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The 2011 International Graduate ConferenceBetweenConstantinesrepresentations and manifestations <strong>of</strong> an empire•4–5 March 2011The History Faculty<strong>University</strong> <strong>of</strong> <strong>Oxford</strong>


Between Constantinesrepresentations and manifestations <strong>of</strong> an empirewas conceived and organised byEleni Karafotia, Sean Leatherbury, Prerona Prasad and Jesse Simonon behalf <strong>of</strong> the <strong>Oxford</strong> <strong>Byzantine</strong> <strong>Society</strong>•The 2011 International Graduate Conferencewas made possible through the generous support <strong>of</strong>:The <strong>Oxford</strong> Centre for <strong>Byzantine</strong> Researchwww.ocbr.ox.ac.ukThe <strong>Oxford</strong> Centre for Medieval Historywww.history.ox.ac.uk/medievalThe Sub-Faculty <strong>of</strong> <strong>Byzantine</strong> and Modern Greekgrad.mml.ox.ac.ukThe <strong>Oxford</strong> Centre for Late Antiquitywww.ocla.ox.ac.ukThe <strong>Society</strong> for the Promotion <strong>of</strong> <strong>Byzantine</strong> Studieswww.byzantium.ac.uk•The organising committee wishes to extend their gratitude to the following people,without whom this conference would not have been possible:Peter FrankopanNeil McLynnCatherine HolmesRosemary MorrisLiz JamesBryan Ward-PerkinsJames Howard-JohnsonClive WatsonMarc LauxtermannJohn WattsFront cover photo: Bust <strong>of</strong> Constantine The Great at the Capitoline Museum, Rome, by Jean-Christophe Benoist.Back cover photo: Statue <strong>of</strong> Constantine XI Palaiologos, by Tilemahos Efthimiadis.Photos used under the terms <strong>of</strong> the Creative Commons licence: www.creativecommons.org


A message fromthe committeeIt is our great pleasure to welcome you to the <strong>Oxford</strong> <strong>Byzantine</strong> <strong>Society</strong>’s 2011International Graduate Conference. This year’s conference promises to be very specialindeed, featuring thirty-nine papers from graduate students based in no less than elevendifferent countries.The remit for the OBS conference has always been to host an inclusive event at whichgraduate-level scholars working in various disciplines related to the late antique and<strong>Byzantine</strong> world can come together to present their research in an informed and constructiveenvironment. While remaining true to that remit, the conference has grown steadilyover the last several years. In 2009 we welcomed our first speakers from universitiesoutside the UK. Then, in 2010, we <strong>of</strong>ficially became an international event, welcomingspeakers from throughout Europe.We are delighted to say that the conference continues to evolve and expand. Theresponse to the call for papers this year was unprecedented and, as a result, a greater number<strong>of</strong> countries and institutions are represented than ever before. Furthermore, for the firsttime, we are pleased to <strong>of</strong>fer papers presented in French as well as English, emphasising thetruly international character <strong>of</strong> the Byzantinist community.The conference has always been about the exchange <strong>of</strong> scholarly ideas, but also aboutthe development <strong>of</strong> academic contacts. We are immensely pleased to be able to bringtogether such a diverse group <strong>of</strong> young scholars and we hope that the collegial friendshipsforged here between participants in the coming days will last for years to come. Even abrief look through the following schedule should convince you that, at the beginning <strong>of</strong> thetwenty-first century, some five-and-a-half centuries after the fall <strong>of</strong> Constantinople, the field<strong>of</strong> late antique and <strong>Byzantine</strong> studies has never looked healthier.Eleni KarafotiaSean LeatherburyPrerona PrasadJesse SimonThe OBS 2011 Conference Committee4 | Between Constantines


friday 4 march 2011All Friday sessions will be held in the lecture theatre10:00 Opening Remarks 2:30 Session 3Prerona PrasadPresident, <strong>Oxford</strong> <strong>Byzantine</strong> <strong>Society</strong>10:15 Session 1Representing the Self: Understanding LateRoman Mausolea in Pannonia and DalmatiaZsolt R. MagyarCentral European <strong>University</strong>, BudapestThe Architecture <strong>of</strong> the Episcopal Churchin Doclea (Montenegro)Tatjana KoprivicaHistory Institute <strong>of</strong> Montenegro, Podgorica<strong>Byzantine</strong> Fortifications in the IberianPeninsulaDanielle DonaldsonTrinity College, Cambridge12:00 Session 2Journey to the East: Beyond Space andTime (The Life <strong>of</strong> St. Macarius the Roman)Z. D. Ainalis<strong>University</strong> <strong>of</strong> Paris I–Panthéon-SorbonneSinging Your Praises: Depictions <strong>of</strong>Emperors and Imperial Rule in theHymnic Collection <strong>of</strong> James <strong>of</strong> EdessaSimon FordExeter College, <strong>Oxford</strong>Rural existences <strong>of</strong> early MedievalByzantium in Niketas’s Life <strong>of</strong> St PhilaretosAdam Izdebski<strong>University</strong> <strong>of</strong> WarsawA tale <strong>of</strong> two castles: Katsamon, Ras andthe grand strategy <strong>of</strong> John II KomnenosMaximilian C G LauOriel College, <strong>Oxford</strong>The imperial cult <strong>of</strong> saints in theMacedonian DynastyMiroslav Popovic<strong>University</strong> <strong>of</strong> BelgradeLabelling the Local: The ArchangelMichael <strong>of</strong> ChonaiAlex Rodriguez Suarez<strong>University</strong> <strong>of</strong> London – King’s College4:15 Session 4Mantzikert reversed? The last campaign<strong>of</strong> Alexios I Komnenos in the Alexiad <strong>of</strong>Anna KomneneRoman ShlyakhtinCentral European <strong>University</strong>, Budapest‘The Land <strong>of</strong> the Beautiful Horses’:The archaeology <strong>of</strong> medieval stables inCappadociaFiliz Tütüncü-Çağlar<strong>University</strong> <strong>of</strong> Victoria, Canada‘In the world but not <strong>of</strong> it’: thecontribution <strong>of</strong> the monastic economy tothe functioning <strong>of</strong> trading networks in theeleventh to the thirteenth centuriesGary Pitts<strong>University</strong> <strong>of</strong> London – Royal HollowayThe 2011 International Graduate Conference | 5


saturday 5 march 20119:45 Session 5The movements <strong>of</strong> manuscripts betweenByzantium and the Arabic world andthe hypothesis <strong>of</strong> the role <strong>of</strong> the Graeco-Arabic translation movement in the revival<strong>of</strong> literary production in ByzantiumJakub Sypiański<strong>University</strong> <strong>of</strong> Paris I–Panthéon-SorbonnePsaltika and Asmatika in the liturgicalhistory <strong>of</strong> the <strong>Byzantine</strong> EmpireOlga GrinchenkoBrasenose College, <strong>Oxford</strong>Eustathios <strong>of</strong> Thessaloniki: The Parekbolaion the Iliad. The Christian modificationsmade by Eustathios to pagan elements andpolytheistic expressions in the Homeric textGeorgia Kolovou<strong>University</strong> <strong>of</strong> Paris IV–Sorbonne11:30 Session 7Byzance et l’Égypte: influence ou confrontation,l’exemple des icônes médiévales del’église Saint-Mercure du Vieux-CaireJulien Auber de LapierreÉcole pratique des Hautes Études, ParisThe painted decoration in the Church<strong>of</strong> Holy Anargyroi at Sangri, Naxos:observations on the monumental art <strong>of</strong>Naxos during the middle and late <strong>Byzantine</strong>periodsTheodora Konstantellou<strong>University</strong> <strong>of</strong> AthensThe Representation <strong>of</strong> Stefan Dušan asNew Constantine in the Church <strong>of</strong> St.George at Pološko in MacedoniaAna RistovskaÉcole pratique des Hautes Études, Paris6 | Between ConstantinesLecture Theatre2:00 Session 9Magical Remedies in Late Antique MedicalHandbooksPetros Bouras-VallianatosKellogg College, <strong>Oxford</strong>The Dream <strong>of</strong> Caesar BardasJonas J.H. Christensen<strong>University</strong> <strong>of</strong> CopenhagenBetween Aries and Orion: stars, planetsand signs in the Alexander RomanceCaterina FranchiExeter College, <strong>Oxford</strong>The Prophecy <strong>of</strong> the Last Roman Emperor:Transformation and Influence <strong>of</strong> an Anti-Muslim ToposAndras KraftCentral European <strong>University</strong>. Budapest4:15 Session 11Roger de Flor’s Campaign <strong>of</strong> 1304 inWestern Anatolia: A ReinterpretationWiktor OstaszSt. Peter’s College, <strong>Oxford</strong>No Triumphs, Just Words: CompetingPolitical Discourses in Early FifteenthCentury ByzantiumFlorin LeonteCentral European <strong>University</strong>, BudapestThe end is nearing – omens <strong>of</strong> the Fall <strong>of</strong>ConstantinopleAnnika AspExeter College, <strong>Oxford</strong>5:45 Closing RemarksPr<strong>of</strong>essor Marc LauxtermannBywater and Sotheby Pr<strong>of</strong>essor <strong>of</strong> <strong>Byzantine</strong> andModern Greek Language and Literature, <strong>Oxford</strong>


