than in the studio, was central to Impressionism.Beginning and Intermediate students will learn travel tricks aswell as various painting techniques in order to develop smalland medium paintings based on observational drawings.Watercolor, acrylic and oil media are welcome. Prerequisite:Introduction to Oil PaintingALTERED BOOK WORKSHOPCOURSE ID: FA0204Instructor: Nanci HershONE SESSIONSaturday, 10 AM – 2 PM; March 3NON-CREDIT Tuition: $50Discover the world of altered books! In this mixed mediaclass we will explore new ways to transform recycled booksinto works of art. Altered book art combines several typesof artistic techniques into one unique art form using a varietyof media and methods including, rebinding, painting, rubberstamping, collage, writing, and photomontage to name afew. Come ready to fold, sew, cut, paste and have fun!No experience necessary.

MONSTER MASK CLASSCOURSE ID: FA0208Instructor: Brian DunnFIVE SESSIONSTuesday, 6 PM – 9:15 PM; January 3 – February 7NON-CREDIT Tuition: $175; Materials Fee: $25Have you ever wanted to make your own monster mask?This class will teach you how. Creature artist Brian Dunnwill teach the fundamentals of character and originalitywhile assisting you to quickly develop a concept maquette.Each student will then sculpt, mold and cast their very ownmonster mask. The instructor will sculpt alongside studentsto demonstrate sculpting a full head bust, making a two-partmold, casting and seaming a mask, then fi nish with a paintingdemonstration. Topics will include concepts/maquettes,sculpting and molding a face mask and casting a latex mask.CREATING LIGHT & SPACE WITH GOUACHECOURSE ID: FA0194Instructor: Catherine Drabkin, Area Coordinator for Fine ArtsONE SESSIONSaturday, 10 AM – 3 PM, February 4NON-CREDIT Tuition: $75Join DCAD’s Fine Arts Area Coordinator, Painter CatherineDrabkin, for an exploration of the amazing possibilities ofgouache. Gouache is an opaque water based paint thathas tremendous fl exibility, is easy to set up, and has a shortdrying time. In this workshop you can experience reality moreintensely with color and learn to use paint to carve light out ofdarkness. Students will work directly from observation inthe studio. There will be individual attention, a groupdiscussion, and a critique. A half-hour lunch break will beprovided. A materials list will be available upon registration.FACE THE MASTERSCOURSE ID: FA0230Instructor: Carol Tippit WoolworthSIX SESSIONSTuesday, 6 – 9:15 PM; January 3 – February 7NON-CREDIT Tuition: $230; 2 CEUSEver see yourself as the Mona Lisa? Or Degas?Picasso, anyone? Put your face on an Old Master’sPortrait. Through various drawing and paintingexercises students will become familiar with thetechniques to enable them to paint themselvesinto a Rembrandt or Van Eyck. Creating perfectskin tones, use of highlights and shadows, as wellas other portrait techniques will be discussed anddemonstrated. Students should be prepared withbold and creative ideas regarding the Old MasterPortrait they wish to reference.BLOOMS IN WINTER:INSPIRATION FROM MANETCOURSE ID: FA0231Instructor: Carol Tippit WoolworthSIX SESSIONSMonday, 6 PM – 9:15 PM; January 2 – February 6NON-CREDIT Tuition: $230; 2 CEUSIn his fi nal days, Eduard Manet created small scalefl oral paintings that are exquisite and ethereal,bold in color and full of emotion. Students willdeconstruct these paintings and be inspired toseek and create work that speaks from the heart.Through study, discussion and demonstration of oilpainting techniques, students will create their ownfl oral painting of beauty and mystery.FINE ARTSTRANSFER TECHNIQUES FOR MIXED MEDIA & MORECOURSE ID: FA216Instructor: Valerie Wilson JermusykONE SESSIONSaturday, 10 AM – 4 PM, February 18NON-CREDIT Tuition: $75; Materials Fee: $10Through experimentation and exploration, students will addto their artists’ toolbox by incorporating images, text, shapeand color through a variety of transfer techniques withapplication to multiple art forms. Imagine taking a photograph,an original work of