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Real Rad Magazine : Summer Quarterly 2015

A 100% independant magazine featuring articles about music, art and culture. Visit www.RealRadRecords.com for more.

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From merch to music videos, tickets to<br />

tantalizing events, and even exclusive<br />

experiences, this service is striving to make a<br />

bold mark in what it means to provide for your<br />

listeners. Exclusive interviews are available,<br />

alongside tailored stations with fascinating<br />

people that look into the current musical<br />

gambit and give their perspectives on it. A<br />

new and bold social platform to connect the<br />

artists and their audiences as well as private<br />

invitations based on the premise of music<br />

of a whole, which includes the relationship<br />

between the mind of the artist and the heart of<br />

the audience is the vision here. As the general<br />

trend of the workforce, of education, and of<br />

personal entertainment, shifts to a more<br />

“jack-of-all-trades” approach (as well as more<br />

independent), streaming services like TIDAL<br />

have an absolute lockdown of what the next<br />

few years will turn towards.<br />

Alongside TIDAL, Apple <strong>Rad</strong>io and, particularly,<br />

Apple Beats 1 must make a way into the<br />

conversation. With the more international<br />

viewpoints we find in almost every aspect of<br />

everyday life, it’s no surprise that our concept<br />

of where one station should reach out to has<br />

expanded. With the advent of web radio and<br />

TuneIn-like sites, it seems that any station that<br />

can broadcast in its home country should be<br />

able to be heard across the globe. Apple has<br />

taken that idea to heart, and has essentially<br />

begun taking their giant library and marketing<br />

it as such. However, this isn’t an expansion of<br />

being able to listen to radio stations - TuneIn<br />

is your app for that. Apple Beats 1 is, instead,<br />

Apple’s take on a global library.<br />

It looks like a way to share through the picks<br />

presented to you - much like going to a<br />

museum and enjoying the sight of a beautiful<br />

painting alongside 30 others. Your enjoyment<br />

of the resource doesn’t hinder anyone else’s,<br />

and as long as you paid the entrance fee,<br />

you’re in to view as many of these themed<br />

and curate paintings as you’d like. Apple goes<br />

a step further, integrating the popularity factor<br />

of music into their smart searches (no doubt<br />

influenced by the thought behind Pandora). To<br />

go back to the museum analogy, now as soon<br />

as you say “I really liked the blue one - where<br />

was it?” your tour guide will say “The blue<br />

one that everyone likes is right here.” But, on<br />

the other side of this - the advertised search<br />

features like “Play the top songs from 1982”<br />

may turn out to be a fantastic tool. To cover<br />

Apple <strong>Rad</strong>io in contrast - it’s simply Pandora<br />

on Apple devices.<br />

It’s clear to see that music services have<br />

come a long way since Napster, but the<br />

question remains, where it will head from<br />

here? While many listeners will still end up on<br />

Pandora and Spotify simply because of their<br />

social notoriety, streaming will arguably head<br />

toward that jack-of-all-trades direction. The<br />

comprehensive experience of listening and<br />

loving, meeting and greeting, and actually<br />

being able to interact with the artist and their<br />

social personas is far too compelling. The way<br />

will clear, and while another service might<br />

be the go-to in an immediate dance party<br />

emergency, in my opinion, the strongest bet<br />

for the future of streaming is a TIDAL wave.

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