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THE F OR<br />

LAUDER <strong>DT</strong><br />

INTERNA <strong>ATALE</strong> TIONAL<br />

STIVAL<br />

FILM FES<br />

30 TH<br />

ANNIVERSARY<br />

TAKE A VACATION FROM ORDINARY FILM<br />

FLiFF.com<br />

November 6 - 22<br />

CINEMA PARADISO - LAUDERDALE / 503 SE 6th St. Fort Lauderdale<br />

CINEMA PARADISO - HOLLYWOOD / 2008 Hollywood Blvd. Hollywood<br />

SUNRISE CIVIC CENTER / 10610 W Oakland Pa ark Blvd. Sunrise FL, 33351<br />

SEMINOLE HARD ROCK / 1 Seminole Way, Hollywood FL, 33314<br />

2015<br />

1


2


Full Length Films CAPITALIZED. Short Films in Title Case.<br />

ANTARCTICA<br />

PENGUIN<br />

COUNTERS,<br />

THE . . . . . . . . .85<br />

ARGENTINA<br />

BETIBU . . . . . . .47<br />

AUSTRALIA<br />

ALL IN HER<br />

STRIDE . . . . . .82<br />

Detectives of Noir<br />

Town, The . . .107<br />

Fixed . . . . . . . . .107<br />

Injury Time . . . .107<br />

Karroyul . . . . . .107<br />

BAHAMAS<br />

GENTLE GIANT:<br />

Andre Rodgers<br />

Story . . . . . . . . .89<br />

When Pigs Swim .89<br />

BAHRAIN<br />

Light Thief, The .108<br />

BRAZIL<br />

MOVING FOREST,<br />

THE . . . . . . . . .66<br />

CANADA<br />

FORSAKEN . . . .14<br />

CHINA<br />

DEAREST . . . . .54<br />

Red House, The .110<br />

CUBA<br />

3 NIGHTS IN<br />

HAVANA . . . . .41<br />

BOCCACCERIAS<br />

HABANERAS .48<br />

CYPRUS<br />

MAGIC BEANS,<br />

THE . . . . . . . . .63<br />

FRANCE<br />

French Kiss . . .109<br />

HURRICANE 3D .90<br />

LE PERE NOEL .59<br />

Mi Casa Su<br />

Casa . . . . . . . .117<br />

MUSICALE<br />

CHAISES, LE . .67<br />

NOS FEMMES .68<br />

GERMANY<br />

At The End of the<br />

Line . . . . . . . .114<br />

LIBERATORS: Why<br />

We Fought . . .91<br />

Dot . . . . . . . . . .112<br />

HAITI<br />

MY FATHER’S<br />

LAND . . . . . .103<br />

WHAT’S LOVE GOT<br />

TO DO WITH IT .103<br />

HUNGARY<br />

LIZA THE FOX<br />

FAIRY . . . . . . .60<br />

ICELAND<br />

VIRGIN MOUNTAIN<br />

. . . . . . . . . . . . .77<br />

ISRAEL<br />

APPLES FROM THE<br />

DESERT . . . . .45<br />

HILL START . . . .57<br />

OPERATION<br />

SUNFLOWER . .69<br />

WONDERS, THE .79<br />

ITALY<br />

LATIN LOVER . .58<br />

Roman Citizen .117<br />

SECRET OF ITALIA,<br />

THE . . . . . . . . . .71<br />

JAPAN<br />

ANTHEM OF THE<br />

HEART, THE . . .93<br />

LOST & FOUND .93<br />

TOKYO FIANCEE<br />

. . . . . . . . . . . . . 74<br />

JORDAN<br />

THEEB . . . . . . . .73<br />

KENYA<br />

WHEN GIANTS<br />

FALL . . . . . . . . .98<br />

KOREA<br />

HAEMOO . . . . . .55<br />

MEXICO<br />

CASESE QUIEN<br />

PUEDA . . . . . . .52<br />

Walk, The . . . . .114<br />

MOLDOVIA<br />

ALL GOD’S<br />

CHILDREN . . .44<br />

NETHERLANDS<br />

ACCUSSED . . . .42<br />

PAKISTAN<br />

Rickshaw Passenger<br />

. . . . . . . . . . . . .112<br />

PHILIPPINES<br />

NEVER THE SAME:<br />

Prisoner of War<br />

Experience . . .22<br />

POLAND<br />

Las Cieni . . . . .114<br />

SERBIA<br />

PERFECT DAY, A .70<br />

SOUTH AFRICA<br />

WHEN VOICES<br />

MEET . . . . . . . 99<br />

SPAIN<br />

En Casa . . . . . . .112<br />

SWITZERLAND<br />

YOUTH . . . . . . . .81<br />

SYRIA<br />

Ball of Hope . . . .114<br />

UNITED KINGDOM<br />

Dog Days . . . . .105<br />

Echo Road . . . .112<br />

Help Point . . . . .108<br />

Night Shift . . . . .113<br />

Violet . . . . . . . . .106<br />

USA<br />

100 Miles To<br />

Lordsburg . . .105<br />

1st Platoon 3rd<br />

Squad . . . . . . .95<br />

3:13 . . . . . . . . .100<br />

3RD STREET<br />

BLACKOUT . . . .40<br />

ADDERALL<br />

DIARIES, THE .43<br />

Adulterer, The . .105<br />

AMERICAN<br />

GRAFFITI . . . .26<br />

ANTHROPOLOGIST,<br />

THE . . . . . . . . . .83<br />

BABY, BABY, BABY 46<br />

BACK IN TIME . .83<br />

Battle For The<br />

Barriers . . . . . .84<br />

BETWEEN MYTH &<br />

HISTORY . . . .86<br />

Big Cypress National<br />

Preserve: Black<br />

Bears . . . . . . .111<br />

Birthday . . . . . . .95<br />

BOAT BUILDER,<br />

THE . . . . . . . . .14<br />

BONNIE AND<br />

CLYDE . . . . . . . .27<br />

Brief Existential<br />

Crisis . . . . . . . . .10<br />

TABLE OF CONTENTS<br />

BROOKLYN . . . .50<br />

Career Girl . . . . .110<br />

CAROL . . . . . . . .51<br />

Cask of Amontillado,<br />

A . . . . . . . . . . .116<br />

CASSANOVA WAS<br />

A WOMAN . . . . .53<br />

Concert . . . . . . .100<br />

Cracked . . . . . .106<br />

Dance of the People<br />

. . . . . . . . . . . . .111<br />

Dead Lines . . . .115<br />

Dinosaur . . . . . .116<br />

Dolores . . . . . . .115<br />

F WORD, THE . .88<br />

Fake, The . . . . .113<br />

Fallen, The . . . .116<br />

Fear Thy Neighbor<br />

. . . . . . . . . . . . .115<br />

February . . . . . .109<br />

First Miamians, The<br />

. . . . . . . . . . . . 111<br />

Fun Bible Facts! 108<br />

HAPPIEST PLACE<br />

ON EARTH, THE 56<br />

JACO . . . . . . . . . .16<br />

Lay In Wait . . . . .113<br />

LOOK AGAIN . .61<br />

LOOK AT US NOW<br />

MOTHER . . . .92<br />

LOVE THE<br />

COOPERS . . .62<br />

MOJAVE . . . . . .64<br />

More Perfect Union,<br />

A . . . . . . . . . . .105<br />

MORNING AFTER,<br />

THE . . . . . . . . .65<br />

Nothing Personal 110<br />

Noticed . . . . . . .108<br />

Original Bill . . . .109<br />

Play Date . . . . .106<br />

Prom Night . . . .108<br />

Re Inc . . . . . . . .110<br />

RIGHT FOOTED .94<br />

SHARKS OF WAR 95<br />

SILVER SKIES . .23<br />

SONGS MY<br />

BROTHERS<br />

TAUGHT ME . .72<br />

Split End . . . . . .113<br />

STORIES ON THE<br />

SKIN . . . . . . . .96<br />

Strays . . . . . . . .115<br />

Time Simply Passes<br />

