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January 2013 - Music Connection
January 2013 - Music Connection
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MC: Having your Twisted Brown Trucker Band<br />
do most if it had to make a difference, too.<br />
Kid Rock: Definitely. The real difference between<br />
studio players and live players, I think, is a mind<br />
space. The studio cats can play everything because<br />
they’re that good. And your band, you<br />
play good together and do certain things, and<br />
this sound <strong>com</strong>es out, which is good. It’s not<br />
necessarily about being the greatest players in<br />
the world, but it’s what we do that no one can, I<br />
guess, duplicate.<br />
MC: Earlier you referred to Born Free as<br />
poignant. Is Rebel Soul a return to fun?<br />
Kid Rock: Yeah, it’s a fun record. There’s definitely<br />
some poignant songs on there, too, some<br />
stuff that would be more in line with Born Free,<br />
like “Rebel Soul” and “Midnight Ferry.” That’s<br />
there. But there’s the other stuff, the Kid Rock<br />
songs––even “Cocaine and Gin”––that’s a total<br />
country song, but no one in Nashville would<br />
record that song. “Chickens in the Pen” is totally<br />
Kid Rock shit; even though I’m not rapping in it,<br />
it’s still got the big beats and I’m doing my scream<br />
thing. I can just tell that a lot of this stuff is going to<br />
go over really well live.<br />
MC: Speaking of old-school Kid Rock, “Cucci<br />
Galore” sounds like it could have been on Devil<br />
Without A Cause or something from the ‘90s.<br />
Kid Rock: Yeah, early Kid Rock. That was around<br />
before Born Free, from, I think, right after (2007’s)<br />
Rock N Roll Jesus. I showed it to Rick for Born<br />
Free but he wasn’t interested, so I held onto it.<br />
It was real easy to do, and a lot of fun. We did<br />
the video for it and it reminded me of some of<br />
the old, crazy videos we used to do for “Cowboy”<br />
and “Bawitdaba” and stuff like that. I was looking<br />
around this crazy mansion in Bel Air and there’s<br />
all the ingredients for fun there––girls dancing,<br />
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people on stilts, breathing fire, there’s midgets<br />
everywhere, a pony walking around. I was like,<br />
“Yeah, this is fun!”<br />
MC: Rebel Soul is available on iTunes...<br />
Kid Rock: Yeah. Wel<strong>com</strong>e to 2003, right?<br />
(laughs)<br />
MC: You were a long and notable iTunes holdout.<br />
What changed your mind?<br />
Kid Rock: I still feel the way I’ve always felt. If<br />
you make a good product, people will obtain it<br />
no matter what it is. But I don’t agree with iTunes<br />
when they say all music’s the same price. They’ve<br />
kind of switched away from that a little bit; there’s<br />
different prices on different albums now, but still<br />
the singles are all a buck, a buck-29 or whatever<br />
it is. And it seemed like this was a new way to<br />
present how to have some transparency in the<br />
music business with your record <strong>com</strong>pany and all<br />
that...but that didn’t happen. So I held out. Now<br />
I’ve got the deal I want with my record <strong>com</strong>pany,<br />
so hopefully this is the beginning of some transparency.<br />
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On display through February 24, 2013<br />
MC: Was part of the reservation also the fact<br />
that you’re an album artist and iTunes and<br />
other digital outlets, the whole concept really,<br />
champions the song over the album?<br />
Kid Rock: Nah. If I make a good album, people are<br />
gonna buy the album. That’s the end of the story<br />
with anybody. I remember when singles became<br />
big in the hip-hop era and then it went back to<br />
albums with CDs and now it’s back to singles with<br />
iTunes and it’s probably gonna go all streaming in<br />
a minute, so who knows. I’m not gonna fight the<br />
technology. I embrace it like everybody else, but<br />
at the same time I stood up for what I believed in<br />
and I proved my point. I said I wouldn’t hold out<br />
forever, and now it’s just the right time. Eventually<br />
the older stuff will be out there, too.<br />
On display through September 2013<br />
MC: You made your first real foray into politics<br />
this year, endorsing Mitt Romney’s presidential<br />
campaign. What was that like for you?<br />
Kid Rock: It was a great experience. I learned<br />
a lot about the whole poop show behind the<br />
political window. I always said I’d never sit there<br />
and preach politics, and I don’t believe I did. I<br />
might’ve slipped a few times here and there when<br />
someone caught me off guard, but it was never<br />
my intention. I leave that to the pros. I’m not going<br />
to be Bruce Springsteen and sit there and tell you<br />
what’s wrong with the country. My main thing in<br />
being there was to pick a side, because I believe<br />
you have to stand for something. I think it’s okay<br />
to disagree, and now that we’ve elected our<br />
president it’s time to move forward and give him<br />
a shot, and if you don’t agree in four years we’ll<br />
be able to do this process again. So many people<br />
have died to protect that, I think it’s important to be<br />
involved in some way. But it was pretty interesting<br />
overall. We had some fun doing it.<br />
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11/13/12 5:22 PM<br />
MC: Is it too soon to be thinking about a next<br />
album yet?<br />
Kid Rock: Well, now that I’ve got the new studio<br />
and (engineers) there full time, we’ve got a lot<br />
of videos and live recordings and stuff I’d like to<br />
finally get to. And I’m planning to jump back into<br />
the studio in the next year and put another record<br />
out in the fall (of 2013). It’ll be my last record with<br />
Atlantic, and right now I’m thinking I might do a<br />
record like I’ve never done.<br />
MC: That would be saying something.<br />
Kid Rock: I know. (laughs) But what I’m thinking<br />
about is going out and getting some song submissions<br />
and doing four or five country tunes,<br />
country rockers, and getting a Nashville producer