Volume 17 Issue 2 - October 2011

Baroque Orchestra and Chamber Choir11.12Concert SeasonJeanne Lamon, Music Director | Ivars Taurins, Director, Chamber ChoirNEXT CONCERT“The Missa votiva is nothing less than a lost masterpiece.” JAMES MANHEIM, ALLMUSIC.COMGlorious Bach& ZelenkaDorothee MieldsFri Oct 14, Sat Oct 15 at 8pmDirected by Ivars TaurinsSun Oct 16 at 3:30pmDorothee Mields, sopranoWed Oct 19 at 7pmMatthew White, countertenorCory Knight, tenorThurs Oct 20 at 8pmAndrew Mahon, baritoneTrinity-St. Paul’s CentreTafelmusik Chamber Choir and OrchestraGlorious choral music by two sublimemasters of the baroque: Zelenka’svibrant Missa votiva, and Bach’s joyousmotet Singet dem Herrn ein neuesLied (Sing unto the Lord a new song).Oct 14 & 16supported byOct 15 & 19supported byLyndaHamiltonOct 20sponsored byPhoto of Dresden Frauenkirche ceiling by BaccharusCOMING SO ONMozart& FriendsThurs Nov 10, Fri Nov 11,Sat Nov 12 at 8pmSun Nov 13 at 3:30pmTrinity-St. Paul’s CentreTues Nov 8 at 8pmGeorge Weston Recital HallDirected by Jeanne LamonTafelmusik musicians take thespotlight in Mozart’s beautifulSinfonia Concertante in E-Flat Major,Dittersdorf’s spirited Concertofor 2 violins in D Major featuring AisslinnNosky and Julia Wedman, and Haydn’sinventive “Farewell” Symphony,with its unusual conclusion!Nov 10 & 12GWRH Concert Supported by:Margaret and Jim FleckTrinity-St. Paul’s Tickets:416.964.6337tafelmusik.orgSmartphone Users: m.tafelmusik.orgGeorge WestonRecital Hall Tickets:1.855.985.ARTS (2787)ticketmaster.caSeason Presenting Sponsor

PICK5& SAVEPICK 5 CONCERTS AT TRINITY-ST. PAUL’S CENTRE 427 BLOOR STREET WESTGlorious Bachand ZelenkaFri-Sat, Oct 14-15 at 8pmSun Oct 16 at 3:30pmWed Oct 19 at 7pmThurs Oct 20 at 8pmMozart and FriendsThurs-Sat, Nov 10-12 at 8pmSun Nov 13 at 3:30pmBaroque Splendour:The Golden Age of DresdenAlfredo Bernardini,Guest Director and Oboe SoloistThurs-Sat, Dec 1-3 at 8pmSun Dec 4 at 3:30pmHouse of DreamsConceived, scripted, andprogrammed by Alison MackayNarrated by Blair WilliamsWed Feb 8 at 7pmThurs-Sat, Feb 9-11 at 8pmSun Feb 12 at 3:30pmVirtuoso VivaldiMarion Verbruggen, recorderThurs-Sat,Feb 23-25 at 8pmSun Feb 26 at 3:30pmChoral SpectacularCelebrating 30 Years ofthe Tafelmusik Chamber ChoirThurs-Sat,March 29-31 at 8pmSun April 1 at 3:30pmBach and the ViolinRachel Podger, Guest Directorand Violin SoloistWed, May 2 at 7pmThurs-Sat, May 3-5 at 8pmSun May 6 at 3:30pmPick 5 Concerts &call 416.964.6337Or buy singletickets onlinetafelmusik.org3@KOERNERTHE TELUS CENTRE FOR PERFORMANCEHALLATAND LEARNING, THE ROYAL CONSERVATORYNEWSERIESHANDEL MESSIAH Dec 14-17HANDEL HERCULES Jan 19-22BEETHOVEN EROICA May 24-27Buy all 3 for as little as $115(discounts for 65+/30 and under)Call 416.408.0208 | rcmusic.caWe gratefully acknowledge the followingpartners for their support:Season Presenting SponsorBaroque Orchestra and Chamber ChoirJeanne Lamon, Music Director | Ivars Taurins, Director, Chamber Choir

Compañia FlamencaJosé PorcelGypsy FireMon Oct 17, 8PMRoy omson HallMARIINSKYORCHESTRAVALERY GERGIEV, conductorAlexander Toradze, pianoFRI OCT 21, 8PMStravinsky: Firebird Suite (1919 version)Prokofiev: Piano Concerto No. 3Shostakovich: Symphony No. 1ROY THOMSON HALLHerbie Hancockwith e Massey HallOrchestraAlain Trudel, conductorSat Oct 22, 8PMMassey HallSponsored byTyler Duncan, baritoneurs Oct 27, 8PMGlenn Gould StudioLiza MinnelliFri Oct 28, 8PMRoy omson HallSponsored byThe legendary Mariinsky Orchestra of St. Petersburg,established over 200 years ago, is “a perfectly balanced,impeccably blended virtuoso instrument.”Artistic powerhouse Valery Gergiev and his illustrious ensemble,who have toured the world to sold-out houses and standingovations, return to Toronto for one night only to perform aspectacular program of Russian masterworks.e PriestsFri Nov 18, 8PMRoy omson HallSponsored byOnlineroythomson.commasseyhall.comBy Phone416.872.4255In PersonRoy Thomson Hall Box Office60 Simcoe Street

Volume 17 No 2 | October 1 – November 7, 2011FOR OPENERS6. Fable Manners, Part 2 | DAVID PERLMANFEATURES8. Christina Petrowska Quilico | DAVID PERLMANBEAT BY BEAT10. Classical & Beyond | SHARNA SEARLE14. Choral Scene | BENJAMIN STEIN18. In With the New | DAVID PERLMAN22. Bandstand | JACK MACQUARRIE24. Jazz Notes | JIM GALLOWAY26. On Opera | CHRISTOPHER HOILE27. Jazz in the Clubs | ORI DAGAN28. Early Music | SIMONE DESILETS30. World View | ANDREW TIMARLISTINGS32. A | Concerts in the GTA46. B | Beyond the GTA48. C | In the Clubs (Mostly Jazz)51. D | The ETCeterasMUSICAL LIFE58. We Are All Music’s Children | MJ BUELL59. Bookshelf | PAMELA MARGLESDISCOVERIES: RECORDINGS REVIEWED60. Editor’s Corner | DAVID OLDS61. Vocal61. Early & Period Performance62. Classical & Beyond67. Frank Liszt: An Appreciation | JANOS GARDONYI65. Strings Attached | TERRY ROBBINS66. Modern & Contemporary66. Jazz & Improvised Music67. Extended Play: It’s our Jazz | GEOFF CHAPMAN68. Something in the Air: Bill Dixon | KEN WAXMAN70. Old Wine in New Bottles | BRUCE SURTEESMORE6. Contact Information & Deadlines31. Index of Advertisers56. Classified AdsIn This IssueACD2 2841ACD2 2635JANINAFIALKOWSKALISZT RECITALJanina Fialkowskaplays a personal selection of Liszt’s pianomusic to mark the 200th anniversaryof the birth of Franz LisztDANIELBOLSHOYSOÑANDO CAMINOSFor his debut ATMA recordingDaniel Bolshoyplays works for guitar by Spanish composerEduardo Sainz de la MazaDOWNLOAD DIRECTLY ATATMACLASSIQUE.COMSelect ATMA titles now on saleGABI EPSTEINpage 27TRICHY SANKARANpage 30OCTOBER’S CHILDpage 58

When we contacted ChristinaPetrowska Quilico early thispast summer, she was, no surprise,busy on more than one front. Forone thing, she was busy writing programnotes for her 26th CD. The CDfeatures two piano concerti writtenfor her, by Heather Schmidt (PianoConcerto No.2) and by GeorgeFiala (Concerto Cantata for piano,opera chorus and chimes). “I gavethe world premieres for both pieces”she explained. “And I am stuck onfinding a good title so that was whatI was working on right now.”“For another thing,” she said,“I am looking forward to takingone of my daughters to see Alicein Wonderland with the NationalBallet of Canada. My daughtersand I love the ballet and we haveall taken lessons.”“So no slacking off during thesummer?” we asked.“I am looking forward to workingwith Christopher House of the Toronto Dance Theatre on a new majorproject for next April,” she replied. “Rehearsals begin in Septemberbut the works starts now. I’m also working with dancer Terrill Maguirefrom York University on a dance/piano concert for September.”And that wasn’t all, “This July I’m recording new works byConstantine Caravassilis (the first CD of a 2 CD set). I am practisingthe Grieg piano concerto to perform with the Kindred Spirits OrchestraNovember 5 at the Markham Theatre. I will be learning more musicby Constantine Caravassilis to record the second CD of his music. Iam reviewing my Ann Southam repertoire for several tribute concertsand working on the rest of the Glass Houses and other pieces shewanted me to record.”And then there is her teaching: “I am a Full Professor at York somy work begins there very soon. I’m Director of Classical Piano andthere are a lot of piano students which is extremely encouraging. Ihave to plan my courses and course kits, audition and do quite a bit ofpaperwork so that everything runs smoothly.”Well, the saying goes that if you want something done well, youshould always give it to a busy person! So, fast forward three months,and, no surprise, everything on Petrowska Quilico’s list is three monthsfurther ahead. As she said, she prefers things to run smoothly.The dance/concert with Terrill Maguire has been and gone(September 15 to 18). The 26th CD’s program notes are complete,it has a name — Tapestries — and Centrediscs will be launching it inearly November. As for the first Constantine Caravassilis CD she wasworking on, it’s “in the can” and the second is under way.Caravassilis is a young composer who won the 2009 Karen KieserPrize in Canadian Music for his work Sappho de Mytilène for mezzosoprano,flute and piano and subsequently was awarded the first HarryFreeman Prize for young composers, along with Petrowska Quilico,towards this recording project.Fact is, that in terms of new commissions and performances of contemporarymusic, there is no greater champion than Petrowska Quilico.This is her fifth CD of Canadian piano concerti (and third concerto CDon Centrediscs) — for a total of eight recorded Canadian piano concerti,two of which had Juno nominations for best composition (Glenn Buhrand Larysa Kuzmenko) and twoof which have been, quite literally,“out of this world” — astronautSteve MacLean took her recordingof David Mott’s Eclipse on the spaceshuttle Atlantis, and her recording ofAlexina Louie’s Star-Filled Night onhis first mission on the space shuttleColumbia in 1992.For almost her entire performingcareer, Petrowska Quilico has championedthe music of her time. Soit was less of a surprise to findout there are more projects of thistype in the wings, including a CDof piano music by Canadians KatiAgocs, Abigail Richardson, and AnaSokolovic, than it was to hear of theupcoming performance of the Griegpiano concerto with Kindred Spiritsin Markham.It shouldn’t be so surprising,though, if one thinks back on herconcert tours, as a soloist and aspartner to her late husband, theBusily Weaving a Musical LifeChristina Petrowska Quilico// DAVID PERLMANlegendary Metropolitan Opera baritone Louis Quilico. She has touredfour continents — been to Taiwan, the Middle East, France, Germany,Greece, Ukraine, throughout the United States and Canada. On therecital stage, she has appeared at such prestigious New York venuesas Carnegie Hall, Lincoln Center’s Alice Tully Hall, and MerkinConcert Hall.She is at home with many other musical periods — particularly theromantics and early 20th century composers. Among her over twodozen recordings are Romantic Gems, which includes works by ClaraSchumann, Fanny Mendelssohn, Amy Beach, Granados, Janacek andRachmaninoff; a Chopin and Liszt CD, and another of Debussy. Andwith Louis Quilico, she recorded four CDs — of French and Russiansongs, and of recitals of arias, art songs and show tunes.In a nice turn of phrase the Toronto Star’s William Littler calledher an “astonishing pianist … particularly gifted as an interpreter ofthe language of the moderns like Stockhausen and Messiaen ... whocan [also] control the Niagara of sound in a great Chopin Polonaise.”When it comes to breadth of repertoire, technical facility and interpretiveprowess, few pianists can match her. Trained from an earlyage in the demanding Russian tradition, she can wrap herself aroundrepertoire from Bach to Boulez and beyond. Composer Gyorgy Ligeticalled her “one of the absolutely best young pianists” when he firstheard her, and in 2002, when Pierre Boulez was in Toronto to receivethe Glenn Gould Prize, he coached Petrowska Quilico only hours beforeshe was to perform his Première Sonate on a live national broadcast.As the story goes, even though she had meticulously followed his ownmetronome markings, he exhorted her to “Play faster, play faster” — soshe did, to his great satisfaction. That energetic performance is preservedon her Ings CD.Of all the performing and recording that she is doing, though, onestill senses that her dedication to the work of composer Ann Southam,who died last year, remains central, and there is no doubt that theadmiration was reciprocal.“I didn’t think anyone would play this piece,” Southam once remarkedof her work ‘Rivers’ “but when Christina performed it, I loved thesound and what was happening as the hands interacted. And I loved thePHILIP LITEVSKY8 thewholenote.comOctober 1 – November 7, 2011

little tunes and motifs that could be heard in the interaction betweenthe hands. It takes a whiz-bang pianist to make those heard. I don’tknow how she does it!”And Petrowska Quilico wrote a piece for The WholeNote afterSoutham’s passing in which she quoted Schoenberg’s comment “thatthere was still great music to be written in C” and that Ann Southamproved him right,“It takes a whiz-bang pianist,to make those heard. I don’tknow how she does it.”“cheerfully huntingfor Middle C — andin doing so [having]a disconcerting wayof reinterpretingfamiliar forms and techniques.” And of Southam’s “continuing to usea 12 tone row and spin it out, one note at a time for 20 years,” PetrowskaQuilico observed: “Ann hoped she could bring some tonal sense to theserial technique. It may be called “minimal,” but her works embroiderthe layers of tonal fabric created through the serial row — weaving, infact, in a manner that reflects traditional women’s work.”Interestingly, Petrowska Quilico sees in Southam something of thetradition of Chopin and Liszt. “Her pieces are characterized by aflow and energy produced by rhythmic cycles that repeat within interchangingmelodic motifs. Her slow music suspends our sense of time,while the fast pieces, with their undercurrent of recklessness, becomehypnotic and surprisingly tranquil and reflective. Although maintainingan angular tone row, both extremes reveal a serene lyricism that is acommon thread in her music.”Petrowska Quilico’s performances of Ann Southam’s music continue.In October, she is performing Southam’s “Rivers” in three concerts— first in early October at the 2011 Contemporary Music Festivalat James Madison University in Harrisonburg, Virginia, followed byexcerpts as part of an Arraymusic tribute to Southam on October 14 atGallery 345, and, again excerpts, in a Celebration of Women Composersat the Heliconian Hall on October 28.Not only a versatile performer, Petrowska Quilico is also a valuedteacher. At 20 years old, she began teaching at the Paris AmericanAcademy, focusing on the music of the 20th century Viennese schoolof Schoenberg, Webern and Berg. Since that early start, she has beenon the faculty of the Royal Conservatory in Toronto, and both Carletonand Ottawa Universities. While in Ottawa, she was director of thenew music group Espace Musique for five years and music director ofOpera Lyra for its first year.If teachers are shaped by their own teachers, then Petrowska Quilicohad a head start. One of her first teachers was the “revered but exacting”Russian-born pedagogue Boris Berlin at the Royal Conservatory ofMusic in Toronto. Besides demanding equal technical facility with bothhands, Berlin opened Petrowska Quilico’s ears to new music, refusingto let her study a Chopin concerto unless she learned a new Canadianwork as well. Through hours of practice and her mother’s encouragement,she grew attached to the piece. When she received her ARCT atthe Conservatory, Berlin recommended her for a scholarship to Juilliard.(She also managed to emerge from Juilliard with a degree in scienceas well as music, but that is a story for another day.)In 1987, Petrowska Quilico joined the faculty in the Music Departmentat York University in Toronto, where she remains to this day, a tenuredFull Professor of Piano and Musicology. She is also Director of ClassicalPiano and a member of the Graduate Faculty, in which she continuesto teach and supervise Masters and PhD students. As her curriculumvitae puts it, “primarily an exponent of the Russian tradition — withtraining in baroque, classical, romantic and contemporary, and experienceas a soloist, chamber musician and accompanist — she adds hervast knowledge gleaned from working with diverse composers, andher personal insights from years of study and extra-musical pursuits.”Another story goes that just as she was entering university, PetrowskaQuilico had a poem printed in the New York Times, published an entirebook of poetry, and seriously considered writing as a career. As sheasserts, “I didn’t want to be just a pianist, or to give up the writing.”She has continued writing over the years, as well as painting. And ifthere is anything such a “just a pianist” Christina Petrowska Quilicois certainly not it.Expect Music TORONTOto introduce the world’s bestclassical musicians to Toronto.THE JERUSALEM QUARTETAcclaimed Israeli quartetmakes its Toronto debutwith a masterworks programmeof Beethoven, Shostakovich and Brahms.Thursday, October 13 at 8 pmLISE DE LA SALLEBrilliant young French pianistmakes her Toronto debutwith a gorgeous programmeof Ravel, Debussy and Liszt.Tuesday, November 8 at 8 pmCanadianHeritageatPatrimoinecanadienwww.music-toronto.com416-366-7723 1-800-708-6754order online at www.stlc.comPHOTO: LYNN GOLDSMITHOctober 1 – November 7, 2011 thewholenote.com 9

David Mirvish PresentsThe Marquis Entertainment Inc. & Talking Fingers Inc. Production ofCreated, Performed and Directed byTed Dykstra & Richard Greenblatt“Dramatic Gem. Funny, Clever, insightful & touching!”–The Globe & Mail“A crescendo of pleasure!”–The Washington PostLIMITED ENGAGEMENT!OcT 29–NOv 20651 Yonge Street, Toronto416-872-1212 | mirvish.com | 1-800-461-3333New Faces, PlacesSHARNA SEARLEIt’s october — the new fall concert season’s in full swing! And, aswith most season launches — 2011/12 being no different — therewas a flurry of press releases sent ‘round toward the end ofsummer announcing new artistic appointments — those “new faces inold places.”One such appointment is conductor Uri Mayer’s new roleas artistic director and principal conductor with the TorontoPhilharmoniaOrchestra. MaestroMayer, orchestralprogrammedirector andresident conductorof the RoyalConservatory’sGlenn GouldSchool, will leadthe TPO in itsupcoming concertseries, at theGeorge WestonRecital Hall.Beat by Beat / Classical & BeyondUri Mayer: September, Toronto PhilharmoniaArcadian Court gala.Last month, I had the pleasure of sitting down with Uri Mayer atthe Royal Conservatory’s Koerner Hall café, where we chatted abouthis new appointment and related topics. Right off the bat, I askedhim what compelled him to take on the position with the TPO, givenhis busy schedule and his extraordinary conducting career to date.“Actually, I’d known about the orchestra for some time. Lastseason they had a search for a new conductor/artistic director. I wasnot part of that [process] but I did conduct the first concert of theprevious season. And I guess some people must have liked what Idid. Because at the end of the season/early summer, I was asked bythe Board to take on the orchestra. I thought about it … I realizedthat it’s a very good group of musicians, in my neck of the woods,playing in a beautiful hall … and I believed that my talents and myexperience could bring them to the next level. I’m delighted that Iwas asked to share my expertise …”I inquired as to how Mayer approaches those first days with anew orchestra, what he does to set the tone. His answer was simpleand candid. “For me it’s about making music. And that’s universal.So whether I conduct in Toronto or, when I’ve conducted in Japan,Germany or Israel, I try to make music. And because it’s such auniversal language, it’s fairly easy to do that. And then I try toconvince people and inspire people to do it my way,” he added,grinning.“When somebody has an artistic leadership role, then one looksat each day differently, because one has long-term goals to reallyimprove the quality of playing … one has an obligation to build theensemble … to become better … each day.”“One addresses more specific issues and makes gentle correctionsas one progresses with the rehearsal process. And then one hasto look at the … artistic priorities — what are the strengths andweaknesses of the ensemble — and try to capitalize, initially, on thestrengths but immediately build up the weaknesses. So, that whenthey perform on stage, the public gets a sense of commitment andfulfillment from the music that’s performed.”When I asked about “geling” with a new orchestra Mayeradmitted that it was “a bit elusive. It takes many rehearsals andperformances to gel. But, I think if one does music with sincerity,musicians get, immediately, the sense of where the soul of theperson in front of them is, where their heart is, what their approachis. And that’s a little mystical because the baton doesn’t make anySN BIANCA10 thewholenote.comOctober 1 – November 7, 2011

RCM_WHOLENOTE_4c_fullpage_Oct_Layout 1 11-09-27 12:37 PM Page 1“A Feast for the Earsand the Eyes!”- Classical 96.3FMSMITHSONIANCHAMBER PLAYERS& FRIENDS WITHRUSSELL BRAUNSat., Oct. 22, 2011 8pmKoerner HallBaritone Russell Braun andan ensemble of virtuosi artistshonour the centenary of Mahler’sdeath with Das Lied von derErde and Kindertotenlieder.SUSAN HOEPPNER ANDSIMON WYNBERGSun., Oct. 23, 2011 2pmMazzoleni Concert Hall“An expressive and articulateflutist” (The Washington Post)Susan Hoeppner and guitaristSimon Wynberg presentworks by Marin Marais,Toru Takemitsu, Robert Beaser,and Astor Piazzolla.THE GGS VOCALSHOWCASESat., Nov. 5, 2011 7:30pmMazzoleni Concert HallA rare opportunity to see futureoperatic singers as The GGS’stalented voice students presentan evening of art songsand opera arias.Generously supportedby the D&T DavisCharitable Foundation.ROYAL CONSERVATORYORCHESTRA CONDUCTEDBY JOHANNES DEBUSFri., Oct. 28, 2011 8pmKoerner HallJohannes Debus conducts theRCO and pianist Connie Kim-Shengin a performance of Little Suite byLutosawski, Piano Concerto No. 2by Rachmaninov, and SymphonyNo. 8 by Dvořák.ARC ENSEMBLE:MUSIC ANDCONSCIENCETues., Nov. 8, 2011, 7:30pmMazzoleni Concert HallIn honour of Holocaust EducationWeek, ARC (Artists of The RoyalConservatory) will perform “Carillon”Quartet by Karl Amadeus Hartmann,String Sextet by Adolf Busch, andTwo Pieces for viola and pianoby Heinz Tiessen.PHILIPPE JAROUSSKYWITH APOLLO’S FIRE:HÄNDEL AND VIVALDIFIREWORKSTues., Nov. 1, 2011 8pm Koerner HallFrench countertenor PhilippeJaroussky and Apollo's Fire, “oneof the nation’s leading baroqueorchestras,” (The Boston Globe)set sparks flying with an excitingprogram of Vivaldi and Händelconcerti and operatic arias.TICKETS ON SALE NOW! rcmusic.ca 416.408.0208273 Bloor St. W. (Bloor & Avenue Road) TorontoOctober 1 – November 7, 2011 thewholenote.com 11

noise …. And the hands, are, with the besttechnique … relative.” With an easy laugh, hecouldn’t resist adding, “You know, the olderI get, the more mysterious this becomes.”He also maintained that success at thepodium has everything to do with theconviction of the conductor and the abilityto convey the feeling of the music “with theeyes, with the body, with the soul.”Mayer also talked about his role as amentor and what the future may hold forhim. On mentoring: “I was extremely luckyto be influenced by some magical peoplewho were very generous with their time inguiding me. Because of them, I am what Iam. I will be always indebted to them fortheir warmth and wisdom …. So, if somebodycomes to me, with questions or foradvice … I am more than delighted to help.I feel it’s a privilege and an obligation. AndI do it with all my heart and commitment.On future plans: “I enjoy every day asit comes. Right now, I’d like to put thisorchestra on the map …. So, we are going toshow what we can do and hopefully peoplewill come and listen to us.” You’ll have towait though! The TPO performs its seasonopener, an all-Mozart programme, onJanuary 25.Mayer was very generous with histime and we covered much territory — toomuch to include here. For those inclined,go to www.thewholenote.com for thefull interview.GRAMMY Lifetime Achievement Award WinnersJuilliardString Quartet“A fluid, high-energy performance...the difference between a polished walkthroughand a thoughtful interpretation.”(The New York Times)Juilliard String Quartet is the definitiveclassical quartet in North America whohave consistently demonstrated thestrength of their interpretations, purityof melodic line, contrapuntal exactitudeand structural clarity.Joseph Lin (violin), Joel Krosnick (cello),Ronald Copes (violin), Samuel Rhodes(viola), present two intimate programswhich include Haydn’s “Quartet in GMajor, Op. 54, No. 1”, Elliot Carter’s“Quartet No. 5”*, Donald Martino’s“Quartet No. 5”** and Beethoven’s“Quartet in B-flat Major, Op. 130with Grosse Fuge”.AND NOWTO SOMEOTHER NEWAPPOINTEES:Judith Yan willmake her debuton October23, as the newconductor/artisticdirector of theGuelph SymphonyOrchestra, inall-Russianprogrammefeaturing worksby Mussorgsky,Glazunov andGlinka, with guestviolinist, JacquesIsraelievitch (TSOconcertmaster1988–2008).Speaking ofToronto SymphonyOrchestra concertmasters, Jonathan Crow,the TSO’s newly appointed one, will befeatured as soloist in two TSO programmes.On October 1 (at Roy Thomson Hall) andOctober 2 (at George Weston Recital Hall),Crow performs Beethoven’s Romance No.2for Violin and Orchestra; as an added bonus,he’ll chat with TSO music director, PeterOundjian, from the stage, following bothperformances. Also, pianist Emanuel AxSimon Fryer.is performingBrahms’ PianoConcerto No.1on the samebill. The secondprogramme, onOctober 15 and16, will featureCrow as soloistin a performanceof Bach’sConcerto forOboe and Violinand BrandenburgConcerto No.5,under the batonof TSO conductorlaureate, AndrewDavis, at RoyThomson Hall.Unless you’replanning a trip toSaskatchewan inthe near future,you won’t likely hear cellist Simon Fryer inhis new appointment as principal cello withthe Regina Symphony. However, if you’re indowntown Toronto on October 27, you’ll getto hear him perform Haydn and Weber trioswith flutist Robert Aitken and pianist WalterDelahunt, and a new work for flute and celloby Chris Paul Harman, commissioned bythe Women’s Musical Club of Toronto. Theconcert takes place at Walter Hall, and is apresentation of the WMCT’s long-standing,afternoon chamber series, of which Fryer isthe artistic director.Leaving the world of shiny, new appointmentsfor something a bit older, I would beremiss if, in closing, I did not provide atleast a brief “Liszting” — I know. Ouch! — ofsome concerts marking the 200th anniversaryof the birth of Franz Liszt (b. October22, 1811):• October 1, Kitchener-Waterloo Symphony,André LaPlante, piano, Centre in theSquare, 101 Queen St. N., Kitchener;• October 6, University of Toronto Facultyof Music, Jacqueline Mokrzewski, piano,MacMillan Theatre, 80 Queen’s Park;• October 7, Gallery 345, Alejandro Vela,piano, 345 Sorauren Ave.;• October 16, Royal Conservatory,Louis Lortie, piano, Koerner Hall,273 Bloor St. W.;• October 22, Christopher Burton, piano,Oriole York Mills United Church, 2609Bayview Ave.; also performing November6, Women’s Art Association of Canada, 23Prince Arthur Ave.; and• October 22, Lenard Whiting, tenor, BrettKingsbury, piano, Christ Church Deer Park,1570 Yonge St.Enjoy this new and exciting season!COURTESY OF WWW.SIMONFRYER.COMWednesday, March 28Markham Theatre**Markham, ON, 905-305-7469www.markhamtheatre.caFriday, March 30Centre for the Arts, Brock University*St. Catharines, ON, 1-866-617-3257www.Arts.BrockU.caSharna Searle trained as a musicianand lawyer, practiced a lot more pianothan law and is listings editor at TheWholeNote. She can be contacted atclassicalbeyond@thewholenote.com.12 thewholenote.comOctober 1 – November 7, 2011

SONG OF THE EARTH / RED SEAThursday, October 6, 2011 • 8 PMGlenn Gould Studio, TorontoKimberly BarberDas Lied von der Erde by Gustav Mahlerarr. Arnold SchönbergKimberly Barber, mezzo-sopranoAdam Luther, tenorwith the NUMUS Orchestra conducted by Paul PulfordRed Sea (Song of the Earth) by Glenn Buhralso featuring pop vocalist Sarah SleanFor Tickets:www.cbc.ca/glenngould • 416.872.4255Presented by NUMUS Concerts:numus.on.ca • info@numus.on.ca • 519.896.3662Adam LutherOctober 1 – November 7, 2011 thewholenote.com 13

As the Fur FliesBENJAMIN STEIN2011-2012 SeasonExultate, Exultate!October 29, 2011, 7:30 pmA Rose by Any Other Name:Music for the Virgin MarySt. Thomas’s Anglican ChurchDecember 17, 2011, 7:30 pmExultate in ExcelsisSt. Thomas’s Anglican ChurchMarch 24, 2012, 7:30 pmBaltic VoicesSt. Thomas’s Anglican ChurchMay 26, 2012, 7:30 pmOn a Pacific CurrentSt. Anne’s Anglican ChurchFor ticket, concert andsubscription information:phone: 416-971-9229e-mail: exultate@exultate.netwww.exultate.netConversations among musicians centre around familiarsubjects — the low rate of pay, the perfidiousness of conductors/sopranos/arts granting organizations, the difficulty of findingan accountant who truly understands that artists can’t be constrainedby things like HST collection.After these topics have been exhausted, one can always liventhings up by tossing in a verbal grenade about musical education.State firmly that “pianois a lousy first instrumentfor children” or “dance ismore important to musicalitythan sight-reading” andthen stand back and watchthe pedagogical fur fly.Education, after all, isour attempt to define andshape the future of music,to retrieve from the pastwhat we feel we want tobequeath to those who willcome after. When memoryis at stake, feelings alwaysrun high. The more wepersist in assigning tovaried musical styles andtechniques the pointlessdesignations of “good”and “bad” rather thanBach Children’s Chorus’sLinda Beaupré.“appropriate, useful and pleasurable in different contexts and fordifferent people,” the more widely and obstreporously opinions varyas to what constitutes the best musical education for children.Choral education is both a dynamic field of musical training anda battleground for conflicting ideologies. The paradigm that prizesensemble, sight-reading, pitch accuracy, blend and purity of toneis both well-established and absolutely necessary. Fostering of thismodel needs constant attention in a world that chronically underfundsschool music programs and views music as a frill rather than acentral aspect of cultural literacy.But improvisation, which was an integral part of a “classical”musician’s skill set well into the 19th century, tends to be givenshort shrift. To be sure, improvisation is difficult to integrate intoa choral context, in which ensemble uniformity and fidelity tothe printed score are paramount. But it is also neglected becauseclassically trained conductors and piano/vocal coaches often have noidea how to do it themselves, and are ill-equipped to give childrenthe careful attention that this skill needs to be properly developed. Awell-rounded musician needs many varied skills, and it’s importantto be receptive to not only different types of music, but the differenteducation systems which foster these musics.Happily, the GTA is home to many excellent children’s choirs,with dedicated choral musicians striving to pass on their traditionsand skills. Here are a few of them.Linda Beaupré’s Bach Children’s Chorus, founded in 1987 andbased in east Toronto, has become a fine resource for the educationof young singers. On October 1, the BCC performs “Angels in Song”in Barrie’s excellent autumn music festival, Colours of Music. Theconcert includes the premiere of a new composition by EleanorDaley, who is composer-in-residence for the choir.On October 29 The Toronto Children’s Chorus presents a concertentitled “Mysterious Moments” at Timothy Eaton Memorial Church.This concert also includes a new work by a Toronto composerLarysa Kuzmenko, titled Behold the Night.14 thewholenote.comOctober 1 – November 7, 2011

Markham Theatre_WholeNote_September 2011LYDIA ADAMS . Conductor & Artistic Director2011/12SEASONThe Armed Man: A Mass for PeaceNovember 12, 2011 at 8:00pm . Metropolitan United ChurchThe Amadeus Choir and the Hannaford Street Silver Band presentKarl Jenkins’ masterwork The Armed Man: A Mass for Peace.Glorious Sounds of the SeasonDecember 17, 2011 at 7:30pm . Yorkminster Park Baptist ChurchCelebrate the 25th anniversary of our Seasonal Song-WritingCompetition. Featuring the winning compositions with otherholiday favourites. Special guests The Bach Children’s Chorus.The Sealed AngelFebruary 3, 2012 at 8:00pm . Koerner HallRodion Shchedrin's hypnotic choral opera The Sealed Angel isone of the most important Russian works of the 20th century.Performed by Toronto's Elmer Iseler Singers and the AmadeusChoir and featuring ProArteDanza.Music of the SpheresApril 21, 2012 at 8:00pm . Ontario Science CentreJoin us as we celebrate Dr. Roberta Bondar’s 20th anniversary offlight in space. The Amadeus Choir and Elmer Iseler Singerscombine their voices for a stunning presentation of two worldpremieres by Lydia Adams and Jason Jestadt.SUBSCRIBE NOW AND SAVE!www.amadeuschoir.com . 416-446-0188with pianist Serouj KradjianOctober 21, 8 pm“A soprano voicethat combineslyricism withremarkabledramatic instincts”~ Timepresents171 Town Centre Blvd., Markham, ONOctober 1 – November 7, 2011 thewholenote.com 15

Elmer Iseler SingersLydia Adams, Conductor2011 ~ 2012 Toronto SeasonEISGloria! Sounds of Thanksgiving!Sunday, October 2, 2011 4:00 p.m.All Saints Kingsway Anglican Church2850 Bloor Street West (Bloor St. W. and Prince Edward Dr.)1Revel in a glorious season opening concert with RobertVenables and Robert DiVito, solo trumpets, and organistShawn Grenke, featuring Harry Somers’ “Gloria” and anelectrifying array of works by Canadian composers PaulHalley, Srul Irving Glick, Eric Robertson, Ruth WatsonHenderson, Peter Tiefenbach and others.Special Guest Artists:Robert Venables and Robert DiVito, trumpetsShawn Grenke, organ2King James & ShakespeareFriday, November 25, 2011 at 8:00 pmYoung Centre for the Performing Arts55 Mill Street, Building 49 at the Distillery DistrictMusic and commentary inspired by the400th anniversary of the King James BibleSpecial Guests: Gene DiNovi, pianist,Dave Young, bassist , Albert Schultz, narrator3Handel’s MessiahFriday, December 2, 2011 at 8:00 pmMetropolitan United Church, 56 Queen Street E.Joining forces with the Amadeus Choir and a stellar cast ofexceptional Canadian musicians, the Elmer Iseler Singerscontinue their annual holiday tradition.4The Sealed AngelFriday Feb. 3, 2012 at 8:00 pmKoerner Hall, Royal Conservatory of Music273 Bloor Street West, near Avenue RoadProfoundly moving, this hypnotic choral drama is oneof the most important Russian works of the 20thcentury.In collaboration with Soundstreams,The Amadeus Choir and ProArteDanza5Music of the SpheresSaturday, April 21, 2012 at 8:00 pmProcter & Gamble Great Hall, Ontario Science Centre770 Don Mills Road, south of EglintonIn collaboration with the Amadeus Choir,the Ontario Science Centre andthe Roberta Bondar FoundationSpecial Guests:Dr. Roberta Bondar, Shawn Grenke, pianoThe Aurora Opera Company Children’s Chorus performs aconcert of Broadway and Celtic music in Newmarket on October 15.And let’s not forget the extent to which hearing adults sing canalso be part of a well-rounded child’s musical education: on October16 in London, for example, the Karen Schuessler Singers presents“Lions, Tigers and Kids,” an “interactive concert for children withsongs from the barnyard and jungle.”The themes of memory and education are not however solelydirected at the young. They come to the fore in two concerts whichtake as their subject the events of the Second World War. Onegeneration after another shoulders the mantle of passing on to thenext, at whatever age the listener is ready to learn, knowledge ofboth the beauty and the savagery of the past, in the hopes that it isthe former quality that will predominate in the future.In recent years, the Orpheus Choir of Toronto has beenestablishing itself as an inventive programmer of new and littleknownworks. On October 25 they join the University of TorontoMacMillan Singers, Hamilton Children’s Choir and the OperaCanada Symphony to present the Toronto premiere of I Believe:A Holocaust Oratorio for Today, by Manitoba composer ZaneZalis. First performed by the Winnipeg Symphony, this work usesthe stories of Holocaust survivors as the basis for a 90 minute, 12movement work.On October 16, the Canadian Men’s Chorus presents “Honour:Love and Remembrance,” a concert that illuminates and pays tributeto the experience of the Canadian military, past and present. Thisensemble, just over a year old, must be one of the newest choralgroups on the scene. The concert includes the premiere of a work byHamilton composer/conductor John Laing.One of the more tiresome aspects of musical education has beenthe “Great Man” myths that have distorted our knowledge of thegreat composers. Our perception of Mozart’s professional strugglesand untimely death in Vienna has been rendered that much morepoignant by, among other things, the subsequent demonization of hiscolleague and rival, Antonio Salieri. But the evil character createdby Russian poet Alexander Pushkin and mythologized by Britishplaywright Peter Shaffer in Amadeus (a brilliant play, later madeinto a terrible movie by Milos Forman), is an utter work of fiction,one that bears no resemblance to the solidly professional Viennesemusician who also happened to teach composition to Schubert,Beethoven and Liszt.Toronto Classical SingersCelebrating Our 20th Season withTimeless TreasuresBach’s Christmas Oratorio Highlights4 pm Sunday December 4, 2011Vivaldi’s Gloria & Schubert’s Mass in G4 pm Sunday March 4, 2012Verdi’s Requiem4 pm Sunday May 6, 2012Jurgen Petrenko, ConductorThe Talisker Players OrchestraChrist Church Deer Park1570 Yonge St. @Heath St W.Canada Council Conseil des Artsfor the Arts du CanadaONTARIO ARTSCOUNCILCONSEILDES ARTS DELONTARIO ’www.torontoclassicalsingers.ca or 416-443-1490SUBSCRIBE NOW!416.217.0537 www.elmeriselersingers.comSAVE with Season Tickets $80 Adult, $65 Senior/StudentSingle Tickets $30 Adult, $25 Senior/Student16 thewholenote.comOctober 1 – November 7, 2011

London’s Karen Schuessler Singers.Listeners can judge for themselves if Salieri’s evil reputation isconvincingly refuted in a performance of his Mass in D major bythe Pax Christi Chorale on October 23. The concert also includesworks by Mozart.Ben Stein is a Toronto tenor and theorbist. He can becontacted at choralscene@thewholenote.com.PETER MAHONSales Representative416-322-8000pmahon@trebnet.comwww.petermahon.comOctober 1 – November 7, 2011 thewholenote.com 17

“Beat by Beat / In With the NewJust the SpotDAVID PERLMANNew music in new places” is the name of a Canadian MusicCentre initiative, now in its eighth year, to assist Canadiancomposers in “taking their music out of the concert hall andinto the community where they work and live.” The CMC’s annualcontribution to Scotiabank Nuit Blanche, Toronto’s annual all-nightcontemporary art festival, has been one of these events. This year,from 6:59pm October 1 till sunrise, it’s bells and more bells atChalmers House (the CMC’s home on St. Joseph) “blended withelectronic musical material and video projections in a continuousand evolving flow.” Titled “The “Crown of the Bell,” the installationis by Rose Bolton and video artist Marc de Guerre. Its companionpiece, downstairs, by sound artist Barry Prophet is titled “PostApocalyptic Belfry” and features glass lithophones, percussion, andelectronics. For those of you getting October off to a flying start, itwill be a great way to untune and retune your ears for what promisesto be a chock-a-block new music month.TORONTO’SNEWEST CLASSICALPRINT MUSICHEADQUARTERSDedicated RCMexam requirementbook sections forTheory, Piano, Strings,Brass & Woodwinds.Diverse repertoire, method,& study selection for allinstruments.Full selection of electric andacoustic guitars,keyboards,drums,and accessories including amplifiers& public address systems/dj equipment.Band and string instrument sales.Ask about our teacher discount program.415 Queen Street West, Toronto, Ontario, M5V 2A5store: (416) 593-8888 www.stevesmusic.comeducational@stevesmusic.comGALLERY 345“New music in new places” may well be the name of a CMCinitiative, but it also describes a trend. Take Gallery 345 forexample. South of Dundas Street W. at 345 Sorauren Avenue, fiveor six blocks west of where Dundas and College meet, this L-shapedgallery space is definitely “on the wrong side of the tracks” fora new music audience that traditionally gets nose bleeds northof St. Clair and fumbles for passports east of Parliament.The place reminds me of the Music Gallery in some ways; even30 people feels like a decent crowd, and you can cram a bunchmore than that through the doors. It has the advantage of two decentpianos well maintained, a bright sound, and the cheerfully genreblind,indefatigable curatorship of gallery owner Edward Epstein.Even a partial list of concerts there gives you some idea:Saturday October 1 is AIM Toronto’s Interface Series with SylvieCourvoisier, piano and composer, Marilyn Lerner, piano, and others.Wednesday October 5 it’s “The Art of the Piano Duo: Pieces ofthe Earth,” a CD release concert featuring original compositionsand improvisations by John Kameel Farah and Attila Fias, pianos.“Improvisation unfolds over the evening” says their press release.Sounds like just the spot for it.October 8 its “Trikonasana.” Friday October 14 it’s Arraymusicwith “The Piano Music of AnnSoutham” (mentioned in thismonth’s cover story). SaturdayOctober 15 Toy Piano ComposersEnsemble is there with “Avant-Guitars,” the 13 member AventaEnsemble on Friday Oct 21; JurijKonje on October 27; Vlada Marson October 28; and the TovaKardonne Octet on October 29.WUORINENArraymusic’s October 14 foray intoGallery 345 also provides a neatsegue into New Music Concerts’ Charles Wuorinen.next big event. It was Arraymusic artistic director and giftedpercussionist Rick Sacks who persuaded NMC’s Robert Aitken totake on the challenge of presenting Charles Wuorinen’s “PercussionSymphony for 24 Players,” the work that anchors NMC’s upcomingOctober 30 concert at the Betty Oliphant Theatre. The work includestwo pianos and a celesta (think Sugar Plum Fairy) and an entireplatoon of top-flight percussionists, so it’s not that often performed.Rarely enough, in fact that Charles Wuorinen himself is comingCOURTESY OF CHARLESWUORINEN.COM18 thewholenote.comOctober 1 – November 7, 2011

Sunday October 30, 2011Betty Oliphant Theatre • 404 Jarvis St.NMC Ensemble • Charles Wuorinen directionRobert Aitken, flute • Simon Fryer, celloJoseph Petric, accordion • Penderecki String Quartetmusic by Eric Morin • Chris Paul Harman • Charles WuorinenIntroductions @ 7:15Concerts @ 8:00Info 416.961.9594Sunday December 11, 2011Betty Oliphant Theatre • 404 Jarvis St.Vinko Globokar guest composerNMC Ensemble • Robert Aitken flute and directionmusic by Vinko Globokar and Elliott Carteraffiliated events: University of Toronto, Nov. 29, 30, Dec. 2Music Gallery Slide Summit, Dec. 7–9full season details @ www.NewMusicConcerts.comAntonín Kubálek1935 - 2011Music for AntonA free concert in his memorySunday November 6, 2011 at 3 pmWalter Hall at U of TIvan Ženatý, violinwith Stanislav Bogunia, pianoThe Rembrandt TrioGerard Kantarjian, violinValerie Tryon, pianoCoenraad Bloemendal, celloDana Campbell, sopranoRichard Herriott, pianoKarolina Kubalek, pianoThe Uxbridge Chamber ChoirThomas Baker, directorMusic by Janáček, Suk, Ravel, Buczynski & more, ,includingthe premiere of by Daniel FoleyOctober 1 – November 7, 2011 thewholenote.com 19

THE CHAMBER MUSIC SOCIETYOF MISSISSAUGA PRESENTSTHE 2011-12 SEASONMozart& MoreGREAT HALL SERIESSaturday, November 5, 2011 • 8 PMThe Mississauga SymphonyThe first concert of CMSM’s 14thseason features principal string playersof the Mississauga SymphonyOrchestra performing with flutist andpiccolo player Les Allt a program ofMozart, Roussel, Kevin Lau, Beethoven,and McCauley.Saturday, February 25, 2012 • 8 PMThe Seraphine Piano TrioHear the angelic sounds of thisaccomplished trio, formed in the Fall of2010. The program is sure to inspireand will include Mozart (Quartet in Emajor, K52), "Dvorak Dumky" Trio, andSchubert (Trio in Eb major, D 929).Saturday, April 14, 2012 • 8 PMThe Afiara String QuartetFeaturing young Mississauga cellistAdrian Fung, the program willinclude Mozart (String Quartet K. 465“Dissonance”), Brett Abigana (StringQuartet No. 2) and Mendelssohn (StringQuartet No. 2, Op. 13).to town to direct. (He will, as others before him, be astonishedby the depth of musical talent in this town.) If you are going, getthere 45 minutes ahead for Aitken’s “Illuminating Introduction.”Aitken is as deeply into the music as his interviewees and it makesfor fascinating listening. There’s also a new piece by Eric Morinon the programme, matching Joseph Petric on accordion with thePenderecki String Quartet — that’s three accordionists in two concertsthis season already for NMC! And those of you who also takein the Women’s Musical Club concert on October 16 will have an alltoo rare opportunity — the chance to hear a new work (Chris PaulHarman’s Duo for flute and cello) performed twice in four days!MASSBRASSBetty Oliphant Theatre, 8pm Oct 30, will be the place to hear thedrums go bang and the cymbals clang. But for the horns that blazeaway, Koerner Hall, five hours earlier, is the place to be. MassBrasspromises to be one of those Soundstreams initiatives that LawrenceCherney is famous for — throwing together players who’d otherwisebe more likely to cross paths in an airport, adding a conductor whoresponds to what he hears, and watching the sparks fly. Copland,Schafer, and works by André Ristic (world premiere), Gabrieli andmore will be the ingredients. The Stockholm Chamber Brass, SimónBolivar Brass Quintet, and True North Brass will provide the heat.And conductor David Fallis will stir the pot.ESPRIT’S STIRRED SO MUCHSpeaking of Koerner Hall, AlexPauk’s Esprit Orchestra was the firstof the core new music presenters tomove its whole season to Koerner.Having an extra 400 seats to sellwas a daunting challenge, but withcuriosity about the new hall high lastseason it was a good time to take theplunge. After all, without extra seatshow do you take on the challenge ofoutreach? This year they are takingit a step further, switching from aSunday night format to include threeweek nights, making reaching out toa school audience viable.Shauna Rolston.First of these week nights is Wednesday October 19 and it’s astirring programme, as befits a band big enough to make somecomplex noise in a hall big enough to handle it. Douglas Schmidt’snew work on the programme “The Devil’s Sweat” caught my eye:“Carbon Concerto for carbon cello and orchestra” it says. Solo cellistShauna Rolston’s carbon fibre cello is billed as “indestructible” so itsounds like she’s in for an unorthodox workout!COURTESY OF THE BANFF CENTRETHE GREAT HALLUnitarian Congregation of Mississauga84 South Service Rd. (QEW at Hurontario)For ticket information visitwww.chambermusicmississauga.orgor phone (905) 848-0015Adult $35 • Senior $30 • Student $15• Family (2 Adults, 2 children) $85Pantone versionCMYK versionBlack & White versionTHE C HAM BERM USIC S OCIETYOF M ISSISSAUGA20 thewholenote.comOctober 1 – November 7, 2011

Artistic Directors: Stephen Ralls and Bruce Ubukata30Years Celebrating the Art of SongThe 30th Anniversary GalaSunday, February 19, 2:30 pmKoerner Hall, TELUS Centre forPerformance and Learning,273 Bloor Street West, Toronto8Sixteen of our starriest singers joinus to celebrate:Colin Ainsworth, Benjamin Butterfield,Michael Colvin, Tyler Duncan,Gerald Finley, Gillian Keith,Shannon Mercer, Nathalie Paulin,Susan Platts, Brett Polegato,Catherine Robbin, Lauren Segal,Krisztina Szabó, Giles Tomkins,Monica Whicher, Lawrence WilifordVisit rcmusic.ca or call 416.408.0208The 30th Anniversary Sunday SeriesOctober 16: Clair de lune (songs of Gabriel Fauré)November 27: The Great Comet (Franz Liszt at 200)March 18: Schubert and the EsterházysApril 29: A Country House Weekend (an English idyll)All concerts at 2:30 pm in Walter Hall, Edward Johnson Building,80 Queen’s ParkVisit aldeburghconnection.org or call 416.735.7982October 1 – November 7, 2011 thewholenote.com 21

Shifting GearsJACK MACQUARRIEIn last month’s column I decided to get retrospective. Now it’stime to shift gears and look at the year ahead. For most communitymusical groups, their year begins sometime in September whenmost vacations are over and the kids are back in school rather thanat the beginning of the calendar year in January. For many groups,in addition to planning the musical content for the coming concertseason, the fall may also mean electing a new executive, recruitingvolunteers (conscripts) for the various non-musical chores and selectingmusic to add to and/or delete from the rehearsal folders. Andfor most groups it is also the time to welcome new members.TAKE THE PLUNGEWhat about you, dear reader? Are you actively involved in one ormore ensembles, or are you a faithful concert attendee who hasoften wondered what it might be like to play regularly in a musicalgroup? Perhaps you are a would be band member, but haven’t yetmustered up the courage to tackle a new challenge such as learningto play an instrument. Did a particular instrument attract yourattention in a school band, or did you attend, as I did, a school withno music program? If you already play an instrument, perhaps youmight like to try a different one.If you have never played an instrument, now is the time to start.Both the New Horizons programs and groups like Resa’s Pieces aregeared to such returnees and absolute beginners. Recent medicalresearch studies have demonstrated some very clear benefits to playinga musical instrument. Interpreting all of those strange musicalsymbols on a piece of paper and manipulating the intricacies of yourchosen instrument, in the company of like minded friends, keeps thebrain functioning at its highest level.FOOD FOR THOUGHTMany years ago the York Regional Symphony, conducted by the lateClifford Poole, performed a series of “Wine and Cheese Concerts”in smaller communities throughout York Region. These providedan excellent means for people to learn more about orchestral musicin an entertaining non-threatening way in their home community.The format was unlike any other concert series I have ever known.Audience members sat at large round tables which could accommodateten people. Admission included wine of your choice with cheeseand crackers on each table.Two chairs at each table remained vacant while the orchestra performed.Rather than having a single intermission, these concerts hadtwo or three breaks during which orchestra members would circulateand join audience members at their tables. During such breaks anaudience member might meet with a bassoonist and a cellist, learna bit about the instruments and then be more aware of their part inthe music after each break. I enjoyed playing in those concerts andmeeting the many people whose curiosity was aroused by them. Iknow of no such concerts now, but if you are involved in a band it’sa format worth considering.BEST LAID PLANSMy personal gear-shifting resolution for this season was the same asin past years. I vowed to take on fewer concert band performances atoutdoor venues on tuba or euphonium. To take up the “slack” in mymusical activity I planned to get reacquainted with my trombone andthe music of the big swing bands. Traditionally, these groups takean annual summer break. In both the concert band format and thesmaller groups the shift would mean the opportunity to renew longstanding friendships and perhaps meet a few new like minded souls.Those were my plans, and I will still pursue them. However, anew venture suddenly loomed on my horizon. A re-enactment ofa long past musical event suddenly took over and I found myself ahundred years in the past. The little hamlet of Goodwood, whereI reside, is located in the Township of Uxbridge where there is anamazingly active and diverse arts community. Now, this year’s threeweek long annual “Celebration of the Arts” added one new musicalcomponent. It just so happens that the Uxbridge Music Hall is celebratingits 110th anniversary. What better way to celebrate such anevent than to recreate as closely as possible the program performedon stage there in 1901? Local publisher, editor and sometimeimpresario, Conrad Boyce, dug through the archives of the localmuseum and obtained a copy of the program for that event. My gearshifting was put on hold!The musical part of the program deviated only slightly fromthe original in that there was a band and choir, whereas the 1901performance included an orchestra, band and choir. It included suchchestnuts as Rossini’s Overture to Tancredi, Mascagni’s Intermezzofrom Cavalleria Rusticana and The Anvil Chorus from Verdi’sIl Trovatore. (For this number, local choral conductor Joan Andrewsperformed as guest anvilist.)COSTA AND BUCALOSSI?The interesting numbers in the Uxbridge program, for me, wereworks by Costa and Bucalossi, two composers that I had never heardof. The Oxford Companion to Music was little help, but GrovesDictionary of Music and Musicians and the MacMillan Encyclopediaof Music shed some light on them. Michaele Agniello Costa, sonof a Spanish church composer, was born in Italy and settled forlife in England. He wrote numerous operatic and ballet works andwas much in demand as a conductor. He conducted the LondonPhilharmonic, the orchestra at Covent Garden and, from 1848 to1882, the Birmingham Festival. His second oratorio Naaman waswritten for the Birmingham Festival in 1864; With Sheathed Swordsfrom Naaman was performed. He was knighted in 1869 and in 1871“Sir Michael” was appointed “director of the music, composer andconductor” at Her Majesty’s Opera.The life of Ernesto Bucalossi is not as well documented. Theonly information I could obtain about him was that he was anItalian composer who also settled in England until his death in1933. He was, for a time, conductor of the famous D’Oyly CarteOpera Company. He is described as a “writer of popular dance anddescriptive orchestral music such as La Gitana Waltz and HuntingScene.” It was in that latter composition where we had the mostfun. After a slow, somewhat sombre introduction, followed by a fewcall and answer trumpet sounds, members of the band and chorusjoin voices to sing “A hunting we will go, A hunting we will go,” etc.Then after several bars of a frantic gallop, the music has two barsrest with the note “Bark: Arf Arf.”At the final rehearsal, producer Boyce was accompanied by hisalmost constant canine companion, Lacey. It was suggested thatLacey could provide much more realistic barks than the bandmembers. With suitable prompting she did in fact deliver beautifulsonorous barks. However, it was decided that if she were on stage inperformance she might be excited and bark at inappropriate times.We were left to provide the barks ourselves.22 thewholenote.comOctober 1 – November 7, 2011

REMEMBERING ROLAND G. WHITEIt is with a heavy heart that I report thepassing of Roland G. (Roly) White, formerDirector of Music of the Concert Band ofCobourg. Roly served for many years in theRoyal Marines Band Service in Britain, firstas a musician and later as a conductor. Onleaving the Marines in the late 1960s hemoved to Canada and settled in Cobourg. Hesoon learned that, for many years, there hadbeen a town band in Cobourg. Latterly knownas the Cobourg Kiltie Band, the group haddisbanded for lack of interest shortly beforeRoly’s arrival in town.Roly soon took the initiative, and underhis direction the band was revived in 1970under the name the Concert Band of Cobourg.Drawing on his extensive experience hebegan moulding the band in the style of RoyalMarines bands. In 1975, the band acceptedthe invitation to represent the Royal MarinesAssociation of Ontario and donned thedistinctive white pith helmets and red tunicsof the Royal Marines for parades and tattoos.With the approval of the Town of Cobourgand the Royal Marines School of Music inthe U.K., the band was honoured to add thedistinction of The Band of Her Majesty’sRoyal Marines Association, Ontario, to itsname. Roland G. White retired in 2000 withthe title director of music emeritus, after 30years of dedicated service.Of my many chats with him over the years,one story remains fresh in my memory. Rolyconducted with his left hand. While working under Sir Vivian Dunn,then the senior band officer in the Royal Marines, he was chastisedby Dunn and advised to switch to conducting right handed. Rolycomplied. Shortly after, when enrolled in his bandmaster’s course,his professor commented on his awkward conducting style. Rolyexplained that he was really left handed. His professor, Sir JohnBarbirolli, said “I conduct left handed.” Roly switched. On hisRoland G. Whitereturn from this course, Dunn immediatelynoticed and commented on his change backto his left hand. Roly’s reply: “Sir Johnconducts left handed”. End of discussion;he never conducted right handed again.A memorial service was held, Saturday,September 3, in Cobourg.A Special EventToo late to make it into the listingssection, here’s an event worth noting: TheOshawa United Services RemembranceCommittee will be presenting a “Festival ofRemembrance” on Friday 28 October at 7pmat the Regent Theatre, 50 King Street Eastin Oshawa. The programme will feature theOshawa Civic Band, the band of HMCS York,the Pipes and Drums of Branch 43 RoyalCanadian Legion, the Durham Girls’ Choirand guest soloists. Honourary Colonel (Retd.)Dave Duvall C.D. (formerly CTV weatherman) will act as master of ceremonies.Tickets are available from the theatre ticketoffice 905-721-3399 Ex. 2. All proceeds aredestined for the “Poppy Appeal Fund”.DEFINITION DEPARTMENTThis month’s lesser known musical termis Schmalzando: a sudden burst of musicfrom the Guy Lombardo Band. We invitesubmissions from readers.COMING EVENTS• October 23 2:00pm: Markham Concert Bandkicks off its theatre concert season with“October Pops,” an introduction to the world of light concert bandmusic. Markham Theatre, 171 Town Centre Blvd., in Markham.Please see the listings section for other concerts.Jack MacQuarrie plays several brass instruments andhas performed in many community ensembles. He canbe contacted at bandstand@thewholenote.com.October 1 – November 7, 2011 thewholenote.com 23