art or text and transferring it to fabric;adding depth to a 2D work by layering semi-transparentimages onto paper, canvas, or wood; or creating an alteredbook, original stationary, ornaments, and more. A half-hourlunch break will be provided; students may bring lunch or visita local eatery.THE ART OF INK BRUSH PAINTINGCOURSE ID: FA0167Instructor: Amanda KamenSIX SESSIONSThursday, 6 – 9:15 PM, January 5 – February 9NON-CREDIT Tuition: $230; 2 CEUSIn this class, open to beginners and experiencedpainters alike, students will use the traditionalbrush, ink, inkstone and paper to create the basicstrokes known as the Four Gentlemen: Bamboo,Chrysanthemum, Orchid and Plum Branch. Withthese basic strokes committed to memory, thestudent will be able to create elegant, originalartwork that maintains the beauty and character ofthis unique and graceful painting technique.REGISTER ONLINE AT WWW.DCAD.EDU 13

INTERIOR DESIGNINTERIOR DESIGN CERTIFICATE CURRICULUMThe Interior Design Certifi cate program familiarizes studentswith cutting-edge digital drafting software while providing a solidbackground in the history of interior design, architectural drawing,color, lighting, furniture and business practices.The compact program provides comprehensive instruction andprepares students to compete for jobs in a variety of fi elds: interiordesign, architectural design, drafting, interior retailing and interiordecorating. Possible candidates for this program are workingprofessionals seeking a career change, individuals interested instarting a home-based business, creative young people looking fora way to enter the business and recent college graduates seekingto expand their skill set.SEMESTER ONEIntroduction to Interior DesignThe Historic InteriorSEMESTER TWOLighting DesignDigital Design Communication for Interior Design ISEMESTER THREEColor and MaterialsBasic Drawing, Rendering & Space PlanningResidential DesignSEMESTER FOURDigital Design for Interior Design IICommercial DesignElective IPossible Electives:Faux Finishes & Experimental PaintingThe Modern InteriorInterior Design Business PrinciplesInterior Design Portfolio WorkshopFACULTYJASON BIRLBArch, Temple University. Jason has been practicingarchitecture for more than 15 years and has been involvedin all phases of projects ranging from residences to townplanning.JULIE CARGILLBS, Boston University; Associate Degree in Interior Design,Cape Fear Community College, Wilmington, N.C. Julie is anInterior Designer with Interior Concepts of Wilmington. Shecoordinates full service residential interior design projectsfrom concept to completion. Her work includes creating spaceplans, color schemes, fabric/furniture/accessory selectionsand maintaining client relationships bycoordinating installations.KIRSTEN FISCHLERMFA, Pratt Institute; BFA, Rhode Island School of Design.Kirsten has studied in Rome as a part of RISD’s EuropeanHonors Program. She has run her own faux fi nishing andTrompe l’oel painting business and now works in a variety ofmixed media as a fi ne artist. Her work is in private collectionsin the United States and Europe. www.kirstenfi schler.comNILE JOHNSONBS in Interior Design, The Art Institute of Philadelphia. Nileis pursuing his Master’s in Interior Architecture and Designfrom the Academy of Art University. Currently he practicesresidential, hospitality and commercial design, is a member ofthe American Society of Interior Designers (ASID) and is theprincipal of Philosophy: DESIGN, his own design fi rm.ROSEMARY KELLYBA in Interior Design, University of Delaware. She is aresidential and commercial designer who has owned andoperated her own business since 1999.SUZANNE STEWARTBA, University of Delaware; AS, Art Institute of Philadelphia.Design Consultant for Wilkinson Builders. Designer/Owner ofA Fine Line.INTRODUCTION TO INTERIOR DESIGNCOURSE ID: ID0001Instructor: Julie CargillTWELVE SESSIONSThursday, 6 PM – 9:15 PM; February 16 – May 3NON-CREDIT Tuition: $460; 3.9 CEUsCREDIT Tuition: $900; 2 CreditsA fundamental course in design as it relates to the interiorenvironment, surveying both the elements and principles ofdesign. Students explore interior design as a profession,examine space planning and fi nishes and develop basicdrafting skills. This class is the pre-requisite for all subsequentdesign courses in DCAD’s Interior Design Certifi cate Program.14

