Young Designers

editor speaks"God is in the details"- Ludwig Mies van der RoheEditorShashikant HegdeEditorial AdvisorDr M S KapadiaEditorial CoordinatorAlma OdilAdvisors (Technical)Prof. Akhtar ChauhanPrincipal, Rizvi College ofArchitecture, MumbaiAr. Karan GroverKaran Grover & Associates, VadodaraAr. Manit RastogiPrincipal Architect,morphogenesis, New Delhi I BangaloreProf. K. JaisimJAISIM-FOUNTAINHEAD, BangaloreAr. Dikshu C. KukrejaCP Kukreja Architects, New DelhiDesign & ProductionArt DirectorSatish KamathGraphic DesignersMadhukar IngavaleNitin ParkarRajendra VichareProduct HeadAbhishek MishraSr. Sales ExecutiveSaurabh SinghSubscriptionRosebin MukadamHead - CirculationRaju ChendavankarSenior Vice PresidentSanjeev SinghIndian design aesthetics and ethics are witnessing a paradigm shift towards ameritorious design canvas. They are being more environment cautious and policiesare being re-structured to accommodate their rising needs.Design demonstrates one's lifestyle. But how far and deep can one delve into this,is the topic of interest. In today's scenario, the term 'design' holds a thesaurus ofexperimentation. Backed with technological advancement and global exposure,designers are venturing into every niche domain of design — textile, home décor,furniture, computational and many more.It is said — Art is personal while Design is global. And thus a greater challengelies in its underbelly. The youth of this industry have performed progressively inportraying an exuberant art and culture of India.In honour of these young great minds, we have brought this issue in dedication tothese ideas, process(work), and executive skills. In this issue the projects byChaukor Studio, Na+P Architects and Playgroup Studio are among my favouriteprojects. The contextual behaviour of the building, user centric built environmentand close loop of material procurement are the crux of their design parti.We essentially relate design to the beautification of a building — exterior andinterior. And in the verge, we tend to overlook the elements of exterior and interiordesigning which comprise to its form making. Sujay Das, Harpreet Padam, LavanyaAsthana, Versha Vohra, Tejas Sidnal, Keyur Mistry and Nikita Bansal represents thisniche, essential domain of designing that projects a twist of Indian culture in thecontemporary times.In addition to this, we have brought you Ar. Sushant Verma's brief discourse ofadaptation of computational design in shaping a better future with a strongemphasis on dynamic educational module.Page over page, projects over projects, the designers' works will leave youflabbergasted with their intrinsic design detail and a highly characterised materiallanguage.Cheers!Printed, published and edited by Shashikant Hegdeon behalf of Economic Research India Pvt. Ltd.,published at Sterling House, 5/7 Sorabji SantukLane, Off Dr. Cawasji Hormasji Lane, Dhobi Talao,Mumbai - 400 002 and printed at Jayant Printery,352/54, J. S. S. Road, Murlidhar Temple Compound,Near Thakurdwar P. O, Mumbai - 400 002.Editor: Shashikant Hegde06 Architecture Update July 2015

INDEXINDEX OF ADSPage nos.Bonton Tecnomake Pvt Ltd .......................................................................IBCEncraft India Pvt. Ltd...................................................................................IFCET Acetech ......................................................................................................9Architecture Update, India's leading publication on Architecture-Interiors-Landscape, isinterested in knowing what its readers feel about their favourite magazine.AU also welcomes opinion on any other topic or issues of concern from its esteemedreaders.Just write toFeedback, Architecture UpdateEconomic Research India Pvt Ltd, 5/7 Sterling House, Sorabji Santuk Lane,Off Cawasji Hormasji Street, Dhobi Talao, Mumbai - 400 002 or mail ateditor@eril.co.in. You can also call on 022-67121806 or fax on 022-67121827HSIL Limited ...............................................................................................FGFIads & events..................................................................................................7Jindal Aluminium ...........................................................................................5K Lite Industries ...........................................................................................BCRESPONSE for feedback as against other topics or areas of concern, mail tofeedbackau@eril.co.in for those who want their thesis featured, mail to thesisau@eril.co.in for queries that needs expertise from a panel of specialists, mailinterfaceau@eril.co.in and get answered by legal and academic experts, andCAD specialists for Connect with just about anybody in the field of Architecture, Engineering& Construction & Building, Development Construction industry, write toplatformau@eril.co.in or editor@eril.co.inDISCLAIMERThis book is for information purposes only. All rights reserved. All copyright in this bookand related works is solely and exclusively owned by Economic Research India Pvt. Ltd.While due care has been taken during the compilation to ensure that the information isaccurate to the best of Economic Research India Pvt. Ltd.' knowledge and belief, the contentis not to be construed in any manner whatsoever as a substitute for professional advice.Economic Research India Pvt. Ltd. neither recommends nor endorse any specificproducts or services that may have been mentioned in this book and nor do they assumeany liability or responsibility for the outcome of decisions taken as a result of any relianceplaced on this document.Economic Research India Pvt. Ltd. shall not be liable for any direct or indirect damagesthat may arise due to any act or omission on the part of the user due to any relianceplaced or guidance taken from any portion of this book.08 Architecture Update July 2015

ContentsJULY 2015 ISSUE 6 VOLUME 09LET’S TALKThe World of New PossibilitiesELEMENTS IN DISCOURSEChaukor Studio18 19 20 22 25 28 30POST EVENTrat[LAB] EducationLET’S TALKThe Future of Humanity Lies inCitiesDESIGN INTEGRITYPlaygroup StudioIN FOCUSSpace, Shapes and TechnologySYMPHONY OFLIGHT AND SHADOWNA+P Architects010 Architecture Update July 2015

WOVEN MANIFESTATIONGaurav Roy Choudhury ArchitectsMODULAR KITCHENS:A HELPING HAND TO ALLSeema KhoslaINTERIORIZEDSPACIOLOGYSweven Studio34 37 40 45 48 5052COMPETITIVENESS VSACCEPTANCENikita BansalSUSTAINABLE URBANDEVELOPMENT VIANEIGHBOURHOOD DESIGNAr. Parul Minhas & Pappal SunejaSEAMLESS WAVESStudio SymbiosisPOROSITYTejas Sidnal & Keyur MistryArchitecture Update July 2015 011

PulsearchitectureTDV DesignWeekTDV Design Week introduced openlessons and master classworkshops in various design fieldssuch as fashion, graphic, productand interior architecture by eminentindustry experts. The design weekalso offered portfolio developmentsession to guide the students tocreate portfolios that communicatetheir vision.The entire event was divided intotwo sessions of 2 days each whichwas attended by close to 500students and design enthusiastsover all four days from all over thecountry. The students were givenexposure of various designdisciplines such as product,fashion, graphic and interiorarchitecture. The workshops andinteractive sessions were conductedby renowned industry professionalslike Sandip paul, Prof. Lalit Das,Ajoy David, Christian leborg,Subhashish Mandal andNeeraj Chahuan.The participants were allotted DesignParents as mentors for the 2 daysthey spent at the Campus. The entiresession was engaging for students asvarious design competitions wereconducted. Participants wereexposed to hands on learning withmeans of workshops, where theyexperimented with products, graphicsand materials. Interactive sessionsand design quizzes were an essentialpart of the design week. Studentsshared their thoughts and learnedabout design from the industrymentors making the week a fun filledlearning experience. TDV-The DesignVillage founders and faculty keenlyinvolved in one to one conversationwith the students guiding anddiscussing with them about theirchosen career paths and futureopportunities.Discussion between the parents andthe founders along with the facultywas an important part of the designweek as the curious parents gotresponses to their questionsregarding design education andcareers opportunities in design.The design week concluded with anaward ceremony where all studentswere given participation certificates.Students were also acknowledgedand awarded design hampers fortheir excellent performance duringthe workshops, lectures and otherdesign competitions by NavneetGarg, Industrial Dean And Founder,TDV-The Design Village, SourabhGupta, Design Dean And Founder,TDV-The Design Village.Viviana Mall, one of Mumbai’sleading retail destinations, wasacknowledged with honourable ‘VIVABest of the Best Awards 2015’ by theworld’s most significant retailplatform, The International Council ofShopping Centre (ICSC). Vivianabagged the award for InclusiveMarketing Strategy at the awardceremony held at Las Vegas. Vivianamall has created a history in Indianretail fraternity by becoming the firstIndian Mall to win the ICSC award ata global level. Viviana competed withleading malls across the globe.In 2014, Viviana was honoured withthe ICSC Gold award for ‘Inclusivemarketing strategy for visuallyimpaired’ held in Singapore. With theWellcome Collection £17.5m transformationWilkinson Eyre Architects completed £17.5mtransformation of Wellcome Collection in London,designed to accommodate growing visitor numbers andenrich the visitor experience. Originally WellcomeCollection was predicted to receive visitor numbers ofaround 100,000 a year, but before development worksbegan in 2013 the venue welcomed more than 550,000people a year.Working within the confines of the existing building,Wilkinson Eyre, succeeded in creating 40% more exhibitionspace along with a newreading room, a new youthevents space (The Studio),and a new research area (TheHub).The transformation hasalso improved WellcomeCollection’s presence on thebusy Euston Road and hasexpanded the atrium space tosupport increased visitornumbers. A dynamic newsteel staircase has beenintroduced between theground and second floors toenhance circulation betweenfloors and entice visitors up toViviana Mall Wins theInternational Council ofShopping Centre Award 2015the expanded first floor gallery spaces and destinationrestaurant on the second floor. The 17.5 metric ton steelstructure is sculpted into a flowing, swirling form, enticingthe eye and drawing people up through the building.A thematic exhibition gallery has been created on the firstfloor, replacing administrative offices. The Wellcome Libraryon the second and third floors has been reconfigured toimprove circulation and create a directly-accessible publicbrowsing zone encompassing the reading room andresearch library.The reading room has been transformed by AOC Architectsinto a space that bridges the gap between WellcomeCollection’s events and exhibitions programmes and theworld-class Library, archive and object collections.The Research Library on the upper floors has received acompletely new entrance and reception desk. A roof lightabove the new double-height space that houses the newstair links the second and third floors of the library to createan entirely interconnecting space across floors. A newwarmer colour palette, improved lighting and user-friendlyway finding helps to create a cosy and welcomingenvironment for the library users and staff.On5th floor, The Hub is dedicated to long term research foracademics, artists and other creative minds to collaborateon interdisciplinary projects exploring medicine, health andwell-being.unique initiative, Viviana became thefirst mall in the country to be visuallyfriendly and has established a novelmarketing strategy by designingaccessibility solutions for them.The mall has launched audio tactilestore labelling system, floor mapsand directory, Braille menu cards forrestaurants and personal assistanceto the visually impaired customers.Further, it has collaborated with theEye Bank Association of India (EBAI)to set up a permanent kiosk at themall for patrons who wish to pledgetheir eyes.To amplify the objectiveand scope, Viviana conducted a bikeride in partnership with the EBAI andthe Royal Enfield Owners Clubwherein 2,000 bikers rode fromCarter Road in Bandra to the mall tocreate awareness regarding eyedonation.Tata HousingUnveils InfiniumSignatureTata Housing DevelopmentCompany, India’s fastest growingreal-estate developer, announced thelaunch of its coveted InfiniumSignature in Mumbai on theauspicious occasion of AkshayTritiya. With this launch, homeaspirers in and around Mumbai canenjoy the luxury of spacious 2 and 3BHK apartments in a beautifulresidential township at a startingprice of 1.95 crores. On thecompletion of the project, Infiniumwill be one of the tallest residentialstructures in Central Mumbai.True to its offering of perfected living,Infinium Signature by Tata Housinghas been designed by Callison toinclude world class amenities andenhanced living attributes. Thesprawling clubhouse will host anarray of amenities including multipleswimming pools, a fully equippedgym, artistically designed gardenspaces, as well as a spa to nourishboth body and mind.The project, promised to be alandmark feature in Mulund, is wellconnected by various modes oftransportation. The site is in closeproximity to various civic utilities likethe Eastern Express Highway, theDomestic and International Airportsand the Phase 1 Metro Project.012 Architecture Update July 2015