saturday 5 march 20119:45 Session 6From Roman to <strong>Byzantine</strong> Law: TheChange in Testamentary Deeds from LateAntique EgyptMaria Nowak<strong>University</strong> <strong>of</strong> WarsawThe imitatio Constantinopolitanae urbisas a means <strong>of</strong> legitimacy and politicalpropaganda in Late AntiquityCarmen Eguiluz Méndez<strong>University</strong> <strong>of</strong> Cantabria, SantanderThe effects <strong>of</strong> the Slav invasions in theBalkans in the sixth centuryAgata KoziejNicolas Copernicus <strong>University</strong>, Torun11:30 Session 8The Politics <strong>of</strong> Memory and Visual Politics:Comparing the Self-representation <strong>of</strong>Constantine and AugustusMariana BodnarukCentral European <strong>University</strong>, BudapestCities <strong>of</strong> God: Space and Memory in Victor<strong>of</strong> Vita’s History <strong>of</strong> the Vandal PersecutionLuke GardinerCorpus Christi College, CambridgeLes inventions de reliques dans l’EmpirebyzantinEstelle Cronnier<strong>University</strong> <strong>of</strong> Paris I–Panthéon-SorbonneRees Davies Room2:00 Session 10Jerusalem, Jerash, and Caesarea: lateantique urban contexts in the LevantMorgan DirodiSt. Cross College, <strong>Oxford</strong>Across the Desert Sands: The ShiftingRoutes <strong>of</strong> Southern Palestine andTransjordan in Late AntiquityMarlena WhitingLincoln College, <strong>Oxford</strong>Between Empires: Early Christianarchitecture in southern Mesopotamia andPersian Gulf regionAgnieszka LicJagiellonian <strong>University</strong>, KrakówHalabiya Zenobia: boire, manger, stockerau VIIème siècleNairusz Haidar-Vela<strong>University</strong> <strong>of</strong> Paris I–Panthéon-Sorbonne4:15 Session 12Signs in the shape <strong>of</strong> Greek letters onfrescos in Roman catacombs: commentson interpretations <strong>of</strong> so-called ‘gammadia’Maciej SzymaszekPontifical <strong>University</strong> <strong>of</strong> John Paul II, KrakowThe wreathed cross or stephanostaurionon sixth-century marble chancel screens inthe Mediterranean regionBernard MulhollandQueens <strong>University</strong>, BelfastThe Problematic <strong>of</strong> Iconoclasm in<strong>Byzantine</strong> Art Historical PeriodisationAdam LevineCorpus Christi College, <strong>Oxford</strong>The 2011 International Graduate Conference | 7


polygonal on the exterior, and a schola cantorumin front <strong>of</strong> the apse, along with adiaconicon and a prothesis. The synthronon(built-in seats with space for the episcopalchair) was arranged along the apse. BasilicaA also had a narthex, as well as the remains,most likely, <strong>of</strong> an episcopal palace, and thusthe church is probably the Episcopal Church<strong>of</strong> Doclea.Tatjana Koprivica is working on aPhD thesis entitled The City <strong>of</strong> Doclea in theLate Antique and Early Medieval Period. Shehas been employed as a senior researcherat the History Institute <strong>of</strong> Montenegro inPodgorica since 2001. Since 2006, she hasbeen an associate <strong>of</strong> the Montenegran institutefor textbooks and teaching aids and isthe author <strong>of</strong> three textbooks and manualsfor the art history teaching program in primaryschools. She is interested in Medievalart and architecture in Montenegro and thewider Mediterranean.<strong>Byzantine</strong> Fortifications in theIberian PeninsulaDanielle DonaldsonTrinity College, CambridgeThis paper will discuss problems surroundingthe identification <strong>of</strong> a <strong>Byzantine</strong> presence inthe Iberian Peninsula during the sixth century.It will focus upon the scholarly debate onthe exact locations <strong>of</strong> <strong>Byzantine</strong> fortifications,using the textual and archaeological evidence.Recent attempts to identify the <strong>Byzantine</strong>presence in the Iberian Peninsula througharchaeology have revealed little conclusiveevidence <strong>of</strong> <strong>Byzantine</strong> defensive constructions.This paper will argue that, in order tounderstand this apparent lack <strong>of</strong> fortifications,the imperial invasion <strong>of</strong> Spain mustbe reconsidered within the wider context<strong>of</strong> Justinianic foreign policy during the mid- tolate-sixth century.The <strong>Byzantine</strong> conquest <strong>of</strong> the IberianPeninsula, begun by Justinian in 551/552resulted in the creation <strong>of</strong> a <strong>Byzantine</strong> provincein Spain that lasted until 625. This episode<strong>of</strong> <strong>Byzantine</strong> occupation had a pr<strong>of</strong>ound effectin the shaping <strong>of</strong> the future Spanish nation,influencing Visigothic law, religion and politicalideology. As the Mediterranean becamea sphere <strong>of</strong> <strong>Byzantine</strong> influence for almosta century, Spain also formed close contactswith Italy and North Africa. My research willaddress key issues regarding the diplomatic,political and cultural consequences <strong>of</strong> contactsbetween the Visigothic kingdom andthe <strong>Byzantine</strong> province in Spain.Danielle Donaldson is a third-yearPhD Candidate working on a thesis entitled<strong>Byzantine</strong> Hispania and the Visigothic Kingdom<strong>of</strong> Spain. She is interested in addressing keyissues concerning the diplomatic, political andmilitary consequences <strong>of</strong> the newly established<strong>Byzantine</strong> military presence in the IberianPeninsula and the western Mediterranean onthe Visigothic kingdom <strong>of</strong> Spain.The 2011 International Graduate Conference | 9


Session Three2:30 | Friday 4 March 2011ChairOlga GrinchenkoBrasenose CollegeThe fortresses <strong>of</strong> Kastamon andRas – cornerstones <strong>of</strong> John II’sGrand Strategy?Maximilian C G LauOriel College, <strong>Oxford</strong>John II Komnenos has recently been called themost successful <strong>of</strong> the Komnenian emperorsfor his prudent strategy <strong>of</strong> reconquest in AsiaMinor, based around short campaigns whoseobjective was the seizure <strong>of</strong> a castle. An essentialpart <strong>of</strong> understanding this strategy is tounderstand the system <strong>of</strong> fortresses that Johnerected, and in this paper I intend to focuson the role <strong>of</strong> two <strong>of</strong> these fortresses in thatsystem and their relation to each other. Theseare Kastamon, once the family seat <strong>of</strong> theKomnenoi, in Paphlagonia, and Ras in modernSerbia. John’s recapture <strong>of</strong> Kastamon wasimmediately followed by his campaign againstthe rebelling Serbs and the rebuilding <strong>of</strong> Ras.In this paper I will argue that John’s retaking<strong>of</strong> Kastamon caused him to build a differentsort <strong>of</strong> fortress at Ras, one that can tell us moreabout his grand strategy for both Anatolia andthe Balkans in the first part <strong>of</strong> his reign.This paper will use both the archaeologicalinvestigations undertaken at Ras by Popovic andat Kastamon by Crow, and then link them withthe chroniclers and secondary literature to showa holistic picture <strong>of</strong> John’s fortresses, somethingthat has so far not been attempted. This then canstart to shed some light upon this important, butmuch neglected, reign and its priorities.Maximilian C G Lau’s research interestis currently the reign <strong>of</strong> John II Komnenosand his role during what was the turning pointfor <strong>Byzantine</strong> History.The imperial cult <strong>of</strong> saints in theMacedonian DynastyMiroslav Popovic<strong>University</strong> <strong>of</strong> BelgradeThe Macedonian dynasty organised itselfunder the sign <strong>of</strong> the triumphant orthodoxy,after the repudiation <strong>of</strong> iconoclasm. Iteven had its holy protectors in the heavenlyworld, that had followed and protected BasilI during his usurpation and helped him inroyal policies, and whose cults were graduallyestablished through a system <strong>of</strong> feastsand processions. There was an obvious needfor an elevation to sainthood or a saintlypatron in the reigns <strong>of</strong> the early Macedonianemperors, Basil I and Leo VI, by means <strong>of</strong>which the whole ancestry could be sanctified,given a legacy and a parallel to anOld-Testament ideal.This work strives to illustrate and characterisethe importance that Basil I and LeoVI attributed to certain saints. It shall analysethe process through which some members<strong>of</strong> the ruling dynasty were sanctified (theempress Theophano, Patriarch Stephen andConstantine) and try to find some correlationbetween the saint-protector dynastic cult,the evolution <strong>of</strong> the legacy model (based onOld- and New-Testamental forms), and therationalisation <strong>of</strong> imperial ideology. Everysaint had their own clear role and meaning inthe mosaic <strong>of</strong> imperial ideology and the ‘holy,God-chosen’ imperial ancestry.The reigns <strong>of</strong> the first two Macedonianemperors are characterised by a struggle forthe foundation <strong>of</strong> an imperial legacy, by thereworking <strong>of</strong> the basileus’ ideology and by12 | Between Constantines