DIGITAL DESIGN COMMUNICATION FOR INTERIORDESIGN I (FORMERLY AUTOCAD I)COURSE ID: ID0022Instructor: Jason BirlTWELVE SESSIONSWednesday, 6 PM – 9:15 PM; February 15 – May 2NON-CREDIT Tuition: $460/Lab Fee: $35; 3.9CEUsCREDIT Tuition: $900/Lab Fee: $35; 2 CreditsInterior Design students will learn to communicate designideas using a variety of digital tools, including AutoCAD andGoogle Sketchup. Students will learn to develop a projectfrom initial sketches to fi nished two and/or three dimensionalmodels. Students will learn through demonstrations, handsonwork, and discussion. Students should bring a portableUSB fl ash drive (min. 64mb) and a blank CD to save drawings.Familiarity with Windows Operating System and basic draftingskills are required.INTERIOR DESIGN BUSINESS PRINCIPLESCOURSE ID: ID0036Instructor: Nile JohnsonTWELVE SESSIONSThursday, 6 PM – 9:15 PM, February 16 – May 3NON-CREDIT Tuition: $350This course will provide aspiring interior designers with theguidelines and tools to assist them in establishing, managingand maintaining a successful interior design business.Topics will include creating presentations and contracts aswell as time and project management in order to develop abusiness. Through actual case studies of ethical issues anddesign challenges faced by today’s interior designer, studentswill prepare solutions and projects based on weekly topics.Pre-requisite: Introduction to Interior Design. Required Text:Professional Practice for Interior Designers, 4th EditionBASIC DRAWING, RENDERING & SPACE PLANNINGCOURSE ID: ID0051Instructor: Kirsten FischlerSIX SESSIONSMonday, 6 PM – 9:15 PM; February 13 – March 19NON-CREDIT Tuition: $230/Lab Fee $35; 2 CEUsCREDIT Tuition: $450; 1 CreditThis six-week course introduces students to drawing andrendering interiors by learning simple perspective principles,sketching and drawing from sight, rendering with dry media, aswell as basic space planning. Two sessions will be dedicatedto each topic, so students can a get a feel for what they wouldlike to explore further on their own. The instructor will provideadditional assignments for those students who wish to exploretopics beyond the scope of the class.COMMERCIAL DESIGNCOURSE ID: ID0023Instructor: Rosemary KellyTWELVE SESSIONSTuesday, 6 PM – 9:15 PM, February 14 – May 1NON-CREDIT Tuition: $450; 3.9 CEUs CREDIT Tuition:$900; 2 Credits This intermediate-level course examinesretail store design as a medium to creating an engagingshopping experience. Students will create a one-of-a-kindbrand experience through the design and development ofa retail environment. Addressing the complexities of a retailenvironment, the course will focus on brand development,program feasibility, visual merchandising, lighting, materialsand space allocation. Prerequisite: Residential Design; Colorand Materials (formerly Environmental Products).LIGHTING DESIGNCOURSE ID: ID0046Instructor: Suzanne StewartTWELVE SESSIONSWednesday, 6 PM – 9:15 PM, February 15 – May 2NON-CREDIT Tuition: $450; 3.9 CEUsCREDIT Tuition: $900; 2 CreditsLighting Design is a fundamental course in lighting andinteraction with visual perception and aesthetics. The basicfunctions of lighting are studied, analyzed, and critiqued asdesign elements, and students are asked to transfer thisinformation to lighting plans and specifi cations. Wheneverpossible, fi eld inspection of lighting installations adds totheoretical information in the classroom. Pre-requisite:Introduction to Interior Design.FAUX FINISHES AND EXPERIMENTAL PAINTINGCOURSE ID: ID0195Instructor: Kirsten FischlerSIX SESSIONSMonday, 6 PM – 9:15 PM; March 26 – April 30NON-CREDIT Tuition: $230/Lab Fee $35; 2 CEUsCREDIT Tuition: $450; 1 CreditIn this studio class, students will learn to render materials suchas marble, granite, wood and brick at full scale; plan a muralso that it is perspective and learn to use a grid to enlargedrawings. By making sample boards, learning to preparesurfaces and choosing paint, students will be able to createprofessional looking interior surfaces using these techniques.REGISTER ONLINE AT WWW.DCAD.EDUINTERIOR DESIGN15

