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<strong>Northern</strong> <strong>School</strong> <strong>of</strong><strong>Contemporary</strong> <strong>Dance</strong>Prospectus 2011/12


Letty Mitchell and RobertGoodby per<strong>for</strong>ming in Verve10. The company undertooka 21 date tour, per<strong>for</strong>mingto more than 2000 peopleover a 5 month period with arepertory <strong>of</strong> 6 commissionedpieces.01. Welcome02. Our Courses03. Foundation Course in<strong>Contemporary</strong> <strong>Dance</strong>04. BPA (Hons) in <strong>Contemporary</strong> <strong>Dance</strong>05. Postgraduate Diploma in<strong>Contemporary</strong> <strong>Dance</strong>06. Postgraduate Diploma/MAin Choreography07. Our Facilities08. Supporting Your Studies09. Our Staff10. A Career in <strong>Contemporary</strong> <strong>Dance</strong>11. Our Graduates12. Life at NSCD13. Living in Leeds14. Applying and Auditioning15. Fees16. Maps and DirectionsThe text <strong>of</strong> this prospectusis also available in other<strong>for</strong>mats, <strong>for</strong> example largeprint or audiotape.NSCD is a unique dancetraining institution <strong>of</strong>fering aselect group <strong>of</strong> students theopportunity to develop andexcel as dance artists in aconservatoire environment.As you would expect,dance is something wetake seriously. It’s not one<strong>of</strong> many different subjectswe teach - it’s the only subject.<strong>Dance</strong> is not a passing fador fashion, it is the reasonwe exist as an organisation.Neither is it something webelieve can be approachedhalf-heartedly. <strong>Dance</strong> hasto be tackled with passion,dedication and energy.These are our beliefs.Are they yours?


01.WelcomeFounded in 1985 as the first conservatoire dance schoolwithin the public sector, NSCD <strong>of</strong>fers pr<strong>of</strong>essional dancetraining <strong>for</strong> the most talented students, providing accessregardless <strong>of</strong> background or financial circumstances.02.Our CoursesNSCD <strong>of</strong>fers full-time courses in contemporary dance atfoundation, degree and postgraduate/MA level. The followingintroductions give a brief outline <strong>of</strong> the courses on <strong>of</strong>fer. Moredetailed in<strong>for</strong>mation about each course is available in latersections <strong>of</strong> the prospectus.In a survey recently conducted by LeedsMetropolitan University, 100% <strong>of</strong> studentscommencing their pr<strong>of</strong>essional training saidthey would recommend NSCD to prospectivestudents. Here are a few reasons why:– our courses are focused on practice-basedtraining, giving students daily techniqueclasses and plenty <strong>of</strong> time in the studio;– the school <strong>of</strong>fers a friendly atmospherewhere students are supported to fulfil theirpotential as dance artists;– there are regular per<strong>for</strong>mance opportunities,including in<strong>for</strong>mal presentations, in-houseplat<strong>for</strong>ms, site-specific work and full publicper<strong>for</strong>mances in our own theatre and otherpr<strong>of</strong>essional venues;– our state-<strong>of</strong>-the-art dance training facilitiesinclude eight large studios plus a superbtheatre and a well-stocked library;– our teaching staff are highly experiencedpr<strong>of</strong>essionals in their chosen field. Theirunique experience, passion and expertisein<strong>for</strong>m our approach to dance trainingensuring that our students receive expertcoaching and advice on an individual basis.<strong>Northern</strong> <strong>School</strong> <strong>of</strong><strong>Contemporary</strong> <strong>Dance</strong>www.nscd.ac.ukwww.youtube.com/northernschoolPrincipal and Artistic Director– Gurmit HukamChair <strong>of</strong> Governors– Peter GruenPatrons– Akram Khan MBE– Darshan Singh BhullerStudents <strong>of</strong> NSCD are also part <strong>of</strong> the<strong>Conservatoire</strong> <strong>for</strong> <strong>Dance</strong> and Drama.NSCD is an affiliate school <strong>of</strong> the<strong>Conservatoire</strong> <strong>for</strong> <strong>Dance</strong> and Drama.Students registered at NSCD on fundedcourses are jointly registered with the<strong>Conservatoire</strong> <strong>for</strong> <strong>Dance</strong> and Drama.The <strong>Conservatoire</strong> was established in2001 as a new higher education institutioncreated to secure the future <strong>of</strong> pr<strong>of</strong>essionaltraining in dance, drama and circus artsin England. It has eight affiliates which areall small, specialist schools <strong>of</strong>fering some<strong>of</strong> the best training in dance, drama andcircus arts to be found in the world. As apublicly-funded higher education institution,the <strong>Conservatoire</strong> ensures that studentsat its affiliate schools receive subsidisedtraining. This helps us to achieve our aim<strong>of</strong> taking students based on talentirrespective <strong>of</strong> background.As well as NSCD, there are sevenfurther <strong>Conservatoire</strong> schools.These are:– Bristol Old Vic Theatre <strong>School</strong>www.oldvic.ac.uk– Central <strong>School</strong> <strong>of</strong> Balletwww.centralschool<strong>of</strong>ballet.co.uk– The Circus Spacewww.thecircusspace.co.uk– The London Academy <strong>of</strong> Musicand Dramatic Artwww.lamda.org.uk– London <strong>Contemporary</strong> <strong>Dance</strong> <strong>School</strong>www.theplace.org.uk– Rambert <strong>School</strong> <strong>of</strong> Ballet and<strong>Contemporary</strong> <strong>Dance</strong>www.rambertschool.org.uk– Royal Academy <strong>of</strong> Dramatic Artwww.rada.orgFurther in<strong>for</strong>mation about the schoolsand the <strong>Conservatoire</strong> is available at:www.cdd.ac.ukFoundation Course in<strong>Contemporary</strong> <strong>Dance</strong>This is a full-time one-year courseproviding intensive pre-vocational trainingin contemporary dance per<strong>for</strong>mance.It is especially suitable <strong>for</strong> applicantsintending to pursue pr<strong>of</strong>essional dancetraining at degree level in the future.The course enables the development<strong>of</strong> technical, creative and per<strong>for</strong>manceskills to a level that allows students toaudition <strong>for</strong> conservatoire dance trainingprogrammes, including NSCD’s BPA (Hons)in <strong>Contemporary</strong> <strong>Dance</strong>.Bachelor <strong>of</strong> Per<strong>for</strong>mingArts (BPA) Honours Degreein <strong>Contemporary</strong> <strong>Dance</strong>The three-year BPA degree programmeis designed specifically <strong>for</strong> the educationand training <strong>of</strong> contemporary danceartists. It encompasses in-depth study<strong>of</strong> the technical and creative elements<strong>of</strong> contemporary dance in<strong>for</strong>med bycontextual and theoretical aspects <strong>of</strong> thediscipline. To be considered <strong>for</strong> this courseapplicants will normally have successfullycompleted 2 ‘A’ levels, a BTEC NationalDiploma, a Foundation Course or anequivalent qualification.Postgraduate Diplomain <strong>Contemporary</strong> <strong>Dance</strong>This programme <strong>of</strong>fers extensivepr<strong>of</strong>essional development opportunitiesthrough one <strong>of</strong> two distinct pathways:– the Postgraduate Company, Verve, whichoperates as a touring repertory dancecompany; and– the Graduate Apprenticeship Scheme,which includes an extended workplacement with a pr<strong>of</strong>essional dancecompanyBoth pathways provide opportunities<strong>for</strong> students to develop their ability toarticulate and contextualise their artisticunderstanding through practice, as well asthrough <strong>for</strong>mal academic research.The course facilitates the transition fromtraining into pr<strong>of</strong>essional practice byfocusing on the advancement <strong>of</strong> existingtechnical, creative and pr<strong>of</strong>essional skills.It is designed <strong>for</strong> graduates <strong>of</strong> two orthree-year contemporary dance trainingprogrammes or <strong>for</strong> dance artists withsome experience.Postgraduate Diploma/MAin ChoreographyThis programme <strong>of</strong>fers students aframework through which they cansignificantly develop their choreographicwork by undertaking advanced researchand development activities, whichinclude exciting opportunities to engagecollaboratively with artists from otherdisciplines (e.g. composers, visual artists,writers and film makers).To be considered <strong>for</strong> this programmeapplicants are normally expected to haveprior choreographic experience and havesuccessfully completed a three year dancetraining programme in the University or<strong>Conservatoire</strong> sector. Entry is by audition,interview and the submission <strong>of</strong> a portfolio<strong>of</strong> choreographic work on DVD.The <strong>School</strong>’s higher education programmesare validated by the University <strong>of</strong> Kent.www.facebook.com/northernschoolwww.twitter.com/northernschoolFilip van Huffel with Verve 09 workshop with choreographer Henrietta Hale rehearsing solo <strong>for</strong> student showcaserehearsals with Debbie Johnson, Head <strong>of</strong> Choreography