PulsearchitectureAHEC Support the USA Pavilionat the ‘Milan Expo 2015’The American Hardwood ExportCouncil (AHEC), the leadinginternational trade association for theAmerican hardwood industry, hassupported the USA pavilion at theMilan Expo 2015 with a stunning500m2 white oak deck. The Americanhardwood floor runs the length of thepavilion on the first floor where themain exhibition area is located. Thewhite oak was chosen by New Yorkarchitect, James Biber, whosepractice designed the pavilion. Biberwanted a classic-looking hardwood toblend in and complement the rest ofthe decking, which has been recycledfrom 100-year-old salvaged timberfrom the original Coney Island boardwalks.According to Biber, the mainarchitectural feature is a footballfield-lengthVertical Farm featuring avariety of harvestable crops in avertical array.Finished with one coat of clear antioxidantoil, the white oak decking wasmanufactured in Italy by Imola Legno.Comprising profiled random lengthstrips, 20mm in thickness and 80mmwide, the floor was laid using aThe Comptroller and AuditorGeneral (CAG) is engaged in aproject of a different kind. It isoverseeing the restoration of aheritage building on Mall Road inShimla, Gorton Castle, which onceserved as the summer secretariat ofthe Viceroy. The building wasseverely damaged in a fire in January2014. The heritage cell of the Unionurban development ministry and theCentral Building Research Institute,Roorkee have drawn up a restorationplan that will cost the exchequerclose to 55 crore.CAG Shashi Kant Sharma hasapproved the restoration work whichis likely to begin soon. It will becompleted within 30 monthsaccording to a presentation made byCPWD.hidden clip mounting system with5mm gaps between each strip.Stainless steel fasteners were usedand the decking can easily be takenup without damage either for routinemaintenance or re-use, thusconsiderably extending its lifeexpectancy. Although the USAPavilion is a temporary exhibit, thedeck is fixed with an innovative clicksystem allowing it to be readilyrelocated, reused and maintained. Itshould last no less than 20 yearsand, with appropriate maintenance,for as long as 50 years.The USA pavilion has a very strongsustainability theme featuring avertical farm, the latest energyefficient technologies and reclaimedwood. But one of the strongestenvironmental messages iscommunicated through the use of thesustainably produced new Americanoak. AHEC, using its ground breakingEnvironmental Life Cycle Assessment(LCA) research, has produced a fullcradle to grave environmental profilefor the white oak deck. Data on theforestry, saw-milling, drying andshipping impacts of sending thewhite oak lumber to Italy werecombined with data collected duringmanufacturing. Included in theassessment are all the non-woodmaterials (glues, oils and fixings)transport, installation and predictedlife expectancy. At the end of its lifethe deck can either be recycled orburnt as a renewable fuel.CAG Treads New Path to RebuildHeritage BuildingThe castle, built in the Neo-Gothicstyle, was designed by Britisharchitect Sir Swinton Jacob, who alsodesigned the Albert Hall (Jaipur),Lalgarh Palace (Bikaner), UmaidBhawan Palace (Kota), King GeorgeMedical College (Lucknow) and StStephen's College (Delhi).Sir Swinton is known for 'fusionarchitecture' where he introducedtraditional Rajasthani stone jalis,jharokhas and balconies in hisbuildings. This was best visible inGorton Castle, a four-storeyedstructure built with sandstone fromthe local quarry in Sanjauli. The stonemasonry walls were constructed withlime mortar which could withstandmajor earthquakes. Gorton Castle wasnamed after a British bureaucrat whoserved in India.Tata Value Homes LaunchesNew HavenKeeping in line with its vision ofbeing the largest home providerin the Value and Affordable HousingSegment, Tata Value HomesLimited, a 100% subsidiary of TataHousing Development CompanyLimited, announced the launch of itssecond affordable housing project inBoisar, near Mumbai. Launchedunder the brand New Haven, theproject aims to fulfil the lifestyleaspirations of a common man at anaffordable cost. The spaciouscomplex in Boisar will offer state-ofthe-art1 to 2.5 BHK residences at astarting price of Rs. 17.1 Lacs only.The exclusive apartments located atBoisar, an upcoming commercialand residential suburb near Mumbai,will be centred on the TATA ValueHomes philosophy of creating apositive ecosystem and providing asense of place and community lifethat would become the first choicefor the Indian home buyers. ‘NewHaven’ will offer the best of selfcontainedand amenity rich lifestylehomes. The signature ‘New Haven’homes will be nestled in lushgreenery and boast of a monsoonpark, jogging tracks, recreationalExcellence Group Bags the BrandsAcademy Excellence AwardExcellence Group, one of theleading real estate players fromMaharashtra, recently bagged theprestigious ‘Brands AcademyExcellence Award’ – Building Blocksfor the ‘Most Promising Real EstateDeveloper for Residential &Commercial Plots’. The awardsceremony took place in RamadaHotel & Residencies, Powai.The occasion was graced by formerrenowned cricketer and ICC MatchReferee Mr. Javagal Srinath whofelicitated the awardees. Recipients ofthese awards included Entrepreneurs,Professionals, BusinessOrganizations, Education, Hospitalityand Healthcare Service Providers andTechnology Companies. Theseareas, well-equipped gymnasium,club house, swimming pool andother modern amenities.Like all other properties of TATAValue Homes, ‘New Haven’ will alsobe constructed under the guidanceof Indian Green Building Council(IGBC) and has been designed toreduce the impact on theenvironment. The project will followthe Integrated Township approachand will have sufficiently largecentralized and accessible openspace, self-sufficient segments withcommunity spaces for socioreligiousgatherings, neighbourhoodretail spaces and other facilities ofthe integrated township.awards were the outcome of acomprehensive market research studyand opinion surveys conducted overthe period of last several months andaimed at recognizing the efforts andnoteworthy contributions byorganizations from various sectors.Excellence Group being one of theleading companies with expertise inplotting has developed over 150acres of land! The company aims toprovide one-stop solution to all realestate problems with a customercentric approach, legally soundservices and relentless innovation.Although one step at a time,Excellence Group hopes to contributeto the ‘Housing for all by 2022’mission.Architecture Update July 2015 013

PulsebrandGodrej LOCKSS TransformsHome Décor through DesignInnovationGodrej Locking Systems andSolutions (Godrej LOCKSS),launched its advanced MobileExperience Centre (MEC-3) tohighlight how its design-ledinnovation has been shaping thefuture of the locking solutionsmarket.Godrej LOCKSS has taken the stylequotient of the locking solutions anotch higher by collaborating withone of the finest design maestro inthe country, Dilip Chabria (DC). DCDesign, through this MEC-3, offersan unmatched experience of touchand feel to this exciting array of chiclooking solutions that is designed foran enthralling experience for the keyinfluencers of the market such asarchitects, interior designers andcontractors.DC Design, known for its eye fordetail and acute design senseinfusing life into auto-mobiles, hascollaborated with an esteemedcorporate group to design a wellequippedexperience centreencompassing state-of-the-artpedigree and stylish innovations inthe locking systems category. Ithouses samples of both residentialand commercial products includinglatest line of electronic “smartlocks”, upcoming products, as wellas, a slew of customized locksmanufactured for industry specificapplications. Design-led innovationis a concept of blending designexcellence and functionality intomanufacturing process to offerworld-class products both in termsof design and performanceexcellence. With customer centricitybeing one of the core pillars of itsbusiness, Godrej LOCKSS has beenon the forefront of design-ledinnovation.P3 Architectural Solutions bringsTeam 7 to IndiaP3 Architectural Solutions,onestopshop for architects andbuilders, announced its associationwith Team 7- an Austrian companymanufacturer of natural woodfurniture. P3 Architectural Solutionshas exclusive distribution of Team 7in India which produces healthy,flexible, highly durable roominteriors in contemporary designsfor home, office and publicbuildings in harmony with nature.TEAM 7 natural wood furniture isdesigned and made in Austria usingpure hardwood from sustainablymanaged forests.Oliver Baryel, Export Director, Team7 said, “I’m really happy that wefound the right presence for thepremium brand TEAM 7 with thislocation in the heart of Mumbai. Weare excited on our association withP3 and combining nature, designand technology, we are sure to offerinnovative solutions to ourcustomers.”TEAM 7 has known what makes theoutside just right for more than 30years: the deciduous wood fromsustainable forestry is made intopremium surfaces at the company’sown manufacturing site – sorted byhand and finished exclusively withnatural oil. This retains the naturalliving character and the valuablefeatures of the wood. TEAM 7monitors the entire process from thetree to the finished furniture. Its sawmill in Hungary, natural wood boardmakingfactory in Pram and furniturefactories in Ried and Pram are allpart of the TEAM 7 value-addingchain.Saint-Gobain Launches HousingInnovation ChallengeOn the eve of World EnvironmentDay, Saint-Gobain India,launched the ‘Housing InnovationChallenge’ as part of its historicworldwide 350 year celebrations.The initiative invites innovators andthinkers across to identify problemareas that arise in housing andcome up with their solutions.Saint-Gobain being the globalleader in habitat understands andfacilitates solutions for innovativeand frugal housing – addressingincreasing population density, needfor vertical expansion, while beingenvironment friendly and accessibleacross socio-economic strata.Saint-Gobain believes SustainableHousing and Housing for SmartCities as the route to planned urbangrowth.A dual format competition, theHousing Innovation Challengebrings together professionals andgeneral public. In the professionalspace, architects, designers,planners and engineers are invitedto submit entries on possible areasof intervention in the categories ofSustainable Housing and Housingfor Smart Cities. The competitionalso urges the general public tovoice their problems and contributeto the competition by enlisting anyhousing issues that they may havefaced or are facing. The participatingprofessionals could work on theirentries, basis the concerns raised bythe public or choose to submit theirentries on basis of their own ideas.Entries for the challenge will beinvited from the day of the launch,i.e., from June 4th 2015 tillSeptember 5th. Participants andenthusiasts can submit theirprojects and views online onwww.saintgobain.co.in/housinginnovationchallenge. The best ideas and proposalswill be selected by an eminent jurypanel comprising of Prof. KrishnaraoJaisim , Ar. Brinda Somaya, & Ar.Rahul Kadri who will lead thewinning entries into implementationphase with the help of a team atSaint-Gobain Research India (SGRI).In each category, under theProfessional section, the winner ofthe challenge will be rewarded asum of INR 2,50,000. The first andsecond runners up under each ofthe categories will be rewarded withINR 1,50,000 and INR 1,00,000respectively. In the General section,10 best innovative ideas will beawarded with INR 25,000 each.These awards will be announcedduring October 2015 and presentedduring Saint-Gobain’s 350 yearcelebrations in November 2015apart from the possibility of SGRIworking on implementing their ideasto fruition.Indian Green Building Council(IGBC) is associating with thecompetition as the KnowledgePartner and Smart Cities CouncilIndia is the Supporting Partner.ABB India Launches free@homeABB India launched free@home,the intelligent home automationsystem, at Elasia in Mumbai. Thiseasy-to-install solution bringstogether the controls of lighting,temperature control, blinds andsecurity of the entire household on asingle interface – smart phone, tabletor computer. The plug and playfree@home solution is intuitive andflexible for adaptation by end user.The system can continuously adaptto changing requirements, thusensuring security for the future.Installation of ABB-free@home isconvenient as no investment in newsoftware is required.Home automation - flexible, simpleand secure:ABB-Welcome® can be easily setup. Individual timer programs can beentered in order to control heatingand blinds.Time-savingA central switch at the door of thehouse allows one to turn off all lightsat the touch of a button.SecurityThe ‘presence’ simulation functionactivates lights and shutters atdefined times, acts as deterrent toundesirable entities in residentsabsence.User friendlyNo special software required.Functions and comfort features canbe changed and extended at anytime.014 Architecture Update July 2015

new launchMirageCollection byRUMORS FineFurnishingsRUMORS Fine Furnishings,the largest manufacturersand exporters of homefurnishings introduces theirexotic Mirage Collection.MIRAGE, a global collectiondesigned in USA byFABRICUT has been boughtto India by RUMORS. Thecollection is a great blend ofintricate prints & interestingjacquards peppered withembroideries, velvets, smallco-ordinates & lush satinstripes. The collection isinspired by exotic prints,multicoloured patterns and ajewel toned colour palette tocreate an eclectic collection.Available in deep tones ofemeralds, Indigo, cinnamon,mulberry and breezy aqua,fuchsia & blue. The Miragecollection by RUMORS FineFurnishings offers multipleoptions for sturdy yet trendyupholstery fabrics, drapes &shows topper cushions.Specially curated for theIndian market, the Miragecollection is a compilation ofexquisite prints onheavyweight cottonsaccompanied with satinstripes, dynamic jacquards &small co-ordinates.Price: Rs.1,500 onwardsSpectacular &Chic Cushionsfrom Siddharthby MKCHome décor reflects yourpersonality & stylestatement. From furniture tosoft furnishings, every pieceis equally important.Cushions are one of the bestdécor accessories, allowingone to add sumptuoustouch, vibrant colours anddeep textures easily withoutbeing forced to change theentire décor of the room.Siddharth by MKC, thedesigner label of Interiordesigner Monica Kamal haslaunched an exclusive &spectacular range ofcushions which providegrandiosity and style to yourrooms.The cushions from Siddharthby MKC have been launchedconsidering the latest trendsin home furnishing as well asthe comfort of the users. Thecollection is inspired by lace& laser cut leathers, thelatest amongst the upcomingdesigns. Select fabrics ofvelvets, chenille’s, texturedand patterned in bright huesof black, golden, beige, offwhite, grey have been usedin designing this beautifulcollection. The range willradically lift the room awayfrom plainness and infuse itwith a wonderfully whimsicalair.Price: On requestSpaces Home& BeyondUnveils LatestSpring-SummerCollectionSPACES Home & Beyond– the retail Home Textilefashion brand by WelspunGroup, has launched itslatest Spring-Summer 2015collection. The collectionoffers a wide colour paletteand set of textures which isseen in each category.SPACES Home & Beyond -Boho Chic categorycollection showcasesmélange stripes and checksthat are inspired from watercolours and inks. TheYouthopia Denim displaydobby and jacquard patternswith lived-in denim feel,coupled with trendy 3Dengraved look and casuallythrown together with digitallyprinted pillows. The newseason’s collection bringsfloral prints. It is a pleasingcombination of rotary anddigital prints that has a dualtone on space-dyed fabric.The Ruyal categorycollection is made for theluxury connoisseur. Therichness of the collection isenhanced by 3D engravingand lavish embroidery withintricate prints.Patented Hygrocomfort rangeof bed-bath-rugs has theunique breakthrough hollowcore Hygro Cotton®technology.Zynna LaunchesSummer FabricsZynna, famous worldwidefor its wide rangingcollection in fabrics rolls outits new “Summer Fabrics”collection. The new range ofSummer Fabrics depictsserenity and tranquillity andhas beautiful range of prettyprinted floral teamed withfine country stripes andpolka dots. The collection isinspired by countryside andEnglish gardens and reflectsan enchanting study ofmeadow flowers, hedgerowsand woodland trees,reminiscent of the EnglishCountryside. The collectionpromises comfort with variedrange of soothing tonescomprising of chalk, pastel,blue, lavender, magenta,pistachio, ruby, ocean andcayenne. With a versatilepalate of soft natural shadesthese fabrics work togetherbeautifully to create anindividual interior. Thecollection comprises ofsoothing and composed lightshades which gives greatease and relaxation to eyes.The new range contains avaried collection rangingfrom curtains, cushions,blinds to bed covers. TheSummer Fabrics are rich infloral patterns and have aperfect blend of eleganceand affluence giving a softand smooth touch to a roomcreating a light ambianceperfect for the season.Architecture Update July 2015 015

