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page<br />
6<br />
ARTISTS<br />
DoulT<br />
In this issue we introduce you to some<br />
of <strong>the</strong> personalities who’ve made <strong>Royal</strong><br />
<strong>Doulton</strong> <strong>the</strong> success story it is today.<br />
Sir Henry <strong>Doulton</strong><br />
Henry <strong>Doulton</strong>, born in 1820, was <strong>the</strong><br />
second son of John - <strong>the</strong> founder of <strong>the</strong><br />
family ceramic business. Despite his<br />
fa<strong>the</strong>r’s wishes that he become a cleric<br />
or lawyer, Henry was determined to<br />
be a potter and in 1835 began a two<br />
year training period where he learnt all<br />
aspects of <strong>the</strong> potter’s craft. He proved<br />
his ability throwing a 20 gallon stoneware<br />
jar when he was 17 years old and is said to<br />
have capped this four years later by throwing<br />
an enormous 300 gallon jar – at <strong>the</strong> time said<br />
to be <strong>the</strong> largest in <strong>the</strong> world. This signalled<br />
<strong>the</strong> start of many extraordinary achievements and<br />
pioneering developments that meant that in just a few years<br />
<strong>the</strong> <strong>Doulton</strong> name was known worldwide.<br />
However, Henry’s legacy is not just <strong>the</strong> drainpipes<br />
that sanitised <strong>the</strong> cities of <strong>the</strong> UK or <strong>the</strong> many<br />
industrial and sanitary wares he innovated, but <strong>the</strong><br />
championing of art pottery and <strong>the</strong> employment<br />
and technical education of women.<br />
An art school was founded in Lambeth,<br />
London in 1854 and in <strong>the</strong> mid 1860s Henry<br />
commissioned it to make a series of terracotta<br />
heads of famous international potters to<br />
decorate an extension to <strong>the</strong> <strong>Doulton</strong> pottery.<br />
Percival Ball modelled many of <strong>the</strong> heads,<br />
helped by a young student, George Tinworth<br />
– who joined <strong>the</strong> pottery in 1866 and went on<br />
royal doulton collectables australia. vol 02 – december 2011<br />
to become one of its most famous artists. Work by Tinworth<br />
and ano<strong>the</strong>r student, W. Christian Symons, shown at <strong>the</strong><br />
1867 Paris Exhibition received a positive reaction from critics<br />
and so in 1871 Henry opened an art department at <strong>the</strong><br />
pottery. By 1885 250 artists, designers and assistants worked<br />
in <strong>the</strong> studios and of <strong>the</strong>se it is said that 240 had studied at<br />
Lambeth Art School.<br />
In <strong>the</strong> 1870s he bought a share in a factory in Burslem, Stoke<br />
on Trent – eventually owning it outright in 1882. Here he<br />
encouraged artistic freedom, appointing a young and creative<br />
art director – John Slater - and an outstanding general<br />
manager, John Bailey. Burslem, producing tableware, lamps,<br />
and toilet sets as well as beautiful ornamental wares, became<br />
a popular place to work with up and coming artists. They<br />
admired Henry’s success with<br />
salt glazed pottery recognising<br />
that his inspiration and striving<br />
for originality meant that <strong>the</strong><br />
<strong>Doulton</strong> Lambeth art studios<br />
had achieved more than<br />
any o<strong>the</strong>r pottery had in <strong>the</strong><br />
previous 60 years.<br />
Female artists at work in <strong>the</strong> studio; The <strong>Doulton</strong> Lambeth pottery; Dessert dish made from bone china<br />
and painted by David Dewsberry, an example of <strong>the</strong> exquisite painting at <strong>the</strong> <strong>Doulton</strong> Burslem factory.