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2002 - Canadian Museum of Civilization

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President and CEO’s ReportPhoto: Dave ChanIn May 2001, the <strong>Canadian</strong><strong>Museum</strong> <strong>of</strong> <strong>Civilization</strong>(CMC) was recognized asone <strong>of</strong> the country’s top culturalattractions. The AttractionsCanada award for best indoor siteplaced the CMC in the company <strong>of</strong>a select group <strong>of</strong> <strong>Canadian</strong>treasures, such as the ColumbiaIcefield in the Rockies, Montréal’sJardin botanique, and the historicPier 21 <strong>Museum</strong> in Halifax. Laterin 2001, the CMC was nominatedin a list <strong>of</strong> top <strong>Canadian</strong>attractions that placed it on a levelwith Banff National Park, theFortress <strong>of</strong> Louisbourg NationalHistoric Site, the Montréal JazzFestival and the CalgaryStampede. These were highlightsin an exciting year for theCorporation. For the second yearin a row, one <strong>of</strong> our premierexhibitions was recognized withan Outstanding Achievementaward from the <strong>Canadian</strong><strong>Museum</strong>s Association (Canvas <strong>of</strong>War in 2001 and Lifelines:Canada’s East Coast Fisheries in<strong>2002</strong>). As well, the CMC wasagain the most visited museum inCanada, with over 1.3 millionvisitors during the year.Awards are always gratifyingbecause they represent thejudgement <strong>of</strong> pr<strong>of</strong>essional peersand the enthusiasm <strong>of</strong> the public.But they tell only a small part <strong>of</strong>the story. Deeper appreciation forour institutions can be gained bylooking at the wide range <strong>of</strong> workcarried out by top-notchpr<strong>of</strong>essionals in our museums, andthe many ways in which theCorporation fulfills its importantnational mandate.The national scope <strong>of</strong> our work isexpressed in part through ourcollaboration with other <strong>Canadian</strong>museums. An example is theinnovative model that resulted inLifelines, jointly conceived andproduced by the CMC and fourAtlantic Canada institutions.Another example is the nationallysignificant coast-to-coast tour <strong>of</strong>Canvas <strong>of</strong> War: Masterpiecesfrom the <strong>Canadian</strong> War<strong>Museum</strong>, an award-winningexhibition which has broughtCanada’s war art into the publicspotlight and into <strong>Canadian</strong>s’consciousness about our history.One aspect <strong>of</strong> the CMC’s nationalrole can be measured from thepeople who chose to visit us. Inthe summer <strong>of</strong> 2001, a statisticalstudy <strong>of</strong> visitors showed that86 per cent <strong>of</strong> respondents camefrom outside the National CapitalRegion (NCR). This totalconsisted <strong>of</strong> 55 per cent who camefrom all over Canada beyond theNCR, and 31 per cent <strong>of</strong> visitorswho came from outside thecountry. We intend to further studythe attendance pr<strong>of</strong>ile <strong>of</strong> visitorsduring the winter period in orderto gain a more complete picture ona year-round basis. Overall,however, we are already certainthat the large majority <strong>of</strong> ourvisitors come from beyond the“borders” <strong>of</strong> the National CapitalRegion.9

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