1996 Book
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LJFE'S GARDEN<br />
CONTACT Munnerlyn ( 408) 238- 3920<br />
TIME<br />
PLACE<br />
DANCERS<br />
Arri"e 7.00 pm Perform 7.30 pm<br />
Life's ga rden Retirement Home, 4SO Olcl San Francisro Road,<br />
See map for location & Parking. Warm up/ changing in Board room.<br />
Entire group?<br />
DRESS Ladies - White shirts & blouses, vests, own s:tshes<br />
Men Kilts, whitr shirts, vests. whitr sod
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<strong>1996</strong> Ethnic Dance Festival Audition<br />
Sunday, January 21st<br />
CONTACT Yasmcn Mehta -World Arts West (415) 474-3914<br />
TIME<br />
PLACE<br />
McKenna Theater, San francisco State University<br />
DANCERS Sne Chris Coletta<br />
Ellen Gary Fred<br />
Cecilia Dave Jennifer<br />
Randi John<br />
Ann Kevin<br />
Calli Barry<br />
Rosemary Mikkel<br />
Zaza Alan<br />
Shawna Brad<br />
MUSICIANS<br />
Kim<br />
Lyle<br />
Valerie Thompson<br />
DRESS<br />
See each dance<br />
PROGRAM<br />
Country Dance Medley B - Variation<br />
Scottish Reform<br />
Lady Glasgow<br />
The Thistledown Reel<br />
2x32 R<br />
1x 32 S (Move into square set)<br />
lx32R<br />
Zaza Chris Ann<br />
Sue Barry Randi<br />
Calli Gary Cecilia<br />
Bradley<br />
John<br />
Mikkel<br />
Ellen Kevin Rosemary Dave<br />
The Earl of Errol<br />
Hard shoe<br />
Alan<br />
Jennifer
Hey Johnnie Cope!<br />
3x32 R<br />
Sue<br />
Cecilia<br />
Ellen<br />
Chris<br />
Mikkel<br />
Dave<br />
Highland<br />
Clare<br />
Fred<br />
The Dancing Couple<br />
lx40S+1X40R<br />
Shawna<br />
Zaza<br />
Ann<br />
Rosemary<br />
Chris<br />
Barry<br />
Mikkel<br />
Dave<br />
The Shepherd's Crook<br />
Fred<br />
Calli<br />
John<br />
Gary<br />
Coletta<br />
Jennifer<br />
Kevin<br />
Alan<br />
Clare
TIME<br />
ARRIVE<br />
PLACE<br />
BASICH SCHOOL, MARIN<br />
DANCERS Ellen Zaza<br />
Cecilia Paula<br />
Kevin<br />
DRESS<br />
Ladies: Tartan skirts, white blouses and vests. Red shoes<br />
As dance dictates<br />
PROGRAM<br />
Highland -<br />
Country dance medley<br />
CV.D. Medley<br />
Scottish Reform J 32 x 2<br />
Lady Glasgow S 32 x 2<br />
Thisteldown Reel R 32 x2<br />
Talk about dress, dan<br />
ces, costumes ??<br />
Highland - Sword U
SACRAMENTO VALLEY SCOTTISH GAMES<br />
DATE Saturday April 27th. <strong>1996</strong><br />
TIME<br />
Performance??<br />
Walk through ??<br />
PLACE<br />
Roseville Fairgrounds. Map???<br />
DANCERS<br />
Paula<br />
Linda<br />
Cecilia<br />
Shawn a<br />
Bradley<br />
Dave<br />
Jon<br />
Barry<br />
DRESS<br />
PROGRAM<br />
............<br />
MUSIC<br />
Collie Law<br />
Field of Thistles<br />
Knit the Pocky<br />
Taped<br />
(2x32 J)<br />
(2x23 S)<br />
(2x32 R)<br />
PLATFORM See map. Stage at #5<br />
Dressing rooms??<br />
Stage is 16'0" x 20' 0" This is small.<br />
PERFORMANCE /AUDIENCE PARTICIPATION<br />
--·.- -·---------·--,---·------------------
LIFE'S GARDEN<br />
'-t'h4Aj 9 .1 /<br />
CONTACT Jncly Munnerlyn (408) 238- 3920<br />
TIME<br />
PLACE<br />
DANCERS<br />
Arrive 7.00 pm Perform 7.30 pm<br />
Life's garden Retirement Home, 450 Olcl San Francisco Road, Sunnyvale<br />
See map for location & Parking. Warm up/ changing in Board room.<br />
Entire group?<br />
DRESS Ladies - White sHirts & blouses, vests, own sashes<br />
Men Kilts, white shirts, vests, white socl(s<br />
PROGRAM<br />
Roseville C.D. Medley<br />
Collie Law<br />
Fielrl of Thistles<br />
Knit the Pocky<br />
(,J32x2)<br />
(S32x2)<br />
(R32x2)<br />
Paula<br />
Cecilia<br />
Shawn a<br />
-IMHttey<br />
:;efk<br />
Barry<br />
Highland<br />
Clare: Gary:<br />
Fling??<br />
C.D<br />
Johnnie Cope<br />
Sue<br />
Ann<br />
_Ellen<br />
Chris<br />
Mil
C.D. The Dancing Couple (M S x 40 + R x 40) Shawna Chris<br />
Zaza Barry<br />
Cecilia Dave<br />
Rosemary Mikkel<br />
Highland<br />
Cockney Jocks<br />
Clare/ Alan<br />
C.D. Medley<br />
John Drewry<br />
The Alderburn<br />
The Road to Forfar<br />
Kenavarra<br />
(J 32 X 2)<br />
(S 32 X 2)<br />
(J 48 X 1)<br />
Jennifer Mikkel<br />
Sue John<br />
Zaza Barcy<br />
Ellen Alan<br />
Highland<br />
Irish Jig<br />
Clare<br />
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Sv..n11yva.le<br />
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GOLDEN GALLOP -<strong>1996</strong> INTERNATIONAL FOLK DANCE CONCERT<br />
DATE<br />
TIME<br />
PLACE<br />
Sunday May 26th.<br />
2.00 P.M. Concert.<br />
?? on stage rehearsal<br />
San Francisco Russian Center<br />
2450 D"'is:t'l"'t:e Street . San Francisco<br />
DANCERS<br />
Jennifer<br />
Zaw<br />
Sue<br />
Ellen<br />
Clare<br />
Mikkel<br />
John<br />
A ian<br />
Jon B.<br />
PROGRAM<br />
The Dancing Couple<br />
Jennifer<br />
Sue<br />
Zaza<br />
Ellen<br />
Mikkel<br />
John<br />
Barry<br />
Jon B.<br />
HIGHLAND<br />
Lilt<br />
Clare/Alan<br />
C.D. Medley<br />
The Alderburn (2x32J)<br />
The Road to Forfar (2x23S)<br />
Kenavarra (2x48J) (Maybe once through only)<br />
HIGHLAND<br />
Irish Jig<br />
Clare<br />
DRESS<br />
