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letter - PQ Monthly

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Dear Owners and Staff of The Eagle Portland:<br />

We are a group of concerned community members approaching you about your<br />

decision to book black face performer Shirley Q. Liquor. We believe that booking this<br />

racist and misogynist event, as well as your poor handling of the outcry that resulted,<br />

has been painful and damaging to our community on the whole, to your North Portland<br />

neighbors, to African American women, and specifically to LGBTQI people of color.<br />

It is our understanding that the booking staff was approached privately, well in<br />

advance of the event, and warned that the performance was racist and that<br />

booking SQL was a bad idea. This preliminary feedback and opposition did not<br />

deter The Eagle from continuing with the booking. When the community was<br />

made aware of the event via an invite on Facebook, there was an explosion of<br />

outrage that The Eagle would invite a black-face performer to our city. In light of<br />

the loss of sponsorship for the event, loss of support from neighboring<br />

businesses, and community outcries, The Eagle Portland thankfully--albeit with<br />

documented petulance and resentment--cancelled the event.<br />

We're writing because since releasing the notice of cancellation, your business<br />

has not followed up or attempted public accountability for the harm it has caused.<br />

There has been no "open forum to discuss race" on the date of the originally<br />

scheduled SQL performance, as Eagle Pdx manager Michael Shaw Talley stated<br />

in <strong>PQ</strong> <strong>Monthly</strong>, and there does not appear to be one in the works. Earnest and<br />

polite requests by concerned patrons for information regarding this event have<br />

been ignored. While this may be for the best, given your poor decisions and<br />

demonstrated lack of sensitivity, it remains that there has been no follow-up to<br />

the one gesture of reparation that The Eagle suggested. And meanwhile, you<br />

continue to do outreach in booking new local performers and promoters, so it's<br />

apparently business as usual.<br />

Since The Eagle hasn't issued a public apology or followed up, you have<br />

communicated via your silence that you are not actively engaged in making<br />

amends to your community. We urge you to consider how this affects not just<br />

your standing in our community, but reflects on Portland as a whole-- especially<br />

since this issue has been discussed in various leather community forums and in<br />

media outlets well beyond our city. We believe that we are at a crossroads in<br />

dealing with the misogyny and racism in LGBTQI communities, and strongly<br />

encourage you to take this as an opportunity to step up to the plate and<br />

demonstrate how a gay bar might better address issues of oppression in its<br />

establishment when given choices. Instead of sweeping it under the rug as<br />

business as usual, you have a chance to show a genuine commitment to<br />

showing up for your community and repairing the harm done.


Why This Matters<br />

The Eagle Portland is located in an area of North Portland that has been the epicenter of<br />

gentrification and hate crimes against people of color for several years. With the<br />

historically black community being pushed out of the neighborhood, hostility against<br />

people of color has escalated to the point of aggravated attacks and vandalism targeting<br />

black-owned businesses. There have been four such N. Portland attacks documented<br />

this past year alone, including hate speech like, "go home," swastikas and nooses being<br />

spray painted on The Grassroots Cafe, the Sons of Haiti Lodge, and Mac and Dubs<br />

restaurant--the latter of which was firebombed and burned down. Those business<br />

owners were home. The owners are all North Portland natives.<br />

So we want you to have some idea of what you're really doing when you invite a blackface<br />

performer to the neighborhood. Gentrification and racist acts like hate crimes and<br />

the booking of black face performers threaten the safety of people of color in an area of<br />

Portland that has rapidly changed. Ellis Bradley, the owner of the attacked Grass Roots<br />

Cafe, was so affected by these racist, violent acts that he contemplated leaving Oregon<br />

altogether. We've attached his <strong>letter</strong> to you. We hope that you'll find his experiences<br />

and insights as impactful as we do, and are moved to better understand why booking<br />

acts like SQL in our community does the following:<br />

• creates a culture of acceptance around harmful stereotypes in the name of<br />

"comedy"<br />

• perpetuates a cycle of racism that contributes to violent hate crimes and to a<br />

hostile environment for Portland's people of color<br />

• further divides our communities as a whole.<br />

Our group aims to work together in creating a community that ensures the inclusion<br />

and well-being of marginalized people as well as actively challenges the white<br />

supremacy and misogyny that SQL perpetuates. As a member of our LGBTQI<br />

community, we implore The Eagle Portland to critically examine the ways that your<br />

actions have harmed our community, as well as work to establish a process for<br />

restorative justice.<br />

What We're Asking<br />

The following is a list of steps your community has outlined for you. Your participation<br />

would go far toward demonstrating that you are invested in accountability and<br />

restorative justice to your community in the aftermath of harmfully booking SQL at The<br />

Eagle:<br />

1. Attendance at one or several local anti-racism trainings. Some upcoming events<br />

include:<br />

• Anti-racist speaker Tim Wise at Portland State University Wednesday, April 10,<br />

2013 at 6 p.m.<br />

• Basic Rights Oregon's Anti-Racist training on April 11, 2013 at 6 p.m. at Center<br />

for Intercultural Organizing (free of charge)


• YWCA Clark County's Eliminating Racism: Steps I and II workshops in July and<br />

August (free of charge).<br />

• YWCA of Greater Portland's next "Dismantling Racism" workshop (dates TBD)<br />

We strongly encourage the attendance of your bookers, staff, manager and owner to<br />

all attend this training. Our group understands that anti-oppression awareness is a<br />

trajectory and that unlearning racism and other oppressions is a lifetime commitment.<br />