an attempt <strong>of</strong> creating cult. All <strong>of</strong> this was inorder to sanctify the imperial ancestry.Miroslav Popovic’s main interestsare the cultural history <strong>of</strong> the Macedonianperiod, <strong>Byzantine</strong> hagiography, the relationshipbetween hagiographic and historio graphicgenres in the tenth to twelfth centuries andthe spiritual and theological background <strong>of</strong>everyday life in Byzantium.Labelling the Local: TheArchangel Michael <strong>of</strong> ChonaiAlex Rodriguez Suarez<strong>University</strong> <strong>of</strong> London – King’s CollegeThis paper deals with an epithet that makesreference to the Archangel Michael. The adjective,Choniates, describes the archangel as theone from Chonai. The city <strong>of</strong> Chonai housedthe most important sanctuary dedicated to theArchangel Michael in the <strong>Byzantine</strong> Empire,and consequently it was one <strong>of</strong> the most significantpilgrimage sites in Asia Minor. As <strong>of</strong>today, the nickname can be found in differentmedia, among them, a fresco from Cappadocia,a famous manuscript in Paris and several seals.These examples will be used in order to explainthe emergence <strong>of</strong> this phenomenon, whichseems to have lasted very briefly, probablyless than one century. Most <strong>of</strong> the inscriptionsare dated to the eleventh century. Therefore,the aim is to understand the reasons thatmay have led to the creation <strong>of</strong> such a geographiclabel. Although its existence may notappear extraordinary due to the significance<strong>of</strong> the shrine at Chonai, the brevity <strong>of</strong> thephenomenon points to the opposite. The circumstancesin Anatolia during the second half<strong>of</strong> the eleventh century could partly explainits invention. Furthermore, there is a politicalfigure with connections near Chonai who mayhave played a central role in the diffusion <strong>of</strong>such a label and, moreover, the iconographictype attached to it. I will therefore argue thatwhat probably started as an image <strong>of</strong> provincialadvertisement was finally used as a means<strong>of</strong> imperial propaganda.Alex Rodriguez Suarez’s researchinterests span the middle <strong>Byzantine</strong> Periodwith particular emphasis on the eleventhand twelfth centuries. The topic <strong>of</strong> his PhDis the Western presence and its effects onthe <strong>Byzantine</strong> society and culture during thereigns <strong>of</strong> Alexios I and John II Komnenos. Inaddition, he is particularly interested in subjectsrelated to art and iconography, such as theimage <strong>of</strong> the Archangel Michael accompaniedby the Choniates label, imperial representationsthere<strong>of</strong> and its evolution through time.The 2011 International Graduate Conference | 13


Session four4:15 | Friday 4 March 2011ChairAnnika AspExeter College‘The Land <strong>of</strong> the Beautiful Horses’:The archaeology <strong>of</strong> medievalstables in CappadociaFiliz Tütüncü-Çağlar<strong>University</strong> <strong>of</strong> Victoria, CanadaRenowned since antiquity as the legendary‘Land <strong>of</strong> the Beautiful Horses,’ Cappadociahas been an important horse-breeding centrethroughout its history. The present work isa study on horses and horse breeding in thisregion in the tenth and eleventh centuries, withspecial attention being paid to the architecturalevidence, namely, the rock‐cut stables. The timeperiod under question is marked by changeand revival in <strong>Byzantine</strong> history, in whichCappadocia played a vital role for the defenseand expansion <strong>of</strong> Byzantium in the east.The point <strong>of</strong> departure for the presentwork is a hypothesis suggested by V.G. Kalasthat the landowner families living in monumentalrock-cut mansions <strong>of</strong> Cappadociaduring the middle <strong>Byzantine</strong> period bredhorses in their large stables to supply their owntroops, as well as those <strong>of</strong> the imperial army.In order to evaluate this theory further andshed light on the history <strong>of</strong> horse breeding in<strong>Byzantine</strong> Cappadocia, this paper investigatesthe stables <strong>of</strong> the elite residences within theirbroader archaeological, ethno-archaeologicaland historical context.Although there is no question about thepresence <strong>of</strong> other types <strong>of</strong> domestic livestock,as also represented in architectural evidence,the present study proposes that the stables <strong>of</strong>the elite mainly functioned to house horsesand, perhaps, mules, probably bred for militarypurposes. Analysing the architecture <strong>of</strong>the stables in the light <strong>of</strong> literary evidence,this paper aims to draw attention to the value<strong>of</strong> horse breeding for the study <strong>of</strong> social andeconomic history <strong>of</strong> <strong>Byzantine</strong> Cappadocia.Filiz Tütüncü-Çağlar is a third-yearPhD candidate at the <strong>University</strong> <strong>of</strong> Victoria inCanada specialising in Islamic ceramics. Herresearch interests include cross-cultural interactionson the <strong>Byzantine</strong> and Islamic frontier, artand archaeology <strong>of</strong> Medieval Anatolia andNorth Syria, and underwater archaeology.Mantzikert reversed? The lastcampaign <strong>of</strong> Alexios I Komnenosin the Alexiad <strong>of</strong> Anna KomneneRoman ShlyakhtinCentral European <strong>University</strong>, BudapestThe battle <strong>of</strong> Mantzikert (1071) is a referencepoint for all historiographers <strong>of</strong> the Komnenianera. Anna Komnene is not an exception.She starts her work with a short mentioning<strong>of</strong> the military disaster. Anna places anothermentioning <strong>of</strong> Mantzikert at the very end <strong>of</strong>the Alexiad. According to her, in 1116 AlexiosI Komnenos (1081-1118) won a battle againstthe sultan <strong>of</strong> Ikonion, Shahanshah (1107-1116), near the city <strong>of</strong> Philomelion. After thedescription <strong>of</strong> the peace ceremony Anna narratesa story about this sultan. He became anally <strong>of</strong> Alexios Komnenos after the battle, butlater was betrayed and blinded during internecinewar the by one <strong>of</strong> his amirs.Shahanshah’s fate reminds me <strong>of</strong><strong>Byzantine</strong> emperor Romanos IV Diogenes,who was also defeated, captured andblinded. In the battle <strong>of</strong> Mantzikert, the<strong>Byzantine</strong>s were defeated by the Seljuks; in14 | Between Constantines


the battle <strong>of</strong> Polybotes, Seljuks were defeatedby <strong>Byzantine</strong>s. Romanos Diogenes lost thebattle and was blinded. In the Alexiad, therole <strong>of</strong> the blinded loser is given to sultanShahanshah.In my presentation I intend to show thatone can interpret the last campaign <strong>of</strong> AlexiosKomnenos in Anatolia as a ‘mirror’ <strong>of</strong> the battle<strong>of</strong> Mantzikert. By inserting this episode intoher narrative, Anna Komnene built a circularnarrative structure: the biography <strong>of</strong> her fatherstarted with Mantzikert, and finished with it. In1071, Alexios was too young to fight; in 1116,Anna Komnene made her father defeat theSeljuks and ‘reverse’ the battle <strong>of</strong> 1071.Roman Shlyakhtin is writing his dissertationon the image <strong>of</strong> the Seljuk Turks in<strong>Byzantine</strong> historiography <strong>of</strong> the eleventh andtwelfth centuries. He is interested in the history<strong>of</strong> <strong>Byzantine</strong> literature and the history <strong>of</strong>images in general. He is also working on severalsmall projects in the area <strong>of</strong> military history;his dream is to write a book about the battleat Myriokephalon (1176), which he tried toreconstruct in his MA Thesis. He also takesinterest in the history <strong>of</strong> <strong>Byzantine</strong> diplomacy,with special attention to the relations between<strong>Byzantine</strong> Empire and Crusader States.‘In the world but not <strong>of</strong> it’: thecontribution <strong>of</strong> the monasticeconomy to the functioning <strong>of</strong>trading networks in the eleventhto the thirteenth centuriesGary Pitts<strong>University</strong> <strong>of</strong> London – Royal HollowayThe great monasteries <strong>of</strong> the <strong>Byzantine</strong> Empirewere <strong>of</strong>ten as well-resourced as the dynatoi andhad significant territorial and administrativereach, coupled with a robust infrastructure andtax privileges. They also had an internationaldimension involving some <strong>of</strong> the ‘diaspora’trading communities (e.g. the Amalfitans andthe Armenians). This paper examines the rolethat the trading infrastructure <strong>of</strong> the great<strong>Byzantine</strong> monasteries played in the broaderweb <strong>of</strong> trading networks. These networkslinked local and international trading networksand were a powerful force for commerce withinthe Empire and beyond. By examining thecases <strong>of</strong> key monastic communities and theirtrading activities, this paper aims to identifywhether there are any conclusions which canbe applied to less well-documented normalcommercial activity. The paper will use bothtextual and archaeological evidence.Gary Pitts is a part-time MPhil/PhD studentat Royal Holloway, <strong>University</strong> <strong>of</strong> London,working on a thesis on the functioning andinteraction <strong>of</strong> trading networks in the EasternMediterranean in the tenth to the thirteenthcenturies. He is interested in diaspora networksand the economic life <strong>of</strong> objects. Garyis Head <strong>of</strong> Compliance for Europe, Mid-Eastand Africa <strong>of</strong> an investment bank.The 2011 International Graduate Conference | 15