. . . . . . . . . . . . .96<br />

TRUCK 20’S<br />

LOCATION . . .76<br />

Tumble Dry Low 106<br />

TWO DOLLAR BILL<br />

DOCUMENTARY 97<br />

WANNABE, THE 39<br />

WELL WISHES .79<br />

What’s Eating Dad?<br />

. . . . . . . . . . . . .115<br />

WHERE TO INVADE<br />

NEXT . . . . . . . .15<br />

Who Is Lou Gehrig?<br />

. . . . . . . . . . . . .116<br />

Wildfire . . . . . . .114<br />

VENEZUELA<br />

PAQUETE #3 . . .70<br />

VIETNAM<br />

Chau: beyond the<br />

lines . . . . . . . . .83<br />

Scan This QR Code<br />

to go to FLIFF.com!<br />

SpeCIaL GueSTS<br />

Gil Bellows ............................41<br />

Candy Clark ..............24, 25, 26<br />

Ed Harris...... 31, 32, 33, 38, 43<br />

Christopher Lloyd ...12, 13, 14, 83<br />

Amy Madigan........... 31, 34, 35<br />

Michael Moore ......................15<br />

Victor Nunez ............ 31, 36, 38<br />

Estelle Parsons................27-29<br />

Past Guests...........................11<br />

Bobby Roth .....................11, 87<br />

Loretta Swit ....................20, 22<br />

paRTIeS<br />

Argentine ..........................7, 47<br />

Awards Gala ...................31-37<br />

Breakfast With Bobby .....11, 87<br />

Sunset at Sunrise ............7, 27<br />

Centerpiece Open.................23<br />

Chairman’s Cruise ................. 7<br />

Chinese ............................7, 54<br />

Closing Night Wrap......7, 39-40<br />

Cuban .........................7, 41, 48<br />

Cyprus .............................7, 63<br />

French ..............................7, 59<br />

Hungarian ........................7, 60<br />

Indian ...............................7, 75<br />

Israeli ......................... 7, 45, 57<br />

Italian ..........................7, 58,71<br />

Japanese .........................7, 74<br />

Junkanoo .........................7, 89<br />

Mel’s Drive-In ...................7, 26<br />

Mexican ...........................7, 52<br />

Opening Night .................14-19<br />

Scandinavian ...................7, 42<br />

Veteran’s Day Cookout .....7, 22<br />

FLIFF-World Lounge ..............7<br />

InFoRmaTIon<br />

Board of Directors ..............135<br />

How To Fest ...........................6<br />

Locations ...............................6<br />

Lumiere.............................. 136<br />

Members ............................139<br />

Membership .......................141<br />

Millennium Club .................136<br />

Movie Club, The .................136<br />

On-Line Auction ...................78<br />

Parties ....................................7<br />

Romanian Film Fest ....120-121<br />

St Augustine Film Fest .......125<br />

Schedule .............................2-3<br />

Sponsors ....................128-130<br />

Staff ....................................137<br />

Ticket Order Form ..............144<br />

Volunteers.......................... 139<br />

Editor / Publisher<br />

Gregory von Hausch<br />

Catalog Design / Art Direction /<br />

Cover Design<br />

KenpernaDesign.com<br />

Celebrity Bios<br />

Rob Davis<br />

Poster Art (p1)<br />

Zimmerman advertising<br />

3


SCHEDULE<br />

MONDAY, NOV 2<br />

CPL<br />

6:00 MY FATHER’S LAND 103<br />

8:00 WHAT ABOUT LOVE? 103<br />

TUESDAY, NOV 3<br />

CPL<br />

5:30 Time Simply Passes 96<br />

6:30 Concert 100<br />

8:00 3:13 100<br />

WEDNESDAY, NOV 4<br />

CPL<br />

5:30 BROOKLYN 50<br />

8:00 BROOKLYN 50<br />

THURSDAY, NOV 5<br />

CPL<br />

5:15 Miamians, Dancers & Bears,<br />

Oh My! 111<br />

5:45 Sun Shorts 116<br />

8:00 SINGLE IN SOUTH BEACH 102<br />

FRIDAY, NOV 6<br />

CPL<br />

6:00 TWO DOLLAR BILL 97<br />

8:00 THE BOAT BUILDER 14<br />

9:30 opening night party 7<br />

10:30BACK IN TIME 83<br />

CPH<br />

1:00 3:13 100<br />

3:30 ALL GOD’S CHILDREN 44<br />

6:00 THE MOVING FOREST 66<br />

8:30 SINGLE IN SOUTH BEACH 102<br />

HARD ROCK<br />

7:00 WHERE TO INVADE NEXT 15<br />

8:30 opening night party 7<br />

9:00 JACO 16<br />

11:00opening night party<br />

SATURDAY, NOV 7<br />

CPL<br />

12:00THE ANTHEM OF THE<br />

HEART 93<br />

2:45 THE MORNING AFTER 65<br />

5:00 THEEB 73<br />

7:00 LE PERE NOEL 59<br />

8:20 Viva La France party 7<br />

9:00 CAROL 51<br />

CPH<br />

12:00Children See Magic... 106<br />

1:30 TRUCK 20’S LOCATION 76<br />

4:00 CASSANOVA WAS A<br />

WOMAN 53<br />

6:30 LATIN LOVER 58<br />

9:00 3 DAYS IN HAVANA 41<br />

SUNDAY, NOV 8<br />

CPL<br />

10:00Chairman’s Brunch &<br />

Cruise 7<br />

4<br />

1:15 TRUCK 20’S LOCATION 76<br />

3:30 CASSANOVA WAS A<br />

WOMAN 53<br />

4:30 Italiano paisano Festa 7<br />

6:00 LATIN LOVER 58<br />

7:15 Cuba Libre party 7<br />

8:30 3 DAYS IN HAVANA 41<br />

CPH<br />

1:00 THE MORNING AFTER 65<br />

3:30 THEEB 73<br />

6:00 LE PERE NOEL 59<br />

8:30 THE MOVING FOREST 66<br />

MONDAY, NOV 9<br />

CPL<br />

5:00 China Chi Fan 7<br />

5:30 DEAREST 54<br />

7:30 Christmas in november 7<br />

8:00 LOVE THE COOPERS 62<br />

CPH<br />

1:00 RIGHT FOOTED 94<br />

2:45 ALL IN HER STRIDE 82<br />

5:00 WHEN GIANTS FALL 98<br />

7:30 MUSICAL CHAIRS 67<br />

TUESDAY, NOV 10<br />

CPL<br />

5:30 Peter Langone Tribute 8-9<br />

7:00 YOUTH 81<br />

8:00 Renaissance Regalia<br />

party 7<br />

9:30 BETWEEN MYTH &<br />

HISTORY 86<br />

CPH<br />

1:00 Oppressed 114<br />

3:00 Surprise!!! 117<br />

5:15 DEAREST 54<br />

8:15 TWO DOLLAR BILL 97<br />

WEDNESDAY, NOV 11<br />

CPL<br />

10:00 High School Winners<br />

11:30 NOS FEMMES 68<br />

1:15 HURRICANE 3D 90<br />

3:15 THE LIBERATORS 91<br />

4:30 Veteran’s Day Cookout 7<br />

5:00 NEVER THE SAME 22<br />

7:00 Junkanoo parade 7<br />

7:00 m*a*S*H* party 7<br />