FASHION & JEWELRY DESIGNFACULTYPATRICIA WHITMANBS, University of Delaware. About two years agoPatricia discovered and fell in love with jewelry madewith the techniques and weaves from the ancient artof chainmail. The clean, fl uid, fl exible, yet intricate,weaves can create exquisite jewelry for both menand women. Some of the classic weaves, such asJens Pind and Full Persian, are her favorites, butshe loves them all. Once perfect jump ring closuresand the classic chainmail weaves are mastered,the fun is in creating new weaves and modifyingthe classic ones to make unique, and sometimesheirloom, jewelry. As is often the case when youlove something, Patricia found that she wanted toshare her enthusiasm of chainmail with others. Inthat spirit Patricia teaches chainmail workshops atthe Delaware College of Art and Design.BEGINNING CHAIN MAILLE WORKSHOPCOURSE ID: JD0019Instructor: Patricia WhitmanONE SESSIONSaturday, 1 PM – 4 PM; February 18NON-CREDIT Tuition: $35; Materials Fee: $10This workshop will begin with a brief review of the historyof the ancient art of chain maille. Several examples of chainmaille jewelry will show some of the many possibilities ofthis technique. Students will learn how to make clean, tightclosures of jump rings and will learn the byzantine weaveto make a bracelet in copper or brass. If time permits,the box weave, which is closely related to the byzantine weave,will also be taught. The only tools needed to do chain mailleare a pair of chain nose pliers. Pairs of pliers will be availablefor use during the class if needed. The cost of the byzantinebracelet kit is $10. Pairs of pliers and additional kits will alsobe for sale in class.ADVANCED CHAIN MAILLE WORKSHOPCOURSE ID: JD0020Instructor: Patricia WhitmanONE SESSIONSunday, 1 PM – 4 PM; February 19NON-CREDIT Tuition: $35; Materials Fee: $25Continue to explore and create Chain Maille in this advancedworkshop, open to students who have already taken theintroductory course. Students must have taken the fi rstworkshop or have some hands-on experience with chainmaille. The workshops will continue to focus on makingperfect closures of jump rings and will teach a few moreinteresting weaves, including the European 4-in-1 weave, theCeltic weave and possibly the Persian weave. The only toolsneeded to do chain maille are a pair of chain nose pliers. Pairsof pliers will be available for use during the class if needed.Pairs of pliers and additional kits will also be for sale in class.Prerequisite: Beginning Chain Maille Workshop.16

PHOTOGRAPHYPHOTOGRAPHY CERTIFICATEThis program is designed for beginning photographers,artists, designers or anyone who would like to take theirphotographic vision and current knowledge to another level.If you are interested in changing careers or personal growth,these classes will provide a course of study that will takeyou through the fundamentals, as well as intermediate andadvanced levels of black and white and digital photography.Aesthetics, process and individual creative vision will beemphasized to help students fi nd their own unique style.Students acquire the technical skills to shoot, manipulate andprint photographs with fi lm and digital technology in coursesthat emphasize camera techniques, lighting methods and useof computer software for modifying and printing digital fi les.In addition, students will begin to build a body of work and aprofessional portfolio.SEMESTER ONEDigital Photography IAdobe Photoshop I/IISEMESTER TWOBlack & White Photographic TechniquesHistory of Photography or Documentary PhotographyPhotography Elective OneSEMESTER THREEDigital Photography IIWeb Design FundamentalsSEMESTER