2002 - Canadian Museum of Civilization
2002 - Canadian Museum of Civilization
2002 - Canadian Museum of Civilization
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Chairman’s ReportPhoto: H. FosterThe notion <strong>of</strong> the museumgoes far back in humanhistory. Human beings havelong had the impulse to makecollections <strong>of</strong> natural and humanmadeobjects and to interpret thismaterial. Perhaps the earliestknown example <strong>of</strong> a museum labelis a tablet from the sixth centuryB.C., unearthed in the Babyloniancity <strong>of</strong> Ur, which describedinscriptions from the twenty-firstcentury B.C.But the development <strong>of</strong> themodern museum took a leapforward around the eighteenthcentury, with the Enlightenment.If private collections had longserved the spirit <strong>of</strong> inquiry and theadvancement <strong>of</strong> knowledge, itbegan to be seen as important toinstruct the public, and some <strong>of</strong>the first national museums beganto emerge. <strong>Museum</strong>s were seen asinstitutions that would help tospread knowledge amonghumankind, while promotingadvances in art and science for thebetterment <strong>of</strong> all <strong>of</strong> society.Today’s museums have developeda clear mandate both to increasehuman understanding, throughresearch and the interpretation <strong>of</strong>collections, and to provide thepublic with access to thisknowledge base. At the <strong>Canadian</strong><strong>Museum</strong> <strong>of</strong> <strong>Civilization</strong>Corporation (CMCC), we haveassumed the responsibility to <strong>of</strong>ferthis access to the widest publicpossible, and to make <strong>of</strong> the<strong>Canadian</strong> <strong>Museum</strong> <strong>of</strong> <strong>Civilization</strong>(CMC) and the <strong>Canadian</strong> War<strong>Museum</strong> (CWM) repositories <strong>of</strong>our heritage for all <strong>Canadian</strong>s.This is no small endeavour. Themuseum public and potentialpublic represent all ages, manyplaces <strong>of</strong> origin, various languages,and a multitude <strong>of</strong> culturesfound within Canada. Some haveancestors native to this continent,while others are newly arrivedfrom Africa, Asia and otherregions <strong>of</strong> the world. On a givenday at the <strong>Canadian</strong> <strong>Museum</strong> <strong>of</strong><strong>Civilization</strong>, a visiting West CoastElder might recognize a mask orrattle displayed in the Grand Hallas having belonged to a relative orancestor; while a young firstgeneration<strong>Canadian</strong> may be ableto relate as easily to a work <strong>of</strong>Arabic calligraphy as to a replicaVoyageur canoe — and may deriveas much pride and interest in ourcountry’s heritage from both. Onevisitor to the <strong>Canadian</strong> War<strong>Museum</strong> may come to honour agreat-uncle lost in the Great War,while another learns about thework <strong>of</strong> <strong>Canadian</strong> peacekeepers ina country where she or her parentsor grandparents were born.With the CMCC’s nationalmandate, its museums must havesomething to <strong>of</strong>fer to <strong>Canadian</strong>swhether or not they live in theNational Capital Region (NCR).The CMC and the CWM had acombined visitorship <strong>of</strong> over 1.4million in the past year, and it issatisfying to note that 86 per cent,during the peak season, arevisitors from outside the NCR.Over the past five years, <strong>of</strong> the6,700,000 visitors to the CMC, wecan estimate that over 5,000,000came from outside the region —across Ontario, Quebec,7