7:15 When Pigs Swim /<br />

THE GENTLE GIANT 89<br />

8:45 Junkanoo party 7<br />

9:00 Stories On The Skin 96<br />

CPH<br />

11:30 Sharks of War / 1st<br />

Squad/ Happy Bday 95<br />

1:00 THE LIBERATORS 91<br />

3:30 NEVER THE SAME 22<br />

5:30 BABY, BABY, BABY 46<br />

7:45 YOUTH 81<br />

THURSDAY, NOV 12<br />

CPL<br />

5:15 LOOK AT US NOW MOTHER 92<br />

7:00 CASESE QUIEN PUEDA 52<br />

8:45 mexican madness party 7<br />

9:30 BEVERLY HILLS<br />

CHRISTMAS 101<br />

CPH<br />

1:00 It’s What I Do 110<br />

3:30 TIME SIMPLY PASSES 96<br />

5:30 NOS FEMMES 68<br />

7:45 CAROL 51<br />

FRIDAY, NOV 13<br />

SUNRISE<br />

6:00 Sun Sentinel Going Hungry 119<br />

7:15 SILVER SKIES 23<br />

9:00 Centerpiece party 7<br />

CPL<br />

6:15 Chau beyond the lines 82<br />

7:30 BABY BABY BABY 46<br />

9:45 PAQUETE #3 70<br />

CPH<br />

1:30 LOOK AT US NOW MOTHER 92<br />

4:00 LOOK AGAIN 61<br />

6:30 SONGS MY BROTHERS<br />

TAUGHT ME 72<br />

9:00 CASESE QUIEN PUEDA 52<br />

SATURDAY, NOV 14<br />

SUNRISE<br />

2:30 HAPPIEST PLACE ON<br />

EARTH 56<br />

4:30 BONNIE & CLYDE<br />

Estelle Parsons Tribute 27<br />

7:00 Sunset at Sunrise<br />

party 7<br />

7:45 SECRET OF ITALIA 71<br />

CPL<br />

10am Breakfast With Bobby 7<br />

10:30 A DIRECTOR PREPARES 87<br />

1:00 pizza With Bobby 7<br />

2:30 Hungarian Rhapsody<br />

party 7<br />

3:00 LIZA, THE FOX FAIRY 60<br />

5:15 AMERICAN GRAFFITI<br />

Candy Clark Tribute 26<br />

7:15 mel’s Drive-In party 7<br />

7:45 Nice Place To Visit But<br />

I Wouldn’t Want... 112<br />

9:15 THE F WORD 88<br />

CPH<br />

1:30 THE MAGIC BEANS 63<br />

4:00 SILVER SKIES 23<br />

6:30 THE BEAUTIFUL ONES 78<br />

9:00 HAEMOO 55


SUNDAY, NOV 15<br />

SUNRISE<br />

1:00 THE WONDERS 80<br />

3:30 APPLES FROM THE<br />

DESERT 45<br />

5:00 Israeli party 7<br />

6:30 HILL START 57<br />

CPL<br />

12:15It’s all Cyprus To me 7<br />

1:00 THE MAGIC BEANS 63<br />

3:30 HAPPIEST PLACE<br />

ON EARTH 56<br />

6:00 LOOK AGAIN 61<br />

8:15 THE BEAUTIFUL ONES 78<br />

CPH<br />

1:30 Oops! 113<br />

3:15 LIZA THE FOX FAIRY 60<br />

5:45 THE F WORD 88<br />

8:15 BETWEEN MYTH &<br />

HISTORY 86<br />

MONDAY, NOV 16<br />

CPL<br />

5:15 WELL WISHES 79<br />

7:30 TOKYO FIANCEE 74<br />

9:00 Japan Jumpup party 7<br />

CPH<br />

1:30 LOST & FOUND 1:30<br />

3:30 ALL GOD’S CHILDREN 44<br />

5:30 HILL START 57<br />

7:00 Italia Secret Festa 7<br />

7:30 THE SECRET OF ITALIA 71<br />

TUESDAY, NOV 17<br />

CPL<br />

6:00 Sun Sentinel<br />

Plundering America 119<br />

7:00 Cuba Conga party 7<br />

8:30 BOCCACHIOS IN<br />

HAVANA 48<br />

CPH<br />

1:30 THE ANTHROPOLOGIST 94<br />

3:00 LOST & FOUND 93<br />

5:30 APPLES FROM THE<br />

DESERT 45<br />

7:00 Tokyo Lights party 7<br />

7:30 TOKYO FIANCEE 74<br />

WEDNESDAY, NOV 18<br />

CPL<br />

5:45 VIRGIN MOUNTAIN 77<br />

7:15 Scandinavian Scandal<br />

party 7<br />

8:00 ACCUSED 42<br />

CPH<br />

1:30 Every Saint Has A Past... 108<br />

3:30 THE ANTHROPOLOGIST 94<br />

5:30 THE WONDERS 80<br />

7:00 Havana Hoe Down party 7<br />

7:30 BOCCACHIOS IN HAVANA 48<br />

THURSDAY, NOV 19<br />

CPL<br />

5:30 BATTLE FOR THE BARRIERS 97<br />

6:00 THE PENGUIN COUNTERS 85<br />

7:45 BETIBU 47<br />

9:30 awake in argentina party 7<br />

CPH<br />

1:30 Foreseeable Outcomes 109<br />

4:00 WHEN VOICES MEET 99<br />

6:30 WELL WISHES 79<br />

8:30 Wild accusation party 7<br />

9:00 ACCUSED 42<br />

FRIDAY, NOV 20<br />

CPL<br />

5:00 India Intrigue Party 7<br />

6:00 A TREE WITHOUT ROOTS 75<br />

8:15 THE ADDERALL DIARIES 43<br />

8:30 Tie-me marsupial Down party 7<br />

10:30Down Under 107<br />

CPH<br />

1:00 PAQUETE #3 70<br />

3:30 VIRGIN MOUNTAIN 77<br />

7:00 RIGHT FOOTED 94<br />

9:30 BETIBU 47<br />

SATURDAY, NOV 21<br />

CPL<br />

11:00South african Wakeup<br />

party 7<br />

11:30 WHEN VOICES MEET 99<br />

2:00 A FLASH OF GREEN 38<br />

4:00 3rd STREET BLACKOUT 40<br />

6:45 HURRICANE 3D 90<br />

9:30 HAEMOO 55<br />

CPH<br />

11:30 Can’t We All Just Get<br />

Along? 105<br />

1:00 BACK IN TIME 83<br />

3:30 A TREE WITHOUT ROOTS 75<br />

6:00 THE ADDERALL DIARIES 43<br />

8:30 MOJAVE 64<br />

DIPLOMAT 31<br />

6:30 Cocktails<br />

8:00 Dinner<br />

9:00 awards<br />

SUNDAY, NOV 22<br />

CPL<br />

1:00 MOJAVE 64<br />

3:30 A PERFECT DAY 70<br />

6:00 THE WANNABE 39<br />

7:45 Spook Fest 115<br />

CPH<br />

1:00 OPERATION SUNFLOWER 69<br />

3:30 3rd STREET BLACKOUT 40<br />

6:00 THE WANNABE 39<br />

8:30 A PERFECT DAY 70<br />

RITZ CARLTON<br />

7:15 Wrap party 7<br />

MONDAY, NOV 23<br />

CPL<br />

5:30 OPERATION SUNFLOWER 69<br />

8:00 MUSICAL CHAIRS 67<br />

WEDNESDAY, NOV 25<br />

CPL<br />

5:45 SONGS MY<br />

BROTHERS TAUGHT ME 72<br />

8:00 BEVERLY HILLS<br />

CHRISTMAS 101<br />

~ Title followed by page number<br />

CPL = Cinema Paradiso - Fort Lauderdale, 503 ES 6 Street, Ft Lauderdale<br />

CPH = Cinema Paradiso - Hollywood, 2008 Hollywood Blvd, Hollywood<br />

Sunrise = Sunrise Civic Center, 10610 West Oakland Park Blvd, Sunrise<br />

Hard Rock = Seminole Hard Rock, Hard Rock Live, 1 Seminole Way, Hollywood<br />

Ritz Carlton = Ritz Carlton Fort Lauderdale Beach, 1 North Fort Lauderdale Beach Blvd<br />

parties listed in puRpLe<br />

Due to unforeseen circumstances it is always advisable to check<br />

FLIFF.com for updates and schedule changes.<br />

Funding for this event is provided in part by the Broward County Board of County Commissioners as recommended by the Broward Cultural Council and Greater Fort<br />

Lauderdale Convention & Visitors Bureau. Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, and The Florida Council on Arts & Culture.<br />