FOURPhotographic LightingPhotography Elective TwoFACULTYKATHLEEN BUCKALEWMFA, George Washington University; BA, University ofDelaware. Photographer Kathleen Buckalew began her workas a photographer for the Design & Exhibition Department ofthe National Gallery of Art. She has won numerous awardsfor her work, including a fellowship from the Delaware Divisionof the Arts; a resident fellowship at the Virginia Center for theCreative Arts and was named the McKinstry Scholar by theDelaware Heritage Commission in 2005 for her continuingwork on her project of documenting farmers in Delaware (nowin the process of becoming a book). Kathleen has exhibitedher work across the U.S. In 2011, Ms. Buckalew was one ofthe artists included in the book, “100 Artists of the BrandywineValley.” She is a member of the Diamond State Branch ofthe National League of American Pen Women, the DelawarePress Association, Delaware Center for the ContemporaryArts, the Center for the Creative Arts, and is an active memberof a group she co-founded, called the Brandywine PhotoCollective. Currently, Ms. Buckalew is the staff photographerfor the Hagley Museum and Library in Wilmington, DE.RANDY CIURLINOMS, University of Massachusetts. Randy has been engaged inphotography for 25 years working professionally, freelancingand doing personal work.SANDRO CUCCIABS, University of Delaware. While the bulk of Sandro’s careerhas been in Information Technology at the duPont Company,he has been involved in photography for over forty years,starting as his high school yearbook photographer. Sinceleaving duPont in 2002, Sandro has been working as acommercial and award-winning fi ne-art photographer andApple Consultant working out of his home-based digitalstudio. Since 2007, Sandro has designed and taught digitalphotography, Photoshop, and computer courses at the OsherLifelong Learning Institute at the University of Delaware inWilmington. He has led public photography discussions atthe Longwood Gardens, has presented several photographytopics at the Delaware Photographic Society, and has ledDelaware Photo Walks as part of the Annual Scott Kelby WorldWide Photo Walk. Sandro holds several technical certifi cationsfrom Adobe and Apple.SUSAN ELLISBA English/Humanities, Rutgers University; MS Biology/Behavioral Ecology, York University. Susan’s photographicwork focuses on the small. Her images have been reproducedin government, trade and public publications. Current projectsinclude a book of insect images and several exhibits. www.bugsinthesystem.netZACH PHILLIPSB.F.A., Film & Drama, Syracuse University. Zach Phillipsis a frustrated basketball player, a voracious consumer ofinfosnacks, a committed contrarian and his girlfriend sayshe can be a very good listener, sometimes. He has workedin the analog and digital arts since way before Macs werecool and taught advertising for 5 years at Syracuse University.He does business as the Kitchen, offering services in fi lmproduction and web development. He loves art school andis psyched to be back after a brief hiatus. Visit Zach’s websiteat thekitchen.coRANDLE REEDBFA in Photography, Pratt Institute; AFA in Photography,DCAD. Randle has experienced the wide spectrum of tradethat photography has to offer, from working as a weddingphotographer to assisting an editorial photographer forPaper Magazine. He works primarily in large format anddigital captures simultaneously.JASON WEBBAFA, Delaware College of Art and Design. Jason is aprofessional photographer and an instructor of Photographyat Mount Pleasant High School and The Bellefonte Arts Center.He is currently in pursuit of his BA at Wilmington University inMedia Design with a concentration in Digital Publishing.REGISTER ONLINE AT WWW.DCAD.EDU17