new launchBaaya Bringsthe Magic ofGondwanaForests intoInteriorsBaaya brings a uniqueoffering- high qualitydesign skills that seamlesslycombine with master artisanskills to create the moststunning and distinctivemurals, art pieces, furniture,lighting, home accessoriesand more for your interiors!It offers Indian cultural artand handicrafts in authenticand customized forms. Thedesigns are customised,based on themes, coloursand sizes while the artisansproduce it under an expertsupervision. The innovationuses new finishing materialsthat ensures long life anddurability of product.The range includes a centretable, 3 nesting tables, acorner cabinet, a side cabinetand a bench. Completelycharming and also veryfunctional, this range is adelight to have in your space.Every piece is customisablechangethe artwork or thecolours as per the need.The furnitures are handpainted and made withSheesham wood, the playfulrange has carved legsinspired by the forests. Theartwork is painted by amaster artisan, on a tintedwood base and then coatedto provide a stain proof andresilient surface.Steelcase:Think ChairThe Think chair is anergonomic office chairthat senses body needs. TheIntegrated LiveBackSystem conforms to bodyand moves with change inposture. It features anadvanced weight-activatedseat for comfort with respectto support and shape of theback. Pressure map testinghelped Steelcase design theback flexors to providedynamic, continuous supportfor back. The Think chair’sweight-activated mechanismallows to recline withoutleaving an ideal vision andreach zone.Smart Simple Sustainable Back flexors track with thenatural shape of spine arelinked together forintegrated and prescribedmovement. Adaptive arms move in fourdirections for personalizedarm support. Adaptive bolstering in seatcushion allows comfortshape, support that canadapt body postures. Smart seat depth allows theseat to be positionedforward or backward Available in 3D Knitfabrics. Flexible seat edge flexesdown to relieve the back ofthe legs. Think, an environmentallyfriendly,lightweight officechair, consists of up to37% recycled material andis up to 98% recyclable.For more details, visit:www.steelcase.comThe GreatEastern HomeIntroducesSplendidRange of BedsThe magnificent new rangeof beds introduced byThe Great Eastern Home isdestined to provide a royalexperience. These periodstyle beds are now availableat The Great Eastern Homein order to add majesty andopulence to the abode of itsconnoisseurs and patrons.Four Poster Bed: The fourposter bed available at TheGreat Eastern Home will takeyou back to the time of theroyals when placed in yourroom. The intricate designsexquisitely hand-crafted inBurma teak wood- BurmeseArt Deco make this bedexclusive.Brass Bed: If you are lookingout for something elegantand classic to sleep upon,then the brass bed availableat The Great Eastern Home isit. What makes this bedexceptional is its durability.This colonial style bed madewith brass will last you forages and generations andnever run out of fashion orstyle due its simple andclassic design.Queen Size Bed: This is areproduction piece thatsymbolizes the richness ofArt Nouveau style with itsstunning designs intricatelyhand-crafted on Burma teakwood.IDUSLaunchedCoffee TableCollectionThe coffee table creates afascinating effect on theinterior décor of any place.Keeping this in mind, IDUS,the luxurious brand of highqualityfurniture haveintroduced the most stylishand designer range of CoffeeTable at their Kirti Nagarlocated store that showcasesinnovative interplay ofindigenous materials likeresin, marble, wood, glassand metal. Also, it includesthe tables that have roundtops which appear to floatand features a uniquecombination of glass, woodand stainless steel.PRODUCT DESCRIPTIONAdone Transforming ideasinto stunning designs, thisadorable coffee table flauntsa marble top and roundstainless steel base designedlike connecting bubbles.Apollo 138 A A coffee tablewith elegant and pure forms.The tables have round topsthat appear to float andfeatures a uniquecombination of glass, woodand stainless steel.Manhattan A traditional chestdesign for plentiful modernstorage. The stainless steelbody with leather trimmingsupports a smart lockingsystem.Price: On Request016 Architecture Update July 2015

new launchBleu ConceptsIntroducesComfortableSmart KitchenBleu Concepts, known fora wide range of kitchens,wardrobes, furnitures andstorage solutions recentlyintroduces comfortable“Smart Kitchen”. The SmartKitchen is an outcome of anadvanced and updatedtechnology created bytechnical expertise. TheSmart Kitchen stands out inits quality and durability asmaterials like veneer andlaminate are used to give itan appealing feel. The kitchenis designed in a very flexiblemanner allowing sufficientstorage space belowcounters accompanied withopen space giving it acomfortable look and thepulling counters are also veryfunctional.The kitchen is designed in away to give great ease to itsusers as it has a low heightcounter accompanied withsitting area giving it aspacious look. The modularkitchen is designed keepingin mind every minuterequirements, it has a coatingof white paint to avoid rust tosettle in, giving it a verystylish and elegant look.Price: On RequestGrandeurIntroducesCreta Frame byDel TongoGrandeur is proudlyannounces the additionof Del Tongo’s Creta FrameKitchen Collection to its wideselection of aestheticofferings for Indian homes.Inspired by Andalusian living,the collection is craftedusing natural wood veneerand brings the tranquility anduncluttered feel of theSpanish South to Indianhomes. Designed by theCentro Ricerca e Sviluppo atDel Tongo, the selectioncomes in natural woodveneer and lacquered openporeveneer. The designreflects Andalusiansensibilities with its focus ona sober look, large-yetproportionedsections and adiscreet presence in thebackground. The geometriccabinets have a thin, minimalframe around the door andcarry a subtle, yet distinctcharacter. With itsintentionally soft tones andbalanced, minimal look, thecollection is made forrelaxed, uncluttered living.The design of the collectionpromotes minimalistic livingwhile intelligently concealingminute high-tech details thathave been engineered tomake working in the kitchena creative, efficient andsmooth experience.Del Tongo products areavailable exclusively atGrandeur showrooms acrossIndia.GROHESensia® PurestWellbeingGROHE offers a uniquerange of productsdesigned to help preservethat wonderful feeling offreshness and cleanliness allday long. Four differentGROHE Sensia® productlines harness the power ofwater for a gentle and naturalpersonal care. These showertoilets raise the bar forhygiene and comfort, helpingusers feel clean and at easeevery time, all the time.GROHE Sensia® IG includean innovative seat-mountedcontroller with a user-friendlyturn-and-push function aswell as a highly advancedtouch-screen based remotecontrol unit.GROHE Sensia® Arenashower toilet offers the mostinnovative features such asan air-infused shower spray,a rimless bowl, automatic lidopening and, in the case ofthe floor-standing model,automatic flushing andrinsing using GROHE sensortechnology.GROHE Sensia® PremoThis enables users to listento relaxing sounds whileenjoying the soothing watertreatment. A heated seatcompletes the picture.GROHE Sensia® CBSThis floor-standing showertoilet is packed with thelatest in Japanese technologyto deliver the most userfriendlyshower WCexperience.State of the ArtMemoriaCollection fromVitrAVitrA, the leadingbathroom solutions brandof Eczacibasi BuildingProducts Division in Turkeyintroduces its latest MemoriaBlack series. The series isdesigned by the worldrenowned designerChristophe Pillet.Slim profile, gracefullyangular forms and with amasterful play on nuances,the series’ components arecomplemented by smartlythought out details, addingup to an exclusive bathroomexperience. A rich variety ofmodules in different sizesallows to mix and match theunits and position them theway you want.The open shelf unit ofMemoria Black smoothlyrevolves on its hinges toreveal a mirror on its backside. Tall and slender, thedual purpose unit cuts acontemporary figure in itstasteful combination ofpatterned oak and matteblack. Wide full extensiondrawers provide ease of useand ample storage space.The functional details adddistinction to the series witha touch of advancedtechnology. The deluxe antifog mirror is a fabulousconvenience for personalcare after a shower.Architecture Update July 2015 017

Post eventrat[LAB] Embarks Upon Educating‘Computational Design’ in Indiarat[LAB] Education, a computational design workshop,was held at Indian School of Design Innovation, ISDIParsons Mumbai from 23 rd to 25 th of June 2015.rat[LAB] Education, in association with Super-Architects(S//A) (USA), is an initiative by rat[LAB] to start a newdiscourse in architecture and parallel design disciplineswith the use of computational design and its varioussubsets. The program aims to ‘fill the void’ through‘computation’ and its numerous techniques andmethodologies.The studio/workshop was designed as a 3-day eventcomprised of technical tutorials, teaching sessions andpresentations culminated in a symposium, round-tableconference, open discussion with leading and emergingprofessionals that demonstrate computation, parametricdesign or alternative techniques in their work, practice andacademia.Diverse participants made their presence in the studio, fromundergraduate students to professionals in the field ofarchitecture and construction. The studio was intended forthe participants to explore opportunities of usingcomputation as problem solving method, form-finding tooland spatial organization technique. At the end of anintensive learning of the tools and its parameters, theparticipants were disclosed to the design brief to research,identify and examine a ‘void’ in the city at any of the twoscales: architecture or urban. A systemic level idea was tobe explored and experimented computationally to ‘fill thevoid’ in a number of potential interpretations. The nature ofthe studio was experimental and open-ended with a specificagenda of using computation in the Indian context. Inaddition, the participants were asked to furnish a tentativefuture scope in all experimental projects developed in thestudio. The brief was flexibly structured for the participantsto identify the voids in existing built fabric, interstitialspaces, open spaces, connecting street networks, redundantfaçades, etc. However, a clear concept of data-selectionand usage had to be demonstrated in the projects.The series of technical sessions and lectures by Ar.Sushant Verma from rat[LAB], Ar. Dhruv Seth from StudioNode, Nitant Hirlekar from Mutation D-lab, Ar. SameepPadora, Ar. Julien Liehard on the use of computationaltechniques through Grasshopper and the ways to integrateit with architectural and urban systems gave a deeperinsight of the infinite possibilities of its application acrossthe domain of architecture.The participants’ design exploration with these techniquesranged from retrofitting the existing façade to rejuvenatingthe city (Mumbai) fabric in close observation to the city’scontext (tangible and intangible). The participantsshowcased extraordinary skills in using this technique in apractical application in a span of 2 days intensiveworkshop which concluded with an award ceremony whereall the students were given participation certificates.rat[LAB] Education aims to spread this knowledge across 4other cities in India– Chennai, Bangalore, Chandigarh andNew Delhi– scheduled between 01 July and 08 August,2015. This month long tour culminates in Delhi andselected works of 125+ participants across 5 cities will beshowcased in an exhibition in the capital. Acompendium/book will be published later in 2015 tohighlight the experimental work carried out in this tour.For further information, visit: www.rat-lab.org 018 Architecture Update July 2015

In Focusfuturistic design‘DEYA’, floating sky sculpture by Forum GroupThe country is gearingup for a futuristic faceliftwith architects mouldingand reshaping it withtheir magic wand oftechnology and software.The economic realitiesare collaborating withcultural and politicalexistence to shape abetter living. The makeshiftin architecture hasbrought new avenuesinto existence whetherit’s innovation of buildingmaterial or high-endamenities. So howprepared are we toaccept this new dawn?Space, Shapes and TechnologyAlma Odil"We shape our buildings; thereafterthey shape us."- Winston ChurchillTransformation has begun. With thecurrent pace of development, thecountry is witnessingextraordinary works in architecture--innovative ideas marking a newbeginning. With new technologiescaving in process, execution is gettingupgraded for better results and toachieve sustainability which is thecore of architectural practice today.One of the manifestations with regardsto software and digital design is that ithas made possible to conceive builtforms of complex design which wouldnot have been possible a few yearsback.Of late, in India, architecture is ajourney of experimentation. It is an aweto see how architecture is concretizingthe world in manifesting the physicalstructures to address every minuscule ofhuman activities, conjuring itsimmediate context. Primitively, thefunction of architecture was merely ashelter. But with the technologicaladvancement and paced updevelopment, it’s becoming a valueadded amenity. Flamboyant structures,limited to abroad, beautifying theskyline of a city has transmuted even toIndia. New technologies, stimulatingevolution in the design process, areopening doors to a monumental shift inarchitecture. Looking back at residentialarchitecture, in particular, one witnesseshigh rises with value added amenitiesundergoing metamorphosis at a greatspeed. And realtor's are collaboratingwith architects nationally andinternationally to give the best to theend-users.Parallely, the explosion in robust 3-Dmodelling software and materialfabrication are enabling the realisationof alien architecture which, until now,were restricted to the digital realm.Kolkata which was dotted with manyhistorical buildings and colonialarchitecture, recently received a face-liftwith one of its kind realty projects byForum Group which has roped in Ar.Khoo Peng Peng and Belinda of ArcStudio and Structural Designer Dr.Hossein Rezai Jorabi of Web Structuresfrom Singapore. The project brings anidea of luxurious three floored skybridge ‘DEYA’ to the ‘City of Joy andPalaces’. Loaded with best amenitiesand great design detail, it’s all set topave the way of futuristic architectureand mark a benchmark in design. Thestructure and form of the Deya is amilestone in the evolution of modernstructures. Ar Peng Peng mentions, “Theway for city to grow is to become morecompact to a greater density but in asustainable and renewable manner soone reduce energy intake and at thesame time create new possibilities thatare exciting.”The built environment, with all itsvarious manifestations, it’s important toperceive how we treat it over merecomplementing its beauty. Architects arebeing impelled towards shaping ahealthy built environment. And thuseducating the public towards holisticecosystem.The architecture today is capable topromote economic development in acommunity and in the country as awhole. If we are able to successfullypromote redevelopment with rightincentives and apt policies, we can turnaround the economic and physicallandscape of the society, extensively.According to the changing trends in thebuilt forms, the designing andassembling of neighbourhoods, townsand cities are scaled intelligently to theenergy and economic realities of thefuture to co-exist in a meaningfulrelationship.Norms on which the buildings are beingconstructed today-- programmatic orenergy based performances-- is acollaborative effort of the government,the society, the client and the architectsto bring about a radical shift in thesustainable approach.Metamorphosis in space and shapedesign with cutting-edge technology willbe the benchmark for setting newrecords in architecture. The advancedknowledge and expertise has alreadybrought the impossible home. Withyoung minds at work and guidance ofexperienced brains the country is all setto delve into futuristic architecture. Architecture Update July 2015 019