5


ON-LINE<br />

www.FLIFF.com<br />

THEATRES:<br />

WHERE WE ARE - WHEN<br />

Hard Rock Live (HRL): November 6<br />

Cinema Paradiso-Lauderdale (CPL):<br />

November 2 - 25<br />

Cinema Paradiso-Hollywood (CPH):<br />

November 6 - 25<br />

Sunrise Civic Center (SC):<br />

November 13 - 15<br />

Your FLIFF Fast Pass<br />

accepted at all venues.<br />

SPECIAL EVENTS & PARTIES<br />

Monday, Nov 2 – Thurs, Nov 5<br />

PreFest, CPL<br />

FRIDAY, NOV 6<br />

7pm WHERE TO INVADE NEXT (HRL)<br />

with Special Guest Michael Moore<br />

8:00 Lifetime Achievement Award<br />

THE BOAT BUILDER with Special<br />

Guest Christopher Lloyd (CPL)<br />

9:00 Opening Night Party, KURO at<br />

Seminole Hard Rock<br />

9:30 Opening Night Party (CPL)<br />

SATURDAY, NOV 7<br />

7pm French Night, (CPL)<br />

SUNDAY, NOV 8<br />

10am Chairman’s Cruise & Brunch,<br />

on-Board Caprice at Gallery One Hotel<br />

4:30 Italian Night, (CPL)<br />

7:15 Cuba Night I (CPL)<br />

MONDAY, NOV 9,<br />

5pm China Night, (CPL)<br />

7:30 Christmas Party, (CPL)<br />

TUESDAY, NOV 10,<br />

5:30 Peter Langone Tribute, (CPL)<br />

7:30 Renaissance Party, (CPL)<br />

WEDNESDAY, NOV 11<br />

4:30 Veteran’s Day CookOut, (CPL)<br />

7:00 Junkanoo Parade, at river by (CPL)<br />

7:00 M*A*S*H Party, (Villa DePalma)<br />

8:45 Junkanoo Party, (CPL)<br />

THURSDAY, NOV 12,<br />

7pm Mexican Night, (CPL)<br />

FRIDAY, NOV 13<br />

6pm, Sun Sentinel Panel on Seniors, (SC)<br />

7:15, Centerpiece Night, (SC)<br />

SATURDAY, NOV 14<br />

10am Breakfast With Bobby, (CPL)<br />

1pm Pizza With Bobby, (CPL)<br />

2:30 Hungarian Day, (CPL)<br />

4:30 Estelle Parsons Tribute &<br />

BONNIE AND CLYDE, (SC)<br />

5:15 Candy Clark Tribute &<br />

AMERICAN GRAFFITI, (CPL)<br />

SUNDAY, NOV 15<br />

12:15 Cyprus Party, (CPL)<br />

5pm Israeli Party, (SC)<br />

MONDAY, NOV 16<br />

7:00 Italian (CP-HOLLYWOOD)<br />

7:30 Japan Night, (CPL)<br />

TUESDAY, NOV 17,<br />

6pm, Sun Sentinel Panel on Cuba, (CPL)<br />

7pm Japanese Party (CP-H)<br />

7pm, Cuba Night II, (CPL)<br />

6<br />

WEDNESDAY, NOV 18<br />

5:45 Scandinavia Night, (CPL)<br />

7pm Japanese Party (CP-H)<br />

THURSDAY, NOV 19<br />

7:45 Argentina Night, (CPL)<br />

8:30 Scandinavian Party (CP-H)<br />

FRIDAY, NOV 20<br />

5pm India Night, (CPL)<br />

8:15 Ed Harris Tribute Screening<br />

THE ADDERALL DIARIES, (CPL)<br />

8:30 Australian Party, (CPL)<br />

SATURDAY, NOV 21<br />

10am South African Breakfast &<br />

Live Performance, (CPL)<br />

2:00 Victor Nunez Tribute Screening<br />

A FLASH OF GREEN with<br />

Guest Ed Harris, (CPL)<br />

6:30 Awards Gala, Diplomat Resort<br />

& Spa, (CPL)<br />

SUNDAY, NOV 22<br />

8:00 Wrap Party, (Ritz Carlton-<br />

Fort Lauderdale Beach)<br />

MONDAY, NOV 23 – WED NOV 25<br />

Post Fest, (CPL)<br />

TAKING YOUR VACATION<br />

FROM ORDINARY FILM:<br />

If you know where you’re going…and<br />

you know what film(s) you want to see<br />

– then go online fliff.com or call us at<br />

525-FILM and order them in advance…<br />

don’t have a credit card, no problemo,<br />

we still take cash and you can buy them<br />

at the door. Then get yourself to the<br />

theatre about 15 minutes before showtime,<br />

and voila! You are FLIFFing!<br />

FLIFF TICKETS<br />

Regular screenings: $6 FLIFF Members,<br />

$8 for Seniors or Students,<br />

$10 General Admission<br />

Special Screenings $10 - $25 depending<br />

upon the event - many include pre<br />

or post receptions<br />

Opening Night Party (HRL):<br />

By Membership ONLY!<br />

Opening Night Party (CPL):<br />

$10 Members; $15 General Admission<br />

Chairman’s Cruise: $65 members<br />

$75 General Admission<br />

Centerpiece Party: $25 Members,<br />

$30 General Admission<br />

M*A*S*H Party: $30 Members,<br />

$40 General Admission<br />

Estelle Parsons Tribute +<br />

Coffee & Desserts $10 Members;<br />

$15 General Admission<br />

Awards Gala: $175 Members;<br />

$225 General Admission<br />

Wrap Party: $35 Members,<br />

$45 General Admission<br />

FAST Passes: $395 Members, $450 Non<br />

- includes all films: Romanian Fest Oct<br />

22-25 and FLIFF Nov 2 - 25.<br />

FAST PASS<br />

The FAST Pass is your perfect FLIFF<br />

companion as it allows you to access all<br />

film screenings without standing in the<br />

ticket line. No need to carry cash or to<br />

worry about special screenings. FAST<br />

Pass includes all screenings, Centerpiece<br />

and Wrap Party. Does not include<br />

the Opening Night Party, Festival Cafe<br />

and Awards Gala. FLIFF Members:<br />

$395 ~ Non-Members: $450<br />

HOW TO FEST<br />

PLASTIC<br />

Visa, MasterCard, American Express<br />

and Discover.<br />

DRESS<br />

Opening Night Party (Nov 6) is Hollywood<br />

Festive (meaning, don’t dress like<br />

a bum, but be comfortable).<br />

The Chairman’s Brunch & Cruise is tres<br />

casual, if its warm, dress cool...white is<br />

always nice.<br />

The M*A*S*H Party (Nov 11) is a time<br />

to breakout your old Korean War duds.<br />

Improvise & party like its 1952.<br />

The Chairman’s Awards Gala (Nov 21)<br />

at Diplomat is also a time to look like<br />

you can afford the $250 ticket price.<br />

Elsewhere, dress up, dress down…<br />

whatever you like to do, just be comfortable<br />

and you’ll feel fine.<br />

PARKING<br />

Cinema Paradiso-Lauderdale: Free<br />

everyday in the Courthouse Parking<br />

Garage (Mon – Fri beginning at<br />

5:30pm; Sat & Sunday all day). Enter<br />

the garage via SE 5th Avenue (immediately<br />

west of Cinema Paradiso)...You<br />

can also park for free at any street<br />

meter surrounding Cinema Paradiso all<br />

day on Sundays. Please know, the<br />

Meter Maids are ravenous. We suggest<br />

the garage which, to them, is like<br />

sunlight to a vampire.<br />

Cinema Paradiso-Hollywood: Park free<br />

for 3 hours on the street during the day.<br />

If you park at or after 5pm, parking on<br />

the street is free. Great for taking advantage<br />

of all the bistros. Also two<br />

large public garages within 5 mins walk<br />

at just $1/hour.<br />

Sunrise Civic Center: Park for free in<br />

acres of street level parking lots immediately<br />

surrounding Civic Ctr.<br />

DIRECTIONS<br />

Cinema Paradiso-Lauderdale from<br />

the North…take US 1 south through<br />

the tunnel. Turn right at SE 7th Street<br />

(1st light after tunnel). Turn right on SE<br />

5th Avenue (second right you come to).<br />

Go to stop sign. Cinema Paradiso is<br />

across the street on your right. The<br />

Courthouse Parking Garage is across<br />

the street on your left.<br />

Cinema Paradiso-Lauderdale from<br />

the South…take US 1 north. Turn left<br />

at SE 7th Street (last light before tunnel).<br />

Turn right on SE 5th Avenue (second<br />

right you come to). Go to stop<br />

sign. Cinema Paradiso is across the<br />

street on your right. The Courthouse<br />

Parking Garage is across the street on<br />

your left.<br />

Cinema Paradiso-Hollywood<br />

2008 Hollywood Blvd, which is 2 ½<br />

blocks west of Young Circle. From Ft<br />

Lauderdale on the east side, take US 1<br />

south, turn right on to Hollywood Blvd<br />

and park wherever you want. CP-H is<br />

on the south side of Hwd Blvd, directly<br />

across the street from SunTrust.<br />

Sunrise Civic Center is located on the<br />

south side of Oakland Park Blvd between<br />

Nob Hill Road & Hiatus.<br />

RULES<br />

Not a lot of them…pretty simple:<br />

1) Turn off your cellphones during the film.<br />

2) Don’t even text in the theatre during<br />

the film…its annoying.<br />

3) Can’t abide by those two…please<br />

just stay home and watch television.<br />

4) Also no videotaping during film<br />

(everyone knows that).<br />

5) Be courteous to other members of<br />

the audience…and sure, while we’re at<br />

it, what the hay, the staff too!<br />

CONTACT<br />

Box-office 954-525-FILM (3456)<br />

Administration 954-760-9898<br />

Email info@fliff.com<br />

web www.fliff.com<br />

ADDRESSES<br />

Fort Lauderdale Int'l Film Festival<br />

(mailing only)<br />

1314 East Las Olas Blvd #007<br />

Ft Lauderdale FL 33301-2334<br />

(954) 760-9898<br />

CINeMa PaRadISo-LaudeRdaLe<br />

Nov 2 - 25<br />

503 SE 6th Street<br />

Ft Lauderdale FL 33301<br />

(954) 525-FILM (3456)<br />

CINeMa PaRadISo-HoLLywood<br />

Nov 6 - 22<br />

2008 Hollywood Blvd<br />

Hollywood 33019<br />

SeMINoLe HaRd RoCk Nov 6<br />

Opening Night Film: at Hard Rock Live<br />

Opening Night Party: at Kuro<br />

1 Seminole Way<br />

Hollywood, FL 33314<br />

SuNRISe CIvIC CeNTeR Nov 13 – 15<br />

Centerpiece Party, Nov 13<br />

Sunset at Sunrise, Nov 14<br />

Israeli Party, Nov 15<br />

10610 West Oakland Park Boulevard<br />

Sunrise, FL 33351-6818<br />

(954) 747-4600<br />

vILLa dePaLMa<br />

M*A*S*H Party, Nov 11<br />

600 Isle of Palms,<br />

Ft Lauderdale 33316<br />

The Caprice/Gallery one<br />

Chairman’s Cruise, Nov 8<br />

2670 E Sunrise Blvd<br />

Ft Lauderdale 33304<br />

dIPLoMaT ReSoRT & SPa<br />

Awards Gala, Nov 21<br />

3555 South Ocean Drive<br />

Hollywood Beach 33019<br />

RITz CaRLToN<br />

FoRT LaudeRdaLe BeaCH<br />

Wrap Party, Nov 22<br />

1 North Fort Lauderdale Beach Blvd.<br />

