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Poetry<br />

Photo of a Girl on the Rafah<br />

to Gaza Road<br />

Neil Young<br />

Twelve years on, her face keeps shuffling<br />

Up from a pile of old letters and scraps,<br />

Unnamed, but forever happy and five<br />

Like someone photographed on a school trip<br />

In sandals, T-shirt and khaki shorts<br />

And looking a bit like my girl, could be<br />

Just back from the beach, a birthday party,<br />

Smiling, coy for the camera. But she<br />

Looks out from where the sand is a border<br />

And later, hushed, unreported, I heard<br />

A tank shell struck a water butt here, killed<br />

Two schoolgirls at the roadside where they played;<br />

And I wonder still – what chances this child<br />

Lives now, or lived to another snapped smile?<br />

Glimpse<br />

Mary Wight<br />

I dreamt about my father again,<br />

nothing very dramatic – him<br />

turning to look at me, smiling<br />

that lop-sided way, almost<br />

shy, giving a glimpse of<br />

a boy I recognise<br />

from snaps taken on some hillside<br />

or garden, places I can never name<br />

and he was stretching out a hand –<br />

patient, waiting.<br />

Near Gretna Green<br />

Julian Colton<br />

I glimpse it now from this train<br />

Passing through, the station after Gretna Green –<br />

That ice-crusted short cut lane I ran down in the snow<br />

One star-filled December night before Christmas.<br />

We were moving house again, you had gone ahead<br />

The way you did, still do, unpacking planning.<br />

I took a wrong turn country lane, was lost in the dark<br />

But somehow made my way through to you.<br />

And then, as now, in my stomach and heart<br />

A big fat sadness knot for the way things were, are<br />

Another life, another station bypassed<br />

Always moving on, looking back into the past<br />

Forward to the future, never standing level crossing still<br />

The constant dressing, undressing of a Christmas tree.<br />

Brittle panes cracked beneath my feet.<br />

Favourite Book<br />

Sally Evans<br />

Driving home in the country from Stirling<br />

is like reading a favourite book<br />

as the road greets tree after tree after tree,<br />

turns and sways by hedges and fields,<br />

with sub-plots of glen or track.<br />

A cloth-covered book, well made.<br />

It does not become tatty when the words<br />

and the sentences are known:<br />

the turns, the forks, the continuing river,<br />

road-signs from some old grammar.<br />

Peace is the time it takes to read<br />

a well-loved, fingered, moving story,<br />

the frisson when your village is reached<br />

after ridges and downhill twists,<br />

the gate, the right ending<br />

that somebody wrote long ago.<br />

Returning to Assynt, Thinking of<br />

Arizona<br />

John Bolland<br />

Dryness. A vision of Sidona in the winter.<br />

Turning leaves and red rock magnetised. I tingled<br />

purposeful, relieved, alone. A father.<br />

Here.<br />

Nothing in the state of Arizona moves with so much<br />

expeditious joy as Ullapool this summer Sunday<br />

afternoon – the hurried dispensation of strong drink,<br />

the waitresses’ legs, the record of a squeezebox,<br />

seagulls, sea.<br />

High desert, late November cold -<br />

a fallen forest petrified to jasper. Grey caliche.<br />

The green hills melt to smoke above Loch Broom.<br />

The road ahead’s past Inchnadamph, the Moine Thrust,<br />

towards the basement rock and stillness. Depth.<br />

Grand Canyon<br />

on the coldest day for years – 15 below and snow<br />

dusting the reds and mauves – the goldens – greens of time’s<br />

whimsy – neither grey nor brown – just always<br />

grey and brown – yet in the vision golden, red<br />

or mauve. Above the rim the same runs on forever<br />

now. Rocks of a moment.<br />

I proceed<br />

towards a twist of green-grey gneiss – the music<br />

of a fiddle and hard liquor in a glass.<br />

Shoreline<br />

James Andrew<br />

These waves have had it in for this shore<br />

for some time. After that Atlantic Ocean<br />

of a run up they’ve hammered it.<br />

The hills sit quietly, pretending to darn clouds.<br />

A small, brown bird chatters<br />

about the problem of being a small, brown bird.<br />

It could be a peaceful place if it weren’t for<br />

wind sending sand packing, and waves<br />

wearing more pebbles down.<br />

Last Moorings<br />

John Killick<br />

This one’s past is told<br />

by the tilt of its resting-place –-<br />

important, as if poised<br />

for a mercy-dash, the light<br />

still winking at the masthead;<br />

That one’s scabbily scarred,<br />

crestfallen at such indignity,<br />

like a beached beast,<br />

out of its element;<br />

This one was crushed by a sea:<br />

cracked timbers, a cast-off spar,<br />

the paint patchily peeled by salt;<br />

That one’s been cannibalized<br />

for parts: it lacks a rudder,<br />

and the wheelhouse has lost<br />

its wheel:<br />

– all at sea<br />

in every sense but the real.<br />

<strong>Northwords</strong> <strong>Now</strong> Issue 30, Autumn 2015 11

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