Jordan Massarella inMatthias Sperling’s ‘OnlyHuman’, commissioned<strong>for</strong> the Student Showcaseper<strong>for</strong>mances, March 2010.Matthias is an AssociateArtist with <strong>Dance</strong>4 andwinner <strong>of</strong> a Bonnie Bird NewChoreography Award. Hehas also danced with WayneMcGregor|Random <strong>Dance</strong>and Matthew Bourne’sAdventures In MotionPictures.


03.Foundation Course in<strong>Contemporary</strong> <strong>Dance</strong>NSCD’s Foundation Course is recognised nationally <strong>for</strong>producing well-trained dancers who are ready to undertakefurther vocational training. Its success is reflected in the highnumber <strong>of</strong> students securing places on conservatoire trainingprogrammes or higher education courses across the UK.Katherine McCabeper<strong>for</strong>ming NiamhCondron’s ‘One by One’which was presented inthe Student Showcaseper<strong>for</strong>mances, March 2009.Niamh graduated fromNSCD in 1999 and is nowworking as a pr<strong>of</strong>essionalchoreographer, per<strong>for</strong>merand teacher.This full-time one-year course includescontemporary, ballet and supplementarytechnique training and a range <strong>of</strong> creativeand per<strong>for</strong>mance workshops. Per<strong>for</strong>manceopportunities take place during the secondand third terms <strong>of</strong>fering students theexperience <strong>of</strong> per<strong>for</strong>ming in a Community<strong>Dance</strong> project in local schools and in afinal showcase at NSCD’s Riley Theatre.Students also study dance history anddevelop research and study skills.Former students have continued theirdance training on NSCD’s degree courseand at other vocational schools includingLondon <strong>Contemporary</strong> <strong>Dance</strong> <strong>School</strong>,Laban, Rambert <strong>School</strong> <strong>of</strong> Ballet and<strong>Contemporary</strong> <strong>Dance</strong>, Scottish <strong>School</strong><strong>of</strong> <strong>Contemporary</strong> <strong>Dance</strong>, London StudioCentre, Millennium <strong>Dance</strong> and at a number<strong>of</strong> universities <strong>of</strong>fering dance degrees.Entry RequirementsApplicants should have successfullygained a minimum <strong>of</strong> five GCSEs (includingEnglish Language) at grade C or above, orequivalent qualifications.Places are <strong>of</strong>fered to candidatesdemonstrating the greatest potential tobenefit from the course regardless <strong>of</strong> theirprevious dance experience.QualificationStudents successfully completing all courseunits will be awarded the Access to HigherEducation Diploma: <strong>Contemporary</strong> <strong>Dance</strong>.