Ft Lauderdale, FL 33304


oPeNING NIGHT 9:00PM FRIDAY, NOV 6 KURO at Seminole Hard Rock<br />

Open Bar, fantastic food, and surprises!<br />

oPeNING NIGHT 9:30PM FRIDAY, NOV 6 Join us in the Courtyard following<br />

THE BOAT BUILDER<br />

vIva La FRaNCe SoIRee<br />

8:20pm, Saturday, Nov 7, CPL – Courtyard<br />

Vin (pg49), Fromage, Pate, Baguettes, Le Pain, Pasteries, Edith Piaf! –<br />

Included in your 7pm ticket to LE PERE NOEL.<br />

CHaIRMaN’S CRuISe & BRuNCH 10am Sharp, Sunday, Nov 8, On-<br />

Board Caprice departing from Gallery One. A breakfast buffet + Bloody<br />

Marys, Mimosas & Coffee – on a Sun Dream Cruise!<br />

ITaLIaNo PaISaNo FeSTa 4:30pm, Sunday, Nov 8, CPL – Courtyard<br />

Vino, Fromaggio, Antipasto, Pasta, Pane, Mantovani! – Included with your<br />

5:15 ticket to LATIN LOVER.<br />

CuBa LIBRe 7:15pm, Nov 8, CPL – Courtyard. Join Gil Bellows at a<br />

pre-film party for 3 DAYS IN HAVANA, included in your 8:30 TICKET.<br />

CHINa CHI FaN 5pm, Monday, Nov 9, CPL – Courtyard<br />

Fried Rice, Fortune Cookie + Green Tea + Classical Chinese music! –<br />

Included in your 5:30 ticket to DEAREST.<br />

CHRISTMaS IN NoveMBeR 7:30, Monday, Nov 9, CPL – Courtyard.<br />

Gregory’s World Famous Nogg, Christmas Cookies, Rare Who Roast Beast,<br />

Christmas Choir! – Included in your 8pm ticket to LOVE THE COOPERS.<br />

ReNaISSaNCe ReGaLIa 8:30pm, Tuesday, Nov 10, CPL - Courtyard<br />

Olde English Vittles and Beer Specials, Rousing Drunkard Music! Included<br />

in your 9:30 ticket to BETWEEN MYTH & TIME.<br />

veTeRaN’S day CookouT Wednesday, Nov 11, 4:30pm, CPL – Courtyard<br />

with Special Guest Loretta Swit. Hot Dogs (Turkey, Beef or Veggie)<br />

& Chips, John Phillip Souza, Beach Boys & The Boss! Included in your<br />

5pm ticket to NEVER THE SAME.<br />

JuNkaNoo PaRade + PaRTy Wednesday, Nov 11, 7pm Parade, 8:30<br />

Party, Parade starts at River, Party at CPL-Courtyard. Junkanoo Dancers<br />

& Musicians in Costume dancing from river to Courtyard. Then after films,<br />

Join Us in Courtyard for Sands Beer & Conch Fritters. Included in your<br />

7:15 ticket to When Pigs Swim/Gentle Giant.<br />

M*a*S*H PaRTy Wednesday, Nov 11, 7:30pm, Villa DePalma<br />

Extravaganza Impresario & FLIFF Board Member Steve Savor transforms<br />

his waterfront mansion into the 4077 MASH Unit. Mr. Savor welcomes<br />

Emmy Award winning actress, Loretta Swit who portrayed Major Margret<br />

“Hot Lips” Houlihan on the TV series M*A*S*H. A portion of the proceeds<br />

donated to Ayla’s Acres, a No-Kill Rescue Organization for Pets.<br />

MexICaN MadNeSS Thursday, Nov 11, 8:45pm, CPL-Courtyard<br />

Tacos & Nachos & Guacamoles & Tequilla + Live Mariachis! Included in<br />

your 7pm ticket to CASESE QUIEN PUEDA.<br />

CeNTeRPIeCe NIGHT Friday, Nov 13, 9pm, Sunrise Civic Center<br />

The City of Sunrise presents a fabulous party with serving stations and<br />

wine. Included in your 7:15pm ticket to SILVER SKIES.<br />

BReakFaST wITH BoBBy Saturday, Nov 14, CPL – Courtyard<br />

Bagels, Muffins, Fruit, Yogurt & Coffee with director Bobby Roth. Included<br />

in your ticket to A DIRECTOR PREPARES: Bobby Roth’s Masterclass.<br />

PIzza wITH BoBBy SaTuRday Nov 14, 1pm CPL – Courtyard<br />

Pizza: Cheese, Carnivore or Veggie. Included in your ticket to A<br />

DIRECTOR PREPARES: Bobby Roth’s Masterclass.<br />

This icon on a PARTY a film page with indicates<br />

this film. PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

HuNGaRIaN RHaPSody Saturday, Nov 14, 2:30, CPL –<br />

Courtyard - Hungarian Goulash, bread & wine, & music by<br />

Franz Liszt. Included in your 3:30pm ticket to LIZA THE FOX<br />

FAIRY.<br />

PARTIES<br />

SuNSeT aT SuNRISe Saturday, Nov 14, 7pm Sunrise Civic Center –<br />

Desserts, Coffee & Wine. Included in your 4:30 ticket to BONNIE AND<br />

CLYDE or 7:45pm ticket to THE SECRET OF ITALIA.<br />

MeL’S dRIve-IN PaRTy Saturday, Nov 14, 7:15pm CPL – Courtyard with<br />

special guest Candy Clark. Burgers, Fries & beer plus the AMERICAN GRAF-<br />

FITI soundtrack. Included in your 6pm ticket to AMERICAN GRAFFITI.<br />

IT’S aLL CyPRuS To Me PaRTy Sunday, Nov 15, 12:15pm, CPL –<br />

Courtyard. Join Us for Orektika before the 1pm film, included in your ticket<br />

to THE MAGIC BEANS.<br />

ISRaeLI eveNING Sunday, Nov 15, 5pm, Sunrise Civic Center – Join Us<br />

for a NOSH + Klezmer Music! Included in your 6:30pm ticket to HILL START.<br />

ITaLIa SeCReT PaRTy Monday, Nov 16, 7pm, CP-Hollywood<br />

The culinary paisanos from Whole Foods Market – Aventura. Included<br />

with 7:30 ticket to THE SECRET OF ITALIA.<br />

JaPaN JuMPuP Monday, Nov 16, 8:40pm, CPL – Courtyard<br />

Sushi & Saki specials & Zen Music with Traditional Flute, Koto, Shamisen!<br />

Included in your 7pm ticket to TOKYO FIANCEE.<br />

Tokyo LIGHTS PaRTy Tuesday, Nov 17, 7pm, CP-Hollywood<br />

The culinary Samurais from Whole Foods Market – Aventura. Included<br />

with 7:30 ticket to TOKYO FIANCEE.<br />

HavaNa Hoe dowN Wednesday, Nov 18, 7pm, CP-Hollywood<br />

The culinary sambas from Whole Foods Market – Aventura. Included with<br />

7:30 ticket to BOCCACHIOS IN HAVANA.<br />

CuBa CoNGa Tuesday, Nov 17, 8:30pm, CPL-Courtyard<br />

wILd aCCuSaTIoN PaRTy Thursday, Nov 18, 8:30pm, CP-Hollywood.<br />

The Dutch Treats from Whole Foods Market – Aventura. Included with<br />

9pm ticket to ACCUSED.<br />

SCaNdINavIa SCaNdaL Wednesday, Nov 18, 7:15pm, CPL-Courtyard.<br />

Swedish Meatballs, Gravlax & Vodka + Bjork! Free with your ticket to either<br />

5:45 VIRGIN MOUNTAIN or 8pm ACCUSED.<br />

awake IN aRGeNTINa Thursday, Nov 19, 9:30pm, CPL-Courtyard<br />

Empanadas & Argentine Wine (I like saying that) + Tango Music! Included<br />

in your 7:45pm ticket to BETIBU.<br />

INdIa INTRIGue Friday, Nov 20, 5pm, CPL-Courtyard<br />

A potpourri of Indian tastes + cold drinks wash it down! + Ravi Shankar!<br />

Included in your 6pm ticket to A TREE WITHOUT ROOTS.<br />

TIe-Me MaRSuPIaL dowN PaRTy Friday, Nov 20, 8:30pm, CPL-Courtyard.<br />

Beer Battered Wings, RoadKill-Wallaby & Beer + Aussie Tunes! Included<br />

in your 9:15pm ticket to DOWN UNDER.<br />

SouTH aFRICaN wakeuP Saturday, Nov 21, 11:00am, CPL – Courtyard.<br />

Pastries & Coffee. Live performance by the Sharon Katz & The<br />

Peace Train. Included in your 11:30am ticket to WHEN VOICES SING.<br />

awaRdS NIGHT Saturday, Nov 21, 6:30pm, Diplomat Resort & Spa<br />

Ed Harris-Amy Madigan-Victor Nunez... Cocktails, hors d’oeuvres, dinner<br />

& dancing. Get glammed up (whatever that means to you).<br />

PuTTIN’ oN THe RITz wRaP PaRTy Sunday, Nov 22, 8:00pm, Ritz Carlton<br />

Fort Lauderdale Beach. A buffet and passed hors d’oeuvres by the Ritz<br />

chefs + Open Bar by Bacardi. Included in your 5:30pm ticket to 3RD<br />

STREET BLACKOUT.<br />

7


The 30th Annual Fort Lauderdale<br />

International Film Festival is dedicated<br />

to our friend, collaborator,<br />

sponsor and past Board member,<br />

Peter Langone. Back in the mid<br />

90’s, Phil Goldfarb, then of Doubletree<br />

and Vice Chair of FLIFF, nominated<br />

Peter for the Board. Peter, in<br />

his signature untucked t-shirt, blue<br />

jeans, bedraggled hair and swarthy<br />

Italian complexion seemed at first incongruous<br />

choice with his unedited<br />

speech, dropping F-bombs at meetings<br />

followed by his hearty laugh<br />

and infectious smile. In spite of his<br />

style, or perhaps because of it, he<br />

quickly won over all...and that was<br />

before he began contributing to<br />

FLIFF his captivating art.<br />

His first poster was created from<br />

a photo shoot on Fort Lauderdale<br />

Beach in 1998 featuring a golden<br />

sun splashing the surf, sand, a director’s<br />

chair and two models (Bonnie Leigh Adams and Patricia<br />

Como) soaking it all in. Over the years Peter went on to shoot<br />

nine posters and commercials. Peter also wowed our celebrities<br />

doing private sittings with Jane Lynch, Matt Damon, George<br />

Hamilton, Dennis Haysbert, Jeremy Renner, Paul Sorvino, and<br />

many more. Gallery owner and close friend of Peter’s, Larry<br />

Clemons is framing all of the celebrity shots and we will create a<br />

permanent Langone Gallery in Cinema Paradiso – Lauderdale.<br />

★ FESTIVAL DEDICATION ★<br />

PETER LANGONE<br />

Peter joined us in Cannes on two<br />

of our trips in the 90’s. What a<br />

hoot! One evening, walking along<br />

the Rue d’Antibes, which is sort of<br />

the Las Olas of Cannes, for some<br />

reason I pointed out a suntan lotion<br />

poster of a girl on the beach of St<br />

Tropez lit up in a Pharmacie window.<br />

Peter remarked, Jesus, I<br />

took that shot nearly fifteen years<br />

ago, can’t believe they are still<br />

using it. Lots of stories here regarding<br />

gendarmes, castles, movie<br />

stars and mussels. Peter loved the<br />

food, wine, women, architecture,<br />

ambiance of Cannes...which is a<br />

long way of saying, Peter loved<br />

life...everywhere.<br />

In 2001, Bonnie and I married in<br />

Key West. Peter came but we hired<br />

a local photographer for the small<br />

event, so Peter could just have fun.<br />

He brought his little Nikon Cool Pix<br />

just for snapshots. The local photographer turned out to be a disaster...and<br />