Session five9:45 | Saturday 5 March 2011 | Lecture TheatreChairPrerona Prasadkeble CollegeThe movements <strong>of</strong> manuscriptsbetween Byzantium and theArabic world and the hypothesis<strong>of</strong> the role <strong>of</strong> the Graeco-Arabictranslation movement in therevival <strong>of</strong> literary production inByzantiumJakub Sypiański<strong>University</strong> <strong>of</strong> Paris I–Panthéon-SorbonneBetween the ninth and tenth centuries, interestin Greek manuscripts increased both inByzantium and in Muslim countries. Both phenomenahave much in common, but despitethe geographical proximity, their appearance atalmost the same time is sometimes consideredincidental. Paul Lemerle, author <strong>of</strong> classic studies<strong>of</strong> the Macedonian Renaissance (Le premierhumanisme byzantin) rejects any connectionbetween them. His view has been recentlyreviewed by Dimitri Gutas, a specialist in theGraeco-Arabic translation movement in theAbbasid caliphate. According to him, thesetranslations could have possibly given impetusto the resumption <strong>of</strong> literary production inByzantium after the ‘Dark Ages’. In addition,revived demand in the caliphate for the Greekmanuscripts <strong>of</strong> texts needed for translationactivity could have resumed the activity <strong>of</strong>copying manuscripts in Byzantium.In this light, an almost complete correlationbetween the list <strong>of</strong> works translated intoArabic in Baghdad and a list <strong>of</strong> manuscriptsfirst copied in Byzantium in ninth century, areparticularly interesting. In my paper I intendto focus specifically on one aspect <strong>of</strong> thistheory. I want to explore the <strong>Byzantine</strong> andArab narratives <strong>of</strong> manuscripts deriving fromthe other side <strong>of</strong> the border. Some <strong>of</strong> these storiescan be considered as contrived, thereforein addition to exploring the ways by which themanuscripts moved around, I would like toexamine how we can explain the appearance<strong>of</strong> fictional stories on this topic.Jakub Sypiański’s research interests arethe intellectual relations between Byzantiumand the Arab world until the tenth century. Inbroad terms, they include all areas <strong>of</strong> culturalcontacts between Byzantium, the Arab worldand the Latin West in the middle ages.Psaltika and Asmatika inthe liturgical history <strong>of</strong> the<strong>Byzantine</strong> EmpireOlga GrinchenkoBrasenose College, <strong>Oxford</strong>The <strong>Byzantine</strong> Rite is known for its magnificentservices, beautiful music, and meaningfulpoetry. Despite the large number <strong>of</strong> the liturgicalmanuscripts which have come down tous, the history <strong>of</strong> the <strong>Byzantine</strong> <strong>of</strong>fice is yetto be written. My paper will be dealing witha particular type <strong>of</strong> the <strong>Byzantine</strong> liturgicalmanuscripts – Asmatika and Psaltika. Theseare collections <strong>of</strong> hymns (mostly kontakia)to be sung by a choir (Asmatika) and a soloist(Psaltika) in the Orthodox Office datingfrom the late tenth to fourteenth centuries.At first glance all manuscripts resemble eachother and have a similar tripartite structure;however, each copy is absolutely unique.In my paper I will provide a comparativeanalysis <strong>of</strong> the content <strong>of</strong> the manuscripts,describe their liturgical and calendrical features,and bring attention to the enigmatic16 | Between Constantines


notation contained in these collections. Itwill help to shed some light on the history<strong>of</strong> one <strong>of</strong> the central genres <strong>of</strong> the <strong>Byzantine</strong>liturgical poetry such as kontakion, as well asthe historical development <strong>of</strong> the Asmatikaand Psaltika, which will give us a betterunderstanding <strong>of</strong> the liturgical and musicaltraditions in the <strong>Byzantine</strong> empire and allowus to put them in a broader context <strong>of</strong> the<strong>Byzantine</strong> civilisation.Olga Grinchenko is in the third year<strong>of</strong> a DPhil in Medieval Slavonic Studies. Sheis interested in a comparative analysis <strong>of</strong> the<strong>Byzantine</strong> and Slavonic collections <strong>of</strong> hymns;musical, textual and historical aspects <strong>of</strong> theliturgical poetry <strong>of</strong> Byzantium and pre-MongolRussia, along with the development <strong>of</strong> theEastern liturgical tradition in general and thehistory <strong>of</strong> European hymnographic books.Eustathios <strong>of</strong> Thessaloniki: TheParekbolai on the Iliad. TheChristian modifications made byEustathios to pagan elementsand polytheistic expressions inthe Homeric textGeorgia Kolovou<strong>University</strong> <strong>of</strong> Paris IV–SorbonneEustathios <strong>of</strong> Thessaloniki, the most importantscholar <strong>of</strong> the 12th century, wrote aparticular commentary on the Iliad. Theparticularity <strong>of</strong> this commentary is revealedby the title itself <strong>of</strong> his work: Parekbolai arethe extracts <strong>of</strong> the commentaries on Homerwhich compose an autonomous, continuous,and independent commentary onthe Iliad. Eustathios selects and compiles theancient scholia, the notes, the citations andthe extracts <strong>of</strong> other authors in order to explicateHomer. Evidently, the Homeric citationsconstitute the starting point <strong>of</strong> his analysisand his compiled commentary on Homer.The present paper demonstrates the wayin which Eustathios treats and integrates inhis commentary the Homeric citations; andparticularly, our interest is to show how theChristian commentator treats the pagan elementsand the polytheistic expressions <strong>of</strong> theHomeric text. Through a comparative readingbetween the Homeric citations <strong>of</strong> known editionsand the Homeric citations in Eustathios,our aim is to demonstrate the Christian modifications<strong>of</strong> Eustathios to the Homeric text, theanti-pagan commentary that he invents, thereplacement <strong>of</strong> the polytheistic expressions<strong>of</strong> the Homeric text by a monotheistic versionand the method <strong>of</strong> the scholar to christianise,in a certain way, the interpretation <strong>of</strong> someHomeric verses.Georgia Kolovou is a third-year DPhilCandidate working on a thesis entitled: The conception<strong>of</strong> Homer in Eustathius Thessalonicensis.Translation and Analysis <strong>of</strong> the Commentary<strong>of</strong> Eustathius on the rhapsody VI <strong>of</strong> Iliad.Her research interests are: Homeric scholia,commentaries, lexica and grammatical treatises<strong>of</strong> the <strong>Byzantine</strong> period and <strong>Byzantine</strong>literature <strong>of</strong> twelfth century.The 2011 International Graduate Conference | 17


Session six9:45 | Saturday 5 March 2011 | Rees Davies RoomChairMichael Stawpertst. John’s CollegeFrom Roman to <strong>Byzantine</strong> Law:The Change in TestamentaryDeeds from Late Antique EgyptMaria Nowak<strong>University</strong> <strong>of</strong> WarsawThis paper will study the interaction betweenstatutory law and legal practice in LateAntiquity, and will focus on the externalform <strong>of</strong> late Roman wills, known thanks tolegal papyri and sources <strong>of</strong> statutory law,especially the Theodosian and JustinianicCodes. Through the investigation <strong>of</strong> testamentarydeeds, I intend to illustrate how lawand legal concepts evolved in Late Antiquity,as well as whether these changes were products<strong>of</strong> intentional legislative politics or weremore accidental in nature.A comparison between testaments preservedon papyrus and parchment and sources<strong>of</strong> statutory law illustrates both the level <strong>of</strong> legalknowledge and its application in the provinces.This paper aims to present the origins <strong>of</strong> solutionsconcerning the external form <strong>of</strong> wills asdescribed in the codes <strong>of</strong> Late Antiquity. Byconfronting both documents <strong>of</strong> legal practiceand the legal sources, I attempt to reconstructrelations between the development <strong>of</strong> theform <strong>of</strong> wills at the level <strong>of</strong> legal practice andthe content <strong>of</strong> laws. As any single concordancebetween law and practice may be a misleadingcoincidence, one must follow whether changesin law corresponded with changes in practice inorder to determine their relationship.Maria Nowak is a doctoral candidate atthe Department <strong>of</strong> Roman and Antique Law(<strong>University</strong> <strong>of</strong> Warsaw). Her research interestsare papyrology and legal history.The imitatio Constantinopolitanaeurbis as a means <strong>of</strong> legitimacyand political propaganda in LateAntiquityCarmen Eguiluz Méndez<strong>University</strong> <strong>of</strong> Cantabria, SantanderConstantinople, founded by Constantine inthe fourth century on the site <strong>of</strong> the ancientByzantium, became the nerve centre <strong>of</strong> theRoman empire, Rome having become amere symbolic capital long before. Foundednot as an antithesis to the Roma senior, butin order to unify the Greek and Romanworld, the πόλις was transformed – thanksto ideological and energetic policies <strong>of</strong> civicrestoration (anakaínesis or renovatio) – intoa New Rome, successor and advocate <strong>of</strong> theimperial political unity.A century later, the new Germanicleaders, in an attempt to assimilate theirown political structures with Romanones, adapted or built their capitals basedon the model embodied by Constantinople,the only legitimate heiress <strong>of</strong> the firstcapital. This is what Cassiodorus definedas imitatio imperii or exemplar unici imperii.Thus Theoderic, in his Ostrogothic reign,and later Leovigild, in the Visigothic reign,tried to turn the cities <strong>of</strong> Ravenna andToledo, respectively, into urbes regiae,through a program <strong>of</strong> ideological and urbanimitation, a way also, at the same time,to consolidate and legitimate their power.Carmen Eguiluz Méndez is a doctoralstudent working on the study <strong>of</strong>urban evolution <strong>of</strong> the sedes regiae in Italyand Spain between Late Antiquity and the18 | Between Constantines