Ladies- Long white formals- RT sashes<br />
Men Montrose/white socks
GOLDEN GATE GALOP<br />
STATEWIDE<br />
DANCE CONCERT<br />
MAY 26, <strong>1996</strong><br />
FOLK DANCE FEDERATION OF CALIFORNIA<br />
STATEWIDE FESTIVAL, <strong>1996</strong>
-_,, ... . .<br />
CONCERT PROGRAM<br />
STANFORD VINTAGE DANCE ENSEMBLE (America)<br />
Director-Richard Powers<br />
Suite of 19th Century Ballroom Dances: The Standford Vintage Dance Ensemble specializes in nineteenth<br />
century and ragtime era social dances, drawn primarily from French, English, German,<br />
Polish, and American traditions. The presentation today features three dances from the 1850s.<br />
ENSEMBLE INTERNATIONAL (Switzerland)<br />
Directors - Ned and Marian Gault<br />
Medlev of Swiss Dances: From southern Switzerland, near Lake Geneva in the canton of Vaud,<br />
comes this suite of dances showing the French influence in this part of the country. Making of the<br />
Ensemble's costumes was supervised by the women of the dance group in Montreux. They are the<br />
only group outside of Switzerland to have a set of these lovely costumes, with their white Swissorgandy<br />
skirts and hand-braided straw hats made by a very nice, elderly lady, who has since passed<br />
away. She was the last traditional hatmaker in the region. The stage choreography of traditional<br />
dances was done by Ned Gault.<br />
RED THISTLE DANCERS (Scotland)<br />
Director - Jennifer Kelly<br />
The medley presented today comprises three dances created by the famous John Drewry. The<br />
Alderburr. . a jig written early in his career; The Road to Forfar. a charming strathspey involving<br />
kaleidoscopic changes in form; and Kenavarra, a lively jig, is somewhat reminiscent of the popular<br />
Bees of Maggieknockater. The Red Thistle Dancers will also dance a true medley entitled The Dancing<br />
Couple. devised by director Jennifer Kelly to celebrate the marriage of two of their members.<br />
Clare Lawson will perform two Highland dances. The first is the ever popular Irish Jig, a playful<br />
parody by the Scots of the dancing of their neighbors and Blue Bonnets O'er the Border, a charming<br />
step dance originating in the Shetland Islands.<br />
BARBARY COAST CLOGGERS (America)<br />
Director - Janice Yee-Hanzel<br />
Clogging developed hundred of years ago as a dance of immigrants in the Eastern United States. This<br />
remarkable dance form has developed from Native American, African, as well as European dance<br />
traditions. Today clogging remains one of the nation's most spirited and popular dance forms. The<br />
suite of dances performed by the Babary Coast Cloggers will start with a Square Dance choreorraphed<br />
by Janice Yee-Hanzel. This will be followed with a Plank Dance choreographed by Matt Ellinger<br />
and the last dance will be Banjo Buck choreographed by Janice Yee-Hanzel.<br />
SLAVONIJO KOLO ENSEMBLE (Croatia) Artistic Director - Racim Arnautovic<br />
Bunjevacko Momacko Kolo is a dance from Subotitsa, a city in Bachka. Subotitsa is next to the<br />
Hungarian border and the dance shows much Hungarian influence. In the title, "Bunjevacko" refers<br />
to the people of this region and "Momachko" refers to "bachelors. •<br />
DUNAJ INTERNATIONAL DANCE ENSEMBLE (Slovakia) Director - Richard Duree<br />
In the former Hungarian region of Zemplin, now a part of East Slovakia, the men dance a curious<br />
-'l' mixture of "parobsky" or "lads' dances: The "parobsky" are made up of such dances as a Verbunk.<br />
Sarku Raz, and Basistovska. • The lads are joined by the girls in a Flaskovv, a challenge dance in<br />
whic.h the men, women , and couples demonstrate skill in dancing over the ever-present wine bottle<br />
.• jnca joyous salute to the grape, long a symbol of life and renewal.<br />
. ..... . .<br />
- .<br />
intermission
CONCERT PERFORMERS<br />
STANFORD VINTAGE DANCE ENSEMBLE<br />
Angela Amarillas Ryan Knotts<br />
David Ball<br />
Delphine Lai<br />
John Beale<br />
Barry Lewis<br />
Allen Boronkay<br />
Carlo Libaridian<br />
Jean-won Chao<br />
James Mendoza<br />
Katya Orozdova<br />
Richard Powers<br />
ENSEMBLE INTERNATIONAL<br />
Cindy Anderson<br />
Wendy Goodale<br />
Richard Anderson Mark Kaminsky<br />
Marian Gault<br />
Peggy Kaminsky<br />
Ned Gault<br />
Alissa Klar-Keynton<br />
RED THISTLE DANCERS<br />
Ellen Aaron<br />
John Kelly<br />
Sue Anderson<br />
Mikkel Thompson<br />
Ann Lawson<br />
Barry Lewis<br />
Zaza Wu<br />
Jennifer Kelly<br />
BARBARY COAST CLOGGERS<br />
Edward Crauthers Scott Hester<br />
· Ellinger<br />
Gfoerer<br />
Robert Ivory<br />
Brian Knittel<br />
Koeun Aha<br />
Alexis Sauer<br />
Monica Shen<br />
Reed Smith<br />
Rozanna Travis<br />
Robert Keynton<br />
Joanne Kurkowski<br />
Richard Kurkowski<br />
Craig Lincoln<br />
Alan Twhigg<br />
Jon Broshius<br />
Clare Lawson<br />
Dale Petros<br />
John Rekart<br />
Jim Stubbs<br />
Jonathan Troiano<br />
Tiffany Trotter<br />
Julie Tsai<br />
Leslie Walton<br />
Gaylin Vee<br />
Leslie Lincoln<br />
