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page<br />

6<br />

ARTISTS<br />

DoulT<br />

In this issue we introduce you to some<br />

of <strong>the</strong> personalities who’ve made <strong>Royal</strong><br />

<strong>Doulton</strong> <strong>the</strong> success story it is today.<br />

Sir Henry <strong>Doulton</strong><br />

Henry <strong>Doulton</strong>, born in 1820, was <strong>the</strong><br />

second son of John - <strong>the</strong> founder of <strong>the</strong><br />

family ceramic business. Despite his<br />

fa<strong>the</strong>r’s wishes that he become a cleric<br />

or lawyer, Henry was determined to<br />

be a potter and in 1835 began a two<br />

year training period where he learnt all<br />

aspects of <strong>the</strong> potter’s craft. He proved<br />

his ability throwing a 20 gallon stoneware<br />

jar when he was 17 years old and is said to<br />

have capped this four years later by throwing<br />

an enormous 300 gallon jar – at <strong>the</strong> time said<br />

to be <strong>the</strong> largest in <strong>the</strong> world. This signalled<br />

<strong>the</strong> start of many extraordinary achievements and<br />

pioneering developments that meant that in just a few years<br />

<strong>the</strong> <strong>Doulton</strong> name was known worldwide.<br />

However, Henry’s legacy is not just <strong>the</strong> drainpipes<br />

that sanitised <strong>the</strong> cities of <strong>the</strong> UK or <strong>the</strong> many<br />

industrial and sanitary wares he innovated, but <strong>the</strong><br />

championing of art pottery and <strong>the</strong> employment<br />

and technical education of women.<br />

An art school was founded in Lambeth,<br />

London in 1854 and in <strong>the</strong> mid 1860s Henry<br />

commissioned it to make a series of terracotta<br />

heads of famous international potters to<br />

decorate an extension to <strong>the</strong> <strong>Doulton</strong> pottery.<br />

Percival Ball modelled many of <strong>the</strong> heads,<br />

helped by a young student, George Tinworth<br />

– who joined <strong>the</strong> pottery in 1866 and went on<br />

royal doulton collectables australia. vol 02 – december 2011<br />

to become one of its most famous artists. Work by Tinworth<br />

and ano<strong>the</strong>r student, W. Christian Symons, shown at <strong>the</strong><br />

1867 Paris Exhibition received a positive reaction from critics<br />

and so in 1871 Henry opened an art department at <strong>the</strong><br />

pottery. By 1885 250 artists, designers and assistants worked<br />

in <strong>the</strong> studios and of <strong>the</strong>se it is said that 240 had studied at<br />

Lambeth Art School.<br />

In <strong>the</strong> 1870s he bought a share in a factory in Burslem, Stoke<br />

on Trent – eventually owning it outright in 1882. Here he<br />

encouraged artistic freedom, appointing a young and creative<br />

art director – John Slater - and an outstanding general<br />

manager, John Bailey. Burslem, producing tableware, lamps,<br />

and toilet sets as well as beautiful ornamental wares, became<br />

a popular place to work with up and coming artists. They<br />

admired Henry’s success with<br />

salt glazed pottery recognising<br />

that his inspiration and striving<br />

for originality meant that <strong>the</strong><br />

<strong>Doulton</strong> Lambeth art studios<br />

had achieved more than<br />

any o<strong>the</strong>r pottery had in <strong>the</strong><br />

previous 60 years.<br />

Female artists at work in <strong>the</strong> studio; The <strong>Doulton</strong> Lambeth pottery; Dessert dish made from bone china<br />

and painted by David Dewsberry, an example of <strong>the</strong> exquisite painting at <strong>the</strong> <strong>Doulton</strong> Burslem factory.

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