Let’s talksmart cityWhat’s a Smart city, according to you?Smart city implies to a bottom-up approach in shaping the society. It’s notmerely a technology-driven approach. Smart city, in fact, doesn’t meananything or means a lot of things. For instance, a few IT industry dealswith data to manage traffic impediment and enhance safety and security;it’s a collection of data to enhance the survey. Placing CCTV in a citydoesn’t make it a smart city. As an architect, smart city coins to a muchmore micro aspect of living. It’s a place where people can have healthywell-being. And well-being starts with a primitive approach of efficientand effective water supply, waste management, proper sewage system,and adequate power supply.The Future of HumanityLies in CitiesArchitects Francois Roux and Arnaud Devillers from2/3/4/ Architecture made a week-long journey toIndian cosmopolitan cities– Delhi, Chandigarh andMumbai– to make a study of the existing urbanpattern, to witness socio-cultural background, and tounderstand economic and political scenario of theexisting cities. As a part of AFEX, a non-profitorganisation of architects, designers, surveyors andindustrialist who pool their experiences to promoteFrench savoir-faire throughout the world, the Frencharchitects observed the city chaos to untangle themand work in line with PM, Narendra Modi’s, petproject– 100 Smart Cities. In a view to design 100Smart Cities in India, the architects share theirthoughts/plans with Ar. Apoorva Nandish to thecoming years of collaboration between India andFrance in envisaging the PM’s Smart City program.How do you compare Indian cities to that of France to coin a Smart city?Both are highly distinctive countries, in terms of demography, geographyand socio-cultural precinct. However, in France, we term Smart cities toSustainable cities. Our approach is towards mankind in a builtenvironment, and we believe that sustainable city comprise of manylarge smart cities. The term ‘Technology’, as referred to Smart, construesto a broader perspective of living culture in our context. For us,‘Technology’ apprehends to sustainable development– economicpurpose, social purpose and environmental purpose, and sustainableneighbourhood– rainwater management, cultivating landscapes,innovative methods to adapt passive techniques and cultivating localvegetation. So why refrain ourselves from being just a tech advancedcity/country?What according to you should be a primitive (yet pivotal) step towardsplanning a Smart city?Since an urban development is to the society (present and futuregenerations), the approach must be people-centric. In India, as far as Ihave understood, it’s a tricky situation to handle. To begin with– citieshave thick urban fabric, chaotic networks of a transportation system,major hurdles with basic amenities and lack of regulations. Here the landvalue is at sky-high and is regarded to one’s stature. For instance, it’sstrenuous to develop an infrastructure plan for effective publictransportation as most of the land is acquired by either landowner or byprivate sectors– lacks government control over the chunks of urbanscapetowards development. Perhaps the solution is to find a way to a type ofdeclaration of public interest for an efficient and effective work progress(organisation).How do you envisage sustainable infrastructure and urban developmentin Indian dense fabric? What is your proposal?Some ‘basics’, existing worldwide and for centuries, have been forgottenin recent decades!Density, which is admittedly one of the keys for sustainabledevelopment (land and network saving, local services) can, in ourChandon-Republique Eco-neighbourhood, Gennevilliers, FranceCampus, Paris, France020 Architecture Update July 2015

Trading Rooms for the Societe General Bank, PARIS-LA Defense, France“Cities are crowded, definitely; you have a bigtraffic problem, obvious– effectivetransportation system is the need of the hour.”opinion, only be ‘acceptable’ if compensated by generous public spacesfavouring human exchanges but also able to accommodate tomorrow’scity evolution.In that, Chandigarh’s urban structure seems a very fit proposal– thedimension of public spaces will easily integrate public transportinfrastructures. As for Chandigarh’s generous vegetation cover, it notonly favours biodiversity but also passively helps to regulate temperatureand storm water management to limit impermeable soils favouringwater runoff.Regarding the building scale, traditional Indian architecture has inventedventilation systems, protection devices for façades and reinforcing inertia.All that must be restlessly reinvented in a constant view of economy ofmeans, energy and without necessarily a use of technologies. 2/3/4/, a dynamic group based on individual talents, was founded in 2000.2/3/4/ unites the experience of three French firms that, since the early1980s, have paid particular attention to new lifestyles that demand a returnto simplicity and the basics. 2/3/4/ defends the luxury of a lifestyle thatseeks out well-being. Made to measure, each project is an opportunity fora study that makes it unique whether in terms of sustainable development,typology or construction system. Just as the glassblower, 2/3/4/ buildingstake their shape from the inside. Like clothes, their envelopes protectwithout restricting movement. Like a landscape, they change over time.Even before the selection of construction materials, 2/3/4/ favours the onlyreadily available raw material– light. 2/3/4/ believes density is the majorcomponent of the city. Their expertise on the permeability of buildingsallows such alchemy to transform ‘density into intensity’. 2/3/4/Architecture is accolade with several awards: The Silver Pyramid Awards,CAUDE du Doubs’ Regional Architecture and Development Award, SIMIAwards; a few to name.International High School & Boarding School Campus, Paris, FranceBNP-PARIBAS Bank Headquarters, Nanterre, FranceArchitecture Update July 2015 021

Let’s talkcomputational designWhat, according to you, is the role of digital architecture in theIndian construction industry?‘Digital Architecture’ is an obsolete term which is thoughtfully replacedby more specific and rational terms such as ‘Computational Design’ and‘Parametric Design’, among others. If we talk about constructionspecifically, within the vast domain of computation, the role of ‘DigitalFabrication’ would be at the forefront of the discourse. It is a graduallyevolving field in India when it comes to large-scale implementation.However, I believe that digital fabrication can be smartly used in smallscaleas well as large-scale constructions without hindering the deeplyembedded manual processes– undertaken at some of the hierarchiesof construction workflow.The World ofNew PossibilitiesThe technology has geared up in every possibleniche domain that humans are acquainted with.Architecture and construction industry are notmaiden to it. But this--Computational Design--needs to be boosted to reach out to the public.Ar. Sushant Verma from rat[LAB] makes an intensediscourse on this subject in a brief conversation withAr. Apoorva NandishFor instance, we are parametrically designing a part of the façade tocreate an aesthetically dramatic effect while optimizing buildingperformance and fabrication cost. A differentiation among members offaçade is being parametrized through an algorithm that calculates therunning length and cost of various building members. This allows us tochange the base parameters (such as angular variation, dimensionalshifts, etc.) and study its changing effect on fabrication cost andenvironmental performance. We integrate multiple platforms toevaluate the results in real-time, as we change the influencingparameters and create a range of designs– allows to choose anoptimum design for the façade.Parametric design is a way of approaching sensitively towards theecosystem. What's its longevity in the Indian scenario?Parametric Design is a methodology of designing where all elements ofdesign are mutually dependent and variable in nature. Its relationshipwith the environment is same as of any non-parametrically designedentity. How we use parametric design techniques (and other subsets ofcomputational design) with respect to environmental factors isdependent on designer’s intent and conscience. An emerging practicein the Indian context and a deeply embedded practice in the globalscenario, I see it as a way forward if we need to design and buildrationally. Once students and professionals become truly aware of thepotentials of this design methodology, it is likely to last as long as anylogical methodology. And with constantly changing environmentalconditionals, locally and globally, one has to resort to smart ways ofdesigning where our build environment is adaptive to changes.Parametric Façade for Molded Dimension Factory, Gurgaon, designed by rat[LAB] in collaboration with Design Plus, New Delhi022 Architecture Update July 2015

Parametric Façade for Molded Dimensions Factory: A computational workflow is followed in design process to extract fabrication data andenvironmental analysis of façade parametrically.Parametric Façade for Molded Dimensions Factory: A computational workflow is followed in design process to extract fabrication data andenvironmental analysis of façade parametrically.What are the complexities in executing these works in India, comparedto the same abroad?India, being a rapidly developing nation, has its own set of challenges.The biggest challenge of executing such works in India is the resistanceto ‘new’ or ‘alternative’ techniques and methodologies. There is nostrong educational setup that teaches a rational use of state-of-the-artdesign technologies. Although very few in the industry are using it inpractice in a rational way, things are likely to improve as more designersdemonstrate their works on the larger canvas. Complexities of thisnature don’t limit India alone. Even outside of India, we have our ownchallenges from time to time– use of computational techniques, widelyused in the global market, will gradually pick up pace in India as peoplestart to understand its true essence.step by step process of Façade development for Gopal Das BhawanWith an illustration, can you kindly brief us the works undertaken byrat[LAB]?Very recently, to demonstrate the environmental potentials of a façadesystem we designed, we made a demonstration on an existing high-risein New Delhi– Gopal Das Bhawan located in Connaught Place. Sincethe convex shaped frontal of building faces southwest, it receives amajor component of its light and heat (solar gain) from this part of thefaçade.Cellular Morphology Façade, an ongoing exploration by rat[LAB], isdigitally retrofitted on S-W façade of the tower and consists of multipleunique components of hexagon topology. The hexa-grid system iscontrolled through an algorithm that alters its density and attractionduring the concept design stage. Six prominent functional zones arespeculated as attractor points on the façade that become the firstparameter of control and Solar insolation analysis on existing S-W façadebecomes the second guiding parameter. With the new morphology ofthis retrofitted façade, local angular variations are introduced that canredistribute the sunlight in a differentiated manner on the buildingsolar insolation analysis: Comparison between existing and newfaçade systemArchitecture Update July 2015 023

envelope. This can potentially change the way buildingis heated up and gets daylight in the interior spaces.Light, heat & visibility of/from interior space can now beoptimized as per user requirements, adding a locallyembedded intelligence in the new façade geometry.These parameters can be tied up with LEED / GRIHAfactors so as to work well with the industry norms too.Technological advancement has led to severalarchitecture apps for one's ease of work. This, parallelly,has affected student's work culture. What's your take onthe educational modules in this industry?Rapidly evolving technology is affecting designdisciplines. However, education models tend to lagbehind at times. This is exactly what is happening inIndia as it is difficult for educational models to refreshwith this fast pace. There are students who like to gowith the pace of the discipline at a global level, buteducational models do not allow such flexibility often.This has led to a number of situations, one of it beingan unguided following of parallel educational platforms. The exchangeis limited even with the best of communication facilities we have todayand this leads to a slight chaos in students’ work culture. To overcomethis and to move with the pace of changing ‘design technologies’, neweducational models need to emerge that are adaptive to changingtrends.How does rat[LAB] contribute to the changing education system?We are launching rat[LAB] Education in India, which is an educationalcell focused on encouraging an ‘open studio’ culture with its core in thedomain of computational research. The platform is adaptive tochanging technologies (especially in the field of computation) andencourages inter-disciplinary studio activities. Our first large-scale eventemerging from this is ‘Computational Design Tour INDIA // Filling TheVoid’, where various organizations and institutes from the UK, USA andEurope have collaborated with us to push some novel ideas in India. Ifsuch studios form a part of the educational system in India, we areanticipating a quick change in the existing educational models too asprototype of Cellular MorphologyFaçade exhibited at AllianceFrancaise de Delhi, February 2015.there are a number of design institutes in the countrywilling to explore new domains.How do you evaluate (potential) this technology inshaping our urban fabric?Computation can be used in a number of ways as wemove to urban scale projects. A rational approach towardsurban design and planning would integrate a number ofsimple and complex factors. An example from one of ourprojects would be a Master Plan, in a highly contouredterrain close to Shimla, done in collaboration with a Delhibasedpractice. We used computational spatial analysistechniques to optimize views, inter and intra-site visibilityand road networks, among other parameters. This allowedthe planners and other decision makers to wisely distributeproject attributes across the site. Environmental factors atan urban scale also formed a part of the process to designan urban development which is optimized for variousaspects. When we talk about smart cities and urbanintervention, computational techniques and processes canaid in taking rational steps at a large scale as well. In years to come, it willform a common practice among urban planners, transportation plannersand policy makers to yield smarter urban fabrics.Sushant Verma (M.Arch. Em.Tech.– AA London, B.Arch. SSAA New Delhi,MCoA India) is an architect and computational designer, currently leadingresearch organization rat[LAB]- Research in Architecture & Technology. Formerarchitect at Zaha Hadid Architects, London and a Sr. Editor at Arch2O, he isinvolved in education for computational and parametric design through rat[LAB]EDUCATION, which he founded as an initiative to spread the idea ofcomputation in design profession and academia. Recipient of MAK SchindlerAward from Vienna/Los Angeles and a finalist for AIA Emerging LeadersFellowship from Chicago, his work is widely published and exhibited in London,Los Angeles, New York, San Francisco, Taipei & New Delhi, among other places.He was recently shortlisted in New Delhi among 5 architects for ’20 under 35’Exhibition at Alliance Française de Delhi.computational spatial analysis for Dakshaa Master Plan in association with Neeraj Manchanda Architects, New Delhi024 Architecture Update July 2015