Andrew Recupero<br />
Marilyn Recupero<br />
Jeffrey Williams<br />
MUSICIANS<br />
Kathleen Thorne (piano)<br />
Margo Leslie (fiddle)<br />
Richard Willyard<br />
Scott Vorhees<br />
·Rac'im .. ArnautQvic<br />
.. E.dith Bourbiri ,};<br />
- ,;--- • .4!.<br />
:Joyce Clyde ;:.:<br />
• Doyle }<br />
!', :._.' Ba:rbira Jenkins<br />
Michael Moreskine<br />
Nevenka Morris<br />
Chris Olson<br />
Istvan Pusti<br />
Sharen Skorup<br />
Ingrid Talmadge<br />
Hamdia<br />
Mirina<br />
Junus<br />
MUSICIANS<br />
Altijana Alisic<br />
John Daley<br />
Betsy Daley<br />
Edin Handan<br />
Janice Fournier<br />
Paul Litsky<br />
Senko Rendulic<br />
Jonathan Ryshpan<br />
DiJNAJ. INTERNATIONAL DANCE ENSEMBLE<br />
Richard Duree<br />
Ruth Levin<br />
Lori Leaverton<br />
Lorraine Mann<br />
John Matthews<br />
Mary Spratt<br />
Betty Kern<br />
Bill Kern<br />
Bruce Mitchell<br />
AI Pletz<br />
Andy Schildt<br />
Bea Schildt<br />
Alyse Stallings<br />
Larry Wooster<br />
Ann Zacharias<br />
Behzad Sanii<br />
"Polo" Talnir<br />
ENSEMBLE<br />
Hilary Roberts<br />
MUSICIAN<br />
David Nebenzhal
GRUPO FOLKLORICO TEOCALLI<br />
Ruben Avalos Carlos Fernandez Cesar Moreno<br />
Ana Bustos Brisceida Flores Luis Munoz<br />
Elsa Bustos Ricky Guillen Coty Navarro<br />
Jose Bustos Angle Hernandez Terry Navarro<br />
Maria Dominguez Elizabeth Media<br />
KOPACHKA DANCERS<br />
Jean Barton Peggy Chipkin Lev Pope<br />
Larry Bohan Bill Lidicker Sara Pope<br />
Meredith Bruce Louise Lidicker David Porter<br />
Kent Chapman Dean Linscott Jane Tripi<br />
FORGATOS HUNGARIAN MUSIC AND DANCE ENSEMBLE<br />
Leslie Bonnett<br />
Barry Shepard<br />
Michele Vellrath<br />
Shea Comfort-Toutolmin Jane Siegel<br />
MUSICIANS<br />
Joan Dominguez<br />
Jerry Raz<br />
Laurie Raz-Astrakhan<br />
David Skuse<br />
Sarah Tull<br />
Brian Umeki<br />
Balazs Kralik<br />
Jutka Mandoki<br />
David Nebenzhal<br />
Heri Perez<br />
Jesse Quezada<br />
Leticia : salazar<br />
Ramon Soto<br />
Frank Tripi ·<br />
Veronica Valero<br />
Mat van Thiel<br />
April Wakeman<br />
'-.<br />
•: .···· ·.<br />
.... ... ....<br />
David Reyna<br />
Jay Stebley<br />
VOCALIST<br />
Magdolna Urdasi ..., i. ;J3:i<br />
···!.:._ ..... :--: ..,
<strong>1996</strong> Ethnic Dance Festival<br />
Sunday, June 23rd.<br />
CONTACT Yasmen Mehta -World Arts West (415) 474-3914<br />
Check in 11.30 am. Concert star·ts at 2.00pm<br />
PIACF<br />
Palace of Fine Arts. San Francisco<br />
There is parking around the Palare of Fine Arts & out tow3rds the Marina. Allow time.<br />
DANCFRS<br />
Sue<br />
Ellen<br />
Calli<br />
Cerillia<br />
Rosemary<br />
Zaza<br />
Shmma<br />
-\nn<br />
Chris<br />
Cary<br />
Dave<br />
Barry<br />
Mikkel<br />
Alan<br />
Brad<br />
John<br />
Clare<br />
Jennifer<br />
Fred<br />
MllSICIANS<br />
Fiddle<br />
Piano<br />
Margot Leslie<br />
Kathleen Thorne<br />
Pipes<br />
Bohdran<br />
Citron<br />
Singer<br />
DRESS<br />
Tim Huntley<br />
Ken Thompson<br />
Larry Hrummoud<br />
Valerie Thompson<br />
See c:1rh d:mce<br />
PROGRAM<br />
Danre Medley B- Variation<br />
Scottish Reform<br />
Lady Glasgow<br />
The Thistledown Reel<br />
1 X 32 J<br />
I x 32 S<br />
I x32 R<br />
(Move into square set)<br />
Za7.n Cecilia Bradley<br />
Sue Chris Shawna John<br />
Calli Cary Rosemary Fred<br />
Ellen navE." Ann Mikkcl Calli Ellen<br />
Dave Cary<br />
Rril<br />
(iarv Dave Sue Ann<br />
Calli Fllen Chris Mikkel<br />
R.<br />
Lady Gal."t.:ow<br />
Ann Mikkel<br />
Roscma ry Fred<br />
Sue<br />
Chris<br />
Barry R
Tht Earf of Errol<br />
Alan<br />
Jennifer<br />
Fntcrt .. it Jennnifer - St3ge left Alan - Staee right<br />
Dres< J!lth. rcnru.,·<br />
Hry Johnnit' Copr!<br />
Sue<br />
Ann<br />
Ellen<br />
Dress-<br />
Chris<br />
Mikkel<br />
D:ne<br />
l.adies : Tartan skiru and ve!IJ<br />
Men White shirts :white sotks: no vest<br />
Highland - Sailor's Hornpipe 4 steps<br />
Clare Fred<br />
Enter - Slllf:t! R f."xir - /.<br />
The nsmrinl! f'ouple<br />
h40S+IX40R<br />
Sh:1"na<br />
Zan<br />
Cerili:l<br />
Rosemaf\'<br />
Drrss<br />
Chris<br />
Barry<br />
Mikkel<br />
Rradlt\'<br />
Ladies : l.ong white dresses. own s"'hes<br />
Men Kills and jackets<br />
The Shepherd's Crook<br />
Calli<br />
John<br />
nare<br />
.Jennifer<br />
Ellen<br />
Alan<br />
Fred<br />
Final Bow- Cr
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reY<br />
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ETHNIC DANCE FESTIVAL<br />
Sunday, June 23, <strong>1996</strong><br />
TIME<br />
PLACE<br />
Arrive 11 am<br />
Palace of the Legion of Honor<br />
PROGRAM<br />
CD. Medley Scottish Reform (J 32xl)<br />
Lady Glasgow (S 32xl)<br />
Thistledown Reel (R 32xl)<br />
Costume:<br />
Enter:<br />
Tartan skirts and vests.<br />
Stage left (another set will be entering stage right)<br />
Ann<br />
Rosemary<br />
Randi<br />
Shav,rn Q....<br />
Mikkel<br />
Fred<br />
John<br />
Brad<br />
Exit:<br />
Highland<br />
CD.<br />
Highland<br />
CD.<br />
Dance off, stage left<br />
Jennifer/ Alan<br />
