Northwords Now
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Poetry<br />
Photo of a Girl on the Rafah<br />
to Gaza Road<br />
Neil Young<br />
Twelve years on, her face keeps shuffling<br />
Up from a pile of old letters and scraps,<br />
Unnamed, but forever happy and five<br />
Like someone photographed on a school trip<br />
In sandals, T-shirt and khaki shorts<br />
And looking a bit like my girl, could be<br />
Just back from the beach, a birthday party,<br />
Smiling, coy for the camera. But she<br />
Looks out from where the sand is a border<br />
And later, hushed, unreported, I heard<br />
A tank shell struck a water butt here, killed<br />
Two schoolgirls at the roadside where they played;<br />
And I wonder still – what chances this child<br />
Lives now, or lived to another snapped smile?<br />
Glimpse<br />
Mary Wight<br />
I dreamt about my father again,<br />
nothing very dramatic – him<br />
turning to look at me, smiling<br />
that lop-sided way, almost<br />
shy, giving a glimpse of<br />
a boy I recognise<br />
from snaps taken on some hillside<br />
or garden, places I can never name<br />
and he was stretching out a hand –<br />
patient, waiting.<br />
Near Gretna Green<br />
Julian Colton<br />
I glimpse it now from this train<br />
Passing through, the station after Gretna Green –<br />
That ice-crusted short cut lane I ran down in the snow<br />
One star-filled December night before Christmas.<br />
We were moving house again, you had gone ahead<br />
The way you did, still do, unpacking planning.<br />
I took a wrong turn country lane, was lost in the dark<br />
But somehow made my way through to you.<br />
And then, as now, in my stomach and heart<br />
A big fat sadness knot for the way things were, are<br />
Another life, another station bypassed<br />
Always moving on, looking back into the past<br />
Forward to the future, never standing level crossing still<br />
The constant dressing, undressing of a Christmas tree.<br />
Brittle panes cracked beneath my feet.<br />
Favourite Book<br />
Sally Evans<br />
Driving home in the country from Stirling<br />
is like reading a favourite book<br />
as the road greets tree after tree after tree,<br />
turns and sways by hedges and fields,<br />
with sub-plots of glen or track.<br />
A cloth-covered book, well made.<br />
It does not become tatty when the words<br />
and the sentences are known:<br />
the turns, the forks, the continuing river,<br />
road-signs from some old grammar.<br />
Peace is the time it takes to read<br />
a well-loved, fingered, moving story,<br />
the frisson when your village is reached<br />
after ridges and downhill twists,<br />
the gate, the right ending<br />
that somebody wrote long ago.<br />
Returning to Assynt, Thinking of<br />
Arizona<br />
John Bolland<br />
Dryness. A vision of Sidona in the winter.<br />
Turning leaves and red rock magnetised. I tingled<br />
purposeful, relieved, alone. A father.<br />
Here.<br />
Nothing in the state of Arizona moves with so much<br />
expeditious joy as Ullapool this summer Sunday<br />
afternoon – the hurried dispensation of strong drink,<br />
the waitresses’ legs, the record of a squeezebox,<br />
seagulls, sea.<br />
High desert, late November cold -<br />
a fallen forest petrified to jasper. Grey caliche.<br />
The green hills melt to smoke above Loch Broom.<br />
The road ahead’s past Inchnadamph, the Moine Thrust,<br />
towards the basement rock and stillness. Depth.<br />
Grand Canyon<br />
on the coldest day for years – 15 below and snow<br />
dusting the reds and mauves – the goldens – greens of time’s<br />
whimsy – neither grey nor brown – just always<br />
grey and brown – yet in the vision golden, red<br />
or mauve. Above the rim the same runs on forever<br />
now. Rocks of a moment.<br />
I proceed<br />
towards a twist of green-grey gneiss – the music<br />
of a fiddle and hard liquor in a glass.<br />
Shoreline<br />
James Andrew<br />
These waves have had it in for this shore<br />
for some time. After that Atlantic Ocean<br />
of a run up they’ve hammered it.<br />
The hills sit quietly, pretending to darn clouds.<br />
A small, brown bird chatters<br />
about the problem of being a small, brown bird.<br />
It could be a peaceful place if it weren’t for<br />
wind sending sand packing, and waves<br />
wearing more pebbles down.<br />
Last Moorings<br />
John Killick<br />
This one’s past is told<br />
by the tilt of its resting-place –-<br />
important, as if poised<br />
for a mercy-dash, the light<br />
still winking at the masthead;<br />
That one’s scabbily scarred,<br />
crestfallen at such indignity,<br />
like a beached beast,<br />
out of its element;<br />
This one was crushed by a sea:<br />
cracked timbers, a cast-off spar,<br />
the paint patchily peeled by salt;<br />
That one’s been cannibalized<br />
for parts: it lacks a rudder,<br />
and the wheelhouse has lost<br />
its wheel:<br />
– all at sea<br />
in every sense but the real.<br />
<strong>Northwords</strong> <strong>Now</strong> Issue 30, Autumn 2015 11