Villa Designmeticulously designedSymphony ofLight and ShadowText courtesy: the architect, Photograph courtesy: Krishan Kumar TiwariThakur’s Villa, Dehradun, Uttrakhand, NA+P ArchitectsSagar Nagpal and Bhawna Pargain Upadhyay are thePrincipal Architect and Founder Partner of NA+PArchitects. Sagar graduated with a distinction in hisArchitectural Degree from DIT Dehradun and duringthe course, he has won numerous National and Statelevel design contests of repute. While doing hisgraduation he got associated with two renownedarchitects in Dehradun for 3 years and in New Delhifor two and a half years and has worked onnumerous small and large projects.Bhawna graduated in B. Arch with Honours and bronze medal from DIT Dehradun, has won Nationaland State level design contests in a team of 2 with architect Sagar Nagpal. During her Graduation, sheworked with a few established firms in Dehradun for 2.5 years wherein she led various design projectsof diverse nature.Thakur’s villa, nestled in the hills ofDehradun, Uttarakhand designed by NA+PArchitects is an interior design project for anewly renovated project displays the hide-nseekof light and shadow, plain and roughsurfaces, open and closed spaces and thechemistry between the ingredients of spacemerge to create a playful tempo.Architecture Update July 2015 025

this newly renovated house of 4,800 sq ft. (446 Sq.mt) amidst‘‘queen of hills’’ in Dehradun is a clever interplay of light andshadows, plain and rough surfaces and open and closedspaces. Shadows as well as lights are buildings’ most importantelements and the building envelope is divided into two halvesof solids and voids while the void/perforated DuPont jaali takesadvantage of changing light patterns throughout day, at night thedrama is created by carved out backlit DuPont wall on façade andboundary wall.Internal spaces are rich in texture and views; a peaceful entrance withBuddha sitting against a rough textured wall is enhanced by strongV-column in steel and light showering from skylight on top while atnight the play of lighting highlights the entrance. The strong white wallcomplimented by light beige flooring dominates the interiors withplay of material and colour pallete, enriching the spacechandelier brings down the volume to the human scale026 Architecture Update July 2015

spatial continuity between spacesvisual extent of dining areastrong contrast created by rustic stone walls and elegant woodenpanelling adding warmth into interiors. The internal arrangement isclear, straight forward and organised by dividing it into 3 zones: formal,informal and sleep areas spanning into 2 levels.The ground floor contains all common areas with lavish drawing anddining room opening into family lobby connected to 3 luxuriousbedrooms having uniqueness of their own while the master bedroomis dominated by white colour, be it floor or ceiling with a hint ofVictorian feel. On the other hand, daughter’s bedroom reflects theconcept of floral patterns in wardrobe, ceiling and bathroom. Guestbedroom is provided with a beautiful skylight and a four post bed ingold standing out against the rustic stone wall. The drawing room hasa strong vibrant highlighter wall in gold beige tile having a fireplace added to enhance aesthetics and is lit by two dominatingblack chandeliers complementing the black portho stone console andblack outlines of classical style furniture. The dining room isconnected to drawing room and family lobby through a small stretchof gallery highlighted by collage of family portraits. The lobby has gotlong stretch of wood and stone panelled wall merging the doorsand pooja room all together to create dominant yet subtle and warmfocal area.A generous double height family lobby is overlooked by an internalbalcony upstairs featuring party lounge working as a common area forsons bedroom, home-theatre and landscaped terrace at rear. The diningand the lounge at first floor has same flooring pattern resulting intodefining the space to place furniture and let it not merge with theflooring of same tone as of furniture. Sons bedroom is been kept soberwith ceiling being the dominant feature and balcony in frontoverlooking the garden below at the same time flooding the room withnatural light and shadow casted by DuPont jaali in front facade, alsoprivacy being the major concern the DuPont jaali acts as a barrier inhaving direct eye contact between the trespassers on the front road andperson sitting in the balcony. Son’s toilet has got backlit onyx floor so toavoid blackout at night.Terrace on the rear of first floor consists of CNC backlit bar counterhaving canopy of glass roofed wooden pergola in order to enjoy drinkseven in monsoons; an elegant water feature vegetated on either sideskeeping the terrace green and natural at the same time maintaining theprivacy from neighbourhood. The water feature is enhanced by a raisedIPE-decked floor adding perfect contrast to semi matt finishedkaddappa flooring and serving as a dance floor during small gettogetherparties.fact file:project : Thakur’s Villalocation : Dehradun, UPprincipal architects : Ar. Bhawna Pargain Upadhyay & Ar. Sagar Nagpaldesign team : Sagar Nagpal, Bhawna Pargain Upadhyay , KaranArora, Ritu Vedwal, Isha Sehgalsite supervision : Amarjeet Singh & Gurmeet Singhduration : 18 monthscommencement date : 19 May 2012completion date : 20 Nov 2013built-up area : 4,800 sq ft.cost : 2.25 Crspatial enhancementCNC backlit bar counter on the terraceArchitecture Update July 2015 027

Residential Designplanes & volumesArambol House is a celebration of freedomwhich consoles quietness. Designed byPlaygroup Studio, the house is anexpression of geometric design. The houseincorporates straight lines with open spacesto give occupants the spirit of freedom. Thehouse stands tall like a stallion with thegreen terrain in the backdrop.Text & Photographs courtesy: the architectDesign IntegrityArambol House, Om Kairos, Goa, Playgroup StudioHaving acquired immense knowledge and workexperience from different parts of the world, HarshPatel and Bhavana Hameed, of CEPT University,Ahmedabad, set-up Playgroup Studio in 2009 atSangolda village, Goa. Harsh and Bhavana have bothworked with artist Ai Wei Wei on his architecturalprojects at Fake Design, Beijing, China. Apart fromthat Bhavana has also worked with ECG, Dubai +ECG, Cairo and HHF Architects, Switzerland.The primary concern of the studio has been to develop an architectural type by arrivingat a critical balance between the rules and the freedom afforded, to generate a play,within the structure. The practice refrains from providing technologically advancedsolutions but rather strives to develop innovative economical approaches through theuse of prevalent techniques of construction. They believe this to be more relevant to theIndian context, having a much larger factor of adaptability within the society. Severalother aspects like graphics, furniture, signage, installations, etc. are also addressedthrough collaborations with various other individuals to arrive at a holistic expression.028 Architecture Update July 2015

uilt for a lady, having a fiercely independent spirit, this house stands isolated onan undulating hilly terrain of cashew trees in the northern parts of Goa. Theprogram was to create 4 relatively independent rooms, each having its ownprivacy with a common shared living and kitchen area. Two of the rooms wouldhouse guests, while, of the remaining two, one would be used by the owner andthe other by her daughter. The plan consists of two blocks of rooms connected on eitherside of the staircase, with the living and dining areas opening on to the private courtyard.Openings are oriented to prevent direct sunlight from entering while providing expansiveviews of the valley around. Windows are located such that each room gets complete privacyfrom the other areas of the house, except the daughter's window which can be looked intofrom the mother's. Circulation across the rooms is designed such that each gets connectedto the outside without having to pass through any common areas. This allows the owner tomaintain various levels of control and privacy between the rooms.The idea was to create a pure geometrical object standing independently against thecontrasting background of verdant undulating hills, inclined roofs being the result of a localbye-law making it mandatory for all houses to have 'sloping roofs'. Water is channelledthrough concealed gutters on the slab and brought down through vertical grooves betweenthe three blocks. The 18mx18m block consisting of all the services– the staircase, toilets,pantries and water tank forms a backdrop framing the other two blocks and the courtyard.The staircase opens out centrally to the east and access to the top is opened out towardsthe West overlooking the courtyard.fact file:project : Arambol Houselocation : Om Kairos, Goaclient : Babita Rajproject status : completed in2013principal designer : Harsh Patelproject architect : Abhijeet Gehlotstructural design : Paresh Gaitondeproject manager : Shiv Zagadecivil works : Maruthi Togaresite area : 300 sq mbuilt-up area : 2,500 sq ftcost : Rs.1,650/sq ftMaterial Specifications:structure : RCCwall : Lateriteflooring : Polished Kadappa Stoneceiling : Polished Exposed Plasterdoors : Marine Plywoodwindows : Aluminiumhandrails : Mild Steelselect walls/floors : IPS - Red/Yellow/BlackOxidepaint : Dulux Weather coatArchitecture Update July 2015 029

Corporate Officetechnology vs materialText & Photographs courtesy: the architectElements in DiscourseREN Technologies India Ltd., Noida,Chaukor StudioTechnological advancement and a wide array ofmaterial palette have found new inventions andinnovations in ‘self’. REN Technologies India Ltd.,Noida by Chaukor Studio demonstrates thesetrails in a most elegant way to the world ofpossibilities even in a niche domain ofarchitectural practice. The symphony between thetwo narrates the company’s profile by aminimalistic discourse.REN Technologies India Ltd. is a service oriented company thatprovides its customers with various design applications ondifferent types of mediums based on the end usage. Theapplications range from creating patterns, textures, CNC jaalis, 3Dprinting, digital printing on paper, wood, stone, tiles, glass etc.The idea is to explore various applications that are provided at RENTechnologies and exploit the same to bring about an inherent characterand reflect the identity of the company within the framework of theinterior design.FUNCTIONAL DISPOSITIONThe scope of the project is spread over three floors (Basement + Ground+ Mezzanine) with the basement primarily used as a storage facility,CNC machine work and small demonstration halls.The ground floor serves the critical purpose of the whole space and isused for demonstration of various products and accessories that aredesigned at REN. The main lobby at the entrance has a double height030 Architecture Update July 2015

Chaukor Studio is a nationally recognized multidisciplinary architecture,interior design and landscaping firm known for developing elegant, ecologicaland economic habitat solutions.We take initiatives in cost-effective, energy-efficient buildings, utilization ofspace that is modest yet aesthetically sensible. The firm works at multiplescales and with various organizations right from private clients to corporates& NGOs. This allows us to deliver experimental and diversified works such asInterpreting Paper folds of origami for the office design of JJ Prints Pvt. Ltd.,a leading printing and publishing house in northern India; innovative use ofbamboo in the office design of Ren Technologies resulting into natural andhumane workspaces.Our design approach is to re-connect architecture with nature, make optimumuse of space, natural materials, lighting & landscape to reinvent and transformliving environments and urban spaces. The attention is to details andcustomization and achieving a balance between functionality, context, climate,material, cost, time and aesthetics.The work done by Chaukor Studio has been recognized time and again onvarious national and international media.Architecture Update July 2015 031

false ceiling ornamented by a combination of wood and metalthat is further accentuated with an elemental cantilevered staircase,suspended light installations, double height exposed brick tile wall anda wood-metal false ceiling. Demonstration halls are created as part ofthe ground floor that further add to the experience of the visitor. Thefloor is supported with meeting rooms, a director cabin and supportutilities.As part of the whole demonstration experience, the mezzanine floor isused for business purpose with conferences and meeting rooms takingup the major area of the floor space. The mezzanine floor is segregatedfrom the visitor’s area and is used primarily by the directors and otherhigh-profile people working at REN.distinct spatial demarcation cantilevered staircase waste beer bottles as a false ceiling032 Architecture Update July 2015

MATERIAL PALETTEThe interior theme uses highly textured walls, bold colour on the floorsand CNC cut screens and boards to design various surfaces. Throughexploitation and experimentation with a variety of mediums, coloursand textures, the identity of the company gets reflected within theframework of the interior design theme. A variety of unconventionalmaterials are used in the design of the office space.Brick tiles are used for the feature wall behind the reception at theentrance lobby that also serves as a backdrop to the displayed artwork.Bamboo is used in the false ceiling to add levels in the spatial volumeof the rooms. The false ceiling further adds a natural texture to theinterior space.Jute ropes are used in conjunction with wood and bamboo that servethe purpose of tying various members and also add aesthetic value tothe template.Waste Beer bottles are used for false ceiling of reception lobby whichadd esthetical properties to the sitting area.Cardboard rolls of different sizes and colours are used to design lampshades that are suspended in the double height areas.Wooden planks from the packaging boxes of all the machinery of RENare re-used in the false ceiling of all the public areas including thereception lobby, conference rooms and director cabins.Fabric screens and Jaalis are custom made to match the overall designof the space and are used as visual partitions for all private cabins.Jaisalmer stone flooring adds a bold backdrop to the overallcomposition.Apart from these materials, conventional materials like glass, gypsum,wood, plywood etc. are used to support and provide detail to the wholetheme.fact file:project : Corporate Office- RENlocation : Noida, Uttar Pradeshclient : REN Technologies India Ltd.commencement date : September 2013completion date : July 2014project area : 12,000 sq ftcost : Rs 1.2 Crbamboo interlaceArchitecture Update July 2015 033