04.BPA (Hons) in<strong>Contemporary</strong> <strong>Dance</strong>The Technical TrainingThe range <strong>of</strong> technical training undertakenat NSCD is designed to develop a highlevel <strong>of</strong> skill and versatility combined withan understanding <strong>of</strong> movement whichenables the dancer to respond to the variedand changing demands <strong>of</strong> contemporarychoreography.Technique classes <strong>of</strong>fer a holistic approachto developing the body as an expressiveinstrument where strength, stamina andflexibility are progressed simultaneously.Fifteen to twenty hours per week areallocated to technique training andstudents are expected to supplement thiswork as necessary with their own physicalconditioning regime.The main technical elements <strong>of</strong> the courseare contemporary dance and classicalballet, which are normally taught every day.In order to develop strength and resilienceearly contemporary classes are normallyGraham based, with Cunningham basedtechnique introduced at a later stage.To complement this study students alsoexperience a range <strong>of</strong> Release-baseddance techniques and other somaticapproaches to movement. This structuredapproach is crucial to enabling thedevelopment <strong>of</strong> dance artists who are bothhighly skilled and adaptable.The BPA (Hons) in <strong>Contemporary</strong> <strong>Dance</strong> is a full-time threeyeartraining programme which aims to develop versatile danceartists with strong technical skills and deep artistic awareness.This is achieved through a rigorous curriculum predominantlyfocused on studio-based practice and creative exploration,underpinned by key elements <strong>of</strong> theoretical study.In order to maximise the effectiveness <strong>of</strong>this approach, and to cater <strong>for</strong> the differinglevels <strong>of</strong> experience, NSCD operates a‘vertical streaming’ system. Techniqueclasses are taught at seven levels, allowingstudents to be placed at the level whichbest meets their individual needs. Progressand application are continuously monitoredand students may be transferred to anotherlevel at any time.Per<strong>for</strong>mance OpportunitiesIt is vital <strong>for</strong> students to make theconnection between technical training,creative exploration and per<strong>for</strong>mance.Accordingly, per<strong>for</strong>mance study drawstogether these elements providing studentsacross all year groups with a variety <strong>of</strong>opportunities to per<strong>for</strong>m their own workand work created by visiting pr<strong>of</strong>essionalchoreographers.Per<strong>for</strong>mance projects are directlyconcerned with preparing students<strong>for</strong> a successful per<strong>for</strong>ming career.Emphasis is placed on communicationthrough per<strong>for</strong>mance and on realisingchoreographic ideas and intentions.Integral to this approach is an on-goingprogramme <strong>of</strong> visiting pr<strong>of</strong>essionalchoreographers who introduce studentsto different choreographic methods andstyles. Completed per<strong>for</strong>mance projectsare presented at NSCD’s Riley Theatre andother venues. Further in<strong>for</strong>mation aboutthe pr<strong>of</strong>essional choreographers who havecreated work <strong>for</strong> NSCD can be found atwww.nscd.ac.ukChoreographyNSCD’s approach is founded on thebelief that creative exploration and growthare central to the developing danceartist. Choreographic study is designedto nurture individual artistic expressionand to challenge and deepen students’understanding <strong>of</strong> choreographic andcreative processes.The nature <strong>of</strong> choreography is exploredthrough an in-depth investigation <strong>of</strong> itsexpressive elements and through thedevelopment <strong>of</strong> movement language andper<strong>for</strong>mance contexts. This study is furtherextended through a consideration <strong>of</strong> therelationship between dance and othermodes <strong>of</strong> artistic expression such as music,visual art and literature.Through specific tasks and assignmentsstudents are encouraged to explore areas<strong>of</strong> individual artistic interest and to developtheir own choreographic voice.Movement StudiesThe Movement Studies course involvesresearch into movement as a source<strong>of</strong> individual artistic growth, promotingthe development <strong>of</strong> a diverse range <strong>of</strong>physical and expressive skills. Courseworkalso focuses on developing students’ability to generate and experiment withnew movement material, to reflect onthe creative processes involved and toarticulate the findings.Contextual StudiesContextual study supports the technical,creative and per<strong>for</strong>mance elements <strong>of</strong> thedegree programme. Specific areas <strong>of</strong> studyinclude:Year 1Critical and Reflective StudiesAn exploration <strong>of</strong> current contemporarydance practice through investigation <strong>of</strong>historical and theoretical perspectives andreflection on personal practice.Physical Awareness and DevelopmentA practical and theoretical exploration<strong>of</strong> anatomical and physiologicalconsiderations <strong>for</strong> the dancer, including thecauses and prevention <strong>of</strong> injury and issuesrelated to fitness, nutrition and well-being.<strong>Contemporary</strong> MusicDesigned to develop and extendunderstanding <strong>of</strong> contemporary musicand its relationship to choreography andper<strong>for</strong>mance.Year 2Ideas in ArtA study <strong>of</strong> the wider context <strong>of</strong> contemporarydance and its relationship to other art <strong>for</strong>mssuch as music, visual art, theatre and film.Students can choose to build on this studyby focusing on a specific independentresearch project in their final year.Year 3<strong>Dance</strong> Artists in EducationAn opportunity <strong>for</strong> students to developpractical teaching skills that can betransferred <strong>for</strong> use in a range <strong>of</strong> educationor community settings.<strong>Dance</strong> and Media ArtsStudents undertake a practical andtheoretical investigation into the use <strong>of</strong> filmand multimedia technologies in the creation<strong>of</strong> dance per<strong>for</strong>mance.Collaborative Arts ProjectStudents have the opportunity to explore thenature <strong>of</strong> collaborative working processesthrough their participation in an intensivecreative project. This project presents thepossibility <strong>of</strong> working with artists from otherdisciplines to produce interdisciplinary workwhich may be presented in a variety <strong>of</strong>per<strong>for</strong>mance settings.Supplementary CoursesIn addition to the taught elements, arange <strong>of</strong> short supplementary coursescomplement studies across theprogramme. These courses provideimportant experiences that draw uponkey ideas in<strong>for</strong>ming contemporary dancetraining and per<strong>for</strong>mance practice,including disciplines such as PhysicalTheatre, Contact Improvisation,Feldenkrais Method and Yoga.Entry RequirementsEntry is through successful audition andinterview. Normally candidates should haveattained 5 GCSE passes and 2 ‘A’ levelpasses. Equivalent qualifications such as aBTEC National Diploma, 4 Scottish Highersor 4 ‘AS’ level passes are also acceptable,depending on the strength <strong>of</strong> the gradesachieved. If applicants do not have therelevant academic qualifications a specialentry procedure is available. Details canbe obtained at the audition.year one choreography with Kathinka Waltercollaborative arts project collaborative arts project collaborative arts project


A final year degree studentimprovising in the studioat NSCD during a weeklongresidency with TiltedProductions.


05.Postgraduate Diplomain <strong>Contemporary</strong> <strong>Dance</strong>The course is designed to facilitate thetransition from training into pr<strong>of</strong>essionalpractice by focusing on the extension <strong>of</strong>existing technical, per<strong>for</strong>mance and artisticskills. Through this focus it functions as aframework in which students can furtherdevelop as pr<strong>of</strong>essional dance artists whilstincreasing their employability and careeropportunities.The course comprises two programmepathways, the Postgraduate Companyand the Graduate Apprenticeship Scheme.Entry RequirementsEntry is through successful audition andinterview. The Postgraduate Diploma isopen to graduates <strong>of</strong> two/three year dancetraining programmes at higher educationlevel or to dance artists with somepr<strong>of</strong>essional experience.This one-year full-time programme provides an opportunity <strong>for</strong>graduates <strong>of</strong> vocational training courses, or dance artists withsome experience, to refine their skills and undertake extensivepr<strong>of</strong>essional development.Postgraduate CompanyNSCD’s postgraduate company, Verve,provides students with pr<strong>of</strong>essional-levelexperience through working as a member<strong>of</strong> a touring contemporary dance company.Verve normally comprises ten to twelvedancers and tours a programme <strong>of</strong> newwork over a six-month period to a diverserange <strong>of</strong> pr<strong>of</strong>essional venues throughoutthe UK and selected European cities.The course is designed to foster a realisticappreciation <strong>of</strong> working in a middlescalecompany environment, whichencompasses participation in rehearsal andproduction processes, working with leadingchoreographers and fully meeting thechallenges <strong>of</strong> a pr<strong>of</strong>essional per<strong>for</strong>manceschedule. This experience also exposescompany members to the processesinvolved in successfully collaborating withother dance artists, directors, composers,musicians and designers.Choreographers who have workedwith Verve include:Verve 07Fin Walker; Glenn Wilkinson; H<strong>of</strong>eshShechter; Kim Brandstrup; RafaelBonachela; Shobana Jeyasingh.Verve 08Carol Brown; Darshan Singh Bhuller; HenriOguike; Simon Birch; Wendy Houstoun.Verve 09Filip van Huffel; Glenn Wilkinson;Jennifer Lynn-Craw<strong>for</strong>d; Leanne Pike;Milan Kozánek.Verve 10David Zambrano; Kathinka Walter;Laila Diallo; Luis Lara Malvacías;Michael Schumaker; Silja Thomsen.Verve 11Debora Johnson, Charles Linehan,Peter Mika, Thomas Noone, Ben Wright.Working as part <strong>of</strong> the Companypromotes the career development<strong>of</strong> each dance artist by providingopportunities <strong>for</strong> the advanceddevelopment <strong>of</strong> individual strengths,versatility and artistic distinctiveness.Verve’s extended per<strong>for</strong>mance tourpresents the Company to UK andEuropean dance audiences includinginvited artistic directors, producers anddance commentators. This introductionto pr<strong>of</strong>essional level work may also berelevant <strong>for</strong> dance artists who aspire tocreate their own companies in the future.As a response to the Cultural Olympiad, in2012 Verve repertory expands to consist<strong>of</strong> two touring programmes – a regularmixed bill created by a selection <strong>of</strong> leadingchoreographers, and an exclusive restaging<strong>of</strong> Akram Khan’s full-length work “bahok”.A graduate <strong>of</strong> NSCD, Khan has respondedto his relationship with the college bygenerously contributing this work to theVerve repertory.2012 represents a milestone <strong>for</strong> Verve. Thetour will be developed to include venuessuitable <strong>for</strong> staging Khan’s work. Therestaging <strong>of</strong> “bahok” is part <strong>of</strong> ‘New Worlds’commissioned by imove, which at the time<strong>of</strong> print is applying to become part <strong>of</strong> theLondon 2012 Cultural Olympiad. To viewthe latest in<strong>for</strong>mation about Verve, includingthe 2011 tour schedule and the plans <strong>for</strong>Verve 12, see the Per<strong>for</strong>mance section <strong>of</strong>www.nscd.ac.uk/verve“This excellent company danced fourspecially commisioned works that amplyrevealed the talents <strong>of</strong> the 11 graduates...they (each) allowed the qualities <strong>of</strong>individual dancers to shine through.”Dancing Times, June 2009“Verve…<strong>of</strong>fers interesting content,pleasingly diverse rather than deliberatelyvaried. The dancers revel in their workand watching talent scouts will beimpressed.”Dancing Times, May 2008Best International Production— ITS Guest Award 2008Verve 08, International Theatre <strong>School</strong>Festival (Amsterdam)Graduate Apprenticeship SchemeThe distinctiveness <strong>of</strong> this pathwaylies in the opportunity <strong>for</strong> pr<strong>of</strong>essionaldevelopment through a work placement<strong>of</strong> between three and seven months witha pr<strong>of</strong>essional dance company as aGraduate Apprentice.The apprenticeship opportunity allowsstudents to experience the processesinvolved in creating, rehearsing, producingand touring a pr<strong>of</strong>essional per<strong>for</strong>manceprogramme, including any relatededucation and community outreach work.The placement experience is supported bya programme <strong>of</strong> intensive technical trainingand movement development workshopsdelivered at NSCD.On completion <strong>of</strong> this pathway studentswill have gained an in-depth understanding<strong>of</strong> the specific ethos and artistic direction<strong>of</strong> their host company, as well as theexpectations placed on their dancers.Pr<strong>of</strong>essional dance companieswhere students have undertakenplacements include:– ACE dance and music– Arc <strong>Dance</strong> Company– Akram Khan <strong>Dance</strong> Company– Attik <strong>Dance</strong>– Ballett Theater München– Bonachela <strong>Dance</strong> Company– Candoco <strong>Dance</strong> Company– Henri Oguike <strong>Dance</strong> Company– Jasmin Vardimon <strong>Dance</strong> Company– Ludus– Motionhouse <strong>Dance</strong> Theatre– Phoenix <strong>Dance</strong> Theatre– Protein <strong>Dance</strong>– Retina <strong>Dance</strong>– Ricochet– Scottish <strong>Dance</strong> Theatre– Shobana Jeyasingh <strong>Dance</strong> Company– The Cholmondeleys and TheFeatherstonehaughs– Tilted Productions (Maresa von Stockert)– Union <strong>Dance</strong> CompanyA significant number <strong>of</strong> ApprenticeshipScheme graduates have gone on towork pr<strong>of</strong>essionally with one or more<strong>of</strong> the companies listed or have securedemployment through contacts madeduring the placement. This introductionto pr<strong>of</strong>essional level work may also berelevant <strong>for</strong> dance artists who aspire tocreate their own companies in the future.Milan Kozánek rehearsing with Verve 09 Filip van Huffel rehearsing with Verve 09Rafael Bonachela rehearsing with Verve 07Henri Oguike rehearsing with Verve 08