Peter with his toy camera saved the day (there is more<br />

story here that I will tell after a glass of wine...or two).<br />

Artistically, no one during my 27 FLIFF years has contributed<br />

as much to the Film Festival. Peter was one of a kind...was he a<br />

saint, no, he wasn’t. He was fun, loving, lovable, talented and totally<br />

unique. We can’t replace him, but we’ll never forget him.<br />

Gregory von Hausch<br />

WITH MARC ANTHONY WITH GARY SINISE WITH RICHARD CHAMBERLAIN<br />

FLIFF will hold a Celebration of Peter's Life on<br />

Tuesday, November 10, 5:30pm at Cinema Paradiso - Lauderdale.<br />

all of Peter's close friends are invited.<br />

8


PETER LANGONE<br />

WITH MARY STUART MASTERSON<br />

WITH DENNIS FARINA<br />

WITH 2014 FLIFF COVER GIRL SABRINA ANDERSON<br />

WITH JANE LYNCH<br />

Peter Langone, Photographer/Director<br />

September 7, 1949 - August 12, 2015<br />

Peter Langone a world renowned photographer<br />

and long time resident of Fort Lauderdale, Florida<br />

passed away on Aug 12th, 2015. He was 65 years<br />

old. The cause of death was cancer.<br />

Born and raised in NYC and a Florida resident<br />

beginning at age 19, Mr. Langone established himself<br />

as a world class photographer with assignments<br />

taking him around the world multiple times.<br />

His personality was bigger than life. He loved people<br />

and every aspect of life, and a photograph of<br />

him cannot be found without a smile on his face.<br />

His clients included Mercedes-Benz, Coca-<br />

Cola, Anheuser Busch, AT&T, Fox Sports, Nestle<br />

and many more. His creative interpretation and<br />

ability to evoke the true personality of the celebrities<br />

he photographed have resulted in sessions<br />

with Donald Trump, Marc Anthony, Matt Damon,<br />

Jeremy Renner, Paul Sorvino, Dennis Haysbert,<br />

Venus Williams, Tiger Woods, Emeril Lagasse,<br />

President Ford, Senator Graham, and the original<br />

Miami Vice stars Don Johnson, Phillip Michael<br />

Thomas and James Olmos, just to name a few.<br />

His directorial work included film shorts and<br />

commercials for Budweiser, Burlington Coat,<br />

Brazilian Court, Esplanade Mall, The Fort Lauderdale<br />

International Film Festival and more.<br />

Mr. Langone was a major supporter and artistic<br />

contributor of the Fort Lauderdale Film Festival and<br />

served on their board for a number of years.<br />

He published several Books and was exhibited<br />

at 7 Galleries. His commercial work included hundreds<br />

of print campaigns for multinational companies<br />

including Automobile Manufacturers, Airlines,<br />

Food Producers, Beverage Companies, Hotels,<br />

Resorts, and Cruise Lines.<br />

WITH DENNIS HAYSBERT<br />

WITH GIO<br />

WITH ROBERTO DURAN<br />

WITH BOB GREENBERG<br />

WITH VENUS WILLIAMS<br />

9


LET<br />

US<br />

STAY<br />

WITH<br />

YOU.<br />

Let us welcome you to Fort Lauderdale’s destination spa.<br />

Let us mix the perfect cocktail at your new neighborhood bar.<br />

Let us show you the perfect gift from a new collection of retail items.<br />

Let us show you a whole new side of The Ritz-Carlton, Fort Lauderdale.<br />

Welcome to our reimagined Gold Coast<br />

destination featuring an enhanced destination<br />

spa with hair salon, steam room and sauna;<br />

elevated welcome and lobby lounge experience;<br />

marketplace; and brand new restaurant,<br />

Burlock Coast. As a local resident, we invite<br />

you to explore a new side of The Ritz-Carlton,<br />

Fort Lauderdale. For additional information,<br />

please call (954) 465-2300 or visit<br />

ritzcarlton.com/fortlauderdale.<br />

One North Fort Lauderdale Beach Boulevard | Fort Lauderdale, FL<br />

©2015 The Ritz-Carlton Hotel Company, L.L.C.<br />

10


1989 Michael Moore, Lynn Redgrave<br />

1990 Michael Moore, Martin Scorsese,<br />

Darren McGavin, Marlo Thomas, Celia<br />

Peck, Adrian Pasdar, Saul Rubinek<br />

1991 Peter Bogdanovich, Mark Rydell,<br />

Donald O'Connor, Vincent Price, Van<br />

Johnson, Jerry Lewis, Burt Reynolds,<br />

Charles Durning, Patrick O'Neal,<br />

Claude Atkins, Alan Rickman, Samuel<br />

Z. Arkoff, Bobcat Goldthwaite<br />

1992 Audrey Hepburn, Vincent Price,<br />

Jennifer Beals, Alexandre Rockwell,<br />

Les Blank, Matthew Harrison, Elliot<br />

Gould, Edward James Olmos<br />

1993 Ashley Judd, Victor Nunez,<br />

Elisabeth Shue, Roger Corman<br />

1994 Treat Williams, Shane Black,<br />

Paul Schulze, Martin Donovan<br />

1995 Michael Caine, Roger Moore,<br />

Dany Delany, JT Walsh, Mia Sara, Tim<br />

Reid, Jason Connery, Jon Cryer,<br />

Robert Wuhl, Gregory Hines<br />

1996 Tony Curtis, GianCarlo Esposito,<br />

Noah Taylor, Kevin Spacey<br />

1997 Robert Wise, Arthur Hiller, Ben<br />

Gassara, Gena Rowlands, Nick Nolte,<br />

Leonard Rosenman, Amanda Plummer,<br />

Fairuza Balk, Robert Forster<br />

1998 John Frankenheimer, David<br />

A r q u e t t e , Christina Applegate,<br />

Armando Assante, Johnathon Schaech,<br />

Adam Goldberg<br />

1999 Lord Richard Attenborough, Norman<br />

Jewison, Eva Marie Saint, Kelly<br />

McGillis, Lukas Haas, Tim Roth, Bryan<br />

Cranston<br />

2000 Bahman Ghobadi, Peter Falk,<br />

John Waters, Howard Keel, Rob Morrow,<br />

George Sidney, John Lynch, Mary<br />

McGuckian, Hilde Heir, Hege Schoyen,<br />

Robert Forster, Matt Salinger, Fred Dryer<br />

2001 Jonathan Silverman, Paul<br />

Mazursky, Paul Sorvino, Peter Hewitt,<br />

Laura Frasier<br />

2002 Matt Damon, Leslie Nielsen,<br />

Steve Guttenberg, Irvin Kershner, Maria<br />

Bello, John Sayles<br />

2003 Nestor Carbonnell, Jacqueline<br />

Bissett, Ben Kingsley, Shohreh Aghdashloo<br />

Film Lovers,<br />

Thirty years went by so quick but seemed to take forever...<br />

The films are the comets. In February, they are out in the cosmos,<br />

burning a journey of light years with FLIFF ahead in their path. They arrive,<br />

delight and speed on in their futures, some to become stars (ROGER<br />

& ME, THE PIANO, SHINE, ALL ABOUT MY MOTHER, VOLVER, SILVER<br />

LININGS PLAYBOOK...), others to extinguish all their fuel and drift<br />

anonymously in the recesses of our memories.<br />

The celebrities too, take months of negotiations to pin down and<br />

secure and we have been blessed with a constellation of bright lights<br />

(Richard Attenborough, John Frankenheimer, Martin Scorsese, Claire<br />

Bloom, John Waters, Kevin Spacey, Michael Moore...see above).<br />

Sponsors are the suns and moons that control our tides. We take care<br />

to nurture and keep our telescopes on their orbits so the tides will ebb and<br />

flow on schedule. It often feels as if our long ellipse following the midnight<br />

of one fest to the dawn of another, takes us off far from the warmth of our<br />