Hey, Johnnie Cope<br />
Clare/Fred<br />
Dancing Couple<br />
Earl of Errol<br />
Hornpipe<br />
Costume:<br />
Enter:<br />
Long white dresses, Red 'fh.istle sashes<br />
Stage left, as hornpipe dancers exit<br />
Rosemary<br />
Cecilia<br />
Zaza<br />
Shawna<br />
Mikkel<br />
Dave<br />
Barry<br />
Chris<br />
Exit:<br />
Highland<br />
Stage right, to back of stage.<br />
Shepherd's Crook
- --<br />
<strong>1996</strong> Ethnic Dance Festival<br />
Sunday, June 23rd.<br />
CONTACT Yasmen Mehta -World Arts West (415) 474-3914<br />
TIME ('heck in Concert starts at 1.00pm / /5<br />
Palace of Fine Arts, San Francisco<br />
There is parking tbe Palace of Fine Arts & out towards the Marina. Allow time.<br />
- (/<br />
DAN
The Earf of Errol<br />
Alan<br />
fntcr/uit Jennnifer - St:»e;e lt>ft Alan - Staee right<br />
Dress HUh.<br />
H«-y Johnni«- Copt"!<br />
3x32 R<br />
Sue<br />
Ann<br />
•:nu<br />
Dress-<br />
Chris<br />
Mikkel<br />
D:l\·e<br />
M("n<br />
Tartan skirfJ altd ve5h<br />
White shirts :'\o\'h1te sorks: no<br />
-StnJ!l' R - l,<br />
Highland - Sailor's Hornpipe 4 sreps<br />
Clare<br />
Frtd<br />
Sta,::r R . L<br />
The<br />
0 Shawn:l<br />
Zaa<br />
Ct
DATE Saturday August 31st <strong>1996</strong><br />
PLEASANTON HIGHLAND GAMES<br />
TIME<br />
Performance 2.50 PM<br />
Walk through ??<br />
PLACE<br />
Pleasanton Fairgrounds<br />
DANCERS Zaza<br />
Linda<br />
Rosemary<br />
Cecilia<br />
Dave<br />
Alan/Bradley<br />
Barry<br />
Chris<br />
DRESS<br />
Men White shirts & hose. Vests if not too hot.<br />
Ladies : White skirts & blouses, velvet vests, own sash, red shoes.<br />
PRoGRAM<br />
The Gentle Shepherd<br />
Ninety in the Shade<br />
Uncle Isaac<br />
(2x32J) RSCDS17:7<br />
(1 x 40 S) Kelly<br />
(2 x 32 R) Drewry<br />
MUSIC<br />
Margo Leslie - Fiddle<br />
Rod Stradling - Accordion<br />
PLATFORM<br />
16' 0" x 26' 6" (Usable space)<br />
Meet at platform 15 minutes before performance time<br />
-
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PERFORMANCE SCHEDULE<br />
WEST PORTAL FINE ART AND MUSIC FESTIVAL<br />
SEPTEMBER 21st & 22nd ;'7'31/_<br />
Saturday, September 21st:<br />
10:00-1:00<br />
10:00-10:45<br />
10:45-11:00<br />
11:00-11:45<br />
11:50-12:00<br />
12:00-12:15<br />
12:15-12:30<br />
12:30-12:50<br />
12:50-1:00<br />
1:00-1:50<br />
1:50-2:00<br />
1:50-4:00<br />
2:00-2:30<br />
2:30-2:45<br />
2:45-3:00<br />
3:00-3:15<br />
3:15-3:30<br />
3:30-3:50<br />
3:50-4:00<br />
4:00-5:00<br />
Performer/Group Name<br />
Billy Philadelphia<br />
Mercy High School Spirit Squad<br />
Dance Ensemble w/Riordan High<br />
School Jazz Band and U.S. Marines<br />
Color Guard<br />
Set-up (Rainbow of Friends)<br />
Rainbow of Friends<br />
Set-up (Peter Di Bono)<br />
Peter Di Bono (Solo)<br />
Peter Di Bono & Francine Passa<br />
Kennelley Irish Dancers<br />
Set-up (Ridge Runners)<br />
Ridge Runners<br />
Set-up (Marie & Beldner)<br />
Bob Sarlatte<br />
Christine Marie & Brad Beldner<br />
Set-up (Donald Nurisso)<br />
Donald Nurisso (Solo)<br />
Donald Nurisso & Accompaniment<br />
Set-up (Debbie Voltura)<br />
Debbie Voltura<br />
Set-up (Fox & Katz)<br />
Fox and Katz<br />
Type of Performance<br />
Master of Ceremonies<br />
March from tunnel to<br />
stage. Present colors.<br />
Perform nat!. anthem,<br />
cheers & dance number.<br />
Children's Performance<br />
Accordionist<br />
Accordion and Violin<br />
Irish Dance (Children)<br />
Guitar Trio - Folk,<br />
Bluegrass & Country.<br />
Master of Ceremonies<br />
Latin/Jazz Duo-Vocal<br />
and Guitar.<br />
Accordionist<br />
Accordion and Clarinet<br />
Ballads, Swing and<br />
Contemporary Vocalist<br />
Flamenco/Jazz Fusion -<br />
Guitar Duo
PERFORMANCE SCHEDULE - p. 2<br />
Sunday, September 22nd:<br />
10:00-12:00<br />
10:00-10:20<br />
10:20-10:30<br />
10:30-11:15<br />
11:15-11:35<br />
11:35-11:55<br />
11:55-12:00<br />
12:00-12:20<br />
12:20-2:20<br />
12:30-12:50<br />
12:50-1:00<br />
1:00-2:00<br />
2:00-2:20<br />
2:20-4:00<br />
2:20-2:30<br />
2:30-3:00<br />
3:00-3:20<br />
3:20-3:30<br />
3:30-4:00<br />
4:00-5:00<br />
Performer/Group Name<br />
Bev Bender<br />
Set-up (Carol Ann)<br />
Carol Ann<br />
The Red Thistle Dancers<br />
Swede-Hearts<br />
Set-up (Jackie Jones)<br />
Jackie Jones<br />
Caryl Fuller<br />
The Red Thistle Dancers<br />
Set-up (Solstice)<br />
Solstice<br />
Mayfield Morris and Sword Dancers<br />
Lynn Bali<br />
Set-up (Simon Dray)<br />
Simon Dray<br />
Mayfield Morris and Sword Dancers<br />
Set-up (Sally Fletcher)<br />
Sally Fletcher<br />
Type of<br />
Master of Ceremonies<br />
Children's Songs.<br />
Scottish Country Dance<br />
Swedish Dance Group.<br />
Vintage tunes on<br />
novelty instruments<br />
w/tap-dancing cat.<br />
Master of Ceremonies<br />
Scottish Country Dance<br />
Jazz Quartet.<br />
Scottish Morris Dance.<br />
Master of Ceremonies<br />
French Folk Music in<br />
the style of Jacques Brei<br />
Guitar & Voice<br />
Scottish Morris Dance.<br />
Classical, Popular and<br />
Standards - Harp.
