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The Traditional Anishinaabe World View.pdf

Illustrated glossary offering a cross section of the traditional worldview of the Ojibwe Anishinaabeg, who for the past 1000 years or more inhabit Gaa-zaaga'ekanikaag, the Land of Many Lakes ( the North American Great Lakes area).

Illustrated glossary offering a cross section of the traditional worldview of the Ojibwe Anishinaabeg, who for the past 1000 years or more inhabit Gaa-zaaga'ekanikaag, the Land of Many Lakes ( the North American Great Lakes area).

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<strong>The</strong> Universe of <strong>The</strong> Ojibwe <strong>Anishinaabe</strong>g by Zhaawano Giizhik - 2014<br />

Above: Birch bark inscriptions of Midewiwin, enabling the memorization of complex ideas. <strong>The</strong> most well-known birch bark<br />

sacred writings are called the Order of Songs. Secretly, these sacred writings were usually translated and discussed among the<br />

priests and medicine people in the Midewiwin Lodge. Sacred icons were also conceptualized in pictographs or petroforms found<br />

in locations where the sky, earth, water, the underground, and the underwater meet. This is where the manidoog (spirits or<br />

mysteries) reside. In Whiteshell, Manitoba, there is a location known as Manitou-abi that translates to ‘where the Spirit sits’.<br />

_______________________________________________________________<br />

After a four-day period of fasting and praying and cleansing in a purification lodge,<br />

followed by four ceremonial processions around the rectangular Midewigaan (during<br />

which the candidate member encounters two groups of four contrary-bears), the priests<br />

and novice enter through the eastern entrance and file into the sacred enclosure. By<br />

having “withstanding” the forces of evil represented by the evil bears the novice’s<br />

entering the Midewigaan’s inner sanctum symbolizes his or her triumph of good over evil,<br />

and the promise of a new and better way of life. After the singing of chants by the<br />

candidate, and the chanting of songs of welcome by the assembled priests, the candidate<br />

sits down for a series of tests through which he (or she) demonstrates his (or her)<br />

integrity and knowledge of plants.<br />

<strong>The</strong>n the head priest symbolically “shoots” the nominee with the midemiigisag (sacred<br />

shells), which represent a return to bimaadiziwin (a good way of life), in order for him (or<br />

her) to find accomplishment and to recommence purpose and determination.<br />

After this the Mide priest arouses the “corpse” from “death” with the breath of life. In this<br />

dramatic fashion the candidate, once revived by the breath of life, is reminded of the fact<br />

that, only through the death of his teacher Ode’imin, his student and successor had been<br />

able to really enlarge (and put to good use) his inner curative powers that would be to<br />

the benefit of his People …<br />

Besides the Wiikindiwin or initiation rite, there are at least five other ceremonies of the<br />

Midewiwin constructed around elements such as the Tree of Life, the Mide offerings and<br />

sacred birchbark scrolls, the fire, the sacred pipe, the totems of the animals and effigies<br />

of the spirit- grandfathers, the Mide drum and rattles, and, perhaps the most sanctified<br />

objects of all: the little yet omnipresent Midemiigisag. Although the subject matter of the<br />

ceremonies is diverse and there are minor variations in different areas of <strong>Anishinaabe</strong><br />

Aki, always the same ritual elements pervade. In outline, a ceremony will always be<br />

conducted as described in the following.<br />

After a four days’ time of fasting and praying and purification, four processions are held<br />

around the rectangular Midewigaan. <strong>The</strong> reason for this is that, since GICHI-MANIDOO<br />

caused everything in the universe to be in fours, the ancestors decided that mankind<br />

should also do everything possible in fours.<br />

<strong>The</strong> Universe of <strong>The</strong> Ojibwe <strong>Anishinaabe</strong>g by Zhaawano Giizhik - 2014<br />

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