early middle ages, focusing on OstrogothicRavenna and Visigothic Toledo, since bothused the model <strong>of</strong> Constantinople in order todevelop themselves from an urban and ideologicalpoint <strong>of</strong> view. This doctorate receiveda Marie Curie Fellowship to fund a researchstay for ten months at Ca’Foscari <strong>University</strong> <strong>of</strong>Venice (September 2008–June 2009).The effects <strong>of</strong> the Slavinvasions in the Balkans in thesixth centuryAgata KoziejNicolas Copernicus <strong>University</strong>, TorunMy paper will deal with the results <strong>of</strong> theSlavic invasions in the Balkan Peninsuladuring the sixth century. I will describe theself-development process <strong>of</strong> this barbarictribe, who settled near the borders <strong>of</strong> the<strong>Byzantine</strong> empire at the turn <strong>of</strong> the sixthcentury and who have remained at the sameplace to the present day.To begin, there will be a short chronology<strong>of</strong> the Slavic attacks on the <strong>Byzantine</strong>empire from the beginning <strong>of</strong> the reign<strong>of</strong> Justinian I up to the counter<strong>of</strong>fensive<strong>of</strong> Maurice. This will be followed by adescription <strong>of</strong> the consequences <strong>of</strong> theseinvasions, dealing with the influence onthe politics and international relations <strong>of</strong>the Empire, as well as economy, trade anddemographic structure. It will be shownhow these factors resulted in a decline <strong>of</strong>urban civilisation and an economic crisisin the northern provinces <strong>of</strong> the Empire.I will also examine how the appearance <strong>of</strong>the Slavs in the Balkan Peninsula changedthe ethnic structure <strong>of</strong> the <strong>Byzantine</strong> empireand caused the great migrations <strong>of</strong> autochthonsto the north by land or by sea.Agata Kociej is a graduate student<strong>of</strong> History and Balkan studies inNicolas Copernicus <strong>University</strong> in Torun.Her interests concern the history <strong>of</strong> theBalkan Peninsula during the <strong>Byzantine</strong> empire,especially the cultural exchange between Slavictribes and Byzantium and the consequences<strong>of</strong> their cooperation. She is interested in theMedieval history <strong>of</strong> Albania and the formation<strong>of</strong> an Albanian national consciousness, but alsoin the process <strong>of</strong> ethnic changes caused by thearrival <strong>of</strong> the Slavs in the Balkan Peninsula.The 2011 International Graduate Conference | 19


Session seven11:30 | Saturday 5 March 2011 | Lecture TheatreChairSean Leatherburycorpus christi CollegeByzance et l’Égypte – influenceou confrontation, l’exemple desicônes médiévales de l’égliseSaint-Mercure du Vieux-Caire.Julien Auber de LapierreÉcole pratique des Hautes Études, ParisSummary: On the basis <strong>of</strong> medieval icons inthe Church <strong>of</strong> Saint Mercurius <strong>of</strong> Old Cairo, thispaper seeks to evaluate the influence <strong>of</strong> <strong>Byzantine</strong>art on the Christian art <strong>of</strong> Egypt and to examinethe usefulness <strong>of</strong> the notion <strong>of</strong> ‘Coptic art’.L’icône, objet de dévotion par excellencechez les chrétiens orientaux, est avant toutliée à un sens théologique pr<strong>of</strong>ond avant depouvoir être identifiée comme une œuvred’art. Pourtant, bien que systématiquementassimilée au monde byzantin, l’icône est toutautant présente dans le Levant et en Égyptedans le culte des Coptes orthodoxes.Tandis que l’art chrétien sur ce territoires’est toujours revendiqué comme un «artcopte», les dernières études effectuées ontendance à remettre systématiquement cettenotion en question. Longtemps considérécomme inexistant en Égypte, un témoignagede l’art byzantin est ainsi largement visibledans le domaine des icônes.Les panneaux médiévaux ont la triste particularitéd’être peu nombreux en Égypte, cequi n’a jamais facilité leur étude. Ce manque, dûnotamment à des dispersions, des destructionsou des réutilisations, n’empêche pourtant en riende se pencher sur cet art si singulier et tellementdifférent des peintures murales que l’on peutobserver dans la plupart des monastères coptes.Ainsi, en se basant sur les icônes médiévalesprésentes dans l’église Saint-Mercure duVieux-Caire, nous tenterons d’évaluer l’impactque l’art byzantin a pu avoir sur l’art chrétiend’Égypte et quelle est alors la véritable valeurde la notion d’«art copte».Julien Auber de Lapierre is a doctoralcandidate in the History <strong>of</strong> Art and is workingon a thesis concerning an icon painter<strong>of</strong> Armenian origin, Yuhanna al-Armani al-Qudsi, who was active in Ottoman Egypt.His interests include the Egyptian art andarchaeology, especially religious art <strong>of</strong> theeighteenth century.The painted decoration in theChurch <strong>of</strong> Holy Anargyroi atSangri, Naxos: observations onthe monumental art <strong>of</strong> Naxosduring the middle and late<strong>Byzantine</strong> periodsTheodora Konstantellou<strong>University</strong> <strong>of</strong> AthensThe island <strong>of</strong> Naxos, situated in the heart <strong>of</strong>Aegean Sea, occupies a significant positionin <strong>Byzantine</strong> art due to the large number <strong>of</strong>churches, many with wall paintings, whichdate from the early and middle <strong>Byzantine</strong>periods, as well as from the period betweenthe thirteenth and fourteenth centuries, whenNaxos was under the rule <strong>of</strong> the Venetians.The existence <strong>of</strong> such a large number <strong>of</strong> wallpainting layers is an authentic testimony to theartistic vitality and furthermore, to the socialand financial history <strong>of</strong> the island at that time.The Second Ephorate <strong>of</strong> <strong>Byzantine</strong>Antiquities for the Cyclades (HellenicMinistry <strong>of</strong> Culture and Tourism) hasrecently conducted a rescue operation for20 | Between Constantines


the Church <strong>of</strong> Holy Anargyroi in the region<strong>of</strong> Sangri, from which two layers <strong>of</strong> significantpainted surfaces were discovered andconserved. This paper will concentrate onthe analysis <strong>of</strong> the programme and style <strong>of</strong>the wall paintings in an attempt to draw conclusionson the dating, the patronage and themonumental function.I also intend to shed light on related subjectslike the role <strong>of</strong> the Naxians in the artisticoutput during the period under Venetianoccupation, the probable existence <strong>of</strong> westerninfluences in the art <strong>of</strong> Naxian wall paintings<strong>of</strong> this period, and in general, the process <strong>of</strong>the artistic confrontation and integrationbetween the two cultures. In this way, I willattempt to envisage the cultural setting withinwhich the monumental painting <strong>of</strong> this periodwas produced.Theodora Konstantellou comesfrom the <strong>University</strong> <strong>of</strong> Athens. Her researchinterests include painting in the periphery<strong>of</strong> the <strong>Byzantine</strong> world, especially Greece,and the study <strong>of</strong> artistic production within abroader art-historical context.The Representation <strong>of</strong> StefanDušan as New Constantine inthe Church <strong>of</strong> St. George atPološko in MacedoniaAna RistovskaÉcole pratique des Hautes Études, ParisConstantine the Great was venerated for theexample he had set for the succeeding rulers,at first <strong>Byzantine</strong> but later Serbian, Bulgarianand even Russian. In Medieval Serbia, thedevelopment <strong>of</strong> this ideology is attested fromthe earliest days <strong>of</strong> the Nemanjić dynasty.On the façade <strong>of</strong> the church <strong>of</strong> St. George atPološko, a very impressive image <strong>of</strong> the Serbianking Stefan Dušan and his family is depicted.This image represents the most explicit examplein Medieval art, where iconography makesa direct analogy between a Serbian ruler andConstantine the Great. The aim <strong>of</strong> the presentpaper is to examine, through this representation,the desire <strong>of</strong> Dušan to present himselfas a New Constantine in light <strong>of</strong> the politicalchanges in the fourth decade <strong>of</strong> the fourteenthcentury, such as the rise <strong>of</strong> the Serbian kingdomand the proclamation <strong>of</strong> the Serbian empire.Ana Ristovska recently defended herPhD dissertation, entitled The Church <strong>of</strong> St.George at Pološko, Research <strong>of</strong> the Monumentand its Wall Paintings, at the École pratique desHautes Études, Paris. Her research examines anumber <strong>of</strong> aspects related to fourteenth-century<strong>Byzantine</strong> iconography, through the study <strong>of</strong> St.George Church at Pološko in Macedonia.The 2011 International Graduate Conference | 21