WEST PORTAL FINE ARTS FESTIVAL<br />
-DATE<br />
TIME<br />
PLACE<br />
Sunday September 22nd. <strong>1996</strong><br />
Performances 11.15- 11.35 & 12.30- 12.50<br />
Walk through ??<br />
West Portal Avenue (See Map)<br />
DANCE RS Barry Ellen<br />
Bradley Auu<br />
Chris Zaza I Rosemary<br />
Clare<br />
DRESS Meu : White shirts & hose. Vests if not too hot.<br />
Ladies : White skirts & blouses, velvet vests, own sash, red shoes.<br />
PROGRAM Hey Johnny Cope (3 x 32 R) -Valerie<br />
Hoghland ?<br />
(4 steps) - Clare<br />
Captain Macbean's Reel ( 2 x32 R) RSCDS Bk. 17/3<br />
The Laird of Atherton ( 2 x 32 S ) Kelly - leaflet<br />
Double Triumph<br />
( 2 x 32 R ) Ramshaw- leaflet<br />
Sword Dance<br />
(2 slow 1 fast) Clare & Valerie<br />
Alderburn<br />
(2 x 32 J) Drewry<br />
The Road to Forfar (2 x32 S) ""<br />
Kenevarra (2 X 48 J)<br />
..<br />
MUSIC Tape Margo Leslie Fiddle<br />
Rod Stradling Accordian<br />
Andy Imbrie Piano<br />
Valerie Thompson Singer<br />
PLATFORM<br />
20' 0" x 20' 0" (They say!)
Oct. 7, <strong>1996</strong><br />
Red Thistle Dancers,<br />
I would like to extend my personal thanks to alJ. participating<br />
in the Loch Lomond Games in Ben Lomond. It was a great success and<br />
in part due to the fine performance by your dancers. Many there<br />
were surprised to hear this was our first game in 30 years.<br />
Ev·erything was so polished and professional; it seemed a weekly<br />
event. I believe the games conunittee is planning to have a 2 day<br />
event next year. This will increase the need for more top notch<br />
performers. Country dancers fill that order to a T and I hope will<br />
wish to participate again. Thanks again for your time, energy, and<br />
dedication.<br />
Respectfully,<br />
Chairman Celtic Heritage Stage<br />
Loch Lomond Highland Games
RED THISTLE DANCERS DEMONSTRATION VIDEO<br />
ll/10/96<br />
Timing<br />
09:00<br />
10:00<br />
(maybe 10:30)<br />
11:00<br />
ll: 15<br />
12:15<br />
12:45<br />
l:OO<br />
c):OO<br />
Event People Dress<br />
Mark Stage<br />
Warmup<br />
Practice McBean<br />
Make-up<br />
Dress<br />
McBean. Laird, Triumph; Kevin-Calli, Alan- Sbawna, Ladies; Tartan skirts; vests; Leggs regular Santan;<br />
all takes Mikkei-Paula, Dave-Cecilia, red shoes<br />
Jobn-EIIen, Gary-Sue Men; Kilts White shirts and hose<br />
Practice<br />
dress<br />
Gentle Shepherd. Ninety, Dave-Zaza, Alan-Linda, Ladies; 18th C skins; white blouse, own vest and<br />
Uncle Barry-Rosemary, Chris- sash, white stockings. ????shoes<br />
Cecilia<br />
Men· Kilts, White shins and hose .. vests<br />
Lunch<br />
Practice<br />
dress<br />
Nine Ladies, Alderburn, Cecilia-Jennifer-Sue, Kevin- Ladies; Long white dresses, RT sashes. red shoes<br />
Forfar. Kenavarra Calli, John-Ellen, Gary-Zaza, Men; Kilts. Montrose, white hose<br />
Randi-Chris, Ann-Bradley.<br />
Rosemary-Bam<br />
Finish<br />
-- . --------- ---<br />
Mise<br />
Tape, 4 track tape.<br />
Square marks<br />
Center marks<br />
Diagonal marks<br />
I<br />
i<br />
'<br />
i<br />
NOTE; Check each other over before each first take; dress. watches, leg warmers. sashes etc.<br />
There are likely to be several takes from the overhead camera before going to the close-up camera.<br />
Remember how dissatisfied we were last time when we couldn't 2e1 it perfect and how we didn't do enoudl takes; all it takes is<br />
one.<br />
Producer; Andrew<br />
Director; Jennifer<br />
Continuity. communications and lunch; Olga<br />
Take records; Bradley<br />
Press relations. Randi<br />
Music tape. Randi & John<br />
Monitor (if there is one); Rosemary (McBean). Ellen (Gentle). Paula (Nine)
(Introduction, written on screen) This video is a sequel to" Scottish Country Dancing with the Red Thistle Daaeers", in which-we<br />
demonstrated and explained the basic steps and some simple figures. Those figures were then shown in dances. This video is<br />
a continuation of the first and does not repeat material already covered. Most of the figures shown in this video are used in both fast<br />
and slow tempi, though we may not always demonstrate both. In some cases there are other variations on figures, such as reels of<br />
three, which we do not have space to include. Some of the variations will be shown in dances, even though they are not specifically<br />
demonstrated. As before, we present this as a teaching aide, both for the use of teachers and for pupils who wish to practice on their<br />
own. We hope it will be of value.<br />
I<br />
CAMERA DANCING MUSIC<br />
COMMENTARY<br />
'<br />
GJVJphi.c<br />
Title<br />
Figure of eight round<br />
standing couples<br />
From above Right shoulder fig. 8 Jig This is a figure of eight danced by the first<br />
6 dancers to fill frame 8bars couple around the second & third couples,<br />
passing right shoulder to begin.<br />
Repeat left shoulder Jig And now by the left.<br />
8bars<br />
As above First couple dance a Jig Here the figure of eight is across the set around<br />
figure of 8 down through 8 bars<br />
the second couple. Skip change of step is used<br />
the second couple.<br />
througbouL<br />
Repeat, casting off to Jig. The figure of 8 may be started by the first<br />
start. 8 bars couple castin2 off.