At Massey,By George!JIM GALLOWAYAlegend is a person, extremely well known, whose fame andachievements make him a source of sometimes glamourizedtales or exploits. Well, this article is about two musical legends,the late George Gershwin and, still with us and going strong,Herbie Hancock.On October 22,at Massey Hall,Hancock willperform Gershwin’sRhapsody In Bluewith the MasseyHall Orchestra, ledby Alain Trudel,Canadian musician,composer andconductor who beganhis career playingthe trombone, buthas more recentlyturned to conducting.He is currentlyartistic director andprincipal conductorof the NationalBroadcast Orchestraand Orchestre Symphonique de Laval. He is also conductor of theToronto Symphony Youth Orchestra.Rhapsody In Blue has an interesting history. In 1923 PaulWhiteman, leader of the most popular orchestra of the day, approachedGeorge Gershwin about composing an orchestral jazz work.Gershwin sketched out some themes but took it no further than that.He was, to say the least, somewhat surprised when the New YorkTribune of January 4, 1928, contained an article announcing thata jazz concerto by George Gershwin would be premiered by PaulWhiteman at the Aeolian Hall on February 12.The evening was billed as “An Experiment in Modern Music.”Although at the time he had Broadway commitments, and a jazzconcerto was farthest from his thoughts, he rose to the occasion,once more demonstrating that very often the deadline is the ultimateinspiration. And so, on February 12, 1934, towards the end ofthe programme, George Gershwin’s first large-scale work wasperformed with the composer himself playing the piano solo. Theaudience included Jascha Heifetz, Fritz Kreisler, Leopold Stokowski,Serge Rachmaninov and Igor Stravinsky.It was a huge success; over the next ten years it earned Gershwinover $250,000, and this was during the Great Depression! Gershwinlater said that the inspiration for Rhapsody’s title was James McNeillWhistler’s painting Nocturne in Black and Gold.Fast forward to Massey Hall, Toronto, on January 19, 1934.It was indeed a gala evening with Gershwin at the piano andCharles Previn, yes, the father of André, conducting the ReismanSymphonic Orchestra. The programme included Catfish Row,Symphonic Suite from Porgy and Bess and, of course, Rhapsody inBlue for piano and orchestra.Gershwin signeda programme thatevening as a mementofor a fortunatemember of theaudience. Throughthe IndependentOnline BooksellersAssociation, Ifound a programmefor that eveningboldly signed by thecomposer over hisprinted name. Youcan have it for amere $2866.18.Like manymusicians, Gershwinwas something ofGeorge Gershwin and Herbie Hancock.a wit, but probablyno match for his good friend, fellow composer and pianist OscarLevant. At a Manhattan party in the 30s Levant said, “George ifyou had to do it all over, would you fall in love with yourself again?”Gershwin’s barbed response was, “Oscar, why don’t you play us amedley of your hit?”After Gershwin’s, death an admirer with musical aspirations wrotean elegy for him and took it to Oscar Levant. Levant reluctantlyagreed to hear the piece. After the man had finished playing it, heturned to Levant, looking for his approval. “I think,” said Levant,“it would have been better if you had died and Gershwin had writtenthe elegy.”FRANCIS WOLF24 thewholenote.comOctober 1 – November 7, 2011

Herbie Hancock, the principal performer on October 22, hardlyneeds any introduction. He started with a classical music educationand was regarded as something of a child prodigy. When he was 11years old, at a young people’s concert with the Chicago Symphony,he played the first movement of Mozart’s Piano Concerto No. 5.His early jazz work was with Donald Byrd and Coleman Hawkinsand later with Oliver Nelson and Phil Woods.In 1963 he joined Miles Davis’ “second great quintet” with RonCarter on bass, a 17-year-old drummer named Tony Williamsand, eventually, Wayne Shorter on tenor. From this point on hiscareer blossomed and is still flowering five decades later. HisEmpyrean Isles (1964) and Maiden Voyage (1965) were two of themost influential jazz LPs of the 60s and throughout the interveningyears he has remained a creative force, being recognized as oneof today’s major voices in contemporary jazz. More recently TheImagine Project, released in 2010, was recorded in many locationsthroughout the world, features collaborations from various artists,was complemented by a documentary and was released in CD,digital download and vinyl.In a career spanning five decades there are few artists in themusic industry who have had more influence on acoustic and electronicjazz than Herbie Hancock. In his autobiography Miles Davissaid, “Herbie was the step after Bud Powell and Thelonious Monk,and I haven’t heard anybody yet who has come after him.”Given his classical background and his creative genius, heis an ideal choice for this very special evening of the music ofGeorge Gershwin.It is worth remembering another Gershwin quotation: “Life is alot like jazz … it’s best when you improvise.”And the concert will, of course, be acoustic. Happy listening.Jim Galloway is a saxophonist, band leader andformer artistic director of Toronto Downtown Jazz. Hecan be contacted at jazznotes@thewholenote.com.y• St. Philip’s Anglican ChurchA casual, relaxing hour of prayer + great music•with the city’s finest musiciansSunday, October 2, 4:00 pm•Pat LaBarbera TrioSunday, October 16, 4:00 pm•Laura Fernandez + FriendsSunday, October 30, 4:00 pmLara Solnicki Trio• St. Philip’s Anglican Church | Etobicoke25 St. Phillips Road (near Royal York + Dixon)416-247-5181 • www.stphilips.netWhere the Music Begins!Register For Music Lessons TodayGuitar, Piano, Drums, Bass, Voice,Violin, Cello, Mandolin, Uke, and more.Why Choose Long & McQuade?Music lessons for all ages, stages and styles.Professional instructors make learning fun.Convenient lesson times for busy families.Affordable Instrument Rentals.No Registration Fees.Yamaha Presents:Trumpet Virtuoso Wayne Bergeronin concert with the Yamaha Jazz OrchestraSaturday October 15 th , 2011 - 3:00pmWalter Hall – Edward Johnson Building80 Queen’s Park CircleWayne BergeronTickets available online at www.totix.ca or at the door (cash only)October 1 – November 7, 2011 thewholenote.com 25

The New OldFrom October 29 to November 5, Opera Atelier premieres itsnew production of Mozart’s Don Giovanni. Phillip Addis singsthe title role with Carla Huhtanen as Zerlina, Vasil Garvanlievas Leporello, Peggy Kriha Dye as Donna Elvira and MeghanLindsay as Donna Anna. Italian conductor Stefano Montanari leadsthe Tafelmusik Baroque Orchestra and Marshall Pynkoski directs.During an extensive telephone interview with Pynkoski, I raisedthe question, “What can be called ‘new’ in a period production?” Inanswer, he had much to sayabout Opera Atelier’s goalsand what a period productionis:“By period productionwe’re not talking about amuseum. We’re not talkingabout reproducing somethingsomeone did at an earliertime. We could do that if wewanted to, and at times wedo, but when we say ‘periodproduction’ we mean weare taking elements of everydiscipline involved in theCHRISTOPHER HOILEproduction — the acting style,the singing style, the dancingstyle, the orchestral playing— all of those things, not so that we can copy what they did inthe 18th century, but to see if there is anything that we’ve missed inthe past and anything that we’ve lost that will challenge us as artistsin the 21st century.”“Our goal is to be more linear. We want to be storytellers. We’regoing to follow the text and we’re going to try to figure out howto make it make sense. For example, we’re taking a look at whathappened in the early productions of Don Giovanni so that wecan challenge ourselves in a new way. Of course, we’ve done DonGiovanni before, but I think we’ve learned a great deal about itover the years. Initially, we were unable to build the productionwe wanted and had to cobble it together from what we had in stock.This is our first complete statement of what we’d like Don Giovannito be.”“The most important thing I want to get across is that it is a comedy.That doesn’t mean that there are no tragic or dark moments. AllOpera Atelier’s new Don Giovanni: Phillip Addis, Curtis Sullivanand members of the Atelier Ballet.catch our 2011|12 season!Rumours of Peace nov. 15 & 16, 2011 | 8 pmThe cost of human conflict, the hope for lasting peaceStarry Night jan. 31 & feb.1, 2012 | 8 pmOf sleep and dreams – the wonder and terror of the nightMuse of Fire apr. 17 & 18, 2012 | 8 pmWilliam Shakespeare, in words and musicwhere words & music meetgreat comedy has moments that are poignant. But what I have rightin front of me is a letter Andrew Parrott gave me, where Mozartrefers to Don Giovanni as an opera buffa. I don’t care if everyoneelse called it a dramma giocoso with an emphasis on the drama.Mozart called it an opera buffa and I’m following what he said,because I think it makes the opera absolutely make sense.”“I’m sick of seeing a Don Giovanni about a middle-aged Lothariowho hates woman and can’t achieve intimacy. It never makes sensebecause it means every woman on stage is insane. How exactly cana horrible, dirty old man be irresistible? On the other hand, we findthings amusing, even charming, in young people that we wouldfind reprehensible in middle age. Just think, the first Don wasunder 20. The second Don was under 25. Therefore I have to findsomeone like Phillip [Addis] who registers young, innocent, fresh,irresistible.”“Basically, Don Giovanni is Cherubino at age 25. He says all thesame things. He falls in love with every woman he sees. He doesn’thate women — he loves them. And women adore him. There hasto be something adorableabout him, but I have yet tosee a Don Giovanni whereI understand why womenlove him. To my mind DonGiovanni is the most innocentand the most honestman on stage. He’s a comiccharacter and everything onstage revolves around him.”“Anyone in the 18thcentury would have knownfrom the first scene thatwe’re in the world of theItalian commedia dell’artewith the servant, like aHarlequin, outside a tavernwho wants a drink but hasno money while his master is inside drinking. The design will not beas strongly commedia as it was last time. I think we made our point.Martha [Mann]’s costumes will be more Spanish but will still retainvery clear commedia touches.”“What makes it ‘new’ when talking about period is to say it’sa comedy and to discover what that means. It means we have tore-examine every character and fight the stereotypes that have beenbuilt up over the past hundred years or so. It’s a big challenge foreveryone, especially the singers, because they come in with so muchbaggage from other productions that we have to strip away.”“We’ve recently learned that in the original production theCommendatore and Mazetto were played by the same person withlittle time for a costume change at the finale. This immediatelytells us something about the opening. The Commendatore is notsome doddering old man who staggers around the stage before DonGiovanni kills him. He has a daughter, after all, who is probablytaliskerplayerschambermusicinfo:www.taliskerplayers.catickets:416.978-8849 | uofttix.ca26 thewholenote.comOctober 1 – November 7, 2011BRUCE ZINGER

17. Therefore he’s a vital, strong, dangerous middle-aged man. Ofcourse, the Don calls him ‘old’ as any young person would. As soonas you see that the duel at the beginning is thus more on an equalfooting, itchanges everything. It’s no longer the brutal murder of asenile old fool. Once we learned this we thought, ‘Let’s do it. Curtis[Sullivan] will play both roles. It’s a challenge, but we’re just doingwhat Mozart did.’”For tickets and more information visit www.operaatelier.com.Christopher Hoile is a Toronto-based writer on opera andtheatre. He can be contacted at opera@thewholenote.com.THERE’S MORE!For devotees of Music Theatre in its many forms, Atelier’s “DonGiovanni” won’t be the only event of interest this month.On the afternoon of Sunday October 2, Opera in Concert presentsa concert titled L’accordéoniste: Latin Heat with KimberlyBarber, mezzo; Peter Tiefenbach, piano; Carol Bauman,percussion; and Mary-Lou Vetere, accordion. The same day, at7:30pm, Solomon Tencer Productions presents An Evening atthe Opera at the Studio Theatre, Toronto Centre for the Arts.Monday October 10, 8pm, sees the opening of an extendedrun of Art of Time Ensemble’s “I Send You This Cadmium Red,”an evening of theatre, dance and music, exploring correspondencebetween artist John Berger and filmmaker John Christie.Wednesday October 12 at noon Canadian Opera Company/Queen of Puddings Music Theatre showcase Ana Sokolovic’snew a cappella opera “Svadba — The Wedding.”Wednesday October 19 at 7:30pm Opera Belcanto’s “Cav/Pag” double bill kicks off a two-night stand at the RichmondHill Centre for the Performing Arts.Friday October 21 at 7:30pm, Opera By Request presentsHandel’s “Orlando” at College Street United Church; MarkhamTheatre for Performing Arts has Isabel Bayrakdarian in recitalat 8pm; and also at 8pm at St. John’sYork Mills AnglicanChurch is What They Did For Love, the debut concert of a newlyformed opera ensemble, Opera Rouge.Sunday October 23 brings Zarzuela Gold from TorontoOperetta Theatre, an opening gala concert; the same day, theUniversity of Toronto Faculty of Music’s perennially popularOpera Tea features a Menotti Double Bill in celebration of the100th anniversary of the composer’s birth.Saturday October 29 sees not only the start of the aforementionedAtelier “Don Giovanni,” but also what might bedescribed as the “final return” of “Two Pianos Four Hands,”Ted Dykstra and Richard Greenblatt’s musical comedy. about,what else, music.Thursday November 3 and Saturday November 5 OperaYork’s Madama Butterfly is on the boards at Richmond HillCentre for the Arts. Friday November 4 Opera By Requestpresents Massenet’s “Herodiade.”Details on all these, and more can be found in the listings.Life is a CabaretOld ChumsYes, toronto brimswith many breedsof live music, asthis magazine makescrystal clear. But truthbe told, this questionbears reflection: Canour city, recentlynamed the planet’sninth most expensivecity to live in, sustaina venue devoted exclusivelyto cabaret? Andis it really the ticketprice, usually comparableto catching a flick,that keeps audiencesaway? Or, is it thatlistening rooms requirelistening patrons?Whatever the reasons,thankfully, presenterskeep trying. Thebrand new Green DoorBeat by Beat / In the ClubsORI DAGANGreen Door Cabaret: Mark Selbyaccompanies Gabi Epstein atthe Green Door Cabaret.Cabaret at the Lower Ossington Theatre is hoping to be around for along time. Robert Missen, artistic director, is working hard to preserve,celebrate and cultivate an audience for this unique art form.“Cabaret has an intimacy,” says Missen, “and there’s an elementof story-telling to the singing which is different from a regularconcert. And of course, if you look at the various historical forms ofcabaret, you can make the argument that it can be a very interestingtool for political satire or the promotion of certain kinds of humouror music. Since my background training is as a classical singer, Iliken it to singing lieder, which is another endangered species oflive performance.”On the challenges of this new venture, Missen is quick toacknowledge the financial limitations on all sides of the equation:“This is a very bare bones operation … I am not getting paid anysalary for this, I get a small slip of the door. The theatre also takescontinued on page 49ORI DAGANELECTRIFYING EXPERIENCESMost Tuesdays, Wednesdays and Thursdaysat noon or 5:30 p.m.coc.ca 416-363-8231MEDIA SPONSORSArabesque Dance, Photo: Chris HutchesonOctober 1 – November 7, 2011 thewholenote.com 27

They’ve Got PersonalitySIMONE DESILETSInteresting personalities: the world of music is full of them.I’d like to tell you about a few who will be gracing our stages andcharming our senses during the coming month.Take, for example, Jan Dismas Zelenka, one of those talentedpeople whom history might well have completely forgotten, had itnot been for the determination of some who “discovered” and soughtto revive his music long after his death in 1745. This Bohemiancomposer, whose lifetime spanned more or less the same years asthat of J.S. Bach, spent most of his career at the Dresden court (aflourishing centre of music and the arts in 17th- and 18th-centuryGermany) where he played double bass, conducted the DresdenCourt Orchestra and became Court Composer of Church Music.His music is acknowledged as being extraordinarily creative, withunexpected turns of harmony and a freshly expressive outlook.Of course, as part of his duties he wrote masses. One of these, theMissa votiva, has quite a touching genesis: Zelenka wrote it to givethanks after recovering from a long illness, dedicating it as follows:“J.D.Z. composed this Mass ad majorem Dei gloriam to the greaterglory of God in fulfillment of a vow, after having recovered hishealth through God’s favour”.You can hear it, along with a beloved motet by one of hisacquaintances and admirers, in Tafelmusik’s “Glorious Bach andZelenka” performances, which take place on various days, and atvarious times, between October 14 and 20.And consider Johann Rosenmüller, 17th century Germancomposer and virtuoso trombonist, who is credited with being aninstrumental figure in the transmission of Italian musical styles toGermany. He had a promising career as teacher and organist inLeipzig, and was in line for theposition of cantor at the Churchof St. Thomas, but his career wasabruptly halted in 1655 whenhe and several schoolboys werearrested and imprisoned on suspicionof homosexuality. Aha; heescaped, fled Germany and nextturned up in Italy, where by 1658he had established himself at St.Mark’s in Venice as a trombonistand composer. Years later he alsoheld the post of composer at theOspedale della Pietà (the girls’ orphanage soon afterward to becomefamous as fertile ground for Vivaldi’s prolific creative output).Rosenmüller’s music was clearly inspired by the brilliant acousticof the Cathedral of St. Mark’s. You’ll be able to hear the effect ofthis magnificent space when, on October 21 and 22, the TorontoConsort brings together voices, strings, cornetti, sackbuts, lutesand keyboards to present “Venetian Splendour: The Music ofJohann Rosenmüller.”A towering figure of the 15th century, the Franco-Flemishcomposer Johannes Ockeghem led a life that is somewhat obscuredto us now, some five or six centuries later. We know that he wasemployed as a bass singer in the chapels of various royal courts,most notably the French courts of Charles VII, Louis XI andCharles VIII; that his life was very long; that though his survivingoutput of compositions is not large, it reveals a highly innovativestyle; also that he was admired throughout Europe for his expressivemusic and his technical prowess.It’s obvious that he revelled in creating musical problems andworking out solutions — for example, his motet Deo Gratias is amagnificent, pulsating canon for four nine-part choruses (36 partsin total). His Missa Cuiusvis Toni is a mass that may be sung in anyone of four different modes, at the performers’ choosing. Enormoustechnical feats of composition, these — yet (to quote one account)“music of contemplative vastness and inward rapture”.Both these works will be performed this month — the Deo Gratiasin “surround sound,” the Missa Cuiusvis Toni in — well, you’ll haveto attend the concert to find out which mode. They’ll be heard in theToronto Chamber Choir’s first concert of the season, “Ockeghem:Medieval Polyphony,” on October 23.A much-admired musician of the 21st century, the acclaimedEnglish conductor and keyboard player, Harry Bicket, will be bringinghis ensemble, the English Concert, to town — alas on one of thesame nights as the Toronto Consort performs. Bicket is renownedfor his interpretations of the baroque and classical repertoire andfor his work in opera, though his biography is chock-full of musicmaking in wide-ranging stylesand periods, all over the world.It’s especially telling that he waschosen in 2007 to succeed TrevorPinnock as artistic director of theEnglish Concert, one of the finestof the U.K.’s period orchestras.The concert takes place in anideal venue for this group, theRoyal Conservatory’s KoernerHall, on October 21. The musicHarry Bicket and the English Concert.is ideal too, a true representationof their art: suites from28 thewholenote.comOctober 1 – November 7, 2011

SIMON FOWLERsemi-operas by Purcell, soloand orchestral concertos byVivaldi and Telemann.A compelling musicalpersonality whose star isdefinitely on the rise isthe French countertenorPhilippe Jaroussky. He’s beendescribed as a “young singerwith the tone of an angel andthe virtuosity of the devil.”Perhaps because he beganhis musical life as a violinist,his singing displays a verypure sound quality and high,sweet timbre; this combinedwith his dazzling vocal feats,expressive phrasing andhandsome stage presencehave catapulted him intoan international career in aPhilippe Jaroussky.relatively short time.Jaroussky’s art is ideally suited to the virtuosic coloratura of thebaroque; this will be evident when, on November 1 at the RC’sKoerner Hall, he’ll be joined by the acclaimed baroque orchestrafrom Cleveland, Apollo’s Fire, in a programme of fiery operaticarias and orchestral music, entitled “Handel and Vivaldi Fireworks.”OTHERS IN A NUTSHELL• October 8: “Apt for Voices, Viols or Violons”: For its first concertof the season, the Musicians In Ordinary presents a programme ofconsort songs, dances, lute songs and solos from the Elizabethan andJacobean courts, by Holborne, Byrd and Dowland. Soprano HallieFishel and lutenist John Edwards are joined by a renaissance violinband of five parts, led by violinist Christopher Verrette.• October 8: Cardinal Consort of Viols presents “Oktoberfest!”:Beautiful German music from the 16th and 17th centuries, withrefreshments included, in a relaxed, friendly atmosphere atRoyal St. George’s College Chapel.• October 15 and 16: “Best of Baroque”: Andrew Davis conducts theTSO, and plays harpsichord and organ in a rich tapestry of music byBach, including Brandenburg Concerto No. 5, Concerto for Oboeand Violin and Davis’ own orchestrations of Bach organ works.• October 16: Windermere String Quartet on period instrumentspresents the fourth in their six-concert survey of “The GoldenAge of String Quartets,” juxtaposing three great works by Haydn,Mozart and Beethoven.• October 22: “A Celebration of Victoria: 1611–2011”: Tallis Choircommemorates the 400th anniversary of the death of Victoria,presenting some of his greatest works and those of hiscontemporaries, Guerrero, Lobo and Esquivel.• October 29: Our ever-energetic friends in Kingston, Trillio,present their third annual “Baroquetoberfest” with music on periodinstruments by Telemann, Bach, Matthes and others — not tomention home-prepared German food including choucroute garnieand a German beer sampling!Simone Desilets is a long-time contributor to The WholeNote inseveral capacities who plays the viola da gamba.She can be contacted at earlymusic@thewholenote.com.2011-2012 Concert SeriesOctober 16: The Golden Age of String QuartetsNovember 20: Traces of a Silent LandscapeFebruary 19: The Art of ConversationApril 29: Turning Points4-Concert Series: $60, seniors/students $42www.windermerestringquartet.cominfo@windermerestringquartet.com416-769-0952Nine Sparrows Arts Foundation & Christ Church Deer ParkPresentNine Sparrows Arts Foundation416-241-12989sparrows.arts@gmail.comhttp://sites.google.com/site/9sparrowsartsfeaturingThe High Park Choirs of TorontoZimfira Poloz, ConductorBrendan Cassin, TrumpetThe Soloists and Choir of Christ Church Deer ParkEric N. Robertson, Music DirectorAdmission FreeDonations WelcomeFridayNovember 11th, 20117:30 pmChrist Church Deer Park1570 Yonge Street at Heath Streetwith Special GuestJohn McDermottChrist Church Deer Parkwww.thereslifehere.orgOctober 1 – November 7, 2011 thewholenote.com 29

Global PoolingANDREW TIMAROver the past 30 years, as world music has emerged as a commercialmusic category, the general audience interest in it hascontinued to grow and morph. As a meta-genre, it has longjumped the boundaries of its component musics’ roots in their ethniccommunities of origin. The various kinds of music included in thesea of world music, when observed at close hand, really consist ofmultiple interconnected pools. And here in Toronto there are manysuch pools teeming with life. This isthe “scene” I try to get a feel for andshare with you, dear reader, in eachWholeNote issue.As important as various groups andcommunities are to the overall vibrancyof the local world music scene,the significance of the contributionsof certain individuals pops out occasionally.These individuals are theperformers, teachers, producers andprogrammers without whose imagination,skill and dedication the scenewould be a very still pool indeed.Small World Music is a case inpoint. This production company isthe lovechild of Alan Davis who cuthis programming teeth at Toronto’sMusic Gallery in the 1980s and 1990s.In the ten years since he foundedhis production company, SmallWorld Music has become, arguably,Toronto’s most active and consistentpresenter of music from many cornersof the globe. It is also a supporter ofmusic that mixes all sorts of genres.I attended the launch of the tenthannual Small World Music Festival onSeptember 22, and got the scoop onthis year’s lineup.Having begun in September, theSmall World Music Festival continueson October 2 at the Enwave Theatre,Harbourfront, with the Karevan Ensemble performing a concerttitled “Homeland Variations.” Composed by Reza Moghaddas, thescore received a 2011 Dora Mavor Moore Award nomination. Called“multimedia Persian fusion,” the music combines gypsy songsaccompanied by kamancheh (Persian fiddle), punctuated by saxophone,keyboards and electric bass. Further sections feature R&Brhythms blended with industrial and electronic sounds, dovetailingwith melancholy duduk (Armenian reed) melodies and the spiritedupbeat juxtaposition of African percussion, kamancheh and tanbour(Kurdish lute). I’m guessing the dancer Bahareh Yaraghi will providethe “multimedia” aspect of the show.The same Sunday night at the Royal Conservatory, Small WorldMusic, in association with the RC, presents the Bollywood divaAsha Bhosle with Nilandri Kumar on sitar. Bhosle, one of the queensof playback singing, has performed an astounding 20,000+ songs inover 1,000 movies in her epic career. In fact she has the distinctionof receiving the “most recorded artist” laurel from the Academyof World Records. Kumar, much the junior of Bhosle in age andexperience, is an emerging Indian fusion sitarist with roots in theclassical tradition. He has worked in Bollywood as a musician, andrecorded with guitarist John McLaughlin on his album FloatingPoint, as well as on 13 of his own albums. We can expect thatpopular film songs and ghazals, songs sometimes included amongthe “light classical” side of North Indian music, will dominate theevening at Koerner Hall.Another example of an individual who has made a significantcontribution to Toronto’s world music scene is the mrdangam (SouthIndian hand drum) master and music professor Trichy Sankaran. Itis hard to recall a time when Indian music–classical and otherwise–was not a feature of Toronto’s concert and university music educationlandscape, but there actually was such a time not that long ago.A noted mrdangam player in India when still quite young,Sankaran came to York University 40 years ago to help build itsnewly hatched South Indian classical music (Karnatak music)programme. He’s still teaching at York, inspiring by exampleyet another generation of students to study this highly developedpercussion art form. He has also inspired some of his twoTrichy Sankaran.generations of students, myselfincluded, to infuse Karnatak music’slanguage and discipline into theirown music and scholarly research.Sankaran’s 40th anniversary atYork will be marked on October 4,7:30pm, at a concert at the TributeCommunities Recital Hall, part ofthe York University Departmentof Music’s “Faculty ConcertSeries.” In addition to Sankaran’sbrilliant mrdangam playing, guestmusicians will include members ofAutorickshaw (Suba Sankaran, pianoand vocals; Ed Hanley, tabla; andDylan Bell, bass guitar), as wellas Mohan Kumar, ghatam, andDesi Narayanan, kanjira. TrichySankaran’s considerable contributionsto his field are increasingly beingacknowledged. He has recently beenshort listed for the Toronto ArtsFoundation’s Muriel Sherrin Awardfor International Achievement inMusic. He will be receiving theprestigious “Sangita Kalanidhi” titlefrom the Music Academy in Chennai,India, in January 2012.A commemoration of another sorttakes place on October 21 and 22at the Betty Oliphant Theatre. Theworks of the late Toronto composerand percussionist Ahmed Hassanwere imbued with Afro-Caribbean and Middle Eastern influences.Written primarily in conjunction with Canadian theatrical dance,Hassan’s works will receive performances in their original stageddance context at the Abilities Arts Festival, produced by PeggyBaker Dance Projects. Renowned dancer Peggy Baker, the curatorof this show, is Ahmed Hassan’s widow. Titled “The Neat StrangeMusic of Ahmed Hassan,” his music will be performed along withthe original dances, by important Toronto choreographers, forwhich his music was commissioned. The performers include seniorstudents of the School of Toronto Dance Theatre; Hassan’s sister,Maryem Tollar, vocals and Mother Tongue, a “world beat” band.From October 15 to 23 the Music Gallery presents its annual XAVANT New Music Festival VI. The festival typically programmesavant-garde music in its many guises, however on Friday October21 there is a world music element. That night, three acts representvarious shades of contemporary music. The Montreal based soundartist Tim Hecker will play St. George the Martyr Church’s pipeorgan plugged into a computer, the sound looped, altered and playedback through the PA system, while the German pioneer of “glitch”music, Markus Popp, explores modern electronica. (Opening theevening, is a new cross-cultural Toronto music collective GlobalCOURTESY OF TRICHY SANKARAN30 thewholenote.comOctober 1 – November 7, 2011

Cities Ensemble of which, as I mentionedin the June issue, I am a member, playingsuling — Indonesian ring flute, and kacapi— Indonesian zither along with Araz Salek(tar — Persian lute); Abdominal (songs andrap) and Professor Fingers (live electronics),and blending instruments, intonation, andmodes from Iran, Indonesia, India andWestern musics.)World music also makes several appearancesthis month further downtown on FrontStreet at the splashy, renovated Sony CentreFor The Performing Arts. On October 21“Goran Bregovic And His Wedding andFuneral Orchestra” features music from themixed ethnic centre of Sarajevo, combininga Serbian gypsy band, a classical stringensemble, an Orthodox male choir and twoBulgarian female vocalists. On the 22nd,the Salsa Kings perform music from Cubaincluding the dance-infused music of themambo, rumba and the cha cha cha.Opening its run on October 26 also atthe Sony Centre, David Mirvish presents“Bharati: The Wonder That Is India.” JudgingAhmed Hassan with dancer Peter Bingham (cira 1991).from the promotions touting a “music anddance spectacle from India, featuring 70dancers, actors, singers, acrobats andmusicians,” this production appears to bea big-stage nationalistic extravaganza alongthe lines of recent Chinese productionsand predated by the long-running Irish201112themed mega-shows “Riverdance” and“Celtic Woman.”Bharati’s storyline, on the other hand,sounds compellingly contemporary. Amodern day Siddharth raised in the U.S. andcynical of all things Indian returns hometo cleanse the Ganges river of its pollution.Despite his contempt, Siddharth is attractedto a mysterious and elusive Indian woman,Bharati, who reintroduces him to the manywonders of India. As the story goes, in theend, Siddharth, appearing to be a sort ofdiasporic Everyman, discovers a new senseof self in this journey of homecoming, identityand redemptive love.These are big, ambitious themes. I hopethe production delivers them with more thansimplistic bombast since I plan to attend.I especially wish for a nuanced presentationof a sampling of the multitude of Indiantraditional performing arts, among thetreasures of the music of our world.Andrew Timar is a Toronto musicianand music writer. He can be contactedat worldmusic@thewholenote.com.FRIDAY, OCTOBER 14, 8pmThe Rest is SilenceJoin us at our beautiful new venue - theRosedale United Church - with music ofinnovation, tradition, and inspiration, asDebussy and Brahms usher in the voice ofone of Canada’s finest young composers.FOR TICKETS:416-972-9193 orwww.viasalzburg.comVIA SALZBURG IS GENEROUSLY SUPPORTED BY:CHRIS RANDLEINDEX OF ADVERTISERSAldeburgh Connection 21Alexander Kats 53All Saints Kingsway Anglican 41Amadeus Choir 15Amici Chamber Ensemble 39Amoroso 68Antonin Kubalek Memorial 19Arraymusic 35, 45ATMA 5Brock University Centre for theArts 12Canadian Opera Company 27Canadian Sinfonietta 36Cathedral Bluffs SymphonyOrchestra 38Chamber Music Society ofMississauga 20, 44Christ Church Deer Park JazzVespers 24Classical 96 69Continuum Contemporary Music20, 45Cosmo Music 25Counterpoint Musical Services 52Elmer Iseler Singers 16ESPRIT 72Exultate Chamber Singers 14Gallery 345 33George Heinl 22Hannaford Street Silver Band 7Heliconian Hall 54Humbercrest United Church 44International Resource Centre forPerforming Artists 53Janet Obermeyer 43Judy Young 53Kindred Spirits Orchestra 44Larkin Singers 17L’Atelier Grigorian 61Laura McAlpine 36Leon Belov 56Liz Parker Piano 51LIZPR 55Lockwood ARS 56Long & McQuade 25Margot Rydall 56Markham Theatre 15Mary Lou Fallis 53Miles Nadal JCC 52Mirvish Productions 10Mississauga Symphony 37Moira Nelson 42Music at Metropolitan 41Music Gallery 18Music Toronto 9, 35Musicians in Ordinary 34Nathaniel Dett Chorale 15New Music Concerts 19,Nine Sparrows Arts Foundation 29Nocturnes in the City 45Norm Pulker 56NUMUS 13NYCO Symphony Orchestra 21Off Centre Music Salon 42Ontario Philharmonic Orchestra 28Opera Is – Learning 52Opera Is – Travel 54Opera York 43Orchestra Toronto 23Pasquale Bros 51Pattie Kelly 56Pax Christi 40Peter Mahon 17Remenyi House of Music 68Robert Bruce 34Roy Thomson Hall & Massey Hall 4Royal Conservatory 11Samantha Chang Production 36Scarborough PhilharmonicOrchestra 41Sheila McCoy 52Sinfonia Toronto 17, 35Soundstreams 42St Paul’s United Church 45St. James’ Cathedral 51St. Philip’s Anglican Church JazzVespers 25St. Stephen in-the-Fields AnglicanChurch 50Steve’s Music Store 18Sue Crowe Connolly 56Sunrise Records 67Tafelmusik 2, 3, 36October 1 – November 7, 2011 thewholenote.com 31

The WholeNote ListingsTheWholeNote listings are arranged in four sections:A.GTA (GREATER TORONTO AREA) covers all ofToronto plus Halton, Peel, York and Durhamregions (zones 1, 2, 3 and 4 on the map below).B.BEYOND THE GTA covers many areas of SouthernOntario outside Toronto and the GTA (zones 5,6, 7, and 8 on the map below). In the currentissue, there are listings for events in Barrie, Brantford,Cambridge, Elora, Guelph, Hamilton, Huntsville, Kingston,Kitchener, London, Mount Hope, Owen Sound, Orillia,St. Catharines, Timmins and Waterloo. Starts on page 46.C.IN THE CLUBS (MOSTLY JAZZ)is organized alphabetically by club.Starts on page 48.D.THE ETCETERAS is for galas, fundraisers,lectures, symposia, masterclasses, workshops andother music-related events (except performances)which may be of interest to our readers. Starts on page 51.A GENERAL WORD OF CAUTION A phone number is provided withevery listing in The WholeNote — in fact, we won’t publish a listingwithout one. Concerts are sometimes cancelled or postponed; andartists or venues may change after listings are published. Pleasecheck before you go out to a concert.HOW TO LIST Listings in TheWholeNote in the four sections aboveare a free service available, at our discretion, to eligible presenters.If you have an event, send us your information no later than the15th of the month prior to the issue or issues in which your listing iseligible to appear.Saturday October 01• 11:00 and 2:00: Solar Stage Children’sTheatre. Sing & Dance with Jack Grunsky.For ages three to eight. Madison Centre, concourselevel, 100 Upper Madison Ave. 416-368-8031. $14.• 3:00: Arraymusic. Array Session #8: ImprovConcert. An afternoon of improvised musicwith Rick Sacks. Array Space, 218 – 60 AtlanticAve. 416-532-3019. Free. A CultureDays event.• 4:30: Beach United Church. Jazz Vespers:We Are One. Howard Rees’ Toronto Jazz Chorus.St. Aidans on the Beach, 60 SilverbirchAve. 416-691-8082. Freewill offering. Proceedsto Beach United Church.• 4:30: Canadian Opera Company. Iphigeniain Tauris. Gluck. Susan Graham, mezzo (Iphigenia);Katherine Whyte, mezzo (Iphigenia– Oct 15); Russell Braun, baritone (Orestes); JosephKaiser, tenor (Pylades); Mark Doss, bassbaritone(Thoas); Robert Carsen, stage director,Pablo Heras-Casado, conductor. Four SeasonsCentre for the Performing Arts, 145 Queen St.W. 416-363-8231. $12–$318; $22(under 30).Also Oct 4, 7, 12, 15; start times vary.• 6:00: Collegium Musicum. Culture Canada.Borjana Hrelja, piano; Chris Malone, guitar.Chopin Room, Collegium Musicum Conservatoryof Music, 12 Peter St., Port Credit. 905-274-6100. Free.• 6:59pm to Oct 02 7:16am: Nuit Blanche/Canadian Music Centre. The Crown of theBell. Sound and video installation. Sound ofbells blend with electronic musical material andvideo projections in a continuous and evolvingA. Concerts in the GTAflow. Chalmers House, 22 St. Joseph St. 416-961-6601 x205. Free.• 7:30: Music at Islington. Swingin’ SaturdayNight. Toronto All-Star Big Band, ZygmuntJedrzejek, director. Music in the style of the1930s, 40s and 50s big band era. IslingtonUnited Church, 25 Burnhamthorpe Rd. 416-239-1131. $20; $10(st); free(under 12).• 7:30: Musicians Against Hunger. BenefitConcert. Money-raising event for Feed the Needof Durham. Kristine Dandavino, ChristopherBurton, Rachel Cleland, Irish Choral Society ofCanada; and others. Arts Resource Centre, 45Queen St., Oshawa. 905-725-9115. $25.• 7:30: Quintessence Handbell Ensemble.Benefit Concert for the James Fund for NeuroblastomaResearch. English handbell, solo andsmall ensembles. Quintessence Handbell Ensemble;soloists Heather Keith and David Keith.St. Andrew’s Presbyterian Church, 115 St.Andrew’s Rd., Scarborough. 905-686-5676.Freewill offering; $10 suggested donation.• 8:00: AIM Toronto. Interface Series: SylvieCourvoisier, piano and composer. Eveningof improvisation with Courvoisier and MarilynLerner, piano; Tania Gill Quartet; JustinHaynes, guitar; Nicole Rampersaud, trumpet;Joe Sorbara, drums and percussion. Gallery345, 345 Sorauren Ave. 416-822-9781. $20;$15(sr); $10(st).• 8:00: Hart House Theatre. The Great AmericanTrailer Park Musical. Toronto Premiere.Music and lyrics by D. Nehls. Book by B. Kelso.Will O’Hare, director; Kieren MacMillan, musicdirector; Ashleigh Powell, choreographer. 7Hart House Circle, U of T. 416-978-8849. $25;$15(sr/st); $10(student tickets every Wed.);The next issue covers the period from November 1, 2011to December 7, 2011. All listings must be received by6pm Saturday October 15.LISTINGS can be sent by e-mail to listings@thewholenote.com or byfax to 416-603-4791 or by regular mail to the address on page 6. Wedo not receive listings by phone, but you can call 416-323-2232 x27for further information.LISTINGS ZONE MAP Visit our website to see a detailed versionof this map: www.thewholenote.comGeorgianBayLakeHuron672 15Lake Erie83 4Lake OntarioCity of Toronto32 thewholenote.comOctober 1 – November 7, 2011

$15(alumni tickets every Thurs.) Also Oct 5-8;Oct 8(mat).• 8:00: I Furiosi. Julie’s Big Adventure. LysianeBoulva, harpsichord. Calvin PresbyterianChurch, 26 Delisle Ave. 416-910-8740. $20;$10(sr/st).• 8:00: Stephen Tam. Twentieth Century FluteTravels. Music by Amirov, Bowen, Fukushima,Villa-Lobos and others. Stephen Tam, flute; EllenMeyer, piano. Heliconian Hall, 35 HazeltonAve. 905-886-6662. $20; $15(sr/st).• 8:00: Toronto Symphony Orchestra.Emanuel Ax Plays Brahms. Beethoven: RomanceNo.2 for Violin and Orchestra; Brahms: PianoConcerto No.1; Symphony No.1. JonathanCrow, violin; Emanuel Ax, piano; Peter Oundjian,conductor. Roy Thomson Hall, 60 SimcoeSt. 416-593-4828; 416-593-0688(Chinesehotline). $35–$145.Sunday October 02• 1:00: Harbourfront Centre/JeunesseMusicales. The Great Rhythmobile Adventure.Interactive concert for children in French. BrigantineRoom, 235 Queen’s Quay W. 416-973-4000. Free.• 2:00: Canadian Opera Company. Rigoletto.Verdi. Quinn Kelsey, baritone (Rigoletto – Oct2, 5, 8, 14, 16, 18, 22); Lester Lynch, baritone(Rigoletto – Oct 13, 17, 20); Ekaterina Sadovnikova,soprano (Gilda - Oct 2, 5, 8, 14, 16, 18,22); Simone Osborne, soprano (Gilda - Oct 13,17, 20); Dimitri Pittas, tenor (Duke of Mantua- Oct 5, 14, 16, 18, 22); David Lomelí, tenor(Duke of Mantua - Oct 2, 8, 13, 17, 20); ChristopherAlden, stage director; Johannes Debus,conductor (Sep 29, 30, Oct 2, 5, 8, 14, 16, 18,20, 22); Derek Bate, conductor (Oct 13, 17).Four Seasons Centre for the Performing Arts,145 Queen St. W. 416-363-8231. $12–$318;$22(under 30). Also Oct 5; 8, 13, 14, 16 – 18,20, 22; start times vary.• 2:00: Royal Conservatory. Mayumi Seilerand Jeanie Chung: Mozart and Beyond. Worksby Mozart, Janáček and Ravel. Mazzoleni ConcertHall, 273 Bloor St. W. 416-408-0208.Free. A Culture Days event.• 2:30: Opera in Concert. L’accordéoniste:Latin Heat. Kimberly Barber, mezzo; Peter Tiefenbach,piano; Carol Bauman, percussion;Mary-Lou Vetere, accordion. Jane MallettTheatre, St. Lawrence Centre for the Arts,27 Front St. E. 416-366-7723 or 1-800-708-6754. $40–$52.• 3:00: North York Suzuki School of Music.Deirdre Reynolds Memorial Scholarship FundraisingConcert. Performances by recipients ofthe 2011 scholarship, as well as colleagues,friends and former students. Lawrence ParkCommunity Church, 2180 Bayview Ave. 416-222-5315. By donation; $20 and up receivestax receipt.• 3:00: Toronto Symphony Orchestra.Emanuel Ax Plays Brahms. Beethoven: RomanceNo.2 for Violin and Orchestra; Brahms:Piano Concerto No.1; Symphony No.1. JonathanCrow, violin; Emanuel Ax, piano; PeterOundjian, conductor. George Weston RecitalHall, Toronto Centre for the Arts, 5040 YongeSt. 416-872-1111. $35–$145.• 4:00: Cathedral Church of St. James. TwilightRecitals. Andrew Adair, organ. 65 ChurchSt. 416-364-7865 x231. Free. Also Oct 9, 16,23, 30.• 4:00: Elmer Iseler Singers. Gloria! Soundsof Thanksgiving! Somers: Gloria; works by Halley,Glick, Robertson, Watson Henderson, Tiefenbach,and others. Elmer Iseler Singers,Lydia Adams, conductor; guests: Robert Venablesand Robert DiVito, trumpet; ShawnGrenke, organ. All Saints’ Kingsway AnglicanChurch, 2850 Bloor St. W. 416-217-0537. $40;$35(sr); $15(st).• 4:00: St. Andrew’s Church. Jazz Vespers:The Spirituality of Gratitude. Julie Michels,vocals; Jon Seiger, trumpet and vocals; JordanKlapman Trio. 73 Simcoe St. 416-593-5600.Freewill offering.• 4:00: St. Philip’s Anglican Church. JazzVespers. Pat LaBarbera Trio. 25 St. Phillips Rd.,Etobicoke. 416-247-5181. Freewill offering.• 7:00: Royal Conservatory/Small WorldMusic. Asha Bhosle, voice with Shujaat Khan,sitar. Ghazals and Indian classical music. KoernerHall, 273 Bloor St. W. 416-408-0208. $45and up.• 7:30: Jerry Grey & The Travellers. ThisLand is Your Land. In celebration of WoodyGuthrie’s 100th birthday. Members of theGuthrie family perform; guest: Theresa Tova.Markham Theatre for Performing Arts, 171Town Centre Blvd., Markham. 905-305-7469or 1-866-768-8801. $50–$70.• 7:30: Solomon Tencer Productions. AnEvening at the Opera. Works by Verdi, Pucciniand others. Studio Theatre, Toronto Centre forthe Arts, 5040 Yonge St. 416-733-9388. $35.• 8:00: Gryphon Trio. CD Release Concert:Broken Hearts & Madmen. Featuring songs by L.Cohen, N. Drake, Lhasa, L. Anderson and traditionalmelodies from Mexico, Argentina andChile. With Patricia O’Callaghan, vocals. LulaLounge, 1585 Dundas St. W. 416-588-0307.$45/$39(adv); $10(st). Ticket includes CD.• 8:00: Small World Music. Tenth AnnualSmall World Music Festival. Karevan Ensemblefrom Iran performs “Homeland Variations.”Enwave Theatre, Harbourfront, 235 QueensQuay W. 416-973-4000. $20.Monday October 03• 8:00: Canada in Concert. Prima Donna. Anevening in celebration of CBC Radio’s 75thanniversary. French and Italian arias; trio forthree women by Haydn. Isabel Bayrakdarian,soprano; Julie Boulianne, mezzo; MarianneFiset, soprano; Aline Kutan, soprano. GlennGould Studio, 250 Front St. W. 416-872-4255.$45.• 8:00: Jazz.FM91. Sound of Toronto JazzConcert Series: It’s Impossible to Sing and Play345 Sorauren Avenue[Dundas/Roncesvalles]■ Sylvie Courvoisier,John Farah, AttilaFias, AlejandroVela, Ji Min Hong,Triokonasana, ArrayMusic, StephenClarke, Eve Egoyan,Avant-Guitars,Aventa Ensemble,Jurij Konje, TheThing Is, Vlada Mars■ for monthlyperformances go towww.gallery345.com/performances■ 416.822.9781 forreservationsModern, Classical, Jazz,Folk, WorldUTSOThursday, October 6, 20117:30 pm, MacMillan TheatreDavid Briskin opens the orchestraseason with Die Meistersinger Overture,Franck Symphony in D and LisztPiano Concerto No. 1 with pianistJacqueline Mokrzewski.U OF TWIND ENSEMBLESaturday, October 15, 20117:30 pm, MacMillan TheatreGillian MacKay conducts works byHindemith, Mackey, Grainger, Bryant,and Woolfenden.PURA FÉFriday, October 21, 20117:30 pm, Walter HallThe Tuscarona tribe descendantand Native American Music Awardwinner performs her unique brand ofNative contemporary music in her Uof T debut.PETER WIEGOLDWednesday, October 12, 20117 pm, Geiger-Torel Room | FreeBritain’s leading expert in creativeleadership and communicationgives a lecture titled “Convergence:Form and freedom in creative musicpedagogy”.A CHORAL COLLAGESunday, October 16, 20112:30 pm, MacMillan TheatreHilary Apfelstadt and David Hollerlead the Women’s Chorus, Men’s Chorusand Women’s Chamber Ensemblein music by Stroope, Mendelssohn,Rameau, Sirett and Szymko.CHRIS DONNELLYTuesday, October 25, 20117:30 pm, Walter HallDonnelly represents a new generationof jazz pianists, composers and improvisersdedicated to creating programsthat are engaging, entertaining andeducating.U OF TWIND SYMPHONYFriday, October 14, 20117:30 pm, MacMillan TheatreJeffrey Reynolds leads the windsymphony in music by Ives, Daughtrey,Jacob, Persichetti and Van der Roost.NEXUS + 2X10Monday, October 17, 20117:30 pm, Walter HallThe innovative pairing of percussionand duo pianos opens the Faculty ArtistSeries with the Canadian premiereof Steve Reich’s Dance Patterns, andmusic by Toru Takemitsu.CANADIAN BRASSMonday, October 31, 20117:30 pm, Walter HallWith a discography of over 2 millioncopies sold worldwide, “the world’smost famous brass group”makes its ChamberMusic Series debut.Tickets on sale now! Call the Weston Family Box Office at 416.408.0208 or visit www.music.utoronto.caOctober 1 – November 7, 2011 thewholenote.com 33

the Bass. Jay Leonhart, bass and compositions.The Old Mill Inn Dining Room, 21 OldMill Rd. 416-595-0404. $37; $32(st).• 8:00: Theatre 20. Amelia: The Girl WhoWants to Fly. J. Gray. Eliza-Jane Scott; MichaelBarber, music director; Sarah Phillips, stagedirector. Panasonic Theatre, 651 Yonge St.416-872-1212. $59–$69.Tuesday October 04• 12:00 noon: Canadian Opera Company.Vocal Series. University of Toronto’s YoungArtists, Sandra Horst, chorus master; MichaelAlbano, stage director. Richard BradshawAmphitheatre, Four Seasons Centre for thePerforming Arts, 145 Queen St. W. 416-363-8231. Free.• 12:10: University of Toronto Faculty ofMusic. Singers and the Spoken Word. Poetry,recitations, monologues and dialogues. WalterHall, Edward Johnson Building, 80 Queen’sPark. 416-978-0492. Free.• 12:30: York University Department ofMusic. Music at Midday. Student showcase,including original compositions. Martin FamilyLounge, 219 Accolade East Building, 4700Keele St. 416-736-2100 x22926. Free.• 1:00: Cathedral Church of St. James.Music at Midday: Bach Series IX. AndrewAdair, organ. 65 Church St. 416-364-7865x231. Free.• 2:00: Toronto General Hospital. Heartand Soul Concert. Featuring volunteering musiciansthat have performed and continue to performat the hospital. Jeffrey Leung, alto saxophone;Allan Pulker, flute; Norman Reintamm,piano; and others. McEwan Atrium, TGH, 585University Ave. 416-340-4115. Free.• 7:30: Canadian Opera Company. Iphigeniain Tauris. See Oct 1.• 7:30: York University Department ofMusic. Faculty Concert Series: Trichy Sankaran,mrdangam. Guests: Mohan Kumar, ghatam;Desi Narayanan, kanjira; Suba Sankaran, pianoand vocals; Ed Haney, tabla; Dylan Bell, bassguitar. Tribute Communities Recital Hall, 112Accolade East Building, 4700 Keele St. 416-736-5888. $15; $5(sr/st).• 8:00: Toronto Symphony Orchestra. HollywoodHits. Movie songs and scores including“Over the Rainbow,” “Moon River,” “Cabaret,”“The Way We Were” and songs from “TheLittle Mermaid.” Jodi Benson, soprano; HughPanaro, tenor; Primus: The Amabile Men’sEnsemble; Steven Reineke, conductor. RoyThomson Hall, 60 Simcoe St. 416-593-4828 or416-593-0688(Chinese). $29–$109. Also Oct5 (mat and eve).Wednesday October 05• 12:30: Yonge-Dundas Square. The HappyPals New Orleans Party Orchestra. 1 Dundas St.E. 416-703-5479. Free.• 12:30: Yorkminster Park Baptist Church.Noon Hour Organ Recital Series. Peter Nikiforuk,organ. 1585 Yonge St. 416-922-1167. Free.• 2:00 and 8:00: Toronto Symphony Orchestra.Hollywood Hits. See Oct 4.• 7:30: Canadian Opera Company. Rigoletto.See Oct 2.• 7:30: University of Toronto Faculty ofMusic. Small Jazz Ensembles. Upper Jazz Studio,90 Wellesley St. W. 416-978-0492. Free.• 8:00: Gallery 345. The Art of the Piano Duo:F.W. Murnau’s 1926Silent Film Masterpiecewith LivePiano Scoreby ComposerRobert BruceA. Concerts in the GTAFaustPieces of the Earth – CD Release. Original compositionsand improvisations. John KameelFarah and Attila Fias, pianos. 345 SoraurenAve. 416-822-9781. $20; $15(sr); $10(st).• 8:00: Hart House Theatre. The Great AmericanTrailer Park Musical. See Oct 1.• 8:00: Sonus Stage Productions. Side BySide By Sondheim. Selection of songs by Sondheimfrom 1956 to 1976. Brandyn McKinson,John Mcneil, Tammy Everett, Mikaela Mac-Gillivray, voice; Jeannie Wise, piano. WalmerCentre Theatre, 188 Lowther Ave. 647-286-9209. $20. Also Oct–9; 12–16; 19–23; Oct 9,16 and 23(mat).Thursday October 06• 12:00 noon: Canadian Opera Company.Vocal Series: Mélodies Françaises. COC EnsembleStudio, Liz Upchurch, director. RichardBradshaw Amphitheatre, Four Seasons Centrefor the Performing Arts, 145 Queen St. W. 416-363-8231. Free.• 12:10: University of Toronto Faculty ofMusic. Music and Poetry. Berg: Seven EarlySongs. Monica Whicher, soprano; Che AnneLoewen, piano; Eric Domville, speaker. WalterHall, Edward Johnson Building, 80 Queen’sPark. 416-978-0492. Free.• 12:15: Music at Metropolitan. Noon atMet. Elisa Mangina, organ. Metropolitan UnitedChurch, 56 Queen St. E. 416-363-0331. x26.Free.• 12:30: York University Department ofMusic. World at Noon. Fikile, South Africanfusion band. Bruce Cassidy, trumpet; AidanMason, guitar; Russ Boswell, bass; LowellWhitty, drums; Waleed Abdulhamid, percussion.Martin Family Lounge, 219 AccoladeEast Building, 4700 Keele St. 416-736-2100x22926. Free.• 7:30: University of Toronto Faculty ofMusic. The Romantics. Wagner: Prelude toDie Meistersinger; Liszt: Piano Concerto No.1in E-flat; Franck: Symphony in d. JacquelineMokrzewski, piano; University of Toronto SymphonyOrchestra, David Briskin, conductor.MacMillan Theatre, Edward Johnson Building,80 Queen’s Park. 416-408-0208. $20;$15(sr/st).• 8:00: Hart House Theatre. The Great AmericanTrailer Park Musical. See Oct 1.• 8:00: NUMUS Concerts/PSQ Projects.Song of the Earth. Mahler: Das Lied von derErde (arr. Schönberg); Buhr: Red Sea (Song ofthe Earth). Sarah Slean, mezzo; Adam Luther,tenor; Kimberly Barber, mezzo; PendereckiString Quartet; NUMUS orchestra, Paul Pulford,conductor. Glenn Gould Studio, 250 FrontSt. W. 416-872-4255 or 519-896-3662. $45.• 8:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.Friday October 07• 7:30: Canadian Opera Company. Iphigeniain Tauris. See Oct 1.• 7:30: Robert Bruce Silent Film Programs.F.W. Murnau’s Faust (1926). Live piano accompanimentand score by Robert Bruce, piano andcomposer. Trinity-St. Paul’s United Church,427 Bloor St. W. 905-777-9196. $15; $12(sr/st).• 8:00: Gallery 345. The Art of the Piano +Dance: In Celebration of the Bicentennial ofFranz Liszt. Works by Liszt and Ponce. AlejandroVela, piano; Ji Min Hong, ballet dancer; RobertBinet, choreographer. 345 Sorauren Ave. 416-822-9781. $20; $15(sr); $10(st).• 8:00: Hart House Theatre. The Great AmericanTrailer Park Musical. See Oct 1.• 8:00: Long and McQuade/MiyazawaFlutes. Ian Clarke, flute and Jeanie Chung,piano. Works by Bach, Borne-Bizet, Clarke andColquhoun. St. Andrew’s United Church, 117Bloor St. E. 416-588-7886. $10.• 8:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.• 8:00: York University Department ofMusic. Improv Soiree. An evening of improvisationin a participatory “open mic” setup, hostedby the studios of Casey Sokol; performers andobservers welcome. Sterling Beckwith Studio,Accolade East Building, Rm. 235, 4700 KeeleSt. 416-736-2100 x22926. Free.• 9:00: Jazz at Oscar’s. Terra Hazelton,vocals. Arbor Room, Hart House, 7 Hart HouseCircle. 416-978-2452. Free.Saturday October 08• 11:00 and 2:00: Solar Stage Children’sTheatre. Thumbelina. Musical play adaptedfrom Hans Christian Anderson by Z. Skrzypczykand M. Skrzypczyk. For ages three to ten.Madison Centre, concourse level, 100 UpperMadison Ave. 416-368-8031. $12–$14. AlsoOct 9, 15, 16, 22 and 23.• 2:00 and 8:00: Hart House Theatre. TheGreat American Trailer Park Musical. See Oct 1.• 4:30: Canadian Opera Company. Rigoletto.See Oct 2.• 7:30: Cardinal Consort of Viols.“Our closing nightperformance (of Faust) byRobert Bruce was nothingless than jaw-dropping... his stunning score meldedperfectly with this incrediblefilm built on shadow and light” -Shirley Hughes,Artistic DirectorToronto Silent Film FestivalFriday, October 7, 2011 - 7:30 pmTrinity - St. Paul’s United Church427 Bloor Street West, TorontoTickets: regular $15 - students/seniors $12available at the door or reserve/purchase atrobertbrucemusic@gmail.com or 905.777.919634 thewholenote.comOctober 1 – November 7, 2011

