LYNN JEMISON-KEISKER Associate Professor, Director of Opera ...

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Jemison-Keisker, VITA Pg. 26 • England tour invitation and subsidy for collaborative chorus and orchestra young artists, performance venues [Vaughan William’s RIDERS TO THE SEA and Menotti’s THE OLD MAID AND THE THIEF], housing and ground transportation, publicity, shared expenses of royalties/rights fees, visits to universities arranged, [Guildhall and Royal Academy of Music], and Guildhall master class with Robin Bowman, arranged in collaboration with Colin Baldy, September 15-26, 2005 • Women and Gender Studies Travel Grant for concerts and master classes with faculty colleagues [Morrison, Timmons], guest soprano, Kimberly Mumford, and baritone, Richard Keisker, El Salvador, July 15-30, 2005 [$1000 award; includes matching funding from USU Department of Music] • El Hogar Infantile Emiliani, Recognition Award for bringing art and culture to the orphanage school, San Salvador, El Salvador, July 14, 2005 • Utah-Bolivia Partners of the Americas Travel Grant for guest Bolivian tenor, Ricardo Estrada in de Falla’s LA VIDA BREVE, concerts, master classes, and community presentations, October 23-November 16, 2004 [$1500 award] • Women and Gender Studies Travel Grant, concerts and master classes with three USU Opera Theatre students, La Antigua Guatemala, January 23-February 2, 2004 [$1000 award; includes matching funding from USU Department of Music] • La Orquestina Mercedaría Antigueña, Recognition award for collaborative concerts, opera performances, and master classes; USU faculty/students, La Antigua Guatemala, February 1, 2004 • USU Academic Opportunity Travel Grants, three individual grant awards to full-time USU students for opera performances, master classes educational tour, La Antigua Guatemala, January 23-February 4, 2004 [three awards of $300 each; separate matching funds from USU Department of Music] • Marie-Eccles Caine Foundation, Guest Artist, Colin Baldy, joint-proposal with Choral Education and Opera Theatre, November, 2003 [$3500 joint award] • Women and Gender Studies Travel Grant for concerts and master classes with faculty colleagues [Morrison, Timmons], La Antigua, Guatemala, November, 2003 [$1000 award; includes matching funds from USU Department of Music]
Jemison-Keisker, VITA Pg. 27 • Gardner Grant for Cultural Exchange Travel, concerts and master classes with contact for reciprocal cultural exchange sponsored by Utah-Bolivia Partners of the Americas [Ricardo Estrada, guest tenor in de Falla’s LA VIDA BREVE, November 2004], La Paz and Oruro, Bolivia, March 4-14, 2003 [$2000 award] • La Orquestina Mercedaría Antigueña, recognition for collaborative concerts and master classes; USU faculty, La Antigua Guatemala, January 26, 2003 • LSU Faculty Development Grant as a summer stipend program, proposed work and research on Spanish diction for singers, including cultural activities was completed in Guatemala; stipend was used for comparative research in Central America of language and music using Nico Castel’s new text for the study of Spanish diction for singers; focus on language facility to include cultural experiences and studies; included preparatory language study with private tutor, visits to three universities, numerous concerts including music for the native marimba (national instrument), original Guatemalan classical music (including repertoire written in concurrent style and time period of Mozart) and tour performances of the Ballet Folklorico from Madrid, Spain, July 1998 [$5000] • Grants as well as private donations solicited were received for the LSU Opera program through the Arts Council of East Baton Rouge Parish; 1996-2002 • Baton Rouge Opera Guild project assistance grant for educational outreach performances of Moore’s EMPEROR’S NEW CLOTHES FS97, SS98, FS98, SS99 ($750 donation per semester) • Baton Rouge Opera Guild additional annual scholarship funding for the LSU Opera participating singers, awarded by audition for participation in four consecutive semesters of the LSU Opera program, 1994-2002, growth to 18 scholarships valued at over $16,000 • Baton Rouge Opera Guild Endowment Fund, an outgrowth of increased Scholarship funding and growth in quality of the opera program since 1994; the scholarship endowment secures these opera awards received annually for more than 50 years • Arts Council for Greater Baton Rouge project assistance grant received for the LSU Opera production of Verdi’s FALSTAFF, Spring Semester 1997 [$2,300]
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LYNN JEMISON-KEISKER Associate Professor, Director of Opera ...

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