Session Eight11:30 | Saturday 5 March 2011 | Rees Davies RoomChairCaterina Franchiexeter CollegeThe Politics <strong>of</strong> Memory andVisual Politics: Comparingthe Self-representation <strong>of</strong>Constantine and AugustusMariana BodnarukCentral European <strong>University</strong>, BudapestExamining the imperial politics <strong>of</strong> memoryhelps elucidate the social, cultural and politicalchanges which occurred in the Roman world inLate Antiquity. The crisis <strong>of</strong> the third centuryAD accelerated processes <strong>of</strong> transformation thathad begun in the late Roman period, particularlyin the urban spaces <strong>of</strong> Rome. Especially inthe early fourth century, the conversion <strong>of</strong> theemperor Constantine to Christianity, as well asthe structural transformations <strong>of</strong> the Romanempire, which are revealed through an analysis<strong>of</strong> the politics <strong>of</strong> memory together withvisual politics, forced Roman society to cometo terms with the religious and political consequences<strong>of</strong> the newly-Christian empire. TheEusebian model <strong>of</strong> emperor, state, and churchwhich emerged from the fourth century eventuallywon out and, though it was questionedin Late Antiquity, became the basic politicalmodel for Byzantium.This paper will focus on the followingquestion: What were the similaritiesand differences between Constantine’s andAugustus’ modes <strong>of</strong> self-representation?Structural analogies between Augustan andConstantinian exploitation <strong>of</strong> visual language,as well as Constantine’s own appropriation<strong>of</strong> a pre-existing imperial visual repertoirefor self-representation, explicate the waysin which emperors engaged in a politics <strong>of</strong>memory to relate to the past. Did Constantinerelate to the imperial past, the Tetrarchy inparticular, as Augustus did to the Republicanpast? Thus, a fundamental formulation follows:the study <strong>of</strong> the imperial politics <strong>of</strong>memory helps explain the massive changesto the Roman empire in Late Antiquity. Thispaper will specify necessary limits on this critique<strong>of</strong> political ideology.Mariana Bodnaruk is an MA studentspecialising in late antique, <strong>Byzantine</strong>, andEarly Ottoman Studies in the Medieval StudiesDepartment, Central European <strong>University</strong>.Her research interests cover Late Antiquity,early Byzantium and cultural and memorystudies. Her previous topics <strong>of</strong> focus wereissues <strong>of</strong> memory and forgetting, particularlymemory in imperial culture, which led her tothe broader field <strong>of</strong> late antique and <strong>Byzantine</strong>cultural and art history.Cities <strong>of</strong> God: Space and Memoryin Victor <strong>of</strong> Vita’s History <strong>of</strong> theVandal PersecutionLuke GardinerCorpus Christi College, CambridgeBeyond the Vandals’ conquest <strong>of</strong> Carthage,their progressive co-option <strong>of</strong> manyRomano- Africans pr<strong>of</strong>oundly shook theconfidence <strong>of</strong> certain leading Catholic clerics.This paper will show how one cleric,Victor <strong>of</strong> Vita, contested factors he perceivedas crucial to this co-option (and thewider project <strong>of</strong> the legitimation <strong>of</strong> Vandalrule), from Vandal appropriation <strong>of</strong> thesecular and religious loci, landscapes, andideology on which much North African(and) Catholic identity was predicated, to22 | Between Constantines


the more independent, spontaneous creation<strong>of</strong> a literary ‘shared secular space’, commonto many Romano-Africans and Vandals andemblematised in the poems <strong>of</strong> the AnthologiaLatina by the glittering imagined landscape<strong>of</strong> a new Carthage. Such valourised associations<strong>of</strong> Vandal rule with a new flourishing <strong>of</strong>secular culture are, for instance, underminedin Victor’s depictions <strong>of</strong> their destruction <strong>of</strong>many landmarks <strong>of</strong> Carthage.Elsewhere in his History, Victor showsVandals appropriating ancestral martyrialbasilicas, depriving Victor’s Catholics <strong>of</strong> theirpublic religious spaces and their martyrialheritage, only to create, through their persecutions,new martyrs – new links to the NorthAfrican past - and to transform the private,marginalised spaces to which Catholics hadbeen relegated into new loci <strong>of</strong> public religiouslife as they become martyr shrines.Above all, Victor re-imagines Carthage, tothe exclusion <strong>of</strong> the secular ‘collaborationist’or the Arian Vandal, through his use <strong>of</strong> thetypological models (frequently conceptualisedspatially) <strong>of</strong> Biblical Zion and the ‘City <strong>of</strong>Martyrs’ – martyrs whose bloodied bodies areliterally integrated into the urban fabric. Suchmodels, derived from those rhetorical toolsfashioned during the earlier, Donatist schismby both Catholics and Donatists, as well asVictor’s wider reclamation <strong>of</strong> North Africanspace and history serve to prevent the marginalisation<strong>of</strong> Catholic identity, the development<strong>of</strong> widespread apostasy, and to forestall thefeared emergence <strong>of</strong> that perennial legacy <strong>of</strong>persecution and apostasy: schism.Luke Gardiner is a PhD student atCambridge, working on Church History,heresiology, and the theorisation <strong>of</strong> (problems<strong>of</strong>) knowledge in the fifth century.Les inventions de reliques dansl’Empire byzantinEstelle Cronnier<strong>University</strong> <strong>of</strong> Paris I–Panthéon-SorbonneSummary: This paper will discuss the drivefor the collection <strong>of</strong> relics in the Eastern Romanempire from the fourth to the seventh centuries. Itwill try to explain this phenomenon in light <strong>of</strong> itsJewish and Pagan antecedents and also to examineit in relation to religious funerary monuments<strong>of</strong> the time.Le phénomène de l’invention ou découvertede reliques, corporelles ou non, quidevait voir le jour dès les premiers siècles duchristianisme, dans l’Empire romain, n’a paslaissé que d’intriguer. Où, comment, et peutêtresurtout pourquoi devait-il éclore et sedévelopper à ce point ? – telles sont les questionsqui viennent immédiatement à l’esprit.Les réponses, des réponses existent, sansdoute; elles sont complexes, comme tout cequi engage à la fois l’homme et son milieu, sestraditions, ses croyances.Au nombre des premières inventions,celle de la Vraie Croix, fait figure de modèle;elle a suscité de nombreux débats et de fortriches études. D’autres exemples, d’autres‘dossiers’ non moins fourmillants et ardus ontà leur tour retenu l’attention des historiens;mais aucune étude d’ensemble n’existe encoreà ce jour.Je propose, dans le cadre de la conférenceannuelle des doctorants, de présenterquelques réflexions sur le culte des reliquesThe 2011 International Graduate Conference | 23


Session eight continueddans ces premiers siècles de l’Empire chrétienet byzantin. Il semble en effet que le christianismeait d’abord eu du mal à admettre ce culte.Pourquoi alors tout à coup ces découvertesou redécouvertes à intervalles réguliers quin’allaient plus cesser? Pour obtenir des élémentsde réponse, il est nécessaire de revenirsur la question des origines, et de s’interrogersur la place qu’y occupent les divers héritages(juifs ou païens). D’autre part, je voudraism’interroger sur le caractère mémoriel de lasépulture, et tenter d’analyser comment unetraditio ressurgit de ce monument même dela mémoire qu’est la tombe sainte, le tombeau(memoria).Estelle Cronnier is a doctoral candidateand is working on a thesis concerningthe invention and ‘discovery’ <strong>of</strong> relics in theeastern provinces <strong>of</strong> the Roman empire. Herresearch involves the close reading <strong>of</strong> art,architecture, historiography and hagiography<strong>of</strong> the fourth to seventh centuries.24 | Between Constantines


