Volume 15 Issue 8 - May 2010

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Lute, Pipa, OudSilk Road SiblingsDAVID PERLMANT “How about the pipa in the middleand the two gentlemen on either side,”suggests lutenist McKenna.Bassam is in the middle, Terry is to hisright and Wen is to his left.” (The voicecomes from behind me, about four rows- and ear on the proceedings.) “That waythe oud, which is the instrument fromwhich the other two descended, is in the– the lute to the west, the pipa to the east.” the instruments siblings on the coverof The WholeNote. (And the TorontoConsort’s own press release calls themcan do it, so can we.“They [Bassam, Terry, and Wen] eachAndalusia – in Cordoba – in the 9th century. Wen chose a womanthe favourite of the Yuan dynasty emperor of the time. And Terry-common roots but they have gone quite distinctive paths. The oudwithout frets can do all the quarter tones, and the pipa has this spe-lute decided to go polyphonic, something unique to Western music.” presented by each of our featured players in turn. And then after thesomething for each instrument. There will be a group that has todo with night, and a group that has to do with birds, and groups ofpieces, in every one of the cultures, that have to do with the instrumentitself.”The Toronto Consort presents Lutefest, May 7 and8, featuring (left to right) Basham Bishara (oud),Wen Zhao (pipa), and Terry McKenna (lute).There is some gentle ribbing from the stage (“Now he tells us!”)The WholeNotemancewill unfold. Strange as it seems to me – the performance isprofessional musicians all, accustomed to being able to concentratestill a way down the road.Bassam Bishara for example, has twoCoptic hymns concert is April 23,” hesays, “at St. Mary and St. Joseph Copticis about the melody of old Coptic hymnsarranged in a new orchestration andchoral arrangement, and accompaniedby 10 musicians: double bass, cello,viola, four violins, nay, and qanoun.performance with Arabesque DanceCompany at Ryerson Theatre at 8:00pm.Conference.” He also has a possible gigwith world-music band Sultans of Stringcoming up in May, but the details ofthat are even fuzzier than the TorontoConsort performance.Terry McKenna is not to be outdone.will be heavily engaged at the Stratfordguitars for Kiss Me Kate and Evitaam also contributing to a fundraiseron Sunday May 3 in the town of Ayre.director for my wife’s theatre school,Their productions of As You Like It andMuch Ado About Nothing programme of Baroque, Romantic and Modern rep for violins andguitars which we will present on July 15 at Tamara Bernstein’sHistorical Romance.’ And, immediately after, the Toronto ConsortMariners’ programme.”Of the three, Wen Zhao seems to have her sights most square-the difference between my solos in this project and those from thethe fall she will renew her association with Trinity-St. Paul’s otherfor the Galileo Project, touring in Asia in October. This will be myPHOTO AIR’LETH AODHFIN8 THEWHOLENOTE.COMMay 1 - June 7, 2010
Eurhythmics, Solfège &Improvisation: A 5-day immersion inthe practice & pedagogy of EmileJaques-Dalcroze’s revolutionaryapproach to music education.Traditional teaching methods try totranslate notes into sound before theactivities they represent have been fullyexperienced, but music’s essential “feel”cannot be captured from the page.Instead, Dalcroze returns you to music’sreal sources: movement, the imagination& emotion. Experiencing allaspects of music physically is thefoundation for learning that is revelatory,profound & lasting.The Dalcroze approach is also essentialfor anyone teaching young childrenwhose discovery of the world –including music – is primarily movementoriented.Taught by Donald Himes &Cheng-Feng Lin Limited to 12 participants$375 (Full time student: $250)Monday July 5 - Friday July 910 AM - 4 PM1971 Queen Street East, Suite 202Information: 416-979-2392 ordh88@rogers.comThe CanadianDalcroze SocietyOntario
Page 2: What’s Onat the TSOStefan JackiwN
Page 5 and 6: THETMVolume 15 No 8 | May 1 - June
Page 7: GlionnaMansellCorporationTMOpus IIC
Page 11 and 12: Beat by Beat / Classical & BeyondRe
Page 13 and 14: Beat by Beat / Choral SceneTeachers
Page 15 and 16: iod instruments and in period style
Page 17 and 18: Soprano Neema Bickersteth appears i
Page 19 and 20: narrator for this world premiere.Tw
Page 21 and 22: a listen to some of the album, and
Page 23 and 24: She was a composer, arrangerand mas
Page 25 and 26: Are YOU onThe WholeNote’s Map?the
Page 27 and 28: Mississauga. 905-306-6000. $30-$40.
Page 29 and 30: arraymusic.comSolo/DuoCONCERTfeatur
Page 31 and 32: 647-340-8592. $25; $10(st).• 8:00
Page 33 and 34: May 15 continuedJarvis Collegiate I
Page 35 and 36: Monday May 17• 12:15: Organix. Ra
Page 37 and 38: • 8:00: Toronto Tabla Ensemble/Ch
Page 39 and 40: Wednesday June 02• 12:30: Yorkmin
Page 41 and 42: Orchestra, Ardeleana Trio and guest
Page 43 and 44: Works by Corelli, Santiago de Murci
Page 45 and 46: thaway Tribute feat Michael Dunston
Page 47 and 48: D. Announcements, Workshops, Et Cet
Page 49 and 50: Classified AdvertisingINSTRUCTIONBE
Page 51 and 52: MAY'S CHILDDoes the shy smile tugyo
Page 53 and 54: Editor’s CornerSince DISCoveries
Page 55 and 56: Atomic”). We are fortunate to liv
Page 57 and 58: Orchestra becamefamous, both live a
Page 59 and 60:
harmonic outlines to work from and
Page 61 and 62:
embraced, passingtheir pleasure alo
Page 64:
Baroque Orchestra and Chamber Choir
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Volume 15 Issue 8 - May 2010

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