DIGITAL PHOTOGRAPHY ICOURSE ID: PH0017Instructor: Kathleen BuckalewTWELVE SESSIONSTuesday, 6 PM – 9:15 PM; February 14 – May 1NON-CREDIT Tuition: $510/Lab Fee: $35; 3.9 CEUsCREDIT Tuition: $900/Lab Fee: $35; 2 CreditsThis course is designed for the novice and stresses basicphotographic principles in a digital platform. Students will learnto make critical decisions in image making from visualization toprint. Basic digital camera functions will be coveredincluding exposure aperture, shutter speed, ISO, metering,image capture and fi le types. Students will transfer images toa high-end digital work station where basic editing, retouching,color management and printing will be covered using the latestversion of Adobe Photoshop. Critical discussion of bothprint and screen images will occur weekly to enhance thestudent’s understanding of subject matter, composition andother aesthetic considerations. At least two class periods willbe reserved for photo fi eld trips so that students can practicewhat is covered with the instructor’s supervision. Studentsmust provide their own transportation for scheduled fi eld trips.LANDSCAPE PHOTOGRAPHYCOURSE ID: PH0049Instructor: Randle ReedSIX SESSIONSSaturday, 10 AM – 1 PM; March 31 – May 5NON-CREDIT Tuition: $250; Lab Fee: $35; 2 CEUSCREDIT Tuition: $450; Lab Fee $35; 1 CreditIn this course, students will explore a variety of landscapes,from the urban jungle to the woodland forest. With inspirationfrom the master landscape photographer, Ansel Adams,as well as modern photographers’ documentation of thedramatic changes in the world around us, students willembark on an adventure through the lens of their cameras.Through demonstrations, fi eld trips, and discussions regardingcomposition and depth of fi eld, students will gain confi dencein their ability to create exciting and meaningful landscapephotographs. Students will need to have their own camera(either DSLR or Analog) and a tripod. There will be fi eld tripsto the surrounding areas of the Delaware College of Art andDesign; personal transportation or carpooling will be necessary.PHOTOSHOP FOR PHOTOGRAPHERSCOURSE ID: PH0035Instructor: Jason WebbSIX SESSIONSThursday, 6 PM – 9:15 PM; February 16 – March 22NON-CREDIT Tuition: $250/Lab Fee: $35; 1.9 CEUsCREDIT Tuition: $450/Lab Fee: $35; 1 CreditDigital camera functions alone do not ensure great images.In this course, students will examine the various tools availablefor post processing, color/contrast correction, imagetoning, retouching, and other enhancements for digital images.Aspects of digital capture, color space, profi les, work fl ow andasset management will also be explored. A basic knowledgeand understanding of layers and masks is helpful. A workingknowledge of Photoshop is a prerequisite.BLACK AND WHITE PHOTO TECHNIQUESCOURSE ID: PH0037Instructor: Randy CiurlinoTEN SESSIONSMonday, 6 PM - 9:15 PM; February 13 – April 16NON-CREDIT Tuition: $350/Lab Fee: $35; 3 CEUsCREDIT Tuition: $675/Lab Fee: $35; 1.5 CreditsLearn the fundamentals of black and white photography ina state-of-the-art laboratory setting. Detailed instruction willcover the operation of the 35mm camera. Students will learnto expose and develop fi lm and contact prints. This classwill cover enlarging and fi nishing, as well as procedures formanipulating the image. Group and individual critiques focuson issues of composition and design. Students must bring a35mm camera with manual controls; no experience required.FILMMAKING WITH DSLR AND IPHONECOURSE ID: PH0057Instructor: Zach PhillipsTWELVE SESSIONSMonday, 6 PM – 9:15 PM; February 13 – April 30NON-CREDIT Tuition: $400.00; 3.9 CEUSFrom script to boards to production to cutting-room to screen,by the end of this course, each student will have a completedshort fi lm. It is required that you have access to an iPhone 4Sor a DSLR capable of shooting HD video at 24 frames persecond. It is also required that you know the basics of how touse a camera and the Mac OS. Be prepared for an ambitiousclass - not for the faint of heart. You will be writing, drawing,collaborating with a team, shooting, recording sound, fi lmediting, creating titles and effects where necessary – a lot tocomplete in one class! Since there is not a moment to spare,Students should arrive to the fi rst class prepared with twoshort fi lm ideas (loose concepts are okay).