.@<br />
i As above<br />
I<br />
I<br />
! Double figure of eight I<br />
Dance double fig. 8. First<br />
This is a double figure of eight danced by first<br />
Jig<br />
'<br />
couple crossing down,<br />
and third couples around the second couple.<br />
8bars<br />
third couple casting up.<br />
Repeat in strathspey Strathspey The phrasing here must be precise to avoid<br />
tempo 8 bars collisions. Each crossing and casting has<br />
exactly 2 bars of music<br />
'<br />
three on the sideliaes<br />
As above Dance right shoulder Reel A reel is an interlacing figure in which all<br />
reel of 3 on side lines 8bars three dancers follow the same figure of eight<br />
track at the same time<br />
Zoom in on taped fig, 8 In tum, I". 2"". & Drum beat This is the track for a 3 couple reel. Each<br />
On floor 3"'.couples walk track. 32 bars dancer follows the same pattern. If all three<br />
All walk together<br />
dance at once, at the same pace, we have a reel<br />
of three.<br />
A. Fill frame with 6 Right shoulder reel of Reel To begin a right shoulder reel, first and second<br />
dancers three 8 bars couples pass each other by the right; third<br />
couple dance to their own right.<br />
As above<br />
Right shoulder reel of<br />
three ...,ross the set<br />
Right shoulder R3 Reel Reels may also be danced across the set<br />
across; active couple Sbars<br />
start from 2"' place own<br />
side. Lady dance down,<br />
, man up 8 bars<br />
Left shoulder reels<br />
As above Left shoulder reel up and Reel In left shoulder reels, the active couple gives<br />
down the side lines 8 bars left shoulder to the first couple they pass. The
emaining couple dance to their left<br />
Left shoulder reel of<br />
three across the set in 6<br />
bars<br />
I As above Left shoulder R3 across. Reel Here is a reel of tbree danced in 6 bars, leaving I<br />
1 Active couple start on 8bars 2 bars for the active couple to cross to their<br />
i opposite sides in 2"".<br />
1 own sides.<br />
I<br />
; place. Lady down, man<br />
I up. Cross over on bars 7<br />
&8<br />
Left shoulder reels up Reel For smoothly flowing reels accurate phrasing<br />
and down right shoulder 32 bars is essential. It is helpful to know where each<br />
reels across<br />
dancer should be at the halfway point.<br />
4 half reels alternating<br />
up and down and<br />
across L.R.L.R.<br />
Start own sides<br />
DANCE Reel Here we see figures of eight and reels of three<br />
THE BREAKDOWN 32 x 2 + 4 bars and $ to in a dance.<br />
Two 3 couple sets. fade<br />
Mirror reels<br />
As above Mirror reels Strathspey If a left shoulder reel is danced on the ladies'<br />
Two 3 couple sets 8bars side of the set, simultaneously with a right<br />
Dance first in strathspey Reel shoulder reel on the men's side, we have<br />
tempo, then reel 8bars mirror reels.<br />
Graphic<br />
Ca-ossover reels<br />
As above One 3 couple set dance Strathspey In crossover reels the first couple dances a reel<br />
'
crosss over reels 16 bars ' first on the opposite side and then on their own<br />
side.<br />
3 couple set. Walk track Drum To begin this reel, first couple dance<br />
of mirror reels. 16 bars diagonally down and out between second and<br />
Wrutuntilcommentuy<br />
third couples<br />
is made.<br />
on the opposite side. Third couple dance up<br />
and in whilst second couple dance up and out.<br />
3 couple set. Dance Reel Here we see the same figure in reel time. First<br />
crossover reel 16 bars couple should cross into the reel on their own<br />
side on bar 1 of the musical_ phrase.<br />
As above<br />
Close ups on repeat DANCE Reel Here we see a single crossover reel.<br />
ANDERSON'S RANT 32 bars x 2 + 4 then fade 4 These two half figures of eight are used as a<br />
ISCDS<br />
means of progression.<br />
Travelling pas de<br />
basque<br />
Zoom in on one dancer 4 dancers in line Jig The pas de basque step is sometimes used for<br />
of line. Go to feet 8 bars pause; 8 bars pause traveling short distances. All the travel takes<br />
Dance pas de basque in 8 bars place during the jete on beat 1 of the bar.<br />
Gradually move out to place R. & L. then a<br />
include the whole line travelling pas de basque It is important to transfer the weight to the I<br />
Repeat looking from the<br />
side and behind<br />
on each foot<br />
!<br />
leading foot during the extension.<br />
Note the closed position during beats 2 & 3 of<br />
the pas de basque<br />
New line of 4 dancers Jig 8 bars, pause; 8 bars When the traveling pas de basque is used for<br />
pause; 8 bars pause retiring, the 2"". & 3"'. beats are still in front of<br />
I Dance pas de basque in<br />
the foot used to travel.<br />
place and then a R. & L
\))<br />
I<br />
traveling pas de basque,<br />
retiring.<br />
Graphic<br />
Set to Corners<br />
As above, first couple to 4 couple set Jig When setting to comers the pas de basque on<br />
dance; "lose up of feet Set to comers. Move to 12 bars the left foot is used by the dancing couple to<br />
on second couple the bottom move to face secondcomer.<br />
' • Next couple set to<br />
comers<br />
As above Repeat sequence; Strathspey In strathspey tempo it is important to take only<br />