Residential Designaustere spacesVinay Iyengar is thePrincipal Architect atSweven Studio. Hegraduated in Architecturefrom K.L.S Gogte Instituteof Technology, Belgaum in2008. He joined as atrainee at Mindspace,Bangalore and latercontinued there as an architect. During his 5 years tenurein Mindspace, he has worked on Industrial, Residential,Institutional projects and Research Centres under theguidance of Ar Sanjay Mohe and Ar Vasuki Prakash. Afterquitting Mindspace, Vinay established Sweven Studio in2012. His practice is driven by consistent philosophicalapproach and an unwavering focus on analytic evaluationof architectural models, devoid of preconceived notionsand stylistic biases is what sets his practice in the field ofarchitectural scenario.034 Architecture Update July 2015

Text & photographs courtesy: the architectInteriorizedSpaciologyVishnu Chitha, Mysore, Karnataka, Sweven StudioOther facet of urbanisation, less talked about,stands for the structuring of a family, inclinedtowards being more close knit. This epiphanyof ‘self-sustain’ ideology is redefining andaltering the vocabulary of-- spaciology. VishnuChitha, designed by Sweven Studio inMysore, exhibits an innate consciousness ofprivate life.the project sets in suburbs of Mysore, Karnataka, spreadacross area of approximately 5,000 sq ft is West facingbuilt-up plan. This building is an explicit example of, howinteriorized living has become integral and main priority ofa lifestyle which is being adopted for various reasons suchas privacy, nuclear family, self-sustenance etc.The building is divided longitudinally into 2 main zones-- theopen dynamic zone of the lobby, living and dining area on theNorth side which are designed in varying volumes at differentlevels. The private area in the house like the toilets, bedroomsand the kitchen on the South are strictly solid and hermetic.These zones are separated visually but connected physically bythe staircase.Architecture Update July 2015 035

the design of DoubleTree at Ahmedabad, Gujarat by StudioSymbiosis en-wraps waves which are carefully translated intodramatic key spaces on the lower floors, and on the upper floorsthey translate into room grids with focus on standardized roomsizes. These waves emerge effortlessly from the landscapecreating a sense of harmonic relationship with the ground. The profileof the building has been designed with keen emphasis given both tothe smooth transition from the horizontal landscape to the verticalbuilding and to the standardization and repetition of the façadecomponents. The idea of creating a design with soft subtle touches andimbibing a sense of elegance has been installed in the proposal fromthe creation of the form itself. The different functions in the buildingwith different programmatic requirements are blending together thusresulting in this iconic building.The façade is designed as an intricate part of the building. The entirefaçade system feels the reverberation of the slightest of change in theexternal skin due to flux in the internal spaces. This interdependentrelationship between the skin and structure of the building makes thesystem a very coherent one.Harmonious waves of the landscape and the façadeare the focal point of the design proposal forDoubleTree by Hilton, Ahmedabad by StudioSymbiosis. Designed as an emblematic building, theproposal interweaves the concepts of waves innature. The undulating design translates not only inthe exterior façade but infiltrates into the interiorstoo, to give the project a sense of splendour.The entry to the building has been marked with a column less cantileverthat creates a dramatic entrance space. The guests are welcomed by thearchitecture of the canopy that follows the seamless nature of thedesign proposal, emerging from the ground and morphing back into it.The entrance canopy is free standing steel truss with contact points thatsprings from the ground floor beams and then is finished on thecolumns inside the building.On the lower three floors, the proposal consists of reception lobby,shopping area, banquet hall, meeting rooms, restaurants, lounge spaceand service areas. All these elements are tied with a coherent designlanguage of a natural canyon like formations. The spaces are carved outusing the same design principles with which a wave carves out acanyon. This helps in connecting the various public functions into onespace visually which still have the capability of functioningindependently.038 Architecture Update July 2015

The restaurants are located amidst splendid view of the green with afascinating façade wrapped around the restaurants making it a uniqueexperience. The all-day dining is designed in a way to create a moreopen feeling where the buffet would be the main attraction. As well asbeing visible form the main lobby. In contrast, the speciality dining islocated one floor higher with an introvert character. This restaurant isabout an intimate play between the senses, the space and the food, tocreate this sense of very intricate relationship it has zones of small andbigger more private areas.The roof and the last habitable floor house spa, gym, saloon andswimming pool. The swimming pool is located on the terrace withbreathtaking views of the city. Alongside, a sky lounge has also beenprovided for guests to relax, unwind and absorb the beauty of the cityand the building itself.typical stack detailThe design feature emerges from the built form and extends outcreating the drop off canopy. The result is the design element beingpartially inside the building creating the roof of the lobby. The waves ofthe façade break-out into the landscape creating nested programmaticzones in the landscape.The landscape acts as a vantage point to immerse the visitor in thearchitecture of the building and to enjoy the dramatic façade flaring outfrom the landscape.prespective of a foyerfact file:project : DoubleTree by Hiltonlocation : Ahmedabad, Gujarat, Indiaclient : Hirise Hospitality Pvt. Ltd.architects : Studio Symbiosisdesign team : Amit Gupta, Britta Knobel Guptaproject architect : Nitish Talmaleproject team : Adarsh S, Ahefaz Panjwani, Sarah Ather, MariiaNazarenko, Isha Pundir, Akshit Rao.site in-charge : Paras Shahstructure : ACECON Engineers / Jaitly and Associatesfacility managers : HPG Consultancyfaçade consultants : PriedemannFLS : Fyrproteksecurity : Mahindra and Mahindra Special Servicescommencement date : April 2012completion date : December 2015site area : 6,860 sq mbuilt-up area : 24,000 sq m039 Architecture Update July 2015 Architecture Update July 2015 039

Residential DesignrenovationSpread across 3,600 sq ft, ‘TheFragment House’ designed byGaurav Roy ChoudhuryArchitects is an ebullient spatialdesign where variation ofexperiences amplifies withvariations of light and shadow tocreate additional facets in itsexperience. The project epitomizethe old design of the house togive a revitalizing structure.Text courtesy: the architect, Photographs courtesy: Tina NandiWovenFragment House, BangaloreGaurav Roy Choudhury ArchitectsManifestationOriginally the project assigned was to do a minor restoration of a 90’s house and the‘Fragment House‘ was developed into a layered brief from the clients over a duration oftwo years. The client’s requirement was to ‘update’ their house through various layersof brief; these layers were to adjust with each other and yet to form somethingcomprehensively new.THE UPDA(TION):The existing building structurehad haphazard walls and thedivision of spaces were clutteredwhich was changed into asimple layout with a clean plan.Unnecessary areas which wereblocking the symmetry of spacewere removed and utilized forstorage. Any inconsistenciesoccurring were also removedfrom spatial proportions. Thewide passages were made more040 Architecture Update July 2015

Gaurav Roy Choudhury is the PrincipalArchitect and Founder of Gaurav RoyChoudhury Architects. He is an aluminasof K.R.V.I.A, Mumbai. Gaurav has workedwith Dean D’Cruz Architects, Goa;Mathew and Ghosh Architects, Bangalore.His expertise is in architecture, interiordesign, graphic design, urban design andhousing projects mainly in and aroundBangalore. He has contributed to many collaborative architectureprojects and as mentor and teacher for architecture students ofK.R.V.I.A, Mumbai and in R.V.C.E, Bangalore. Gaurav has beenawarded with many awards and accolades.proportionate to their length. The external façade was not touched andit’s daunting presence with large roofs and volumes was maintained asit is to develop a character for the front elevation of the house. First floorwhich was barely used by the couple was updated with new flooringand finishes. The garden was removed and realigned with the entry toemphasize its affinity to the entry more than the car-park area as itpreviously did.THE NEW:The merging of all the layers of work gave birth to the ‘new’ design. This‘new’ sequence derived from the upda(tion) process and breaking ofwalls along with the changed volumes gave a new meaning to thehouse. The ‘weave’, as the architect conceptually called it, is a patternwhich runs through out the house along with the subsequent walls,which defines the parametric and Cartesian changes of the structure.Architecture Update July 2015 041

The sequential walls that run through both the floors were allowed toform a continuity and cut out were made out of it. This allowed sunlightto come into the house and the breeze to ventilate the house.The courtyard came in as an elemental hinge of public and privatespaces and to light up the underbelly of the house as the sequentialwalls towered vertically. The courtyard though majestic in itsconception provides a muted and calm space, which nestles the poojaarea and the meditation space of the house. Pooja room in the centreof the courtyard adds volume and in itself is the most exuberant spacein the fragment house. It sits in the middle of a large space with itsback facing the public spaces of the house and the front, to thecourtyard.The ‘background wall’ takes the edge of the bedroom as they expandinto the passage. It becomes the background to the house for visitorsand the leading wall for the residents, as it moves along the passageand ascends the staircase with its dynamic form and yet calmdisposition. The background wall is barely seen in its entirety. It is usuallyseen in fragments of compositions and elements.The ‘Fragment House’, after its upda(tion) of function and experience,is a house of elements old and new, merged in a new suspension ofexperience. Every step created a new dynamic between the elementsand no global experience exists to sum it up. It’s a variation ofexperiences that amplifies with variations of light and shadow to createadditional facets in its experience.fact file:project : Fragment Houselocation : J.P. Nagar, Bangaloredesign team : Gaurav Roy Choudhury ArchitectscontractorsCivil : LISA and RavikumarPHE : Plumbtech EngineersElectrical : Canara Electricalsinteriors : Interiors Espaniaconstruction period : March 2011 – July 2012area : 3,600 sq ftcost of project: : Rs. 1,11,00,000 (One crore and eleven lakhs)042 Architecture Update July 2015

PRODUCT DESIGNHand-Crafted with LoveThe warmth of an abode is by its elements.Simple yet elegant décor products are handcraftedto express warmth and cosiness. Thevibrant colour, texture and material mergetogether to add tranquillity to the space. Bringhome the freshness of spring and warmth ofsummer mornings.EMBROIDERED POUFFESMeticulously crafted to perfection, thesebeautifully embroidered pouffes adds a spot ofvibrancy to your home. It's graceful design andattention to details makes it appealing to theeye and comfortableaddition to your home.(Price: `2,440onwards)Versha Vohra in 2009, launched‘The Yellow Door’ to best utilizeher attention to detail, ardentpassion and expertise as a plannerand implementer. Armed with anMBA in marketing she dedicatedherself to slowly but surelyrevolutionizing the home décorsegment. Her love for Indianhandicrafts, decorating homes andchildhood memories of her organichouse in a small hill station ofNorth India led Versha on the pathof home designing and decorating.Her desire to be a part of the worldof décor led her to follow her heartwhere her creative instincts andtalents grew unbound. Her aspirations soon began to take shape inthe form of The Yellow Door which was launched to provide stylizedhome décor products at affordable prices. The brand has launchedtheyellowdoorstore.com, an extensive and carefully curated onlineshop for all home décor needs. Apart from this they have a retailstudio in Gurgaon and deliver products pan India.OTTOMANSAdd a touch of grace to your room with thesestunning Ottomans. Beautifully hand-craftedfrom hardwood and given a polished detailing,these work well both as a footrest and as extraseating in smallerspaces.(Price: `2,520onwards)LEAF AND MERCURY GLASS VOTIVE HOLDERSBrighten up your homes with this leaf and mercury glass votive holders. These come as aset of 3 in pink, green and gold colours. Create an amazing magical effect by lighting upthese votive holders. (Price: `1,440)UPHOLSTEREDCHAIRSPerfect for small spaces, thesestunning upholstered chairs will offerunparalleled comfort and superlativestyle. Its extra comfortable premiumquality and hand-crafted finish makesthis chairs one of a kind.(Price: `9,600 onwards)CANDLE HOLDERSBrighten up your home with this unique Red Hurricane Candle Holderor Crystal Candle Holder set. Made sturdy with an aluminium base,these shall lend its elegance to its surroundings, wherever placed,accentuating your settings.(Price: `980 onwards)Architecture Update July 2015 043

PRODUCT DESIGNSujay Das spends most ofhis time fiddling with hiscamera and brainstormingnew ideas as a productdesigner. He is a post graduatefrom NID with a passion forinteriors and design. After hisgraduation in architecturefrom JU, NID opened an arrayof exciting opportunities anda monument of learning scopeand he did it all– from furnitureto photography, graphics toIndian Craft. All over, it was a great experience which helpedhim understand the whole process and discover designdirection towards user centric design and synchronizationbetween design and manufacturing process.Now, Sujay works in the furniture industry. Since 2013 heis a part of Livspace. com (www. livspace. com ), a hotonline furniture & interior start up from Ind ia.(sujaay.d@gmail.com)DHUUN, a collection of furniture inspiredfrom the Indian musical instruments'Dhuun’ is a furniture collection based on Indianmusical instrument. I like to listen to a variety ofmusic from instrumental to Indian folk, bollywoodto western music. It's a tribute to those musicianswho kept me alive. ‘Iktar’, an accent chair was oneof the successful entries of a competition launchby “Godrej Design Lab & Elle Decor(www.godrejdesignlab.com) last year.RUBYRuby chair is inspired from the ESRAJ or DILRUBA. It is a young string instrument by Indianterms, being only about 200 years old.Ruby chair is designed in such a way that the same base (leg & seat) of IKTAR stool can usehere.Material: Rubber wood, lacquer finishIKTARlktar, an accent stool, is inspired from theBengal traditional folk music instrument called“Ekatara”. Ektara is a one-string instrument.In origin, the Ektara was a regular stringinstrument of travelling poets. They are wellknown as “BAUL” in west Bengal, Bangladesh.Design Direction:To design the furniture I centralised my thoughtto simplify the form. Apart from this, designis done such a way so that it can be knockeddown and be production friendly.From functional point of view lktar can beused as a chair and also as a stool. Twoextensions from the back pole provide back support and can be used as hanger.Material: Rubber wood, lacquer finishBONGOOBongoo is a combination of different furniture inspired from “Tabla”. Table is kind of amembranophone percussion instrument (which is similar to bongos), which is often used inHindustani classical music. Bongoo can be used as centre/corner table with storage, stool andpuff. Furniture consists two to three part– power coated metal base with weaving. pu finishMDF top and seat. Adding soft cushion over the top lid, it can be used as stool or puff. Toachieve a fresh look, I used multiple colours.Materials: Powder coated 6 and 10mm dia MS rod, rattan weaving, MDF, foam made seat.044 Architecture Update July 2015