IPHONEOGRAPHY: PHOTOS VIA IPHONECOURSE ID: PH0055Instructor: Sandro CucciaSIX SESSIONSSection I: Wednesday, 6 PM – 9:15 PM; January 4 – February 8Section II: Thursday, 6 PM – 9:15 PM; February 29 – May 5NON-CREDIT Tuition: $250; 2.0 CEUSThis class introduces a new photography medium where thephotographer captures images using the camera built intothe Apple iPhone (including iPod Touch and iPad) and mayperform post-processing of those images on the same deviceusing inexpensive, downloadable apps.In this six-week course, you will learn to express and pushyourself photographically with your iPhone, iPod Touch oriPad! Discover the artistic potential of the little camera fi ttedwithin your iDevice, and revel in the ever-growing ecosystemof photo editing apps. This course brings home the notion thatyou don’t need fancy gear to capture and process incredible,award-winning still images. You will learn how to applythe classic photographic principles of exposure, light andcomposition to this little electronic wonder that fi ts right intoyour hip pocket. After the shoot, you discover how to processyour images using select photo editing apps. Via numerousexamples, photo assignments and in-class critiques, youwill be inspired to use this dynamic, new medium on a dailybasis. After all, it’s an excellent camera that goes with youeverywhere! Remember, photography is less about thecamera gear and more about the your vision no matter whatgear you use. This course is open to beginners as well asexperienced photographers. Required: An Apple iPhone (3GSor later preferred), iPod Touch (4th generation or later) andthe willingness and ability to purchase and download photoapps to your device. You will need an AppleID account, andmost apps are priced between 99 cents and $4.99. Expect topurchase 2 apps minimum.PORTFOLIO WORKSHOP FOR PHOTOGRAPHERSCOURSE ID: PH0053Instructor: Randle ReedFOUR SESSIONSWednesday, 6 PM – 9 PM; February 15 – March 7NON-CREDIT Tuition: $200In a critique environment, students will develop their portfoliothrough new photography assignments to demonstrate theircreative and technical skills, ultimately expanding their bodyof work in order to enhance marketability. This course isrecommended for all Photography Certifi cate students.MACROPHOTOGRAPHY II: A CLOSER LOOKCOURSE ID: PH0056Instructor: Susan EllisSIX SESSIONSSaturday, 10 AM – 1 PM; March 31 – May 5NON-CREDIT Tuition: $250/LAB FEE $35; 2.0 CEUSIn this advanced class, students will be challenged creativelyand technically to create close-up images. Using low to nocost devices, students will add to their toolbox, enablingthem to visually record ideas. The emphasis in this classis on creativity, self expression and self-challenge throughassignments which explore the impact of basic designprinciples on close up images even when using experimentallighting and capture techniques. Students are expected toparticipate in fi eld trips and are responsible for their owntransportation. This class is open to intermediate photographystudents, ideally those students who have taken Macro I.DOCUMENTARY PHOTOCOURSE ID: PH0014Instructor: Randy CiurlinoEIGHT SESSIONSTuesday, 6 PM – 9:15 PM; February 14 – April 3NON-CREDIT Tuition: $300; Lab Fee: $35; 2.4 CEUSCREDIT Tuition: $450; Lab Fee: $35; 1 CreditThis course will help students make a portfolio of 10 to 20images documenting a subject of personal intrigue. Studentswill learn to photograph both interior and exterior situations,serious and lighthearted. During class we will examine thehistory of documentary photography from Mathew Brady’spictures of the Civil War to cell phone snapshots. There willbe one fi eld trip and weekly critiques and discussions. Anintroductory digital or black and white photography course isrequired and students will need a 35mm Single Lens Refl excamera, digital or analogue.PHOTOGRAPHYREGISTER ONLINE AT WWW.DCAD.EDU19

YOUNG ARTISTSDCAD PORTFOLIO REVIEW DAYHosted by DCAD AdmissionsMonday, February 20, 9 AM – 4 PMFree – open to current high school studentsStudents have the opportunity to show their portfolio toadmissions representatives in person for a professional critiqueand to offer pointers to help strengthen the portfolio. Currenthigh school juniors and seniors are welcome.To register, call 302-622-8000 x118.PRE-COLLEGE PORTFOLIODEVELOPMENT WORKSHOPCOURSE ID: YA0099Taught by DCAD Fine Arts FacultyEIGHT SESSIONSSaturday, 10 AM – 1 PM; January 7 – March 3Free to students with high school instructor’snote of recommendationThis course offers tools and techniques for creating asuccessful visual art portfolio. Students will continue todevelop their individual style through a variety of assignments.Experimentation is strongly encouraged. This class includesdemonstrations and hands-on practice and seeks to refi netechniques and presentation skills. Each students will begiven personalized direction in