Session Nine2:00 | Saturday 5 March 2011 | Lecture TheatreChairEleni Karafotiawolfson CollegeMagical Remedies in LateAntique Medical HandbooksPetros Bouras-VallianatosKellogg College, <strong>Oxford</strong>The paper discusses the magical remediesin the Therapeutics <strong>of</strong> Alexander <strong>of</strong> Tralles,in light <strong>of</strong> his construction <strong>of</strong> a multifariousmedical compendium. Writing in thelate sixth century, Alexander <strong>of</strong> Tralles combinedhis own rich practical knowledge withGalenic theories. He refers not only to theetymology, forms and symptomatology<strong>of</strong> diseases, but also to therapies includingseparate mention for dietetics and pharmacology.Additionally, he does not hesitate to referto a variety <strong>of</strong> mysterious substances suchas parts <strong>of</strong> animals or amulets in connectionwith magical remedies.His work provides us with informationabout popular magical practices from variousplaces and shows the sociocultural standards<strong>of</strong> the period. Even though Alexander recommendsthe use <strong>of</strong> every possible kind <strong>of</strong>healing, he differentiates his approach when itcomes to using magic and does not try to explainthose remedies in scientific terms. Alexanderwas influenced by the socially versatile context<strong>of</strong> the sixth-century milieu and clearly depictsthe competition between rational and irrationalmedical practices. As a physician with a rationalapproach, the inclusion <strong>of</strong> such remedies makeshim an extraordinary case.Petros Bouras-Vallianatos hasre search interests in late antique and <strong>Byzantine</strong>medicine and pharmacy, the history <strong>of</strong> epilepsyin Byzantium and female imagery inPsellos’ Chronographia.The Dream <strong>of</strong> Caesar BardasJonas J.H. Christensen<strong>University</strong> <strong>of</strong> CopenhagenThe Vita Ignatii <strong>of</strong> Nicetas David Paphlagonis an important source for the events that leadto the rise <strong>of</strong> Basil I to the throne and to thepartisan factions active in the years after thefinal abolition <strong>of</strong> Iconoclasm in 843. The textis, partly, a long harangue against Photius andthe persons associated with him, most prominentlythe caesar Bardas, Michael III’s uncleand, according to tradition, de facto ruler <strong>of</strong>the <strong>Byzantine</strong> Empire in the years before theadvent <strong>of</strong> Basil I. An intriguing episode inthe Vita Ignatii is the story <strong>of</strong> Bardas’ dream,in which Bardas narrates his dream <strong>of</strong> hisown and Michael III’s condemnation by St.Peter. Nicetas makes explicit mention <strong>of</strong> thebiblical precedents <strong>of</strong> dreams sent to rulersand the whole episode invites interpretationand comparison from within the narrativeframework <strong>of</strong> the Vita Ignatii, as well as othertexts. Remarks on dream interpretation scatteredthroughout the text make it possible toadd further meaning to this otherwise selfcontainedepisode and thus to see it as a part<strong>of</strong> the narrative as a whole. I will suggest somereadings and implications <strong>of</strong> such a contextualreading <strong>of</strong> the episode and make some cursoryremarks on the consequences <strong>of</strong> the re-use <strong>of</strong>such an episode in later historiography.Jonas J. H. Christensen’s researchinterests include the impact <strong>of</strong> Iconoclasm andthe immediate aftermath <strong>of</strong> the Triumph <strong>of</strong>Orthodoxy on the literature <strong>of</strong> the ninth andtenth centuries, as well as the philosophicalproduction <strong>of</strong> the middle <strong>Byzantine</strong> period.The 2011 International Graduate Conference | 25


topos which, most notably, comprised anti-Muslim prophecies that were designed tocounteract Islamic religious aspirations.My investigation will show how the hardlinepolemical attitude <strong>of</strong> the Last RomanEmperor was reused and adapted in subsequentpolemics, but also how it was, at times,de-emphasized in order to accommodatea less aggressive opposition and instead tomake a more subtle argumentation as seen,for example, in John <strong>of</strong> Damascus’ writingson Islam. In addition, it becomes clear howthis originally Christian theme influenced theMuslim concept <strong>of</strong> the Mahdī, which eventuallycame to be incorporated into Christianeschatological considerations as seen, forinstance, in the Bahira Legend.Andras Kraft’s current researchfocuses on early Christian reactions to Islam(seventh through ninth centuries). He haspreviously dealt with the theology <strong>of</strong> Origen<strong>of</strong> Alexandria, and with Origenism and its relationshipto the Desert Fathers. More recently,he has extensively studied Aristotelianism inthe Muslim East, focusing on the philosophy<strong>of</strong> al-Ghazālī.The 2011 International Graduate Conference | 27


Session ten2:00 | Saturday 5 March 2011 | Rees Davies RoomChairJesse Simon<strong>University</strong> CollegeJerusalem, Jerash, andCaesarea: late antique urbancontexts in the LevantMorgan DirodiSt. Cross College, <strong>Oxford</strong>The late antique cities <strong>of</strong> the EasternMediterranean were flourishing centres <strong>of</strong>wealth and culture. Nowhere is this more truethan in the case <strong>of</strong> Jerusalem, a city that wastransformed, almost overnight, from a minorprovincial city to a centre <strong>of</strong> major religious,economic and cultural importance thanks tothe actions <strong>of</strong> Constantine and his successors.The objective <strong>of</strong> this paper will be to contextualisethe process <strong>of</strong> urban developmentby means <strong>of</strong> a comparison with two othermajor urban centres <strong>of</strong> the region: CaesareaMaritima and Jerash.It is my intention to show how the processesthat affected Jerusalem have parallelsin these other two cities. In particular, Iwill concentrate on exploring and comparingthe alterations in the urban contexts <strong>of</strong>these three cities. It is my belief that theseprocesses are results <strong>of</strong> the economic andideological pressures resulting from therise <strong>of</strong> Jerusalem as a religious and pilgrimagepowerhouse <strong>of</strong> global proportions. Thisresulted in a transformation <strong>of</strong> the localeconomy and also in the way that urbanspace was viewed in Jerusalem. As a result<strong>of</strong> these changes, the cities <strong>of</strong> the regionexperienced similar transformations <strong>of</strong> theirtopography for economic (Caesarea) or religious( Jerash) reasons.Morgan Dirodi is doing a DPhil inHistory on urban development in the easternmediterranean from the fourth to the seventhcentury. His research interests are, inparticular, the impact that Christianity andChristianisation had on the urban environment,the transformation <strong>of</strong> street plans andurban topography, and the transition between<strong>Byzantine</strong> and early Umayyad cities.Across the Desert Sands: TheShifting Routes <strong>of</strong> SouthernPalestine and Transjordan inLate AntiquityMarlena WhitingLincoln College, <strong>Oxford</strong>The region <strong>of</strong> Southern Palestine andTransjordan reflects the confluence <strong>of</strong> differentsocial and political phenomena – themilitary, trade and pilgrimage – that all hadan impact on the shape <strong>of</strong> the road networkin this region, which took on a differentappearance from the fourth through seventhcenturies. This paper will examine,through a mixture <strong>of</strong> archaeological andtextual evidence, the changes wrought onthe road system <strong>of</strong> Southern Palestine andTransjordan, from the fragmentation <strong>of</strong> thesecond century Via Nova Traiana and theimpact <strong>of</strong> long distance and local trade tothe increase in traffic through central Sinai asa result <strong>of</strong> the desire <strong>of</strong> pilgrims to visit theholy places.Marlena Whiting graduated with aBA from Wellesley College and an MPhil in<strong>Byzantine</strong> Studies from <strong>Oxford</strong>. She is currentlyworking on a DPhil entitled Traveland Accommodation in the Late Antique EastMediterranean.28 | Between Constantines


Session Ten continuedLes niveaux de transition byzantino-omeyyade,bien qu’essentiels à lacompréhension des sites, demeurent peuconnus car peu publiés. Les changements politiquesne se reflètent pas systématiquementsur les céramiques. La longue tradition potièreprotobyzantine a laissé son empreinte dans lesproductions omeyyades et il n’est pas toujoursaisé de distinguer les caractéristiques de la finde l’empire protobyzantin de celles propres auxdébuts de l’Islam. De plus, les changementss’opèrent lentement dans cette région où lesproductions, tout en restant tributaires descaractéristiques locales, s’imprègnent d’autresinfluences de par ses nombreuses zonesd’approvisionnement. Le matériel étudié,tout en gardant les traces propres à l’époqueprotobyzantine tels que les tituli picti en grecet les motifs de croix, se voit doté de nouvellesformes et décors que nous retrouverons toutau long de l’époque omeyyade.Nairusz Haidar-Vela has been workingon a doctoral thesis on the proto-<strong>Byzantine</strong>ceramics <strong>of</strong> Northern Syria since 2006. Herwork deals with material from three sites:Halabiya Zenobiya, the monastery <strong>of</strong> SaintSymeon and El Bara. She is also working onthe ceramics <strong>of</strong> Tyre in Lebanon in order tohave a broader view <strong>of</strong> material culture in theeast during the <strong>Byzantine</strong> period.30 | Between Constantines