Oktoberfest. German music for viols. SheilaSmyth, treble viol; Linda Deshman, tenor viol;Sara Blake, bass viol; Valerie Sylvester, bassviol. Royal St. George’s College Chapel, 120Howland Ave. 416-921-9203. Pwyc.• 8:00: Gallery 345. Trikonasana. Originaltunes by collective trio. Nancy Walker, piano;Bruce Cassidy, trumpet and EVI; Lowell Whitty,drums. 345 Sorauren Ave. 416-822-9781.$20; $15(sr); $10(st).• 8:00: Musicians in Ordinary. Apt forVoices, Viols or Violons. Consort songs, dances,lute songs by Holborne, Byrd and Dowland.Hallie Fishel, soprano; John Edwards, lute;Christopher Verrette, violin/leader; with violinband. Heliconian Hall, 35 Hazelton Ave. 416-535-9956. $25; $20(sr/st).• 8:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.Sunday October 09• 11:00 and 2:00: Solar Stage Children’sTheatre. Thumbelina. See Oct 8.• 2:00: Blessed Sacrament Church. SergioMilitelo, organ. Thanksgiving recital by principalorganist of the Cathedral of Santa Maria delFiore, Florence, Italy. 2983 Yonge St. 416-481-2256. $20; $10(sr/st).• 2:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.• 4:00: Cathedral Church of St. James. TwilightRecitals. See Oct 2.Monday October 10• 8:00: Art of Time Ensemble. I Send YouThis Cadmium Red. Music by G. Bryars andtexts by J. Berger and J. Christie. An eveningof theatre, dance and music, exploring correspondencebetween artist John Berger and filmmakerJohn Christie. Brian Baty, bass; RobertCarli, clarinet; Doug Perry, viola; Rob Piltch,guitar; Ryan Boorne, dancer; Andrew Giday,dancer; and other dancers; Julian Ritchings, actor;John Jay Fitzgerald, actor; Daniel Brooks,director; James Kudelka, choreographer.Berkeley Street Theatre, 26 Berkeley St. 416-368-3110. $25–$59. Also Oct 11–22; Oct 12,15, 19, 22(mat).Tuesday October 11• 12:00 noon: Canadian Opera Company.Vocal Series: Russian Romances. Arias and artsongs from Russia. Ekaterina Sadovnikova,soprano; Christopher Mokrzewski, piano. RichardBradshaw Amphitheatre, Four SeasonsCentre for the Performing Arts, 145 Queen St.W. 416-363-8231. Free.• 1:00: Cathedral Church of St. James.Music at Midday: Rich Spotts, organ. 65Church St. 416-364-7865 x231. Free.• 8:00: Art of Time Ensemble. I Send YouThis Cadmium Red. See Oct 10.Wednesday October 12• 12:00 noon: Canadian Opera Company /Queen of Puddings Music Theatre. VocalSeries: Svadba – The Wedding. Sokolovic. Balkana cappella opera inspired by Stravinsky’s“Les Noces,” performed by six female operasingers. Dáirine Ní Mheadhra and John Hess,artistic directors. Richard Bradshaw Amphitheatre,Four Seasons Centre for the PerformingArts, 145 Queen St. W. 416-363-8231. Free.• 12:30: Yorkminster Park Baptist Church.Noon Hour Organ Recital Series. Imre Olah, organ.1585 Yonge St. 416-922-1167. Free.• 1:30 and 8:00: Art of Time Ensemble. ISend You This Cadmium Red. See Oct 10.• 7:30: Canadian Opera Company. Iphigeniain Tauris. See Oct 1.• 8:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.• 8:00: Toronto Symphony Orchestra.Beethoven Eroica. Bach: Passacaglia and FugueBWV 582 (orch. A. Davis); Mozart: Piano ConcertoNo.25 K503; Beethoven: Symphony No.3“Eroica.” Louis Lortie, piano; Andrew Davis,conductor. Roy Thomson Hall, 60 Simcoe St.416-593-4828 or 416-593-0688(Chinese).$35–$145. Also Oct 13 (mat).Thursday October 13• 12:00 noon: Canadian Opera Company.Dance Series: Eight Ways from Mara. Musicby A. Rocca; choreography by William Yong.Multi-disciplinary work. Richard BradshawAmphitheatre, Four Seasons Centre for thePerforming Arts, 145 Queen St. W. 416-363-8231. Free.• 12:10: Nine Sparrows Arts Foundation/Christ Church Deer Park. Lunchtime ChamberMusic: Duo Kokopelli. Izabella Budai and AlheliPimienta, flutes; Oszkár Morzsa, piano. 1570Yonge St. Free, donations welcome.• 12:15: Music at Metropolitan. Noon atMet. Senan Whelan, organ. MetropolitanUnited Church, 56 Queen St. E. 416-363-0331x26. Free.• 2:00: Toronto Symphony Orchestra.Beethoven Eroica. See Oct 12.• 7:00: Markham Theatre for PerformingArts. Jesse Cook. Flamenco guitar and worldmusic. 171 Town Centre Blvd., Markham. 905-305-7469 or 1-866-768-8801. $69–$74.• 7:30: Canadian Opera Company. Rigoletto.See Oct 2.• 7:30: University of Toronto Faculty ofMusic. Small Jazz Ensemble. Upper Jazz Studio,90 Wellesley St. W. 416-978-0492. Free.• 8:00: Art of Time Ensemble. I Send YouThis Cadmium Red. See Oct 10.Music TORONTOJERUSALEMQUARTETThursdayOct. 13 at 8 pm• 8:00: Music Toronto. Jerusalem Quartet.Works by Beethoven: Quartet in G Op.18 No.2;Shostakovich: Quartet No.6; Brahms: Quartetin a Op.51 No.2. Jane Mallett Theatre, St.Lawrence Centre for the Arts, 1 Front St. E.416-366-7723 or 1-800-708-6754. $47.50–$52; $10(st); pay-your-age(ages 18–35; plus$6 facility and handling fee).• 8:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.• 9:00: Om Laila/Diasporic Genius. FUNKa-BELLY “Picante.” Gypsy, Arabic and Klezmerfunk. Nomadica, DJ Medicineman. Lula Lounge,1585 Dundas St. W. 416-703-1997. $15.Friday October 14• 7:30: Canadian Opera Company. Rigoletto.See Oct 2.• 7:30: St. Michael’s Choir School. In Remembrance.Sacred music concert honouringthe departed. Works by T.B. Armstrong, Daley,Fauré, Goodall, Mozart and Ronan. 65 BondSt. 416-393-5518. Donations welcome; fundingto support scholarships and bursaries forstudents.• 7:30: University of Toronto Faculty ofMusic. Wind Symphony Concert. Ives: CountryBand March; The Alcotts; Van der Roost: SuiteProvençale; Daughtrey: Limerick Daydreams;Jacob: William Byrd Suite; Persichetti: Divertimento.Jeffrey Reynolds, conductor. Mac-Millan Theatre, Edward Johnson Building, 80Queen’s Park. 416-408-0208. $20; $15(sr/st).• 8:00: Arraymusic. The Piano Music of AnnSoutham. Southam: Glass Houses No.9; InRetrospect; In a Measure of Time; Spatial Viewof Pond; and a selection from Rivers. StephenClarke, piano; guest pianists: Eve Egoyan,Henry Kucharzyk, Christina Petrowska Quilico;Peggy Baker, dancer. Gallery 345, 345 SoraurenAve. 416-532-3019 or 416-822-9781. $25;$20(sr/st).• 8:00: Art of Time Ensemble. I Send YouThis Cadmium Red. See Oct 10.• 8:00: Etobicoke Philharmonic Orchestra.Passion Plus. Morawetz: Carnival Overture;Strauss: Rosenkavalier Suite; Brahms: PianoConcerto Op.15. Peter Longworth, piano; SabatinoVacca, conductor. Scarlett Heights EntrepreneurialAcademy, 15 Trehorne Dr., Etobicoke.416-239-5665. $25; $20(sr); $10(st).• 8:00: Laura McAlpine. A Poet’s Love: Twoacts through the eyes of Heine, Schumann &Lysenko. Laura McAlpine, mezzo; David Eliakis,piano; Heather Davies, director. Calvin PresbyterianChurch, 26 Delisle Ave. 416-565-0120.$20; $10(sr/st/underemployed). Also Oct 15.• 8:00: Rose Theatre. The Pointer Sisters.Soul, jazz, R&B, gospel music. 1 Theatre Lane,Brampton. 905-874-2800. $95-$115.• 8:00: Sinfonia Toronto. Diamonds. Forsyth:Serenade; Shostakovich: Piano ConcertoNo.1; Mendelssohn: Symphony No.12;Jenkins: Palladio. David Jalbert, piano; GuyFew, trumpet; Nurhan Arman, conductor.Glenn Gould Studio, 250 Front St. W.FRI. OCT. 14 / 2011 | 8 PMPIANO MUSIC OF ANN SOUTHAMCONCERTFeaturing Array pianist Stephen Clarke & guest pianistsEve Egoyan, Henry Kucharzyk & Christina Petrowska Quilicoperforming piano works by Ann Southam.Contemporary dance artist Peggy Baker reprises her brilliantdance to Ann’s ‘Spatial View of Pond.’@ Gallery 345, 345 Sorauren Avenue, Toronto416.532.3019 | 416.822.9781www.arraymusic.com | www.gallery345.com$25 adult/$20 senior/studentArt Mentor Foundation LucerneGallery 345October 1 – November 7, 2011 thewholenote.com 35

416-872-4255. $39; $32(sr); $12(st).• 8:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.GloriousBach &ZelenkaFeaturing the TafelmusikBaroque Orchestra andChamber ChoirOct 14-16, 19, 20tafelmusik.orgBaroque Orchestra and Chamber ChoirJeanne Lamon, Music Director | Ivars Taurins, Director, Chamber Choir• 8:00: Tafelmusik. Glorious Bach and Zelenka.Zelenka: Missa Votiva; Bach: Motet “Singetdem Herrn.” Tafelmusik Baroque Orchestraand Chamber Choir, Ivars Taurins, director;guests: Dorothee Mields, soprano; MatthewWhite, countertenor; Andrew Mahon, baritone.Trinity-St. Paul’s Centre, 427 Bloor St. W. 416-964-6337. Pwyc (for Friday’s performanceA POET’S LOVE in 2 Actsthrough the eyes of Heine, Schumann & LysenkoLaura McAlpine mezzo-sopranoDavid Eliakis pianistHeather Davies director2011/2012an anniversary celebration ofUkrainian composerMykola LysenkoOCT. 14 & 15 - 8:00 p.m.Calvin Presbyterian Church26 Delisle Avenueadmission - at door$20 regular $10 seniors/underemployedreception to follow - cds available for saleA. Concerts in the GTAPhoto of Dresden Frauenkirche roof by Baccharusonly). Also Oct 15, 16, 19, 20; start times vary.• 8:00: Toronto Chapter of the AmericanHarp Society. Alice Giles. Australian harp soloist.Heliconian Hall, 35 Hazelton Ave. 416-922-3618. $25; $20(sr/st).• 8:00: Via Salzburg. The Rest is Silence.Debussy: String Quartet in g; Brahms: StringQuartet No.2 Op.5; Richards: Scenes fromHamlet. Rosedale United Church, 159 RoxboroughDr. 416-972-9193. $35; $30(sr);$20(under 30) $10(st).• 9:00: Jazz at Oscar’s. Tonight at Noon: TheMusic of Charles Mingus. Music by jazz bassistMingus. Alex Coleman, bass; Perry White, baritonesaxophone; Ryan Oliver, tenor saxophone;Mark Laver, alto saxophone, Tim Hamel, trumpet;and others. Arbor Room, Hart House, 7Hart House Circle. 416-978-2452. Free.Saturday October 15• 11:00 and 2:00: Solar Stage Children’sTheatre. Thumbelina. See Oct 8.• 2:00: Walmer Road Batptist Church. FallFestival of Music. Music by Bach, Liszt, Duboisand Bedard. Imre Olah, organ; Tamas Bacsi,piano. 188 Lowther Ave. 416-924-1121. Free,donations welcome.• 2:00 and 8:00: Art of Time Ensemble. ISend You This Cadmium Red. See Oct 10.• 3:00: Yamaha Canada. In Concert: WayneBergeron, trumpet, with the Yamaha Jazz Orchestra.Terry Promane, leader and trombone.Walter Hall, Edward Johnson Building, 80Queen’s Park. 647-426-4225. $20; $15.• 7:00: Aurora Performing Arts Group.Broadway and Beyond: A Gala Concert of Broadway,Celtic and Inspirational Songs. AuroraOpera Company Children’s Chorus; Sarah LangfordKyle, vocalist; and guests. NewmarketTheatre, 505 Pickering Crescent. 905-953-5122. $22; $18(sr/st).• 7:00: Diana Iremashvili. Celebrating the Fallwith Georgian Music. Featuring Georgian polyphonicsongs and Gypsy and Russian romancesfor violin. Diana and Madona Iremashvili, vocal/guitar duo. Heliconian Hall, 35 Hazelton Ave.416-783-1018 or 416-670-5808 (after 5pm).$20(includes wine and refreshments).• 7:30: Canadian Opera Company. Iphigeniain Tauris. See Oct 1.• 7:30: Toronto Symphony Orchestra.Best of Baroque. Bach: Fantasia in G Majorfor Organ BWV572; Brandenburg ConcertoNo.5; Sheep May Safely Graze (arr. Walton);Concerto for Oboe and Violin in c BWV1060;Passacaglia and Fugue BWV 582 (orch. A.Davis); and other works. Nora Shulman,flute; Sarah Jeffrey, oboe; Jonathan Crow,violin; Andrew Davis, conductor/organ/harpsichord.Roy Thomson Hall, 60 Simcoe St.416-593-4828 or 416-593-0688(Chinese).$30–$82. Also Oct 16(mat).• 7:30: University of Toronto Faculty ofMusic. Wind Ensemble Concert. Hindemith:Symphony in B-flat; Mackey: Aurora Awakes;Grainger: Scotch Strathspey and Reel; Bryant:The Marbled Midnight Mile; Woolfenden: IllyrianDances. Gillian MacKay, conductor. Mac-Millan Theatre, Edward Johnson Building, 80Queen’s Park. 416-408-0208. $20; $15(sr/st).Canadian SinfoniettaA NIGHT ATTHE MOVIESJulian Milkis, clarinetJoyce Lai, violinSaturday Oct 15 8 PMGlenn Gould Studiowww.canadiansinfonietta.com416 872-4255• 8:00: Canadian Sinfonietta. A Night At TheMovies. Goldstein/Rota: Rotissimo for clarinet,violin and strings (Canadian premiere); Stamitz:Concerto for Violin, Clarinet and Orchestrain B-flat; Mahler: Adagietto for strings (fromSymphony No.5). Julian Milkis, clarinet; JoyceLai, violin; Tak Ng Lai, conductor; guests: studentsjoining the orchestra. Glenn Gould Studio,250 Front St. W. 416-872-4255. $30;$25(sr); $20(st).• 8:00: Laura McAlpine. A Poet’s Love: Twoacts through the eyes of Heine, Schumann &Lysenko. See Oct 14.• 8:00: Mississauga Symphony Orchestra.The Sorcerer’s Apprentice. Dukas: TheSorcerer’s Apprentice; Stravinsky: FirebirdSuite; Rachmaninoff; Rhapsody on a Theme ofPaganini; Weber: Overture to Der Freischütz.Guests: Matthew Kraemer, conductor; JamieParker, piano. Hammerson Hall, Living ArtsCentre, 4141 Livings Arts Dr., Mississauga.905-306-6000. $40-$51.50; $36-$46.25(sr);$25(ages16-26); $15(under 16).• 8:00: Royal Conservatory. SFJAZZ CollectivePlays Stevie Wonder. Koerner Hall, 273Bloor St. W. 416-408-0208. $45 and up.• 8:00: Samantha Chang Productions Inc.Flowers and Roots Concert: The Works of ChineseCanadian Composer Mizi Tan. Tan: Prelude2000; Two Lyrics of Yi People; Flow the RiverSmall; Jasmine; O Africa; and other works.Alata Harmonia Chorus, Lillian Sit, conductor;Autumnsun Festival Philharmonic, TonyFan, conductor; Shao Jiang Haung, flute; andothers. P.C. Ho Theatre, 5183 Sheppard Ave.E., Scarborough. 416-293-1302 or 416-499-3617. $28–$38; $88(VIP).• 8:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.• 8:00: Tafelmusik. Glorious Bach and Zelenka.Zelenka: Missa Votiva; Bach: Motet “Singetdem Herrn ein neues Lied.” Tafelmusik BaroqueOrchestra and Chamber Choir, Ivars Taurins,director; guests: Dorothee Mields, soprano;Matthew White, countertenor; Cory Knight,tenor; Andrew Mahon, baritone. Trinity-St.Paul’s Centre, 427 Bloor St. W. 416-964-6337.$35-$84; $15-$76(under 30). Also Oct 16, 19,20; start times vary.• 8:00: Toy Piano Composers Ensemble.Avant-Guitars. New music for electric guitarquartet. Rob MacDonald, Mike Savona, DemetriPetsalakis, Patrick Power, electric guitar. Gallery345, 345 Sorauren Ave. 416-822-9781.$15/$10(adv).• 8:00: York Symphony Orchestra. ABrahms Festival. Brahms: Academic FestivalOverture; Double Concerto for Violin and Cello;Symphony No.4. Guests: Luri Lee, violin; AndrewAscenzo, cello. Trinity Anglican Church,79 Victoria St., Aurora. 416-410-0860. $28;$23(sr); $12(st).Sunday October 16• 11:00 and 2:00: Solar Stage Children’sTheatre. Thumbelina. See Oct 8.• 2:00: Canadian Opera Company. Rigoletto.See Oct 2.• 2:00: Royal Conservatory. Louis Lortie +Liszt. Celebrating Liszt’s 200th birthday. Liszt:Années de pèlerinage. Louis Lortie, piano.Koerner Hall, 273 Bloor St. W. 416-408-0208.$45 and up.• 2:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.• 2:00: United Church Women. MusicalOct 15, 2011 (Sat) 8 PMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM36 thewholenote.comOctober 1 – November 7, 2011

Memories. Traditional folk and love songs. GaryFaulkner, baritone; Lois Craig, piano; SusanneFarrow, clarinet. St. Paul’s United Church, 65Kings’ Crescent, Ajax. 905-683-4740. $10.• 2:30: Aldeburgh Connection. Clair de Lune:The Songs of Gabriel Fauré. Shannon Mercer,soprano; Anita Krause, mezzo; Andrew Haji,tenor; Brett Polegato, baritone; Stephen Rallsand Bruce Ubukata, piano. Walter Hall, EdwardJohnson Building, 80 Queen’s Park. 416-735-7982. $50; $12(student rush).• 2:30: Performing Arts York Region. GarySavage, guitar and Benoit Boisvert, violin. Piazzolla:L’Histoire du Tango; de Falla: Chansonspopulaires espagnoles; La vida breve; Sarasate:Zigeunerweisen. Thornhill PresbyterianChurch, 271 Centre St., Thornhill. 905-886-7905. $25; $20(sr); $10(st).• 2:30: University of Toronto Faculty ofMusic. A Choral Collage. Works by Stroope,Mendelssohn, Rameau, Sirett and Szymko. Universityof Toronto Women’s Chorus, Women’sChamber Ensemble and Men’s Chorus; AnaAlvarez, Hilary Apfelstadt and David Holler,conductors. MacMillan Theatre, Edward JohnsonBuilding, 80 Queen’s Park. 416-408-0208.$20; $15(sr/st).• 3:00: Toronto Symphony Orchestra. Bestof Baroque. See Oct 15.• 3:00: Windermere String Quartet. TheGolden Age of String Quartets. Haydn: Quartetin B-flat Op.33 No.4; Mozart: Quartet in dK421; Beethoven: Quartet in F Op.18 No.1. St.Olave’s Anglican Church, 360 Windermere Ave.416-769-0952. $20; $14(sr/st). Raffle to benefitPrincess Margaret Hospital Foundation.• 3:30: Tafelmusik. Glorious Bach and Zelenka.See Oct 15.• 4:00: Canadian Men’s Chorus. Honour:Love and Remembrance. Words and music tohonour veterans and those currently serving.Laing: A Paean of Honour (song cycle; worldpremiere); Takach: Luceat Eis (tribute to victimsof 9/11; Canadian premiere). Glenn GouldStudio, 250 Front St. W. 647-341-8775. $30.• 4:00: Cathedral Church of St. James. TwilightRecitals. See Oct 2.• 4:00: St. Philip’s Anglican Church. JazzVespers. Laura Fernandez and friends. 25 St.Phillips Rd., Etobicoke. 416-247-5181. Freewilloffering.• 4:30: Christ Church Deer Park. Jazz Vespers:Tribute to Billy Strayhorn. Tara Davidson,saxophone; Nancy Walker, piano; Kieran Overs,bass. 1570 Yonge. St. 416-920-5211. Freewilloffering.• 8:00: Art of Time Ensemble. I Send YouThis Cadmium Red. See Oct 10.• 8:00: York Symphony Orchestra. ABrahms Festival. Brahms: Academic FestivalOverture; Double Concerto for Violin and Cello;Symphony No.4. Guests: Luri Lee, violin; AndrewAscenzo, cello. Richmond Hill Centre forthe Performing Arts, 10268 Yonge St. 905-787-8811. $30; $25(sr); $15(st).Monday October 17• 7:30: Canadian Opera Company. Rigoletto.See Oct 2.• 7:30: University of Toronto Faculty ofMusic. NEXUS and 2X10. Pairing of percussionand duo pianos. Reich: Dance Patterns (Canadianpremiere); Mallet Quartet; Takemitsu:From Me Flows What You Call Time. WalterHall, Edward Johnson Building, 80 Queen’sPark. 416-408-0208. $30; $20(sr/st).• 8:00: Art of Time Ensemble. I Send YouThis Cadmium Red. See Oct 10.• 8:00: Massey Hall and Roy Thomson Hall.Compañia Flamenca and José Porcel: GypsyFire. Roy Thomson Hall, 60 Simcoe St. 416-872-4255. $39.50–$69.50.Tuesday October 18• 12:00 noon: Canadian Opera Company.Dance Series: Flamenco Expressions. Guitar anddance performance featuring Canadian andinternational artists from the Toronto InternationalFlamenco Festival. Richard BradshawAmphitheatre, Four Seasons Centre for thePerforming Arts, 145 Queen St. W. 416-363-8231. Free.• 1:00: Cathedral Church of St. James.Music at Midday: Eric Osborne, organ. 65Church St. 416-364-7865 x231. Free.• 7:30: Canadian Opera Company. Rigoletto.See Oct 2.• 7:30: University of Toronto Faculty ofMusic. Student Composers Concert. WalterHall, Edward Johnson Building, 80 Queen’sPark. 416-978-0492. Free.• 8:00: Art of Time Ensemble. I Send YouThis Cadmium Red. See Oct 10.Wednesday October 19• 12:30: Yorkminster Park Baptist Church.Noon Hour Organ Recital Series. Debbie Fingas,organ. 1585 Yonge St. 416-922-1167. Free.• 1:30 and 8:00: Art of Time Ensemble. ISend You This Cadmium Red. See Oct 10.• 7:00: Tafelmusik. Glorious Bach and Zelenka.See Oct 15.• 7:30: Opera Belcanto. Cavalleria Rusticana& Pagliacci. Mascagni and Leoncavallo. HovhannesAyvazyan, tenor (Turridu/Canio); MonicaBaz and Gayané Mangassarian, soprano(Santuzza); Alicja Wyzocka, soprano (Nedda);Jan Vaculik, baritone (Alfio/Tonio); and others;David Varjabed, artistic director and baritone(Sylvio); guest: Sabatino Vacca, conductor.Richmond Hill Centre for the Performing Arts.10268 Yonge St. 905-787-8811. $45–$55;$40–$50(sr/st). Also Oct 21.• 7:30: University of Toronto Faculty ofMusic. Small Jazz Ensemble. Upper Jazz Studio,90 Wellesley St. W. 416-978-0492. Free.• 8:00: Esprit Orchestra. Stirred So Much.Pärt: Cantus in memory of Benjamin Britten;Harman: Silver Threads Among the Gold;Schmidt: The Devil’s Sweat (world premiere);Corigliano: Symphony No.1. Alex Pauk, conductor;guest: Shauna Rolston, cello. KoernerHall, Royal Conservatory, 273 Bloor St.W. 416-408-0208. $56–$67; $48.35–$57.70(sr); $20(30 and under). 7:15: Pre-concerttalk.• 8:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.• 8:00: Toronto Symphony Orchestra. Mozartand Rachmaninoff. Stravinsky: Concertoon period instrumentsThe Golden Age ofString QuartetsHaydn: Op 33#4Mozart: K421Beethoven: Op 18#1Sunday, Oct 16, 3:00for Chamber Orchestra “Dumbarton Oaks”;Mozart: Piano Concerto No.16 K451; Rachmaninoff:Symphony No.2. Lars Vogt, piano;Stéphane Denève, conductor. Roy ThomsonHall, 60 Simcoe St. 416-593-4828 or416-593-0688(Chinese). $35–$145. AlsoOct 20.Thursday October 20• 12:00 noon: Canadian Opera Company.Vocal Series: Love, Loss and Longing. Beethoven:An die ferne Geliebte; Mussorgsky: Songsand Dances of Death (arr. Kulesha). Robert Pomakov,bass; Gryphon Trio. Richard BradshawAmphitheatre, Four Seasons Centre for thePerforming Arts, 145 Queen St. W. 416-363-8231. Free.• 12:10: Nine Sparrows Arts Foundation/Christ Church Deer Park. Lunchtime ChamberMusic. Sarah Moorhouse, flute; BryanHolt, cello. 1570 Yonge St. Free, donationswelcome.• 12:10: University of Toronto Faculty ofMusic. Thursdays at Noon: Music for Horn.Christopher Gongos, horn; Stella Ng, piano;guest: Harcus Hennigar, horn. Walter Hall, EdwardJohnson Building, 80 Queen’s Park. 416-978-0492. Free.• 12:15: Music at Metropolitan. Noon atMet. Ulrike Northoff, organ. MetropolitanUnited Church, 56 Queen St. E. 416-363-0331x26. Free.• 7:30: Canadian Opera Company. Rigoletto.See Oct 2.• 8:00: Art of Time Ensemble. I Send YouThis Cadmium Red. See Oct 10.• 8:00: ArtHouse. Sheridan in Motion. Eveningof song and dance with music from the60s through to the 21st century. Featuringstudents of Sheridan College’s Music TheatrePerformance Program. Oakville Centre for thePerforming Arts, 130 Navy St., Oakville. 905-815-2021. $32.• 8:00: Music Gallery. X Avant New MusicFestival: Tim Brady’s 20 Guitars + 1. Brady: 20Quartet Inch Jacks for 20 electric guitars; 24Frames for solo guitar, electronics and video.197 John St. 416-204-1080. $30/$25(adv).• 8:00: Rose Theatre. Ron Sexsmith, singersongwriter.1 Theatre Lane, Brampton. 905-874-2800. $40-$50.• 8:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.• 8:00: Tafelmusik. Glorious Bach and Zelenka.See Oct 15.• 8:00: Toronto Symphony Orchestra. Mozartand Rachmaninoff. See Oct 19. Pre-concertchat (Oct 20 only).Friday October 21• 7:30: Agincourt Pentecostal ChurchWomen’s Ministries. Share the Praise FundraisingConcert. Gospel, Latin jazz and classicalmusic. One Accord, vocal group; KatinaBalascas, vocals; Saj McKenley, vocals; WinstonDayal, piano; and others; Jay Martin,host. 2885 Kennedy Road. 416-291-9575.$25/$20(adv before Oct 9); $5(ages 8-12). Proceedsfor famine relief in the village of Namorputh,Turkana, Kenya.• 7:30: Opera Belcanto. Cavalleria Rusticana& Pagliacci. See Oct 19.• 7:30: Opera by Request. Orlando. Handel.Beste Kalender, mezzo (Orlando); CatherineCarew, mezzo (Medoro); Rachel Krehm, soprano(Angelica); Kathy Lewis, soprano; (Dorinda);Michael Robert-Broder, baritone (Zoroastro);William Shookhoff, piano and music director.College Street United Church, 452 CollegeOctober 1 – November 7, 2011 thewholenote.com 37

St. 416-455-2365. $20.• 7:30: University of Toronto Faculty ofMusic. Pura Fé Concert. Native Americanvocalist. Walter Hall, Edward Johnson Building,80 Queen’s Park. 416-408-0208. $30;$20(sr/st).• 8:00: Abilities Arts Festival/Peggy BakerDance Projects. The Neat Strange Music ofAhmed Hassan. Featuring excerpts of danceworks with music composed by Hassan, including“Blue Snake” (Desrosiers); “Sable/Sand” (Bennathan); “Geometry of the Circle”and “Sanctum” (Baker). With senior studentsfrom School of Toronto Dance Theatre; MaryemToller, vocals; Mother Tongue (world beat);Peggy Baker, curator. Betty Oliphant Theatre,400 Jarvis St. 1-888-844-9991. $25;$20(sr/st(under 19)/people with disabilities).Also Oct 22.• 8:00: Arraymusic. Array Session #9: AnImprov Concert. An evening of improvisationalmusic. Array Space, 218 – 60 Atlantic Ave.416-532-3019. Free; pwyc.• 8:00: Art of Time Ensemble. I Send YouThis Cadmium Red. See Oct 10.• 8:00: Aventa Ensemble/Gallery 345.Aventa Ensemble. Thirteen-member ensembleperforming music by Canadian composersSharman, Sokolovic and Ruders. VincentRanallo, baritone; Bill Linwood, conductor. 345Sorauren Ave. 416-822-9781. $25.• 8:00: Etobicoke Community ConcertBand. From Rags to Rich’s. Etobicoke CollegiateAuditorium, 86 Montgomery Rd., Etobicoke.416-410-1570.• 8:00: Markham Theatre for PerformingArts. In Recital: Isabel Bayrakdarian, soprano.With Serouj Kradjian, piano. 171 Town CentreBlvd., Markham. 905-305-7469 or 1-866-768-8801. $49–$54.• 8:00: Massey Hall and Roy ThomsonHall. Jill Barber, vocals. Glenn Gould Studio,250 Front St. W. 416-872-4255. $29.50. AlsoOct 22.• 8:00: Massey Hall and Roy Thomson Hall.A. Concerts in the GTACBSO_Ad_Oct2011 9/12/11 12:05 PM Page 1Mariinsky Orchestra. Stravinsky: Firebird Suite(1919 version); Prokofiev: Piano ConcertoNo.3; Shostakovich: Symphony No.1. AlexanderToradze, piano; Valery Gergiev, conductor.Roy Thomson Hall, 60 Simcoe St. 416-872-4255. $69.50-$169.50.• 8:00: Massey Hall and Roy Thomson Hall.John Prine. Massey Hall, 178 Victoria St. 416-872-4255. $49.50–$62.50.• 8:00: Music Gallery. X Avant New MusicFestival: Tim Hecker + Oval + Global CitiesEnsemble. Electronic music. Tim Hecker, pipeorgan; Oval (aka Markus Popp); new Torontocross-cultural collective. 197 John St. 416-204-1080. $30/$25(adv).• 8:00: Opera Rouge. What They Did For Love.Debut concert of newly formed opera ensemble.Emily Ding, soprano; Stephanie Ferracane,soprano; Sarah Hicks, mezzo; Marco Petracchi,baritone. St. John’s York Mills AnglicanChurch, 19 Don Ridge Dr. 416-876-8915. $15.• 8:00: Royal Conservatory. The EnglishConcert conducted by Harry Bicket. Baroqueorchestra. Works by Purcell, Telemann and Vivaldi.Harry Bicket, harpsichord and conductor.Koerner Hall, 273 Bloor St. W. 416-408-0208.$33.50 and up.• 8:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.• 8:00: Sony Centre For The PerformingArts. Goran Bregovic And His Wedding & FuneralOrchestra. Music from Sarajevo, combiningSerbian gypsy band, classical string ensemble,orthodox male choir and two Bulgarian femalevocalists. 1 Front St. E. 1-855-872-7669. $50and up.• 8:00: Toronto Consort. Venetian Splendour:The Music of Johann Rosenmüller. Music forvoices, strings, cornetti, sackbuts, lutes andkeyboards. Trinity-St. Paul’s Centre, 427 BloorSt. W. 416-964-6337. $22 – $59; $10(30 andunder with ID). Also Oct 22.• 9:00: Jazz at Oscar’s. Fernanda Cunha,vocals. Bralizian, post-bossa jazz. Arbor Room,Hart House, 7 Hart House Circle. 416-978-2452. Free.Saturday October 22• 11:00 and 2:00: Solar Stage Children’sTheatre. Thumbelina. See Oct 8.• 1:30 and 3:30: Toronto Symphony Orchestra.Peter and the Wolf LIVE. Performed to thescreening of stop-motion animated film. Prokofiev:Peter and the Wolf. Ji Soo Choi, violin;Stéphane Denève, conductor. Roy ThomsonHall, 60 Simcoe St. 416-593-4828 or416-593-0688(Chinese). $20–$32. Pre-concertperformance in the lobby half an hour priorto each performance."China's Louis Armstrong..." Boston Radio• 2:00 and 8:00: Art of Time Ensemble. ISend You This Cadmium Red. See Oct 10.• 7:00: Lenard Whiting. Liszt and Literature.Celebrating the 200th anniversary of the birthof Franz Liszt. Brett Kingsbury, piano; ChristineKingsbury, actor; Lenard Whiting, tenor. ChristChurch Deer Park, 1570 Yonge St. 416-762-6077. $20.• 7:30: Canadian Opera Company. Rigoletto.See Oct 2.• 7:30: Cathedral Bluffs Symphony Orchestra.Norman Reintamm and Friends in Recital.Mozart: Piano Trio in G K496; songs by R.Strauss, Brahms and Schumann. Carrie Gray,soprano; Alexander Volkov, violin; EugeniaVolkova, viola; Oleg Volkov, cello; Norman Reintamm,piano. St. Timothy’s Anglican Church,4125 Sheppard Ave. E., Scarborough. 416-879-5566. $20 or pwyc.• 7:30: Korean-Canadian Symphony Orchestra.Concert No. 43. Schumann: Overture,Scherzo & Finale; Mendelssohn: Violin ConcertoOp.64; Haydn: Symphony No.104 “London.”Judy Kang, violin; Richard Lee, musicdirector. George Weston Recital Hall, TorontoCentre for the Arts, 5040 Yonge St. 905-764-2472. $30–$40.• 7:30: Opera Encore. Benefit Concert forGoderich. Music and readings. Richard Valdez,tenor; Dave Murrell, piano; Joseph Gomes, actor;and others. Knox (Agincourt) PresbyterianChurch, 4156 Sheppard Ave. E. 416-293-0791or 416-299-9149. Freewill donation. Fundsraised will assist the town of Goderich rebuildafter being decimated by a recent tornado.• 7:30: Tallis Choir. A Celebration of Victoria:1611–2011. Celebrating the 400th anniversaryof the death of composer Tomas Luis deCATHEDRAL BLUFFS SYMPHONY ORCHESTRA2011–2012NORMAN REINTAMM artistic directorSATURDAY at 7:30 pmOctober 22, 2011St. Timothy’sAnglican Church4125 Sheppard Ave E, ScarboroughNORMAN REINTAMM& FRIENDSAlexander Volkov violinEugenia Volkova violaOleg Volkov celloNorman Reintamm pianowith Carrie Gray sopranoMozart Piano Trio in G major, K 496Songs by R. Strauss, Brahms & SchumannAdmission $20 or pay what you canSATURDAY at 8 pmNovember 12, 2011 *P.C. Ho Theatre5183 Sheppard Ave E, ScarboroughBEETHOVENPiano Concerto no. 5“Emperor”Coral Solomon piano2010 Clifford Poole Piano Competition WinnerR. VAUGHANWILLIAMSSymphony no. 2Regular $30 adult, $25 st/sr(under 12 free)Premium $50 adult, $40 st/sr(under 12 free)* Subscription Concert no. 1cathedralbluffs.com | 416.879.5566Music Director/Conductor: Karl PangSilk Road Fantasia: Concerto for Guanzi and Chinese OrchestraWorld of Winds: Concerto for various wind instruments and Chinese OrchestraRichmond Hill Centre for the Performing Arts Oct. 22, 2011 7:30 pmwww.TorontoChineseOrchestra.com38 thewholenote.comOctober 1 – November 7, 2011

Victoria. Victoria: Missa Pro Victoria; MagnificatPrimi Toni; Salve Regina; also worksby Guerrero, Lobo and Esquivel. Peter Mahon,director. St. Patrick’s Church, 141 McCaulSt. 416-286-9798. $30; $25(sr); $10(st, IDrequired).• 7:30: Toronto Chinese Orchestra. Guo Yazhi’sWorld of Wind Instruments. Silk Road Fantasia:Concerto for Guanzi and Chinese Orchestra;World of Winds: Concerto for various windinstruments and Chinese Orchestra; and otherworks. Karl Pang, conductor. Richmond HillCentre for the Performing Arts, 10268 YongeSt. 416-568-8024. $28-$38; $20(st).• 8:00: Abilities Arts Festival/Peggy BakerDance Projects. The Neat Strange Music ofAhmed Hassan. See Oct 21.• 8:00: Acoustic Harvest. Rosalee PeppardCD Release. St. Nicholas Anglican Church,1512 Kingston Rd. 416-264-2235. $20;$18(sr/st).• 8:00: Christopher Burton. Piano music ofFranz Liszt. In celebration of the 200th anniversaryof the composer’s birth. Liszt: Sonata inb; Mazeppa; La leggierezza, and other works.Christopher Burton, piano. Oriole York MillsUnited Church, 2609 Bayview Ave. 416-462-9601. $25; $15(st).• 8:00: City of Brampton Concert Band.A History of Music: From Bach to the Beatles.Darryl Eaton, music director; guests: DanielGuerrette, drums; Terry Chisholm, Jeff Sommerville,vocals. Rose Theatre, 1 Theatre Lane,Brampton. 905-874-2800. $25; $20(sr/st);$15(under 13).• 8:00: Guitar Society of Toronto. ClassicalGuitarist Pavel Steidl (Czech Republic). WalterHall, Edward Johnson Building, 80 Queen’sPark. 416-964-8298. $35; $30(sr); $25(st).• 8:00: Massey Hall and Roy Thomson Hall.Jill Barber, vocals. See Oct 21.• 8:00: Massey Hall and Roy Thomson Hall.Jazz@Massey Hall. Herbie Hancock, piano;Massey Hall Orchestra; Alain Trudel, conductor.Massey Hall, 178 Victoria St. 416-872-4255. $59.50–$149.50.• 8:00: Music Gallery. X Avant New MusicFestival: Buke & Gass + Mantra play “Timber”by Michael Gordon + Lori Freedman. Homemadeinstruments duo; percussion premiere forpieces of wood; improv for woodwinds. 197John St. 416-204-1080. $30/$25(adv).• 8:00: Royal Conservatory. SmithsonianChamber Players & Friends with Russell Braun.Honouring the centenary of Mahler’s death.Mahler: Das Lied von der Erde; Kindertotenlieder.Russell Braun, baritone. Koerner Hall, 273Bloor St. W. 416-408-0208. $45 and up.• 8:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.• 8:00: Sony Centre For The PerformingArts. The Salsa Kings. Music from Cuba includingmambo, rumba and cha cha cha. 1 Front St.E. 1-855-872-7669. $45 and up.• 8:00: Toronto Consort. Venetian Splendour:The Music of Johann Rosenmüller. See Oct 21.Sunday October 23• 11:00 and 2:00: Solar Stage Children’sTheatre. Thumbelina. See Oct 8.• 2:00: Markham Concert Band. OctoberPops. Broadway tunes, jazz standards, marches.Markham Theatre, 171 Town Centre Blvd.Markham. 905-305-7469. $20; $15(sr/st).• 2:00: Royal Conservatory. Susan Hoeppner,flute and Simon Wynberg, guitar. Works byMarais, Takemitsu, Beaser and Piazzolla. MazzoleniConcert Hall, 273 Bloor St. W. 416-408-0208. $31.50.• 2:00: Sonus Stage Productions. Side BySide By Sondheim. See Oct 5.• 2:00: Toronto Operetta Theatre. ZarzuelaGold. Opening gala concert featuring zarzuelasof Spain and beyond. Michèle Bodganowicz,mezzo; Edgar Ernesto Ramírez, tenor; GuillermoSilva-Marin, tenor; Romulo Delgado, tenor;Raisa Nakhmanovich, piano; and others. JaneMallett Theatre, St. Lawrence Centre for theArts, 27 Front St. E. 416-366-7723 or 1-800-708-6754. $47.• 2:30: University of Toronto Faculty ofMusic. Opera Tea: A Menotti Double Bill. Celebrating100th anniversary of composer’s birth.Menotti: The Telephone; Amelia Goes to theALLIS CHOIRDirected By Peter Mahon-presents-A Celebration of Victoria:1611-2011Victoria Missa Pro VictoriaMagnificat Primi Toni ; Salve ReginaWorks by Guererro, Lobo, and EsquivelThe 400th anniversary of the death of Tomas Luis daVictoria resounds with his greatest works and the music ofhis brilliant contemporaries.SATURDAY, October 22, 7:30 PMSt. Patrick’s Church, 141 McCaul St.(north of Dundas)Tickets: $30, $25 seniors, $10 students with IDInfo: 416.286.9798ORDER ONLINE AT www.tallischoir.comTallis Choir CDs available online and on iTunesZarzuelaOur opening Gala Concert packed with hits from thelegendary operettas of Spain and the Latin world …Cecilia Valdes, Maria la O, Los Gavilanes, La Gran Vía,La Leyenda del Beso and more! A joyous Fiesta ofRhythm, Melodies, Dances, Passion!www.torontooperetta.comMichèle BogdanowiczEdgar Ernesto RamírezGuillermo Silva-MarinMargie BernalFabian ArciniegasRaisa Nakhmanovich, pianistSunday Oct. 23 2pmPresident’s ReceptionJoin us for a glass of wine andlight gourmet buffet to toastour 27th Season.416-366-7723 1-800-708-6754 www.stlc.comOctober 1 – November 7, 2011 thewholenote.com 39

Ball. MacMillan Theatre, Edward JohnsonBuilding, 80 Queen’s Park. 416-408-0208.$30.• 3:00: Amici Chamber Ensemble. La BonneCuisine: Exploring Taste and Sound. Poulenc:L’invitation au chateau; Martinu: La révue decuisine; Rossini: Quatre hors d’oeuvres forpiano solo; Schubert: Shepherd on the Rock;Berstein: La Bonne Cuisine; and other works.Aline Kutan, soprano; Marie Bérard, violin;Michael Sweeney, bassoon; Andrew McCandless,trumpet; Serouj Kradjian, piano; AlexFeswick, chef; and others. Glenn Gould Studio,250 Front St. W. 416-872-4255. $60; $50(sr);$25(st).• 3:00: Orchestra Toronto. Voices. Mozart:Don Giovanni (overture); Strauss: Four LastSongs; Debussy: Nocturnes; Smetana: TheMoldau. Danielle Lisboa, conductor; guests:Zorana Sadiq, soprano; Oriana Women’s Choir.George Weston Recital Hall, Toronto Centre forMark VuorinenMusic DirectorA. Concerts in the GTAthe Arts, 5040 Yonge St. 416-467-7142. $39;$34(sr); $14(under 18). 2:15: Pre-concert talk.• 3:00: Pax Christi Chorale. Salieri: Mass inD major. Also Mozart: Regina Coeli; Ave verumcorpus; Conly: Exultate Jubilate. Melanie Conly,soprano; Nina Scott-Stoddart, mezzo; GrahamThomson, tenor; Benjamin Covey, baritone.Pax Christi Youth Choir; with orchestra;Stephanie Martin, conductor. Grace Churchon-the-Hill, 300 Lonsdale Rd. 416-491-8542.$30; $25(sr); $22(st); $5(under 12). 2:15: Preconcertchat by Ian Kyer.• 3:00: Toronto Chamber Choir. Kaffeemusik:Ockeghem – Medieval Polyphony. Tallis: Spemin Alium; Ockeghem: Missa Cuiusvis Toni; DeoGratias; and other works. Amy Dodington, AndrewHaji and Paul Oros, soloists; Mark Vuorinen,music director. Christ Church Deer Park,1570 Yonge St. 416-763-1695. $16-$20;$12.50(under 30).• 4:00: Cathedral Church of St. James.Pax Christi Chorale25 TH AnniversarySeason2011-2012Pax Christi Chorale: Stephanie Martin, Artistic DirectorDaniel Norman, Assistant ConductorPax Christi Youth Choir: Lynn Janes, ConductorBruce Kirkpatrick Hill, AccompanistSALIERI - MASS IN D-MAJORSunday, October 23, 2011 – 3:00 pmPre-concert chat at 2:15 pmWith orchestra and soloists:Melanie Conly, sopranoNina Scott-Stoddart, mezzo-sopranoGraham Thomson, tenorBenjamin Covey, baritoneAdult: $30 Senior: $25 Student: $22 Children (under 12): $5Grace Church on-the-Hill, 300 Lonsdale Rd, Toronto, ONFor more information and to order single or season tickets,visit www.paxchristichorale.org or call (416) 491-8542.Ockeghem:Medieval PolyphonyWe’ll perform, in the earlymusic equivalent of Dolbysurround sound, his a cappellamasterpieces Missa Cuiusvis Toniand the 36-voice Deo GratiasSunday Oct 23 • 3 p.m.Christ Church Deer Park, 1570 Yonge St(416) 763-1695 • torontochamberchoir.caTwilight Recitals. See Oct 2.• 7:30: Boen Arts. Talents of Ukraine. A celebrationof Ukrainian culture in Canada. InnesaTymochko, violin; Svitlana Sasu, YevhenVas’kin, vocals; Donbas Songs and Dance Ensembleof Ukraine. Living Arts Centre, 4141Living Arts Dr., Mississauga. 905-306-6000 or888-805-8888. $39-$68.• 8:00: Music Gallery. X Avant New MusicFestival: The Nihilism Spasm Band + Contactplay “Timber” by Michael Gordon. FeaturingGordon’s hour-long trance; inventorsof noise music. 197 John St. 416-204-1080.$30/$25(adv).Tuesday October 25• 12:00 noon: Canadian Opera Company.Piano Virtuoso Series: Romantic Masterpieces.Hiroko Kudo, piano. Richard Bradshaw Amphitheatre,Four Seasons Centre for the PerformingArts, 145 Queen St. W. 416-363-8231. Free.• 12:30: York University Department ofMusic. Music at Midday: Singing Our Songs.Arias and lieder performed by young artistsin the classical vocal performances studios ofCatherine Robbin, Stephanie Bogle, Norma Burrowes,Michael Donovan, Janet Obermeyer andKaren Rymal. Tribute Communities Recital Hall,112 Accolade East Building, 4700 Keele St.416-736-2100 x22926. Free. Also Oct 27, 28.• 1:00: Cathedral Church of St. James.Music at Midday: Simon Walker, organ. 65Church St. 416-364-7865 x231. Free.• 7:30: University of Toronto Faculty ofMusic. Faculty Concert. Chris Donnelly, jazzpiano. Walter Hall, Edward Johnson Building,80 Queen’s Park. 416-408-0208. $30;$20(sr/st).• 8:00: Attila Glatz Concert Productions. IBelieve: A Holocaust Oratorio for Today. Musicand words by Z. Zalis. Opera Canada Symphony,Roberto Paternostro, conductor; OrpheusChoir of Toronto, Robert Cooper, conductor;University of Toronto MacMillan Singers,Hilary Apfelstadt, conductor; HamiltonChildren’s Choir, Zimfira Poloz, conductor;Kelsey Cowie, soprano; Mark Devigne, tenor;Marko Zeiler, tenor. Roy Thomson Hall, 60 SimcoeSt. 416-872-4255. $45 – $135.Wednesday October 26• 12:00 noon: Canadian Opera Company.Chamber Music Series: Soviet Composers. Stravinsky:L’histoire du soldat; Denisov: Sonatafor Solo Clarinet; Ustvolskaya: Trio; Shostakovich:Sonata for Violin and Piano. Zodiac Trio.Richard Bradshaw Amphitheatre, Four SeasonsCentre for the Performing Arts, 145 Queen St.W. 416-363-8231. Free.• 12:30: Yorkminster Park Baptist Church.Noon Hour Organ Recital Series. Charles Udell, organ.1585 Yonge St. 416-922-1167. Free.• 7:30: University of Toronto Faculty ofMusic. Small Jazz Ensemble. Upper Jazz Studio,90 Wellesley St. W. 416-978-0492. Free.• 8:00: Jazz Performance and EducationCentre. Jazz Goes to the Movies. Third annualJPEC gala, featuring film music by Bernstein,Gershwin, Mancini, Porter and Rodgers &Hammerstein. Heather Bambrick, Jackie Richardson,Denzal Sinclaire and Francois Mulder,vocals; Mario Romano Quartet; JPEC JazzTentet, Denny Christianson, musical director.Toronto Centre for the Arts, 5040 YongeSt. 416-872-1111 or 416-733-9388. $250(includesVIP reception); $100(concert only);$20(students with valid ID). For further details,see Listings Section D, The ETCeteras,”under Galas & Fundraisers.• 8:00: Sony Centre For The PerformingArts/David Mirvish. Bharati: The Wonder ThatIs India. Music and dance from India, featuring70 dancers, actors, singers, acrobats and musicians.With Rahul Vohra, narrator and BhavnaPani (Bharati). 1 Front St. E. 1-855-872-SONY(7669). $39 – $109. Also Oct 27–30;Nov 3–6; Oct 29, 30 (mat); Nov 5, 6(mat).Thursday October 27• 12:10: Nine Sparrows Arts Foundation/Christ Church Deer Park. Lunchtime ChamberMusic. Ang Li, piano. 1570 Yonge St. Free, donationswelcome.• 12:15: Music at Metropolitan. Noon atMet. Richard Hansen, organ. MetropolitanUnited Church, 56 Queen St. E. 416-363-0331x26. Free.• 12:30: York University Department ofMusic. Music at Midday: Singing Our Songs.See Oct 25.Women’s Musical Club of TorontoMusic in the AfternoonThursdayOctober 27, 1.30 p.m.ROBERT AITKEN, fluteSIMON FRYER, celloWALTER DELAHUNT, pianoNew Composition Sponsor:Roger D. MooreWalter Hall, U. of T.Tickets $45, call 416-923-7052www.wmct.on.ca• 1:30: Women’s Musical Club of Toronto.Robert Aitken, flute; Simon Fryer, cello; WalterDelahunt, piano. Works by Haydn, Weber, Gaubert,Meyer-Olbersleben, Ho and Harman. WalterHall, Edward Johnson Building, 80 Queen’sPark. 416-923-7052. $45.• 8:00: Jurij Konje. Ambush. Mixed mediasolo percussion and electronics performance.Gallery 345, 345 Sorauren Ave. 416-822-9781. $20.• 8:00: Massey Hall and Roy ThomsonHall. Canadian Voices Series: Tyler Duncan,baritone. Schubert: Goethe Lieder; Brahms:Wie rafft ich mich auf in der Nacht; and otherworks; Ravel: Don Quichotte à Dulcinée; Hahn:Five Little Songs; Vaughan Williams: Songsof Travel. With Erika Switzer, piano. GlennGould Studio, 250 Front St. W. 416-872-4255.$29.50–$49.50.• 8:00: Sony Centre For The PerformingArts/David Mirvish. Bharati: The Wonder ThatIs India. See Oct 26.Friday October 28• 12:30: York University Department ofMusic. Music at Midday: Singing Our Songs.See Oct 25.• 7:30: All Saints’ Kingsway AnglicanChurch. Jekyll & Hyde. Silent film with organistWilliam O’Meara. 2850 Bloor St. W. 416-233-1125. $20 and up.• 7:30: Studio of Lindsay Isaac. L’Invitation40 thewholenote.comOctober 1 – November 7, 2011

au Voyage. Works by Gluck, Mozart, Berlioz,Strauss, Gershwin and others. Trisha Gunpath,soprano; Patricia Haldane, soprano; StevenKettlewell, piano. St. Timothy’s AnglicanChurch, 100 Old Orchard Gr. 416-358-2274.$20(adv, reserved seat); or pwyc at door. Proceedsto Stephen Lewis Foundation and TorontoMass Choir.• 8:00: Massey Hall and Roy Thomson Hall.Liza Minnelli. Roy Thomson Hall, 60 Simcoe St.416-872-4255. $59.50–$199.50.• 8:00: Royal Conservatory. Royal ConservatoryOrchestra conducted by Johannes Debus.Lutosławski: Little Suite; Rachmaninov:Piano Concerto No.2; Dvořák: Symphony No.8.Connie Kim-Sheng, piano. Koerner Hall, 273Bloor St. W. 416-408-0208. $22 and up.• 8:00: Sony Centre For The PerformingArts/David Mirvish. Bharati: The Wonder ThatIs India. See Oct 26.• 8:00: Toronto Heliconian Club. A Celebrationof Canadian Women Composers. HeliconianHall, 35 Hazelton Ave. 416- 922-7118. $25;$20(sr/st).• 8:00: Vlada Mars. The Art of the Piano: Colourof My Dreams. Vlada Mars, piano. Selectionof minimalist piano compositions. Gallery345, 345 Sorauren Ave. 416-822-9781. $20;$15(sr); $10(st).• 8:45: Global Cabaret Festival. MollyTicketsfrom $202011/2012 ConcertPRESENTSSeriesJekyll & HydeSilent Film with organist William O’MearaFriday, October 28th | 7:30 PMCaroling on the KingswayOut of the Cold FundraiserSaturday, November 26th | 1:30 PMThe Call of Christmaswith True North BrassSunday, December 18th | 4 PMThree CantorsFriday, April 22nd | 7 PMRequiemwith the Amadeus Choir ofToronto and All Saints’ ChoirSunday, April 1st | 4 PM2850 Bloor St. W., Toronto, ON(Royal York Subway Station | Prince Edward/Bloor Intersection)www.allsaintskingsway.caCONTACT SHAWN GRENKE, DIRECTOR OF MUSIC ATmusic@allsaintskingsway.ca • 416-233-1125Johnson in Concert. Young Centre for the PerformingArts, Distillery District Building 49, 55Mill St. 416-866-8666. $25/$20(adv); $15(st;ID required). Festival runs Oct 28–30; passesavailable. Complete festival schedule unavailableat time of printing.• 9:00: Jazz at Oscar’s. Lara Solnicki, vocals.Arbor Room, Hart House, 7 Hart House Circle.416-978-2452. Free.• 10:00pm: Music at Metropolitan. Phantomsof the Organ. Music for Hallowe’en.Metropolitan United Church, 56 Queen St. E.416-363-0331 x26. Donations welcome.Saturday October 29• 11:00 and 2:00: Solar Stage Children’sTheatre/Alistair Ant Productions. HalloweenHowl. Musical puppet show for ages threeto eight. Madison Centre, concourse level, 100Upper Madison Ave. 416-368-8031. $14. AlsoOct 30.• 2:00 and 8:00: Mirvish Productions. TwoPianos Four Hands. Musical comedy aboutmusic teachers, lessons and competitions.Written and performed by Ted Dykstra andRichard Greenblatt. Panasonic Theatre, 651Yonge St. 416-872-1212. $39–$74. Also Oct30(mat); Nov 2(mat and eve), 3, 4, 5(mat andeve), 6(mat); 9–13; 16-20(incl. some mat).• 2:00 and 8:00: Sony Centre For The PerformingArts/David Mirvish. Bharati: TheWonder That Is India. See Oct 26.• 3:00: Toronto Children’s Chorus. Mysteryand Mastery. Kuzmenko: Behold the Night.Timothy Eaton Memorial Church, 230 St. ClairAve. W. 416-932-8666 x231. $25; $25(sr/st).• 4:00: Global Cabaret Festival. Jackie Richardsonin Concert. Young Centre for the PerformingArts, Distillery District Building 49, 55Mill St. 416-866-8666. $25/$20(adv); $15(st;ID required). Also Oct 30(5pm). Festival runsOct 28–30; passes available. Complete festivalschedule unavailable at time of printing.• 5:15: Global Cabaret Festival. Stan RogersSongbook. Young Centre for the PerformingArts, Distillery District Building 49, 55 Mill St.416-866-8666. $25/$20(adv); $15(st; ID required).Also Oct 30(3:45pm). Festival runs Oct28–30; passes available. Complete festivalschedule unavailable at time of printing.• 6:30: Georgetown Bach Chorale. NewYork! New York! Jazz standards and Broadwayshowtunes, with rhythm section. St. George’sAnglican Church, 60 Guelph St., Georgetown.905-877-6569. $75(includes dinner).• 7:30: Exultate Chamber Singers. A Roseby Any Other Name. Britten: Hymn to the Virgin;music by von Bingen, and other works writtenfor the Virgin Mary. St. Thomas’s AnglicanChurch, 383 Huron St. 416-971-9229. $25;$20(sr); $15(st).• 7:30: Mississauga Children’s Choir. Musicof the Americas. Opening concert of the season.Eden United Church, 3051 Battleford Rd.,Mississauga. 905-624-9704. $15; $10(sr/st).• 7:30: Oakville Ensemble. Ein feste Burg(A Mighty Fortress). Music of the German Reformation.Bach: Lutheran Mass in G; ReformationCantata. Grace Lutheran Church,304 Spruce St., Oakville. 905-825-9740.$35/$25(adv); $25(sr)/$15(adv); $15(st);$70(family)/$50(adv).• 7:30: Opera Atelier. Don Giovanni. Mozart.Philip Addis, baritone (Don Giovanni); CarlaHuhtanen, soprano (Zerlina); Vasil Garvanliev,baritone (Leporello); Peggy Kriha Dye, soprano(Donna Elvira); Meghan Lindsay, soprano(Donna Anna); Curtis Sullivan, baritone (Masetto/Commendatore);Lawrence Williford,tenor (Don Ottavio); artists of Atelier Ballet.Elgin Theatre, 189 Yonge St. 855-622-2787.$35-$175. Also Oct 30; Nov 1, 2, 4, 5.• 7:30: Opera Kitchener. Magic Flute. Mozart.Hammerson Hall, Living Arts Centre, 4141 LivingArts Dr. 905-306-6000. $35–$70.• 7:30: St. Andrew’s Church. Music of theNight. Inaugural concert for new BösendorferImperial piano. Beethoven: Piano Sonata No.14in c-sharp “Moonlight”; Chopin: nocturne. JamieParker, piano. 73 Simcoe St. 416-593-5600. $20; $10(st/child); $50(family).• 7:45: Global Cabaret Festival. BreithauptBrothers. Young Centre for the PerformingArts, Distillery District Building 49, 55 Mill St.416-866-8666. $25/$20(adv); $15(st; ID required).Also Oct 30(3:45pm). Festival runs Oct28–30; passes available. Complete festivalschedule unavailable at time of printing.• 8:00: Gallery 345. The Thing Is: Tova KardonneOctet. Tova Kardonne, vocals and compositions;Amy Medvick, flute; Mike Wark, altosaxophone; Christian Overton, trombone; DavidAtkinson, piano; and others. 345 Sorauren Ave.416-822-9781. $20.Free event listings:listings@thewholenote.comOctober 1 – November 7, 2011 thewholenote.com 41