the selection of an areaof concentration in the building of a portfolio and receiverecommendations on development of additional portfolioquality works of art. Seating is extremely limited for this class.Students will be enrolled on a fi rst – come, fi rst – served basis.DCAD’S AFA DEGREE PROGRAMIf you are interested in learning more about the DelawareCollege of Art and Design’s Associate of Fine Arts DegreeProgram, contact DCAD’s Admissions Offi ce at 302.622.8000.PRE-COLLEGE ART STUDIO PROGRAMJuly 16 – July 208 AM – 5 PM, MONDAY THROUGH FRIDAYSpend a week immersed in the college experience. Thisintensive one-week program is designed to help prepare risingjunior and senior high school students for college admission inthe fi elds of art and design. Students create portfolio buildingwork through fi gure drawing classes, concentrated electivesand open studio times. To be accepted to this program, thestudent must include a letter of recommendation from aninstructor with the registration form.All students will spend half of their day in a fi gure drawingclass. Understanding the human fi gure is a fundamentalskill for visual artists. Students will focus on drawing fromlive models (both male and female nudes). Through carefulobservation and innovative drawing techniques, students willtackle complex fi gurative forms. Students will begin to developexpressive mark-making and strengthen drawing skills in thisintensive class.Half of the day will be spent in an elective of the students’choice, including animation, graphic design, illustration, interiordesign, painting or photography. The program concludes withexhibition of student work and reception for family & friends.DAY PROGRAMNON-CREDIT Tuition: $575CREDIT Tuition: $850; 1 DCAD CreditRESIDENT PROGRAMNON-CREDIT Tuition: $850CREDIT Tuition: $1,100; 1 DCAD CreditResidential Program begins Sunday, July 15 at 3 pm andends at 6 PM Friday, July 20.To register, visit www.dcad.edu under ‘Continuing Education,’‘Young Artists Programs.’ For additional program detailscall 302.622.8867 x.110.

SPECIAL EVENTSDRAWING MARATHONSaturday, 9 AM – 9 PM; March 24ADMISSION: $25 in advance,$30 at the door (day of event)The Delaware College of Art and Design welcomesthe community to its sixth Drawing Marathon,created to develop your artistic vision, sharpen yourskills, and energize your studio experience throughfi gure drawing. DCAD’s event is inspired by theNew York Studio School of Drawing, Painting &Sculpture which founded the Drawing Marathon 20years ago with the belief that drawing is the basisof understanding of one’s experience of the world.Today, drawing marathons are a worldwide trend,spanning the U.S. and globe. For this special event,DCAD’s Toni & Stuart B. Young Gallery in DCAD’shistoric landmark building will be transformed intoa 5,000-square-foot studio where from 9 AM to 9PM you will work alongside DCAD’s faculty, staff,students and artists of all experience levels. Comefor one hour or stay for all 12! Please bring yourown drawing or painting supplies. Please note thatseating is limited for this very special event.Advance registration is strongly recommended.This program is made possible, in part, by a grantfrom the Delaware Division of the Arts, a stateagency dedicated to nurturing and supporting thearts in Delaware, in partnership with the NationalEndowment for the Arts.TWELFTH ANNUAL CONTINUING EDUCATIONEXHIBITION & INFORMATION SESSIONToni & Stuart B. Young GalleryOpening Reception: Friday, April 13, 5 PM – 8 PM FREECelebrate our work and learn about our classes and collegeat Delaware College of Art and Design’s Continuing EducationExhibition and Information Session. All are welcome.CREATING LIGHT & SPACE WITH GOUACHECOURSE ID: FA0194Instructor: Catherine Drabkin, Area Coordinator for Fine ArtsONE SESSIONSaturday, 10 AM – 3 PM, February 4NON-CREDIT Tuition: $75Join DCAD’s Fine Arts Area Coordinator, Painter CatherineDrabkin, for an exploration of the amazing possibilities ofgouache. Gouache is an opaque water based paint thathas tremendous fl exibility, is easy to set up, and has a shortdrying time. In this workshop you can experience reality moreintensely with color and learn to use paint to carve light out ofdarkness. Students will work directly from observation inthe studio. There will be individual attention, a groupdiscussion, and a critique. A half-hour lunch break will beprovided. A materials list will be available upon registration.REGISTER ONLINE AT WWW.DCAD.EDU21

DELAWARECOLLEGE OF ARTAND DESIGNA CREATIVEPARTNERSHIP OF PRATTAND THE CORCORAN600 N MARKET STWILMINGTON DELAWARE19801 3007To register, visit www.dcad.edu or call The Office of Continuing Education at 302.622.8867 x 110.The six-week Winter semester begins Monday, January 2.The 12-week Spring semester begins Monday, February 13.Additional workshops and special events are offered throughout the semester.