07.Our FacilitiesNSCD occupies a unique architectural site incorporating asympathetic mixture <strong>of</strong> old and new buildings. Based arounda listed <strong>for</strong>mer synagogue it houses all the modern facilitiesyou would expect from a conservatoire dance school, whilstmaintaining the site’s intrinsic character and integrity.08.SupportingYour StudiesTo help you gain the maximum benefit from your studiesNSCD provides a range <strong>of</strong> support systems.The main training facilities consist <strong>of</strong>:– 8 large dance studios;– The Riley Theatre;– the Learner Resource Centre(incorporating the library and studentcomputers);– and the Video and Music Editing Suites.All dance studios have fully sprungfloors and are equipped with pianosand percussion instruments <strong>for</strong> liveaccompaniment. Most studios also haveballet barrès and integrated video andaudio replay equipment.the video editing suiteThe Learner Resource Centre (LRC) containsvirtually all the reference materials you willneed to support your studies: books, journals,videos, DVDs, CDs and internet access. Inaddition the LRC provides access to a range<strong>of</strong> dance related electronic resources. Anumber <strong>of</strong> LRC computers have s<strong>of</strong>tware tosupport students with dyslexia.The Riley Theatre is a unique per<strong>for</strong>mancespace housed in the <strong>for</strong>mer synagogue.Situated at the heart <strong>of</strong> the site, it has aseating capacity <strong>of</strong> 250 and still retains manyoriginal features. The Theatre provides anideal per<strong>for</strong>mance space <strong>for</strong> students andvisiting pr<strong>of</strong>essional dance companies, suchas Candoco <strong>Dance</strong> Company, Phoenix<strong>Dance</strong> Theatre, Retina <strong>Dance</strong> Company,Shobana Jeyasingh <strong>Dance</strong> Company andTilted Productions.the video editing suitechoreographer Wendy HoustounBPA (Hons) <strong>Contemporary</strong> <strong>Dance</strong> & Postgraduate Diploma/MA Choreography students rehearsing <strong>for</strong> the CanovaProject, ItalyTutorial and Academic SupportAll students are allocated a Personal Tutorwith whom they have regular one-to-onemeetings. In addition, subject tutors providesupport on all aspects <strong>of</strong> the training, bothpractical and academic.Additional SupportSpecialist learner support is availablethrough tutorial sessions with the LearnerSupport Tutor. For practical areas <strong>of</strong> study,technique teachers provide techniquetutorials or coaching sessions.English Language SupportThe <strong>School</strong> provides language supportclasses <strong>for</strong> international students whoneed to improve their written and spokenEnglish.Welfare SupportWelfare support is available to all ourstudents. Where appropriate the WelfareOfficer may refer students <strong>for</strong> pr<strong>of</strong>essionalcounselling, if requested.Health, Fitness and Injury SupportThe <strong>School</strong>, in partnership with the GoodHealth Centre in Leeds, <strong>of</strong>fers a subsidisedinjury treatment scheme. The schemeallows students to access a number<strong>of</strong> reduced-rate osteopathy (or other)treatments provided by staff from the GoodHealth Centre on the <strong>School</strong>’s premises.The <strong>School</strong> also engages the services <strong>of</strong> aconsultant osteopath to provide health andfitness advice and injury treatment.CareersThe Learner Resource Centre housesa careers section and notice boardsdedicated to pr<strong>of</strong>essional auditionsand other opportunities. There are alsoscheduled careers sessions <strong>for</strong> third yearBPA (Hons) and Postgraduate Diplomastudents. These sessions include careersseminars with leading organisations suchas Arts Council England, Sadler’s Wellsand the National <strong>Dance</strong> Agencies,providing networking opportunities andbuilding awareness <strong>of</strong> the infrastructure<strong>of</strong> the dance industry. These areprogrammed alongside mock auditionswith leading companies such as WayneMcGregor|Random <strong>Dance</strong>, ShobanaJeyasingh <strong>Dance</strong> Company and TheCholmondeleys.AccommodationStudent accommodation is plentiful inLeeds and most students from the <strong>School</strong>choose to share flats or houses closeto NSCD. The <strong>School</strong> does not have itsown student accommodation but doessubscribe to UNIPOL Student Homes, acharitable trust that helps students findrented accommodation. Students requiringaccommodation should contact UNIPOL<strong>for</strong> assistance or attend one <strong>of</strong> our househunting days held over the summer. Thesedays are a useful opportunity to meetpotential housemates whilst viewing/securing rented accommodation.UNIPOL’s website address is:www.unipol.leeds.ac.ukThe Riley Theatre