• 8:00: Moira Nelson Trio. When Winter Follows.Classical and Celtic music, jazz and beyond.Moira Nelson, harp/voice/piano/guitar;Elena Jubinville, cello/voice/guitar. HeliconianHall, 35 Hazelton Ave. 416-255-5109. $15;$25(includes CD).• 8:00: Royal Conservatory. Year of GreatSax Series: Joe Lovano. With Us Five, includingJames Weidman, piano; Francisco Mela, drums;Otis Brown III, drums; and Esperanza Spalding,bass. Koerner Hall, 273 Bloor St. W. 416-408-0208. $45 and up.A. Concerts in the GTA• 8:00: Scarborough Philharmonic Orchestra.An American in Paris. Gershwin: An Americanin Paris; Copland: An Outdoor Overture;Four Dance Episodes from Rodeo; Royer: Concertofor trumpets and chamber orchestra (premiere);Eddington: Huron Antiphon for brassquintet and orchestra (premiere). BurnetteDillon, trumpet; The Red Brass, brass quintet;Ronald Royer, conductor; guest: Alex Eddington,conductor. Birchmount Park CollegiateInstitute, 3663 Danforth Ave., Scarborough.416-429-0007. $30; $25(sr); $15(youth). 7:15:Pre-concert chat.• 8:00: Toronto Symphony Orchestra. Ozwith Orchestra. Screening of The Wizard of Oz(1939), accompanied by the TSO; with Emil deCou, conductor. Roy Thomson Hall, 60 SimcoeSt. 416-593-4828 or 416-593-0688(Chinese).$38–$105. Also Oct 30 (mat).Sunday October 30• 11:00 and 2:00: Solar Stage Children’sTheatre/Alistair Ant Productions. HalloweenHowl. See Oct 29.• 2:00: Global Cabaret Festival. BreithauptBrothers. See Oct 29. Festival runs Oct 28–30;passes available. Complete festival scheduleunavailable at time of printing.• 2:00: Mirvish Productions. Two PianosFour Hands. See Oct 29.• 2:00: Off Centre Music Salon. Russia inTwo Acts. Works by Shostakovich and Tchaikovsky.Lindsay Barrett, soprano; Erica IrisHuang, mezzo; Ryan Harper, tenor; GeoffreySirett, baritone; Winona Zelenka, cello;Ricker Choi, Inna Perkis and Boris Zarankin,piano. Glenn Gould Studio, 250 Front St. W.416-466-1870. $60; $50(sr/st).• 2:00: Sony Centre For The PerformingArts/David Mirvish. Bharati: The Wonder ThatIs India. See Oct 26.• 2:00: Visual and Performing Arts Newmarket.Zodiac Trio (violin, clarinet, piano).Newmarket Theatre. 505 Pickering Ave.presentsThe Zodiac TrioVIOLIN, CLARINET, PIANOSun. Oct. 30, 20112:00 pmPentaèdreWOODWIND QUINTETSun. Mar. 4, 20122:00 pm905-953-5122. $10–$26.• 3:00: Oakville Ensemble. Ein feste Burg (AMighty Fortress). Music of the German Reformation.Bach: Lutheran Mass in G; ReformationCantata. Mary Mother of God CatholicChurch, 2745 North Ridge Tr., Oakville. 905-825-9740. $35/$25(adv); $25(sr)/$15(adv);Mary Lou FallisSOPRANO/COMEDIENNESun. April 1, 20122:00 pmNewmarket Theatre505 Pickering Crescent, NewmarketTICKETSSeries: $66 / $51 / $24 Single: $26 / $20 / $10Box Office: 905-953-5122 www.newmarkettheatre.caSoundStreamS 11/12 ConCert SerieSmaSSBraSSStoCKHoLm CHamBer BraSS, SimÓn BoLÍVar BraSS Quintet& true nortH BraSS; ConduCted BY daVid FaLLiSSunday, october 30, 2011 at 3pm // Koerner Hall in the teLuS Centrefor Performance and Learning, 273 Bloor Street WestFor tickets call 416.408.0208 or visit www.rcmusic.caWWW.SOUNDSTREAMS.CA42 thewholenote.comOctober 1 – November 7, 2011

$15(st); $70(family)/$50(adv).• 3:00: Opera Atelier. Don Giovanni. Mozart.See Oct 29.• 3:00: Soundstreams. MassBrass. Copland:Fanfare for the Common Man; Schafer: Isfahan;also works by Ristic (world premiere), Gabrieliand music from Sweden and Latin America.Stockholm Chamber Brass; Simón Bolivar BrassQuintet; True North Brass; David Fallis, conductor.Koerner Hall, Royal Conservatory, 273Bloor St. W. 416-408-0208. $47–$73.• 3:00: Toronto Symphony Orchestra. Ozwith Orchestra. Screening of The Wizard of Oz(1939), accompanied by the TSO with Emil deCou, conductor. Roy Thomson Hall, 60 SimcoeSt. 416-593-4828 or 416-593-0688(Chinese).$20–$65; $16.50–$33(ages 5-12).• 3:45: Global Cabaret Festival. Stan RogersSongbook. See Oct 29. Festival runs Oct 28–30; passes available. Complete festival scheduleunavailable at time of printing.• 4:00: Cathedral Church of St. James. TwilightRecitals. See Oct 2.• 4:00: St. Philip’s Anglican Church. JazzVespers. Lara Solnicki Trio. 25 St. Phillips Rd.,Etobicoke. 416-247-5181. Freewill offering.• 4:30: Christ Church Deer Park. Jazz Vespers.Mike Murley, saxophone; David Occhipinti,guitar. 1570 Yonge. St. 416-920-5211.Freewill offering.• 5:00: Global Cabaret Festival. Jackie Richardsonin Concert. See Oct 29. Festival runsOct 28–30; passes available. Complete festivalschedule unavailable at time of printing.CHARLES WUORINENPERCUSSION SYMPHONYNEW MUSIC CONCERTSSUNDAY OCTOBER 30 8 pmBETTY OLIPHANT THEATRE• 8:00: New Music Concerts. Wuorinen PercussionSymphony. Morin: In Praise of Folly foraccordion, string quartet, electronics; Harman:Duo for Flute and Cello; Wuorinen: PercussionSymphony for 24 players. Joseph Petric, accordion;Penderecki String Quartet; Robert Aitken,flute; Simon Fryer, cello; New Music ConcertsEnsemble, Charles Wuorinen, director. BettyOliphant Theatre, 404 Jarvis St. 416-961-9594. $35; $25(sr/arts worker); $10(st). 7:15:Introduction.• 8:00: Weston Silver Band. 90th AnniversaryCelebration. Guest: Richard Marshall, cornet.Glenn Gould Studio, 250 Front St. W. 416-872-4255. $20; $15(sr); $10(st).Monday October 31• 12:30: York University Department ofMusic. Music at Midday. Classical instrumentalrecital featuring student soloists. TributeCommunities Recital Hall, 112 AccoladeEast Building, 4700 Keele St. 416-736-2100x22926. Free.• 7:30: University of Toronto Faculty ofMusic. Chamber Music Series: Canadian Brass.Chuck Daellenbach, tuba; Christopher Colletti,trumpet; Brandon Ridenour, trumpet; AchillesLiarmakopoulos, trombone; Eric Reed, horn.Walter Hall, Edward Johnson Building, 80Queen’s Park. 416-408-0208. $40; $30(sr/st).Tuesday November 01• 12:00 noon: Canadian Opera Company.Chamber Music Series: Reeds and Keys. Mozart:Clarinet Concerto in A; Gershwin: Rhapsodyin Blue; Peterson: Hymn to Freedom. KornelWolak, clarinet; Chris Donnelly, piano. RichardBradshaw Amphitheatre, Four Seasons Centrefor the Performing Arts, 145 Queen St. W. 416-363-8231. Free.• 12:30: York University Departmentof Music. Music at Midday. Student showcase.Martin Family Lounge, 219 AccoladeEast Building, 4700 Keele St. 416-736-2100x22926. Free.• 7:30: Opera Atelier. Don Giovanni. Mozart.See Oct 29.• 7:30: York University Department ofMusic. Faculty Concert Series: Janet Obermeyer,soprano and Leslie De’Ath, piano. R.Strauss: Four Last Songs; and selected lieder.Tribute Communities Recital Hall, 112 AccoladeEast Building, 4700 Keele St. 416-736-5888. $15; $5(sr/st).• 8:00: Royal Conservatory. Philippe Jarousskywith Apollo’s Fire: Handel and Vivaldi Fireworks.Vivaldi: “Allegro” from Concerto grossoin D; Violin Concerto in E-flat Op.8 No.5; Concertogrosso “La follia”; and other works; Handel:“Agitato da fiere tempeste”; “Ho perso ilcaro ben”; “Se potessero I sospir miei”; andother works. Philippe Jaroussky, countertenor;Apollo’s Fire, baroque orchestra. Koerner Hall,273 Bloor St. W. 416-408-0208. $39 and up.Wednesday November 02• 12:30: Yorkminster Park Baptist Church.Noon Hour Organ Recital Series. William Maddox,organ. 1585 Yonge St. 416-922-1167. Free.• 2:00 and 8:00: Mirvish Productions. TwoPianos Four Hands. See Oct 29.• 5:30: Canadian Opera Company. Jazz Series:Noir. Raskin: “Laura”; Mercer: “Blues in theNight”; selections from “The Blue Angel” and“Love Me or Leave Me” and other film noir. AdiBraun, vocals; Jordan Klapman, piano; DanielBarnes, percussion; George Koller, bass. RichardBradshaw Amphitheatre, Four SeasonsCentre for the Performing Arts, 145 Queen St.W. 416-363-8231. Free.• 6:30: Toronto Symphony Orchestra.Dvořák and Mendelssohn. Mendelssohn: ViolinConcerto; Dvořák: Symphony No.7. Stefan Jackiw,violin; Christoph Koenig, conductor. RoyThomson Hall, 60 Simcoe St. 416-593-4828 or416-593-0688(Chinese). $28–$98. Also Nov3(mat) and Nov 5.• 7:30: Opera Atelier. Don Giovanni. Mozart.See Oct 29.• 7:30: University of Toronto Faculty ofMusic. Small Jazz Ensemble. Upper Jazz Studio,90 Wellesley St. W. 416-978-0492. Free.• 8:00: ArtHouse/Philip Aziz Centre. Sheridanin Motion. Evening of song and dance withmusic from the 60s through to the 21st century.Featuring students of Sheridan College’sMusic Theatre Performance Program. GlennGould Studio, 250 Front St. W. 416-363-9196or 905-815-2021. $40.October 1 – November 7, 2011 thewholenote.com 43

Pantone versionCMYK versionBlack & White version• 9:00: Massey Hall and Roy Thomson Hall.Joan Baez. Roy Thomson Hall, 60 Simcoe St.416-872-4255. $49.50–$79.50.A. Concerts in the GTAThursday November 03• 12:00 noon: Canadian Opera Company.Dance Series: Bharatanatyam Beat. Indian classicaldance and music. Nova Bhattacharya,dancer; Ed Hanley, tabla. Richard BradshawAmphitheatre, Four Seasons Centre for thePerforming Arts, 145 Queen St. W. 416-363-8231. Free.• 12:10: Nine Sparrows Arts Foundation/Christ Church Deer Park. Lunchtime ChamberMusic. Narelle Martinez, soprano; Monica Zerbe,mezzo; Ozskar Morsza, piano. 1570 YongeSt. Free, donations welcome.• 12:10: University of Toronto Faculty ofMusic. Thursdays at Noon: Shauna Rolston,cello and Jacques Israelievitch, violin. Honegger:Sonatina for violin and cello; Schulhoff: Duo forviolin and cello; Kodály: Duo for violin and celloOp.7. Walter Hall, Edward Johnson Building, 80Queen’s Park. 416-978-0492. Free.• 12:15: Music at Metropolitan. Noon at Met.Ron Jordan, piano. Metropolitan United Church,56 Queen St. E. 416-363-0331 x26. Free.• 12:30: York University Department ofMusic. Jazz at Noon: The Andy Middleton Quartet.Andy Middleton, saxophone; Lorne Lofsky,guitar; Jim Vivian, bass; Barry Romberg,drums. Martin Family Lounge, 219 AccoladeEast Building, 4700 Keele St. 416-736-2100x22926. Free.• 2:00: Toronto Symphony Orchestra.Dvořák and Mendelssohn. See Nov 2; programmealso to include Bartók’s Dance Suite.• 7:30: University of Toronto Faculty ofMusic. Small Jazz Ensemble. Upper Jazz Studio,90 Wellesley St. W. 416-978-0492. Free.• 7:30: University of Toronto Faculty ofMusic. Symphonic Impressions. University ofToronto Smyphony Orchestra, David Briskin,conductor; Marc Funkenhauser, saxophone. Debussy:Prélude à l’après-midi d’un faune; Ibert:Concertino da Camera; Ravel: Rhapsody espagnole;Mussorgsky: Pictures at an Exhibition(arr. Ravel). MacMillan Theatre, Edward JohnsonBuilding, 80 Queen’s Park. 416-408-0208.$20; $15(sr/st).• 8:00: Mirvish Productions. Two PianosFour Hands. See Oct 29.• 8:00: Opera York. Madama Butterfly. Puccini.Deirdre Dulton, soprano (Madama Butterfly);Louisa Cowie, mezzo (Suzuki); RomuloDelgado, tenor (B.F. Pinkerton); Jason Hales,baritone (Goro); with full orchestra; SabatinoVacca, artistic director; Madeline Hubbard,stage director. Richmond Hill Centre for theArts, 10268 Yonge St. 905-787-8811. $40-$50; $25(st). Also Nov 5.• 8:00: Scarborough Music Theatre. Josephand the Amazing Technicolor Dreamcoat. Lyricsby Rice, music by Lloyd-Webber. ScarboroughVillage Theatre, 3600 Kingston Rd. 416-267-9292. $25; $21(sr/st – Thurs/mat). Also Nov4-6, 9-13, 17-19.• 8:00: Sony Centre For The PerformingArts/David Mirvish. Bharati: The Wonder ThatIs India. See Oct 26.Friday November 04• 7:30: Opera Atelier. Don Giovanni. Mozart.See Oct 29.• 7:30: Opera by Request. Herodiade. Massenet.Ellen Vesterdal, mezzo (Herodiade);Henry Irwin, baritone (Herod); Nadine Guertin,soprano (Salome); Oliver Dawson, tenor (Jean);Joel Katz, bass (Phanuel); and others; WilliamShookhoff, piano and music director. CollegeStreet United Church, 452 College St. 416-455-2365. $20.• 8:00: Mirvish Productions. Two PianosFour Hands. See Oct 29.• 8:00: Royal Conservatory. World, Pop andEverything in Between Series: Cigala & Tango.Flamenco and tango music. Diego El Cigala,vocals. Koerner Hall, 273 Bloor St. W. 416-408-0208. $39 and up.• 8:00: Scarborough Music Theatre. Josephand the Amazing Technicolor Dreamcoat.See Nov 3.• 8:00: Sony Centre For The PerformingArts/David Mirvish. Bharati: The Wonder ThatIs India. See Oct 26.• 8:00: York University Department ofMusic. Improv Soiree. An evening of improvisationin a participatory “open mic” setup, hostedby the studios of Casey Sokol; performers andobservers welcome. Sterling Beckwith Studio,235 Accolade East Building, 4700 Keele St.416-736-2100 x22926. Free.• 9:00: Jazz at Oscar’s. P.R.A.M. Trio. Traditionaljazz piano trio with contemporary musicstyles. Arbor Room, Hart House, 7 Hart HouseCircle. 416-978-2452. Free.Saturday November 05• 11:00 and 2:00: Canadian Opera Company.Hansel and Gretel. Humperdinck. School tourTRILLIUMBRASS QUINTETErica Warder, soprano,guest artist atHumbercrest United Church16 Baby Point Road, TorontoNovember 5, 2011 - 7:30 pmAdults $25.00 • Seniors $20.00Students $10.00"Music for Every Taste"Proceeds to theRestoration FundTHE CHAMBER MUSIC SOCIETY OF MISSISSAUGAPRESENTS THE 2011-12 SEASONMozart& MoreGREAT HALL SERIESSaturday, November 5, 2011 • 8 PMThe Mississauga SymphonyFeaturing principal string players of theMississauga Symphony Orchestraperforming with flutist and piccolo playerLes Allt a program of Mozart, Roussel,Kevin Lau, Beethoven, & McCauley.THE GREAT HALLUnitarian Congregation of Mississauga • 84 South Service Rd.For ticket info visit www.chambermusicmississauga.orgor phone (905) 848-0015Adult $35 • Senior $30 • Student $15 • Family (2 Adults, 2 children) $8544 thewholenote.comOctober 1 – November 7, 2011

production. Xstrata Ensemble Studio School.Joey and Toby Tanenbaum Opera centre, 227Front St. E. 416-363-8231. $20; $15(sr/st);$10(under 16).• 2:00 and 8:00: Mirvish Productions. TwoPianos Four Hands. See Oct 29.• 2:00 and 8:00: Sony Centre For The PerformingArts/David Mirvish. Bharati: TheWonder That Is India. See Oct 26.• 4:30: Beach United Church. Jazz Vespers:Autumn Reflections. Larry Bond Trio (BruceRedstone, saxophone; Bob Mills, bass; LarryBond, piano). St. Aidans on the Beach, 60 SilverbirchAve. 416-691-8082. Freewill offering.Proceeds to Beach United Church.NOCTURNESIN THE CITYIVAN ZENATY, violinSTAN BOGUNIA, pianoNov. 5 at 6 pmSt. Wenceslaus Church496 Gladstone Ave.• 6:00: Nocturnes in the City. Ivan Zenaty, violin,and Stanislav Bogunia, piano. Works by Mozart,Dvořák and Janáček. St. Wenceslas Church,496 Gladstone Ave. 289-234-0264. $25.• 7:00: Vesnivka Choir/Toronto UkrainianMale Chamber Choir. 120th Anniversary ofUkrainians in Canada. Celebrating 120 yearsof Ukrainian settlement in Canada. Featuringworks by Kuzmenko and Hurko. Guests: LysenkoChoir (Het Lysenko Koor) from The Netherlands.Runnymede United Church, 432 RunnymedeRd. 416-246-9880 or 416-763-2197.$25; $20(sr/st).• 7:30: Humbercrest United Church. TrilliumBrass Quintet. Guest: Erica Warder, soprano. 16Baby Point Rd. 416-767-6122. $25; $20(sr);$10(st). Proceeds to restoration fund.• 7:30: Mississauga Choral Society. BenefitConcert in support of the Compass FoodBank. Guest: Peter Stoll, clarinet. First UnitedChurch, 151 Lakeshore Rd. W., Mississauga.905-278-7059. $28; $22(sr); $16(youth).• 7:30: Opera Atelier. Don Giovanni. Mozart.See Oct 29.• 7:30: Royal Conservatory. The GGS VocalShowcase. Students of the Glenn Gould Schoolpresent an evening of art songs and operaarias. Mazzoleni Concert Hall, 273 Bloor St. W.416-408-0208. $14.50.• 7:30: Toronto Symphony Orchestra.Dvořák and Mendelssohn. See Nov 2.• 8:00: Chamber Music Mississauga. Mozartand More. Works by Mozart, Roussel, Lau,Beethoven and McCauley.Principal string playersof the Mississauga Symphony Orchestra;Les Allt, flute and piccolo. Great Hall of UnitarianCongregation of Mississauga, 84 SouthService Rd., Mississauga. 905-848-0015.$35; $30(sr); $15(st); $85(family – 2 adultsTUES. NOV. 8 / 2011THREE. T(W)O. ONE.FREE NOON-HOUR CONCERT@ The Canadian Opera Company’sRichard Bradshaw Amphitheatre: 12 pm145 Queen Street West, Toronto | 416.363.8231www.coc.caA concert of trio, duo & solo works featuring Array Ensemblepianist Stephen Clarke, percussionist Rick Sacks & violinistRebecca van der Post performing music by Terry Riley,Jo Kondo, Igor Stravinsky, Charles Ives & Rick Sacks.www.arraymusic.comand 2 children).• 8:00: Kindred Spirits Orchestra. Mendelssohn’sSymphony No.4 “Italian”: Gala openingnight. Mozart: Overture to The Magic Flute;Grieg: Concerto for piano and orchestra; Mendelssohn:Symphony No.4 “Italian.” ChristinaPetrowska Quilico, piano; Kristian Alexander,conductor; Markham Theatre for the PerformingArts, 171 Town Centre Blvd., Markham.905-305-7469. $25; $15(sr/st).• 8:00: Opera York. Madama Butterfly. SeeNov 3.• 8:00: Royal Conservatory. World, Pop andEverything in Between Series: Peter Yarrow andNoel Paul Stookey. Featuring “Puff the MagicDragon,” “If I Had a Hammer,” “Leaving ona Jet Plane,” and other folk song favourites.Koerner Hall, 273 Bloor St. W. 416-408-0208.$56 and up.• 8:00: Scarborough Music Theatre. Josephand the Amazing Technicolor Dreamcoat.See Nov 3.Sunday November 06• 2:00: Mirvish Productions. Two PianosFour Hands. See Oct 29.• 2:00: Scarborough Music Theatre. Josephand the Amazing Technicolor Dreamcoat.See Nov 3.• 2:00: Sony Centre For The PerformingArts/David Mirvish. Bharati: The Wonder ThatIs India. See Oct 26.• 2:00: Trio Bravo. In Concert. Milhaud: Triofor Violin, Clarinet and Piano; Mozart: Duo forViolin and Viola; Clarke: Duo for Clarinet andViola; Beethoven: Trio for Clarinet, Viola andPiano “Gassenhauer.” Guest: Marie-AndreeGray, violin. All Saints’ Kingsway AnglicanChurch, 2858 Bloor St. W. 416-242-2131. $20/($18 adv); $15(sr/st)/12.50(adv).• 2:30: Christopher Burton. Piano music ofFranz Liszt. In celebration of the 200th anniversaryof the composer’s birth. Liszt: Sonata inb; Mazeppa; La leggierezza, and other works.Christopher Burton, piano. Women’s Art Associationof Canada, 23 Prince Arthur Ave. 416-462-9601. $25; $15(st).• 3:00: Antonín Kubálek Projects. Music forAnton. Foley: Music for the Duke of York (premiere);also works by Janáček, Suk, Ravel,Buczynski and others. Ivan Ženatý, violin; StanislavBogunia, piano; Rembrandt Trio, DanaCampbell, soprano; Richard Herriott, KarolinaKubálek, piano; Uxbridge Chamber Choir,Thomas Baker, director. Walter Hall, EdwardJohnson Building, 80 Queen’s Park. 905-836-1525. Free.• 3:00: Cantabile Choral of York Region.Feel the Spirit! Featuring music by Bach, spiritualsand other works. Robert Richardson, director;Lona Richardson, accompanist. St. AugustineAnglican Church, 1847 Bayview ave.905-731-8318. $20; $5(child).• 3:00: Chelsea Shanoff and TeresaVaughan. Intimate Echoes: An Afternoon of Saxand Piano. Works by Albright, Desenclos, Lemay,Romaniak and Schumann. Gallery 345, 345Sorauren Ave. 647-821-3863. $15; $10(sr/st).• 3:00: Royal Conservatory. Angela Hewitt,piano. Works by Bach, Ravel, Fauré and Debussy.Koerner Hall, 273 Bloor St. W. 416-408-0208. $39blackand up.and white• 8:00: Continuum Contemporary Music.Fuzzy Logic. Works by Hortiguela, Höstman,Schroeder, Eddington (world premiere); Vivier.The Music Gallery, 197 John St. 416-924-4945. $25; $15(sr/st/arts worker).Monday November 07• 7:30: Cantabile Choral of York Region.Feel the Spirit! Featuring music by Bach, spiritualsand other works. Robert Richardson, director;Lona Richardson, accompanist. ThornhillPresbyterian Church, 271 Centre St., Thornhill.905-731-8318. $20; $5(child).Art Mentor Foundation LucerneGallery 345October 1 – November 7, 2011 thewholenote.com 45

Saturday October 01• 12:00 noon: Colours of Music. Schola Magdalena– Inspired Song. Works by von Bingenand Gregorian chant. Stephanie Martin, JuliaArmstrong and Janet Reid Nahabedian, voice.Trinity Anglican Church, 24 Collier St., Barrie.705-726-1181. $15. Festival Passportsavailable.• 2:30: Colours of Music. Gone Fishin’. Worksby Gershwin, Milhaud, Wagner, Finzi and Q.Nachoff (world premiere). Peter Stoll, clarinetand saxophone; Cecilia String Quartet. BurtonAvenue United Church, 37 Burton Ave. St. N.,Barrie. 705-726-1181. $25. Festival Passportsavailable.• 7:30: Colours of Music. Angels in Song.Works by Hatfield, Rutter, Daley (world premiere).Bach Children’s Chorus; Eleanor Daley,piano; Linda Beaupré, conductor. Hi-Way PentecostalChurch, 50 Anne St. N., Barrie. 705-726-1181. $35. Festival Passports available.• 8:00: Kitchener-Waterloo Symphony. TheVirtuoso Piano. Wagner: Overture to The FlyingDutchman; Liszt: Piano Concerto No.1 in E-flat;Piano Concerto No.2 in A; Kodály: Dances ofGalanta. André Laplante, piano; Edwin Outwater,conductor. Centre in the Square, 101Queen St. N., Kitchener. 519-745-4711 or1-888-745-4717. $19–$79.Sunday October 02• 12:00 noon: Wilfrid Laurier University.Sing Fires of Justice. Choral concert; Dr. LeeWillingham, director. Maureen Forrester RecitalHall, 75 University Ave. W., Waterloo. 519-884-0710 x2150. $10; $5(sr/st).• 2:30: Colours of Music. Graceful Song.Works by Scarlatti, Schumann, Barber, Fauré,Ravel and Britten. Monica Whicher, soprano;Judy Loman, harp. Burton Avenue UnitedChurch, 37 Burton Ave. St. N., Barrie. 705-726-1181. $25. Festival Passports available.• 2:30: Kingston Symphony. Mostly Mozart.Mozart: Piano Concerto No.20; MagicFlute (overture); Tchaikovsky: SymphonyNo.4. Jan Lisiecki, piano; Glen Fast, conductor.Grand Theatre, 218 Princess St., Kingston.613-530-2050. $20-$49; $20-$45(sr);$15-$25(st).• 3:00: Elora Festival Singers. Rossini: PetiteMesse Solennelle. Noel Edison, conductor. St.John’s Church, 33 Henderson St.,Elora. 519-846-0331 or 1-888-747-7550. $35.• 7:30: Colours of Music. ConcertoB. Concerts Beyond the GTAIN THIS ISSUE: Barrie, Brantford, Cambridge, Elora, Guelph,Hamilton, Huntsville, Kingston, Kitchener, London, Mount Hope,Owen Sound, Orillia, St. Catharines, Timmins and Waterloo.Celebration. Turina: Rhapsodia Sinfonica; Saint-Saëns: Wedding Cake, caprice-valse for pianoand strings; also works by Vaughan Williams,Dvořák and Mendelssohn. Valerie Tryon, piano;Sinfonia Toronto, Nurhan Arman, conductor.Central United Church, 54 Ross St., Barrie.705-726-1181. $35. Festival Passportsavailable.• 7:30: Cuckoo’s Nest Folk Club. KieranHalpin. Irish folksinger. Chaucer’s Pub, 122Carling St., London. 519-672-1967 or 519-472-2099. $18/$15(adv).• 7:30: Wilfrid Laurier University. Sing Firesof Justice. Choral concert. Lee Willingham,director. St. Matthews Lutheran Church, 54Benton St., Kitchener. 519-884-0710 x2150.$10; $5(sr/st).Monday October 03• 8:00: Kitchener-Waterloo Chamber MusicSociety. Till Fellner, piano. Haydn: Sonata inC; K. Armstrong: Half of One, Six Dozen ofthe Other; Schumann: Scenes from ChildhoodOp.15; Liszt: Années de pèlerinage II: Italie.KWCMS Music Room, 57 Young St. W., Waterloo.519-886-1673. $35; $30(sr); $25(st).Tuesday October 04• 12:00 noon: Marilyn I. Walker School ofFine and Performing Arts/Brock UniversityDepartment of Music. Music@Noon: Facultyand Guest Recital. Peter Thompson, baritone;Erika Reiman, piano. Sean O’Sullivan Theatre,Brock University, 500 Glenridge Ave., St.Catharines. 905-688-5550. x3817. Free.• 12:30: McMaster School of the Arts.Lunchtime Concert Series. Zoltan Kalman, clarinet.Convocation Hall, 1280 Main St., Hamilton.905-525-9140 x27038. Free.Wednesday October 05• 12:00 noon: Midday Music with Shigeru.Dharma-Li Piano Duo. Works by Mozart andSchubert. Samuel Dharma and Matthew Li,pianos. Hi-Way Pentecostal Church, 50 AnneSt. N., Barrie. 705-726-1181. $5; free(st).• 12:00 noon: University of Waterloo Departmentof Music. Noon Hour Concerts:String Duo. Annette-Barbara Vogel, violin; DanielSweaney, viola. Conrad Grebel UniversityCollege Chapel, 140 Westmount Rd., Waterloo.519-885-0220 x24226. Free.• 12:15: St. Andrew’s Presbyterian Church.Wednesday Noon Concerts. John Vandertuin,organ. 54 Queen St. N., Kitchener.Search listings by genreonline at thewholenote.com519-576-2129. Free.• 12:15: St. Andrew’s Presbyterian Church.Wednesday Noon Concerts. John Vandertuin,organ. 54 Queen St. N., Kitchener. 519-576-2129. Free.Thursday October 06• 12:00 noon: Wilfrid Laurier University.Music at Noon. Irshad Khan, world ensemble(sitar, tanpoora, keyboards, western and latindrums). Maureen Forrester Recital Hall, 75University Ave. W., Waterloo. 519-884-0710x2150. Free.• 12:00 noon: Wilfrid Laurier University.Music at Noon. Irshad Khan, world ensemble(sitar, tanpoora, keyboards, Western and Latindrums). Maureen Forrester Recital Hall, 75University Ave. W., Waterloo. 519-884-0710x2150. Free.• 8:00: University of Western OntarioDon Wright Faculty of Music. UWO SymphonyOrchestra. Beethoven: Die Weihe desHauses Overture Op.124; Mahler: Lieder einesfahrenden Gesellen; Mozart: Symphony No.41K551. Geoffrey Moull, conductor; guest: CourtneyV. Murias, mezzo. Paul Davenport Theatre,Talbot College, 1151 Richmond St., London.519-672-8800 or 1-800-265-1595. $15;$10(sr/st).Friday October 07• 8:00: NUMUS Concerts/PSQ Projects.Song of the Earth. Mahler: Das Lied von derErde (arr. Schönberg); Buhr: Red Sea (Song ofthe Earth). Sarah Slean, mezzo; Adam Luther,tenor; Kimberly Barber, mezzo; PendereckiString Quartet; Paul Pulford, conductor. WilfridLaurier University, Maureen Forrester RecitalHall, 75 University Ave. W., Waterloo. 519-884-0710 x2150. $38; $32(sr); $24(under29); $10(student rush).Sunday October 09• 8:00: Kitchener-Waterloo Chamber MusicSociety. Tokai String Quartet. Mozart: Quartetin F K590; Shostakovich: String Quartet No.7;Mendelssohn: String Quartet Op.80. KWCMSMusic Room, 57 Young St. W., Waterloo. 519-886-1673. $30; $25(sr); $20(st).Tuesday October 11• 8:00: Kitchener-Waterloo Chamber MusicSociety. Marc Toth, piano. Bach: GoldbergVariations; Liszt: Pilgrim’s Chorus from Tannhaueser;Paganini: Etude No.2; Harmonies duSoir; Venezia e Napoli. KWCMS Music Room,57 Young St. W., Waterloo. 519-886-1673.$30; $25(sr); $20(st).Wednesday October 12• 12:15: St. Andrew’s Presbyterian Church.Wednesday Noon Concerts. Leap of Faith, countrygospel band. 54 Queen St. N., Kitchener.519-576-2129. Free.• 7:30: Centre for the Arts, Brock University.Nikki Yanofsky. Jazz vocalist. SeanO’Sullivan Theatre, 500 Glenridge Ave., St.Catharines. 1-866-617-3257. $65.• 8:00: Wilfrid Laurier University. StudentComposer Concert. Glenn Buhr, Peter Hatch,directors. Maureen Forrester Recital Hall, 75University Ave. W., Waterloo. 519-884-0710x2150. Free.Thursday October 13• 12:00 noon: Wilfrid Laurier University.Music at Noon. junctQin: Elaine Lau, JosephFerretti, Stephanie Chua, keyboards. MaureenForrester Recital Hall, 75 University Ave. W.,Waterloo. 519-884-0710 x2150. Free.• 12:30: University of Western Ontario DonWright Faculty of Music. UWO Chamber Orchestra.Schubert: Symphony No.5 D485; Mozart:Piano Concerto No.23 K488. Stéphan Sylvestre,piano; Geoffrey Moull, conductor. PaulDavenport Theatre, Talbot College, 1151 RichmondSt., London. 519-661-3767. Free.Friday October 14• 8:00: McMaster School of the Arts. CelebrityConcert Series. Carol Welsman, jazz vocals.Convocation Hall, 1280 Main St., Hamilton.905-525-9140 x24246. $20; $15(sr); $5(st).Saturday October 15• 8:00: Kingston Symphony. Classical Mix.Mouret: Fanfare-Rondeau; Haydn: Cello Concerto;Albinoni: Adagio for Strings; Mozart:Eine Kleine Nachtmusik; Vaughan Williams:Fantasia on a Theme by Tallis. Wolf Tormann,cello; Glen Fast, conductor. St. George Cathedral,270 King St. E., Kingston. 613-530-2050. $20-$49; $20-$45(sr); $15-$25(st).Sunday October 16• 3:00: Orillia Wind Ensemble. Mass BandConcert. With Canadian Band Association OntarioMembers and guest conductors. OrilliaOpera House, 20 Mississaga St. W., Orillia.705-326-8011. $20; $17(sr); $5(st).• 4:00: Karen Schuessler Singers. Lions,Tigers and Kids. Interactive concert for childrenwith songs from the barnyard and jungle. BeckAuditorium, 1250 Dundas St., London. 519-455-8895. $10; $5(children); $25(family).Monday October 17• 8:00. Wilfrid Laurier University. ImprovEnsemble Concert. Peter Wiegold. Maureen ForresterRecital Hall, 75 University Ave. W., Waterloo.519-884-0710 x2150. Free.• 8:00: Kitchener-Waterloo Chamber MusicSociety. Arkady Yanivker, violin and EmmanuelleBeaulieu-Bergeron, cello. Works by Kodalyand others. KWCMS Music Room, 57 Young St.W., Waterloo. 519-886-1673. $30; $25(sr);$20(st).Tuesday October 18• 12:00 noon: Marilyn I. Walker School ofFine and Performing Arts/Brock UniversityDepartment of Music. Music@Noon:Faculty Recital. Zoltan Kalman, clarinet; MatthewTherrien, piano. Sean O’Sullivan Theatre,Brock University, 500 Glenridge Ave., St.Catharines. 905-688-5550. x3817. Free.Wednesday October 19• 12:00 noon: Music at St. Andrew’s. AndrewKnevel, organ, and Liselotte Rokyta, panflute. St. Andrew’s Presbyterian Church, 47Owen St., Barrie. 705-726-1181. $5; free(st).• 12:00 noon: University of Waterloo Departmentof Music. Noon Hour Concerts: LatinHeat. Cabaret music by L’accordeoniste. KimberlyBarber, soprano; Mary-Lou Vetere, accordion;Peter Tiefenbach, piano; Carol Bauman,percussion. Conrad Grebel University CollegeChapel, 140 Westmount Rd., Waterloo. 519-885-0220 x24226. Free.• 12:15: St. Andrew’s Presbyterian Church.Wednesday Noon Concerts. Koichi Inoue, piano.54 Queen St. N., Kitchener. 519-576-2129.Free.• 8:00: Kitchener-Waterloo Symphony.Musical Aviary. Vivaldi: Violin Concerto in A“The Cuckoo”; Haydn: Symphony No.83 “Lapoule” (The Hen); Boccherini: Quintet Op.1146 thewholenote.comOctober 1 – November 7, 2011

D. The ETCeterasGALAS & FUNDRAISERS•Oct 14 6:00: Mississauga Arts Council.ARTBEATS. Gala and reception, featuringperformance by tenor Michael Ciufo and poptechno world group Naria. Red Rose ConventionCentre, 1233 Derry Rd. E. 905-615-4278.$125; $200(for two).•Oct 21 9:00: Canadian Opera Company.Operanation 8: A Muse Ball. Annual fundraisercelebrates artistic inspiration in the worlds ofmusic, art and fashion. A night of dancing andlive entertainment featuring a performance byRufus Wainwright. Isadore and Rosalie SharpCity Room, Four Seasons Centre for the PerformingArts, 145 Queen St. W. 416-363-8231or 416-306-2309(VIP). $150(main event only);$500(VIP, includes dinner).•Oct 26 8:00: Jazz Performance and EducationCentre. Jazz Goes to the Movies. Thirdannual JPEC gala, featuring film music by Bernstein,Gershwin, Mancini, Porter and Rodgers &Hammerstein. Heather Bambrick, Jackie Richardson,Denzal Sinclaire and Francois Mulder,vocals; Mario Romano Quartet; JPEC Jazz Tentet,Denny Christianson, musical director. Ondisplay: the Oscar Peterson Folio by Al Gilbert,a limited edition of eight photographic portraitsof Peterson. Toronto Centre for the Arts, 5040Yonge St. 416-872-1111 or 416-733-9388.$250(includes VIP reception); $100(concertonly); $20(students with valid ID).•Nov 05 7:00: Echo Women’s Choir. Fall FlingFundraiser Square Dance. With caller LorraineSutton and live musical accompaniment. Homemadepreserves for sale, home-baked pie raffleand children’s craft activities. Holy TrinityChurch, 10 Trinity Square. 416-588-9050 x3.$10; $8(underwaged); $25(family).COMPETITIONS•Oct 07 submissions due Amadeus Choir.“Sing a New Song” Seasonal SongwritingCompetition. 25th annual competition invitescomposers of all ages and levels of experienceto submit songs in the tradition of theWinter Solstice, and those relating to thetraditional Christmas and Chanukah themes.Complete competition rules and regulations:www.amadeuschoir.com/Competition.aspx.416-220-9573.•Oct 13 8:00: Hart House. U of T Idol. Openingnight of vocal competition featuring Universityof Toronto students, faculty and staff.Event hosted by Dave Clark featuring his band,The Woodshed Orchestra, which will accompanyeach vocalist. Arbor Room, 7 Hart HouseCircle, University of Toronto. 416-978-5362.www.harthouse.ca. Free.•Nov 04 application deadline Toronto Sinfonietta.Sixth Annual Young Musicians ConcertoCompetition. Instruments: violin, cello, pianoand woodwinds; age categories; i) under 16 ii)16 to 19 years. Gala concert of winners to takeplace February 18, 2012 at the Isabel BaderTheatre. For more information:www.torontosinfonietta.com•Seeking volunteers Kiwanis Music Festivalof Greater Toronto. Searching for “Keynotes.”Keynotes are the group of volunteers who assistthe adjudicators, collectin gmusic from theparticipants, preparing the award certificates,recording results in the master programme andphoning in end-of-session results to the FestivalOffice. Festival takes place in late February2012; two trainer/refresher sessions willbe held for Keynote volunteers in late January(West end and East end). 416-686-9008.www.kiwanismusictoronto.orgCREENINGSSCREENINGS•Oct 07 7:30: Robert Bruce Silent FilmPrograms. F.W. Murnau’s Faust (1926). Livepiano accompaniment and score by RobertBruce, piano and composer. Trinity-St.Paul’s United Church, 427 Bloor St. W. 905-777-9196. $15; $12(sr/st).•Oct 22 1:30 and 3:30: Toronto SymphonyPremiere Source for HigH quality food(416) 364-7397 www.pasqualebros.comChildren'sPianoLessonsFriendly, approachable -and strict!Liz Parker416.544.1803liz.parker@rogers.comQueen/BathurstLet YourInner Songbe SungWhole ClassicalVoice training for all ages inall styles of SingingClassical Voice Trainingusing Yoga Postures,Alexander Technique,Mindful Meditation techniques,and Expressive MovementOn Bayview at Eglintonwww.83VoICe.com416 83 VoICe(838-6423)October 1 – November 7, 2011 thewholenote.com 51

Orchestra. Peter and the Wolf LIVE. Performedto the screening of stop-motion animated film.Prokofiev: Peter and the Wolf. Ji Soo Choi, violin;Stéphane Denève, conductor. Roy ThomsonHall, 60 Simcoe St. 416-593-4828 or416-593-0688(Chinese). $20–$32. Pre-concertperformance in the lobby half an hour priorto each performance.•Oct 28 7:30: All Saints’ Kingsway AnglicanChurch. Jekyll & Hyde. Silent film withorganist William O’Meara. 2850 Bloor St.W. 416-233-1125. $20 and up.•Oct 29 8:00: Guelph ChamberChoir. Screening of Hunchback of Notre Damewith Live Music for Choir and Organ. Mergingof 1923 film, choral music and improvisationon the church organ. Guests: Edward Moroney,organ and piano; Robert Cooper, conductor. St.George’s Anglican Church, 99 Woolwich St,Guelph. 519-763-3000. $25; $20(4 or moretickets); $10. Pre-concert talk with Joan Nickstitled, “Filmmaking and Hollywood Style in theJazz Age.”•Oct 29 8:00: Toronto Symphony Orchestra.Oz with Orchestra. Screening ofThe Wizard of Oz (1939), accompanied bythe TSO; with Emil de Cou, conductor. RoyThomson Hall, 60 Simcoe St. 416-593-4828 or 416-593-0688(Chinese). $38–$105.Also Oct 30 (mat).•Oct 30 3:00: Toronto Symphony Orchestra.Oz with Orchestra. Screening ofThe Wizard of Oz (1939), accompanied bythe TSO with Emil de Cou, conductor. RoyThomson Hall, 60 Simcoe St. 416-593-4828 or 416-593-0688(Chinese). $20–$65;$16.50–$33(ages 5-12).LECTURES/SYMPOSIA•Thursday mornings until December 8: OperaIs. Previews of Upcoming Operas. Lectures byIain Scott pertaining to upcoming productionsat MetOpera, COC, Opera School, etc.. Artsand Letters Club, 14 Elm St. 416-486-8408.iain@opera-is.com. $200 per series of 4.•Oct 01 9:30am: Canadian Opera Company.Opera Exchange: A Greek Family Reunion:Gluck’s “Iphigenia in Tauris.” Delve into the social,political and artistic implications of selectedCOC operas with international academicsand members of the COC’s artistic and productionteams. Lecturers: Martin Revermann,Nathan Martin and Steven Philcox. Walter Hall,Edward Johnson Building, 80 Queen’s Park.416-363-8231. $23; $12(st).•Oct 02 1:30: Sharing a Significant MusicHeritage. Ennio A. Paola: Significant Music.Discussion of the Rag Era and ragtime music.Call ahead for location. 905-509-3815. A CultureDays event.•Oct 03 7:30: Toronto Concert Orchestra.A Little Night Music: In the Shadow of Brahms.Performance followed by informal discussionon the Vienna of Brahms and his relationshipswith colleagues Max Bruch and Joachim Raff.Kerry Stratton, lecturer; guests: Kornel Wolak,clarinet and Younggun Kim, piano. Gallery Theatre,Toronto Centre for the Arts, 5040 YongeSt. 416-733-0545. $41.•Oct 03 6:30pm: Istituto Italiano di Cultura.An Evening with Maestro Stefano Montanari.Guest condcutor of Opera Atelier’s productionof Don Giovanni will meet with the audience totalk about his career and his interpretation ofMozart’s music. 496 Huron St. 416-921-3802x221. Free.•Oct 04 2:30 and 7:00: Opera Is. Basic Fundamentalsof Opera: “Why almost everybody startswith Puccini”. Lecture by Iain Scott. Royal CanadianYacht Club City Clubhouse. 416-486-8408. iain@opera-is.com. $50•Oct 12 7:00: University of Toronto Facultyof Music. Convergance: Form and freedom increative music pedagogy. Peter Wiegold, lecturer.Gelger-Torel Room, Edward Johnson Building,80 Queen’s Patk. Free.•Oct 15 12:00 noon: Northumberland LearningConnection. Opera Brown-bag Lunch Talk:Donizetti’s Anna Bolena. Ian Montagnes givesa half-hour talk ahead of Metropolitan OperaHD broadcast. 20 Queen St., Port Hope. 905-349-3402. $5 (includes coffee/tea).•Oct 17SIGHT-SINGINGLESSONSPrivate coaching sessionswithSheila McCoy416-574-5250smccoy@rogers.comCombinableBags for: Guitar DJ Cello Wind Brass Ukulele LaptopPlay in ourKlezmer MusicEnsemble!With bandleaderEric SteinTuesdays 7:30‐9:30 pmFall term—10 weeks, starts Oct 11MNjcc 750 Spadina Avewww.mnjcc.org music@mnjcc.org416‐924‐6211 x 0Call for the location of aretailer near you1 800 690-051552 thewholenote.comOctober 1 – November 7, 2011

7:30: Toronto Concert Orchestra. A LittleNight Music: Franz Liszt: Prophet & Charlatan.Performance of Liszt’s Piano Sonata in B Minor,followed by informal discussion on the pianist,conductor, composer and thinker. KerryStratton, lecturer; guest: Adam Zukiewicz,piano. Gallery Theatre, Toronto Centre for theArts, 5040 Yonge St. 416-733-0545. $35.25.•Oct 18 8:00: X Avant New Music FestivalVI. Tim Brady: Six Strings, Five Lines. Therole of electric guitar in contemporary compositions.Fellowship Room, Music Gallery, 197John St. 416-204-1080. Free.•Oct 22 2:30: X Avant New Music FestivalVI. Markus Popp, Oval: Full Circle. One of theinventors of “glitch” music talks about how hiscreative process led him away from and backto music. Fellowship Room, Goethe-Institut,100 University Ave. 416-204-1080. Free.•Oct 23 8:00: X Avant New Music FestivalVI. Michael Gordon: Where I Live and Work.Founder of Bang on a Can talks about the influenceof New York on his music. FellowshipRoom, Music Gallery, 197 John St. 416-204-1080. Free.•Oct 24 7:30: Toronto Concert Orchestra. ALittle Night Music: The Programme Symphony:Hector Berlioz, Symphony Fantastique, Harold inItaly. Performance followed by informal discussion.Kerry Stratton, lecturer; guest: JonathanCraig, viola. Gallery Theatre, Toronto Centrefor the Arts, 5040 Yonge St. 416-733-0545.$35.25.•Oct 26 7:00 - Nov 23 7:00: Opera Is. Great“Mature Period” Operas of Giuseppe Verdi. Lectureseries of five Wednesday evenings, 7-9pm,covering 10 operas and the Manzoni Requiem.Prosserman Jewish Community Centre, 4588Bathurst Ave. W. 416-638-1881 x4259.November 12th & 13th, 2011CAREER MOVESOPERA SINGERSINSTRUMENTALISTSDANCERSCOMPOSERSCONDUCTORSSATURDAYNOVEMBER 12THMaking it Happen:Working as aPerforming ArtistA panel discussionfeaturing Presenters,Managers, a Publicist,Critics, & Artists.presented by theIRCPAINTERNATIONAL RESOURCECENTRE FOR PERFORMING ARTISTSiain@opera-is.com.•Oct 29 7:30: Toronto Gilbert and SullivanSociety. An Evening with WS Gilbert. FeaturingGilbert’s work with and without Sullivan. St.Andrew’s United Church, 117 Bloor St. E. 416-763-0832. $5(non-members).•Nov 05 11:00am: Northumberland LearningConnection. Opera Brown-bag Lunch Talk:Wagner’s Siegfried. Ian Montagnes gives ahalf-hour talk ahead of Metropolitan Opera HDbroadcast. 20 Queen St., Port Hope. 905-349-3402. $5 (includes coffee/tea).•Nov 07 7:30: Toronto Concert Orchestra. ALittle Night Music: Music as Mirror – a ComposerSpeaks. Performance followed by informaldiscussion. Kerry Stratton, lecturer; guestsNorbert Palej and Joseph Macerollo. GalleryTheatre, Toronto Centre for the Arts, 5040Yonge St. 416-733-0545. $35.25.•Registration Open. International ResourceCentre for Performings Arts. “CareerMoves” Seminar for Classical Performing Artists.Two afternoons of seminars and discussionsdesigned to help people make a career asclassical singers, instrumentalists, conductors,composers and other related professionals.Day one: panel discussion featuring presenters,managers, publicists, critics and artists; daytwo: a Q&A with retired artist manager EdnaLandau, a co-founder of IMG in New York. Seminarto take place on November 12 and 13 from2-5pm, location TBA. $40 per day or $70 forboth; before November 1: $35 per day or $65for both. www.internationalresourcecentreforperformingsartists.com.Register: 416-362-1422 or sumintl@rogers.com.MASTERCLASSES•Oct 08 10:30-4:30: Long & McQuade/TAKE YOUR CAREERTO THE NEXT LEVEL!Spend two afternoons,2pm-5pm, hearingperforming arts professionalsshare vital information aboutwhat is expected ofperformers in the industry.SUNDAYNOVEMBER 13TH“Ask Edna” In Person: Questionand Answer with Edna Landau.Meet the renowned ArtistManager, and MusicalAmerica blogger of “AskEdna” Career Advice for thePerforming Arts.SAT & SUN 2:00PM- 5:00PM$35-$40/DAY, $65-$70/BOTH DAYSVENUE: TO BE ANNOUNCEDE-MAIL: SUMINTL@ROGERS.COMPHONE: 416-362-1422Pictured here with the Winnipeg Symphony, Tim Brady lectureson the role of electric guitar in contemporary composition at the XAvant Music Festival VI October 18 at theMusic Gallery; he also performs October 20 (see listings section A).Miyazawa Flutes. Ian Clarke, British flutistand composer. Flute masterclass. St. Andrew’sUnited Church, 117 Bloor St. E. 416-588-7886or pdydnansky@long-mcquade.com. $50(performers);free(auditors).•Oct 16 2:00: Singing Studio of DeborahStaiman. Masterclass. Musical theatre/auditionpreparation, using textual analysis andother interpretative tools for the “sung monolgue.”Yonge & Eglinton area – please call forexact location. 416-483-9532. www.singingstudio.ca•Oct 21 2:30: York University Departmentof Music. Caroline Schiller, soprano.ALEXANDER KATSA rst class Russian-trainedconcert pianist/teacheris accepting students forregular private lessons orrepertoire coaching, fromadvanced (ARCT, university)to all grades of RCMincluding theoryCall: (416) 340-1844alexander.kats@sympatico.caMasterclass in classical voice, with participantsfrom the studios of Catherine Robbin,Stephanie Bogle, Norma Burrowes, MichaelDonovan, Janet Obermeyer and Karen Rymal.Observers welcome. Tribute Communities RecitalHall, Rm.112, Accolade East Building,4700 Keele St. 416-736-5186. Free.•Oct 23 2:00: Home Music Club of Toronto.Chamber Music Masterclass with Peter Longworth.Piano trio repertoire. Royal Conservatory,273 Bloor St. W. 416-850-0612. Free.WORKSHOPS•Oct 01 9am-1pm: Riverside Celtic College.EXPERIENCEDCHOIRDIRECTORavailable forchurch and/orcommunity choirJUDITH YOUNG416 493 6421Fallis Voice Studio∂Practical and technical, imaginative& inspirational! ∂Lessons &coachings, recitals & master classesoffered. ∂Professional collaborativepianist available as needed∂MARY LOU FALLIS maintainsa studio at Trinity St Paul’s Centre,427 Bloor Street West.∂416-925-6889 ploum@interlog.comwww.maryloufallis.comANDREW SIKORSKYOctober 1 – November 7, 2011 thewholenote.com 53

Rm. 330. 416-240-8573. $85/$75(EB).•Oct 02 11:00: Rick Sacks. Hands On PercussionWorkshop. Group improvisation, rhythmexercises, different grooves. Workshop will berecorded; participants can bring storage devicesor receive a free CD. Array Music Studio,60 Atlantic Ave. 416-532-3019. A CultureDays event.•Oct 02 12:00 noon: Hart House. Play theDrums. Workshop led by Dave Clark. Enrolmentlimited to 30; no pre-registration, seatsprovided on a first-come first-served basis. 7Hart House Circle. 416-978-5363. A CultureDays event.•Oct 02 3:00: Hart House. Play the Ukulele.Workshop led by Thomas Dean. Enrolment limitedto 30; no pre-registration, seats providedon a first-come first-served basis. 18 ukulelesavailable; participants welcome to bring theirown. 7 Hart House Circle. 416-978-5363. ACulture Days event.•Oct 02 4:00: Art With A Heart. MusicalPlay with Handmade Instruments. 1007 WaltonBlvd., Whitby. 905-430-7339. A CultureDays event.•Oct 16 1:30-4:00: Toronto Early MusicPlayers Organization. Mid- to Late 16thCentry Settings of Psalms. Coach RosamundMorley, teacher of viol at New Haven NeighbourhoodMusic School and Yale CollegiumMusicum. Participants invited to bring viols,recorders, early intruments and music stand;music available at the door. Armour HeightsCommunity Centre, 2140 Avenue Rd. 416-245-3413. $20.•Oct 16 2:30: CAMMAC. Fado Workshop. Portuguesesinging with Jessica Lloyd and LouisSimao. Miles Nadal Jewish Community Centre,750 Spadina Ave. 905-877-0671. $30;$25(members).•Oct 21 7:30: CAMMAC Recorder Players’Society. Renaissance and Baroque Music workshopfor recorder and other early instrumentplayers. Scott Paterson, coach. Church of theTransfiguration, 111 Manor Rd. E. 416-480-1853. $20; $15(members).•Oct 23 2:00: CAMMAC. Reading for Singers.Handel: Coronation Anthems. RichardBirney-Smith, conductor. Christ Church DeerPark, 1570 Yonge St. 416-605-2793. $10;$6(members).GIVEAWAYS•Humber Valley United Church wishes to donateto any choir 26 rust coloured gowns and18 cream collars. 76 Anglesey Blvd. 416-231-2263 x22. cheryl@hvuc.caOPEN REHEARSALS•Oct 1 3:00: Mississauga Children’s Choir.Open Rehearsal. Junior Choir (ages 8-11) rehearses;information available about all fivePublicity, press kits& image consultingfor performers416.544.1803www.lizpr.comMississauga Children’s Choirs (ages 6-17).Westminster United Church, 4094 TomkenRd., Mississauga. 905-624-9704. A CultureDays event.•Oct 2 7:00: Wellington Winds. Open Rehearsal.Participants will meet the conductorand players, and learn about the preparationthat goes into the ensemble’s performances.22 Dupont St. E., Waterloo. 519-579-3097. ACulture Days event.OPEN HOUSE•Oct 01 10am-4pm: Metalworks Group.Open House. As part of Doors Open Ontario,tour the recording studio, entertainment artsinstitute and live event company. 3611 MavisRd., Mississauga. 905-615-3200 x4063. ACulture Days event.•Oct 01 2:00: Music & Opera AppreciationInc. Open House. Multimedia display, afternoontea and information about club history andcurrent season. 1144 Ontario St., Stratford.226-921-0082. A Culture Days event.•Oct 02 10am: Burlington Performing ArtsCentre. The Keys to the Future Committee OpenHouse. Public invited to view the 9 foot ShigeruKawai piano recently acquired through communityfundraising efforts, including musicalperformances and tour of the venue. 440 LocustSt., Burlington. 905-331-8701. A CultureDays event.•Oct 02 12:00: Michael Johnston MusicStudio. Open House. Tour of the music studio,opportunity to meet teachers, students andparents. 119A Roncesvalles Ave. 416-516-9186. A Culture Days event.•Oct 16 1:00: Toronto Centre for the Arts.Season Launch Open House. Jazz, classical andmusical theatre performances. 5040 Yonge St.416-733-9388. Free.OPEN JAM•Oct 01 1:00: Schinbein’s Music/Perth ArtsConnect/Hermione. Random Acts of Music.Live jam at Schinbein’s Music featuring country,folk, blues and singalong. 117 St. AndrewSt., Perth. A Culture Days Event.ETCETERA!•Oct 01 10am-10pm: Elmer Iseler Singers.Culture Days Celebration. Choral treasure hunt,composer’s talk and organ recital. Meet LydiaAdams, conductors and Shawn Grenke, organistand music director. All Saints’ KingswayAnglican Church, 2850 Bloor St. W. 416-217-0537. A Culture Days event.•Oct 01 12:00 noon: Toronto Early MusicCentre. Early Music Fair. Exhibits, CDs, books,information on historical performance, and livemusic. Montgomery’s Inn, 4709 Dundas St. W.416-464-7610. A Culture Days event.•Oct 01 1:00: Perth Arts Connect/NorthA Little Night MusicJoin Maestro Kerry Strattonfor a weekly series of informal discussionson music & composers, with liveperformances by prominent artists.OCTOBER 3 ...In The Shadow of BrahmsThe Vienna of Brahms& his colleagues.Guests: Kornel Wolak, clarinet& Younggun Kim, piano.OCTOBER 17 ...Franz Liszt: Prophet & CharlatanThe influential bravura pianist,conductor, composer & thinker.Guest: Adam Zukiewicz performsLiszt’s Piano Sonata in B Minor.OCTOBER 24 ...The Programme Symphony:Hector Berlioz, Symphony Fantastique,Harold In Italy.Berlioz wrote for orchestra as no onebefore him had imagined.Guest: Jonathan Craig, viola.NOVEMBER 7 ...Music as Mirror:A composer speaks.Guests: Norbert Palej& Joseph Macerollo.NOVEMBER 14 ...Strauss & Vienna: The Magic of 3/4 Time.What is it about the Viennese masterthat continues to charm?Guests: Iris Rodrigues, soprano, & friends.NOVEMBER 21 ...Early 20th Century Modernism:Debussy Violin Sonata.Inspired by poetry – “I am dreaming ofcharacters who submit to life!”Guest: Corey Gemmell, violin.Art Gallery at the Toronto Centre for the Arts,7:30 pmsubscriptions $160.50,single tickets $35.25For individual tickets or subscriptionscall 416-733-0545tickets online www.ticketmaster.caa presentation ofOctober 1 – November 7, 2011 thewholenote.com 55