Next two couples 12 bars a small step to the right when setting to the<br />
dance set to corners in<br />
first comer<br />
strathspey tempo<br />
Set to comers followed<br />
by reel of three on the<br />
side lines<br />
Set to comers and R3<br />
First couple should remain back to back until<br />
One 3 couple set<br />
the start of the reel.<br />
Set to fill frame Walk reel, starting facing Dr8 bars Note that second and first comers pass each<br />
' second comer other by the left shoulder in the center of the<br />
4 couple set reel; second comers taking precedence.<br />
From above. Focus on Repeat set to corners and Strathspey When a reel follows set to comers it always<br />
first comer reel 12bars begins with the active couple passing second<br />
comer by the right<br />
Close ups during repeat DANCE Strathspey<br />
INCH OF PERTH 32 x 2+ 4 bars and 4 to<br />
11:4 fade.<br />
'<br />
One 4couple set
Graphic :<br />
Petronella<br />
Fill frame with one 4 couples. This is a petronella turn. It is danced using<br />
couple at a time. In turn dance petronella two pas de basque. During the tum the dancers<br />
Whole dancer first 2; - movement 114 tum. pull back the right shoulder.<br />
feet only last 2 (Return to place after 8<br />
· bars)<br />
Repeat from a different Repeat. Re arrange<br />
angle<br />
dancers to obtain a<br />
different angle<br />
Fill frame with one 2 two couple sets - Reel<br />
couple at a time Dance petronella all 16 bars When dancing a petronella figure, the dancers<br />
Repeat for close ups of round with setting. set to partners between the turns.<br />
' feet<br />
Try dancing over a taped<br />
' diamond track<br />
Repeat for close ups of Petronella haJf way in Strathspey 8 bars Eye contact is important in this figure.<br />
feet<br />
strathspey tempo<br />
Graphic<br />
Poussette in reel or jig<br />
time<br />
Zoom in on 2 dancing Poussette in reel or jig Reel This figure is a poussette. It is a figure of<br />
couples time 8bars progression.<br />
One 4 couple set<br />
First two couples dance<br />
poussette<br />
Close up of hand grip Show band hold and The hands should be held at about shoulder<br />
position of arms.<br />
height, if couples are equally matched, and<br />
shoulder width apart.
'<br />
Demonstrate pushing<br />
with and without tension.<br />
There must be some tension in the arms. One<br />
cannot effectively push something which<br />
; offers no resistance<br />
One 3 couple set<br />
The pousssette is danced using a setting step<br />
Walk the pattern to voice<br />
throughout. The first couple starts by<br />
j instructions. Wait until<br />
tavelling out towards the men's side whilst the<br />
the commentary has<br />
second couple moves towards the ladies' side.<br />
explained direction of<br />
Away from the center etc.<br />
travel before starting.<br />
Whole set None Note that travelling and turning never occur<br />
on the same beat.<br />
Switch camera to new Two 3 couple sets.<br />
set after 8 bars<br />
Couples I & 2 dance the<br />
Close ups of feet on I poussette,one set after the<br />
second repeat<br />
other. Be in the center,<br />
'<br />
hands joined ready for<br />
the second poussette<br />
DANCE Reel This. the first dance in <strong>Book</strong> I of the RSCDS<br />
PETRONELLA 1:1 32 x 2 +4 & 4 to fade collection, shows us both petronella and<br />
poussette<br />
Graphic- diamond<br />
within a square<br />
I<br />
AU round pousette in<br />
strathspey tempo<br />
The all round poussette in strathspey tempo IS<br />
Fill frame with dancing One 3 couple set Strathspey an elegant two couple figure
couples.<br />
Show entire fi ure<br />
Zoom in on 4 pairs of<br />
feet<br />
Show all 4 dancers at all<br />
· times<br />
i<br />
'<br />
I<br />
First couple wear black<br />
shirts, second couple<br />
red.Do not move until<br />
conunentator says so<br />
Walk figure to voice<br />
i instructions<br />
!<br />
i<br />
I<br />
8 bars<br />
'<br />
i This figure begins with!". man and z••, woman<br />
\ using left foot: I" woman & second man using<br />
right foot. This is the foot on the outside of the<br />
square for all4 dancers. (Say this before<br />
anyone moves)<br />
All advance to the center, forming a diagonal<br />
line with 1"' woman and second man back to<br />
back.<br />
Dancing out to the point of the diamond, first<br />
couple towards the men's side and second<br />
couple towards the ladies, both couples make a<br />
quarter turn on the hop.<br />
First couple dance down and second couple up,<br />
to the next point of the diamond.<br />
Both couples tum onto the new diagonal<br />
First couple dance diagonally out to the ladies'<br />
side whilst the second couple dance out to<br />
wards the men's side.<br />
Making a quarter turn on the hop, they dance<br />
to the last point of the diamond. Both couple s<br />
tum until their backs are to their own side of<br />
the dance and retire to place.<br />
!<br />
Shift from one set to the<br />
other after 8 bars<br />
Close ups on second 8<br />
bars<br />
Two 3 couple sets side<br />
by side<br />
Dance all round<br />
poussette one after the<br />
Strathspey<br />
Note that the arms are held wider in this<br />
8 bars- pause - 8 bars figure, except during the turns .