10.A Career in<strong>Contemporary</strong> <strong>Dance</strong>Our courses prepare students <strong>for</strong> what can be a demandingand competitive pr<strong>of</strong>ession. The training is there<strong>for</strong>e rigorousand challenging, requiring a high level <strong>of</strong> commitment anddetermination. This approach enables our students to continueto succeed in the field <strong>of</strong> pr<strong>of</strong>essional contemporary dance andis recognised as the hallmark <strong>of</strong> NSCD’s ethos.Katherine McCabeper<strong>for</strong>ming Simon Birch’s‘Time Liners’, created <strong>for</strong>the Student Showcaseper<strong>for</strong>mances, March 2010.A review in The Stagereported that “the quality<strong>of</strong> work and the quality <strong>of</strong>staging at the <strong>Northern</strong>continue to impress.”When asked, by thejournalist, to select a dancerworth keeping an eye on,Sharon Watson (ArtisticDirector, Phoenix <strong>Dance</strong>Theatre) picked Katherine,who was described in thereview as “outstanding.”The relevance <strong>of</strong> our training practice isfurther strengthened by our close linkswith the pr<strong>of</strong>essional dance world. Thesepartnerships provide students with valuableopportunities to make contact with danceartists, choreographers and companydirectors. To assist third year degree andpostgraduate diploma students we run acomprehensive careers programme whichincludes mock auditions with leadingdance companies and important adviceon successfully managing a freelance or‘portfolio’ career.Here are some <strong>of</strong> the dancecompanies our graduates have joined:– ACE– Adventures in Motion Pictures– Adzido <strong>Dance</strong>– Alvin Ailey American <strong>Dance</strong> Theater (USA)– Arc <strong>Dance</strong> Company– Attic <strong>Dance</strong>– Badejo Arts– Ballet Lorent– Bonachela <strong>Dance</strong> Company– Candoco <strong>Dance</strong> Company– Carlson <strong>Dance</strong> Company– Carte Blanche– Compagnie Thor (Belgium)– <strong>Dance</strong> Theatre <strong>of</strong> Harlem (USA)– <strong>Dance</strong> Theatre <strong>of</strong> Ireland– Diamond <strong>Dance</strong>– DV8 Physical Theatre– Earthfall– Henri Oguike <strong>Dance</strong> Company– H<strong>of</strong>esh Schechter <strong>Dance</strong> Company– Irie <strong>Dance</strong> Company– Jasmin Vardimon <strong>Dance</strong> Company– Kibbutz <strong>Contemporary</strong> <strong>Dance</strong>Company (Israel)– Kompany Malakhi– Ludus <strong>Dance</strong> Company– Maria Cardonia <strong>Dance</strong> Company (Spain)– Miami <strong>Contemporary</strong> <strong>Dance</strong>Company (USA)– Motionhouse– National <strong>Dance</strong> Company Wales(<strong>for</strong>merly Diversions)– New Art Club– Phoenix <strong>Dance</strong> Theatre– Protein <strong>Dance</strong>– Retina <strong>Dance</strong> Company– RJC <strong>Dance</strong> Productions– Richard Alston <strong>Dance</strong> Company– Sakoba <strong>Dance</strong> Company– Scottish <strong>Dance</strong> Theatre– Shobana Jeyasingh <strong>Dance</strong> Company– Singh Productions– Springs <strong>Dance</strong> Company– Tilted Productions (Maresa von Stockert)– The Cholmondeleys and TheFeatherstonehaughs– Union <strong>Dance</strong> Company– Vincent <strong>Dance</strong> Theatre– Wayne McGregor|Random <strong>Dance</strong>– X FactorAdditionally, many ex-students havepursued careers as choreographers orset up their own companies. Notableexamples include Akram Khan, Benji Reid,Debbi Purtill, Emily Burns, Fleur Darkin,Kwesi Johnson, Robert Hylton, RossCooper, Simon Birch, Tamsin Fitzgeraldand Tom Roden.