Editor’s CornerDAVID OLDSBy my reckoning, the Canadian MusicCentre released more than a dozen CDson its Centrediscs label last year, withreviews of 13 titles appearing in these pagessince July 2010. This is, by any standard,a remarkable achievement in the rarefiedmedium of contemporary concert music andwonderful news for the composers of thiscountry. Even better news is that the fieldhas broadened with the recentannouncement from NAXOS — thelargest producer of classical CDsin the world — that they will bereleasing six to eight discs ofmusic by Canadian composersannually on their new CanadianClassics series.The first to appear is FugitiveColours, featuring music byJeffrey Ryan performed by theVancouver Symphony Orchestraand the Gryphon Trio under thedirection of Bramwell Tovey(8.572765). There is a strongToronto connection here inspite of the Vancouver by-line.Born in Toronto (and raisedin Fergus), Ryan has since1997(!) served as composer advisorto Music Toronto — his StringQuartet No. 4 “Inspirare” waspremiered by the Tokyo Quartetat Walter Hall in the openingconcert of MT’s 40th season lastmonth — and from 2000–2002was an affiliate composer of theToronto Symphony Orchestra.Now based in Vancouver, Ryanwas composer laureate of theVancouver Symphony Orchestra in 2008/09having previously served as its composer-inresidencefrom 2002–2007.The three works on this CD are a legacyof his relationship with the VSO. The opener,The Linearity of Light¸ commissioned inthe early days of his residency there, wascompleted in 2003. It is a tone poem thatexplores reflections and refractions in adramatic and rhythmically compelling way,at times reminiscent of Stravinsky andHolst, juxtaposed with ethereal momentsof extreme delicacy. 2007’s Equilateral:Triple Concerto for Piano Trio andOrchestra was co-commissioned by theVSO and the TSO in celebration of the 15thanniversary of the Gryphon Trio, long-timecolleagues of Ryan’s at Music Toronto asensemble-in-residence. It must have beena daunting task to undertake a work in theshadow of Beethoven’s masterpiece for thesame instrumentation — I can’t think ofanother example off-hand; I’ll probably getletters — but Ryan rises to the challengeadmirably. The two outer movements,aptly named Breathless and Serpentinefeaturing unison rhythms and dense textures,frame the wonderfully lyrical Points ofContact, with its poignant solo passagesand microtonal “Doppler” effects. Ryan thecolourist is shown to great effect in the titlework, the 2006 symphony commissionedby the VSO. Three of themovements make no secret oftheir inspiration from the worldof colour: Intarsia (although Imust admit I had to look thatone up), Nocturne (Magenta)and Viridian. The remaining(third) movement, Light: Fastsuggests the full spectrum whileonce again reminding us of therhythmic vitality of Stravinsky.This segues into the finalewith a violin solo which setsthe tone for an extended andpeaceful dénouement.All in all, this disc makesa strong contribution to therecorded legacy of Canadianmusic and a fitting opening to theNaxos series. Ryan already had animpressive discography — thisis the tenth CD to include hismusic — but here we are presentedwith the first to featurehis orchestral music exclusively.Congratulations to JeffreyRyan, to Naxos and indeed tothe Canadian music community— this series promises to be awin, win, win situation.Concert note: Jeffrey Ryan’s extendedvocal cycle The Whitening of the Ox willreceive its premiere at the Enwave Theatreon January 29 with baritone Tyler Duncanand the New Music Concerts ensemble.The rest of my listening this month wasdevoted to recent releases in my favouritegenre, the string quartet. I was intrigued toreceive a disc on the Bridge Records labelpurporting to be by the New Orford StringQuartet. Who can this be, I wondered,with the nerve to appropriate the nameof Canada’s most respected chamberensemble? I still harbour some of thosethoughts, but having listened to the Schubertand Beethoven quartets included on theirinaugural release (Bridge 9363) I am willingto at least grant them credibility. It turnsout that the quartet, like its namesake,was formed at the Orford Music Centrein Quebec, in this instance in the summerof 2009. It is comprised of principalsand former principals of the OrchestreSymphonique de Montréal and the TorontoSymphony, violinists Jonathan Crow andAndrew Wan, violist Eric Nowlin andcellist Brian Manker. Unlike the originalOrford which for more than 25 years wasdevoted exclusively to being a quartet, theNew Orford dedicates only specific periodseach year to working together. There are anumber of surprises on this recording: thatthe Bridge label doesn’t only record themusic of living American composers andmusicians; that Schubert, Beethoven’s juniorby 27 years, finished his 15th string quartetin the same year that Beethoven wrote hisown 16th (the two being paired on thisrecording); and that a “part-time” quartetcan play so well together! The disc featuresunusual and insightful liner notes by cellistBrian Manker and the exceptional soundquality was captured at the Schulich Schoolof Music, McGill.Founded in 1997, Montreal’s MolinariQuartet has established a solid reputationas a voice for established and emergingcomposers working in the genre of thestring quartet. One of its lasting legacies isthe triennial Molinari Quartet InternationalCompetition for Composition which in thefist 10 years has received over 600 newquartet scores from 60 countries. The onlyremaining founding member, first violinistOlga Ranzenhofer, has surrounded herselfwith a fine crop of new partners — violinistFrédéric Bednarz, violist Frédéric Lambertand cellist Pierre-Alain Bouvrette — fora 2 CD set of string quartets by AlfredSchnittke (ATMA ACD2 2634). The German/Russian composer (1934–1998) was one ofthe original voices of the new eclecticismand this is well demonstrated in his fourquartets spanning the years 1966 to 1983.These important works receive convincingperformances here. My only qualm is theordering of the quartets on the recording.Usually re-arranging works is a result ofthe time constraints of the medium. Thatis obviously not the case in this instance(3-1-2 on one disc) so we assume it was anaesthetic choice, perhaps to do with theparticularly alluring opening of the thirdquartet. That quibble aside I find it very easyto recommend this set to both those who arefamiliar with the material and those whohave not yet encountered the quartets of thisexceptional composer.we welcome your feedback andinvite submissions. CDs and commentsshould be sent to: The WholeNote, 503–720Bathurst St., Toronto ON, M5S 2R4. Wealso encourage you to visit our website,www.thewholenote.com, where you can findadded features including direct links to performers,composers and record labels, “buybuttons” for online shopping and additional,expanded and archival reviews.—David Olds, DISCoveries Editordiscoveries@thewholenote.com60 thewholenote.comOctober 1 – November 7, 2011

In Concert 11, despite the rather statelyquality of all eight movements, the standardof hautboy playing is always maintained.It is Susie Napper’s mastery of the gambawhich gains exposure, reinforced in her duetwith harpsichordist Arthur Haas in a trackfrom Couperin’s third book of harpsichordpieces. In fact, Bruce Haynes returns withsome of his most inspired playing in twomusétes. Rural can only begin to describethe combination of hautboy, harpsichordand gamba as they imitate the sounds of theFrench bagpipe!And then the even more varied Concert 3(with another muzette–sic) to conclude thistribute to Bruce Haynes, and to the instrumenthe revived in the country of its birth.—Michael SchwartzTabarinades – Musiques pour le theatrede TabarinLes Boréades; Francis ColpronATMA ACD2 2658Tabarin wasthe stage nameof Jean Salomon.Born in 1584, heand Antoine andPhilippe Girardset up an open-airtheatre in PlaceDauphine, Paris.Lively shows put Parisians of all classesin good humour, promoting the sale ofTabarin’s range of quack medicines.Music accompanied the sketches; violinsand bass viol are depicted in illustrations.The comparison with commedia dell’arte istoo tempting for Director Colpron, who addsthe latter’s recorders, lute and guitar.From the start, this anthology (27 tracksin one hour!) features the liveliness of theFrench renaissance dance tune and manytracks are very familiar to early musiclovers; track 2 Les Bouffons is a casein point, although one of the “outdoor”instruments of the period (crumhorn,rauschpfeife) would perhaps have made foran even livelier performance.Several pieces are taken from morecourtly circles, ballets being an obviousexample. In these cases, woodwinds livenup what might have been rather subduedstring pieces.The selection is varied, as a motet and astately pavan find their way onto a CD of essentiallyFrench secular and theatrical music.None of this should distract the listener froman hour of highly enjoyable playing, nonemore so than the recorder-playing of FrancisColpron (listen to the stately quality of Dabei rami scendea). His direction brings asmany as 14 early musicians together, sometimes11 on one track–a veritable crowd forearly music enthusiasts!And one man did come to be deeplyinfluenced by Tabarin: real name Jean-Baptise Poquelin, stage-name Molière.—Michael SchwartzCLASSICAL & BEYONDBeethoven – The Complete Piano SonatasPeter TakácsCambria CD1175-1185 11(www.cambriamusic.com)Peter Takács is aprofessor of pianoat Oberlin Collegein Oberlin, Ohio.He was born inBucharest, Romaniaand by four wastaking music lessonsand made his debutthere at seven. When the family emigrated toFrance he was admitted to the ConservatoireNational de Paris. In the United Stateshe was awarded full scholarships to bothNorthwestern and the University of Illinois.It was with Leon Fleisher, with whom hemaintains a close personal friendship, thathe completed his artistic training at PeabodyConservatory. In addition to the usual oneon-oneinstruction, he gives master classes,adjudicates on music competitions, andconcertizes in the United States and abroad,performing in solo recitals, chamber musicand works with orchestra.It is evident that Takács has becomevery close to Beethoven’s spirit, for theseinterpretations seem to come from withinand not imposed on the score. These are notsimply scholarly performances but fresh,compelling renditions by a scholar who hasresolutely looked beyond the printed page.In addition to the 32 published sonatas, sixextras are included: WoO 50 & 51 (1797/8);The Elector Sonatas WoO 47 nos. 1,2,3; andthe sonata for piano four hands op.6 (1896/7)with Janice Weber, secondo. Plus, for goodmeasure, the Andante Favori WoO 57. Thus,the collection is uniquely complete.For me, Takács reveals qualities in theseworks that elevate them from piano piecesinto musical narratives that engage thelistener’s undivided attention and hold itbeyond the very last note. I hated to stop anyone of them or have my attention diverted incase I missed something. Even the shortestnote or phrase has meaning. A poor similebut it may be like habitually viewing asculpture from the same perspective and thenseeing it from a new aspect … same piece butdifferently illuminated … an added dimensionand a fresh appreciation of a familiar piece.Listening to these recordings arousednostalgic remembrances of the wondermentand excitement of hearing these worksfor the first time. I do hope that ProfessorTakács will favour us with some Schumann,played with equal dedication.Audiophiles will be very excited withthese hybrid discs which are recorded infive channels that are available on the SACDtrack but are spot-on heard on the twochannel track of the discs. The instrumentis a Model 290, 9’6” Bösendorfer ImperialGrand and the recordings were engineeredby Soundmirror, Inc. of Boston.Finally, I must comment on the sumptuouspackaging which, itself, is a work ofart: a sturdy box houses a 144-page, fullcolour, hard-bound book of informativeessays and meticulous notes on each workwritten by Professor Takács. A pocket on theinside back cover contains a BEETHOVENTIMELINE, an 18”x19” folded 2-sided almanacof significant events in Beethoven’slife with contemporary milestones in theworlds of music, literature, science, philosophyand history. The CDs are individuallysleeved in a matching hard cover book.Professor Takács visited Toronto recentlyand he was kind enough to sit and chatwith me in the WholeNote offices. Partsof that conversation/interview with thisvery interesting and articulate man wererecorded and I urge the reader to view this atwww.thewholenote.com.—Bruce SurteesLizst – My Piano HeroLang Lang;Vienna Philharmonic;Valery GergievSony 88697891412For the Liszt bicentennialmost ofthe major recordcompanies haveissued new releasesand re-releases ofhis work. One ofthese is “Liszt–MyPiano Hero” bySony Classical featuring Lang Lang. Thecelebrated young Chinese pianist, a formerchild prodigy, is now 29 years old. Over thelast 10 years he has developed enormouslyfrom a dazzling showman somebody referredto as “the J.Lo of the piano,” to a maturingartist whose playing never ceases to touchyour heart. Lang Lang’s main attributes,I think, are his communication skills andexuberant love of playing the piano. RecentlyI saw him with 100 kids playing Schubert’sMarch Militaire at the Philharmonie Berlinunder his inspiring direction to a result ofoverwhelming success.This selection contains some of Liszt’smost popular pieces like La Campanella,Hungarian Rhapsodies Nos. 6 and 15, GrandGalop chromatique and many others ofsimilar vein, plus the Piano Concerto in Eflat major with Valery Gergiev conductingthe Vienna Philharmonic. A good crosssection of Liszt’s works from the dazzlingvirtuoso pieces to the more introspectiveromantic, dreamy compositions (LiebestraumNo. 3, Consolation No. 3, Un Sospiro) whichare played with exquisite touch and delicacy.There is idiomatic playing in the RhapsodyNo. 6 especially in the slow mid section(Lassu) where he captures the Hungarianspirit with the characteristic rubatos and62 thewholenote.comOctober 1 – November 7, 2011

accelerandos. La Campanella sounds like alittle bell the piece was named after.This fine recording will convert manysceptics to accept Liszt to be Chopin’s equalas a keyboard giant.—Janos GardonyiConcert note: Valery Gergiev conducts theMariinsky Orchestra at Roy Thomson Hallon October 21. Lang Lang performs all fiveBeethoven Concertos (one per night) with theToronto Symphony Orchestra November 9,10, 12, 17 & 19.Franz Liszt | An AppreciationTwo hundred years ago, onOct 22, 1811 in the Hungarian villageof Doborjan, later renamed Raiding intoday’s Burgenland (Austria),one of the most influential figuresin the history of Westernmusic, Franz Liszt, was born.Although from Hungarian ancestryhe never learned to speakthe language as he spent mostof his life in France, Germanyand Italy. His father was a talentedmusician who worked forthe Eszterhazy family and waswell acquainted with Haydn.The little Liszt at age of sevenalready knew how to write music and playedBach fugues and transposed them while “hisparents ate their dessert.” At the age of ninehe gave his first concert and at the age of10 he studied under Czerny and Salieri. Hisfame grew quickly and as a child prodigy hisfather took him on European tours.In the French capital he met Chopin andmany other prominent figures of the musicworld. He quickly developed into a phenomenalpianist and was idolized throughout thesalons. As a glamorous society beau he fellin love and ran away with a married woman,the beautiful Countess Marie d’Agoult, andhad three children with her. (One of them,Cosima later married Richard Wagner.)But the love affair didn’t last. Later he metPrincess Carolyne von Sayn-Wittgenstein, adivorcee whom he wanted to marry but theceremony was cancelled in the last minuteby order of Pope, Pius IX. Instead he livedwith her in Weimar where as Kapellmeisterfor the Saxon princes he reshaped musicallife and attracted all the upcoming composersto his “court.”He became a “conqueror of Europe” andhis fame and fortune knew no bounds. Hewas also a most generous man: he returnedregularly to Pest-Buda (now Budapest) andgave many concerts for charity. He was alsoinstrumental in the creation of Wagner’sBayreuth Festspielhaus with a large contributionof funds.This age bred many Romantic heroeslike Lord Byron, Robbie Burns, BenvenutoCellini, Niccolo Paganini, and Hector Berliozwhose colourful lives imitated their art. Lisztwas one of these but he did not die young likethe others and lived to a relatively healthy 75.Being a pianiste extraordinaire he composedmainly for the piano. His outputwas prolific and many pieces such as theJANOS GARDONYIHungarian Rhapsodies, the Paganini Etudes,Années de pèlerinage and the b-minor Sonatahave become immortal masterpieces, staplesof the repertoire and difficulthurdles for any aspiring pianist.He revolutionized the pianoconcerto by compressing thetraditional three movementstructure into a single, freeflowing, long movement, butstill maintaining, in the formof episodes, the usual introduction,allegro, andante, scherzoand presto finale sequences.Later in life he concentratedon orchestral writing andinvented a new form, the symphonic poem.He wrote 12 of these of which Les Preludesbecame the most often played but accordingto critics, some of the others like HéroïadeFunèbre, Orpheus, Mazeppa and Hamletare superior. Following the footsteps ofBerlioz’ Symphonie fantastique Liszt furtherdeveloped the romantic symphony withhis Faust and Dante symphonies, whichrival Berlioz.Disappointed in being unable to marryhis Princess, Liszt took on monastic ordersand retired in a monastery near Rome. Hebecame an Abbé and lived in a cell withminimal furnishings and an old out of tunepiano with the middle D missing. Monasticlife, however did not suit him. He continuedto travel, visiting the Princess who livedin Rome. His journeys were mainly toBayreuth, Budapest and of course, Rome.In his seventies his health began to fail andafter catching a bad cold on one of his trainjourneys he died in Bayreuth in the midst ofhis daughter’s family in 1886 at the age of75. Ironically, his much younger son-in-lawRichard Wagner had died three years earlierin 1883.All life must come to an end, butLiszt certainly made the most of it. Adashing romantic hero idolized by womeneverywhere he went, he was a magicianof the piano who took pianism to a levelnever before imagined. As a composer herevolutionized and extended, along withBerlioz, the symphony orchestra withinstrumentation and orchestral effectsnever heard before. His influence as acomposer on his contemporaries and the nextgeneration cannot be overestimated. FranzLiszt enriched the history of music and itis unlikely there will be another like himever again.A Victorian Romance – Music for theEnglish ConcertinaJoseph Petric; Boyd McDonaldAstrila AST2322652-2(www.midtownmedia.ca/joseph)The concertina isa distant relative ofboth the accordionand the bandoneon.All three were “invented”in the 19thcentury. Thanksto the phenomenalsuccess of AstorPiazzolla, his tango Nuevo bandoneon compositionsand performing style is popularwith accordionists around the world. Nowinternationally renowned Joseph Petrictackles the intricacies of English concertinamusic from the British Victorian eraon the accordion, with help from pianistBoyd McDonald.Two multi movement works by BernhardMolique are featured as well as GeorgeMacFarren`s melodramatic Romance. Theseare not deep or challenging works but are allpretty compositions that were very much thestyle during the 1800s. Accordion and pianoas a duet often results in a tuning and intonationnightmare, but the superb fortepianoaccompaniment of Boyd McDonald tossesany such fears immediately out the window.His performance provides a solid and steadysupport to Petric’s musical viewpoints andexceptional phrasing and bellows control.The sound quality superbly replicatesthe salon atmosphere. Petric has writtencomprehensive liner notes that provide historicalexplanations. Readers interested inmore information should check out the bookVictorian Music for the English Concertinaavailable at the Toronto Public Library.I enjoy how Joseph Petric plays. However,I am a bit disappointed in his performanceon “A Victorian Romance.” StylisticallyI would have liked to hear more dynamicdifferentiation and “attachment” to themusical flow, but that’s just a personalthing. This is still an excellent release withfine performances.—Tiina KiikBrahms on BrassCanadian BrassOpening Day Records ODR 7415(www.openingday.com)Though raisedon Brahms’s keyboardmusic, I wassurprised by thesewonderful adaptationsand performancesof the SixteenWaltzes, Op. 39,Ballade, Op. 10,No. 1, and Eleven Chorale Preludes, Op.122. Brahms was a multifaceted composerindeed. Canadian Brass trumpeters andOctober 1 – November 7, 2011 thewholenote.com 63

adapters Brandon Ridenour and Chris Colettinote on their website how easily the pianowaltzes became brass music. Both bumptiouswaltzes and tender ones like the famousWaltz no. 15 in A Flat come off well inthese spotless renderings, recorded in theclear, resonant acoustics of Christ ChurchDeer Park. Considering the German brassbands of his time, the settings also seemhistorically appropriate. The Ballade evokesa sterner tradition of medieval knights andbattles in Ridenour’s adaptation for brassoctet. Augmented musical forces enable awide dynamic range, building through fatehauntedclashes to a tremendous climax.The disc’s greatest works are Brahms’last, the beloved 11 organ chorale preludes(adapted by Ralph Sauer) reaching back tothe sacred music of Bach and further (inwhich brass instruments were also prominent).Along with the two trumpeters, theCanadian Brass’s personnel include EricReed, horn, Keith Dyrda, trombone, andoriginal member Chuck Daellenbach, tuba.All contribute equally in such gems as OGod, thou righteous God and O World, Imust now leave thee, in performances thatpromise many fruitful hours of listeningand contemplation.—Roger KnoxWagner – Prelude; Elgar – Cello Concerto;Brahms – Symphony 1Alisa Weilerstein; Berlin PhilharmonicOrchestra; Daniel BarenboimEuroArts DVD 2058068 or 2058064Blu-rayI ordered thisdisc to hear a newperformance of theElgar. The Brahmsenjoys a satisfying,substantialperformance butdoes not quite displacethe top fewfavourites. Recorded live in the SheldonianTheatre, Oxford in 2010 it is the performanceof the Elgar that sets new standards inevery respect.The premier of the profoundly beautifulElgar Cello Concerto in 1919 was a fiasco.Elgar had not been given enough time toadequately or even inadequately rehearse theLondon Symphony Orchestra. Cellist FelixSalmond knew his part but the orchestrawas unprepared. The critics were mercilessand Elgar wanted to withdraw the work butSalmond’s devotion to the score persuadedhim otherwise.The first recording was of a truncatedversion with cellist Beatrice Harrison conductedby Elgar in 1920. She recorded thecomplete score with Elgar and the LSO in1928. The sensitive and fragile nature ofthe music seems to particularly suit femaleperformers. This is best demonstrated bythe young Jacqueline du Pré, who recordedit in 1965 with cellist-turned-conductor, SirJohn Barbirolli and the LSO for EMI. Shetuned the world into Elgar’s most introspectivestatement. As an aside, Barbirolli was inthe cello section of the LSO in the disastrous1919 premier.Who could have imagined that duPré’s mantle would have passed to AlisaWeilerstein. Weilerstein was born in 1982and has played cello since she was four.Her father founded the Cleveland Quartetand was concert-master of the ClevelandOrchestra. Her mother is a professional pianistand well known in musical circles. Inthe performance captured on this video, sheplays the concerto with such assurance thatit sounds like she owns it. Her musicality,sensitivity and competency as a performerare complemented by a strong, electrifyingstage presence. She is at one with herinstrument. A paragon. Her rapport withBarenboim and the Berliners is splendid andthe performance is nothing short of spectacular,certainly worth many listenings.Unquestionably, a must have. Do it now.—Bruce SurteesEditor’s note: Alisa Weilerstein receivesMacArthur Fellowship. Alisa Weilersteinwill receive $500,000 in no-strings-attachedsupport over the next five years after beingnamed as a MacArthur Fellow. The 29-yearoldcellist was awarded the so-called ‘genius’grant by the John D. and Catherine T.MacArthur Foundation.Mahler – Symphonies 1–10Tonhalle Orchestra Zurich; David ZinmanRCA Red Seal 88697 72723 2Until recentlySwitzerland’sTonhalle OrchestraZurich had littleinternational prominenceand, bycomparison withErnest Ansermet’srenowned SuisseRomande orchestra, a sadly meagre discography.That all changed with the arrival in1995 of American conductor David Zinman.He brought an injection of fresh blood to thisvenerable ensemble and soon hit a home runwith of a swiftly-paced, revisionist box setof Beethoven symphonies which sold overa million copies. The rejuvenating effect ofhis stewardship is confirmed by the genuineoptimism and esprit-de-corps expressed ininterviews with the members of the orchestrain an accompanying documentary coveringthe recording of the Sixth Symphony and thestory behind its composition. (Incidentally,this DVD includes a visit to the control roomwhere the producers claim with a straightface that they aren’t adjusting the balancethrough the mixing board. Not when thecameras are running, anyway.)Few boxed sets of Mahler symphonieshave ever proven themselves outstandingin all respects, though the Bernstein andKubelik collections from the 1960s remainworthy contenders despite their age. ThoughZinman’s excursion to the nine planets ofMahler’s known universe contains morehits than misses, there are a few disappointmentsalong the way. The bulk of the ebullientFirst Symphony (Zinman includes theexcised Blumine movement as an appendix)falls flat, the genial Fourth fails to smile,and the infinite longing of the first movementof the Ninth Symphony fails to registeremotionally due to clumsy or non-existenttempo adjustments and less than subtle dynamicgradations.The more objective middle symphoniesfare best, with an excellent Third andFifth and highly effective Sixth and Seventhsymphonies, the latter two distinguishedby the sweetest, most contented cowbellsI’ve ever heard. The choral symphonies,Two and Eight, feature world-class vocalsoloists including Juliane Banse, AnnaLarsson, Birgit Remmert and Anthony DeanGriffey backed by the magisterial WDRRundfunkchor Köln.The set concludes with the incompleteTenth Symphony in the rarely-heard ClintonCarpenter version, an interventionist realizationthat attempts to flesh out the harmoniesof Mahler’s extant sketches and incorporatesquotations from his previous symphonies.I’m not entirely convinced by the resultsbut it’s fascinating to hear this alternate tothe prim and proper Deryck Cooke version.My reservations aside, the mid-range price,ample documentation and exemplary sonics(including an offbeat 4.1 [sic] SACD layerfor ye boys what have such toys) make thisan attractive proposition and a leading contenderamong the avalanche of recent releasesin the ongoing Mahler celebrations.—Daniel FoleyHONENS LAUREATESThe Latest CropThe Honens International PianoCompetition, based in Calgary, commencedin the early 1990s and occurs every threeyears. Its next edition will take place in2012, with a prize advertised as the largestanywhere: $100,000 cash, plus three yearsof management and concerts, for the firstplacewinner.Another angle to the Honens Competitionis the occasional issuing of CDs of pastwinners. Four releases have just appeared,each recorded in 2010 at the Banff Centre.They are a homage to the recently deceasedAndrew Raeburn, who directed the Honensfor a decade, and earlier in his career ranclassical record labels in England and theUS. Raeburn is listed as producer on oneof these discs, the Bach release by MinsooSohn, a follow up to Sohn’s Liszt recordingas First Laureate of the 2006 competition.The other three, featuring the 2009 laureates,were produced by Banff recordingengineer Theresa Leonard.The piano soundcaptured is uniformly fine, closely miked64 thewholenote.comOctober 1 – November 7, 2011

yet resonant. Musicchoices are diverse,and avoid muchof the customarycore piano repertoire— no Beethoven,Schumann, Chopin,Liszt, Scriabin,or Rachmaninoff.Russian EvgenyStarodubtsev presentsthe most interestingrecital, clusteredaround the 1920s:Karol Szymanowski’sthree bracingMasques, PaulHindemith’s jazzySuite (1922), Schoenberg’s Five Pieces, Op.23 and Stravinsky’s Sonata (1924). His playingis objectivist in spirit, which may suit aneoclassical milieu.Russian Georgy Tchaidze offers a lovelySchubert program with warmth and care. Heplays the songful A Major Sonata, Op. 120,the Wanderer Fantasy, and four short characterpieces like he loves them.American Gilles Vonsattel delivers acompelling, mostly French recital: Ravel’sSonatine and Gaspard de la Nuit, five selectionsfrom Debussy’s Images, and shortpieces by ArthurHonegger andHeinz Holliger (b.1939). His playingis notably colorfuland expressive.Korean-AmericanMinsoo Sohn’srendering of thelofty GoldbergVariations is gentleand pianistic, withfleet tempos, lyricalcounterpoint, andoccasional zest.Sohn observes therepeat signs in eachvariation, yet almostdecoration-free: his Bach journey stretchesto a sobering 75 minutes, when it could havebeen more pleasant at under 40.While not issued as a set, all four blackand-whiteCD jackets and booklets lookexactly alike: sternly modern in design, withfrustratingly small type. Eric Friesen, theCBC classical radio broadcaster, has suppliedbrief conversational liner notes, takenfrom his interviews with the performers. Formore information visit www.honens.com.—Peter Kristian MoseStrings AttachedThis month I’m catchingup on a backlog of solorecital CDs.Analekta has issued a beautiful2CD set of the Bach Six CelloSuites on Viola by the outstandingEnglish violist Helen Callus(AN 2 9968-9). Five are in theoriginal keys, while No. 6 istransposed up a 4th from Dmajor to G major, apparentlyto enable Callus to retain moreof Bach’s open-string effects.The move away from the cellotessitura — the viola is tuned oneoctave higher — gives the worksan added brightness and a quitedifferent feel. Callus maintainsa beautiful sense of line, andhandles the multiple-stoppingand contrapuntal elements quiteeffortlessly. Recorded at SalleFrançoys-Bernier in Saint-Irénée,Quebec last year, the sound iswarm and resonant.By comparison, the AvieRecords 2CD set of the Six Suitesperformed on Baroque cellos (althoughone is from 1798) by Tanya Tomkins(AV2212) seems a bit slower and more contemplative,with a tone quality closer to aTERRY ROBBINSviola da gamba, but I found thatit didn’t hold my interest overextended listening: I had noproblem listening to the Callusset from start to finish, butcouldn’t do it here. Perhaps thelack of a strong sense of pulse,particularly in the dance movements,contributed to that. Don’tget me wrong though — this isthought-provoking, intelligentand carefully measured playing,albeit with a different, somewhatcooler, life or spirit than the violaset. (Tomkins’ Benvenue Trioco-member Eric Zivian composeda double for the Sarabandein the Suite No.6.)You don’t have to read thebooklet notes for the Linn 2CDset of the Bach Sonatas &Partitas for Solo Violin by PavloBeznosiuk (CKD 366) to realizefrom the opening bars that thisis another performance by aBaroque specialist — the thinhigh register, the sparse vibrato,and the overall lack of a bigsound make it obvious. Again, though, thisis clearly a very personal and thoughtfulinterpretation. Tempos are not fast, but thedance movements in the Partitas are neverallowed to drag. Beznosiuk makes someinteresting choices with variations in some ofthe repeats, as well as with the innerworkings of the chordal sections; he alsochanges or omits the occasional note fromthe standard editions, but he’s not exactlyalone in that respect. Overall, though, this isan interpretation that didn’t engage meemotionally, all the more because of thedistant nature of the recording.There’s anotherterrific CD of theSix Sonatas for ViolinSolo by EugèneYsaÿe, this time bythe Icelandic-bornviolinist JudithIngolfsson (GENUINGEN 1102). I reviewedthe Rachel Colly D’Alba set onWarner last February, and referred then tothe startling originality and individuality ofthese remarkable works. They’re arguablythe most significant solo sonatas sinceBach’s, yet despite being well represented onCD — one single web search today turned up16 different issues — they haven’t been recordedby many of the really “big” names inthe field. It’s almost impossible to offer anobjective comparison with so many choicesavailable, but this is another impressive setthat never makes the pieces sound forced orawkward. And that’s saying something.On her latest soloCD+DVD set, levioloncelle parle(the cello speaks)(harmonia mundiHMC 902078)the French cellistEmmanuelle Bertrandpresents an excellentprogramme: Britten’s Suite No. 3 in Cminor, written for Rostropovich; GasparCassado’s Suite from 1926; a relativelynew (2003) and quite moving work fromBertrand’s partner and regular accompanistPascal Amoyel called Itinérance; and aknock-out performance of the Kodaly SuiteOp. 8, which really doesn’t sound like it waswritten in 1915. Bertrand’s breathing is a bitintrusive at times, but nothing can detractfrom the wonderful playing. The DVD isan engrossing 47-minute film by ChristianLeblé including Bertrand talking about themusic (in French with sub-titles), sections ofthe CD studio recording of each work, and afascinating look at Bertrand one-on-one witha student in a section of the Kodaly Suite.STRINGS ATTACHED continues atwww.thewholenote.com with reviews ofdiscs featuring the complete works forviolin and piano by Stravinsky (Isabellevan Keulen and Olli Mustonen), Brahms(Arabella Steinbacher and Robert Kulek)and Rautavaara (Pekka Kuusisto and PaavaliJumppanen) and a 3 CD set of Elgar’s violinmusic performed by Marat Bisengaliev.October 1 – November 7, 2011 thewholenote.com 65

MODERN & CONTEMPORARYGroteskeMark Fewer; Jonathan Swartz;Andrés Díaz; Wendy ChenSoundset SR 1033 (www.soundset.com)Erich vonKorngold’s Suite,Op. 23 (1928) is aremarkable thoughlesser-known work,commissioned byone-armed pianistPaul Wittgensteinand ably performedhere by Jonathan Swartz and Mark Fewer,violins, Andrés Díaz, cello, and WendyChen, piano. The viola’s absence de-cluttersthe middle register, letting Korngold’s lefthandpiano writing shine. At the Prelude andFugue’s opening flourish the piano announcesits full and equal participation, deliveredhere with superb virtuosity by Wendy Chen.Violinists Fewer and Swartz capture the disorientedgiddiness of the Waltz while cellistDíaz leads similarly into the almost hallucinatoryGroteske, which carries us throughturbulent mood contrasts. The intense,post-Mahler Lied followed by the ingenious,energetic variations of the Rondo-Finalecomplete this exciting performance.In Toronto-based Kieran MacMillan’sFantasy Variations on a Theme byCharpentier, commissioned by Swartzfor the same instruments, fantasy is thekey element. The work weaves in and outstylistically from its theme, taken froma Marc-Antoine Charpentier cantata. Ienjoyed the atonal flights in the evanescentVariation 3 and Messiaen-like piano flourishesin Variation 6. The tonal variationsare evocative too, some tending to magicrealism in suggesting glimpses of the past orthe beyond. Mixing styles has been acceptedsince the 1960s when Foss, Rochberg,Colgrass, Kagel and others started quoting,re-working, or re-creating in the styles ofearlier composers. And through being tasteful,aptly conceived for the instrumentation,and welcoming to the listener, these fantasyvariationsare worth hearing too.—Roger KnoxNed Rorem – Chamber Music with FluteFenwick Smith; David Leisner; RonaldThomas; Mihae Lee; Ann Hobson PilotNaxos 8.559674Ned Rorem, nowin his late eightieswas, in his prime,better known for hispublished diariesthan for his music,contributing nodoubt to his beliefthat “society hasabandoned its artists in favour of a philistineculture of increasingly embittering ugliness.He feels that his own work is neitherrecognized nor properly understood.”Former Boston Symphony Orchestraflutist, Fenwick Smith is joined by pianistMihae Lee, guitarist David Leisner, harpistAnn Hobson Pilot and cellist Ronald Thomasto play five of Rorem’s compositions. Smithnavigates the varied challenges of the musicwith aplomb: in Queen Mab from the 1977Romeo and Juliet suite for flute and guitarfor instance, he uses dynamics effectively tobuild excitement, integrates flutter tonguingseamlessly, all the while maintaining greatrapport with his collaborator. In … it was thenightingale from the same suite, we hearhim as an accomplished virtuoso flutist,but for me the most moving moment in thewhole CD was his rendering of Last Prayerfrom Four Prayers, written a mere five orsix years ago, the last track on the disc. Theperformances can be considered definitive:according to the liner notes “Rorem workedclosely with” and was “honoured to be sodazzlingly represented by” the performerson this recording.Kudos to Naxos for bringing muchdeserved recognition to Ned Rorem’s workas a composer; I hope it will result in theseworks appearing more frequently in fluterecital programmes everywhere.—Allan PulkerJAZZ & IMPROVISEDMosaicTerri Lyne CarringtonConcord Jazz CJA-33016-02Terri LyneCarrington hasbrought togethersome of the topwomen in jazz forthe female-centricMosaic project,and the resultruns the stylisticgamut from jazz/funk, to rap and whatevercategory Grammy-award winning EsperanzaSpalding’s music fits into. (Baroque jazz?)Although the liner notes are at times unclearas to who performs on which track, whatis clear is that Carrington is the guidinghand, playing drums on all the songs,switching styles effortlessly, and she wrotea handful of the tunes. Other dominantperformers among the 20 or so on thedisc are Geri Allen, Patrice Rushen andHelen Sung sharing the piano and keysduties. Singer Cassandra Wilson lends hermahogany tones to the aptly named SimplyBeautiful, by Al Green, which also benefitsfrom nuanced violin work from Chia-YinCarol Ma. One of the standout tracks isthe opening Transformation, written byCarole Pope and Kevan Staples, formerlyof Toronto’s 80s music scene staple RoughTrade, along with Nona Hendryx, whoperforms the vocals. Also strong is Lennon/McCartney’s Michelle, which gets turnedon its pretty head. The only thing I founda bit off was awkwardness in some of thehorn and woodwind parts, which seemedlargely due to the arrangements rather thanthe playing. But soloing from all of thehorns — Ingrid Jensen, Anat Cohen andTineke Postma — was solid.—Cathy RichesCanada Day IIHarris EisenstadtSonglines SGL 1589-2(www.songlines.com)Although heleft Toronto morethan a decade ago,Brooklyn-baseddrummer HarrisEisenstadt hasn’tabandoned his hometown … or country.This thoroughlymodern session is the second CD by one ofhis working bands, whose name came fromits first gig on July 1. Complete with a coverpainting — with canoe — reminiscent of theNorthern Ontario summer camp the drummerattended, Eisenstadt’s eight originals areplayed by a quintet of top-flight New Yorkjazzers, none of whom is Canadian, althoughbassist Elvind Opsvik is Norwegian.Well engineered, “Canada Day II”balances on Opsvik’s upfront bass rhythm,as well as the never-obtrusive beats of thedrummer. With Chris Dingman’s ringingvibraphone clanks recurrently movingfrom foreground to background, most ofthe swinging pieces are elaborated by NateWooley’s buzzing trumpet technique andMatt Bauder’s vamping tenor saxophone.Both the trumpeter and bassist areshowcased on To See/Tootsie as the bassistkeeps up a steady pace and Wooley delvesinto slurry stutters, mouthpiece kissesand capillary cries. Subsequently, Bauderstates the tuneful theme and Eisenstadtaccompanies with off-side flams andrim shots. Cottage country cool ratherthan downtown hot, most of the pieceson “Canada Day II” are like that. Withthe horns or rhythm instruments oftenworking in tandem, other solos stand outas well. Jagged flutter-tonguing from thesaxophonist erupting from a foundation ofvibe resonation from Dingman enlivensNow Longer, a bass vamp that became asuite. During the piece, Opsvik slithers allover the strings or walks authoritativelyas the blurry unison horn work confirmsthe transformation.Overall the expatriate Torontonian’splaying, arranging and composing is soaccomplished that one doesn’t knownwhether to give it an “A” or an “Eh”.—Ken Waxman66 thewholenote.comOctober 1 – November 7, 2011

It’s Our JazzThe fall is always a showcase for thebest in Canadian jazz — this month’scollection is a prize package, the topthree world class.Up first is a splendid trio disc from pianistRobi Botos, who since his arrival fromHungary has consistently brought audiencesto their feet with sparkling imaginationand a fabulous technique. The impressiveRobi Botos Trio – Place To Place (A440 002www.robibotos.com) is the first album underhis name, 68 minutes on which he’s backedby brother Frank on drums and long-timeassociate Attila Darvas on bass. The 14-cut outing (mostlyoriginals) is terrificfrom the firstnotes of Life GoesOn with Darvasa revelation in aunit demonstratingimpeccableinteraction. Afab reworking ofWayne Shorter’sFootprints, adelightful takeon the classicswith Be Bach, alovely tribute toOscar Peterson(Emmanuel), astorming title piece,a bristling Smedley’s Attack and the humourdelivered on Inside Out are just a few dischighlights, which assert the leader’s firmgrasp of pianistic essentials. Some mightquibble at the Botos delight in fiery, top gearplaying but to these ears it’s simply splendid.Pianist John Stetch is a seriously giftedmusician whose presence unfortunately israre in the GTA despite an internationalreputation. Edmonton-born but U.S.-based,his releases invariably are stunningly originaland on the dozen tunes of John StetchTrio – Fabled States (Addo Records AJR010www.addorecords.com) he demonstrates hisfluent skill at embracing a plethora of styles,rich textures and harmonic progressions. Hisvirtuosic playing and arranging is a constanthere, with the opening Oscar’s Blue GreenAlgebra an energetic, sweeping homage toOscar Peterson with gospel underpinnings.The pulsating 12-minute Black Sea Suite isa brilliant fusion of world music and westernjazz, Plutology (based on the indestructibleI Got Rhythm) spins way out and WhatThe McHeck conveys bracing hard bop.Fascinating considerations of jazz approachescontinue with Do Telepromptu probingbluegrass, Gmitri reacting to a Shostakovichprelude and the title tune riffing on BennyGolson’s Stablemates. Bass Joe Martin andGEOFF CHAPMANdrummer Greg Ritchie contribute fluently toan often breathtaking disc.Drummer Ernesto Cervini is a relativenewcomer who’s blazing a path throughcontemporary jazz with smart new ideas anda burning intensity that shouts to be heard.Taped live over two nights at Vancouver’sCellar Club, he illustrates his achievementswith terrific young sidemen in tow — versatileAmerican saxophonist Joel Frahm,pianist extraordinaire Adrean Farrugia andbassist Dan Loomis. On Ernesto CerviniQuartet – There (Anzic Records ANZ-3200www.ernestocervini.com) there’s nine tracks,six by him, thatillustrate individualskills and groupcohesion withFrahm’s spiky leannotes, Farrugia’sdynamic imaginationand Loomis’solid core basskeeping energy levelshigh despite formidablerhythmicshifts. They evenreimagine the soulballad Secret Loveinto helter-skeltermode rooted in bopwith Frahm’s tenorreferencing SonnyRollins. These performers always complementeach other, notably on the AndalusianflavouredGranada Bus, the reverentialGramps and the clever, quirky The Monks ofOka. Farrugia’s rollicking Woebegone is ameaty treat and the exhilarating Little BlackBird is a blast on an album that has to be oneof 2011’s best.The Cookers are a back-to-basics hard bopquintet, nowadays an attractive voice in theland of quasi-intellectual trickery, avantgardenoodling and jazz’s black sheepcousin, smooth jazz. Formed last year, thefivesome comprises veterans and newbies butthey’re close companions on The Cookers –Volume One (TC69420 www.thecookers.ca)and its eight originals supplied by bandsmen.Immediately you know this group’s bestheard live with its mix of bop, soul, jazz andthe blues, with trumpeter Tim Hamels andsaxman Ryan Oliver swinging hard, pianistRichard Whiteman reliable as ever in allmodes and a lively pulse generated bytuneful bassist Alex Coleman and drummerMorgan Childs. The trumpet’s crisp, roughtonedprecision matches Oliver’s full-rangewarm horn, the former occasionally offeringfull rasp Roy Eldridge, the latter bringing tomind Eric Alexander. Top tracks: TheRamble, Blues to Booker and The Pork Test,but all have merit. Pity there’s just 47minutes on offer.Drummer VitoRezza’s poundingjazz fusion band5 After 4 makes amostly welcomereturn on Rome In ADay (Alma ACD62112www.almarecords.com) with its sixthalbum, the first since 2004. Backing thepowerhouse leader on 11 originals areversatile woodwind ace John Johnson,Matt Horner on piano, Rhodes and organ,and bassist Peter Cardinali. The musicalarchitecture is as always firm, groove andvigour uppermost. Johnson enjoys himselfthroughout, setting out his keen prioritieson the fiery opener 10,000 Days withCardinali’s bass sound big and booming,a combination that works well with triedand trusted drumming and complementarysubtleties from Horner. The bluesy TopHat is spelled out neatly with Rhodes andagile bass followed by a surprisingly sereneballad caressed by tenor and then the dense,off-kilter Mr. Govindas. Perhaps the mostappealing tune is Changes Of Season withmarked contrasts employing speed, delicacyand finally fury, Johnson leading the charge.The only problem here is a samenessin composition and execution, as if theensemble’s wound too tight.October 1 – November 7, 2011 thewholenote.com 67

Lovers of Cuban music willrejoice in Jane Bunnett & HilarioDuran – Cuban Rhapsody (AlmaACD67112 www.almarecords.com), a vast survey of the islandnation’s music from the mid-19th century to the mid-20th.Virtuosos Bunnett (flute and sopranosax) and Duran (piano) playwith passionate vitality and gracious charmas they canvas traditions established by suchvalued composers as ErnestoLecuona and Frank EmilioFlynn. The heart of this album,crammed with dancing beatsand lilting melody, is a fivetunemedley of contradanzas byManuel Saumell. The duo playswith intimate chemistry and stilladds jazz improv fuel to a sterlingsession that integrates European musicwith classic Cuban folkloric styles.Something in the AirTrumpeter Bill Dixon’s Lingering InfluenceKEN WAXMANPraised and reviled in equal measureduring his 40-year career, Vermontbasedtrumpeter Bill Dixon was finallyrecognized as one of improvised music’smost original stylists and theorists before hisdeath at 84 in June 2010. Fittingly his finalconcert took place a mere three weeks previouslyat Quebec’sFestival Internationalde Musique Actuellede Victoriaville,where a hand-pickedoctet played thiscomposition underhis direction. Luckilythe performancehas been released asEnvoi (Victo RecordsVicto cd 120www.victo.qc.ca).Not only do thetwo sections illuminateDixon’s particularmixture of formalismand freedom, butwith a horn section of four playing cornet,bugle and flugelhorn, Envoi also demonstratesDixon’s influence on a younger generationof brass players. Famously pricklyand opinionated, Dixon organized The JazzComposers Guild, one of the first musicians’self-help organizations in the mid-1960s. Along-time professor at Bennington Collegein Vermont, Dixon recorded sparingly overthe years, which makes this session doublyvaluable. Impressionistic and dramatic,Envoi is organized with classical precisionin varied sequences. Most involve muted,shaded bent notes from the brass players incounterpoint to the spiccato string swipesof cellist Glynis Loman and bassist KenFiliano, or, in the first section, tart slursfrom Michel Côté’s bass clarinet. Additionalunifying motifs come from Warren Smith’sresounding kettle drumming, and, in thesecond section, his ringing vibes, whichsoften the interface as it moves forward. Inthat same section the unison strings maintaina menacing undertow, breached only occasionallyby heraldic brassiness or dissonantgrace notes, plus at one point echoingstillness from Graham Hayes’ bugle. Trueto Dixon’s style, most of the brass tones aresegmented sound shards which waft pureair through the horns. Following nearly 40minutes of quivery tremolo theme variations,a spectacular example of the trumpeter’smeasured art arrives near the end. Afterone cornetist soundsheraldic tones at ahigher pitch amongthe others’ capillarywhispers, allharmonize for a protractedsection of legatoimpressionism,only scattering atthe end as one puffsquietly while anotherexposes plungertones. Finally,call-and-responsevamping from allmarks the climax.New York’sTaylor Ho Bynum andChicago’s Rob Mazurek, both of featured on“Envoi” have been marked by Dixon’s compositionaland improvisational skill, as hasMontreal’s Ellwood Epps. For reviews of theirCDs see the continuation of this column atwww.thewholenote.com.68 thewholenote.comOctober 1 – November 7, 2011

Old Wine, New Bottles | Fine Old Recordings Re-ReleasedBRUCE SURTEESFado is the traditional art of singing inPortugal. The word comes from theLatin, fatum meaning Fate. The songs,while quite beautiful and moving, “relatea general sense of frustration and a uniquePortuguese fatalism.” Amália Rodrigues – TheQueen of Fado was born in Lisbon in 1920.She sang when onlyfour or five yearsold, revealing anatural talent. In1935 she became aserious amateur andin 1939 made herformal debut. In the1950s and ‘60s shewas considered theprime exponent ofPortuguese popularmusic, a celebrityappearing not onlyin Portugal butaround Europe andjust about everywhereelse includingthe USA, Japan and,of course, Brazil. She died in her sleep in1999. 15 of her songs presented in a new CDfrom ARC Music (EUCD2337) convey feelingsof “beautiful sadness” and even though Ineither speak nor understand Portuguese, Iam touched by these performances, findingthem very satisfying and settling. In 10 ofthe 15 she is accompanied by the distinctivetimbre of a guitarra portuguesa. There areno texts but the song titles are translated,including: Curse; Sad Inside; Oh! To die foryou; Yellow Breasted Sparrow; and One yearago today.SONY Classical has issued four new CDs(all Verdi) and four DVDs in their ongoingseries of notable performances from theMetropolitan Opera’s archives, newlyremastered by The Met.Marian Anderson was the first African–American artist to be given a leading roleat the Metropolitan Opera. She sang Ulricain Un Ballo in Maschera on January 7, 1955and reprised that role on the afternoon ofSaturday, December 10 in a performancethat was heard by countless millions via thelive radio broadcast. That afternoon’s stellarcast included Met regulars of the time:Zinka Milanov, Robert Merrill, RobertaPeters, Jan Peerce, Giorgio Tozzi andNorman Scott. Dimitri Mitropoulos conducted.(88697 91002, 2CDs)Il Trovatore from February 4, 1961 wasalso a gala event. Leontyne Price andFranco Corelli had made their Met debuta week earlier to wild acclaim and nowmillions in the radio audience could judgefor themselves. Today, fifty years later anew audience can hear exactly what all theexcitement was about … and exciting it is!How could it not be? Price and Corelli bothat their spectacular best, together with a finecast including Mario Sereni, Irene Dalis,William Wilderman, and a fresh TeresaStratas (as Ines). Fausto Cleva conducted.As usual in thisseries, the soundis untroubled bysonic artifacts, hasrealistic dynamicrange and a goodsense of the frontto-backperspective(88697 91006,2CDs).Don Carlo featuredFranco Corelliin the title role inthe broadcast ofMarch 7, 1964 supportedby LeonieRysanek, IreneDalis, NicolaeHerlea, GeorgioTozzi, Hermann Uhde and others. Thisperformance makes a good case for the fouract version heard here. Kurt Adler conducts(88697 91004, 2 CDs).Rigoletto dates from February 22, 1964and stars thesefamiliar Metalumni: RobertMerrill as Rigolettoand Richard Tuckeras the Duke ofMantua, RobertaPeters as Gilda,Mignon Dunn asMaddelena andBonaldo Giaiotti asSparafucile. FaustoCleva conductsthis stunningperformance thatbrings this treasuretrove of great arias,this cautionary taleof bad karma, to itstragic ending (88697 91005, 2 CDs).The first of the four SONY DVDs fromThe Met dates from April 5, 1978 andfeatures the usual double bill of Mascagni’sCavalleria Rusticana and Leoncavallo’sPagliacci. As originally telecast, images anda bare outline of the plot are silently seenwhile the two preludes are played. The 37years young Placido Domingo stars in bothoperas in performances that define the rolesof Turiddu and Canio, supported by TatianaTroyanos as Santuzza in Cavalleria and bySherrill Milnes (Tonio), and Teresa Stratas(Nedda) in Pagliacci. The sets were designedby Franco Zeffirelli and James Levineconducts these performances that remaina lasting memento of a memorable evening(88697 91008-9, 1 DVD).Verdi’s Otello, live from September 25,1978, has the incomparable Jon Vickers inthe title role supported by Cornell MacNeil(Iago), Renata Scotto (Desdemona), AndreaVelis (Rodrigo), James Morris, and others.This was some four years after Vickersfilmed Otello in Karajan’s production inBerlin. Cornell MacNeil, who died in Julythis year, is perfectly cast as the schemerwho brings down Otello. Production and setsby Zeffirelli (88697 91012-9, 1 DVD).Of the four operas in this release, Ifound Alban Berg’s Lulu the most engrossing.Perhaps it is the lingering impression ofLouise Brooks’ portrayal in Georg Pabst’s1929 German film, Pandora’s Box. JohnDexter was the producer and Jocelyn Herbertwas responsible for the sets and costumedesign of the Met’s Lulu, all coming togetherin a mise en scène that is appropriatelysurreal and decadent, as it would be inproductions of the time of Pandora. JuliaMigenes is the ill-fated Lulu and FranzMazura is Jack the Ripper, Lulu’s lastcustomer. The Countess is sung by EvelynLear and Kenneth Riegel is Alwa. There areover 20 singingroles in Lulu, toomany to list here.Suffice to say, thisis an unusuallycompellingand enthrallingperformance indynamic stereo or5.1 surround sound.James Levineconducts (8869791009-9, 2 DVDs).The Magic Fluteis the abridged,English languageversion as seenDecember 30,2006, the firstseason of the Met’s “Live in HD” in theatresaround the world. Intended for childrenof all ages, this pantomimed version hasinnocent charm and may be an entertainingintroduction to Mozart’s masterpiece(everything by Mozart is a masterpiece).Outstanding are Nathan Gunn (Papageno),Erika Miklosa (Queen of the Night), YingHuang (Pamina), René Pape (Sarastro) butthere doesn’t seem to be any role not ideallycast. Sub-titles in many languages, includingEnglish are accessible. James Levineconducts this exuberant, brilliantly staged,happy event (88697 91013-9, 1 DVD).70 thewholenote.comOctober 1 – November 7, 2011

11.1290thSeason90TH SEASON SPONSORLOUIS LORTIESIR ANDREW DAVISBeethoven EroicaOctober 12 at 8:00pmOctober 13 at 2:00pmSir Andrew Davis, conductorLouis Lortie, pianoBach/orch. Sir Andrew Davis:Passacaglia & Fugue, BWV 582Mozart: Piano Concerto No. 25, K. 503Beethoven: Symphony No. 3 “Eroica”Best of BaroqueOctober 15 at 7:30pmOctober 16 at 3:00pmSir Andrew Davis, conductor,organ, and harpsichordNora Shulman, fluteSarah Jeffrey, oboeJonathan Crow, violinSir Andrew Davis leads the orchestra in a richtapestry of music by the grand master of theBaroque period, Johann Sebastian Bach.RachmaninoffSymphony No. 2October 19 & 20 at 8:00pmStéphane Denève, conductorLars Vogt, pianoStravinsky: Concerto for ChamberOrchestra “Dumbarton Oaks”Mozart: Piano Concerto No. 16, K. 451Rachmaninoff: Symphony No. 2LARS VOGTThe Wizard of Ozwith OrchestraOctober 29 at 8:00pmOctober 30 at 3:00pmEmil de Cou, conductorFollow the Yellow Brick Road to Roy ThomsonHall for the classic film The Wizard of Oz on agiant screen accompanied live by the TSO!416.593.4828 tso.ca CONCERTS AT ROY THOMSON HALLLight Classics Concert SeriesLight Classics Media Sponsor

2011|12Blue PagesPresenter ProfilesUPDATED ONLINE

Blue PagesWELCOME TO THE WHOLENOTE’SBlue Pages, our annual directoryof concert presenters. This is awindow on Toronto and SouthernOntario’s upcoming concertseason, from amateur choirs toprofessional orchestras, fromsmall chamber ensembles to operacompanies! We’ve been collectingprofiles since the summer, 164in total this year, written by thepresenters themselves, concertorganizations who have opted tobecome WholeNote Members.We hope you’ll enjoy perusingthese pages for a unique overviewof who’s doing what in 2011/12.While we’ve done our best tocollect as many profiles as possiblein time for publication, there arealways latecomers, so please visitour website at www.thewholenote.com (click on “Directories,” then“Blue Pages”) for additions andupdates throughout the year.SONY CENTRE FOR THE PERFORMING ARTSFor presenters who missed theOctober magazine but who wishto become part of this directoryonline or who would like moreinformation on the benefitsof WholeNote membership,please contact me at the e-mailaddress below.All the best for the 2011/12concert season, whether you are inthe audience or onstage!— Karen Agesmembers@thewholenote.com416-323-2232 x26● THE 2011 BLUE PAGES TEAMProject Manager Karen AgesProject Editor Adam WeinmannProofreader Sharna SearleLayout & Design Uno RamatWebsite Bryson WinchesterCover Photo ©Lindsay Noechel/istockphoto●●ACADEMY CONCERT SERIESSince 1991, the Academy Concert Series has beenbringing live chamber music that is faithful to periodperformance practices to Toronto. The programmesare thematic and deliberately crafted to highlight aspecific time, place or composer. The performers includeestablished musicians as well as those in thedeveloping stages of their careers, playing on periodinstruments and adhering to historical practices andinterpretations. The music is introduced by a professionalactor who helps the audience understand itshistorical significance through an engaging and dramaticnarrative.Our 2011/12 season features performances of baroque,classical and romantic music from composerswith special connections to the city of Vienna.“Vivaldi Visits Vienna” (November 12, 2011) willfeature soprano Natalie Paulin. “Mozart: A Yearin Vienna” (January 28, 2012) will include NicolaiTarasov, co-artisitic director of the ACS, on clarinet.“Schubert’s Final Journey” (April 28, 2012) will featurethe Lumière Quartet.All concerts are held Saturdays at 8pm, in the outstandingacoustics of Eastminster United Church(310 Danforth Ave., Toronto).Kerri McGonigle, co-artistic director416-629-3716kerri.mcgonigle@academyconcertseries.comwww.academyconcertseries.com●●ALDEBURGH CONNECTIONThirty years Celebrating the Art of Song! Join artisticdirectors and pianists Stephen Ralls and BruceUbukata, along with an unprecedented gathering ofCanada’s vocal Olympians — Gerald Finley, NathaliePaulin, Susan Platts, Benjamin Butterfield, TylerDuncan — and many others, for our 30th anniversarygala in Koerner Hall on Sunday afternoon, February19, 2012, climaxing in Vaughan Williams’s ecstaticSerenade to Music for 16 soloists. Two of our honorarypatrons, Catherine Robbin and Christopher Newton,C.M., will host the event. Four other concerts roundout our Sunday Series: “Clair de Lune,” songs ofGabriel Fauré (October 16), “The Great Comet,” thelife of Franz Liszt (November 27), “Schubert andthe Esterházys” (March 18) and “A Country HouseWeekend,” an English idyll (April 29). To concludethe celebratory season, the sixth annual BayfieldFestival of Song runs from June 1 to 10 on Ontario’swest coast.Stephen Ralls, co-artistic director416-531-3330Box Office: 416-735-7982contact@aldeburghconnection.orgwww.aldeburghconnection.orgtheWholeNote 2011-2012 PRESENTER PROFILES●●ALEXANDER SINGERS & PLAYERSThe Alexander Singers and Players started 25 years agoas a summer choir directed by Angela Hawaleshka. Itnow presents highly acclaimed performances of operettas,Gilbert and Sullivan and Broadway musicals.The group has an educational mandate and is activein supporting charitable causes. Members work towarda strong musical foundation and an ensembleof experienced singers presents staged and costumedexcerpts from operettas and Broadway musicalsthroughout the year.On Saturday December 10, 2011, at 7:30pm, we willpresent a seasonal concert, performing a wide varietyof music — folk songs, spirituals, musicals andopera excerpts — and an opportunity for all to singalong with Christmas carols, Hanukkah songs and theHallelujah Chorus. The group will present It’s a WonderfulLife — the Radio Play in November 2011 and in May 2012will stage the delightful musical Kiss Me Kate by ColePorter (based on Shakespeare’s The Taming of the Shrew).