We identify this training as an important step towards operating your business with the<br />

crucial knowledge that could enable you to thrive as a gay business aimed at better<br />

ensuring that it is a safer space for all of its clientele.<br />

2. Participation in an open dialogue about racism and misogyny in our community. This<br />

dialogue should involve the experience and leadership of queer and trans people of<br />

color (QTPOC) in the foreground of its process, and (crucially) should be facilitated with<br />

and articulate a clear anti-racist and overall anti-oppression framework. Our group<br />

hopes to offer a restorative justice listening project event in the future. We feel that your<br />

attendance would be vital in addressing the harm that has been caused in our<br />

community. We will keep you posted in our planning and encourage you to look for<br />

other opportunities to engage in restorative justice processes in which you reflexively<br />

listen to those most affected by the racism and misogyny that SQL perpetuates.<br />

3. Financial reparations. Since The Eagle Pdx would have financially benefited from<br />

the booking of SQL, both in ticket and bar sales at the event, we encourage you to<br />

make financial reparations to those targeted by racism in the LGBTQI and wider<br />

community. The Eagle Portland stated online that 100 tickets were pre-sold at $15<br />

apiece, and so we feel that a $1,500 donation is an amount that bears significance.<br />

We've identified the following businesses or organizations as fitting recipients of<br />

financial reparation, to whom you might choose to divide or focus the entire amount<br />

towards supporting services and events primarily for QTPOC in Portland:<br />

Portland Black Pride<br />

portlandblackpride@gmail.com<br />

Mac and Dubs 714-603-5644<br />

4. We are open to other suggestions that you might consider, or perhaps have already<br />

participated in, that we're unaware of. We encourage your input in this process;<br />

particularly in identifying other specific steps you might be taking or could take in<br />

addressing this issue. We maintain that these steps outlined above are important in<br />

rectifying this situation and in addressing racism and misogyny on a systemic level. We<br />

are reaching out to you in the hopes of engaging you in this process, because it is our<br />

desire that we move forward in making the queer and trans community in Portland one<br />

that actively challenges oppression and affirms the well-being of each of its valued<br />

members.


Last: we ask that you respond in a timely manner to this <strong>letter</strong>. We request that you<br />

contact us within 10 days to let us know:<br />

• that you have signed up for an anti-racist training, and that you are addressing<br />

this <strong>letter</strong> in a thoughtful and reflective manner.<br />

• who you intend to send financial reparations to. We suggest that financial<br />

reparations be completed within six months' time from receiving this <strong>letter</strong>.<br />

We will follow up with an invitation to our event, and will be available to field your<br />

suggestions in outlining other accountability steps you might be taking or could take in<br />

addressing this issue.<br />

Please know that while it might feel differently, that this <strong>letter</strong> is an act of love for our<br />

queer and trans community, and one that hopes to ensure that we continue to strive<br />

towards a truly inclusive and intersectional movement for our collective liberation.<br />

Signed,<br />

Queer Racial Justice PDX (contact: queerracialjusticepdx@gmail.com)<br />

Mary C. DeFreese<br />

R.L. Dunn<br />

Khalil Edwards, Portland Black Pride<br />

Joseph Michael Floyd<br />

Molly Gray<br />

Michele Hunt<br />

T. Jakob, NE Portland<br />

Joe LeBlanc<br />

Catherine Marr<br />

Nicoletta McKee<br />

Galadriel Mozee<br />

Bertha Pearl<br />

Leigh Richards<br />

Candida Albicans Royale<br />

Clio Sady<br />

S. Luc Smith, NE Portland<br />

Anna Stein<br />

Amy Stevens, North Portland<br />

Samantha Taylor<br />

Lee Watts<br />

Eleanor Wieland<br />

cc: <strong>PQ</strong> <strong>Monthly</strong> (Erin Rook), The Oregonian (Casey Parks), The Skanner, Willamette<br />

Week, Portland Mercury


Feb. 21, 2013<br />

To the Owners of the Eagle:<br />

You don't know me. My name is Ellis Bradley and until last year I owned Grass Roots Cafe: a<br />

food truck and catering service in North Portland, where I grew up.<br />

Until last year, you could not tell me that white supremacists were working at pushing black<br />

businesses out of North Portland, but case after case of racially motivated attacks keep coming<br />

up. Last year my own business was attacked. I can hardly put in words how much this hurt me<br />

and my staff: a diverse group of young chefs that focused on bringing love to the food and community.<br />

If it were not for some very amazing people in the Boise Elliot community, I probably<br />

would have left Oregon.<br />

"So what?" you ask. Here I am another disfranchised African American ranting about the ills of<br />

racist behavior and you gotta business to run. The truth of it is, I'm okay now and work as a chef<br />

for a great company, so I'm writing not out of anger, but concern about the message to African<br />

American Women that Chuck Knipp portrays. He doesn't believe himself to be prejudiced because<br />

he "has black friends" and, in his own words, "had black house keepers who cared for him<br />

as a child." But the bottom line is that the negative stereotypes in his act far outweigh anything<br />

funny. They are so hurtful and demeaning, it's a strike at the heart of the matriarchs of African<br />

American families. African American Women that work hard, sacrifice, and become everything<br />

from judges to nurses.<br />

What Chuck Knipp's character does is validate every negative stereotype about African American<br />

women as welfare moms, and whether he stands up at the end of his act and says something<br />

poignant about stereotypes or not: the racist views are then seen and taken as okay because they<br />

are supposed to be funny? Since when does that make everything okay?<br />

Thanks for your time.<br />

E. Bradley

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