11.Our GraduatesHere are brief biographies <strong>of</strong> some <strong>of</strong> our graduates:Akram KhanLisa WelhamSharon WatsonAnthony MissenKevin TurnerGail ParmelSimon PalmerSarita PiotrowskiTamsin FitzgeraldGary ClarkeIra SiobhanKip JohnsonAkram Khan MBEAkram Khan is one <strong>of</strong> the most acclaimedchoreographers <strong>of</strong> his generation workingin Britain today. He began presenting soloper<strong>for</strong>mances in the 1990s, maintaining hiscommitment to classical kathak as well asmodern work. After graduating from NSCDin 1998 he launched Akram Khan <strong>Dance</strong>Company, a plat<strong>for</strong>m <strong>for</strong> innovation and adiverse range <strong>of</strong> work through collaborationwith artists from other disciplines includingartist Anish Kapoor, composer NitinSawhney, dancer Sidi Larbi Cherkaoui,sculptor Antony Gormley, ballerina SylvieGuillem and Oscar-winning actress JulietteBinoche. Akram is currently an AssociateArtist at Sadler’s Wells, London. He hasbeen the recipient <strong>of</strong> numerous awardsthroughout his career and was awarded anMBE <strong>for</strong> services to dance in 2005.Simon PalmerSimon grew up in Essex where hedeveloped a keen interest in the per<strong>for</strong>mingarts, studying piano and voice. He begandancing at the age <strong>of</strong> 16 and joined the BPA(Hons) degree in <strong>Contemporary</strong> <strong>Dance</strong> atNSCD, graduating in 2005. He danced <strong>for</strong>Motion Manual and Lucy Suggate be<strong>for</strong>ereturning to the school in 2007 to becomeone <strong>of</strong> the founding members <strong>of</strong> Verve.Simon went on to join Maresa von Stockert’sTilted Productions, with whom he still works.He regularly collaborates with artists <strong>of</strong>other disciplines, most recently working withTheatre Rites in Essen, Germany.Lisa WelhamLisa graduated from NSCD in 2002 witha first class honours degree and wasawarded the University <strong>of</strong> Leeds ArmesPrize <strong>for</strong> outstanding achievement. Whilstat the College she toured in the UK andGermany as a member <strong>of</strong> NSCD’s studentcompany. Since graduating Lisa has beena member <strong>of</strong> Phoenix <strong>Dance</strong> Theatre,Henri Oguike <strong>Dance</strong> Company, Mad Dogs<strong>Dance</strong> Theatre and Walker <strong>Dance</strong> ParkMusic. She is currently dancing with RafaelBonachela <strong>Dance</strong> Company.Sarita PiotrowskiSarita completed both the foundation anddegree programmes at NSCD be<strong>for</strong>e joiningthe Graduate Diploma in <strong>Contemporary</strong><strong>Dance</strong>, undertaking her apprenticeshipwith Random <strong>Dance</strong> Company. She thendanced with Henri Oguike <strong>Dance</strong> Companyand Diversions <strong>Dance</strong> <strong>for</strong> six years. In 2008Sarita embarked on a freelance career,allowing her to mix ongoing contemporaryprojects with commercial work includingTake That, the Pet Shop Boys, Cheryl Cole,La Roux and Leona Lewis. Sarita has alsohad featured roles in short dance films TheJaffa Man by Robert Hylton, Blank Canvas<strong>for</strong> State <strong>of</strong> Flux/Heather Eddington and theHBO series Game <strong>of</strong> Thrones.Sharon WatsonIn 2010, Sharon was named as one <strong>of</strong>the Cultural Leadership Programme’s 50Women to Watch in the UK. Originallyfrom Leeds and trained at London<strong>Contemporary</strong> <strong>Dance</strong> <strong>School</strong> and NSCD,she has per<strong>for</strong>med and choreographed <strong>for</strong>companies across the UK, be<strong>for</strong>e beingengaged as Lecturer in <strong>Contemporary</strong><strong>Dance</strong> at NSCD, Rehearsal and TourDirector <strong>for</strong> Phoenix <strong>Dance</strong> Theatreand Director <strong>of</strong> Learning and Access at<strong>Northern</strong> Ballet. In 2006 she embarkedupon a fellowship with the Clore LeadershipProgramme. In 2008 Sharon was one <strong>of</strong>26 aspiring leaders from around the globeselected to attend <strong>Dance</strong> East’s fourthRural Retreat, an intensive four day thinktankexploring the challenges <strong>of</strong> the role <strong>of</strong>Artistic Directors in the 21st century. Sharonwas appointed Artistic Director <strong>of</strong> Phoenix<strong>Dance</strong> Theatre in May 2009.Tamsin FitzgeraldAfter graduating from NSCD in 1998,Tamsin founded 2FaCeD DaNcE Company.Tamsin has collaborated with H<strong>of</strong>eshShechter <strong>for</strong> the Birmingham International<strong>Dance</strong> Festival, choreographed <strong>for</strong> theMTV Awards, published a book on hip-hopand urban dance and choreographed theinternational tour and West End production<strong>of</strong> the Caesar Twins. Tamsin has been aguest speaker at the National Youth <strong>Dance</strong>Conference and at the National <strong>Dance</strong>Teachers Association conference and is amember <strong>of</strong> the West Midlands Youth <strong>Dance</strong>Advisory Board. Recent credits include themusical Chasing Fate, and collaborationswith Australian <strong>Dance</strong> Theatre and theBallet Boyz.Anthony MissenAfter training at NSCD, Anthony dancedwith companies including Scottish <strong>Dance</strong>Theatre, Cie. Willi Dorner, Mad Dogs<strong>Dance</strong> Theatre and Cassanidance; andchoreographers including Rui Horta, DidiVeldman and Liv Lorent. He has alsoworked with Dundee Rep Theatre andNational Theatre <strong>of</strong> Scotland as an actorand movement director. Anthony has taughtat most <strong>of</strong> the major British contemporarydance institutions, to several pr<strong>of</strong>essionaldance companies, and has taught freelanceacross Europe. He has also choreographedwork <strong>for</strong> Scottish <strong>Dance</strong> Theatre andScottish <strong>School</strong> <strong>of</strong> <strong>Contemporary</strong> <strong>Dance</strong>.In 2007 Anthony established CompanyChameleon, with Kevin Turner.Gary ClarkeSince graduating in 2001, Gary has workedand collaborated with some <strong>of</strong> the world’sleading contemporary dance companiesand choreographers, including TheCholmondeleys & The Featherstonehaughs,Adventures in Motion Pictures,balletLORENT, Retina <strong>Dance</strong> Company,Maresa Von Stockert & Tilted Productions,Phoenix <strong>Dance</strong> Theatre, Opera North,Frauke Requardt & Daniel Kramer (Sadler’sWells Productions), Javier De Frutos, NigelCharnock and Wendy Houstoun. Garyis also an award winning choreographerwhose cutting edge work has touredboth nationally and internationally. He hascreated work <strong>for</strong> Ludus <strong>Dance</strong> Company,Phoenix <strong>Dance</strong> Theatre, Homotopia,StopGAP <strong>Dance</strong> Company, NSCD andAscendance REP. Gary is currently anAssociate Artist at Yorkshire <strong>Dance</strong>.Kevin TurnerWhilst at NSCD Kevin per<strong>for</strong>med and touredwith the National Youth <strong>Dance</strong> Companyand Beth Cassani. He has since per<strong>for</strong>medwith Rambert <strong>Dance</strong> Company, Scottish<strong>Dance</strong> Theatre, Phoenix <strong>Dance</strong> Theatre,Cassanidance, Rubberbandancegroup(Canada), Henri Oguike <strong>Dance</strong> Company,Company Decalage, Mad Dogs <strong>Dance</strong>Theatre and Roda. In 2008 Kevin wasAssociate Artist at NSCD with CompanyChameleon, which he established in 2007with Anthony Missen. He has taught inmost major British contemporary danceinstitutions, as well as in Canada, the USA,Spain, Hungary and the Caribbean.Ira SiobhanIra graduated from NSCD in 2006 with afirst class honours degree and the award<strong>for</strong> the Best Per<strong>for</strong>mer <strong>of</strong> the Year. In 2007Ira per<strong>for</strong>med with NSCD’s PostgraduatePer<strong>for</strong>mance Company, Verve, and wasawarded a Postgraduate Certificatein Per<strong>for</strong>ming Arts with Distinction. Irajoined DV8 Physical Theatre Companyin 2007, per<strong>for</strong>ming ‘To Be Straight withYou’ nationally and internationally, andjoined Richard Alston <strong>Dance</strong> Company inDecember 2008.Gail ParmelGail Parmel, who in 2010 was nominated asone <strong>of</strong> the Cultural Leadership Programme’s50 Women to Watch in the UK, is the ArtisticDirector <strong>of</strong> ACE dance and music (AfricanCultural Exchange), the UK’s premier Blackdance organisation. Born in Leeds in 1970,Gail graduated from NSCD in 1990. Afterworking <strong>for</strong> Kokuma <strong>Dance</strong> Company, sheand husband Ian Parmel established ACEdance and music in 1997. An internationaltouring company, ACE became an ArtsCouncil England Regularly FundedOrganisation in 2006. Gail is a resilientchampion <strong>of</strong> youth dance; the awardwinning ACE Youth, founded in 1998,is now one <strong>of</strong> the UK’s most high pr<strong>of</strong>ileyouth companies.Kip JohnsonKip began dancing at the age <strong>of</strong> 16.Originally based in the South West <strong>of</strong>England he moved to Lancaster and joinedLudus Youth Company. Kip graduatedfrom NSCD in 2009 and was awarded theNSCD per<strong>for</strong>mance prize. Since graduatinghe has worked with Lea Anderson <strong>of</strong> TheCholmondeleys, Funny Bones (Barebones<strong>for</strong> Children), Vincent <strong>Dance</strong> Theatre andLuca Silvestrini <strong>of</strong> Protein <strong>Dance</strong> Company.