All performances are at York Woods Library Theatre.Angela Hawaleshka416-733-7937Tickets: 416-324-1259info@alexandersingers.comwww.alexandersingers.com●●ALL SAINTS KINGSWAYANGLICAN CHURCHThe All Saints’ Choir provides musical leadershipat weekly Sunday morning Eucharists, FestivalEvensongs, community outreach projects and concertsthroughout the year. The choir has tourednotable cathedrals in the UK, recorded two CDsand performed throughout Toronto. Recent performancesinclude the Canadian premiere of KarlJenkins’ Stabat Mater with orchestra, soloist and choir,Ruth Watson Henderson’s From Darkness to Light andDuruflé’s Requiem.In 2009, the ASK choir celebrated the installation ofthe new 3-manual Casavant organ whilst performingwith the Amadeus Choir of Toronto under the directionof Lydia Adams. Upcoming choral concerts includethe “Out of the Cold” concert this year withportions of Handel’s Messiah, “The Call of Christmas”on December 118 with the True North Brass and aperformance of Fauré’s Requiem on April 1 with theAmadeus Choir of Toronto. This concert will also premieretwo compositions for choir and organ.ASK also has a concert series from September toMay each year and welcomes new members. For alist of the complete concert series 2011/12 please visitthe All Saints website.Shawn Grenke, director of music416-233-1125music@allsaintskingsway.cawww.allsaintskingsway.ca●●AMADEUS CHOIRFounded in 1975, the Amadeus Choir, under the directionof conductor Lydia Adams, is celebrating its 37thyear. The choir performs a regular series of concerts,presenting well-known artists in works by Canadianand international composers, including major workswith full orchestra as well as challenging a cappellaperformances.The Amadeus Choir’s 2011/12 season begins withJenkins’ The Armed Man: A Mass for Peace, with theHannaford Street Silver Band on November 12, andcontinues December 17 with “Glorious Sounds ofthe Season.” This performance, featuring the BachChildren’s Chorus, highlights winning compositionsfrom the choir’s 25th annual Seasonal SongwritingCompetition. February 3, the choir joins theElmer Iseler Singers and ProArteDanza, in RodionShchedrin’s choral opera, The Sealed Angel. April 21, thechoir presents “Music of the Spheres,” with the ElmerIseler Singers and Canadian astronaut Dr. RobertaBondar, featuring a fusion of music, visual art andscience and including works by Lydia Adams andJason Jestadt.Lydia Adams, conductor and artistic directorShawn Grenke, accompanistJulie Winn, interim general manager416-446-0188amachoir@idirect.comwww.amadeuschoir.com●●AMICI CHAMBER ENSEMBLEAmici’s 2011/12 “Discovering the Senses” season isfull of fun and interesting collaborations. Artistic directorsJoaquin Valdepeñas, David Hetherington andSerouj Kradjian have once again come up with creativeand innovative ideas to share with you. The firstconcert of the season, “La Bonne Cuisine: ExploringTaste and Sound,” will be led by none other thanALL ARRAY THE MUSIC KING’S ENSEMBLEVOICESJames Chatto and chef Alex Feswick of the BrocktonGeneral along with the fabulous soprano Aline Kutan.The other three concerts explore behind-the-sceneswith our music critics, fashion as art, and paintingthe music!As is tradition, Amici has outstanding guests thisseason — too many to list them all! Guests include LaraSt. John, Marie Bérard, Yehonatan Berick, BenjaminBowman, the Cecilia Quartet, Andrew McCandless,Michael Sweeney and Jean Stilwell.All concerts are at the Glenn Gould Studio, 250Front St. W. Full series subscriptions (four concerts):adult $150, senior $125, student $35.Amici Office: 416-901-6279Box Office: 416-872-4255; www.roythomson.comwww.amiciensemble.com;www.facebook.com/AmiciEnsemble;www.twitter.com/AmiciEnsemble●●THE ANNEX SINGERS OF TORONTOThe Annex Singers of Toronto is a vibrant communitychoir that delivers an eclectic repertoire with spiritand sophistication. Now in its 32nd season, the60-voice choir performs highlights from the classicaland contemporary repertoire, including premieresof Canadian works. The Annex Chamber Choir,a 20-voice ensemble drawn from the larger group, performspieces from the chamber choir repertoire at eachconcert. Director Maria Case’s dynamic leadershipand programming continue to invigorate the choir, attractingnew members and wider audiences. We typicallypresent two formal concerts each year and closethe season with a cabaret. Singers with vocal experienceare welcome in September. We rehearse Mondayevenings at St Thomas’s Church, 383 Huron St.Richard Partington, president416-968-7747Cynthia O’Connellcynthiao_connell@hotmail.comwww.annexsingers.com●●ARADIA ENSEMBLEThe JUNO-nominated Aradia Ensemble presents aninnovative series that incorporates old-world artistryand modern-day relevance, performing an eclecticblend of orchestral, operatic and chamber music onbaroque instruments.Fresh from touring Newfoundland and Italy, weare delighted to present our third season of concertsat Glenn Gould Studio. Aradia’s Septemberseason launch was a deeply moving programmeof 17th-century English music from the ChapelRoyal. In December, back by popular request, isour “Dublin Messiah.” The Toronto Star called us“upstarts” for presenting an alternative to other titanicToronto Messiahs! Why not give ours a try?February’s “Capriccio Stravagante” offers a feast ofVenetian music juxtaposed with new compositionsfrom our Baroque Idol competitors Rose Bolton andChris Meyers. In May, Aradia teams up with Georgianchoir Darbazi to present “The Grain of the Voice,” aprogramme which explores raw and vital ways of portrayingbaroque music.Aradia will be performing at Glenn Gould Studio onDecember 17, 2011, February 18, 2012, and May 5, 2012.Kevin Mallon, artistic director416-924 4670aradiapersonnel@gmail.comwww.aradia.ca●●ARRAY NEW MUSIC CENTREThe Array New Music Centre exists to provide composerswith an environment in which they are free totake risks, challenge themselves, and push the traditionalboundaries of musical expression. By findingaudiences and venues for performance, we help composersreach a wider group of people and, in turn, exposea greater portion of the general public to the richdiversity of contemporary music.Through an annual season of concerts featuring theArray Ensemble, recordings, commissions, tours, collaborations,and an eclectic improvisation series called“The Array Sessions,” the Array New Music Centrecontributes to the rich musical discoveries and activitiesof a vanguard of creative music artists. Additionaleducational workshops, outreach concerts, pre-concerttalks/lectures, a library of scores and a databaseonline, after-concert receptions and a communityrehearsal/workshop space give musical artists andaudiences diverse opportunities to sculpt, experienceand deepen their knowledge of today’s fine art music.Arraymusic is supported by the Toronto ArtsCouncil, Ontario Arts Council, Canada Councilfor the Arts, SOCAN Foundation, Ontario TrilliumFoundation, Metcalf Charitable Foundation and generousindividual donors.Rick Sacks, artistic directorSandra Bell, general managerwww.arraymusic.com416-532-3019theWholeNote 2011-2012 PRESENTER PROFILES

Blue PagestheWholeNote 2011-2012 PRESENTER PROFILES●●ART OF TIME ENSEMBLEThe Art of Time Ensemble, under the leadership of artisticdirector Andrew Burashko, is one of Toronto’smost innovative and artistically resonant music ensembles.The Ensemble has attracted the interest andparticipation of some of Canada’s best performers increating new and exciting opportunities for collaborationsbetween the performing arts, provoking, entertainingand breaking down barriers, revealing thevibrancy of classical music as a contemporary artisticexpression and appealing to a range of audiences.Past projects include the North American premiereof Mauricio Kagel’s multi-media Varieté, called a “landmarkin interdisciplinary arts in Toronto” (NationalPost), which played to sold-out houses over five performancesand received a 2004 Dora Mavor MooreAward for Outstanding Sound Design/Compositionon behalf of Kagel.416-880-7693info@artoftimeensemble.comwww.artoftimeensemble.com●●ASSOCIATES OF THE TORONTOSYMPHONY ORCHESTRAMembers of the Associates of the Toronto SymphonyOrchestra (ATSO), a registered charitable organization,appreciate classical music and organize musicalevents featuring members of the Toronto SymphonyOrchestra (TSO) and the Toronto Symphony YouthOrchestra (TSYO). Our “Five Small Concerts” presentsaffordable chamber music and the ATSO’s“Grass Roots Concerts” brings free chamber musicconcerts to senior citizens’ homes. We also fund twoFeldbrill Scholarships annually for TSYO members.ATSO volunteers work on engaging musicians, publicizingconcerts, ensuring that concerts run smoothlyand fundraising to make these concerts possible.The dates for the 2012 “Five Small Concerts” are:January 30, Church of the Redeemer; February 27,Trinity-St. Paul’s Centre; March 19, Trinity-St. Paul’sCentre; April 30, Church of the Redeemer; and May 30,Trinity-St. Paul’s Centre. In addition, members attendSunday evening “Informals” — performances by invitedmusicians or presentations by informative speakers.These are held on seven Sunday evenings betweenSeptember and June.If you would enjoy working with people whopromote an interest in classical music, please jointhe ATSO.416-282-6636www.associates-tso.org●●ATTILA GLATZ CONCERTPRODUCTIONSEnjoy two New Year’s Celebrations concerts at RoyThomson Hall: “Bravissimo! Opera’s Greatest Hits”and “Salute to Vienna — New Year’s Concert 2012,”December 31, 2011 and January 1, 2012.Quickly becoming a New Year’s tradition for manyTorontonians, “Bravissimo!” is a dazzling performanceof the most beloved opera excerpts includingTosca, La Traviata, Romeo and Juliet, Carmen, DonCarlo and more. This fifth season, the all-star cast includesCanadian talents mezzo-soprano Wallis Giuntaand tenor David Pomeroy, sopranos Sabina Cvilak(Slovenia) and Virginia Tola (Argentina) and baritoneAris Argiris (Greece). Italian conductor Bruno Aprealeads the Opera Canada Symphony.“Salute to Vienna,” a stunning tribute to Vienna’sworld-famous Neujahrskonzert, returns for its 18thseason with a new program. Seventy-five musicians,stellar singers and dancers transport audiences tothe world of Johann Strauss Jr. and the city of Vienna.Maestro András Deák leads the Strauss Symphony ofCanada and Viennese singers Renée Schüttengruberand Wolfgang Gratschmaier, along with dancers fromKiev-Aniko Ballet of Ukraine, to uplift and inspire.A lighthearted afternoon the whole family can enjoy!Box Office: 416-872-4255; www.roythomson.comwww.glatzconcerts.comOriginal word count: 190●●AURORA CULTURAL CENTREThe Aurora Cultural Centre welcomes you to ourbeautifully converted 1886 schoolhouse located inthe heart of the town, just one block east of YongeSt. Established as a centre for arts, culture and heritage,the Centre is home to the beautiful Brevik Hallperformance venue and its resident Yamaha C7 piano.With numerous art gallery spaces and multi-purposerooms, the Centre hosts concerts, arts classes, workshops,heritage lectures, displays, gallery exhibitions,art sales and more. Fully accessible throughout, thefacility was recognized as part of the Prince of WalesHeritage Prize awarded to the town of Aurora in 2008.Contact us today to inquire about rental space and todiscover our vibrant calendar of events.905-713-1818info@auroraculturalcentre.cawww.auroraculturalcentre.ca●●AURORA PERFORMING ARTS GROUPAurora Performing Arts Group is York region’s premiereaward winning stage production company. For17 seasons, APAG has targeted excellence in musicalsand opera stage productions, choral performancesand education in voice and drama. We are committedto fostering a lifelong enjoyment of performing.Since its first season, over 2,000 people have performedwith the Aurora Performing Arts Group inover 80 productions.APAG is supported annually by volunteers fromacross York Region who assist in designing and buildingsets, fundraising and marketing, sewing costumesand helping with all the little extras which bringtogether a community spirit for the arts. Look forwardto continued excellence in our upcoming productions!APAG also welcomes new performers; pleasecontact us to audition. This season APAG presents theBroadway musical A Christmas Carol (November 25 to27, 2011), Beauty and the Beast (February 10 to 12, 2012)and Sweeney Todd (May 10 to 12, 2012) at NewmarketTheatre (www.newtix.ca).Sarah Langford Kyle, general directorkeepsinging@rogers.comwww.auroraperformingartsgroup.com●●BACH CHILDREN’S CHORUSBCC consists of 190 auditioned singers in choirsat differing levels of ability: three treble choirs forchildren aged 6-16 and an SATB choir for boys withchanged voices and girls aged 16 and up. Choristersare drawn from across the Greater Toronto Area. Eachchoir rehearses weekly in east Scarborough and participatesin weekend excursions involving festivals,workshops and concerts with other youth choirs andworld-renowned clinicians. Educational programmesemphasize vocal technique, theory, ear training andmusic reading. The BCC is a company-in-residenceat the Toronto Centre for the Arts where this season’sconcerts will be held on Saturday December 10 andSaturday May 12.This fall, BCC will release its sixth CD. BCC haswon several provincial and national choral awards,including the prestigious CBC/ACCC Competitionfor Amateur Choirs (2004 and 2010) and the ElmerIseler Award for Best Choir at the Toronto KiwanisFestival. Founder and artistic director Linda Beaupréis well-known throughout Toronto as a guest conductorand clinician and is a winner of the Leslie Bellaward for conducting.Jane Greenwood416-431-0790bachchildrenschorus@bellnet.cawww.bachorus.org●●BEL CANTO SINGERSThe Bel Canto Singers, directed by Linda Meyer, isa 35-voice community-based SATB choir that providesgood music, fun and fellowship. Auditionsare required for new members, to determine vocalrange. We perform two concerts per year in the falland spring. We also sing for senior residences and infundraisers for other organizations. Repertoire is variedand includes folk and movie music, swing, spirituals,Broadway and classical selections. Rehearsalsare 7:30pm to 10pm on Tuesdays at St. NicholasAnglican Church, Birchcliff. This season our first concertwill be on Sunday December 4, with two concerttimes — one at 2:30pm and the second at 7:30pm.Please check our website for our spring concert, dateTBA, which will take place in May. Tickets are $15 andwill be sold at the door.Elaine, membership416-699-4585www.belcantosingers.ca●●BELL’ARTE SINGERSBell’Arte Singers has an exciting season planned withinspirational director Dr. Gerard Yun. There are threevaried but related concerts:“Traditional: Ways of Remembering” (November 26,2011). Half Remembrance Day and half Christmas season,this concert explores personal, family and communitytraditions as ways of remembering.“Classical: Ways of Seeing” (March 3, 2012). Bell’Arteperforms some of the most “classical” of works sideby side, allowing reflection on some of life’s mostimportant questions. Music of Bach, Barber, Mozartand Brahms are interspersed with classics from othermusical traditions.“Communal: Ways of Being” (May 12, 2012). Forthis special concert, Bell’Arte brings together musicalensembles directed by members past and present,through live and cyber-linked performances, in anewly commissioned work by Canadian composerMark Sirett.All concerts begin at 8pm at The Churchof St. Simon-the-Apostle, 525 Bloor St. E., Toronto,just east of Sherbourne. Interested in an audition?Bell’Arte Singers rehearses at the TorontoUnited Mennonite Centre, 1774 Queen St. E. onSaturday mornings.Tug Williamsbas.manager@gmail.comMembership: 416-269-5044;christinshmanka@hotmail.comwww.bellartesingers.ca● ● BROTT MUSIC FESTIVALEntering its 25th year, the Brott Music Festival isCanada’s largest orchestral music festival and is basedin Hamilton, Ontario. Most notably, it is home to theNational Academy Orchestra of Canada, the country’sonly professional training orchestra. Both werefounded by visionary conductor Boris Brott and featureperformances by orchestral musicians and soloistsof the highest calibre. The festival’s main activitytakes place from May through August with additionalperformances in the fall and winter.Brott Music Festival presents over 40 performancesincluding symphonic, chamber, pops, jazz, opera andeducation concerts.Tickets and information:905-525-7664; 1-888-475-9377www.brottmusic.com

●●CANADIAN CHILDREN’SOPERA COMPANYThe Canadian Children’s Opera Company is one ofonly a few in the world in its category. It commissions,produces, records and tours new operas and choralmusic, with children as both the principal performersand main audience. The Company also regularlycollaborates with other leading arts organizations andprominent individual performers, conductors and directors.The Company comprises six divisions, withover 200 children and youth ages 3 to 19.The 2011/12 main opera production is a new commissionfrom the creative team behind the successfulA Dickens of a Christmas. Laura’s Cow: The Legend of LauraSecord is by Errol Gay and Michael Patrick Albano, andcommemorates the bicentennial of the War of 1812(June 7 to 10, 2012, Harbourfront Centre).Other highlights of this season include our “WinterCelebrations Across the Ages” on November 27, 2011,the Canadian Opera Company production of Toscaand a guest appearance with the Hannaford StreetSilver Band. If you are interested in auditioning forthe CCOC, call us or download an application formfrom our website.Ann Cooper Gay, executive artistic director416-366-0467info@canadianchildrensopera.comwww.canadianchildrensopera.com●●CANADIAN MEN’S CHORUSAfter a highly successful inaugural season, theCanadian Men’s Chorus and artistic director GregRainville will present three concerts at the GlennGould Studio in its 2011/12 season. “Honour: Love,Memorial and Peace,” will be a tribute to veteransand those currently in uniform, on Sunday, October 16,2011, at 4pm. At this concert, the CMC will present theworld premiere of Canadian composer John Laing’ssong cycle A Paean of Honour and the Canadian premiereof Timothy Takach’s Luceat Eis, a tribute to thevictims of 9/11. “A Gentlemen’s Christmas: Winter’sChill,” takes place on Saturday, December 10, 2011,at 8pm, featuring the world premiere of A New Star,a choral work by Toronto composer Avalon Rusk. Athird concert will be held in May, 2012.The CMC performs works from the classical repertoirewith an emphasis on premiering at least onenew Canadian composition at each concert. By providingmen with choral experience and vocal traininga new opportunity to perform TTBB repertoire,the CMC raises the profile of this music within theexisting choral landscape.Greg Rainville, artistic directorBox Office: 416-872-4255; www.roythompson.comAuditions: grainville@canadianmenschorus.cawww.canadianmenschorus.ca●●CANADIAN OPERA COMPANYWith an international reputation for artistic excellenceand creative innovation, the Canadian OperaCompany (COC) is the largest producer of opera inCanada and one of the largest in North America.The COC’s 2011/12 mainstage season is: Iphigeniain Tauris, Rigoletto, Tosca, Love from Afar, The Tales ofHoffmann, A Florentine Tragedy/Gianni Schicchi and Semele.A not-for-profit organization since 1950, theCOC relies on charitable giving, sponsorship, specialevents and ticket revenue to offset all costs.More than 140,000 patrons annually attend mainstageperformances.The COC presents full operas and about 80 freeconcerts at Toronto’s Four Seasons Centre for thePerforming Arts.The Four Seasons Centre features R. Fraser ElliottHall, a traditional five-tiered, horseshoe-shaped auditoriumwith excellent acoustics and unparalleledAURORA PERFORMING ARTS GROUPintimacy between the audience and performers.The COC encourages the creation of operatic works,and fosters the training and development of young artists.The COC Ensemble Studio is Canada’s pre-eminenttraining program for young singers, directorsand coaches. World-recognized alumni from this programinclude Ben Heppner, Wendy Nielsen, GidonSaks, John Fanning and Isabel Bayrakdarian.Alexander Neef, general directorAdministration: 416-363-6671Box Office: 416-363-8231info@coc.cawww.coc.ca●●CANADIAN SINFONIETTAThe Canadian Sinfonietta is a professional chamberorchestra led by father-daughter duo, Tak-Ng Lai(artistic director and founder) and Joyce Lai (concertmaster).This year, the orchestra’s season consistsof four subscription concerts: three full orchestraconcerts performed at the Glenn Gould Studio andone intimate chamber players wine and cheese concertat Heliconian Hall.The orchestra’s mission is to bring live chambermusic back to the GTA with a focus on multi-culturaland youth outreach. To engage a new generationof concert goers, concerts are known to be “traditionalwith a twist.” Ethnic music, interdisciplinaryarts concerts, intimate salon style music, and newCanadian music are all interspersed with traditionalrepertoire.Highlights this season include a celebration of themovie music of Nino Rota performed by clarinetistJulian Milkis and violinist Joyce Lai, a guest chamberorchestra from Mexico with returning pianistAlexander Tselyakov and Canada Council InstrumentBank winner cellist Rachel Mercer playing on theBonjour Stradivarius.Tak-Ng Lai, artistic director and conductorJoyce Lai, concertmaster416-221-3623canadiansinfonietta@gmail.comwww.canadiansinfonietta.com●●CANTEMUS SINGERSCantemus Singers, conducted by Michael Erdman,performs mainly renaissance and early baroque repertoire.Our 16-voice group gives equal time to religiousand secular compositions of the period in a varietyof languages and highlights the rich, complex fiveto eight part repertoire. Our choristers are a mix ofenthusiastic, well-trained amateurs and semi-professionals,all sharing a common interest in early music.Membership is by audition.Our 2011/12 season begins September 24 and 25with an all-English programme featuring works byTaverner, Byrd and Purcell, along with Arne’s RuleBritannia. At our Christmas concert on November 26and 27, we join forces with the Community BaroqueOrchestra of Toronto to perform Georg PhilippTelemann’s Magnificat, plus seasonal carols and motets.Our final programme of the season on March 24and 25 will present music from 17th and 18th centuryPoland, including a Requiem by Damian Stachowicz(1658 to 1699).Performances are at Hope United Church (Mainand Danforth), Church of St. Martin-in-the-Fields(Keele and Bloor area) and Church of the Holy Trinity(Eaton Centre). Consult our website for times/locationsby concert.Michael Erdman, conductor416-578-6602cantemus.ca@gmail.comwww.cantemus.ca●●CATHEDRAL BLUFFSSYMPHONY ORCHESTRACathedral Bluffs Symphony Orchestra (CBSO) hasbeen one of Toronto’s premiere community orchestrassince 1985. CBSO concerts take place in the state-ofthe-artP.C. Ho Theatre in the Chinese Cultural Centreof Greater Toronto, 5183 Sheppard Ave. E.Under the baton of Maestro Norman Reintamm, theCBSO will present a thrilling and unique seven-concertseason including five subscription series concertswith an amazing lineup of guest artists. The orchestrais noted for facilitating performance opportunities foryoung musicians and always welcomes new members.Norman Reintamm, artistic directorand principal conductorInes Pagliari, concertmasterPeggy Wong, orchestra managerBox Office: 416-879-5566cbsoboxoffice@gmail.cominfo@cathedralbluffs.comwww.cathedralbluffs.com● ● CATHEDRAL CHURCH OF ST. JAMESThe Cathedral Church of St. James has two choirswhich enhance worship every week. The Parish Choir,a group of volunteers assisted by four section leads,sings weekly at the 9am Sung Eucharist. Its repertoiretheWholeNote 2011-2012 PRESENTER PROFILES

Blue PagestheWholeNote 2011-2012 PRESENTER PROFILESconsists of lighter fare that is easy to sing and complimentsthe modern liturgy. The Parish Choir rehearsesat 8am on Sundays, prior to the service. Singers interestedin volunteering their time are invited to contactAndrew Adair, interim director of music.The Cathedral Choir is a fully professional ensemblethat sings the 11am Sung Eucharist and the4:30pm Choral Evensong every Sunday throughoutthe year. Its repertoire mainly consists of music fromthe core of the Anglican tradition as well as otherEuropean music.Organ recitals can be heard every Tuesday at 1pmand Sunday at 4pm throughout the year.Andrew Adair, interim director of music416-364-7865 x231adair@stjamescathedral.on.cawww.stjamescathedral.on.ca●●CENTRE FOR THE ARTS,BROCK UNIVERSITYThe Centre for the Arts, Brock University, in St.Catharines (Niagara region) presents an annualHot Ticket Professional Entertainment seasonof music, dance, theatre, comedy and young audienceperformances, from October to April of eachyear, showcasing national and international artistsin the Sean O’Sullivan and David S. Howes theatres.The 2011/12 season will feature such celebrated artistsas the Juilliard String Quartet, Dee Dee Bridgewater,Arturo Sandoval, Nikki Yanofsky, Manteca, Emilie-Claire Barlow, the Spanish Harlem Orchestra, MichaelKaeshammer and many more! Visit us online at arts.brocku.ca for a full season listing and more detailedinformation. More than a performance, it’san experience!Box Office: 905-688-5550 x3257Toll Free: 1-866-617-3257www.arts.brocku.ca●●CHAMBER MUSIC SOCIETYOF MISSISSAUGASince 1997, the Chamber Music Society of Mississauga(CMSM) has created, produced and performed itsSaturday Evening Concert Series and — to develop futureaudiences — as many school shows for familiesand young audiences as funding permits. Currentlythe main educational productions in the CMSM repertoireare Peggy’s Violin: A Butterfly in Time, The Storyteller’sBag, Meet the Musician, The Snow Queen, The Little Mermaid,by Canadian composer Patrick Cardy and, most recently,A Carpet of Dreams.A JUNO nomination for Best Children’s Album forPeggy’s Violin: a Butterfly in Time in 2005 launched CMSMonto the international stage. Peggy’s Violin: a Butterfly inTime, Le Violon de Peggy: une histoire de papillon and TheStoryteller’s Bag have been recorded and the CDs aredistributed by The Children’s Group. In 2008, CMSMrecorded and produced a new CD called Classical FairyTales which included The Snow Queen and The LittleMermaid, both by Patrick Cardy. This CD is now availableonline or through the Canadian Music Centre.Peggy Hills, artistic director905-848-0015pmviolin@rogers.comwww.chambermusicmississauga.org●●CHOIRS ONTARIO,ONTARIO YOUTH CHOIRChoirs Ontario is a not-for-profit arts service organizationdedicated to the support, promotion and celebrationof choral music throughout Ontario. Membershipbenefits include free concert listings and borrowingprivileges from our extensive choral library as well asreduced rates for workshops and VOCAL, our choircamp for adult choristers.Our key programme, the Ontario Youth Choir,provides a unique opportunity for young singersfrom across Ontario to work with some of Canada’soutstanding choral leaders. Every spring 40 talentedyoung singers are selected to participate in OYC’s exceptionalchoral experience. The choristers are challengedwith the finest choral repertoire while enjoyingan exciting programme of rehearsals, masterclassesand voice lessons.Join us in Ottawa from May 17 to 20, 2012, forPodium, Canada’s national choral conference.Canada’s choral community will gather to hear someof Canada’s top choirs, work with renowned choralleaders and enjoy scenic and historic Ottawa, one ofCanada’s leading destination cities! Mark your calendarsnow for Podium 2012 — Choral CélébrationChorale. A Capital Experience! Connect chorally— make life sing!Elizabeth Shannon, executive director416-923-1144; 1-866-935-1144info@choirsontario.www.choirsontario.org●●CHORUS NIAGARAThe Power of 100! Chorus Niagara is a passionate groupof 100 voices of diverse ages and walks of life. Its missionis to entertain, educate and inspire through theperformance of fine choral music. As the Niagara region’spremiere symphonic chorus, CN performs classicchoral masterpieces as well as new, modern andseldom-heard works, provides a showcase for emergingCanadian talent and attracts singers of all ageswith its Chorus Niagara Children’s Choir (CNCC) andSide by Side High School Chorale (SxS). The 2011/12season features “Triumph of the Spirit” (November5, 2011), “Home for the Holidays” (December 10, 11,2011), the premiere of “No Mortal Business” (March 3,4, 2012) and “Deep in my Heart” (June 2, 3, 2012),under the direction of Robert Cooper, C.M.Pam Gilmore, auditions: 905-357-1616Diana McAdorey, managing director: 905-934-5575Lyn Hibbitt, administrator CNCC: 905-945-2049cnadmin@becon.orgwww.chorusniagara.ca●●CHRIST CHURCH DEER PARKMusic plays a very important part at this busy Anglicanparish church. Music for services is led by organistand director of music Eric Robertson. The Choirof Christ Church Deer Park is an auditioned mixedvoicechoir that rehearses Thursday evenings andsings Sunday mornings and on special occasionsfrom September through June. Repertoire is medievalthrough 21st century.The Christ Church Summer Singers is a non-auditionedmixed-voice choir that rehearses and sings onSunday mornings through July and August. ChristChurch has also hosted its “Jazz Vespers” for overten years. At 4:30pm every second Sunday fromSeptember to June, this service offers a chance forreflection, prayers for our community and music byToronto’s finest jazz musicians.With its Yonge Street location (at Heath St. nearthe St. Clair TTC station), fine acoustics, full modernfacilities, flexible staging, Steinway grand piano,three-manual tracker organ and seating for 500, ChristChurch is an increasingly popular venue for outsideconcert presenters during the year.Eric N. Robertson, organist and director of music416-920-5211 x25erobertson@thereslifehere.orgwww.christchurchdeerpark.org●●CHURCH OF SAINT MARY MAGDALENEThe Church of Saint Mary Magdalene (477 ManningAve., Toronto) supports a varied choral programme.Our Ritual Choir and Schola Magdalena specialize inGregorian chant. Our SMM Gallery Choir won firstprize in the CBC choral competition and last yearreleased a recording of original music by Canadiancomposer Stephanie Martin. Join us for High Mass at11am every Sunday and during the week on major feastdays, or at our more casual 9:30am service, includingTaizé, baroque band, and Orff ensemble. SMM offers aunique musical and spiritual experience in this beautiful,historic and newly renovated Toronto landmark.Stephanie Martin, director of music416-531-7955stmartin@yorku.cawww.stmarymagdalene.cawww.scholamagdalena.ca●●CHURCH OF THE HOLY TRINITYThe Church of the Holy Trinity (Anglican) is one ofthe oldest churches in Toronto (1847) and boasts amagnificent acoustical space with a Bechstein concertgrand piano and the Deer Park Rathgeb Memorial organ.Music for the active and activist congregation isled on Sunday mornings by Becca Whitla. Oasis services–eveninggatherings of music and reflectionsto nourish the soul–take place the last Friday of themonth. Every December since 1938, the church hasstaged “The Christmas Story,” a traditional nativitypageant with organ music and carols from an unseenchoir. May through September, the church presents“Music Mondays,” a noon time series of weekly concertswhich reflect the variety of musical traditionsalive in Toronto’s many communities.Holy Trinity is also the venue for concerts presentedby the Toronto Early Music Centre (416-966-1409) with concerts the second Sunday of each monthfrom 2:30 to 3:30pm, January through June, and EchoWomen’s Choir (www.echowomenschoir.ca). HolyTrinity welcomes other musical and artistic eventsas well as meetings or events that focus on social justiceissues.416-598-4521 x222ht@holytrinitytoronto.orgwww.holytrinitytoronto.org●●CIVIC LIGHT OPERA COMPANYFounded in 1979, our much-heralded musical theatrecompany is now in its 32nd season, making its homeat the Fairview Library Theatre in Toronto and offeringunique, professional entertainment at affordableprices. Each season we offer four productions.Our 100+ shows range from the well-loved Broadwayclassics to more obscure shows also deserving recognition.We have presented the Canadian premieresof Titanic: The Musical, Rodgers and Hammerstein’slost masterpiece Allegro, Irving Berlin’s As ThousandsCheer, Kander and Ebb’s The Rink and Cole Porter’sHigh Society, to name a few. Our world-premiere newmusical adaptation of The Wizard of Oz was staged in2000, 2002 and 2010 to incredible popular receptionand repeated demands for return engagements.This season, we offer the Rodgers and Hammersteinclassic Carousel, Irving Berlin’s holiday favorite WhiteChristmas, the off-Broadway musical comedy sensationForbidden Broadway and the legendary lost musicalgem Dear World, a musical comedy by Jerry Herman(composer of Mame, Hello, Dolly! and La Cage aux Folles)based on the classic comedy The Madwoman of Chaillot.Join us as our theatrical journey continues!Joe Cascone, artistic director416-755-1717www.civiclightoperacompany.com● ● CONTACT CONTEMPORARY MUSICContact Contemporary Music is a contemporarymusic ensemble and concert producing organizationthat highlights collaborations with other media, establishedand emerging composers, performances in

alternative spaces and outreach programmes to underservedcommunities which stress diversity, collaborationand accessibility.Praised by the Globe and Mail for its “thought-provoking”and “highly entertaining” programming andby the New York Times for “methodical and mesmerizing”performances, Contact has firmly establisheditself as one of Canada’s leading interpreters of themusic of our time. Under the direction of percussionistand founder Jerry Pergolesi, Contact has performedat some of the world’s most prestigious new musicfestivals, including the Huddersfield ContemporaryMusic Festival (UK), Open Ears Festival of Sound(Kitchener) and the Bang On A Can Marathon(New York).In addition to concert productions, ContactContemporary Music presents INTERsection, a tenhourmusic marathon at Yonge-Dundas Square andMusic From Scratch, its annual summer workshopfor youth.Jerry Pergolesi, artistic director416-902-7010www.contactcontemporarymusic.orgCONTINUUM CONTEMPORARY MUSIC●●CONTINUUM CONTEMPORARY MUSICCalled “sublimely skilled” by Dutch publicationBrabants Dagblad, Continuum presents works by emergingand established Canadian and international composers.The core ensemble of flute, clarinet, violin,cello, piano and percussion is often augmented byvoice, other instruments or electronics. The group hasreleased three CDs, has toured Canada and Europeand is broadcast regularly on radio, television andthe internet.Continuum’s 2011/12 season includes: “Fuzzy Logic”(November 6, Music Gallery), featuring a new workby Alex Eddington on the subject of sheep; “Back toBack” (December 9, Music Gallery), a celebration ofthe work of Vinko Globokar in co-operation withthe Music Gallery and Toronto New Music Projects;“ORGANized” (February 12, Music Gallery), featuringthree world premieres for ensemble and mechanicalorgans and a new work by Brian Current; andthe staging of Contes pour enfants pas sages — 8 cautionaryentertainments by Christopher Butterfield (May 27to 29, 918 Bathurst St.), featuring soloists BenjaminButterfield and Anne Grimm along with Choir 21, allunder the direction of David Fallis.For complete information visitwww.continuummusic.org.Jennifer Waring, co-artistic directorRyan Scott, co-artistic directorJosh Grossman, administrator416-924-4945josh@continuummusic.orgwww.continuummusic.org●●COUNTERPOINT COMMUNITYORCHESTRACounterpoint Community Orchestra (CCO) wasformed in 1984 by gay and lesbian musicians.Together we provide fine music and create a deepersense of community and diversity in downtownToronto. People from all walks of life play with usand we welcome any person with a positive outlooktowards lesbian, gay, bisexual, transgendered andtwo-spirited people.Our 28th season concerts begin December 3, 2011.The second concert is on March 3, 2012 and the finalconcert of the season is on May 12, 2012.Rehearsals are held Mondays at 8pm at the 519Church Street Community Centre. Concert performancesare at Saint Luke’s United Church, SherbourneSt. at Carlton in Toronto.We welcome players, committee volunteers and volunteersfor our board of directors. Player levels rangefrom beginner to professional. We will help you growmusically. Come and join a fun group of people andmake great music! Our first program features Mozart’sSymphony No.41 and works by Shostakovich, von Suppéand Sousa.As a registered charity for tax purposes we welcomedonations.Paul Willis416-926-9806tickets@ccorchestra.orginfo@ccorchestra.orgwww.ccorchestra.org●●COUNTY TOWN SINGERSCTS started as a small community choir to celebrateCanada’s centennial year. Under the direction ofBarbara Ouellette, we are still “singing for the loveof it” 42 years later. We are a 60- to 70-voice auditionedchoir with a varied repertoire, from showtunes to spirituals, folk music to classical. We holdtwo major concerts per year in December and May,as well as concerts at smaller venues such as nursinghomes and performances at special functions suchas the Men’s Provincial Curling Championship, theWhitby Library opening and Heritage Day events.Rehearsals are Wednesdays 7:30pm to 10pm at theWhitby Seniors Centre. Auditions are the first twoWednesdays of September and January.Doreen Dean905-655-9505ctsinfo@countytownsingers.comwww.countytownsingers.com●●DACAPO CHAMBER CHOIRThe DaCapo Chamber Choir was founded in 1998 inKitchener-Waterloo under the direction of LeonardEnns. The mission of the DaCapo Chamber Choir isto perform outstanding choral chamber works of thepast 100 years and to champion music of Canadianand local composers.The performance season consists of three annualconcerts in Kitchener-Waterloo. The 2011/12 seasonis centered around the theme of home: “ImaginingHome” (November 12, 13), “Creating Home”(February 25, 26) and “Celebrating Home” (May 5,6). The November concert will also feature the 2011NewWorks winning entry, The Echo by Patrick Murray.DaCapo is the winner of the 2011 NationalCompetition for Canadian Amateur Choirs in thecontemporary category (and second place finalistin the chamber category). The Choir also receivedthe ACCC’s 2010 award for Outstanding ChoralRecording for its most recent CD, ShadowLand, featuringthe JUNO-nominated Nocturne by LeonardEnns. For more information about the choir, its currentseason, the NewWorks choral composition competition,the ShadowLand CD or to purchase ticketsonline, please visit the choir’s website.519-725-7549info@dacapochamberchoir.cawww.dacapochamberchoir.ca●●DEANGELIS ENTERTAINMENTDeAngelis Entertainment Inc. is a full-service entertainmentcompany dedicated to providing highcalibre live entertainment for both the commercialand corporate markets. They are the producersof JUNO award-winning instrumentalists BobDeAngelis and his Champagne Symphony and .JohnMacLeod and the Rex Hotel Orchestra, and are alsothe creators and producers of the hit comedy dinnertheatre “Joey and Gina’s Comedy Wedding.” Theyare also the parent company of A2D2, a phenomenalToronto-based “Cirque” company that provides awide range of circus acts, specializing in spectacularaerial apparatuses, performed with live musiciansand orchestra.DeAngelis Entertainment Inc. is committed to providingaudiences with memorable music and entertainmentexperiences and, for corporate clients, thepromise of personal, professional service and customizedentertainment for their special events.Joni DeAngelis416-255-4140joni@deangelisentertainment.comwww.deangelisentertainment.com● ● EAST YORK CHOIRThe East York Choir, founded in 1986, is a mixed-voice,auditioned ensemble performing eclectic repertoire(including several premieres of arrangements by ourartistic director, Jenny Crober) in collaboration withother artists. Our season consists of two concertsas well as performances at benefits and communityevents. Our very talented, versatile accompanist isElizabeth Acker.EYC guest artists have included some of Canada’sfinest performers: guitarist Michael Occhipinti; theTalisker Players orchestra; Latin band Cassava; bassistRob Clutton; singers Jennie Such and AlexanderDobson; percussionists Ray Dillard, Nick Coulter,Andy Morris, Larry Graves and Fulé Badoe; storyteller/theWholeNote 2011-2012 PRESENTER PROFILES

Blue PagestheWholeNote 2011-2012 PRESENTER PROFILESdancer Adwoa Badoe and Celtic musicians LorettoReid and Sharlene Wallace.We were broadcast on CBC Radio’s Vinyl Café inJanuary, 2009.On Saturday December 3, 7:30pm, at EastminsterUnited Church, our 25th Anniversary concert willfeature our first commissioned work (by StephenHatfield) as well as several other Canadian selections.Guests will include: EYC founder StephaniePiercey-Beames, soprano; Les Allt, flute/tin whistle;Ray Dillard, percussion and Charlie Roby, guitar. Wewill be featuring Paul Winter’s Missa Gaia in June, 2012.We rehearse Monday evenings at EastminsterUnited Church (Chester subway).Jenny Crober, artistic director andconductor416-463-8225www.eastyorkchoir.ca●●EGLINTON ST. GEORGE’SUNITED CHURCHThe choir of Eglinton St. George’s United Church is amixed-voice ensemble of 50, with eight professionalsingers. It anchors a music programme of high qualityand exuberant eclecticism.The choir prepares wide-ranging, beautiful musicfor weekly Sunday worship (10:30am) and enrichesthe programme through events such as “Lessons andCarols for Advent” (November 28) and “Lessons andCarols for Christmas” (December 18). Our programmealso includes larger masterpieces such as a singalongMessiah with the Trillium Brass and Britten’sCeremony of Carols with harp. We enjoy “A Jazz Lent,”on Sundays, February 26 to April 1, featuring someof Canada’s greatest jazz artists. One of our supportersremarked, “I simply have to show up to find outwhat delight you have prepared this time!”Our ministry is characterized by hard work, a joyfulspirit and excellence. We always extend a warmwelcome to new members.Fred Graham, interim music director416-481-1141 x340fred@esgunited.orgwww.esgunited.org●●ELMER ISELER SINGERSThe memorable 20-voice Elmer Iseler Singers, ledby artistic director and conductor Lydia Adams, entersits 33rd season in 2011/12. This fully-professionalchoral ensemble has built an enviable reputationthrough concerts, broadcasts and recordings throughoutCanada, the United States and internationally, performingrepertoire that spans 500 years with a specialfocus on Canadian composers.Touring is a major component of the Elmer IselerSingers’ activities. In addition, they self-present afive-concert Toronto series and are featured frequentlyat various concerts, workshops, symposiumsand festivals.Annual auditions are held each April or May. Theinnovative GET MUSIC! Outreach and LeadershipInitiative for secondary school students, communitychoirs and conductors provides workshops andaudio/video recording mentorship culminating inshared performances.The international launch on the ECM Record Labelof Peter A. Togni’s Lamentations of Jeremiah, featuringbass clarinet virtuoso Jeff Reilly, represents a significantmade-in-Canada work on the ECM Record label.The biography Elmer Iseler: Choral Visionary by WalterPitman (Dundurn Press, 2008) continues to be an artsin Canada bestseller.Lydia Adams, conductor and artistic directorJessie Iseler, general manager416-217-0537info@elmeriselersingers.comwww.elmeriselersingers.com●●ELORA FESTIVAL SINGERSThe Elora Festival Singers (EFS), a Grammy- andJUNO-nominated chamber choir, was founded in1980 by Noel Edison as principal choral ensemble ofthe Elora Festival. In 1992, the Elora Festival Singerswas incorporated as a separate organization to manageits year-round activities. Since 1997, the choir hasbeen the core of the Toronto Mendelssohn Choir andthe Toronto Mendelssohn Singers and is the choralensemble-in-residence of the Elora Festival. Throughregular concerts and recordings, EFS has establisheda reputation as one of the finest chamber choirs inCanada and beyond, contributing to the musical lifeof the community and reaching an international stage.With 12 releases on the Naxos label, the EFS isknown for its rich, warm sound and clarity of texture.The choir is renowned for its diverse styles, forits commitment to Canadian repertoire and for its collaborationswith other Canadian artists.Auditions for the Elora Festival Singers are heldeach January.519-846-0331; 1-888-747-7550auditions@elorafestival.comwww.elorafestival.com●●ENSEMBLE VIVANTFounded by pianist Catherine Wilson, EnsembleVivant, “Canada’s Chamber Music Treasure” (TorontoStar), has dazzled audiences world wide with imaginative,innovative, unique, genre diverse programming,both in concert and on their many recordings,since the group’s inception in the 1980s. A pioneeramong piano trios, Ensemble Vivant has garnered accoladesinternationally from critics, peers and audiencesfrom the classical and jazz worlds. Their 2011recording, Homage to Astor Piazzolla (Opening Day), featuresbrilliant arrangements written for EnsembleVivant by Piazzolla expert Julien Labro and jazz greatRick Wilkins. Often expanding from a trio to a quartetor larger, the musicians of Ensemble Vivant are ofthe highest calibre.Rave reviews for Homage to Astor Piazzolla:“… a truly beautiful CD.” — Don Thompson.“… wonderful playing …” — Rick Wilkins.“… these musicians capture the passion as well as theverve … Wilson’s piano gives this music unerring driveand plenty of sparkle.” — John Terauds, Toronto Star.“To my heart, your rendition of Oblivion is the mosttouching I have ever heard: Bravo!” — Francois Pare,Radio-Classique, Montreal.Catherine Wilson416-465-8856cwpianist@me.comwww.ensemblevivant.com●●ESPRIT ORCHESTRAThe Esprit Orchestra is Canada’s only full-sized orchestradevoted exclusively to performing, promotingand commissioning contemporary classical music.Founded by music director and celebrated conductorAlex Pauk, Esprit is now in its 29th season. Withinnovative programming, Esprit aims to stimulate,enlighten and engage music lovers of all ages. Espritalso gives audience members a rare opportunity toexplore the best contemporary orchestral music andthe newest Canadian talent. Esprit takes the stage atKoerner Hall in the Royal Conservatory for the entire2011/12 season — an inspired and acoustically superbsetting for experiencing an Esprit performance.Among Esprit’s activities are the Creative Sparksoutreach project, Toward a Living Art EducationProgramme and national and international touring.Esprit has been the recipient of three LieutenantGovernor’s Arts Awards, the Jean A. ChalmersNational Music Award, the Vida Peene Awardand the SOCAN Award for Imaginative OrchestralProgramming. Esprit’s annual New Wave ComposersFestival celebrates young Canadian artists, providinga platform to connect composers and performerswith new audiences.Alex Pauk, music director and conductorElena Koneva, operations manager416-815-7887info@espritorchestra.comwww.espritorchestra.com●●ETOBICOKE CENTENNIAL CHOIRFounded in 1967 to celebrate Canada’s centennial,the Etobicoke Centennial Choir (ECC) has a proudtradition of choral excellence. Under the leadershipof Henry Renglich, the choir enjoys innovative programmingand collaboration with other arts groups.A three-concert season includes both classical andcontemporary repertoire.Our season begins on December 3 with “ChristmasTraditions,” a classic Christmas celebration featuringMessiah excerpts and Christmas carols. The ECC thenhosts a Messiah Sing-Along on December 11.An open rehearsal featuring a Mozart Requiem “Singa-thon”will be held on January 28, 2012, in anticipationof a March 31 performance of the Mozart Requiemand Poulenc Gloria.On June 2, “Comedy Tonight” will take on a lightertone as the choir playfully explores music with asense of humour!Weekly rehearsals are held Tuesdays from 7:30pmto 10pm at Humber Valley United Church, Etobicoke.Interested singers are invited to attend a rehearsal.Membership is by audition.Henry Renglich, music directorLindsay Dodge, choir president416-779-2258info@etobicokecentennialchoir.cawww.etobicokecentennialchoir.ca●●ETOBICOKE COMMUNITYCONCERT BANDBuilding on its many years of scintillating performancesin the communities of Toronto West, theEtobicoke Community Concert Band thrills audienceswith its programming, magnificent sound andimpressive range of community service. Committedto an intense and varied performance calendar, theECCB cultivates a raft of outstanding Canadian talentthrough its four-part Concert Hall SubscriptionSeries, presents a popular “al fresco” series of summerprogrammes and raises the roof on big band repertoirewith its spin-off ensemble, the Etobicoke SwingOrchestra. For 2011/12, the ECCB and music directorJohn Edward Liddle continue with fresh new programming:a jazz tour, “From Rags to Rich’s,” fromragtime roots through smiling Dixieland to the richsound of swing; “You Better Watch Out!” for the bestof nice, never naughty, for the holidays; “To Infinityand Beyond”; and the driving beat and close harmoniesof “Motown Madness.” The concert band and bigband will also lend great music to several charitableevents throughout the season, plus many intimateperformances by the band’s jazz combo, brass quintetand the Etobicoke Wind Quintet.Rob Hunter, presidentJohn Edward Liddle, music director416-410-1570info@eccb.cawww.eccb.ca● ● ETOBICOKE PHILHARMONICORCHESTRAThe Etobicoke Philharmonic Orchestra welcomesyou to their 51st season of live classical music in thecommunity. This season our 50+ piece orchestra willpresent six symphonic concerts under the direction

of Sabatino Vacca. Our musicians include professionalsand high calibre adult and student communitymusicians.Our programs this season offer you world renownedsoloists, a mass choir for our special concert“In Rembrance,” pre-concert chats and our everpopular Christmas Concert and Silent Auction. Majorsymphonic works, overtures and concertos are featuredat each concert, including the Verdi Messe daRequiem, Brahms Piano Concerto No.1, Elgar Cello Concerto,Beethoven “Eroica” Symphony, Debussy Prelude and, atour culminating performance in June 2012, the BerliozSymphonie Fantastique.Advanced players interested in joining us are welcometo apply for membership in the EPO. Contactour personnel manager.Young string players may be interested in theEtobicoke Youth Strings, which provides opportunitiesfor young string players to perform as an ensembleand individually. Visit our web site for programdetails. See you at the symphony!Etobicoke Philharmonic Orchestrageneral information416-239-5665; info@eporchestra.caJudy Gargaro, personnel manager416-232-2275; jgargaro@quickemail.comwww.eporchestra.caEtobicoke Youth StringsShari Lundy, music director416-239-0523; eys@eporchestra.ca;shari.lundy@gmail.com●●EXULTATE CHAMBER SINGERSOver a 31 year history, the Exultate Chamber Singershas garnered praise from all quarters for sensitive,precise and seamless performances. The choir was establishedin 1981 by conductor John Tuttle and is enrichednot only by the excellent musicianship of itsmembers but also by their varied academic and professionalbackgrounds. Together, they form a passionate,committed ensemble with a wide-ranging repertoirewhich was awarded the Healey Willan Grand Prizefor a third time at the 2004 CBC Competition forAmateur Choirs. Exultate’s fourth CD, All Around theCircle, features folk songs from across Canada and waslaunched at the first performance of Exultate’s 25thanniversary season in October 2005. Exultate presentsa four-concert subscription series in Torontoand makes guest appearances in various Ontario communities.Auditions are held as required to fill vacanciesin the fixed-membership group.This season will be the first with Karen Gryllsas conductor.Karen Grylls, conductorElana Harte, operations manager416-971-9229exultate@exultate.netwww.exultate.net●●GALLERY PLAYERS OF NIAGARAThe Gallery Players of Niagara has been presentingclassical chamber concerts in the Niagara Regionfor 17 years. We are a pool of 15 performers and eachseason invite guests to join us. We perform on bothperiod and modern instruments and to date have producedand recorded three CDs. The first was StringQuartets Op.1 by Joseph Leopold Eybler (1765-1846). Thesecond, Canadian Oboe Quartets, features four worksfor oboe and string trio, all commissioned by theGallery Players, and the third CD features the EyblerQuartet with guest clarinetist Jane Booth. Each seasonfrom September to May we perform six concerts inNiagara. These concerts are often repeated in Torontoand Southern Ontario.This season’s performers include Margaret Gay(cello), Aisslinn Nosky (violin), Julie Wedman (violin),GALLERY PLAYERS OF NIAGARA, EYBLER QUARTETPatrick Jordan (viola), Douglas Miller (flute), DavidLouie (piano), Karin Di Bella (piano), Julie Baumgartel(violin), Deborah Braun (harp), Guy Bannerman (narrator),David Braun (violin), Eric Mahar (guitar),Penner MacKay (percussion), Christie Goodwin(oboe), Zoltan Kalman (clarinet), Timothy Lockwood(French horn) and Christian Sharpe (bassoon).905-468-1525www.galleryplayers.ca●●GEORGETOWN BACH CHORALESince its inception in 2000, the Georgetown BachChorale has been enthralling audiences in the HaltonHills area with outstanding choral concerts. TheChorale consists of approximately 20 singers devotedlargely to the performance of baroque music. Weare committed to musical excellence and are recognizedby many acclaimed musicians as a very discerninggroup with outstanding and authentic sound.In October the Chorale again departs from its usualstyle to offer a jazz/pop concert accompanied by abeautifully prepared and served multi-course dinner.November brings four performances of Handel’sMessiah for which the Chorale is now well known.Christmas wouldn’t be Christmas without house concertsoffering delicious food, opulent decorationsand, of course, historic seasonal music and readings.Winter and spring bring a piano recital accompaniedby warm and hearty soups, an a cappella presentationat the Croatian Centre and Mozart’s Requiemto cap the season for our second appearance at thenew Holy Cross Church.We look forward to sharing with you our wonderfulseason of music.Ron Greidanus905-873-9909ronaldgreidanus@hotmail.comwww.georgetownbachchorale.com●●GLIONNA MANSELL CORPORATIONGlionna Mansell Corporation is a music marketingagency, supporter of emerging artistic talent, concertproducer (ORGANIX) and the exclusive Ontariodealer of world famous Allen digital and digital-pipeorgans. With close to 100,000 installations worldwide,Allen organs have become the most respectedand recognized brand in the organ building industry.Whether in a concert hall, school or church, thereis only one instrument able to produce a sound aselemental, eternal and exuberant as the celebrationit accompanies, and that is the magnificent organ, the“King of Instruments.” The majestic sound of organmusic is a sound that sweeps through the audienceor congregation in a wave of symphonic power. It isa sound that is felt right down through the soles ofthe feet and into the depths of the heart. It is a soundthat equals the spirit of worship, the excitement ofthe celebration and the intensity of emotion. It is thesound of an Allen organ.Gordon Mansell, president and artistic director.416-769-5224, 1-877-769-5224www.glionnamansell.com●●GRACE CHURCH ON-THE-HILLThere is no sound like the soaring tone oftrebles — boys and girls — trained in the British cathedraltradition and singing in the superb acousticsof Grace Church. The Choir of Gentlemen and Boysand the St. Cecilia Choir of Women and Girls sing thebest of British and Canadian repertoire each week inservice, in annual concerts and on tour. Girls andboys are accepted upon voice check when they readEnglish well, usually ages seven and up. Prior musicaltraining is an asset but not required for boys andgirls. Adults must read music. We have no upper agelimit and no membership fee (we actually give thekids choir pay!) — just a love of sacred music and areal commitment to strive for excellence.416-488-7884 x117gracemusic@gracechurchonthehill.cawww.gracechurchonthehill.ca● ● GRAND PHILHARMONIC CHOIRThe Grand Philharmonic Choir, with more than 100singers, is one of Canada’s most well-known and admiredlarge choirs, with a long history of presentingbeloved classics and innovative works to its audience.Founded in 1922, the choir grew from the strongGerman and Mennonite tradition of choral music inthis community. The GPC regularly presents its ownseason at Kitchener’s Centre in the Square to criticalacclaim. Last season, the choir was heard by morethan 10,000 audience members.2011/12 is the second season with artistic directorMark Vuorinen. Vuorinen continues the GPC’s traditionof superb choral music with a mix of belovedclassics and new masterworks. The holiday favouriteHandel’s Messiah, the ever powerful Brahms Requiemand Bach’s St. Matthew Passion will be among the piecesperformed in the upcoming season. Don’t miss a singleconcert!519-578-6885theWholeNote 2011-2012 PRESENTER PROFILES