INSTALLATION ARTTejas Sidnal is an architect fromMumbai, India. He earned his B.Archdegree from the University ofMumbai in 2011. Having a stronginclination towards Biomimicry hehas been researching over this fieldfrom the past 4 years. His thesison ‘Biomimicry Institute at Mumbai’has earned a lot of recognition andawards nationally and internationally. He presented his thesisfor the 7th Annual Biomimicry Education Summit and firstGlobal Conference in Boston, MA during June, 2013. Tejassuccessfully completed his Masters on Tata Scholarship inEmergent Technologies and Design (EmTech) with a distinctionfrom Architectural Association (AA), School of Architectureduring 2012 – 2013. He is currently working in Zhuhai city,China for Spence Robinson Architects.Keyur Mistry is an Architectgraduated from Mumbai Universityin 2012. Since then he is workingwith eminent Architect Sen Kapadia.He has worked on prestigiousNational Institute of Design,Gandhinagar and is currentlyworking as Project Architect for abungalow in Alibaug, India. He hasgained valuable experience in architecture rooted to spacemaking and place making. Aspiring to study Masters ofArchitecture abroad, he is interested in producing significantarchitectural work by judicious blend of both poetic andpragmatic elements.PorosityPicture courtesy: Apoorva MadhavanKala Ghoda Arts Festival 2015, Mumbai, IndiaPorosity, 1:2 scale pavilion is a part of the ongoingresearch for AA Visiting School Mumbai (ArchitecturalAssociation (AA), School of Architecture) by Ar.TejasSidnal and Ar. Keyur Mistry intended in July 2015.the strategy for ‘Variable Porosity’ in the Pavilion –an installation at Kala Ghoda Arts Festival 2015,Mumbai - designed by Ar. Tejas Sidnal & Ar.Keyur Mistry, is an inspiration from nature. It is veryevidently seen in many aspects in nature including thebone, as they have more material at places whererequired and less where it does not havestructural/functional need. Bio-inspired logic istranslated into a design of a pavilion in thisinstallation. Such dynamic spatial structure isdeveloped using sophisticated computational tools anddelivered with innovative 3D printing technology.The idea of creating an enclosure with an installationthat houses a maker’s space along with customprinting was to promote innovation and maker culturein India. Completely 3D printing an installation withsmall parts of ABS Plastic and interlocking them to form one big piece is explored for thisinstallation.The 3D printed parts allows to dictate the mass and weight of each part whichwas reduced gradually with height ensuring the structure is in balance with optimum amountof material and good strength.It took over 720 hours for printing on Two Flash Forge Pro 3D printers, which was cut into87 parts and joined to form one uniform piece. The Installation is designed by Tejas Sidnal& Keyur Mistry and the Installation sponsor ‘Melting Mints’ has helped to provide 3DPrinting services for this Installation.Architecture Update July 2015 045

PRODUCT DESIGNUnlike Design Co. is a NewDelhi based design studiooffering specialized servicein the design of graphics,accessories, packaging andpresentation.The studio is partnered byLavanya Asthana, a graphicdesigner from the NID,Ahmedabad and HarpreetPadam, a lifestyle andfashion accessory designerfrom NIFT, New Delhi.With clients that include Wills Lifestyle, Mahindra Retail, CoffeeBoard of India and Arvind Brands amongst others, the studioaims to work closely with fashion and lifestyle industries. In2014, Unlike Design Co. exhibited their new accessories andfurniture at the Salone Satellite, the young designer’s sectionof the Salone Del Mobile in Milan. Objects designed by themalso retail via their webstore TOWITHFROM.COM, a brandthey started in 2014.AMMO WALL ORGANISERAMMO wall organiser is a self-commissioned product initially presented at the Salone Del Mobile,Milan in 2014. As a holder of stationery or as an object of decoration, AMMO provides the freedomto decide how and where to use it. Handcrafted in leather and wood, AMMO is a wall mountedorganiser that is functionally decorative. The wooden containers are turned from eucalyptus wood,the base is walnut wood and the leather is hand rubbed and pinned to the wood using round headbrass nails.KVIKK WALL UNITThe concept for KVIKK wall unit wasinitially presented at the Salone DelMobile, Milan in 2014. It was furtherdeveloped with Godrej into its currentform as part of the Godrej Design Labinitiative. KVIKK is a modular wallsystem designed for a fast, urbanlifestyle. Made of walnut wood andbrushed aluminium, the user is free tobuild it in varied combinations of itsfunctions that include a mirror, shelves,hooks and hangers. It is a handyassistant while entering or leaving thehouse.FOUR SQUARE SUNSHINE LIGHTERThe Four Square Sunshine lighter was designed for Godfrey Phillips India to complement theSunshine campaign running simultaneously for the cigarettes. The idea was to design a handylighter that visually complemented the cigarette pack, which was achieved by designing acomfortable bevel edged form which was the same height as the pack itself. The outer assemblycase is made of pressed aluminium with a frost matte finish and embossed branding.046 Architecture Update July 2015

FS1 LIGHTERSThe FS1 lighters were designed for FS1, a cigarettebrand of Godfrey Phillips India. The brief was to designlighters that matched and complemented the cigarettepacks in their aesthetic and appealed to FS1 malesmokers. This was achieved by designing handy yetvisually robust forms in exactly the same colours as thepacks. The leaf lighter featured a large stylised tobacco leaf to represent the long leafflavour of the cigarette. The outer assembly of the lighters is made of pressed brass withdebossed branding details and matte paint finish. Both lighters were manufactured inChina.MARGIN TABLEMARGIN table is a self-commissioned product initially presented at the Salone Del Mobile,Milan in 2014. It is a colour reversible side table in two colours of leather that can be flatpackedand assembled with ease using a hex key. Made of plywood and clad in leather.The leather is partly stitched by hand, a process that adds to its nuovo luxury aesthetic.BANARASSTOOLSBANARAS stools are a set of twoself initiated designs that werefirst presented at the Salone DelMobile in Milan in 2013. Theywere inspired by cycle rickshawsand featured typical local patternsmade and stitched by anauthentic seat stitcher in the cityof Banaras. The material for theseat is PVC leather cloth and thebase is made of turned steamedbeechwood for one stool androuter cut MDF in the other.SLOT SHELFSLOT shelf is a self-commissioned product initially presented at the Salone DelMobile, Milan in 2014. It is cut from a single piece of MDF in a way that eachpiece slots into its own negative space, the idea being maximisation of materialusage. The shelf is produced using only the singular process of CNC router cutting.Architecture Update July 2015 047

Kitchen DesignergonomicsModular kitchens:a helping hand to allSeema Khosla, Ideas KitchenKitchen today ismuch more than justa utility; it’s a familyjoint, anentertainment lounge,reading place, and itsdefinition isdynamically changing.The sleek andmodern looks withmodular appeal areadding a luxuriousquotient to traditionalkitchen. SeemaKhosla shares herinsight on modularityof kitchen.Modular Kitchen industry in Indiais blooming with new andinnovative products at everyturn. A kitchen can be converted into asemi modular kitchen by placingbaskets and opting for stone partitionsbetween cabinets. But the industry hastravelled further than that in five shortyears. Designers and manufacturers, fortheir innovative designs, have pushedthe modular kitchen industry to the nextera of design and function. Thedevelopment of the modular kitchenindustry in India can be connected tothe rising work and family culture in themetropolitan cities.In metropolitan cities, hectic work hoursdemand for convenient facilities andbetter organisation for efficient and fastservices. This is one of the reasons formodular kitchen industry to have strongfoothold in India. Space management ina modular kitchen is addressed right atthe designing level– adequate space forutensils, groceries, spices and anythingelse that the customer may require. Thisis facilitated by various accessories thatare used in the cabinetry to ensureoptimum space utilization. For example,in a traditional kitchen layout, an accessto dead end corners is hindered due toits depth. But with accessories likecorner carousel the bottleneck spacecan be converted into a fully functionalspace. Further, cutlery is given thesame organization through drawers’accessories like cutlery trays. In therecent years the modular kitchenmanufacturers have Indianised itsaccessories to accommodate needsunique to the Indian market like spicerioand grain trolley. The detail orienteddesign which provides and organizesspace for grocery, crockery, cutlery, andspices ensure peace of mind. Softclosing drawer mechanisms and softhinges make it a totally noiseless zone.Thus the ease and comfort increasesthe productivity in the kitchen and savescooking time.Cities like Delhi have shortage of spaceand because of which kitchen hasbecome a part of a living space–encourages multi-tasking. The city isinhabited by nuclear families with mostlyboth the parents working. Thus the timespent preparing and sharing a mealbecomes a common time that the family048 Architecture Update July 2015

crevices. Thus the basic constitution ofthe kitchen modules hinders thebreeding of pests.spends together. This is how an openplan of the kitchen came into existence.This plan combines the living and thecooking space to become a commonfamily area.Clean, clutter-free and noiseless areacan be used for multitasking– helpingkids with homework, cooking for dinner,working online along with foodpreparation or grocery listing and manymore. Kitchens can have designed workstations to equip laptops, iPads ormusic zones.People are well travelled and aware ofthe global trends and their advantages.This is where the demand for modularkitchens arose and thus an industry tofulfil it. Customers demand for similarappliances like oven, microwave, steamoven, coffee maker and others toreplicate the taste that they hadexperienced in different countries aswell as the convenience provided bythem. The modular kitchen industry wasalso shaped by the healthy lifestylechoices that the busy professionals andwell travelled corporate employees weretaking up. This gave rise to a demandand installation of steam ovens,barbecues and other appliances topreserve nutrients and provide analternate to the Indian cooking style.Another feature of the modular kitchensthat grabbed the attention of the Indiancorporate is for its clean looks andsleek design. These kitchens aregenerally straight line with glass orwooden panels. But the Indian marketsand needs changed the basics of themodular kitchen structure by demandinga material that can survive the harshweather and working conditions. Thusthe construction material of MDF(Medium Density Fibre) board wasreplaced with plywood and then otherimproved membranes (PVC boards,WPC panels, Steel modules etc,) tokeep up with the demands of an areathat sees the harshest workingconditions in a home on a daily basis.Now the basic boxes or modules thatwere created for the use of storage arescrewless boxes that are made withprecision so that there are no cracks orThe rot that is caused in a kitchen dueto seepage of water has come to anend with an innovation of thealuminium sink box. This module hasan outer finish of the rest of the kitchenbut the inside is pressed with 1mmthick aluminium sheet which is rustproof and thus doesn’t get damaged.This prevents the rotting of thekitchen’s carcass since it containswater seepage to one part of thekitchen. Further the modules are fixedon sturdy legs that keep the kitchenabout six inches above the ground thuspreventing water from going into boxesif there is any spillage.The finishes and designs in the kitchenindustry are numerous and everchanging. The first finishes that wereintroduced were the matt finishes andfrom there they developed intolaminates to acrylic sheets to glasspanels and now to any material that canbe moulded into a shutter. Due to thefinishes used and accessories installed,the modular kitchen can either be autilitarian cooking area or a luxuriousliving space. Thus, I believe, themodular kitchen industry has the abilityto evolve with the needs of thepopulation that it is catering and willspread into the second and third tiercities in short period.Stylish, dedicated and professional are some of the many words that describe notonly Seema Khosla but her work ethic as well. She is the head designer of ideasKitchen and an entrepreneur managing the ever evolving business. She combinesher experience in the kitchen with her ability to design ergo producing a kitchenthat is efficient, unique and interminable. Her innate designing talents have beenenhanced by her love of travelling. She did an executive management course fromthe Indian School Of Business, Hyderabad that gave her the platform to polish hermanagement skills enabling her to represent her company. She involves herself inall aspects of kitchen production that provides her with a knowledge that enablesher to be innovative.Architecture Update July 2015 049