Session Eleven4:15 | Saturday 5 March 2011 | Lecture TheatreChairPrerona Prasadkeble CollegeRoger de Flor’s Campaign <strong>of</strong>1304 in Western Anatolia: AReinterpretationWiktor OstaszSt. Peter’s College, <strong>Oxford</strong>The hiring <strong>of</strong> the Catalan Company was anevent <strong>of</strong> central importance in the long reign<strong>of</strong> Andronikos II. After a textbook combat performanceagainst the Turkomans in Anatolia,the mercenary army almost bled the empire todeath. As most scholars have approached theCatalan episode with regard to its traumaticoutcome, the first phase from the arrival <strong>of</strong> theCompany in 1303 to the assassination <strong>of</strong> Rogerde Flor in 1305, has too <strong>of</strong>ten been dismissed asa mere herald <strong>of</strong> the strife to come. While theaims and policies <strong>of</strong> the emperor and his Latingambros have <strong>of</strong>ten been misrepresented asclashing, a close reading <strong>of</strong> the sources revealsa degree <strong>of</strong> understanding between the two.Although Roger was quick to enter the role<strong>of</strong> an imperial <strong>of</strong>ficial, his methods shouldbe carefully distinguished from those <strong>of</strong> hisrecruits. Andronikos had sound reasons to trustthe Company and solid precedents on which tobuild his approach to the eastern problem.It is the political and military activities <strong>of</strong>Roger de Flor on his mission to the Anatolianborderland that require reconsideration, asthey <strong>of</strong>fer an extraordinary glimpse <strong>of</strong> theprovincial society deeply discontented withthe Palaeologan rule and ready to follow localleaders. The Genoese connection <strong>of</strong> Rogerand the curious possibility <strong>of</strong> some Catalanssubsequently joining the ‘plundering confederacy’<strong>of</strong> Karası Turks add more complexity tothe interplay <strong>of</strong> various political forces in earlyfourteenth century Anatolia.Wiktor Ostasz is a graduate student<strong>of</strong> St. Peter’s College, <strong>Oxford</strong>. His researchinterests include the history, archaeology andhistorical geography <strong>of</strong> <strong>Byzantine</strong> and MedievalTurkish Anatolia, society and culture in theChristian–Muslim frontier zones, realities <strong>of</strong>provincial life in the Medieval Mediterranean,navigation, piracy and business enterprises inthe Medieval Mediterranean and the history<strong>of</strong> the Medieval Crown <strong>of</strong> Aragon.No Triumphs, Just Words:Competing Political Discoursesin Early Fifteenth CenturyByzantiumFlorin LeonteCentral European <strong>University</strong>, BudapestThis paper aims to indicate the major types<strong>of</strong> political discourse as they developed inthe last decades <strong>of</strong> <strong>Byzantine</strong> history. Firstly,one can identify a discourse cultivated bythe members <strong>of</strong> <strong>Byzantine</strong> clergy who downplayedthe emperor’s role and denied thevery existence <strong>of</strong> an Empire <strong>of</strong> the Romans.These ideas, <strong>of</strong>ten combined with an antiaristocraticstance, can be found in texts <strong>of</strong>authors like Joseph Bryennios, Symeon <strong>of</strong>Thessalonike and Makarios, Metropolitan <strong>of</strong>Ankara. Secondly, in several <strong>of</strong> his rhetoricalwritings, Emperor Manuel II Palaeologos(1391-1425) attempted to re-evaluate the idea<strong>of</strong> imperial authority. Accordingly, he eitherrepresented himself as an emperor-didaskalos(The Foundations <strong>of</strong> an Imperial Education andThe Seven-Ethico Political Orations), or playedthe role <strong>of</strong> an emperor-preacher by performinghis homilies in the imperial palace. Thirdly, thetexts <strong>of</strong> the early fifteenth-century panegyristsThe 2011 International Graduate Conference | 31


Session twelve4:15 | Saturday 5 March 2011 | Rees Davies RoomChairSean Leatherburycorpus christi CollegeSigns in the shape <strong>of</strong> Greek letterson frescos in Roman catacombs:comments on interpretations <strong>of</strong>so-called ‘gammadia’Maciej SzymaszekPontifical <strong>University</strong> <strong>of</strong> John Paul II, KrakowThe term gammadia refers to characteristicmarkings in Christian art <strong>of</strong> the first millenniumwhich appear on the mantles <strong>of</strong> figuresdepicted in catacomb paintings, mosaics,pages <strong>of</strong> illuminated manuscripts and on goldglass. Previous studies have interpreted thesesymbols as Greek letters which have particularnumerical values and thus have viewed gammadiaas a category <strong>of</strong> symbols contemporaryto each period, conveying meanings knownto everyone. This paper <strong>of</strong>fers a new look atthe problem and focuses on the earliest worksdecorated by gammadia, created in Romearound the time <strong>of</strong> Constantine the Great.This paper will perform iconographicand statistical analyses <strong>of</strong> catacomb frescosin which these symbols appear for the firsttime. These analyses will help determine thefrequency <strong>of</strong> gammadia, their patterns in variousrepresentations as well as the evolution <strong>of</strong>the shapes <strong>of</strong> particular signs, which are thefirst components <strong>of</strong> wider research regardingthe problem <strong>of</strong> gammadia in relation to historicalsources and surviving textiles from LateAntiquity. Cataloguing the catacomb frecoes inRome which feature gammadia is fundamentalfor the analysis <strong>of</strong> the other examples scatteredacross the <strong>Byzantine</strong> Empire, from Greece,Italy and Croatia to Cyprus and Egypt.Maciej Szymaszek is a second-yearMA student working on a thesis entitledSigns in the shape <strong>of</strong> Greek letters on frescosin Roman catacombs. He is interested in thematerial culture <strong>of</strong> the Mediterranean fromLate Antiquity until the end <strong>of</strong> Iconoclasm,Syriac Christianity, art and architecture <strong>of</strong>the region <strong>of</strong> Tur ‘Abdin and Gertrude Bell’sresearch in the Middle East.The wreathed cross orstephano staurion on sixthcenturymarble chancel screensin the Mediterranean regionBernard MulhollandQueens <strong>University</strong>, BelfastWhile excavating at the monastery <strong>of</strong>Beth-Shan, Fitzgerald noted that ‘betweenthese stones and the apse, we found abroken slab <strong>of</strong> marble [...] with a cross surroundedby a wreath carved on one side [...].This suggested a clue to the meaning <strong>of</strong> theword στεφανοσταυρίον (wreathed cross)which is found in both the inscriptions inthe chapel floor.’ There are examples <strong>of</strong> thewreathed cross or stephanostaurion foundon sixth-century marble chancel screensthroughout the Mediterranean region, andin many cases they are flanked by a pair <strong>of</strong>Latin crosses.These stephanostauria exhibit some variationsin composition. For example, thefour-armed cross within the wreath canbe replaced by a six- or eight-armed cross.There are also instances where the four arms<strong>of</strong> the cross are replaced by fleurs-de-lis, orwhere fleurs-de-lis are interspersed amongthe four arms <strong>of</strong> the cross. Some piercedchancel screens have intricately interlinkedThe 2011 International Graduate Conference | 33


PARKS ROADHIGH STREETST. GILESBROAD STREETTURL STREETMITREBEAUMONT STREETGEORGE STREETCORNMARKET ST. ALDATESNEW INN HALL ROAD*HISTORYFACULTY(see inset)* KEBLECOLLEGEHYTHE BRIDGE ROADTHAMES or ISIS*TRAINSTATIONGLOUCESTERGREEN BUSSTATION*,KING’SARMSBODLEIANLIBRARYRAD-CLIFFESQUARETo Iffley Road†BEAR,,THEBANBURY ROAD, ,LAMB &EAGLE FLAG& CHILDHORSE,WHITE†THE CASTLE *COMPLEXBUSSTOPSto North<strong>Oxford</strong>◆BUSSTOPSto IffleyRoadTHE,TURFQUEEN ST.◆Map <strong>of</strong> <strong>Oxford</strong>NNEW ROADNEW INN HALL ROADGEORGE STREETHISTORY FACULTYBUILDINGThe 2011 International Graduate Conference | 35


General ScheduleFriday9:00 Registration and C<strong>of</strong>fee10:00 Opening RemarksPrerona Prasad10:15 Session 111:45 C<strong>of</strong>fee12:00 Session 21:30 Lunch2:30 Session 34:00 C<strong>of</strong>fee4:15 Session 45:45 Wine ReceptionSaturday9:00 C<strong>of</strong>fee9:45 Sessions 5 and 611:15 C<strong>of</strong>fee11:30 Sessions 7 and 81:00 Lunch2:00 Sessions 9 and 104:00 C<strong>of</strong>fee4:15 Sessions 11 and 125:45 Closing RemarksPr<strong>of</strong>. Marc Lauxtermann6:00 Wine Reception36 | Between Constantines

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