season. Without the on-going novas of our annual sponsors we would<br />

have been sucked into a black hole, well, three decades ago.<br />

Giving daily appearances, the lightning bugs, our members.<br />

Making an annual pledge of cash to keep our doors open, attending<br />

weekly, loving, laughing, critiquing, suggesting and at all times pulling<br />

for us to shine on. Some have been here as long as my 27 fests.<br />

Though it might seem like nature is at play here and FLIFF would<br />

just happen as the Autumn Moon begins to glow. Not so grasshopper.<br />

Pull back the wizard’s curtain and behold the many munchkins toiling<br />

night and day to keep our doors open 365 sunrise/sunsets a year.<br />

Michelle, Irwin, Janet, John, Jeanne, Erin, Ray, Lennie, Rudrick,<br />

Steven, Jan & Ken + our great volunteers). Underpaid, overworked<br />

and at times, perhaps, taken for granted. All begging the question,<br />

Have You Hugged Your FLIFFer Today?<br />

Bonnie and I wanted to create a Festival worthy of being our 30th<br />

GUESTS<br />

2004 Andrew McCarthy, Fred Willard,<br />

Christopher McDonald, Cara Buono,<br />

Shaun Evans, Alice Teghil, Atta Yaqub,<br />

Eva Birthistle, Mike Medavoy, Luna,<br />

Ulrike Schweiger, Ken Marino, Angie<br />

Cepeda, Raquel Biton, Laura Coella,<br />

Eleanor Hutchins<br />

2005 Arthur Penn, Irene Cara, Josh<br />

Jackson, Michael Moore, Veronica<br />

Cartwright and Hurricane Wilma<br />

2006 Ian Ziering, Joe Pantaliano, Ernie<br />

Hudson, Mel Stuart, Connie Francis, Wil<br />

Shriner, Trevor Morgan, Joshua Jackson<br />

2007 Eric Roberts, DB Sweeney,<br />

Richard Kind, Dennis Farina, Keith<br />

David, Davy Jones, Douglas Spain,<br />

Mary Stuart Masterson, Gary Sinise,<br />

Frank Whaley, Astronaut Edgar<br />

Mitchell, Stephen Baldwin<br />

2008 Eli Wallach, Anne Jackson,<br />

Richard Chamberlain, Giancarlo Esposito,<br />

Jane Lynch, Alexie Gilmore, John<br />

Ratzenberger<br />

2009 Matthew Broderick, Michelle Monaghan,<br />

Kevin McCarthy, Michael Jai White,<br />

Joyce DeWitt, Christopher Plummer<br />

Welcome to the 30th Annual FLIFF!<br />

2010 Edward Burns, Michael Murphy,<br />

Claire Bloom, Jimmy Bennett, Jane<br />

Russell, Leslie Caron, David Keith,<br />

Michael Moore<br />

2011 Beau Bridges, Penelope Ann<br />

Miller, Dennis Haysbert, Piper Laurie,<br />

Dennis Farina, Celeste Holm<br />

2012 James Caan, Bailee Madison,<br />

Giancarlo Esposito, Carroll Baker<br />

2013 Lea Thompson, Stephen Moyer,<br />

Tab Hunter, Ed Asner, Ann-Margret,<br />

Michael Bolton, Jonathan Bird, Guy<br />

Harvey, Hannah Tointon, Jonas<br />

Armstrong, Ben Stassen, John Shea,<br />

Bruce Dern, Finola Hughes, Flora<br />

Spencer-Longhurst, Aphrodite Jones,<br />

Pauly Cohen, Sally Kellerman<br />

2014 Jason Alexander, Pamela Shaw,<br />

Daniel Baldwin, Clara Mamet, Mike<br />

Downey, Stephen Daldry, George<br />

Hamilton<br />

2015 Candy Clark, Loretta Swit, Estelle<br />

Parsons, Christopher Lloyd, Ed Harris,<br />

Amy Madigan, Michael Moore, Victor<br />

Nunez, Gil Bellows<br />

Annual, not just in name, but also in substance. Wishing is sure a lot<br />

easier than doing...but I believe we have all the potions to create a<br />

powerful elixir of Film-Fame & Fun.<br />

FILM: Over 100 great films, including LE PERE NOEL (France),<br />

LATIN LOVER (Italy), THE ADDERALL DIARIES (USA), BETIBU<br />

(Argentina), THEEB (Jordan), APPLES FROM THE DESERT (Israel),<br />

DEAREST (China), TOKYO FIANCEE (Japan) and BOCACCERÍAS<br />

HABANERAS (Cuba) just to name a few.<br />

FAME: Oscar Winner and Cannes Palme d'Or Winner Michael Moore;<br />

Emmy Winner Gil Bellows; Oscar Nominee Candy Clark; multiple Golden<br />

Globe Winner plus multiple Oscar Nominee Ed Harris; multiple Emmy<br />

Winner plus Independent Spirit Award Winner Christopher Lloyd; Golden<br />

Globe Winner plus Oscar Nominee Amy Madigan; Sundance Grand Prize<br />

Winner plus Independent Spirit Nominee Victor Nunez; Oscar Winner plus<br />

Laurel Winner Estelle Parsons; and multiple Emmy Winner plus multiple<br />

Golden Globe Nominee Loretta Swit. But remember, its the filmmakers<br />

that you never heard of and meet that makes FLIFF special.<br />

FUN: In honor of this momentous year, we are bringing back<br />

elements of a program we created for the Knight Foundation, titled<br />

Around The World In 80 Nights, celebrating a different country nearly<br />

every night with food, fashion and film. We have also added parties at<br />

Hard Rock (Opening Night), Villa DePalma (M*A*S*H Party), Sunrise<br />

(Centerpiece Weekend), Diplomat Resort & Spa (Gala) and The Ritz<br />

Carlton (Wrap Party).<br />

So whether you are content to drag out a comfy pair<br />

of blue jeans or want to punch your “E” Ticket with your<br />

tux, you are in for a thrilling launch, fantastic orbit and<br />

rewarding splashdown as we present your annual &<br />

30th Vacation From Ordinary Film.<br />

Gregory von Hausch, President & CEO<br />

11


★ LIFETIME ACHIEVEMENT AWARD ★<br />

When one thinks of the talented<br />

Christopher Lloyd, some<br />

of the characters which might<br />

come to mind include Dr. Emmett<br />

Brown from Back to the<br />

Future, Fester Addams from<br />

The Addams Family and Reverend<br />

Jim Ignatowski from Taxi.<br />

He has appeared in over 200<br />

film and television productions<br />

and brings his own creativity<br />

and individuality to each of the<br />

unique roles he portrays.<br />

Mr. Lloyd graduated from<br />

high school in Connecticut and<br />

studied at the Neighborhood<br />

Playhouse in New York. Early<br />

in his career he performed with<br />

the Yale Repertory Theatre,<br />

and his Broadway credits include<br />

Red, White and Maddox<br />

and Happy End, an original musical<br />

with music by Kurt Weill<br />

and lyrics by Bertolt Brecht and<br />

co-starring Meryl Streep. He<br />

also starred in the highly acclaimed<br />

2002 Broadway revival<br />

of the comedy Morning’s at<br />

Seven in which he worked with former FLIFF honoree Piper<br />

Laurie and fellow 2015 FLIFF honoree Estelle Parsons. Reviewing<br />

the play for The New York Times, Ben Brantley wrote,<br />

“The words are given their full philosophical due by Christopher<br />

Lloyd, looking like a German Expressionist answer to Grant<br />

Wood's 'American Gothic.'”<br />

He made his film debut in One Flew Over the Cuckoo’s Nest,<br />

the winner of the Oscar for Best Picture along with four other<br />

major Academy Awards. It has been reported his research for<br />

his character included spending time in a mental institution observing<br />

the patients, just one example of the diligence with which<br />

he approaches every character he portrays. Following Cuckoo’s<br />

Nest, Mr. Lloyd did a variety of film and television work, and<br />

some of his early credits include The Adams Chronicles, Goin’<br />

South, Butch and Sundance: The Early Days, the remake of The<br />

Postman Always Rings Twice, and such TV staples as Barney<br />

Miller and One Day at a Time.<br />

In 1978 Mr. Lloyd appeared on the hit television series, Taxi,<br />

CHRISTOPHER LLOYD<br />

as Reverend Jim Ignatowski,<br />

affectionately known as Iggy,<br />

and joined the popular ensemble<br />

cast eventually appearing<br />

in 84 episodes. His portrayal<br />

of this Woodstock-attending<br />

“man of the cloth” who, despite<br />

inheriting millions, lives in a<br />

condemned building won Mr.<br />

Lloyd two primetime Emmy<br />

Awards. Additionally, he won a<br />

third primetime Emmy for his<br />

work on Road to Avonlea.<br />

In 1985 he was cast as Doctor<br />

Emmett Brown in Back to<br />

the Future and portrayed “Doc<br />

Brown” in the film’s subsequent<br />

sequels, in video games and in<br />

the 1991-92 television series<br />

based on the movie. In its review<br />

of the first film, The Hollywood<br />

Reporter praised the<br />

younger talent, including<br />

Michael J. Fox, before surmising,<br />

“But it's Christopher Lloyd<br />

who walks away with the movie<br />

in a gloriously uncontrolled,<br />

fright-wigged performance that<br />

redefines the mad scientist for modern movie audiences.<br />

In the intervening years, Mr. Lloyd has alternated among<br />

the stage, television and film, seldom taking a break from acting.<br />

On television, he has appeared in a number of television<br />

films and has had recurring roles on a number of hit series.<br />

His film work includes major studio productions as well as<br />

smaller, independent films, and a sampling of his movie credits<br />

include Clue, Eight Men Out, Who Framed Roger Rabbit, The<br />

Addams Family and its sequel, Dennis the Menace, Angels in<br />

the Outfield, Things to Do in Denver When You’re Dead, My<br />

Favorite Martian, Piranha 3D and The Chateau Meroux. Mr.<br />

Lloyd’s character in Taxi was an avid Star Trek fan, so it was<br />

only fitting Mr. Lloyd played Commander Kruge in Star Trek III:<br />

The Search for Spock. Currently, he has three films and a television<br />

series in post-production and is bringing his newest<br />

feature film, The Boat Builder, to FLIFF in which he plays a<br />

somewhat bitter mariner who strikes up a bond with an unwanted<br />

orphan while building a boat.<br />

12<br />

Christopher Lloyd will receive the FLIFF 2015 Lifetime achievement award on Friday, November 6.<br />

Mr. Lloyd will attend the screening of his film, THe BoaT BuILdeR,<br />

on 8pm Friday, November 6 at Cinema Paradiso – Lauderdale.


