Volume 21 Issue 2 - October 2015

More documents

Info

DON’T EVER STOP MUSIC IS FOR LIFE 16 TH Annual BLUE PAGES THE BLUE PAGES A rich resource for musicians and all lovers of live music, with detailed profiles of Southern Ontario’s live music makers and their 2015/16 seasons. PRINTED IN THIS ISSUE and updated year-round at thewholenote.com. Inquiries to members@thewholenote.com THE CANARY PAGES The WholeNote’s annual guide to the extraordinary choral diversity of Southern Ontario. Printed every year in May but searchable online year-round. Find yourself the right choir anytime! Inquiries to canary@thewholenote.com THE GREEN PAGES GUIDE TO SUMMER MUSIC Our 2015 enhanced coverage remains online for year-round browsing and dreaming of next summer. Updated and printed in our Summer (June, July, and August, 2016) edition. Inquiries to summer@thewholenote.com Musical guides online, all the time thewholenote.com/resources
Beat by Beat | Jazz Stories continued from page 34 formulaic.” Jessel’s career highlights on Broadway would include being chosen by Richard Rodgers to write additional lyrics for I Remember Mama in 1979, and his songs being recorded by Louis Armstrong, John Pizzarelli and Michael Feinstein (who nicknamed Ray Jessel “the millennium Noel Coward”). At 72, Jessel made his cabaret performing debut at Hollywood’s Gardenia Room in April 2002, after which he played to a series of sellout performances there, at L.A.’s famed Jazz Bakery and in New York at Danny’s Skylight Room and at Don’t Tell Mama. He made his Lea DeLaria debut at Toronto’s Top o’ the Senator in May of 2003, and ten years later, October 2013, he played at the same address, 251 Victoria, now Jazz Bistro. Both shows were booked by Sybil Walker, who reflects on the first time she presented him alongside the great Jackie Richardson: “Meeting Ray and presenting him to Toronto audiences was a uniquely rewarding experience – I was prepared for him to be entertaining but he was jaw-dropping funny, singing impossibly clever lyrics that left every member of the audience in a state of hilarious disbelief. Top o’ the Senator audiences had been entertained by the wonderful lyricists Dave Frishberg and Mose Allison through the years but Ray’s was a talent that caught us all off guard.” JAZZ.FM91 on-air personality, producer and Jazz Safari bwana, Jaymz Bee, has long been a fan: “The first time I saw Ray Jessel was at Birdland in New York City. My dad and I laughed so hard we literally had tears in our eyes and he came over to our table to chat. When I told him I knew his sister Viv he made a big fuss over us. Since then I had the privilege of interviewing him several times for JAZZ.FM91 and he was always down to earth and hilarious. The fact that he was so funny never prevented him and his wife from writing serious love songs. He is up there with Bob Dorough and Dave Frishberg in my books – one of my favourite composers!” Ray Jessel’s legacy will be celebrated at Jazz Bistro on Monday, October 26 from 7 to 11pm with a very special lineup of singers that will pay tribute to his life and music. Reservations are highly recommended (416-363-5299). Finally, I do have another live music tip for you. If you’re not planning on going trick-or-treating, I recommend that you treat yourself October 31 to a night with Lea DeLaria at the Danforth Musical Hall. Since being cast as Big Boo on the hit Netflix show Orange is the New Black in 2013, the larger-than-life DeLaria has become an international star, but she has been hard at work for quite a while. In 1993 she made history as the first openly gay stand-up comic on the latenight talk-show circuit with an appearance on the Arsenio Hall Show. She has been based in New York for many years, appearing on countless stages and screens. In addition to her stand-up and acting career, DeLaria is a wellknown and highly entertaining jazz singer whose bebop chops are served with an in-your-face bravura. With a voice that is as big as her imagination, she has long been an audience favourite in New York clubs for her outrageously entertaining shows. DeLaria’s latest jazz recording, House of David, finds her reimagining a dozen David Bowie classics. On the Danforth Music Hall stage, DeLaria will be joined by longtime friend and frequent collaborator, stand-up comedian Maggie Cassella. Expect big laughs, good times and priceless timing. Ori Dagan is a Toronto-based jazz musician, writer and educator who can be reached at oridagan.com. KPMT Jazz Bash Not the Same Without Jim STEVE WALLACE The Ken Page Memorial Trust will hold its 17th Annual Jazz Fundraiser on Thursday, October 22 at the Old Mill in Toronto. This autumn jazz bash has become a local institution and as ever, will be conducted along the lines of a jazz party, combining some of the best American mainstream jazz artists with a cadre of Toronto’s elite musicians in an informal, but musical, jam-session format. The lineup of prodigious talent promises a jazz banquet and plenty of interaction between players of like instruments. The trumpeters will be Warren Vaché, one of the most lyrically inventive cornetists in jazz, Guido Basso and his sophisticated and mellifluous flugelhorn artistry and John MacLeod, who favours the cornet and is equally well-versed in traditional and modern jazz styles. The trombone will be handled by the fine Chicago-based veteran Russ Phillips – whose father replaced Jack Teagarden with Louis Armstrong’s All-Stars in 1951 – and Toronto’s Alastair Kay, simply one of the best trombonists in the world, Canada’s answer to Urbie Green for 35 years now. The evening will boast some great reed players: the hard-swinging tenor saxophonist Harry Allen; Ken Peplowski, best-known for his virtuosic clarinet but also a fine tenor player; the stylistically versatile Scott Robinson, who plays all the reeds but specializes in the rarely heard bass and contrabass saxophones; and Toronto’s John MacMurchy on tenor and clarinet, a fine player who deserves to be more widely known. Brooklyn-born pianist Johnny Varro, now 85 and a much-revered veteran of swing and mainstream circles, will be the only American in an otherwise all-Toronto rhythm section. Multi-instrumentalist Don Thompson will play vibes (probably also some piano) and Reg Schwager – who can play anything – will be the guitarist. Providing the bedrock will be two of Canada’s very best – Neil Swainson on bass and Terry Clarke on drums. As great as this cornucopia of jazz talent is, there will be something missing from this year’s bash – for the first time Jim Galloway will be absent, owing to his death this past December after several months of illness. Jim was a founding member of the KPMT and its musical director for the past 16 years, so dying was probably the only thing that could keep him away from such a jazz jamboree. It won’t be quite the same without him; he’ll be missed both musically and personally. This year’s event is billed as a tribute to Jim. There will no doubt be some stories told about him and some fond memories rekindled. He played with all the musicians involved often over the years so they’ll no doubt summon his spirit – he won’t be there in person, but he will be present nonetheless. This is just the kind of jazz setting Jim relished – freewheeling, diverse and informal, with no written music. He loved the spontaneous give-and-take that can occur between musicians with nothing planned and no structure except a common heritage of standard tunes and knowledge of jazz tradition. He excelled at directing traffic in these groupings to avoid monotony – a trumpet-piano duet here, three saxophones a cappella there, perhaps just trombone and bass for a chorus. He understood that special music can be made when good musicians are playing their best but are relaxed and having fun, not being competitive but rather mutually inspiring. In his heart of hearts he was a jazz musician but that label is insufficient, as he was much more: an important booking agent; an Without Jim continues on page 51 thewholenote.com Oct 1 - Nov 7, 2015 | 35
Page 1 and 2:
PRICELESS! Vol 21 No 2 OCTOBER 1 -
Page 3:
KOERNER HALL IS: “ A beautiful sp
Page 6 and 7:
FOR OPENERS | DAVID PERLMAN And It
Page 8 and 9:
ERIN RILEY On the Record A Ground F
Page 10 and 11:
Facing the Darkness Barbara Monk Fe
Page 12 and 13: Beat by Beat | Classical & Beyond G
Page 14 and 15: lapping water and sparkling rivulet
Page 16 and 17: Glionna Mansell Corporation Present
Page 18 and 19: Beat by Beat | In with the New More
Page 20 and 21: weekend, Smith says: “It will giv
Page 22 and 23: under Soviet and Nazi regimes, in 1
Page 24 and 25: another season with rehearsals in P
Page 26 and 27: fighting is his beloved disguised a
Page 28 and 29: Nine Sparrows Arts Foundation & Yor
Page 30 and 31: Lydia Adams, Conductor & Artistic D
Page 32 and 33: Beat by Beat | Early Music Where We
Page 34 and 35: Beat by Beat | Jazz Stories Remembe
Page 36 and 37: BLUE PAGES 2015/16 16th ANNUAL DIRE
Page 38 and 39: BLUE PAGES 2015/16 ●Arraymusic Ar
Page 40 and 41: BLUE PAGES 2015/16 an international
Page 42 and 43: BLUE PAGES 2015/16 Annual auditions
Page 44 and 45: BLUE PAGES 2015/16 organs in the wo
Page 46 and 47: BLUE PAGES 2015/16 in that capacity
Page 48 and 49: BLUE PAGES 2015/16 their vocal skil
Page 50 and 51: BLUE PAGES 2015/16 communities of p
Page 52 and 53: BLUE PAGES 2015/16 Opera York conti
Page 54 and 55: BLUE PAGES 2015/16 performers at ev
Page 56 and 57: BLUE PAGES 2015/16 ● Syrinx Conce
Page 58 and 59: BLUE PAGES 2015/16 late renaissance
Page 60 and 61: BLUE PAGES 2015/16 season will end
Page 64 and 65: The WholeNote listings are arranged
Page 66 and 67: 24, 29, Nov. 1, 4); James Westman,
Page 68 and 69: A. Concerts in the GTA and Pantayo.
Page 70 and 71: Vaughan Williams: A Sea Symphony. T
Page 72 and 73: ●●2:00: Canadian Opera Company.
Page 74 and 75: $30; $20(under 30). 1:15: Music & T
Page 76 and 77: B. Concerts Beyond the GTA IN THIS
Page 78 and 79: Rückert Lieder; Purcell: Dido and
Page 80 and 81: Beat by Beat | Mainly Clubs, Mostly
Page 82 and 83: C. In the Clubs (Mostly Jazz) D. Th
Page 84 and 85: D. The ETCeteras Classified Adverti
Page 86 and 87: continued from page 9 On the Record
Page 88 and 89: although there are two male charact
Page 90 and 91: intimate voice make this recording
Page 92 and 93: VOCAL Rossini - Aureliano in Palmir
Page 94 and 95: octaves higher. A sense of wide-ope
Page 96 and 97: Wei and pianist Angela Park, perfor
Page 98 and 99: triumphs and instructive pleasures
Page 100 and 101: sympathetic ending. As for the cons
Page 102 and 103: Old Wine, New Bottles Fine Old Reco
Page 104: LOVE THE LIVE EXPERIENCE DON’T MI
show all

Volume 21 Issue 2 - October 2015

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?