couples.<br />
I<br />
8 bars<br />
Show entire figure I<br />
' i<br />
Zoom in on 4 pairs of<br />
'<br />
feet<br />
First couple wear black<br />
I This figure begins with!". man and z••, woman<br />
shirts, second couple<br />
! using left foot : 1" woman & second man using<br />
Show all 4 dancers at all red.Do not move until right foot. This is the foot on the outside of the<br />
times commentator says so square for all 4 dancers. (Say this before<br />
anyone moves)<br />
Walk figure to voice<br />
All advance to the center, forming a diagonal<br />
i instructions<br />
line with 1" woman and second man back to<br />
back.<br />
Dancing out to the point of the diamond, first<br />
couple towards the men's side and second<br />
couple towards the ladies, both couples make a<br />
quarter tum on the hop.<br />
First couple dance down and second couple up,<br />
to the next point of the diamond.<br />
Both couples tum onto the new diagonal<br />
First couple dance diagonally out to the ladies'<br />
side whilst the second couple dance out to<br />
I '<br />
wards the men's side.<br />
i<br />
I<br />
Making a quarter turn on the hop, they dance<br />
to the last point of the diamond. Both couple s<br />
tum until their backs are to their own side of<br />
the dance and retire to place.<br />
Shift from one set to the Two 3 couple sets side Strathspey Note that the arms are held wider in this<br />
other after 8 bars by side 8 bars- pause- 8 bars figure, except during the turns .<br />
Close ups on second 8 Dance all round<br />
bars<br />
poussette one after the
other 1<br />
'<br />
Half poussette in<br />
strathspey time<br />
One 3 couple set Strathspey<br />
First and second couples 4 bars - pause -4bars<br />
dance half poussette<br />
Then first and third<br />
couples.<br />
1<br />
Finish one 112 figure,<br />
then step in ready for the<br />
·next<br />
One 3 couple set, Is and Strathspey To be said before anyone moves:-<br />
2s active ;walk half Sbars This formation starts with the first and second<br />
poussette in strathspey<br />
time.<br />
(Wait until commentary<br />
has explained beginning.)<br />
Put tape on floor.<br />
Stronger color for<br />
diamond.<br />
Use black and red shirts<br />
again<br />
Graphic<br />
Setting to comers and<br />
. partner<br />
Full shot One 3 couple set Strathspev<br />
couples forming a diagonal line. I" man and<br />
2od woman, who are back to back will begin<br />
with the right foot. First woman and second<br />
man with the left foot<br />
Continue as figure is danced.<br />
As in the all round poussette, the first couple<br />
moves towards the men's side and the second<br />
couple towards the ladies' side.<br />
Both couples retire to the sidelines
fo)<br />
Dance Hallo-goodbye 8 bars This figure is set to comers and partner. Note<br />
Finish with petronella<br />
that the travel always occurs on the left foot.<br />
into own side.<br />
3 couple set. Jig Starting facing first comers, the active couple<br />
Active couple start 8 bars sets to them on the right foot and on the left<br />
facing first comers.<br />
foot travels into the sideline, pulling back the<br />
Dance Hallo-goodbye<br />
right shoulder. Set to the right and move to the<br />
setting with petronella<br />
left<br />
tum into the side on 7 &<br />
8<br />
Close up of feet Same set. New active Jig The social feeling is greatly enhanced if the<br />
couple. 16 bars active couple keeps eye contact for two full<br />
Walk pattern tc drum<br />
bars with the person to whom they are setting,.<br />
beat<br />
Show whole set New active couple dance This figure is frequently followed by a reel<br />
hallo-goodbye and R3<br />
which is always started by the active couple<br />
on side, crossing on 7&S<br />
giving right shoulder to their second comer.<br />
Walk track of R3 Drum The first couple and their first comers pass by<br />
8 bars -pause - 8 bars the right shoulder to begin, so the second and<br />
first comer pass by the left shoulder in the<br />
Dance reel to drum<br />
center of the reel; fist comers begin the reel by i<br />
moving to their right.<br />
Second comers take precedence through the<br />
center of the reel<br />
Full shot first time thru. DANCE Strathspey Here is an example of mirror reels of three in<br />
Close ups on repeat DONALD BANE 17: 32 x 2 + 4 bars & 4 to fade strathspey tempo<br />
12 This is a variation on 4 hands across in a<br />
wheel.<br />
One 4 couple set<br />
(2"". Time thru. -Note that the wheel must
travel faster than usual to make a complete<br />
revolution in 4 bars, so that the first couple can<br />
cast off on their own side.<br />
As above DANCE Reel This is a variation on tum comer, tum partner.<br />
GENERAL STUART'S 32 x 2 + 4 & 4 to fade Here the active couple pass each other by the<br />
REEL 10:3 right shoulder instead of turning.<br />
Note how hallo-goodbye setting ends to put the<br />
active couple in position for reels of three.<br />
4 couple set
travel faster than usual to make a complete<br />
revolution in 4 bars, so that the first couple can<br />
cast off on their own side.<br />
As above DANCE Reel This is a variation on tum comer, tum partner.<br />
GENERAL STUART'S 32 x 2 + 4& 4 to fade Here the active couple pass each other by the<br />
REEL !0:3 right shoulder instead of turning.<br />
Note how hallo-goodbye setting ends to put the<br />
active couple in position for reels of three.<br />
4 couple set
DATE<br />
Thunday November 14th.<br />
TIME<br />
Walk tbro .. b ??<br />
7.30 pm<br />
PLACE<br />
Tamalp8is Retirement Com•uaicy<br />
DANCERS Cecilia Ala a<br />
Jeaaiftr C.ris<br />
Paula Dave<br />
Sue Gary<br />
Zaza Kevin<br />
DRESS Mea : Wlticr sbirb I& llosr. Vests tor Hjplalld<br />
udies : Tartaa skirts, wllite bio-s I& vests. Red shoes, l...ee&t Sua1111 Rcplar hose<br />
PROGRAM Sbepberd's Crook Kevia ;Jeaaiftr: Gary<br />
Captaia Macbltaa's Reel ( 2J: 3Z R) RSCDS Bk. 17/3<br />
Tile lAird of Atllercoa ( Zs.ll s ) Kelly • Ia Ret<br />
Double Triampb<br />
( 2 s .U R) Ramslulw- leaOet<br />
ScoHitll Lilt<br />
Jeaaiftr<br />
Tbe Gentle Sllepllerd ( Zs.Jl SJ)<br />
Niaety ia tbe SUde ( h40S )<br />
Uac:leluac (h32 R)<br />
Hipllad ; ???<br />
Gary<br />
Cecilia Dave 3<br />
* S.t Alaa 2<br />
hula Gary l<br />
Cecilia Chris ..<br />
....... KniD 3<br />
•sue Alaa 1<br />
Zaa Dan I<br />
Alderllllm<br />
(2 " 32 J) Drewry<br />
he Road to Forl'ar (h: 32 S) ""<br />
Keaevarra (2z48 J) ..<br />
Cedli8<br />
*Sue<br />
Zaa<br />
Cllris J<br />
*Kevia<br />
Gary I<br />
Hard shoe Earl of Erroll<br />
Sword daacr (2+ 1)<br />
Alaa Jeaaifer<br />
Gary: KeviD<br />
MUSIC<br />
Tape<br />
Geatle Shepherd medley<br />
Marco Leslie - F"Mklle<br />
Rod Stradli11g - Accordiaa<br />
Drewry Medley I& Captain MacBeaa Medley<br />
Kim M"Garricy -<br />
Lyle Ramsbaw -<br />
Fiddle<br />
Pilao
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