Patsy Brown-Hope inMatthias Sperling’s ‘OnlyHuman’, created duringa four week rehearsalperiod leading up to theannual Student Showcaseper<strong>for</strong>mances, March 2010.


Rebecca Williamsper<strong>for</strong>ming Simon Birch’sTime Liners. Simon hasper<strong>for</strong>med in works byNigel Charnock, Liv Lorent,Gill Clarke, Emilyn Claidand Janet Smith; and haschoreographed work <strong>for</strong>Akram Khan. He also workspart-time as a RehearsalDirector <strong>for</strong> BalletLORENT.


Gemma Riley per<strong>for</strong>mingSilja Thomsen’s ‘A play<strong>of</strong> shadows’ <strong>for</strong> Verve10. Gemma graduatedfrom NSCD in 2009 with aBPA(Hons) in <strong>Contemporary</strong><strong>Dance</strong> and then joined Verve10, completing her PGDipin 2010.


14.Applying and AuditioningNSCD has an international reputation, attracting studentsfrom across the UK and Europe as well as from Asia, Australia,and North and South America. We welcome applicantsfrom a wide variety <strong>of</strong> backgrounds including those fromunder-represented groups. Places are <strong>of</strong>fered solely on thebasis <strong>of</strong> individual potential and suitability to undertake ourcontemporary dance training.15.FeesLeeds. The most cost effective place to study in Britain.RBS Student Living Index 2007The closing dates <strong>for</strong> completedapplications are:Foundation Course6th May 2011BPA (Hons) in <strong>Contemporary</strong> <strong>Dance</strong>24th June 2011Postgraduate Diploma in<strong>Contemporary</strong> <strong>Dance</strong>20th May 2011PGDip/MA in Choreography24th June 2011To make an application go to www.nscd.ac.uk and follow the ‘applyonline’ link. If you have any queriesplease call Admissions on 0113 2193050, or email info@nscd.ac.ukAs a conservatoire-level training institutionNSCD is unique in <strong>of</strong>fering dance trainingcourses from foundation to postgraduatediploma/MA level. Applicants shouldcarefully consider the level <strong>of</strong> study theywish to undertake as it is important tohave the appropriate prior experience t<strong>of</strong>ully benefit from each <strong>of</strong> the programmeson <strong>of</strong>fer. This is particularly relevant <strong>for</strong>applicants wishing to audition <strong>for</strong> NSCD’sPostgraduate Diploma programmepathways.For the Foundation course or the BPA(Hons) it is not unusual, however, <strong>for</strong>applicants with outstanding potential butwith less experience to be <strong>of</strong>fered a place.The qualifications required <strong>for</strong> each courseare noted with the course descriptions,which can be found earlier in theprospectus.Due to the distinct and specialist nature <strong>of</strong>our courses and the need <strong>for</strong> an auditionprocess, you must apply directly to NSCDand not through the UCAS system. Theapplication process is the same <strong>for</strong> theFoundation, Degree and PostgraduateDiploma/MA courses.NSCD welcomes applications fromdisabled people. If you have a learningdifficulty (e.g. dyslexia) or a disability(e.g. asthma, epilepsy, visual or sensoryimpairment) we would encourage youto disclose this at the earliest opportunityso we can make appropriate arrangementsto meet your needs.The Audition ProcessAll applicants are <strong>of</strong>fered an audition,which will be on the first available auditiondate after receipt <strong>of</strong> the application. It is notpossible to audition <strong>for</strong> deferred entry dueto the nature <strong>of</strong> the courses.The audition process is designed to assessan applicant’s potential as a dance artistand their suitability <strong>for</strong> the course. Auditionsare held in Leeds and each one normallyattracts up to 40 prospective students.Auditions are also held in mainland Europe– please ask <strong>for</strong> further details whenmaking your application.A non-refundable audition fee <strong>of</strong> £35.00is payable <strong>for</strong> Degree and PostgraduateDiploma/MA applicants and £25.00 <strong>for</strong>Foundation applicants. Applicants whoanticipate having difficulty paying theaudition fee should contact Admissionson +44 (0)113 219 3050, or emailinfo@nscd.ac.uk, prior to applying.More detailed in<strong>for</strong>mation about theaudition process, audition dates andonline application can be found atwww.nscd.ac.ukNon-UK ResidentsApplicants <strong>for</strong> the Foundation course,BPA(Hons) degree course and PGDip/MA in Choreography, based outside theUK who are unable to audition in Leedsor attend one <strong>of</strong> the European auditions,may submit an audition videotape/DVD/VCD. For the Foundation course andBPA(Hons) degree course applicantsshould feature themselves in a techniqueclass and per<strong>for</strong>ming a dance solo. Forthe PGDip/MA in Choreography applicantsshould feature themselves per<strong>for</strong>ming adance solo along with examples <strong>of</strong> theirchoreographed work.Foundation Course in<strong>Contemporary</strong> <strong>Dance</strong>The student contribution to course fees<strong>for</strong> 2011/12 has yet to be confirmed butwill not be less that the current year’s fee(£1,060). This fee is not charged to UKand EU students aged under 19. Studentsaged between 19 and 24 who have notpreviously studied <strong>for</strong> a full level threequalification (i.e. the equivalent <strong>of</strong> 2 ‘A’levels) may also be entitled to a fee waiver.International StudentsNon EU international students are requiredto pay the full cost <strong>of</strong> their tuition. Fees<strong>for</strong> 2011/12 have yet to be agreed but willnot be less than the current year’s fees(£5,225).BPA (Hons) in <strong>Contemporary</strong> <strong>Dance</strong>The student contribution to course fees<strong>for</strong> 2011/12 has yet to be confirmed butwill not be less that the current year’s fee(£3,290). Some UK resident students areeligible <strong>for</strong> financial support both fromthe Government and the <strong>Conservatoire</strong><strong>for</strong> <strong>Dance</strong> and Drama (CDD) in the <strong>for</strong>m<strong>of</strong> non-repayable bursaries and grants.CDD also provides some bursaries to EUstudents, visit www.cdd.ac.uk <strong>for</strong> furtherin<strong>for</strong>mation.International StudentsNon EU international students will berequired to pay the full cost <strong>of</strong> their tuition.Fees <strong>for</strong> 2011/12 have yet to be agreedbut will not be less than the current year’sfees (£13,155). Further in<strong>for</strong>mation aboutfee rates <strong>for</strong> non EU students is availablefrom NSCD.Living ExpensesMost undergraduate students from theUK studying at publicly funded collegesand universities are eligible <strong>for</strong> studentloans and other financial support. Werecommend that prospective studentscomplete and return their fee support andstudent loan applications to their LocalEducation Authority as soon as possible(you do not have to wait until you are<strong>of</strong>fered a place to make the application).When applying you should make it clearthat you would be a student registeredwith both the <strong>Conservatoire</strong> <strong>for</strong> <strong>Dance</strong>and Drama and <strong>Northern</strong> <strong>School</strong> <strong>of</strong><strong>Contemporary</strong> <strong>Dance</strong>.In addition to student loans, living expensesare <strong>of</strong>ten supplemented by studentsundertaking part-time work.Extra HelpAll CDD affiliate colleges are determinedthat students should not be put <strong>of</strong>f fromenjoying the benefits <strong>of</strong> higher educationon account <strong>of</strong> cost. Accordingly, inaddition to Government support, a range<strong>of</strong> extra financial help is available <strong>for</strong>degree students who experience financialhardship. Details about CDD’s bursaryscheme to support students from lowerincome households can be found atwww.cdd.ac.ukPostgraduate Diploma in<strong>Contemporary</strong> <strong>Dance</strong> andPostgraduate Diploma inChoreographyThe student contribution to postgraduatecourse fees <strong>for</strong> 2011/12 has yet to beconfirmed but will not be less that thecurrent year’s fee (£4,260). Financial support<strong>for</strong> living expenses is not normally available<strong>for</strong> postgraduate courses. However, NSCDmay be able to provide financial support<strong>for</strong> students on the course through <strong>School</strong>bursaries and funding provided through thegenerous support <strong>of</strong> The Leverhulme Trust.International StudentsNon EU international students will berequired to pay the full cost <strong>of</strong> their tuition.Fees <strong>for</strong> 2011/12 have yet to be agreed butwill not be less than the current year’s fees<strong>for</strong> the Postgraduate Diploma (£13,155).Further in<strong>for</strong>mation about fee rates <strong>for</strong> nonEU students is available from NSCD.MA in Choreography (fourth termfollowing Postgraduate Diploma)The additional fee <strong>for</strong> the extra term neededto complete the MA in Choreography <strong>for</strong>2011/12 has yet to be confirmed but willnot be less than the current year’s fee(£1,420).International StudentsThe additional fee <strong>for</strong> the extra term tocomplete the MA in Choreography will benot less than the current year’s fee (£4,385).Further in<strong>for</strong>mation about fee rates <strong>for</strong> nonEU students is available from NSCD.Video applications are not accepted<strong>for</strong> the PGDip in <strong>Contemporary</strong> <strong>Dance</strong>.Please contact Admissions <strong>for</strong> full detailson +44 (0)113 219 3050 or send an emailto info@nscd.ac.uk