Blue PagestheWholeNote 2011-2012 PRESENTER PROFILESinfo@grandphilchoir.comwww.grandphilchoir.com●●GRAND RIVER CHORUSOF BRANTFORDThe Grand River Chorus of Brantford is a mixed voiceconcert choir presenting an annual series of classicalchoral music, featuring masterworks of the choraltradition and performances by Canadian and internationalsoloists. Occasionally the choir sings at communityevents and joins in performances sponsoredby other groups in the community, including appearanceswith the Brantford Symphony Orchestra at theSanderson Centre in Brantford. The Grand RiverChorus seeks every opportunity to raise the profileof choral music in the Brantford-Brant and Norfolkareas. It is a registered non-profit corporation supportedthrough patron and community donations. Itsown annual gala fundraiser, the “Grand Fête du Vin,”is most enjoyable and has been successful in each ofthe past twelve years. From its inception, the GrandRiver Chorus has performed to a high choral standard.Today, under artistic director Richard Cunningham,the chorus exists as a vital part of the arts in the greaterBrantford area. The tireless efforts of its singers andconductor are the driving force behind the success ofthe Grand River Chorus.Monica Admiral, president905-768-3893grandriverchorus@rogers.comwww.grandriverchorus.com●●GRYPHON TRIOSince coming together in Toronto in 1993, the GryphonTrio has firmly established itself as one of the world’sleading piano trios. With a repertoire that rangesfrom the traditional to the contemporary and fromEuropean classicism to New World jazz and popularsong, the Gryphons are committed to redefiningchamber music for the 21st century.The two-time JUNO Award winning trio tours extensivelyto venues large and small and their 13 recordingsare an encyclopedia of works for the genre.The trio has commissioned over 50 new works, frequentlycollaborating on special projects with composers,actors, writers and dancers. Committed tothe education of audiences and young performersalike, the Gryphons conduct masterclasses and workshopsat universities and conservatories across NorthAmerica and are artists-in-residence at the Universityof Toronto’s Faculty of Music.2011/12 will see the Gryphon Trio releasing three newrecordings on Analekta and Naxos labels, travellingthroughout Canada, the US, Switzerland, Belgium, theNetherlands, Italy and Kuwait and producing theirflagship educational project Listen Up! in Midlandand Hamilton, Ontario.647-385-2068dschotzko@gryphontrio.comwww.gryphontrio.com●●HAMILTON CHILDREN’S CHOIRThe award winning Hamilton Children’s Choir isknown for performances going far beyond technicalexcellence while dazzling audiences with a focusedsound, brilliant repertoire and captivatingstage presence.Under the guidance of world renowned ZimfiraPoloz and a talented artistic team, the HCC offers aunique opportunity to learn and grow through thestudy of choral music with a variety of different choirprograms for approximately 150 young singers rangingin ages from 4 to 18 years who live in Hamiltonand surrounding areas.Our performances give us the opportunity to shareour gift of song with others and our musical standardsenable us to offer a programme that helps contributeto the world class arts community found in the greatercity of Hamilton and surrounding areas.Vocal skills and abilities are developed through theuse of choir camps/retreats, rehearsals (in Hamilton),workshops, performances and tours (local, nationaland international). By participating in these activities,choristers are able to experience the joys ofsinging, teamwork, musical understanding and artisticexpression.Tricia Le Clair, executive director905-527-1618www.hamiltonchildrenschoir.com●●HANNAFORD STREET SILVER BANDThe Hannaford Street Silver Band is Canada’s awardwinningprofessional brass band and resident companyof Toronto’s St. Lawrence Centre for the Arts.Its mission is to honour the traditions of this art formand at the same time place it in a contemporary contextwith a unique Canadian point of view.The HSSB has redefined what a brass band is capableof doing by facilitating innovative, creative projectsand collaborating with the very best of Canada’s andthe world’s diverse cultures and outstanding artists.The HSSB’s 29th eclectic season opens on November12, featuring The Armed Man: A Mass For Peace with theAmadeus Choir. The season continues with more brilliantbrass concerts on December 13, January 22, andApril 15.Raymond Tizzard, general directorDavid Archer, administrative directorAlain Trudel, principal guest conductor416-425-2874hssb@interlog.comwww.hssb.caTickets: www.stlc.com; 416-366-7723●●HARBOURFRONT CENTREFor more than 30 years, Harbourfront Centre hasbeen on the cutting edge of all that is current andcreative. We continue to bring together the best inboth Canadian culture and the rich mosaic of culturesfrom around the world. A non-profit charitable organization,we attract more than 12 million visits annuallyto our ten acres of revitalized waterfront land.Harbourfront Centre presents over 4,000 eventseach year and works with more than 450 communitygroups. A leader in local and international musicpresentations, Harbourfront Centre has offered audiencestheir first taste of various kinds of music. Oursummer festival season in particular features musicfrom different cultures within weekend festivals.We also programme the City of Toronto’s nearbyToronto Music Garden with classical music concertsoutdoors all summer long, in a setting inspired byBach. Harbourfront Centre’s exciting dance series“NextSteps” celebrates its sixth season this year withan incredible range of home-grown choreography thatbrings together an astonishing breadth of dance companiesin Toronto. Our many venues are also popularrental facilities for musical acts.416-973-4000info@harbourfrontcentre.comwww.harbourfrontcentre.com●●HARMONY SINGERS OF ETOBICOKEThe Harmony Singers of Etobicoke is a 35-voicewomen’s chorus that has been in existence since1965. The group memorizes and stages songs in awide range of genres including pop, folk, sacred andlight classical. The singers recently performed thenational anthem at a Blue Jays game and appeared ina music video with the group Down With Webster.Each year they entertain at hospitals, retirementhomes and civic gatherings. Their accompanist isthe renowned pianist Bruce Harvey.This season they will present “December Time,” aconcert of seasonal favourites on December 11. Specialguest will be Elizabeth Perkins, winner of the 2010Harmony Singers scholarship. In May the chorus willpresent two evenings of swing music with specialguests The Canadian Singers.The group rehearses on Monday evenings at MartinGrove United Church, at Martin Grove and Mercuryin Etobicoke. There are a limited number of openingsfor new members. Singers interested should contactthe conductor.Harvey Patterson, conductor.416- 239-5821theharmonysingers@ca.inter.netwww.harmonysingers.ca●●HIGH PARK CHOIRSUnder artistic director Zimfira Poloz, the childrenof the High Park Choirs work together to create abeautiful, shimmering sound. We offer four skillsbaseddivisions for children ages 5 to 18: Piccolo Choir,Intermezzo Choir, Brio Choir and Allegria Choir.Weekly rehearsals held in Bloor West Village includemusic theory and ear training. Children are engagedin the creative process through performance ofand involvement in the creation of new music. Thechoirs perform two annual concerts as well as numerouscommunity engagements. They also participatein workshops, retreats and tours. The High ParkChoirs are the Children’s Choir in Residence at theUniversity of Toronto’s Faculty of Music.We celebrate our 25th season with concerts onNovember 27 and May 12, collaborations with theUniversity of Toronto’s Faculty of Music, a trip to thePodium choral conference in Ottawa and a variety ofconcerts within the community. Auditions are heldmany times throughout the year and new membersare always welcome.Zimfira Poloz, artistic directorHelen Nestor, general manager416-762-0657info@highparkchoirs.orgwww.highparkchoirs.org●●I FURIOSI BAROQUE ENSEMBLEI Furiosi Baroque Ensemble is one of the world’s mostinnovative baroque ensembles, composed of four ofCanada’s leading early music specialists: sopranoGabrielle McLaughlin, violinists Aisslinn Nosky andJulia Wedman and cellist/gambist Felix Deak. Thesefour daring musicians bring their skill and expertiseto this edgy new voice in the early music world.I Furiosi’s Toronto concert series has been revitalizingthe face of early music in Canada, inspired by thepractice of the Baroque era while invoking the “bizarreand unnatural” aesthetic both cherished and despisedin its time. Intelligent and inspired programming inaddition to a captivating performance style has garneredthis group a reputation as a revolutionary forcein the Canadian and international early music scene.In the 2011/12 season I Furiosi will again welcomeworld-class soloists as guests to help ignite the stagefor each performance.416-536-2943; 416-910-8740www.ifuriosi.comwww.myspace.com/ifuriosi● ● INTERNATIONAL RESOURCE CENTREFOR PERFORMING ARTISTSIncorporated in 1985, the International ResourceCentre For Performing Artists is a non-profit charitableorganization whose mandate is to help freelanceclassical performing artists make the transitionfrom graduation to steady employment and to helpaudiences understand and support the preparation

and needs of the artists they will eventually enjoyin performance.Two traditional events take place each year. InNovember there is the “Career Moves” workshopfor members of all disciplines to exchange informationand discuss who does what and why with artsprofessionals and presenters. In the June Opera Week“Interaction with Employers” programme, the IRCPAoffers artists coachings, assessments and directionconcluding in a showcase and gala concert. Otherprojects include “Opera In The Streets” for artists toappear at summer festivals in one-act, semi-stagedoperas around southern Ontario.Ann Summers Dossena416-362-1422www.sumarts.com●●INTERNATIONAL TOURINGPRODUCTIONSEstablished in 2001, ITP has a mission to bringgreat orchestral music to Ontario. Orchestras thathave toured under ITP auspices include the GeorgSolti Chamber Orchestra of Budapest, the ViennaConcertverein, the Czech Philharmonic ChamberOrchestra, Orchestra Internationale d’Italia and theSlovak Sinfonietta.In 2010 ITP was invited to administer the TorontoConcert Orchestra, which debuted with tenorSalvatore Licitra. TCO has since been the officialorchestra of the first Toronto International PianoCompetition and performed in the Phoenix NightClub and Concert Hall, the Windsor Arms Hotel andEcho Beach at Ontario Place. This autumn the orchestrahas a six-city tour of Ontario and anticipates moretouring in 2012/13. Visit our website for concert informationor audition opportunities.The Grand Salon Orchestra, ITP’s authentic palmcourt orchestra, has toured extensively with its signatureconcert, “Puttin’ on the Ritz,” an infectiousprogram of Gershwin, Kern, Cole Porter and others.As part of its ongoing adult education program ITPpresents “A Little Night Music at the Toronto Centre.”www.torontoconcertorchestra.comwww.kerrystratton.comwww.grandsalonorchestra.com●●IRISH CHORAL SOCIETY OF CANADAA Hundred Thousand Welcomes! The Irish ChoralSociety of Canada welcomes anyone enthralled bythe lyrical songs originating in the Irish diaspora, aswell as Irish Canadian compositions, to join our smallbut enthusiastic and fun-loving community of singers.Family roots in the Emerald Isle are not required formembership, but we do revel in the enjoyment of allthings Irish and Celtic. Originally founded in 1960, thesociety was re-invigorated in 2002 under the musicaldirection of Karen D’Aoust. In 2007 the group touredand performed in Ireland. Under the current musicalleadership of Sinead Sugrue, we are planning a performancetour of Canada’s East Coast in July 2012 andof Ireland in 2014. Annual activities include participationin Toronto’s St. Patrick’s Day Parade, performanceat the Rose of Tralee Ball, a musical adventureaboard a Toronto Islands boat cruise, concerts devotedto raising funds for worthy causes, informal pubnights, and a host of other grand events. We look forwardto meeting you. Cead Mile Failte!info@irishchoralsociety.com.www.irishchoralsociety.com●●JEUNESSES MUSICALES ONTARIOJeunesses Musicales Ontario (JMO) is a bilingual (EN–FR) non-profit arts organization that fosters the careersof outstanding young professional musiciansat home and abroad, and has enjoyed a presence inOntario since 1979. JMO promotes the developmentHAMILTON CHILDREN’S CHOIRof the arts in Ontario by touring some of Ontario’sand Canada’s leading emerging artists across Ontario.JMO also tours an all-inclusive opera productioncomplete with surtitles, sets, costumes and pianoaccompaniment. JMO performs in urban, rural andremote communities.JMO’s youth concerts feature professionally trainedmusicians performing in schools and community centresacross Ontario. These concerts allow children andfamilies the opportunity to discover the magic of livemusic. All performances are interpretive and theatricalin nature and offer exceptional musical encountersbetween performers and audience whilst presentingmusic of various cultures and eras. These concertsreach over 82,000 children nationwide — 20,000in Ontario. Programmes are offered in English andFrench. JMO is affiliated with Jeunesses MusicalesCanada and Jeunesses Musicales International, thelargest music NGO in the world!JMO concerts are available in English and French.Vanessa J. Goymour, generalmanager and artistic advisor416-536-8649vgoymour@jmcanada.cawww.jmcanada.ca●●JOHN LAING SINGERSFounded in 1982, the John Laing Singers is a classicalchamber choir of singers from the Golden Horseshoewho have represented Canada in the USA and abroad.Besides our regular concerts in Hamilton and neighbouringcommunities, we perform as solo guest artistsand collaboratively for special events and classicalmusic concerts. In June 2011 we were featured atThe Oakville Arts Festival, and in July 2011 we providedthe choral music for a service at the NationalConvention of the RCCO. Recordings include: My LoveDwelt in a Northern Land (1998), Merrily Sing We (2008)and A Noel Tapestry (2011). Beginning September 11 (followingJohn Laing’s retirement), The “New” JohnLaing Singers will be under the direction of Dr. RogerBergs, B.Mus., M.M., Mus.Doc. As we move forwardwith the 2011/12 concert season, we look forward tocontinuing our standard of excellence.905-628-5238www.johnlaingsingers.com●●JUBILATE SINGERSThe Jubilate Singers is a mixed-voice chamber choirof approximately 35 singers in Toronto. Our seasonconsists of three concerts and one or two communityappearances. Our repertoire includes choral musicfrom all periods and different genres, often multilingual.This year the choir welcomes back our directorIsabel Bernaus. Our season begins with musicfrom around the Mediterranean, 14th century tothe present. Our winter concert in March 2012 willbe Argentinian, with Carlos Guastavino’s amazingIndianas, traditional songs, contemporary music andtangos by Piazzola, Carlos Gardel and others, alongwith a tango ensemble and tango dancers. Our Juneconcert will be Canadian compositions of music rootedin traditions from around the world. We rehearseon Tuesday evenings from 7:30 to 9:45 at St. Leonard’sAnglican Church, 25 Wanless Ave., one block northof the Lawrence subway station. We welcome newmembers and encourage you to sit in on a rehearsalto check us out.David Reddin, membership coordinator416-286-8927www.jubilatesingers.ca●●KINDRED SPIRITS ORCHESTRAThe Kindred Spirits Orchestra has performed to greatacclaim, sold-out audiences and standing ovations forthe past two seasons at the CBC Glenn Gould Studioin downtown Toronto. For our 2011/12 season, the orchestrawill be presenting five subscription concertsat Markham Theatre for the Performing Arts, in additionto two community outreach concerts and oneeducational concert. Led by the charismatic MaestroKristian Alexander, the Kindred Spirits Orchestrawill perform Mendelssohn’s “Italian Symphony,”Prokofiev’s “Classical Symphony,” Grieg’s Piano Concertowith Christina Petrowska-Quilico and Tchaikovsky’sViolin Concerto with Jing Ye, as well as masterworksby Mozart and Beethoven, our Broadway Kids Live!show, and premieres of contemporary Canadian andAmerican compositions as part of Markham NewMüsic Festival. December highlights include a performanceof the immortal oratorio Messiah by Handelwith stellar cast and guest choir Village Voices. TheKindred Spirits Orchestra offers sophisticated livemusic and high quality entertainment to the residentsof York Region. Parking at Markham Theatre is freeand the admission is only $25 (adult) or $15 (students,children, seniors).Kristian Alexander, music directorAndrew Cheung, associate conductorKeith Reid, assistant conductorJobert Sevilleno, chief executive officer905-604-8339; 905-489-4621theWholeNote 2011-2012 PRESENTER PROFILES

Blue PagestheWholeNote 2011-2012 PRESENTER PROFILESinfo@ksorchestra.cawww.ksorchestra.ca●●KING EDWARD CHOIR OF BARRIEKing Edward Choir of Barrie is celebrating its 60thanniversary season. The 75-voice SATB auditionedchoir is known for its varied repertoire and qualityperformances. Artistic director Barbara McCann hasled the choir since 1986, teaching, challenging andproviding opportunities to grow through collaborationswith notable conductors, choirs and musicians.The choir’s 2011/12 season will start September24, 2011, when, as part of Barrie’s Colours of MusicFestival, King Edward Choir and The Tallis Choir ofToronto will perform Brahms’ German Requiem withsoloists soprano Allison Arends and baritone PeterMcGillivray, accompanied by duo pianists PeterTiefenbach and Robert Kortgaard, all under the directionof Peter Mahon. December 9, 2011, the choirwill present Handel’s Messiah — Part 1, with orchestralaccompaniment, as well as Christmas carols new andold and an audience sing-a-long. Our 60th AnniversaryConcert on May 5, 2012, will feature the Premiere ofLady Simcoe’s Diary by Canadian composer and lyricistLeslie Arden, plus new songs and old songs with newtwists, in music by Greg Jasperse, Stephen Hatfield,Eric Whitacre, Moses Hogan and the Beatles.Barbara McCann705-726-2095barbmccann@bell.net.www.kingedwardchoir.org●●KITCHENER-WATERLOOCHAMBER MUSIC SOCIETYActive since 1974, Kitchener-Waterloo Chamber MusicSociety is one of Canada’s busiest presenters of chambermusic concerts with over 60 concerts per year,ranging from solo recitals to concerts featuring sizableensembles. Programmes range from medieval tocontemporary; most feature both classics and recentmusic. Since 1980 most of our concerts have takenplace at 57 Young St. W., Waterloo, a private homewhere our KWCMS music room holds about 85 people.A superb Steinway piano, good acoustics, a supportiveaudience and an intimate but informal atmospheremake for great concert experiences. Notable performersthis year include Till Fellner, Eric Himy, AndréLaPlante, Michael Lewin, and many more pianists; thePenderecki, Lafayette, Tokai, Cecilia, New Orford andmore quartets; continuation of our “Complete HaydnTrios” series with the Mercer-Oh Trio; Arkel Trio, Triod’Argento, Reiner Trio ... and so on!kwcms@yahoo.cawww.K-WCMS.com●●KOFFLER CENTRE OF THE ARTSKoffler Centre of the Arts is Canada’s only multidisciplinary,contemporary Jewish cultural institution presentingcutting-edge exhibitions of new Canadian andinternational art, and diverse programmes in music,dance, literature, film, spoken word and theatre opento everyone from every background. The Koffler engageslocal and visiting artists to teach students ofall ages and stages.Our music department of dedicated and accomplishedfaculty members offers private and grouplessons in piano, violin (including Suzuki), cello, viola,guitar, voice, flute, clarinet, saxophone, percussionand drums. The Koffler is home to the KofflerChamber Orchestra directed by former TSO concertmaster,Jacques Israelievitch. Music classes includeGet Your Chops Back, Rock Band!!, Cello Ensemble,Chamber Music, World Drumming Ensemble, OperaBoot Camp, Women Who Rock and Opera Theatre.The Koffler also produces concerts and musicevents, from the Chamber Orchestra concerts to aperformance this year by international music greatsYair Dalal and Frank London.The Koffler is centrally located in the state-of-the-artProsserman JCC on the Sherman Campus at Bathurstand Sheppard. Check our website for full details.Alexandra Sipos-Kocsis,education and student services416-638-1881 x4269registration@kofflerarts.orgwww.kofflerarts.org●●LARKIN SINGERSThe Larkin Singers, a 16-voice chamber choir, hasquickly established itself as one of the finest examplesof Canada’s strong choral heritage, dedicatingitself primarily to renaissance and baroquerepertoire. Founded in 2008 under the direction ofMatthew Larkin, the choir is formed of professionalchoral scholars from the Toronto area. The LarkinSingers has had successful tours to Bristol, UK, as residentchoir at Bristol Cathedral, and to New York City.They have also presented concerts in Ottawa, Londonand Kingston. In 2008, the Larkin Singers released itsfirst recording, A New Work is Come on Hand featuringmusic of the Christmas season by Bach, R.V. Williams,Howells, Ord and others.Now in its fourth season, the Larkin Singers presentsa three-concert subscription series, outreachand collaborative performances throughout Ontario.This year, Larkin Singers introduces “Conversations,”post-concert chats at the Fox and Fiddle (kitty-cornerto our concert venue), giving audience membersthe chance to unwind with the artists and talk aboutthe performance in a relaxing setting.Kirsten Fielding, general managerinfo@larkinsingers.comwww.larkinsingers.com●●LAWRENCE PARKCOMMUNITY CHURCHLawrence Park Community Church has a tradition offine music both in worship and in concert. Sundayservices are held at 10:30am in the recently renovatedand air-conditioned sanctuary. Musical groupsinclude the adult choir (volunteer and professionalsingers), a children’s choir and a group of handbellringers.The 2011/12 “Fridays @ 8” concert series includesa choral concert on November 11 with the Choir ofLawrence Park Community Church, accompaniedby a chamber ensemble, performing Bob Chilcott’sRequiem; a concert with Duo Majoya (piano and organ)on February 24, co-presented by the TorontoCentre of the RCCO; and a spring concert with thesoloists of Lawrence Park Community Church and theGreater Toronto Philharmonic Orchestra, conductedby Floydd Ricketts, on May 11.Mark Toews416-489-1551 x28mark@lawrenceparkchurch.cawww.lawrenceparkchurch.ca●●LIVING ARTS CENTREThe Living Arts Centre is an architecturally stunning225,000 square foot multi-purpose facility that openedin 1997. The Living Arts Centre is located in the heartof Mississauga and is home to one of the GTA’s mostexciting venues for both performing and visual arts.Intimate entertainment is provided in all three magnificentperformance theatres, showcasing internationalstars, Canadian talent and local communitygroups. Some of the 2011/12 season highlights include:Opera Kitchener’s Magic Flute and Don Giovanni, TheMiles Davis Experience, Czech Boys’ Choir, Paul Ankaand many more!The Living Arts Centre also houses an exhibitiongallery, eight professional art studios and sophisticatedcorporate meeting facilities. The art studiosare used by talented resident artists to create uniqueworks. Art programmes are offered year-round forchildren, youth, adults and families, who can exploretheir creativity under the guidance of practicingartist-educators.The Living Arts Centre is a not-for-profit organizationdedicated to nurturing, fostering, encouraging,promoting and supporting the presence and developmentof the performing and visual arts in Mississaugaand neighbouring communities.Ron Lenyk, CEOBox Office: 905-306-6000; 1-888-805-8888info.lac@livingarts.on.cawww.livingartscentre.ca●●LUMINATOFor ten extraordinary days in June, Toronto’s stages,streets and public spaces are illuminated with artsand creativity. Luminato is an annual multi-disciplinarycelebration of theatre, dance, classical and contemporarymusic, film, literature, visual arts, designand more.Luminato features highly acclaimed Canadian andworld premieres, exciting new works, unexpectedcollaborations, widely accessible free celebrationsand respected education and community outreachprograms which together result in unforgettable creativeexperiences. Now in its sixth year, Luminatowelcomes visitors and Toronto residents each Juneto engage in more than 150 events, most of them free.In 2012, nearly four decades after it was first performedand 20 years since its last production, Einsteinon the Beach will be reconstructed for a major internationaltour. Luminato is thrilled to offer the first revivalin 20 years of Philip Glass and Robert Wilson’scontemporary opera, Einstein on the Beach: An Opera inFour Acts. The presentation marks the North Americanpremiere of this new production.Luminato 2012 is June 8 to 17.416-368-3100www.luminato.com●●MARKHAM THEATRE FORTHE PERFORMING ARTSMarkham Theatre’s 2011/12 season encompasses brilliantperformances with quality, diversity and an unprecentedvariety. Our professional series run from“Totally Classical” to “Jazz Divas,” “World Stage toNostalgia” Afternoon Matinees” to “Great CanadianPerformers” and more!Get up close and encounter live world class performanceswith Markham Theatre’s most flexiblepricing offers — yet unmatched in the GTA! Withglobally acclaimed artists, Canadian and GTA premieresand exclusive presentations, this 530 seattheatre, with not a bad seat in the house, offers anexperience that creates unforgettable memories. Weare located at 171 Town Centre Blvd., Markham, ON,L3R 8G5. Free Parking onsite.Tickets: 905-305-7469Toll Free: 1-866-768-8801 (not available in416/647 area codes)www.markhamtheatre.ca● ● MASSEY HALLHerbie Hancock performs a special all-acoustic showwith orchestra, conducted by Alain Trudel, to kickoff “Jazz @ Massey Hall” on October 22. The popularseries also includes performances by Jazz at LincolnCenter Orchestra with Wynton Marsalis and Torontobasedsinger Sophie Milman with the Robi BotosTrio. We are pleased to continue supporting someof Canada’s most celebrated artists including Feist,Chantal Kreviazuk, Burton Cummings, K’naan, Nikki

Yanofsky, Pavlo and Colin James. Chicago, GeorgeThorogood & The Destroyers and Classic AlbumsLive will rock the house and we’ll also celebrate the25th Annual Toronto Blues Society’s Women’s BluesRevue. We also welcome back Chris Botti and Rock n’Roll Hall of Fame inductee Buddy Guy. Massey Hallpresents critically acclaimed artists including JustinRutledge, Jill Barber, Diana Panton, Brandi Disterheftand Alejandra Ribera in the intimate setting of GlennGould Studio and Steven Page, Whitehorse and MattAndersen in the enchanting Winter Garden Theatre aspart of our “Canadian Songbook” and “Jazz @ GlennGould Studio” concerts. The Corporation of MasseyHall and Roy Thomson Hall is a registered charitablenot-for-profit organization.Stephen McGrath416-593-4822 x318stephen.mcgrath@rth-mh.comBox Office: 416-872-4255; www.masseyhall.comwww.soundboard.ca@SoundboardTO on Twitter and Facebook●●MILES NADAL JEWISHCOMMUNITY CENTREThe MNjcc is a vibrant community centre at Bloor andSpadina that is open to all. We have programmes incultural arts, children and youth, Jewish life, wellnessand Active Seniors, along with a fully equipped fitnesscentre and one of Toronto’s rare saltwater pools!In the arts, we have concerts, theatre, film screeningsand studies, gallery exhibitions, music ensemblesand classes. Our vibrant choral programmeincludes four choirs: Community Choir, Women’sChorus, Adult Daytime Choir and Summer Choir.Instrumentalists enjoy our Adult Klezmer Ensembleand children’s Suzuki music programme and summercamp. The Institute for Choral Wellness presentsmusic workshops and educational opportunities suchas rhythmic training for singers, Alexander Techniqueand other ways to stay fit chorally. The 2012 SummerInstitute for Creative Adults will offer a full-weekchoir camp and more. Home to the Al Green Theatre,a state-of-the-art venue with a grand piano, full stage,and film screen, the MNjcc is perfect for dance, film,music, literary, theatre and corporate events. We hostmany festivals and seasons, including the TorontoJewish Film Society subscription series.416-924-6211 ext0www.mnjcc.org●●MISSISSAUGA CHILDREN’S CHOIRThe Mississauga Children’s Choir is a treble choir ofover 140 children aged 6 to 17 years. Lead by artisticdirector Thomas Bell, the choir includes four gradedensembles — the Training, Junior, Main and ConcertChoirs — and a Boys Choir. Major performances takeplace at the Mississauga Living Arts Centre: “A Starfrom the East” on Sunday December 4, 2011, and“City Scapes” on Saturday June 2, 2012, which willinclude the world premiere of a new composition byMichael Coghlan. The season opens with “Music ofthe Americas” on Saturday October 20 at Eden UnitedChurch, Mississauga. Recently returned from a highlysuccessful tour to Festival 500 in Newfoundland, thechoir is anticipating another busy season includingparticipation in three children’s choir festivals, furtherrecordings and competitions.For over 30 years the Mississauga Children’s Choirhas been providing young singers with exceptionalmusical experiences through excellence in performance,music education, recording, touring and serviceto the community. Details of our numerous activitiestogether with information on how to join us are availableon our website.Thomas Bell, artistic directorDenise Heggart, choir managerMISSISSAUGA CHILDREN’S CHOIR905-624-9704info@mississaugachildrenschoir.comwww.mississaugachildrenschoir.com●●MISSISSAUGA CHORAL SOCIETYThe Mississauga Choral Society, with artistic directorMervin Fick, is an award-winning concert choirthat presents a series of classical masterworks andcontemporary choral pieces. Our 2011/12 season,“Voiced Soundscapes,” includes four ticketed concerts:a benefit concert in support of the CompassFood Bank (November 5), Handel’s Messiah, “Vivaldiand the Italian Baroque” and “Soundscapes: Classicand Contemporary.”The choir is involved in a variety of communityevents such as singing at “Take 2,” part ofMississauga’s Culture Days. As well, MCS has beeninvited back as guest chorus in the TSO’s ”MessiahFor The City.”MCS’s arts education program, “Gallery of Song,”brings an interactive program of music, poetry andvisual arts to school-aged children and our ChoralScholars Program invites high-school aged studentsto sing with MCS.The organization actively supports emerging voiceand instrumental artists and is well known for commissioningand performing Canadian repertoire.Choristers benefit from opportunities for vocal training.Weekly rehearsals are held on Tuesday eveningsand we welcome new singers.905-278-7059mississaugachoralsociety@gmail.comwww.mcs-on.ca●●MISSISSAUGA FESTIVAL CHOIRThe Mississauga Festival Choir is a community choirdedicated to excellence in choral performance in awide variety of styles and for all ages. The teachingof musicianship for all singers and the promotion ofmusicians from the community, both performers andcomposers, is at the heart of the organization.MFC recently released its first professional recording,Together, Sing in Harmony, which features a broadrange of music from Handel to Hammerstein. MFC hasbeen under the leadership of artistic director DavidAmbrose since 2005 and has recently added a smallerauditioned Chamber Choir to its programming.Our current season will comprise four concerts:“And On Earth, Peace,” “Festival of Friends” inFebruary, the MFC Chamber Choir’s “Life Everlasting”in March, and finally, in May, “From Coast to Coast.”For more information about the choir, please visitour website.info@mississaugafestivalchoir.comwww.mississaugafestivalchoir.com●●MOOREDALE CONCERTSTwo orchestras, two superb string quartets, two starviolinists, two great pianists, one bewitching sopranoand a superstar cellist!Cellist Ofra Harnoy gives her first Canadian recitalafter a decade-long sabbatical from her meteoric career,with pianist Anton Kuerti. Leading violinistRoman Simovic plays Brahms in his Toronto debutwith the Ontario Philharmonic Orchestra and MaestroMarco Parisotto at a special Tuesday evening performanceat Koerner Hall. Violin virtuoso DmitriBerlinsky solos with his own spectacular chamberorchestra. Famed Canadian pianist Stéphane Lemelinpresents a recital with celebrated Canadian sopranoDonna Brown. 2011/12 six-concert subscriptions for“Toronto’s Best Bargain for Great Music!” are only$125/$110, including tickets for the three MooredaleYouth Orchestra concerts.Five of the featured concerts will also be presentedas a one-hour “Music and Truffles” interactive performancefor children 5 to 15, each concluding witha chocolate truffle. There is a sixth concert February12, 2012, with Anton Kuerti as host. Adults wishingto learn more about music-making are also welcome.All take place at Walter Hall, Sundays at 1:15pm, withsubscriptions at $50.416-922-3714 x103www.mooredaleconcerts.com● ● MUSIC AT METROPOLITANMusic at Metropolitan presents a variety of concertsat Metropolitan United Church, featuringMetropolitan’s choir, soloists and guest artists. Thisseason features BachFest — a series of four concerts:“Christmas Oratorio” on November 25, “Jam Sessionswith Bach” on February 4, “Bach and the King ofInstruments” on March 16 and a performance of Bach’sMass in B Minor on Good Friday, April 6. The annual“Hallowe’en Phantoms of the Organ” is on October 28.Co-sponsored with ORGANIX is a piano/organ duoconcert on May 11. “Noon at Met” — free recitals featuringthe organ and other instrumentalists/vocalists— is held every Thursday at 12:15pm. Our specialChristmas events include the “Carols United” carolsing with the Metropolitan Silver Band and organon December 4 and our “Candlelight Carol Service”theWholeNote 2011-2012 PRESENTER PROFILES

Blue PagestheWholeNote 2011-2012 PRESENTER PROFILESon December 18. Metropolitan houses the largestpipe organ in Canada and the oldest tuned carillonin North America. Metropolitan also has a variety ofchildren’s, youth and handbell choirs which are opento all. Please contact us for a concert brochure or formore information.Patricia Wright, artistic director416-363-0331 x26patriciaw@metunited.orgwww.metunited.org●●MUSIC GALLERYFounded in 1976, the Music Gallery is Toronto’s centrefor presentation and promotion of innovation, experimentationand cross-pollination between audiences,genres and disciplines in all forms of music.The 2011/12 season, the tenth at St. George theMartyr Church, will be the last season programmedby respected artistic director Jonathan Bunce. Thetheme of the Music Gallery’s sixth X Avant New MusicFestival, “Tales of Two Cities,” explores the exchangeof musical ideas between Toronto and other internationalnew music hubs. Featuring performancesby Lee Ranaldo and Leah Singer, Tim Hecker, Oval,Mantra Percussion Ensemble and others, X Avant alsoincludes lectures by composers-in-residence TimBrady, Markus Popp and Michael Gordon.The Music Gallery’s concert season continues untilJune and comprises five streams: Post-Classical (contemporaryclassical, electroacoustic, sound art), PopAvant (leftfield pop, rock, techno), Jazz Avant (jazzand improv), New World (music beyond WesternEurope and North America), and the Emergents series(new music pioneers from Toronto and beyond).The Music Gallery also offers affordable productionservices for performances, recordings and rehearsalsat St. George the Martyr Church.Jonathan Bunce, artistic director:jonny@musicgallery.orgJason Aviss, director of operations:jason@musicgallery.orgAdam Bradley, production manager:adam@musicgallery.org●●MUSIC TORONTOFabulous at forty! Music Toronto celebrates 40 seasonsof great chamber music downtown. We’ve planned aseason of celebrating what we do, including performancesby string quartets, solo pianists and youngerCanadian artists.Reasons to attend:1) An audience serious about music (but not solemn)and casual and friendly at intermission.2) Praised as “A chamber series with a pedigree” byDavid Perlman, publisher of The WholeNote.3) A special opening concert with the Tokyo Quartetand pianist Markus Groh and a new quartet by JeffreyRyan commissioned for the occasion.4) Six more of the world’s best string quartets andthe Gryphon Trio.5) Five pianists with something to say, includingthe inimitable Richard Goode.6) The Discovery series (tickets just $21.50): threeconcerts of younger Canadian artists.7) Traditional repertoire: Mozart, Schubert,Schumann, Brahms.8) The best of new music: Jordan, Golijov, Arcuri.9) Our prices: top price only $52; students any agejust $10, accompanying adult half price; 18 to 35, payyour age (that’s up to 40% off).You can’t afford to miss music this good!Jennifer Taylor, artistic producer, 416-214-1660Box Office: 416-366-7723; 1-800-708-6754;www.stlc.comFax: 416-214-1663www.music-toronto.com●●MUSICIANS IN ORDINARYNamed after the singers and lutenists who performedin the most intimate quarters of the Stuart monarchs’palace, the Musicians In Ordinary for the Lutes andVoices dedicate themselves to the performance of earlysolo song and vocal chamber music. Led by HallieFishel, soprano and John Edwards, lutenist, the ensemblehas been a fixture on the Toronto early musicscene for over ten years, and also performs acrossNorth America, lecturing at universities and museums.Audiences delight in the liveliness of their innovativeconcerts and the infectious passion of the performers.This year, MIO’s season opener features a renaissancestring band playing Elizabethan and Jacobeanconsort songs, ayres, frisky galliards and statelypavans.Each New Year‘s Day, MIO provides Messiah-wearyand polka-shy audiences with a program of 17th and18th century cantatas and sonatas.For this season’s concerts at the Heliconian Hall,MIO are joined by frequent collaborator ChristopherVerrette (violinist and occasional concert masterwith Tafelmusik), violinist Edwin Huizinga, tenorBud Roach and others. MIO are at 212–1585 Bloor St.,W., Toronto.416-535-9956musinord@sympatico.cawww.musiciansinordinary.ca●●NATHANIEL DETT CHORALEThe Nathaniel Dett Chorale is a 21-voice SATB professionalchoir based in Toronto and dedicated toperforming Afrocentric music of all genres, includingclassical, spiritual, gospel, jazz, folk and blues.Founded by artistic director Dr. Brainerd Blyden-Taylor in 1998 and named after internationally-renownedAfrican-Canadian composer R. NathanielDett, the Chorale is Canada’s premiere performerof Afrocentric composers and a touchstone for theeducation of audiences and communities regardingthe full spectrum of Afrocentric choral music. Themission of the Chorale is to build bridges of understanding,appreciation and acceptance between communitiesof people through the medium of music. TheChorale has a three-concert subscription series, toursextensively each season and has released several CDsand DVDs. Membership is by audition.Alexandra Asher416-340-7000alexandra@nathanieldettchorale.orgwww.nathanieldettchorale.org●●NATHANIEL DETT YOUTH CHORALEThe Nathaniel Dett Youth Chorale is a training choirthat meets on a weekly basis for instruction inAfrocentric history, music theory and vocal ensemble.Each young singer also receives a weekly voicelesson. The Youth Chorale comes together with theNathaniel Dett Chorale professional ensemble forworkshops, mentoring and occasional public performances.Singers who graduate from the TrainingChoir program will have the opportunity to becomeapprentices with the professional ensemble.All the instructors for these two initiatives are eitherboard members or current members and alumni ofthe professional ensemble. Through this unique programwe are furthering our mission to build bridges ofunderstanding, appreciation and acceptance throughthe medium of music.Karen Scovell416-340-7000karen@nathanieldettchorale.orgwww.nathanieldettchorale.org●●NEW MUSIC CONCERTSNMC’s 41st season opens September 25 at GlennGould Studio with “Secret of the Seven Stars,” anevening of world premieres by Canadian composersHope Lee, Alice Ho and Andrew Staniland, plus a memorialtribute to the late Ann Southam.Two events at the Betty Oliphant Theatre follow,the first featuring the Canadian premiere of eminentAmerican composer Charles Wuorinen’s massivePercussion Symphony for 24 players along with new musicby Canada’s Eric Morin and Chris Paul Harman onOctober 30. The second is an innovative evening withvirtuoso trombonist and composer Vinko Globokaron December 11.“Legends,” at Harbourfront’s Enwave Theatre onJanuary 29, features new vocal works by Omar Danieland Jeffrey Ryan and a woodwind and piano quintetwith electronics by Thomas Kessler. ProminentHungarian composer/conductor Peter Eötvös leads aconcert of his own works along with music by ZoltánJeney and Stravinsky’s Octet at Glenn Gould Studioon March 10. The season closes April 27 at the intimateGallery 345 with “Small Is Beautiful,” a recital ofCanadian piano works performed by Yoko Hirota.Robert Aitken, artistic directorDavid Olds, general manager416-961-9594nmc@interlog.comwww.newmusicconcerts.com●●NINE SPARROWS ARTS FOUNDATIONNine Sparrows Arts Foundation marks its 18th anniversarythis season under thecontinuing leadershipof artistic director Eric Robertson. Since theinaugural performance of “Hasten to Come BeforeWinter,” Nine Sparrows Arts Foundation has presenteda rich variety of concerts for Toronto audiences.In addition to its weekly recital series, NineSparrows Arts Foundation has presented internationalgroups such as King’s College Cambridge Choir,Clare College Singers and St. John’s College Choir andhas featured Canadian artists including John Neville,Erica Goodman, Colin Fox, the True North Brass, theGryphon Trio, Christine Duncan’s Element Choir andpercussion ensemble NEXUS.Nine Sparrows Arts Foundation is a not-for-profitorganization dedicated to bringing Toronto audiencesthe best in inspirational arts programming. Itis governed by an elected volunteer board of directorsand operates with the assistance of advisors froma variety of backgrounds and professions, includingevent management, promotions, finance and business.Nine Sparrows Arts Foundation, in co-operationwith Christ Church Deer Park, will begin its 2011/12season on October 13 with the first recital in its weeklyseries, “Lunchtime Chamber Music.”E. Burns, president416-241-12989sparrows.arts@gmail.com● ● NOCTURNES IN THE CITYNoctures in the City began as Nocturnes atMasaryktown 11 years ago and moved downtownin 2007. This series presents Czech and Slovak artiststo Canadians, mainly from the Czech andSlovak communities.This year, the seven-concert season takes placein the Community Hall of St. Wenceslaus Church,496 Gladstone Ave. (Bloor and Dufferin subway).Beginning with internationally known pianist BorisKrajný in September, the season highlights includeIain Scott’s audio-visual presentation of Czech operas,a thrilling performance by mezzo soprano MartaHerman, an interpretation of Czech composers bypianist Jan Novotný and the virtuosity of violinistIvan Ženatý.289-234-0264www.nocturnesinthecity.com

●●NUMUS CONCERTSExciting, challenging, ground-breaking — NUMUSis new music, now. NUMUS invites audiences to explorethe bold sounds and ideas of a new generationof composers and performers while celebrating theinnovators of the past.Founded in 1985 by composer Peter Hatch and basedin Waterloo, Ontario, NUMUS is one of Canada’s foremostnew music organizations, renowned for itselectrifying contemporary programming and highstandards of artistry. Under the artistic direction ofcomposer Glenn Buhr, NUMUS showcases establishedand emerging talent from across Canada andthe globe.NUMUS occasionally presents in Toronto. PastToronto venues have included The Music Room andGlenn Gould Studio. You may find selected NUMUSproductions on the CBC website under “concertson demand.”Glenn Buhr, artistic director and general mangerMeghan Bunce, director of operations519-896-3662info@numus.on.cawww.numus.on.caOFF CENTRE MUSIC SALON, INNA & BORIS●●NYCO SYMPHONY ORCHESTRAThe NYCO Society is dedicated to the performance ofclassical music in a range of styles, encouraging participationand development within our membershipand appreciation and enrichment of classical musicfor a wide public.NYCO offers audiences of every age exposure toclassical music and musicians of every age variedperformance opportunities. The NYCO SymphonyOrchestra, under the baton of David Bowser, musicdirector and conductor, offers an affordable fourconcertsubscription series at St Michael’s CollegeSchool Centre for the Arts.In addition to our subscription performances,NYCO performs throughout the city to a diverse audiencethrough outreach and community programs. TheNYCO Symphony Orchestra performs in communitycentres and long-term care facilities, while the NYCOChamber Players performs an education concert seriesin schools across Toronto. We believe music isfor everyone.Please visit our website for this year’s programming.416-628-9195nyco.on.ca●●OFF CENTRE MUSIC SALONWelcome to Off Centre Music Salon’s 17th season — ayear of surprises! Because we know the suspense iskilling you, we’ll reveal some plans right away, butwe’re keeping the rest up our sleeves. We begin with“Russia in Two Acts,” a programme in which we timetravelbetween the world of Shostakovich (the conformingnon-conformist) and that of Tchaikovsky’sEugene Onegin. Our surprise host will be criticallyacclaimed Toronto novelist Sheila Heti. The next salonis devoted to our beloved Schubert (in our 17th annualSchubertiad!), master of both the grander-scalecontemplative sonata and the intensely concise lied(19th-century twittering!). Next, to ward off yourend-of-March blues, Off Centre presents the Torontopremiere of Pietro Mascagni’s light and sunny operetta-in-concertSi, starring the great Italian sopranoSerena Farnocchia. We close the season with a salondevoted to love and suffering. Will it be our “RussianSalon?” Or our “Spanish Salon?” Let us surprise you!All concerts take place Sundays at 2pm at GlennGould Studio. Subscriptions: $226 (adults); $168 (seniors/students).Prices include HST.Inna Perkis and Boris Zarankin,founders and artistic directorsBox Office: 416-466-1870tickets@offcentremusic.comwww.offcentremusic.com●●ONTARIO PHILHARMONICCurrently in its 55th season, the Ontario Philharmonichas established itself as one of the most highly respectedprofessional regional orchestras in Canada. It isunder the musical direction of one of Canada’s mostbrilliant conductors, Marco Parisotto.The 2011/12 subscription series highlights includeElgar’s Enigma Variations, the Brahms Violin Concerto,Handel’s Messiah, Respighi’s Pines of Rome, Gershwin’sRhapsody in Blue and a stellar array of world-renownedsoloists.For more information on the concerts, dates, ticketsales and subscriptions, please visit OP’s website.Marco Parisotto, music directorMonica Anguiano, executive director905-579-6711contact@ontariophil.cawww.ontariophil.ca●●ONTARIO REGISTERED MUSICTEACHERS’ ASSOCIATIONORMTA (Ontario Registered Music Teachers’Association, founded 1885) is an association of independentmusic teachers. Membership is open tomusic teachers of all instruments and voice who meetthe professional requirements.ORMTA has branches across Ontario and is part ofthe CFMTA (Canadian Federation of Music TeachersAssociation), with parallel branches in other provinces.The Central Toronto branch covers most ofwhat used to be the old city of Toronto. We holdvarious events throughout the year for our membersand guests, and provide support and networkingopportunities including workshops on a range ofmusic-related subjects, general membership meetings,student auditions and recitals and teacher performances.Members can also participate in zone, provincialand national events and attend provincial andnational conventions. Students of members can participatein a range of competitions for both performingand composing, qualify for a variety of scholarshipsand play for guest artists in ORMTA-hosted masterclasses.ORMTA teachers are listed in a printed directoryand on our website.416-694-0296www.ormtatoronto.org●●OPERA ATELIEROpera Atelier is Canada’s premier baroque opera/balletcompany, producing opera, ballet and drama fromthe 17th and 18th centuries. While drawing upon theaesthetics and ideals of the period, Opera Atelier goesbeyond “reconstruction” and infuses each productionwith an inventive theatricality that resonates withmodern audiences. Over the past 25 years, lead byfounding artistic directors Marshall Pynkoski andJeannette Lajeunesse Zingg, Opera Atelier has garneredacclaim for its performances at home as wellas in the United States, Europe and Asia. Based inToronto, Opera Atelier performs at the historic ElginTheatre in the heart of downtown. The 2011/12 seasonopens with a brand new period production ofMozart’s outrageous comedy Don Giovanni (October 29to November 5, 2011), which will also travel to OperaColumbus. The season continues with Lully’s Armide(April 12 to 21), one of the most enthralling love storiesof all time, which is also part of the 2012 GlimmerglassFestival. Both productions feature a spectacular arrayof Canadian and international singers, TafelmusikBaroque Orchestra and the artists of Atelier Ballet.Marshall Pynkoski andJeannette Lajeunesse Zingg, co-artistic directors416-703-3767www.operaatelier.comTickets: 1-855-622-ARTS(2787)www.ticketmaster.ca● ● OPERA BELCANTO OF SOUTH SIMCOEOpera Belcanto is a mixed-voice group of some 30choir members and soloists of all ages, under the directionof Maestro David Varjabed. Our passion foropera, our love of music and our dedication to excellenceare what bring us together! Since 2006, OperaBelcanto has brought favorite operatic arias and chorusesto audiences throughout York Region and SimcoeCounty. In 2010 we presented our first staged performance,La Traviata.Our upcoming performances will be:October 19 and 21: Cavalleria Rusticana and Pagliacci(double bill).December 4: “An Operatic Christmas!” featuring seasonalfavourites, Neapolitan songs and opera excerpts.April 5 and 7: Tosca (Puccini).Performances will take place at the Richmond HillCentre for the Performing Arts, 7:30pm. For ticketsplease see contact information below.We invite both soloists and community memberswishing to audition for the choir to contact MaestrotheWholeNote 2011-2012 PRESENTER PROFILES

Blue PagestheWholeNote 2011-2012 PRESENTER PROFILESVarjabed at 905-417-2802. Opera Belcanto rehearsesTuesdays at 7:30pm at Forest Run Public School inMaple (Dufferin/Rutherford area).David Varjabed, music director905-417-2802Box Office: 905-787-8811www.rhcentre.cawww.operabelcanto.net●●OPERA HAMILTONA new era begins! Join Opera Hamilton in its 32ndseason as we present our fully staged operas in the750-seat intimate performance space of the DofascoCentre for the Arts.With two fully staged operas — The Barber of Seville(October 22, 25, 27 and 29) and Il Trovatore (April 14, 17,19 and 21) — along with our ever popular POPERA Plus(January 14, 19 and 21), there’s something for everyone.Our new home will afford Opera Hamilton patronsa more intimate and comfortable performanceexperience in addition to more options for attendance— four performances of each production, includinga Saturday matinee. On stage you will continue toenjoy the same acclaimed casts and innovative productionswhile the orchestra pit will happily accommodatea full sized orchestra.Be a part of a new beginning!905-527-7627Box Office: 905 527-7627 x236info@operahamilton.cawww.operahamilton.cafollow us on facebook●●OPERA IN CONCERTOpera in Concert is a unique Canadian company dedicatedto Canadian artists and innovative programming.Defying traditional operatic presentation, ourperformances rely only on the power and beauty ofthe human voice accompanied by orchestra or piano.Our 38th season begins with L’Accordéoniste: LatinHeat!, featuring mezzo-soprano Kimberly Barber,pianist Peter Tiefenbach and accordionist Mary-LouVetere (October 2). Experience an expressive tourdeforce with the poignant and nostalgic timbre ofthe accordion! OIC’s season continues with GiacomoMeyerbeer’s Les Huguenots, starring Lauren Whalen,Edgar Ernesto Ramirez, Alain Coulombe, IasminaPataca and Johnathon Kirby (November 27). Next, ayoung Giuseppe Verdi’s tale of love, infidelity andvengeance, Oberto stars Michele Bogdanowicz, GilesTomkins, Joni Henson and Romulo Delgado (March4, 2012). Our season concludes with Franz Shubert’sDie Freunde von Salamanka, featuring James McLean,Catherine Robbin and Michael Ciufo with conductorKevin Mallon and the Toronto Chamber Orchestra(April 1).Concerts include OIC’s renowned chorus withRobert Cooper conducting, and the pre-performancepresentation “The Backgrounder” with hostIain Scott. All performances are at the St. LawrenceCentre for the Arts.Guillermo Silva-Marin, general director416-922-2147Tickets: 416-366-7723; 1-800-708-6754guillermo@operainconcert.comwww.operainconcert.com●●OPERA YORKIn our 15th season running and our third seasonas resident professional opera company at the newRichmond Hill Centre for the Arts, Opera York offerstwo exciting productions for our main stage, alongwith the Opera York Chorus and Orchestra. The seasonis opened by artistic director Sabatino Vacca withthe Puccini favourite Madama Butterfly. Stage directorMadeline Hubbard joins with production designerFrank Pasian to create a magnificent set.The second half of Opera York’s season is led byartistic director Geoffrey Butler, offering in full productiona classic of the Viennese opera repertoire,Strauss’ Die Fledermaus.Opera York continues to provide affordable and accessiblelectures, operatic concerts for seniors andeducational programming. November 3 and 5, 2011:Puccini’s Madama Butterfly. February 26, March 1 and3, 2012: Strauss’ Die Fledermaus (both at Richmond HillCentre for the Arts).905-763-7853Box Office: 905-787-8811; rhcentre.cainfo@operayork.comwww.operayork.com●●ORCHESTRA TORONTOOrchestra Toronto, one of Canada’s premiere communityvolunteer symphony orchestras, offers vibrantprogramming in five affordable Sunday afternoon concerts.Music director Danielle Lisboa conducts theorchestra in the acoustically superb George WestonRecital Hall at the Toronto Centre for the Arts, onYonge St. north of Sheppard Avenue.The 2011/12 season offers eclectic, sublime andpowerful masterpieces which promise exceptionalconcert experiences. Each concert is preceded bya pre-concert talk by the music director. A thrillingroster of soloists promises to delight. SopranoZorana Sadiq sings Strauss’ Four Last Songs and theOriana Women’s Choir performs Debussy’s Nocturneson October 23; the David Smith Theatre of Marionettesperforms to Khachaturian’s The Masquerade Suite andClarisse Schneider, winner of the Orchestra TorontoConcerto Competition’s 2011 Marta Hidy Prize forViolin, plays Wieniawski’s Violin Concerto No 2 in DMinor on December 4; saxophonist Wallace Halladayperforms Glazunov’s Saxophone Concerto in E-flat Majoron April 15; and the Toronto Choral Society performBeethoven’s Symphony No.9 in D Minor on May 27.Wendy Limbertie, executive director416-467-7142otoronto@on.aibn.comwww.orchestratoronto.ca●●ORCHESTRAS MISSISSAUGAJoin us as we celebrate the 40th anniversary season ofthe Mississauga Symphony! With a stellar line-up ofsoloists, Maestro John Barnum and three guest conductors,you will be treated to wonderful music-makingthroughout the season.October 15: “The Sorcerer’s Apprentice” withpianist Jamie Parker and guest conductor MatthewKraemer. November 26: “From Bizet to Beethoven”with tubist Ian Feenstra and guest conductor DavidBourque. December 17 (at the special family timeof 4pm): “Voices of Christmas,” a one-hour familyconcert. February 11: “Bohemian Voyage” withcellist Adrian Fung and guest conductor MishaRohac. March 24: “French Connection” with pianistElaine Hou. April 5: Classic Albums Live and theMSO perform “The Beatles: Sgt. Pepper’s LonelyHearts Club Band” (presented with the Living ArtsCentre). May 5: “The Grand Finale,” Maestro JohnBarnum’s last concert with the MSO, featuring violinistRuth Fazal.Most MSO performances are held on Saturday eveningsin the acoustically state-of-the-art HammersonHall in Mississauga’s Living Arts Centre.Eileen Keown, general manager905-615-4403; Box Office: 905-306-6000symphony.info@livingarts.on.cawww.mississaugasymphony.ca●●ORGANIX CONCERTSORGANIX 12, produced by Glionna Mansell Corp,is an annual music festival presenting a series of concertsand educational events throughout the monthof May. While individual concerts may feature trumpet,strings, percussion or a choir, the common threadthat binds the festival together is always the numberone feature: the pipe organ, “King of Instruments!”ORGANIX 12 (May 7 to June 6) will feature the architectureof great buildings and magnificent organsand performers, including Massimo Nosetti (Italy),Diane Bish (USA) and the winner of the October2011 Canadian International Organ Competitionheld in Montreal. ORGANIX is a music festival unlikeany other.416-571-3680; toll free 1-877-769-5224www.organixconcerts.ca●●ORIANA WOMEN’S CHOIRORIANA celebrates its 40th anniversary seasonthis year. This auditioned choir of 30 to 40 singersis known for its musical excellence, its welcomingand supportive atmosphere, its collaborations withmany brilliant artists and its significant contributionto Canada’s choral repertoire. ORIANA has also releasedfive CDs to critical acclaim.This year we welcome our new artistic directorMitchell Pady. In addition, this season we are refocusingour commitment to the strength of women’svoices by partnering with a women’s organizationfor each of our three season concerts. These will beheld on Saturdays December 10, March 3 and May 12,8pm, at Grace Church on-the-Hill. Join us as we featuretraditional and modern women’s choir music forChristmas, in celebration of International Women’sDay and in honour of Mother Earth. Subscriptionsare available.Auditions are available for each term; contact us toattend a rehearsal or book an audition. Rehearsals areon Wednesdays from 7:30pm to 9:45pm.Samantha Clarke, manager647-466-7673info@orianachoir.comwww.orianachoir.com● ● ORPHEUS CHOIR OF TORONTOFounded in 1964, the 60-voice Orpheus Choir, underartistic director Robert Cooper, takes pride in bringingToronto audiences innovative choral programming.Our mission “to engage and enthral audiencesthrough performances of rarely heard and newly createdchoral music” explores a range of styles fromclassics to jazz, from a cappella miniatures to full orchestralworks, all celebrating our “expect somethingdifferent” motto.Our 2011/12 season includes the Toronto premiere ofI Believe: a Holocaust Oratorio for Today at Roy ThomsonHall; “Christmas with Adrianne” at Koerner Hall, featuringthe stellar soprano Adrianne Pieczonka; thepremiere of No Mortal Business, a dramatic new workby Alberta composer Allan Bevan; and “Light andJazzy,” an exploration of new jazz-flavoured scoresby György Orbán and Vytautas Miškinis.Through our successful Sidgwick ScholarshipProgramme, Orpheus provides invaluable opportunitiesto aspiring professional singers who gain experienceas soloists and section leaders.Orpheus is a vital and inclusive community of singersmeeting Tuesday evenings at Yorkminster ParkBaptist Church, 1585 Yonge St. Rehearsals are openand we are always pleased to audition new singers.Robert Cooper, artistic directorEdward Moroney, accompanistHelen Coxon, manager416-530-4428orpheuschoir@sympatico.cawww.orpheuschoirtoronto.com

●●PAX CHRISTI CHORALEPax Christi Chorale, Toronto’s Mennonite Choir, wasfounded in 1987, inspired by the success of an ad hocchoir assembled for the Toronto celebrations of the1986 Bicentennial of Mennonites in Canada.Under the inspired artistic direction of StephanieMartin since 1997, the 90 members include bothMennonites and singers from various faith traditionsand cultures. Ms. Martin leads the choir in performancesof both a cappella repertoire and masterworkswith full orchestra, showcasing both established andemerging soloists. Pax Christi Chorale celebrates its25th anniversary season in 2011/12 with performancesof the Salieri Mass in D Major, Britten’s Saint Nicolas andElgar’s The Kingdom.The choir has a choral scholarship program as well asthe Pax Christi Chamber Choir and Pax Christi YouthChoir, which is led by Lynn Janes. The choir rehearseson Monday nights in North York. Concerts takeplace at Grace Church on-the-Hill and Koerner Hall.Auditions are held in May and August.Laura Adlers, general managerlaura.adlers@paxchristichorale.orgDaniel Norman, assistant conductor and auditionsdaniel.norman@paxchristichorale.orgwww.paxchristichorale.org●●PAX CHRISTI YOUTH CHOIRPax Christi Youth Choir is Toronto’s newest youthchoir, providing young singers aged 14 to 22 with arich choral education and rewarding performance opportunities,both with Pax Christi Chorale and as anindependent youth choir. (See Pax Christi Chorale.)Led by renowned music educator, conductor andsinger Lynn Janes, PCYC choristers will experiencemusic that draws from the best of classical and contemporarymusical traditions, in both choral masterworksand smaller, more intimate settings. Highlightsof the 2011/12 season will be performances of the SalieriMass in D Major, Britten’s Saint Nicolas and Elgar’s TheKingdom with Pax Christi Chorale.The PCYC rehearses on Monday nights in NorthYork and concerts take place at Grace Church onthe-Hilland Koerner Hall. Auditions are held in Mayand September.Christine Dulude, general manager and auditionschristine.dulude@paxchristichorale.orgwww.paxchristichorale.org●●PENTHELIA SINGERSA vibrant ensemble of women, Penthelia Singers iscommitted to excellence in performing a culturallydiverse and musically sophisticated repertoire spanningthe Renaissance to the 21st century. Founded in1997, the group is named after the ancient Egyptianpriestess-musician, Penthelia. Entering its 15th season,the choir has earned a reputation for presentinginnovative concerts of four to eight-part choral repertoirein a multitude of languages. Costumes, masks,inventive concert venues and unique programmingcreate an original and engaging concert experience.The choir aims to demonstrate the diversity of choralmusic and to cross ethnic and cultural boundariesby reaching out to and connecting with their communitythrough music.Our major concerts for the 2011/12 season will include“Vocal Treasures” (Sunday December 4, 2011,3pm) and “15th Anniversary Gala” (Sunday June 3,2012, 7:30pm). Penthelia Singers rehearse Wednesdaysfrom 7:30pm to 9:30pm at Rosedale PresbyterianChurch (129 Mt. Pleasant Rd).Alice Malach, artistic director416-579-7464pentheliasingers@yahoo.cawww.penthelia.comROY THOMSON HALL●●PLATINUM CONCERTSINTERNATIONALPlatinum Concerts International is delighted topresent the internationally-renowned, award-winningKyiv Chamber Choir and conductor MykolaHobdych as they return to North America to delivertheir unique performances of some of the most belovedUkrainian Christmas music on their 20th anniversarytour.This will be the fourth Kyiv Chamber Choir concerttour that PCI, managed by Ernie McCulloughand Andrew Witer, has presented.The skill and passion with which this choir performsthe classic works of Ukrainian master composersand the entertaining way they present thefavourite Christmas carols of their country with choreographyand instruments are unlike anything else inthe world of music.This hidden treasure of Ukrainian music will be presentedin Toronto’s Koerner Hall, Waterloo’s FirstUnited Church, the Cathedral of St. Catherine in St.Catharines and Ottawa’s Dominion-Chalmers Church,in addition to the choir’s performances in New York,Washington, Philadelphia, Hartford and Rochester.Complete 2011 concert tour information is availableat www.platinumconcerts.com.Christmas with the Kyiv Chamber Choir — a uniquechoral concert not to be missed.416-292-3407; Toll-free 1-877-266-2557www.platinumconcerts.com.●●QUEEN OF PUDDINGS MUSIC THEATREFounded by musicians John Hess and Dáirine NíMheadhra, Queen of PuddingsMusic Theatre is dedicated to original Canadian creationand its aesthetic is a performer based physicalsinging theatre.Spectacular company successes include BeatriceChancy by James Rolfe and George Elliott Clarke, thefirst opera about Canadian slavery; The Midnight Courtby Ana Sokolovic and Paul Bentley (based on thefamous Irish poem of the same name), which wenton tour to Covent Garden in London; and Love Songs, atour-de-force for solo female singer by Ana Sokolovicwhich premiered in 2008 and toured internationally.In June 2011 Queen of Puddings premiered AnaSokolovic’s electrifying new opera for six female singers,Svadba – Wedding to huge critical acclaim. Beckett:Feck It!, premiering in February 2012, in associationwith Canadian Stage, is a wildly provocative showthat juxtaposes Samuel Beckett’s shorter plays withcontemporary classical music from outstanding Irishcomposers inspired by his appreciation for the absurd.Nathalie Bonjour, artistic producer416-203-4149queenofpuddings2@bellnet.cawww.queenofpuddingsmusictheatre.com●●ROY THOMSON HALLThe 2011/12 season welcomes a wide range of internationally-renownedartists and speakers. Seasonhighlights include Renée Fleming, Liza Minnelli, JoanBaez, Compaňia Flamenco José Porcel, The Priests,Bobby McFerrin, Bob Newhart, a presentation by formerU.S. Vice President Al Gore and the inaugural seasonof National Geographic Live, a series bringing theimages and projects of National Geographic to life. Theclassical music series Virtuoso Performances returns,featuring the Mariinsky Orchestra with conductorValery Gergiev, a duo vocal recital from MichaelSchade and Thomas Quasthoff and a very special eveningwith Yundi (formerly known as Yundi Li) on theRoy Thomson Hall stage. Roy Thomson Hall introduces“Canadian Voices,” a new series of four vocalrecitals at Glenn Gould Studio, each recital featuringone of Canada’s brightest stars (Tyler Duncan,Daniel Okulitch, Julie Boulianne and Layla Claire).We also celebrate our 15th season of free “Noon HourChoir and Organ Concerts.” Please check our website(roythomson.com) for details. The Corporationof Massey Hall and Roy Thomson Hall is a registeredcharitable not-for-profit organization.Stephen McGrath, 416-593-4822 x318stephen.mcgrath@rth-mh.comBox Office: 416-872-4255; www.roythomson.comwww.soundboard.ca@SoundboardTO on Twitter and Facebook● ● ROYAL CANADIAN COLLEGEOF ORGANISTSThe RCCO is Canada’s oldest musicians’ association.Today it represents a nationwide community of professionaland amateur organists, church and synagoguemusicians, choral conductors and those whoshare a love for the “King of Instruments.”The RCCO offers professional examinations annually,circulates its quarterly Organ Canada/Orgue Canada,publishes new compositions (both solo organ andchoral) and organizes annual conventions.The Toronto Centre’s 2011/12 programme openswith two Organ Skills workshops (September 17 andNovember 19). Anyone with keyboard skills and anSTEPHEN CHUNGtheWholeNote 2011-2012 PRESENTER PROFILES