Indian handicraftsglobal overviewsputnik hanging lamp clustersublime of material and colourCompetitiveness vs AcceptanceNikita Bansal, Orange Tree“Internationaldesigners prefercoming to India insearch of inspirationand use ourtraditional skills witha twist to create aproduct that would beaccepted globally.India is steadilytransforming into aglobal research hub.”The design has been an inherentpart of Indian art and culture forcenturies. It is vividly visible in itsarchitecture, handicrafts and handlooms.Indian handicrafts are very vast,colourful, complex yet simple whichappeals to both local and internationalmarket.The recent scenario of ContemporaryIndian handicraft has emerged as aculmination of traditions, regionaldesigns and the latest trends. Theinnovation of craftsmanship hasbecome very important in the role oftrade and business. This results from afusion of traditional craft skills withcontemporary inputs from designersand modern technologies.In India, the craft and design sectorsshare a symbiotic relationship. Throughcraft, the designer connects with thecreative past and abundant sources ofinspiration which existeverywhere–anything visual, tactile orsensual. It’s up to a designer how oneinterprets and communicates a designsource. Product Designers bridge thegap between the market and theartisan, as today the artisan isgeographically apart from his/her client,to be able to understand his/heraesthetic and socio-cultural needs.Designers help in finding the relevanceof craft with respect to the artisan, theconsumer and to the global market.Designers are thus an interface betweenthe past and the present, the traditionaland the modern, trying to match craftproduction to the needs of moderntimes and demands. Their key focus isto get endless traditional craft skillsadapted to contemporary design andmake them saleable locally as well asinternationally. Orange Tree(www.orangetree.co.in) is also one suchdesign house that reiterates the sameprinciple. Here we design newproducts, redesign existing products bychanging shape, size, colour, function,utility and even surface manipulation.We explore new markets and revivelapsed markets by applying traditionalskills to meet new opportunities andchallenges. We also introduce newmaterials, new processes, new toolsand technologies wherever necessary.For instance,Sputnik hanging cluster of 6 Gold: Herethe age old technique of a handrati table lampmonarch table lampparisian table lamp050 Architecture Update July 2015

hammering on the metal sheet hasbeen used in such a formation that thiscluster of 6 hanging lamp suits ourcontemporary taste.Rati Table lamp: This is a perfectfusion of Extensive hand woven sittalpatti mat from Assam withimmaculately finished stainless steelbase made with modern technologies.Parisian Table Lamp Grey with blackshade: Here the technique of aluminumcasting used for developing railing hasbeen given a slight twist by convertingthe same into a table lamp base with asmart conical top.Monarch Table Lamp red: Glass isthought to have come to India with theMuslim invaders. Since ages, moltenglass has been converted into productsthrough blowing, moulding andmanipulating. If experimented withdramatic silhouettes and glazes like themonarch table lamp, exceptional resultscan be achieved which will appeal toall in today’s era.But there are going to be somechallenges in this sector as well. Craftbeing an unorganized sector there willalways be problems of dying crafts,poor availability of technology, the costof development and convincing andchallenging the age old designs andgetting artisans ready for the change. Infact, approaching artisans situated ininterior villages and getting the rightquality with a mass production facilityis one of the biggest bottlenecks. But ifwe believe in it and are willing to takea step forward nothing can stop usfrom overcoming these barriers,Apart from this, nowadays, Internationaldesigners prefer coming to India insearch of inspiration and use ourtraditional skills with a twist to create aproduct that would be acceptedglobally. Some of them also end uphaving their manufacturing base inIndia. India is slowly, but surely,transforming into a global research hub.Our recent national program “Make inIndia” is a step taken by thegovernment in this direction.Globalization has put both East andWest into one compartment and makesa single village– a global village. Dueto globalization and technologicalrevolution, ideas, images, andinformation are moving worldwide freelyand very rapidly making the economiesmore socially and culturally integrated.Customers around the world too havenow begun to demand the latestdesigns and technologies availablearound the world with an Indianinfluence. The time is not far whenIndia will transform into a newsuperpower in the field of design andcertain product categories will beassociated with being Indian.With this, product designers shouldcome together to work on Indianhandicraft to uphold its identity and itssocial and cultural relevance to make itglobally acceptable.a rustic outlook enchanted by sputnik hanging lampNikita Bansal, from a small town in Assam, completed the course of LifestyleAccessory Design from NIFT(Bangalore). She was awarded the Best AcademicExcellence by then Honourable President Dr. APJ Abdul Kalam. She conductednumerous Government workshops at the grass root level in remote villages, andeventually joined FABINDIA as a Senior Designer. From there her life took a turnwhen she took up the role of Director Design and started Orange Tree in 2013.Orange Tree is a design driven company which has their own manufacturing unit.It is a brand that offers contemporary lighting, accent furniture and décor forhomes in the online retail market under the domain www.orangetree.co.in. Theyalso have a range of giftware. The Orange Tree team consists of establisheddesigners and entrepreneurs with passion, who conceptualize, create and marketthis range of home products. In-depth interaction is maintained with selectedspecialists and artisans, to create the product that is minimalistic, modern andvery chic. Along with their own designs, Orange Tree also serves as a platformfor young, upcoming designers to showcase and sell their creations. This is astart up by Basant, Jodhpur, a renowned manufacturer and exporter of solidSheesham wood furniture worldwide.rugged and elegantArchitecture Update July 2015 051

Urban Designanalytical implementationAr. Parul Minhas, Assistant Professor,Dept. of Architecture, Guru Nanak DevUniversity, Amritsar, believes thatarchitects and urban designers havean immense power to shape theenvironment around them, and theirdesigns can have a profoundly positiveeffect on the lives of users. Uponcompleting her master’s degree in urbandesign, she is currently working as anAssistant Professor in the Departmentof Architecture, GNDU, Amritsar.According to her, the very first step inthe design conception is theunderstanding of context. She looksforward to learning new ways of thinkingand broadening her vision with everyventure she takes up.(architectparul@gmail.com)amalgamation of recreational and commercial spaces with the neighbourhoodSustainable Urban Developmentvia Neighbourhood DesignAr. Parul Minhas & Pappal SunejaPappal Suneja, B.Arch 5th Year, Dept.of Architecture, Guru Nanak DevUniversity, Amritsar, believes that thereare no boundaries or limitations to one’simaginations and inventions. Followingthese footsteps, he presented aninternational paper on “A PositiveApproach towards ResourceOptimization”– published in ConferenceProceedings of NICHE 2014. He is alsothe first recipient of “ArchitecturalJournalism Award”: Student Category(2013-2014) presented by A3foundation, Chandigarh. He hascontributed, so far, 14 papers onarchitecture and its allied fields. He hasserved as Vice President of NASA, Indiain the year 2014. At present, he isCoordinating Head of SIIA: Students ofIndian Institute of Architects. He is alsoan Organizing Head of A3 Foundation,Chandigarh.(pappalsuneja@gmail.com)site evolutionThe present day approach looks atsustainability in its separatespheres of economy, society andenvironment. The commonunderstanding of sustainability isenvironmental protection, improvedproductivity and a financially soundsetup. The study has been taken up atthe neighbourhood level becauseneighbourhood is regarded as animportant component within the city andat one of its most humanly relevantscales. The neighbourhood unit is aphysical design tool that providesopportunities for its residents to interactwith people and to develop a sense ofplace and ownership. The area underconsideration is located in the centre ofthe city, adjoining the historical walledcity. The main feature of the site is itsstrategic location amidst the majorlandmarks being Gobindgarh Fort,Durgiana Temple, Railway Station andWalled City.Our basic objective towardsdevelopment should be to considerSustainable Urban aspect that shall helpin maintaining the balance between builtenvironment and the natural052 Architecture Update July 2015

along with the central businessdistrict, many other employmentopportunities are located.distinct identity: cluster level open spaces with view of fort in the background4) Ability to fulfil psychological needs:Security is an essential element inevery neighbourhood. People preferto stay in a safe and secure place.Staying near their older homes andalso near to their religious placesgives them a great sense of security.Also, older people in the houseusually have a daily regime of goingto their places of worship and thesite location allows for these dailyactivities, it is certainly enhancingsocial relations and therefore addingto the social sustainability of an area.environment. Role of climate andecological balance has directimplication on the sustainable urbandevelopment of a city. Increase inamount of carbon dioxide in atmospheredue to greenhouse effect and extremitiesof climate have greatly affected thenatural environment of holy city–Amritsar. Amritsar has undergone atremendous climatic change along withpollution exaggeration within an era oflast one decade. This article basicallyfocuses on planning at Neighbourhoodunit level, temperature inversion, sickbuilding syndrome and the effect ofbuilt environment to achieve socialsustainability in the city.The study of the site selected identifiesthe factors which are responsible forhaphazard development of the city likestrict zoning of various land uses,unjust distribution of benefits andburdens, irrelevant street designdiscouraging pedestrians, buildingtypologies discouraging socialinteraction and unsafe streets due tofast moving cars and absence ofpedestrians. Further, the criterion for thesocial sustainability in design integrated with a holistic approachselection of the site has been the abilityof the site to provide a newerdevelopment, if designed appropriately,with a number of opportunities to thriveand be socially sustainable. A fewimportant ones are as follows:1) Accessibility: The selected site hasan excellent connectivity with bothparts of the city (walled and outer)and thus people living here can getbest of both. Residents can alsoremain connected to their roots bystaying near to the religious placeslike Durgiana Mandir and SriHarmandir Sahib.2) Provision of social infrastructure: Thelocation and number of schools,medical facilities, meeting areas, andrecreational facilities have an impacton the social sustainability of aplace. The selected site has plenty ofsuch facilities in its close proximity.3) Availability of job opportunities:Employment provides income andworkplaces provide a place for socialcontact and interaction which isessential to improve the feeling ofsocial well-being of citizens. The siteunder consideration is in closeproximity to the Walled City whereFurther, Considering Social Sustainableaspect, let’s look back at the timeswhen human beings started living in apermanent settlement along with hiscommunity members who depended oneach other for their day to day survivalneeds. They would live and worktogether in the same street, meet in thenearby temple every morning, theirchildren would play in the same streetand the women got together at thecommunity well or hand pump. Theyhad a sense of ownership for everythingthey shared with their community andwould quickly identify any anti-socialelements. The streets were small, safeand full of life. The children wouldfreely play within the street as theyknew that there was no fast moving carswould harm them and their grandmasitting out on her cot was there forthem if they needed help.The times have changed now, with carsgetting more importance over humans,they are seen all around all day till thecity sleeps. People want to get out ofthe narrow congested city streets andthose who don’t want to, are thrown outin the name of redevelopment andrehabilitation. They move out to theperiphery only to form gated enclaveswhere the physical barriers are too highto allow incidental social exchanges.Those living in gated enclaves havehigher living standards but with the fearof being robbed or stabbed any momentas the streets do empty most of thetimes with neighbours hardly know eachother. Kids don’t play in the streetanymore and grandma can’t sit out asthere is no place to keep the cot andnobody to talk to.Thus, Social Sustainability in designintegrated with a holistic approach maybe fruitful to achieve overall sustainabledevelopment of the city with emphasison following Micro Level Solutions.mixed use zoning and compact city approacha) Mixed Use Zoning and Compact CityApproach: Mixed used zoning willArchitecture Update July 2015 053

provided at the multiple nodes ofcity for public convenience. This willalso enhance the walk abilitymechanism in the city.d) Pedestrianised Environment andWalkability Concept: Well-connectedstreets networks with surprising openspaces facilitated with basicinfrastructure like drainage, wastedisposal pits, lighting etc.; shall helpin encouraging the pedestrianisedenvironment as well as reduce theimpact of built up spaces on thenatural environment. Further, initiativeshould be made at management levelas well as planning module level forupgrading the congested areas in theholy city, Amritsar.cul-de-sac to discourage vehicular movement with continuous pedestrain pathse) Upgradation in Building EnergyEfficiency: The environmental impactassessment should be considered atthe commissioning stage of thebuilding to the maintenance stage.The renewable energy resourcetechniques should be taken intoconsideration. Waste energy aspectsand rain water harvesting techniquesshould be made mandatory at thebuilding regulation level.f) Networking of Urban Open Spaces:The green open spaces at theintimate level to the grand level willprovide a lung to the city. This willalso have positive effect on ecologyand help in achieving a differentbiodiversity, reducing the negativeimpact on environment.increase mass transit usehelp in reducing the resourceconsumption. Travel and timedistances will reduce, lessening theimpact on environment. Thus thiswill lead to lesser environmentalpollution and more efficiency ofresources. Compact city approachwill make the city serviceable ratherthan decay, thus help in smartgrowth of city.b) Extended Houses Concept: Thelifestyle of the people is dependenton their activities on the spaceadjoining their private setup. Thusthe space in front of their privatehome unit forms the inclusive part oftheir routine activities. As the builtup space owned by each householdis less, therefore the extended spaceis used by them. Providing thedesigned setup in form of cul-desacsin which common space isshared by two or three householdshelp in usable community space byinhabitants of the area.c) Increase in the Mass Transit Use:Improvement of mass transit systemand encouraging the use of publictransit system will help inminimization of environmentaldegradation. Linkages should beHence, the study concludes withproviding design solutions for theselected site with a view to evolve asustainable neighbourhood model. Someof them include avoiding sprawl to limitthe use of car, allowing mixing ofcompatible uses, providing equal accessto social and physical infrastructure,social inclusion incorporated in designby mixing of diverse income groups,street design to discourage the car andencourage pedestrians, buildingtypologies encouraging social interactionand making streets safer by reducingthoroughfare and encouraging naturalsurveillance.networking of urban open spacessustainable neighbourhood model continuous shaded pedestrainpaths054 Architecture Update July 2015

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Published on 1st of every month W.P.P. Lic No. MR / TECH / WPP-26 / SOUTH / 2014-15 Regd. No. MH / MR / K'devi-58 / 2013-15 Posted at Mumbai Patrika Channel Sorting Office Mumbai - 400 001 on 3rd & 4th of Every Month