Anthony Middleton andJoss Carter were bothrecently handpicked by theBalletboyz to join a company<strong>of</strong> 8 young male dancersper<strong>for</strong>ming their latestproduction ‘the TALENT’on tour throughout the UK.


Rudi Cole per<strong>for</strong>mingHenrietta Hale’s ‘The Forest’.On graduating Rudi joinedCompagnie Thor, who arebased in Belgium and tourthroughout the world.


16.Maps and DirectionsEdinburghNewcastleCardiffLeedsManchesterBirminghamLondonUniversityLeeds/Brad<strong>for</strong>dAirport (approx. 8 miles)HospitalTown HallM606MerrionCentreA61SheepscarInterchangeClay Pit LaneNorth St.Chapeltown Rd.Follow signs<strong>for</strong> ChapeltownRegent St.From North/A61/A6120(Via Harrogate Road)NSCD<strong>Northern</strong> <strong>School</strong> <strong>of</strong><strong>Contemporary</strong> <strong>Dance</strong>Barrack Rd.A58Validation and Accreditation<strong>of</strong> ProgrammesThe Foundation Course in <strong>Contemporary</strong><strong>Dance</strong> is accredited by the OpenCollege Network Yorkshire and HumberRegion (OCNYHR). The BPA (Hons) in<strong>Contemporary</strong> <strong>Dance</strong>, the PostgraduateDiploma in <strong>Contemporary</strong> <strong>Dance</strong>and the Postgraduate Diploma/MAin Choreography are validated by theUniversity <strong>of</strong> Kent.Please note: Every ef<strong>for</strong>t has been madeto ensure the accuracy <strong>of</strong> the in<strong>for</strong>mationcontained within this prospectus. However,NSCD reserves the right to introducechanges to the in<strong>for</strong>mation given includingthe addition, withdrawal or restructuring <strong>of</strong>programmes. This prospectus is issued oncondition that it does not <strong>for</strong>m part <strong>of</strong> anycontract between NSCD and any student.Designwww.landkbrand.comPhotographyChris Nash, Johnny Carr, GavinJoynt, Brian Slater and Terry Cryer.Printwww.team-impression.comOuter cover:Daniel Connor and RebeccaWilliams both graduatedfrom NSCD in 2010 with aBPA(Hons) in <strong>Contemporary</strong><strong>Dance</strong>. Daniel won thegraduation per<strong>for</strong>manceprize 2010 and joinedVerve 11.Cover shot:Rosannah Carrick graduatedfrom NSCD in 2010 with aBPA(Hons) in <strong>Contemporary</strong><strong>Dance</strong> and joined Verve 11.Bus Sta.Inner Ring Rd.WestYorkshirePlayhouseInner Ring Rd.Tetley’sBreweryTrain StationRoyalArmouriesHunslet Rd.UnderpassM621JCT 3Hunslet DistributorJCT 2JCT 4FromM1CarFrom M1The M1 becomes the M621 just outsideLeeds. Continue on the M621, exiting atJ4. Follow signs to Harrogate. You will passTetley’s Brewery on the left, then the WestYorkshire Playhouse on the right. Continueto follow signs to Harrogate until you pickup signs to Chapeltown. NSCD is justbeyond the Sheepscar interchange, onthe right (approximately 4 miles in totalfrom the motorway).From M62 (East)Take the M1 north at J29 and then followdirections above.From M62 (West)Leave the M62 at J27 and take the M621into Leeds. Exit at J2, and follow signs toHarrogate via the Armley roundabout. Thiswill take you onto the Inner Ring Road <strong>for</strong>a short stretch. Exit at the Harrogate sign.Pick up Chapeltown signs. NSCD is justbeyond the Sheepscar interchange, onthe right.From the NorthAt the A61/A6120 roundabout on the LeedsOuter Ring Road, follow signs to Leeds. Atnext immediate roundabout take HarrogateRoad (not the A61) through Moortown andChapel Allerton. Harrogate Road then turnsinto Chapeltown Road and NSCD will beon the left.BusTake bus number 2, 3, 3a or 48 fromLeeds City Centre (by Kirkgate Market)to Chapeltown (approximately 10 minutes).The bus stop is located on ChapeltownRoad opposite NSCD.TrainThere are frequent trains to Leeds frommost parts <strong>of</strong> the UK. Leeds City Stationis located in the centre <strong>of</strong> town, a shorttaxi or bus ride to NSCD.


<strong>Northern</strong> <strong>School</strong> <strong>of</strong><strong>Contemporary</strong> <strong>Dance</strong>98 Chapeltown RoadLeeds LS7 4BHUnited KingdomTel: +44 (0)113 219 3000Fax: +44 (0)113 219 3030info@nscd.ac.ukwww.nscd.ac.ukwww.youtube.com/northernschoolwww.facebook.com/northernschoolwww.twitter.com/northernschool


<strong>Northern</strong> <strong>School</strong> <strong>of</strong><strong>Contemporary</strong> <strong>Dance</strong>98 Chapeltown RoadLeeds LS7 4BHUnited KingdomTel: +44 (0)113 219 3000Fax: +44 (0)113 219 3030info@nscd.ac.ukwww.nscd.ac.ukwww.youtube.com/northernschoolwww.facebook.com/northernschoolwww.twitter.com/northernschool

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