Blue PagestheWholeNote 2011-2012 PRESENTER PROFILESinterest in the organ will benefit from this introductionto basic organ technique and useful resources.Used music and books will be available for low pricesat our music sale on September 24, 1pm to 3pm, at St.Andrew’s United Church. Our annual free Hallowe’enconcert, “Phantoms of the Organ,” is on October 28at 10pm at Metropolitan United Church. Visitingperformers will present recitals and workshops inFebruary and May and a competition on May 26 willshowcase some of Canada’s finest young organists.For details on all events, please visit our website.James Bailey, president416-537-4140Hazel Ogilvie, membership secretary905-881-7266www.rccotoronto.ca●●ROYAL CONSERVATORYAt the Royal Conservatory, performance and learninggo hand-in-hand as entertainment and education areintegrated to provide enriching experiences.The Royal Conservatory, an international leader inmusic and arts education, plays a central role in developingcreative minds and cohesive communitiesthrough the translation of neuroscientific researchinto practical methods which meet the learning,health and social development needs of Canadians.The Royal Conservatory offers a wide range of educationalprograms designed to meet the creative needsof Canadians at all levels of musical training and atall stages of their lives.Each concert season, the Royal Conservatory assemblesa wide array of artists, performing a varietyof musical genres. There are more than 70 classical,jazz, world music and pop concerts to choosefrom! Experience performances by international artistsin the magnificent new Koerner Hall and by theinternationally acclaimed faculty and gifted studentsin the intimate Mazzoleni Concert Hall in historicIhnatowycz Hall, both located in the TELUS Centrefor Performance and Learning.Listen, experience and learn — we are sure you willbe inspired!Box Office: 416-408-0208www.rcmusic.ca●●SAMANTHA CHANG PRODUCTIONSINC. & THE CANADIAN FLUTEASSOCIATIONSamantha Chang Productions Inc. strives to promotemusic development and education in Canada.Founded by Samantha Chang in 2010, the companywill focus most of its effort on putting forth qualityevents in Ontario.In July 2010, the Canadian Flute Associationbegan to operate as a division of Samantha ChangProductions Inc. Founded in 2009, the CFA existsto provide flute lovers with the opportunity to gainand share knowledge about the instrument throughmusical events.Our goals and objectives include providing qualityflute events that cater to the needs of the diverseflute community and to create performance opportunitiesfor aspiring flutists of all ages. We hope todevelop musicianship and performance skills throughparticipation in CFA flute choirs and/or competitionsand to educate flute enthusiasts on old and new repertoire,pedagogy and instruments.We welcome supporters to submit their freemembership online and email us with ideasand suggestions!Samantha Chang, 416-293-1302samantha.flutist@gmail.comwww.samanthaflute.comcanadaflute@gmail.comwww.canadaflute.com●●SCARAMELLAFrom its beginnings, Scaramella’s focus has been oneof innovation and revitalization, which distinguishesit from other ensembles on the early music scene,both in Canada and abroad. Scaramella’s programmescan be likened to the “old wine in new bottles” metaphor:Scaramella showcases a wealth of repertoire thatwas written for period instruments, both in old daysand in modern times, and its presentations are stagedin a way to surprise and delight.For 2011/12, Scaramella looks back to some ofthe most beloved and extraordinary music of theRenaissance and Baroque, with its catchy tunes, capriciousvariation and clever word play. To these weadd celestial inspiration, a charming countertenor anda highly colourful clown. We’d love it if you’d join us!Scaramella performs at Victoria College Chapel.Tickets are available at the door, or you can orderthem through the mail by downloading the form fromour website.November 26, 2011, 8pm: “Hit and Run.”February 18, 2012, 8pm: “The Angel and the Devil.”March 7, 2012, 8pm: “Imagine.”Joëlle Morton, artistic director416-760-8610info@scaramella.cawww.scaramella.ca●●SCARBOROUGH CONCERT BANDThe Scarborough Concert Band was founded in 1972by Paul Dunn and David Bourque.Performance venues for our 2011/12 season will includeSt. Dunstan of Canterbury Anglican Church,Church of the Master United Church, Port UnionCommunity Centre, Scarborough Civic Centre andvarious seniors’ residences in the Scarborough area.We are not professional musicians, but rather agrowing membership (up to 45) that is an eclecticmix of all ages and genders. Our love of music is whatbrings us together.If you’re seeking a group of musicians to play withon a regular basis you’ll find the band a satisfying experience.Fees are $100 per year. The ensemble currentlyhas openings for alto clarinet, bassoon, Frenchhorn (two), drum set and trombone.Rehearsals are Wednesday evenings from Septemberto July at Winston Churchill Collegiate in Scarborough.Conductor Denis Mastromonaco has made a significantcontribution to the band. The future looks verybright for SCB! The SCB, a registered charity, is a memberof the Canadian Band Association and acknowledgesthe support of the Trillium Foundation.Brian Rose, president905-683-9867info@scband.cawww.scband.ca●●SCARBOROUGHPHILHARMONIC ORCHESTRANow in its 32nd season, the Scarborough PhilharmonicOrchestra continues to offer innovative programmingat affordable prices. A high-quality communityand training orchestra with a professional core, wepresent old favourites and hidden gems of the traditionalrepertoire alongside engaging new works byCanadian composers.The Scarborough Philharmonic is led by music directorRonald Royer, who will be joined on the podiumby guest conductors Howard Cable, Daniel Swiftand Geoffrey Butler. Our concerts showcase soloistsfrom our own ranks alongside internationally-renownedperformers like American trumpet virtuosoBurnette Dillon. This season we are also proud to featuresix emerging soloists through our Young ArtistMentoring Program.Our 2011/12 six-concert season features two concertsfor orchestra (An American in Paris on October 29 andBerlioz’s Symphonie Fantastique on March 31), two withthe Toronto Choral Society (“Howard Cable’s CowboyChristmas” on December 3 and Brahms’ GermanRequiem on February 25), a chamber orchestra concert(Vivaldi’s Four Seasons on May 12), and music forbrass quintet (“The Red Brass” on January 21).416-429-0007spo@spo.cawww.spo.ca●●SHOW ONE PRODUCTIONSThe Canadian media have called Svetlana Dvoretskaia“an icon in the making” and a “Russian-born superwoman.”For eight years, Dvoretskaia and Show OneProductions have brought Canada some of the world’sbiggest classical music stars, including operatic luminariesDmitri Hvorostovsky and Sondra Radvanovsky,Valery Gergiev and the Mariinsky Orchestra, theRotterdam Philharmonic and Yannick Nézet Séguinand pianists Denis Matsuev and Olga Kern. The 2011/12Show One season opens October 22 and 23 with theMariinksy Orchestra and Maestro Gergiev playingTchaikovsky at the New Hall in Montreal and NationalArts Centre in Ottawa. February 23, violinist VladimirSpivakov returns for his sixth Show One visit in arecital with pianist Olga Kern at Koerner Hall. OnMay 3, celebrating its 20th anniversary, the MoscowSoloists Orchestra comes to Roy Thomson Hall, featuringvirtuoso violist and conductor Yuri Bashmet,along with cellist Mischa Maisky. And finally, in avery special project for Show One this year, broadcastingicon Larry King presents his comedy show(November 29) at Roy Thomson Hall and NationalArts Centre (November 28).Svetlana Dvoretskaia, president and producer416-737-6785info@showoneproductions.cawww.ShowOneProductions.ca●●SILVERTHORN SYMPHONIC WINDSFounded in September 2006 and led by music directorAndrew Chung, Silverthorn Symphonic Winds(SSW) brings classical and contemporary repertoirefor wind ensemble to audiences in Toronto and YorkRegion. The all-volunteer ensemble is characterizedby exceptional dedication and a commitment to thehighest possible level of performance. The musicians,who are all chosen by audition, range from highly accomplishedamateurs to semi-professional musicians.The SSW Artist in Residence Programme brings an established,professional musician in to collaborate withthe ensemble for a one-year term. This season’s artistin-residence,Christopher Gongos, associate principalFrench horn of the Toronto Symphony Orchestra, willperform at two public concerts and offer a free publicmasterclass. SSW rehearses Tuesday evenings in theBathurst and Steeles area of Toronto. Currently SSWhas openings for the following instruments: clarinet,trumpet, percussion, bassoon, baritone saxophoneand string bass.Sandra Ignaciuk, membership coordinatormembership@silverthornsymphonicwinds.cawww.silverthornsymphonicwinds.ca● ● SINE NOMINE ENSEMBLEFOR MEDIEVAL MUSICSine Nomine is an ensemble of talented, versatile singersand instrumentalists passionate about the musicof the Middle Ages and bringing it to life for modernaudiences. The group has performed in Toronto andother Ontario centres, as well as Alberta, Quebec, theMaritimes, the eastern USA and England.This year, Sine Nomine celebrates 20 years of inventiveprogramming, combining vocal and instrumentalmusic from medieval courts and churches with

eadings, drama and liturgical action to provide insightinto the fascinating artistic and intellectual cultureof the Middle Ages. Concerts will take place onFriday December 16, “An Avignon Christmas Mass”;Friday February 24, “A Canterbury Pilgrimage”; andFriday April 27, “Music of the Spheres,” at SaintThomas’s Church (383 Huron St.) at 8pm.Sine Nomine has produced three recordings: an independentcassette, the CD-ROM The Art of the Chant(PBS/Jasmine) and the CD A Golden Treasury of MediaevalMusic (Saydisc/AmonRa).Sine Nomine is ensemble-in-residence at thePontifical Institute of Mediaeval Studies.Contact: Randall Rosenfeld416-638-9445Fax: 416-926-7292sine.nomine@3web.comwww.pims.ca/amici/sinenomine.html●●SINFONIA TORONTO“A World Class Ensemble” (Germany’s RusselheimerEcho), Sinfonia Toronto performs its seven“Masterpiece Series” concerts in Glenn Gould Studio.The orchestra concertizes in other Ontario centres,broadcasts on CBC and performs community outreachconcerts. Since 2009 Sinfonia Toronto hasbeen the orchestra-in-residence at Barrie’s Coloursof Music Festival.Sinfonia Toronto’s strings perform standing, blendingeach musician’s soloistic energy into a brilliantensemble under music director Nurhan Arman. Aroster of winds and percussion joins the strings forchamber orchestra programmes. This fall the orchestrawill release its third CD on Cambria Records. The orchestrahas toured Spain (2010) and Germany (2008),where its performances were recorded by HessischerRundfunk for state-wide broadcast.Soloists for 2011/12 include pianists David Jalbert,Lucille Chung, Ratimir Martinovic and Dmitri Gordin;violinists Sarah Cheong and Victor Kuleshove; clarinetistJames Campbell; and Spanish trumpeter VicenteCampos. The orchestra will perform in Barrie andPort Hope.The Toronto Star writes of “a remarkable range ofcolour,” “ample eloquence” and “gripping authority,”while La Scena Musicale declared, “Nurhan Armanand his orchestra literally conquered us.”Nurhan Arman, music director and conductorHeather MacLean, general managerMargaret Chasins, director of operations416-499-0403sinfoniatoronto@sympatico.cawww.sinfoniatoronto.com●●SONY CENTRE FOR THEPERFORMING ARTSSony Centre for the Performing Arts, Toronto’s firstperforming arts centre, has played a defining role inthe cultural life of Toronto for more than 50 years.Today, the newly renovated Sony Centre is home toa roster of national and international artists that reflectsthe diversity and sophistication of 21st-centuryToronto. In addition, the Sony Centre is dedicatedto developing Toronto’s younger audiences throughfamily programming, workshops targeted towardsschool-aged audiences, an under-30 membership programand other community initiatives including aninternational culinary experience. For tickets and/orinformation please call 1-855-872-SONY (7669), visitsonycentre.ca or visit the box office at 1 Front StreetEast, Toronto.●●SOUNDSTREAMSFor almost three decades, Soundstreams has ignitedaudiences with an annual concert series that rangesfrom intimate chamber music events to multi-choralSINE NOMINEspectaculars, operas and eight highly successful internationalfestivals. Led by founding artistic directorLawrence Cherney, Soundstreams creates and programsmusic concerts that weave together globallydiverse genres, artists and eras. An international centrefor new directions in music, Soundstreams is oneof the largest and most dynamic organizations of itskind anywhere in the world.Programming focuses on music by living composers,with a special emphasis on Canadian composers.Soundstreams regularly commissions new worksfrom both Canadian and international composers andhas added over 160 new works to the global repertoiresince 1982.Soundstreams’ community outreach initiatives generatedynamic encounters among creators, performersand audiences, and inspire youth in creating thefuture of music. Soundstreams brings visiting composersand musicians to schools for mentorship andcomposition workshops. Students showcase theirtalents in the Young Artist Overture, a mainstageperformance series presented as part of our performanceseries.Jennifer Green, executive directorjenniferg@soundstreams.cawww.soundstreams.ca●●SOUTHERN ONTARIO CHAPTEROF THE HYMN SOCIETYSouthern Ontario Chapter of the Hymn Society(SOCHS) is a growing non-denominational organizationsupporting congregational song and offeringthree events each season in the Barrie, Kitchener-Waterloo and Pickering triangle. Anyone interestedin hymns and congregational song may join us orparticipate in our activities. John L. Bell and JamesAbbington have brought exciting songs to our gatherings.Internationally recognized hymn writers MaryLouise Bringle, Carl Daw, Michael Hawn and BrianWren have also been guests.Our fall social at 2:30pm on Sunday October 2, 2011,at Islington United Church features tips on supportingcongregational song. We’ll sing hymns and enjoycookies. On Monday February 13, 2012, at 7:30 pm,we’ll host a conversation at Emmanuel College about“Hymns and Church Music: Where is it all Going?”with young musicians who are students or graduatesof the Master of Sacred Music (MSMus) programat Emmanuel College. At our workshop on SaturdayJune 2, 2012, from 9:30am to 3:30pm at MetropolitanUC, Gerald Martindale will introduce the art of thecarillon. J.C. Coolen will show handbells buildingcommunity and enhancing worship.416-342-6034info@sochs.orgwww.sochs.org●●ST. ANNE’S ANGLICAN CHURCHEstablished in 1862, St. Anne’s has occupied its currentByzantine sanctuary since 1907. It is a nationalhistoric site because it contains the only religious artof members of the Group of Seven. Renowned for itsmusic and acoustics, St. Anne’s is the performanceand recording venue for special musical events by ourown choir as well as other groups. Daniel Norman,director of music, welcomes new members to ourchoir, which plays an important role at the 10:30amSunday services.In the 300-seat parish hall auditorium at 651 DufferinSt., the Music and Drama Society (MADS) will featureits 49th annual Gilbert and Sullivan production, TheYeomen of the Guard, January 27, 28 and 29 and February3, 4, 5 and 6, with artistic director Laura Schatz andmusic director Daniel Norman. In 2009, MADS performedto critical acclaim at the Buxton, England,International Gilbert and Sullivan Festival. Parking arrangementsand TTC access to Dufferin and Dundasare excellent.To celebrate the parish’s sesquicentennial in 2012,special cultural events are being planned.Diana Schatz, 416-922-4415royschatz@bell.netwww.stannes.on.ca● ● ST. MICHAEL’S CHOIR SCHOOLThe treasury of sacred music can be heard weekly at St.Michael’s Cathedral, where a fine choral tradition hasbeen maintained since St. Michael’s Choir School wasfounded in 1937. Treble and SATB boys’ choirs sing atthe Saturday evening and Sunday morning masses, atthe solemn liturgies of the Christmas and Easter seasonsand at important archdiocesan events. Join usat the Cathedral for “In Remembrance,” an eveningof sacred music, on October 14. The joyous sounds ofthe season fill Massey Hall every December as the boyspresent their annual Christmas concert, this year onDecember 10 and 11. At St. Michael’s Cathedral, preparefor Easter with the moving Tenebrae service onApril 4 and celebrate spring on May 25 (both events at7:30pm). The Choir School provides enriched learningfor boys in grades 3 to 12, with daily choral rehearsalsand individual instruction in piano, organ, voice,theWholeNote 2011-2012 PRESENTER PROFILES

Blue PagestheWholeNote 2011-2012 PRESENTER PROFILESstrings and guitar. The Fraser Institute has rankedboth elementary and secondary academic programshighly. Admission is based on a musical audition, entranceexamination and interviews.W. Edward McCall, executive directorMr. Barry White, principalDr. Jerzy Cichocki, artistic director,conductor — Senior ChoirsMs. Teri Dunn, conductor — Elementary ChoirMs. Charissa Bagan, conductor — Junior ChoirPlease contact Matthew Warszawski,director, development and communications,for further information.416-393-5518www.smcs.on.ca●●ST. PHILIP’S ANGLICAN CHURCHThe Church of St. Philip in Etobicoke (25 St. PhillipsRd.) is one of the oldest Anglican churches inToronto. Established in 1828, St. Philip’s welcomesall people to vibrant celebrations on Sunday morningsat 8:30am and 10:30am and to an eclectic seriesof Sunday afternoon concerts (4pm) that includejazz, blues, polka, fado, mariachi, klezmer and Latinmusic. Performances feature some of Toronto’s finestmusicians. Come and celebrate with us in our beautifuland historic church!Rev. Canon Allan Budzin416-247-5181www.stphilips.net●●SYRINX SUNDAY SALONS“Syrinx Sunday Salons,” as part of Syrinx ConcertsToronto, is a chamber music concert series that was establishedin 2004 to support and encourage Canada’sfinest musicians. In the past we have celebrated oneCanadian composer each season by featuring worksby that composer in every concert, along with themore traditional repertoire.Our schedule this year will feature five differentCanadian composers. The performers have been requestedto programme a Canadian work they especiallyenjoy playing or a new work they have wantedto programme but haven’t had the opportunity toperform before.This year we will feature the music of Canadian composersAlexander Levkovitch, Dmitri Levkovich, AnaSokolovic, William Rowson, Harry Somers and JohnBurge. Our performing artists are Dmitri Levkovichwith Anjhelika Fuks, The Hochelaga Trio, PeterLongworth and Benjamin Bowman, Ishay Shaer andMade In Canada Piano Trio.416-654-0877dorothyglick@hotmail.comwww.syrinxconcerts.org●●TAFELMUSIK BAROQUE ORCHESTRA& CHAMBER CHOIRThrill to the gorgeous music of the 17th and 18th centuriesperformed by Tafelmusik, Canada’s nine-timeJUNO Award-winning baroque orchestra and chamberchoir.Highlights of the 2011/12 season:World premiere of Alison Mackay’s multi-disciplinary“House of Dreams” concert (February 8 to 12);“Virtuoso Vivaldi” with Marion Verbruggen, recorder(February 23 to 26); “Bach and the Violin” withguest soloist Rachel Podger (May 2 to 6); and a choralextravaganza celebrating the 30th anniversary ofour Chamber Choir, directed by Ivars Taurins (March29 to April 1).New this season is Tafelmusik’s three-concert seriesat Koerner Hall: Handel’s Messiah (December 14 to17), Handel’s Hercules with concert staging by OperaAtelier’s Marshall Pynkoski (January 19 to 22), andBeethoven’s “Eroica Symphony” (May 24 to 27).Also for the holiday season: Sing-Along Messiah with“Maestro Handel” at Massey Hall (December 18).Tafelmusik continues its three-concert series atGeorge Weston Recital Hall: “Mozart and Friends”(November 8); “Virtuoso Vivaldi” with MarionVerbruggen, recorder (February 21); and the ChamberChoir’s 30th anniversary concert (March 27).Ages 30 and under can purchase tickets starting at$15 for Tafelmusik’s Toronto season concerts. Alsofor ages 30 and under — Pay-What-You-Can Fridays!Jeanne Lamon, music directorTricia Baldwin, managing directorBox Office: 416-964-6337Administrative Office: 416-964-9562info@tafelmusik.orgwww.tafelmusik.orgwww.facebook.com/tafelmusik.org●●TALISKER PLAYERSTalisker Players is a unique ensemble of instrumentalistsdedicated to working with singers. Founded in1995, it has earned an enviable reputation for excellencein choral accompanying. A flexible-sized group,it performs with choirs large and small in repertoireranging from baroque (on original or modern instruments)to 21st century.The ensemble also presents its own concert seriesat Trinity-St. Paul’s Centre, in the more intimaterealm of chamber music. Core members of the groupare joined by some of Canada’s leading vocal soloists,exploring the interaction of words and music in threeadventurous programmes.“Rumours of Peace” (November 15 and 16, 2011) offersreflections on the cost of human conflict andthe hope for lasting peace. “Starry Night” (January31 and February 1, 2012) explores the wonder and theterror of the night, the world of sleep and dreams.“Muse of Fire” (April 17 and 18, 2012), a collaborationwith Groundling Theatre Company, celebrates theworks of William Shakespeare through the marriageof music and words.“Good for the ears, and good for the soul”— Toronto Star.Mary McGeer, artistic director and general managerElizabeth Shannon, administrativedirector (Chamber Music Series)416-466-1800words.music@taliskerplayers.cawww.taliskerplayers.ca●●TALLIS CHOIRFounded in 1977, the Tallis Choir, directed by PeterMahon, specializes in renaissance chamber musicbut performs a wide variety of musical styles. The2011/12 four-concert season begins October 22 with“A Celebration of Victoria: 1611-2011,” a concert thatmarks the 400th anniversary of the death of TomasLuis da Victoria and features Victoria’s Missa ProVictoria and Magnificat Primi Toni as well as works byGuerrero, Lobo and Esquivel. Our December 10 concert,“Charpentier: Midnight Mass for New France,1725” recreates a high mass for Christmas in colonialQuebec and includes Charpentier’s Messe de Minuit andNoëls by Daquin, Delalande and Raison. On March 3,the passion of Holy Week will come alive in dramaticmasterpieces of the 17th century Italian Baroqueincluding Palestrina’s Stabat Mater and Monteverdi’sMissa In Illo Tempore. Our season closes May 5 as wecelebrate the English anthem with a cappella masterpiecescomposed by Tallis, Byrd, Stanford and Harris.Rehearsals are Wednesday evenings at Trinity College,University of Toronto.Peter Mahon416-533-6179www.tallischoir.com●●TAPESTRY NEW OPERANow in its 32nd season, Tapestry New Opera is aninternational home for creators, developers and performersof new opera, including all collaborators intelling stories that surprise, thrill and move audiences.The Tapestry process begins at the annual Composer-Librettist Laboratory where writers and composersare introduced to collaborative creation. Successfulpartnerships move on to create short operas, rangingin length from 15 to 45 minutes, before full lengthworks are accepted into the Creative DevelopmentProgramme and go on to full production.The 2011/12 creative development season brings thereturn of our five minute bite-sized operas, “OperaBriefs,” presented at Theatre Passe Muraille MainSpace. Tapestry’s home, the Ernest Balmer Studio,will showcase Toronto’s premiere of Pub Operas afterits debut in London UK; The “Tapestry Songbook,”a concert of bravura arias from the extensive libraryof Tapestry produced operas; six new works in developmentat the New Opera Showcase; and, finally,the workshop continuation of the electrifying newopera in development, The Enslavement and Liberationof Oksana G.Wayne Strongman, managing artistic director416-537-6066tapestry@tapestrynewopera.comwww.tapestrynewopera.com●●TORONTO BRASS QUINTETThe Toronto Brass Quintet was formed in 2009 andis emerging as one of Toronto’s top chamber ensembles.As dedicated educators and passionate performers,they have come together to create exciting andunique concert experiences.A major component of their season consists ofeducational outreach. The quintet’s educationalperformances have been described as “informative,entertaining and musically inspiring.” In the 2011/12season the Toronto Brass Quintet will continue to excitethe musical imagination of kids with innovativeand interactive shows in Ontario as well as provideclinics and workshops.Upcoming projects for this season will include abrand new recital series, collaboration with otheremerging artists and performances of commissionedworks.info@torontobrass.comwww.torontobrass.com●●TORONTO CENTRE FOR THE ARTSThe Toronto Centre for the Arts is a vibrant and excitingdestination where Toronto comes to celebratethe art and culture of this great and diverse city andwhere artists of all backgrounds find an exquisite platformfor their artistic expression. With classical andpopular concerts, plays, musicals, comedy, spokenword and dance events filling out the calendar in ourMain Stage, George Weston Recital Hall and StudioTheatre, there is always something for everyone andwe hope to have you back again and again. Welcometo Your Centre!416-733-9388Tickets:1-855-985-ARTS (2787);www.ticketmaster.ca416-733-0545 (subscriptions only)www.tocentre.com● ● TORONTO CHAMBER CHOIRNow in its fifth decade, this 40-voice SATB choir distinguishesitself in the early music scene by its presentationof large-scale, often little-known, works ofrenaissance and baroque repertoire, performed in authenticstyle. TCC also sponsors a mentoring partnershipwith Rosedale Heights Secondary School ofthe Arts.

Our music director since July 2008, Mark Vuorinenis one of Canada’s rising choral conductors, with morethan ten years of experience.Our 2011/12 season opens with a “Kaffeemusik” performanceof the rich surround-sound sonorities ofOckeghem’s 36-voice motet Deo Gratias and his MissaCuiusvis Toni. At Christmas we’ll thrill you with anevening concert of seasonal motets and carols. InMarch, the Cardinal Consort will join the choir in aprogramme spanning street cries and cathedral classicsof the Renaissance and the Baroque. To finish ourseason we return to a TCC mainstay, J.S. Bach. Cometo hear Cantata 39, “Break your bread for the hungry,” andcontribute to our food drive.All concerts are held at Christ Church Deer Park,1570 Yonge St, just north of St. Clair.Mark Vuorinen, music directorMary Ella Magill, president416-763-1695info@torontochamberchoir.cawww.torontochamberchoir.ca●●TORONTO CHILDREN’S CHORUSToronto Children’s Chorus is celebrating its 5th seasonunder artistic director Elise Bradley, with its“Mystery and Mastery” series. Building on the legacyestablished by founder Jean Ashworth Bartle, Bradleyhas developed a program of comprehensive musiceducation for children aged 6 to 17, including sightsinging,ear training and music theory, along withextraordinary musical performances. With a reputationfor excellence in education and musicianship,the Toronto Children’s Chorus enhances the developmentof leadership and life skills in children throughthe choral art.The 2011/12 concert season opens following acclaimedperformances at the 9th World Symposiumon Choral Music in Puerto Madryn, Argentina. As thesole children’s choir and one of only 25 choirs invitedto participate, the Chorus reinforced its reputation asone of the finest treble choirs in the world. In additionto its annual outstanding concert series, the Chorusperforms as guests with the Toronto SymphonyOrchestra and represents Canada on regular worldtours. These young ambassadors have performed insuch revered venues as the Musikverein, CarnegieHall, the Kennedy Center and Royal Albert Hall.Carol Stairs, general information416-932-8666 x231www.torontochildrenschorus.com●●TORONTO CHORAL SOCIETYThe Toronto Choral Society was founded in 1845 topresent concerts and foster the development of thelocal musical community. Today, under the leadershipof artistic director Geoffrey Butler, the 140-voice TCSchoir presents great works of the choral repertoire,produces innovative concerts celebrating our city’srich history and diversity and participates in specialcommunity events. The 2011/12 season will include aRemembrance Day concert, “The Larks, Still BravelySinging,” on November 11; Liszt’s Missa Choralis onDecember 14; Brahms’ Requiem, a co-production withScarborough Philharmonic Orchestra, on February25; and a choral exploration of Toronto’s ghost storieson May 16.The Toronto Choral Society includes two smallerchoirs in addition to the main TCS choir. Street HavenWomen’s Choir, drawn from clients of Street Haven atthe Crossroads, performs at concerts and communityevents in downtown Toronto. North 44 Ensemble,an auditioned chamber choir, performs by request onspecial occasions.Please call or visit our website for information aboutmembership in TCS.416-410-3509TORONTO CONSORTinfo@torontochoralsociety.orgwww.torontochoralsociety.org●●TORONTO CLASSICAL SINGERSThe Toronto Classical Singers goes platinum singingtimeless treasures for 20 years! In 1992, The TorontoClassical Singers presented its first concert with orchestra,soloists and a dedicated group of eager singers,establishing a tradition that has endured over thepast 20 years. Since then, TCS has flourished underthe direction of its artistic founder, Jurgen Petrenko.TCS produces three performances each year, enthrallingaudiences with its versatility and tenacity andtackling the works of composers who have earned aplace in music history for both their notorious livesand their wonderful music. Come join us as we celebrateour milestone with these timeless treasures:highlights of Bach’s Christmas Oratorio on December4, Vivaldi’s Gloria and Schubert’s Mass in G Major onMarch 4 and Verdi’s Requiem on May 6. Concerts areheld at 4pm in the relaxed and informal setting ofChrist Church Deer Park (wheelchair accessible).Rehearsals are held on Mondays, 7:30pm to 9:30pm,September to May, at Christ Church Deer Park, 1570Yonge St. Auditions are held in September. Seasontickets $80/$65 and singles $30/$25.416-443-1490members@torontoclassicalsingers.cawww.torontoclassicalsingers.ca●●TORONTO CONSORTOne of Canada’s premiere period music ensembles,the Toronto Consort breathes life into the music ofthe Middle Ages, Renaissance and early Baroque.Founded in 1972, the Consort presents an annual subscriptionseries at Trinity-St. Paul’s Centre in downtownToronto. The Consort has toured extensivelyand has recorded 11 CDs as well as music for filmand television, including the hit television series TheTudors and The Borgias.Artistic director David Fallis has programmeda treasure trove of music for 2011/12: “VenetianSplendour” (October 21 and 22), “A SpanishChristmas” (December 9, 10 and 11), “English TenorCharles Daniels in Recital” (January 27 and 28), “AMusical Bestiary” (March 23 and 24) and “TheOriginal Carmina Burana” (April 27, 28 and 29). Fortickets and information visit our website and followus on Facebook for updates.Returning this season: “Sunday Sampler” — 2 concertsat 3:30 pm. This Sampler series consists of “ASpanish Christmas” on December 11 and “The OriginalCarmina Burana” on April 29.David Fallis, artistic director and general manager416-966-1045Box office: 416-964-6337www.torontoconsort.org●●TORONTO HELICONIAN CLUBThe Toronto Heliconian Club was founded in 1909 togive women in the arts and letters an opportunity tomeet socially and intellectually. It continues to holdto its original purpose while responding to the changesof contemporary life.To mark its centennial in 2009, the TorontoHeliconian Club instituted a series of concerts featuringsingers, pianists and other instrumentalistsdrawn from the club’s professional musicians andfrom across Canada. Reflecting the multidisciplinarynature of the club, select concerts highlighted visualand literary artists. The series flourished and continues,with the final concerts of 2011 to be held onSeptember 23 and October 28. Please contact the clubfor details about the 2012 series beginning in January.Heliconian Hall, the club’s visual and acoustic gemdating from 1875, is available to rent for recitals andcorporate events at reasonable rates. Recently theconcert hall’s seven foot Steinway “B” was completelyrebuilt and new state-of-the art stage and houselighting was installed.Emma Walker416-922-3618rentals@heliconianclub.orgGeneral Information info@heliconianclub.orgwww.heliconianclub.org● ● TORONTO JEWISH FOLK CHOIRThe Toronto Jewish Folk Choir offers an opportunityto sing beloved Yiddish songs and music of theJewish people in other languages. You don’t need tobe Jewish — just enjoy singing with a friendly groupfrom around the world! Canada’s longest continuingJewish choir aims to preserve and maintain oursecular heritage and experience while also enhancingcontemporary Jewish culture through newer worksby Jewish Canadian composers and arrangers. Lastseason concluded with a performance to an enthusiasticcrowd at Montreal’s International Festival ofYiddish Theatre.This season’s line-up includes a concert commemoratingour late long-time leader Ben Shek,intergenerational and Chanukah concerts and thetheWholeNote 2011-2012 PRESENTER PROFILES

Blue PagestheWholeNote 2011-2012 PRESENTER PROFILESannual commemoration of the Warsaw GhettoUprising. Highlighting the 86th annual spring concertis a suite by Milton Barnes for choir and klezmerband, marking the late composer’s 80th birthday andhonouring the memory of Myrna Levine, who commissionedthis piece for us. Musical selections willalso celebrate one of the greatest Yiddish songwriters,Mordechai Gebirtig (1877-1942).Rehearsals are Wednesdays, 7:30pm to 10pmat the Winchevsky Centre, 585 Cranbrooke Ave.(Bathurst-Lawrence).Alexander Veprinsky, music directorLina Zemelman, accompanist905-669-5906folkchoir@hotmail.comwww.winchevskycentre.org/institutions/choir.html●●TORONTO MASQUE THEATREPraised for high standards and an inclusive atmosphere,Toronto Masque Theatre has a mission to bringthe centuries-old performing arts form of the masquealive for contemporary audiences. TMT presentsmultimedia performances combining theatre, musicand dance from the Renaissance to the present. Pasthighlights include commissions of five new works(by Abigail Richardson, Omar Daniel, James Rolfeand Dean Burry), a critically acclaimed cycle of HenryPurcell’s major music theatre works, “A MoliereCelebration,” “Masques of War,” and “Commedia!”Our eighth season includes the Toronto premiereof John Beckwith’s detective opera Crazy to Kill, withKimberly Barber and Doug MacNaughton; a “Masqueof Love,” featuring Patricia O’Callaghan singing OmarDaniel’s Neruda Canciones; and “Convent of Pleasure,” a17th century extravaganza of theatre, ballet and music,featuring works by Monteverdi, Luigi Rossi and playwrightMargaret Cavendish.Smaller TMT readings, lectures and concerts willbe presented throughout the year.“Beckwith & Co. have the right idea and the right attitude,thinking not only of the past, but of the presentand future.” — John Terauds, Toronto Star.Larry Beckwith, artistic directorVivian Moens, managing directorDerek Boyes and Marie-NathalieLacoursiere, artistic associates416-410-4561admin@torontomasquetheatre.cawww.torontomasquetheatre.com●●TORONTO MENDELSSOHN CHOIRGrand symphonic sound has been the trademark ofthe Toronto Mendelssohn Choir, Canada’s worldrenownedlarge vocal ensemble, for over 100 years.TMC concerts offer audiences authentic interpretationof some of the greatest sacred and secular musicever composed. The 150-voice choir includes a professionalcore of 20 from the Elora Festival Singers, auditionedvolunteers and apprentices (aged 17 to 22).The TMC performs over 20 concerts annually, including“Festival of Carols” at Yorkminster Park BaptistChurch, “Sacred Music for a Sacred Space” on GoodFriday at St. Paul’s Basilica, two concerts of majorchoral works with full orchestra at Koerner Hall andMessiah and other masterworks with the TSO.In 2011/12 the TMC and Festival Orchestra willperform works by Brahms, including Ein DeutschesRequiem, on November 9 and Belshazzar’s Feast byWalton, along with other 20th century works, onMay 23 at Koerner Hall.The TMC’s education and outreach programs includethe annual Conductors’ Symposium for emergingconductors, the Apprentice Program to supportyoung singers and Singsation Saturday choral workshopsfor anyone who loves to sing.Noel Edison, artistic director and conductorCynthia Hawkins, executive director416-598-0422manager@tmchoir.orgwww.tmchoir.org●●TORONTO OPERA REPERTOIRECelebrating its 45th anniversary with its 2012 season,Toronto Opera Repertoire has delighted the communitywith affordable productions of opera classicsand given students, choristers and aspiring singersthe opportunity to learn new roles, sing in the chorusand understand the complexities and challengesof opera stagecraft. Run in conjunction with theToronto District School Board’s Continuing EducationProgram, this community opera company presentstwo fully staged, professionally costumed operas eachyear at the Bickford Centre Theatre, 777 Bloor St. W.For its February 2012 season, TOR will presentLehar’s The Merry Widow (in English) and Donizetti’sLucia di Lammermoor (in Italian). TOR invites aspiringsoloists to audition and enthusiastic choristers to jointhe non-auditioned chorus.Gerald Hannon, chair416-698-9572chair@toronto-opera.comwww.toronto-opera.com●●TORONTO OPERETTA THEATREFounded in 1985 by general director Guillermo Silva-Marin, TOT is a vibrant company with a mandate toproduce classical operettas featuring professionalCanadian artists of exceptional talent.Our 2011/12 season begins October 23 with a“Zarzuela Gold” benefit concert. Imre Kálám’s TheGypsy Princess, starring Lara Ciekiewicz, ElizabethBeeler, Keith Klassen and Ian Simpson, follows withseven performances, December 28 to January 8. Theworld premiere of John Beckwith and James Reaney’sTAPTOO! is next, starring Robert Longo, MichaelNyby and Michael Barrett, with conductor JeffreyHuard, February 22 to 26. The season concludeswith Gilbert and Sullivan’s HMS Pinafore, starringLeslie Ann Bradley, Marion Newman, Keith Savageand David Ludwig, with conductor Robert Cooper,April 24 to 29. All productions are staged by directorGuillermo Silva-Marin, with the TOT vocal ensembleand orchestra.Special events include the President’s Reception(October 23), TOT’s New Year’s Eve Gala Party at theHotHouse Café and a “Musical Journey” dinner, concertand dance at the Marriott Hotel (April 7). All performancesare at the St. Lawrence Centre for the Arts.416-922-2912Tickets: 416-366-7723; 1-800-708-6754email@torontooperetta.comwww.torontooperetta.com●●TORONTO PHILHARMONIAORCHESTRAUnder the baton of its new artistic director andprincipal conductor Uri Mayer, as well as guest conductorsScott Seaton and Christopher Zimmerman,the Toronto Philharmonia Orchestra will presentfive exciting concerts in its upcoming season in theGeorge Weston Recital Hall at the Toronto Centre forthe Arts. Beginning with an all-Mozart concert onJanuary 25, 2012, season highlights include Ravel andMendelssohn with violinist Timothy Chooi (February23); Bach and Dvořák featuring cellist Winona Zelenka(March 29); opera excerpts from Verdi, Puccini andDonizetti (April 26); and Beethoven and Grieg withpianist Boris Krajný (May 31). The season promisesto be fresh and vibrant, so please join us for the concertsand welcome our new Maestro!647-439-8787www.torontophilharmonia.com●●TORONTO SINGING STUDIOWelcome to a new season of singing! The TorontoSinging Studio offers many ways to improve and developyour voice and singing skills. Interested in privatesinging lessons? Discover the unique sound thatis your singing voice. Are you more comfortable in agroup class? These very popular classes (for singersages 18 and older) will be a perfect fit: Singing Basics(for absolute beginners), Singers’ Repertoire Class(for experienced singers) and the Advanced SingingWorkshop held in July (for advanced singers).TTSS has four amateur adult choirs: Vocal Mosaic(no audition), Celebration Choir (for singers overage 55 with no audition), Vivace Vox (by auditiononly) and Summer Singers (no audition, meets inJune and July).The Toronto Singing Studio has locations downtownand in midtown. For more information, visitthe TTSS website.Linda Eyman, director416-455-9238linda@thetorontosingingstudio.cawww.thetorontosingingstudio.ca●●TORONTO SYMPHONY ORCHESTRAThe 2011/12 season offers big concerts and bold experiencesfor audiences to treasure. Join us for the TorontoSymphony Orchestra’s blockbuster 90th star-studdedconcert season. Canada’s premiere symphonicensemble, the Toronto Symphony Orchestra presentsits concert season in the visually stunning and acousticallysuperb Roy Thomson Hall.Under the artistic leadership of music director PeterOundjian, the TSO performs over 100 concerts featuringan impressive lineup of guest artists and repertoire.This amazing 90th season features performancesby Yo-Yo Ma, Itzhak Perlman, Barbara Hannigan,James Ehnes, Evgeny Kissin, a two-week residencywith Lang Lang and more of today’s biggest classicalstars. Season highlights include an all-star Canadiancast performing Mahler’s “Symphony of a Thousand,”“Toronto’s Biggest Messiah,” the “Mozart Festival,”the “New Creations Festival” (featuring the music ofthe renowned Hungarian innovator Peter Eötvös) anda new multi-media series designed for the musicallycurious called “Exposed: Unveiling Great Music.”Great deals for audiences aged 15 to 35: sign up forfree at tsoundcheck.com and get TSO tickets for $14!Some restrictions apply.Peter Oundjian, music directorSir Andrew Davis, conductor laureateAndrew R. Shaw, president and CEOLoie Fallis, director of artistic planningAdministration: 416-593-7769Box Office: 416-593-4828www.tso.ca● ● TOYICH INTERNATIONAL PROJECTSToyich International Projects is a non-profit charitableorganization devoted to developing the skills,professional training and musical education of musicstudents, performers, mature amateur musicians andmusic teachers by providing them with opportunitiesto develop and present their talents nationallyand internationally.Our acclaimed Monster Concerts (piano orchestras)have showcased many talented performers over theyears and have been featured on radio, television andprint media in Canada and Europe.TIP’s mandate is inclusive and we provide and supportprofessional training on an ongoing basis to musiciansof all ages in the form of coaching, master classesand performance practice (contact Boyanna Toyich forinformation about participation).In collaboration with the University of Toronto’sFaculty of Music, TIP is proud to present its

Educational Conference for Performers in Rome,Italy, each summer, offering performance programmes,masterclasses with Canadian and Italian teachers, lectures,seminars, public performances and Universityof Toronto credit courses for eligible students. Datesfor next year’s programme in Rome are July 16 to28, 2012.Boyanna Toyich, artistic director,president and CEO416-922-0755boyanna@sympatico.cawww.tipromeconference.comwww.toyichinternationalprojects.ca●●TRILLIUM BRASS QUINTETThe Trillium Brass Quintet (Brendan Cassin and ScottHarrison, trumpets; Christine Passmore, horn; CathyStone, trombone; and Courtney Lambert, tuba) is aversatile and professional chamber ensemble.Formed in 1996, TBQ has performed throughoutOntario, including recital appearances at theGananoque Concert Association, inaugural Brass inthe Grass Festival, Kincardine Summer Music Festival,Toronto International Chamber Music Festival and asfeatured guests with the Sault Ste. Marie Symphony.The quintet has collaborated with, among others,Exultate Chamber Singers, Pax Christi Chorale andCantores Celestes Women’s Chamber Choir. TBQmaintains a strong commitment to education witha busy schedule of educational concerts throughPrologue to the Performing Arts.By commissioning new works as well as transcribingmusic from many styles and eras, TBQ has developeda sophisticated and dynamic stage presentation.TBQ’s recordings include their debut CD, Revecy,and Seasons of the Spirit (with the Pax Christi Chorale).Please visit our website for audio and video samplesand for more information about this unique ensemble.Scott Harrisonscott@trilliumbrass.comwww.trilliumbrass.com●●UNIVERSITY OF TORONTOFACULTY OF MUSICThe Faculty of Music at the University of Toronto isregarded as a top destination for the professional andscholarly study of music in North America. As partof one of the world’s top universities, the Faculty ofMusic is home to a diverse and dynamic communityof scholars, performers, composers and educators.With superb educators in every area of music studyand dozens of areas of specialization in our degreeand diploma programs, we offer an education thatis both broad and deep. Our students and alumnihave garnered such awards as Prix Italia, the Peabody,JUNO and National Jazz Awards, and occupy prominentpositions with such ensembles as the TorontoSymphony, Cleveland Orchestra, Boston Symphonyand the Berlin Philharmonic.The Faculty of Music’s annual concert season featuresstudents, faculty and guests in over 100 publicconcerts, lectures and masterclasses. This year’sfeatured guests include conductor Sir Andrew Davis,composers Anders Hillborg and Paul Hoffert, violinistLara St. John, vocalist Aprile Millo, Simón BolívarString Quartet, and the Canadian Brass, amongmany others.Dr. Don McLean, deanBox Office: 416-408-0208www.music.utoronto.ca●●UNIVERSITY SETTLEMENTMUSIC & ARTS SCHOOLThe University Settlement Music and Arts Schoolhas been providing quality, affordable music lessonsand group classes for 90 years in downtownTRILLIUM BRASS QUINTETToronto. We believe that the arts are a right, not aprivilege, and we offer music and arts programmesto everyone, regardless of age, ethnicity, perceivedtalent, disability or ability to pay. Individual lessonsare available from a faculty of highly qualified professionalson a wide variety of instruments, in voice andin theory. Group activities include Children’s Choir,Community Choir, Chamber Music, Ear Training forKids and Adults, Drumming Circle, RCM Rudimentsand Harmony classes, Dance (jazz, tap and ballet) andComputer Music.Lesson fees are modest and we offer subsidies tolow-income families who qualify. Scholarships, practicefacilities and instrument rentals are also available.Regular student recitals offer excellent performanceopportunities in a family environment. We alsopresent faculty concerts, special events with specialguests and workshops.For specific information, call the office Monday9:30am to 4:30pm, Tuesday to Friday 9:30am to 7:30pmand Saturday 11:30am to 3:30pm. (Hours are occasionallysubject to change.)Anne Yardley, directorMichelle Simmons, programme assistant416-598-3444 x243 or x244anne.yardley@universitysettlement.ca●●UPPER CANADA CHORISTERSThe Upper Canada Choristers is a mixed voice communitychoir in Toronto committed to musical excellence,community service and collaboration with bothlocal and international choirs. The choir’s diversity isreflected in its wide range of repertoire and the varietyof its guest artists. Cantemos is the auditioned Latinchamber ensemble of the Choristers. Founding artisticdirector and conductor Laurie Evan Fraser andaccompanist and associate conductor Nicole Bellamyprovide the professional musical leadership for thisvibrant organization.The choir performs two programmes annually in avariety of community venues.Our 2011/12 season opens with “Wintertide,” a concerton December 9, 2011, at Grace Church on-the-Hill,featuring the North American premiere of Stella Natalisby Karl Jenkins. Our spring concert on May 4, 2011, atGrace Church is “Sanctus.” The programme featuresRequiem by Gabriel Fauré and Missa Sine Nominine byCésar Alexandro Carillo. Special guests include choirsfrom Swansea Public School under the direction ofCatherine West.Laurie Evan Fraser, conductor and artistic director416-256-0510www.uppercanadachoristers.org●●VESNIVKA CHOIRFounding director Halyna Kvitka Kondracki establishedVesnivka Choir in 1965. This award-winning,40-member women’s ensemble has delighted audiencesaround the world with its rich repertoire ofUkrainian liturgical, classical, contemporary and traditionalfolk music. Vesnivka, in partnership with theToronto Ukrainian Male Chamber Choir, begins itsconcert season on November 5, 2011, with a concertcelebrating the 120th anniversary of Ukrainian settlementin Canada, with guest performers the LysenkoChoir from the Netherlands and featuring the musicof Canadian Ukrainian composers Larysa Kuzmenkoand Roman Hurko. Vesnivka brings in the New Yearwith its ever-popular annual Ukrainian Christmas concerton January 8, 2012. On April 29, 2012, Vesnivkaends its concert season with “Best of Vesolowskyj,”a concert featuring the beguiling and romantic musicof Canadian Ukrainian composer I.B. Vesolowskyjand performed in cabaret style with big band accompaniment.Vesnivka also sings at Christmas and EasterLiturgies on January 7, 2012, and April 15, 2012, atSt. Nicholas Ukrainian Catholic Church in Toronto.Halyna Kvitka Kondracki, artistic directorNykola Parzei, administrator416-763-2197nykola@vesnivka.comwww.vesnivka.com● ● VIA SALZBURGSince its inception in 1999, by artistic director andinternationally acclaimed violinist Mayumi Seiler, theVia Salzburg Chamber Ensemble continues to presenthigh-calibre chamber music concerts with an emphasison strings. The orchestra consists of 12 core membersand boasts some of Toronto’s top professionalmusicians and finest emerging talent in a group thatplays to consistent critical acclaim. From the blendingof art forms to the addition of prestigious musiciansfrom diverse genres of world music, the Via Salzburgconcert experience is unparalleled.With our 13th season, Via Salzburg returns to thevery heart of the chamber music experience by embracingthe intimacy of the string quartet as our core ensembleat our beautiful new venue — Rosedale UnitedChurch. We will continue to bring you innovative concerts,special guest artists and a healthy dose of excellentmusic from both Canada and around the world, astheWholeNote 2011-2012 PRESENTER PROFILES

Blue PagestheWholeNote 2011-2012 PRESENTER PROFILESwe infuse the familiar with the new and move both theensemble and our audience into exciting and sometimeschallenging musical waters.416-972-9193info@viasalzburg.comwww.viasalzburg.com●●VICTORIA SCHOLARS MEN’SCHORAL ENSEMBLEThe namesake of the Victoria Scholars, Tomás Luis deVictoria, was an outstanding renaissance composerwhose music is renowned for its spirituality and emotionalexpressiveness. The Victoria Scholars bring theclarity and balance of sound so characteristic of renaissancemusic to all their repertoire, encompassingmedieval plainchant, works from the baroque, classical,romantic, and contemporary eras and newlycommissionedworks.Past winners of the Healey Willan Grand Prize inthe CBC Radio National Competition for AmateurChoirs, the Victoria Scholars have performed withmany exceptional arts organizations (including theToronto Symphony Orchestra and the Kiev ChamberChoir) and vocal soloists (including Michael Schade,Russell Braun, Sondra Radvanovsky and NorineBurgess). They have toured nationally and internationally,have three widely acclaimed recordings, and areheard regularly on CBC Radio 2 and Classical 96.3 FM.The 2011/12 concert series includes “Solace — Songsof Remembrance and Peace” (November 6), “Natusest nobis” (December 16 and 18), “The RomanticGentleman” (March 4), and “Sea Fever” (June 3and 10).We welcome interested singers at our auditionsevery September and January.Jerzy Cichocki, music director416-761-7776info@victoriascholars.cawww.victoriascholars.ca●●VILLAGE VOICESVillage Voices is a not-for-profit, adult mixed-voicecommunity choir of about 70 voices, now in its 23rdseason. Under the direction of Joan Andrews, thechoir provides fellowship for its members and producesa high standard of achievement in all typesand eras of choral music: classical, sacred and secular.Rehearsals are on Wednesday nights in Unionville.Village Voices raises its artistic level and expands itsrepertoire through vocal workshops and by includingprofessional guest soloists and instrumentalists. Thechoir performs at various venues in Markham and thesurrounding area. It continues to honour its commitmentto the community by entertaining at local retirementand group homes.Village Voices will perform its annual Christmasconcert on November 26 and Handel’s Messiahon December 15 as guests of the Kindred SpiritsOrchestra. The spring concert on May 12 will honourmotherhood. All performances take place in Markham.Joan Andrews, conductor and artistic directorGerald Loo, accompanistMarg Clark, membership information905-472-6435marg.clarke39@yahoo.cainfo@villagevoices.ca●●VISUAL & PERFORMINGARTS NEWMARKETVisual and Performing Arts Newmarket was organizedin 1988 with the aim of bringing together artslovers and campaigning for a performing arts facility.In 1997, VPAN was able to take advantage of anew state-of-the-art theatre in Newmarket and created“Three For The Show,” a three-concert seriesof classical music on Sunday afternoons during thewinter months. Most recent artists appearing includeJanina Fialkowska, the Gryphon Trio, Joel Quarrington,Rivka Golani, André Laplante, Quartetto Gelato,Toronto Children’s Chorus, Elmer Iseler Singers andthe Bach Children’s Choir.Eleven years ago, VPAN added a popular fourth concert,“Young Artists’ Showcase.” In 2011/12 VPAN celebratesits 15th season by presenting The Zodiac Trio(violin, clarinet, piano) on October 30, 2011, PentaedreWind Quintet on March 4, 2012, and soprano comedienneMary Lou Fallis on April 1, 2012.All concerts take place Sundays at 2pm at theNewmarket Theatre, 505 Pickering Cres. Subscriptiontickets are $66 (adults), $51 (seniors) and $24 (students).Single tickets can be purchased by callingthe theatre box office or online. See contact informationbelow.Judy Craig 905-895-8713Box Office: 905-953-5122;www.newmarkettheatre.caart_judycraig@rogers.comwww.vpan.ca●●VIVA! YOUTH SINGERS OF TORONTOLeading innovators in choral education, VIVA! YouthSingers of Toronto is a vibrant choral organizationfor children and youth aged 4 to 25. 2011/12 marksVIVA!’s 12th season as a downtown, non-profit groupof choirs whose mission is to provide children andyouth with artistically excellent musical opportunitiesin a supportive, inclusive environment. Founded byCarol Woodward Ratzlaff in response to widespreadcuts to school arts programmes, VIVA!’s diverse programmingfeatures age-appropriate choral trainingthrough weekly instruction in vocal technique,regular private vocal instruction and comprehensivetheory. Through a valuable mentoring program, youngsingers learn from university and high school students.VIVA!’s unique Inclusion Program providesspecialized support for youth with disabilities in allchoirs. Our 2011/12 season includes performances withthe National Ballet of Canada’s Nutcracker throughoutDecember, “Carols by Candlelight” at Trinity-St. Paul’s on December 18, our annual gala featuringAdrianne Pieczonka on April 11, 2012, a concert inspiredby the muses on June 3, 2012, and the “GreeceTour Farewell Concert” on June 26, 2012.416-788-8482www.vivayouthsingers.com●●WINDERMERE STRING QUARTETThe Windermere String Quartet was formed in thespring of 2005 to perform the music of Mozart, Haydn,Beethoven, Schubert and their contemporaries onperiod instruments. Violinists Rona Goldensher andElizabeth Loewen Andrews, violist Anthony Rapoportand cellist Laura Jones share a wealth of experience inbaroque and classical styles. Individually, they havebeen acclaimed for their performances with suchgroups as Sinfonia Toronto, Talisker Players and theklezmer ensemble HuTsaTsa.The quartet’s first CD, The Golden Age of StringQuartets, is to be released during the 2011/12 season.The Windermere String Quartet Concert Serieswas founded in 2006. In addition to the quartet’score classical repertoire, the series occasionally featuresnewly commissioned works. Concerts takeplace in the warm acoustic and intimate atmosphereof St. Olave’s Anglican Church in Toronto’s westend and have been recorded for broadcast by CBCRadio. The quartet has also performed at Toronto’sAcademy Concert Series, the Toronto Music Garden,Nuit Blanche, Musically Speaking, Stratford ChamberMusic, The Lake MacDonald Music Centre and Musicat Port Milford.416-769-0952info@windermerestringquartet.comwww.windermerestringquartet.com●●WOMEN’S MUSICAL CLUB OF TORONTOThrough its “Music in the Afternoon” concert series,the 113‐year‐old Women’s Musical Club of Torontopresents chamber music concerts featuring musicianson the threshold of international recognition as wellas established artists and ensembles.Concerts are held Thursday afternoons (oneWednesday and four Thursdays for the 114th season)at 1:30pm at Walter Hall, Edward Johnson Building,80 Queen’s Park.Artists for the 114th (2011/12) season are: WeilersteinTrio and Barry Shiffman, viola (Wednesday September28); Robert Aitken, flute, Simon Fryer, cello, andWalter Delahunt, piano, with the premiere of a newwork by Chris Paul Harman commissioned by theWMCT (Thursday October 27); Adrianne Pieczonka,soprano, and Stephen Ralls, piano (ThursdayDecember 1); Roger Chase, viola, and Michiko Otaki,piano (Thursday February 23); and Banff StringQuartet Competition winner Cecilia String Quartet(Thursday March 29).Member/subscriber benefits include “Tuning YourMind,” a free pre‐concert lecture series presentedin partnership with the Faculty of Music, Universityof Toronto, on a topic related to the day’s concert.Susan Corrigan, arts administrator416-923-7052wmct@wmct.on.cawww.wmct.on.ca● ● YORK UNIVERSITYDEPARTMENT OF MUSICYork’s Department of Music showcases its residenttalent in more than 100 public events each season. Anannual highlight is the Faculty Concert Series, thisyear spotlighting percussionist Trichy Sankaran, sopranoJanet Obermeyer, violinist Jacques Israelievitch,pianist Christina Petrowska Quilico and improv pianistCasey Sokol. Classical chamber concerts and performancesby the York U Concert, Chamber and Men’sChoirs are offered alongside cutting-edge electroacousticexplorations and original works by studentcomposers. The annual world music festival celebratesdiverse global traditions, from Caribbean andMiddle Eastern music to West African drums, flamencoguitar and Chinese orchestra. Each term concludeswith performances by the York U SymphonyOrchestra, Gospel Choir and Wind Symphony, and afour-day jazz festival featuring small ensembles, jazzchoirs and jazz orchestra. Professional masterclassesare open to observers.The “Music at Midday” series offer free lunchtimeperformances, often featuring guest artists. Otherconcerts are held weekday evenings and occasionalweekends. Performances take place in the TributeCommunities Recital Hall or the informal settingof the Martin Family Lounge in the Accolade EastBuilding at York’s Keele campus.Dr. Louise Wrazen, chairWilliam Thomas, associate chairDr. Lisette Canton, graduate program directorJudy Karacs, events and promotions coordinatormusicprg@yorku.ca416-736-5186Box Office: 416-736-5888; www.yorku.ca/performwww.yorku.ca/finearts/music