CHRISTOPHER LLOYD<br />

BACK TO THE FUTURE<br />

BUCKAROO BONZA<br />

ONE FLEW OVER THE CUCKOO’S NEST<br />

EIGHT MEN OUT<br />

WITH JOHN BELUSHI<br />

MY FAVORITE MARTIAN<br />

THE REAL BLONDE<br />

TAXI<br />

STAR TREK<br />

THE ADDAMS FAMILY<br />

THINGS TO DO IN DENVER WHEN YOU’RE DEAD<br />

WHO FRAMED<br />

ROGER RABBIT<br />

13


OPENING<br />

NIGHT FILM<br />

SHOWTIME<br />

Friday, Nov 6, 8:00, CP-Lauderdale<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

THE BOAT BUILDER<br />

WORLD PREMIERE<br />

Director: Arnold Grossman<br />

U<br />

USA / 2015 / 88 min / HDCam / English<br />

Embittered old mariner Abner (Christopher<br />

Lloyd) is a widower living a solitary life. Withdrawn<br />

from his family and the tight-knit community<br />

of his small marine town, he is a<br />

grumpy and unsociable man who seems to<br />

live in the past, only finding comfort in the<br />

countless hours spent building a sailboat in his<br />

yard. When neglected young orphan Rick<br />

(Tekola Cornetet) wanders onto Abner’s property,<br />

hiding from the local bullies, the two find<br />

common ground and form an unlikely bond<br />

which will change their lives in unexpected<br />

ways.<br />

Writer: Arnold Grossman / Producer: Richard<br />

Bosner / Cinematographer: Phil Briggs / Production<br />

Designer: Kris Boxell / Editor: Robert<br />

Schafter / Costume Designer: Aggie Rodgers<br />

/ Production Manager: Stacia Warren / Principal<br />

Cast: Christopher Lloyd, Tekola Cornetet,<br />

David Lascher, Jane Kazmarek<br />

Contact: Richard Bosner,<br />

Rick@bluecreekpictures.com<br />

Twitter: https://twitter.com/theboatbuilder1<br />

Facebook:<br />

https://www.facebook.com/Theboatbuilder<br />

CINeMaToGRaPHeR deaN CuNdey aNd<br />

CHRISToPHeR LLoyd wILL ReCeIve<br />

LIFeTIMe aCHIeveMeNT awaRdS<br />

PRIoR To THe SCReeNING<br />

SPeCIaL GueSTS:<br />

deaN CuNdey, CHRISToPHeR LLoyd,<br />

aRNoLd GRoSSMaN, RICHaRd BoSNeR<br />

14<br />

THE DIRECTOR: Arnold Grossman began his career in advertising in television earned him numerous awards including the CLIO award. After creating<br />

TV ads high profile political figures, including congressional and presidential candidates, Grossman began focusing on his writing career.<br />

Grossman wrote three published novels: 1988, A California Conspiracy, and Going Together, as well as a nonfiction book on gun violence. Grossman<br />

adapted the novel 1988 into a play titled Tarnished Eagle. He is developing Going Together into a full length feature. His short fiction works and magazine<br />

articles have been published by Redbook, Good Housekeeping, and<br />

Playboy.<br />

His film and TV credits include writing and directing Freeze! An American<br />

aRNoLd GRoSSMaN<br />

Peace Story, a documentary featuring John Denver, Judy Collins and Jimmy<br />

Buffet; writer on The Love Boat; producer of CBS film Cries Unheard; as well<br />

as writer and director of Real Stories of the Highway Patrol, and creator of<br />

Right to Justice, New World.<br />

Grossman is a longtime resident of Denver and an active member in the film<br />

community. He is a former chairman of the Denver Int’l Film Festival and served<br />

on the Colorado Film Commission.<br />

RICHaRd BoSNeR


OPENING<br />

NIGHT FILM<br />

SHOWTIME<br />

Friday, Nov 6, 7:00, Hard Rock Live<br />

AMERICAN<br />

INDIE<br />

DOCUMENTARY<br />

PARTY<br />

FOLLOWS<br />

FILM<br />

WHERE TO INVADE NEXT<br />

FLORIDA PREMIERE<br />

F<br />

USA / 110 min / DCP / English + Italian, French, German, Finnish, Norwegian, Portuguese, Arabic w/English sub-titles<br />

Raise your hands, who has heard of filmmaker Michael Moore? Ok, put them down. Who has an opinion of Mr. Moore?<br />

Odds are, in a crowded room, you’d be hard pressed to see the exit after those questions are asked. Michael is a lightning rod who always<br />

elicits a reaction for or against. His films may have stirred controversy, but time and again he is proven right.<br />

Well he is back...and we couldn’t be happier to have him bring his new film WHERE DO WE INVADE NEXT as our 30th Anniversary opener.<br />

In “Where to Invade Next,” Michael Moore journeys abroad to find solutions to some of America’s most pressing problems. The film is a loving<br />

tribute to what used to be the American way — and could be again.<br />

In 1989, after 3 months on the job as Director of FLIFF, I attended my first ever film fest, the Toronto Film Festival. I went to see ROGER &<br />

ME, Michael’s first film, and talked with him after the Q&A. I invited him down to screen at FLIFF. Since that momentous meeting (at least for<br />

me), Michael has attended FLIFF five times, more than any other visiting filmmaker. He is always the best guest, entertaining and accommodating<br />

– doing whatever he can to help FLIFF (and I’m sure all the other fests he attends). In 2005, our 20th anniversary, after Hurricane<br />

Wilma wiped out Cinema Paradiso, and the entire film fest was in jeopardy, Michael called out of the blue offering to help. ‘What do you have<br />

in mind?’ I dunno, put an evening together and I’ll come talk.’ I did, Michael did and the sold-out crowd at AMC Coral Ridge loved it. Our top<br />

grossing (and netting) event of ’05. Brilliant filmmaker, yes. True friend, absolutely...the best.<br />

A North End Films presentation, in association with IMG Films, of a Dog Eat Dog Films production. Producers: Michael Moore, Tia Lessin,<br />

Carl Deal. Executive Producers: Mark Shapiro, Will Staeger, Rod Birleson / Writer: Michael Moore / Camera: Rick Rowley, Jayme Roy / Editors:<br />

Pablo Proenza, T. Woody Richman, Tyler H. Walk / Sound: Francisco Latorre, Hilary Stewart / Field Producers: Tierney Bonnini, Adriane<br />

Geibel, Nicky Lazar / Archival Producer: Christine Fall / Line Producer: Dorin Razam-Grunfefld / Coordinating Producer: Devorah Devries /<br />

Contact: Carl Deal kaz@igc.org<br />

SPeCIaL GueSTS:<br />

MICHaeL MooRe,<br />

CaRL deaL,<br />

TIa LeSSIN<br />

THE DIRECTOR: Michael Moore was born in Flint, Michigan and worked as a journalist before turning to filmmaking.<br />

His Farenheit 9/11 (‘04) won the Palme d'Or and FIPRESCI Prize at Cannes. Many of his features have<br />

played the Festival, including his debut, Roger & Me (‘89), The Big One (‘97), Bowling for Columbine (‘02), which<br />

won the Academy Award for Best Documentary Feature, Slacker Uprising (‘07),Capitalism: A Love Story (‘09),<br />

and Where to Invade Next (‘15).<br />

15


OPENING<br />

NIGHT FILM<br />

SHOWTIME<br />

Friday, Nov 6, 9pm, Hard Rock Live<br />

AMERICAN<br />

INDIE<br />

DOCUMENTARY<br />

PARTY<br />

FOLLOWS<br />

FILM<br />

JACO<br />

FLORIDA PREMIERE<br />

F<br />

Director: Paul Marchand / USA / 2015 / 117 min / DCP / English<br />

JACO tells the story of Jaco Pastorius, a self-taught, larger-than-life musician who single-handedly changed the course of modern music by<br />

redefining the sound and the role of the electric bass guitar. Never-before-seen 8mm film, photographs, and audio recordings unveil the true<br />

story behind the legend of Jaco’s life, his music, and his heartbreaking end.<br />

JACO features incredible unseen footage and photography from the Pastorius family archive plus interviews with Joni Mitchell, Carlos Santana,<br />

Sting and Flea (Red Hot Chili Peppers), and footage with Billy Joel, Stephen Stills, and many more artists.. It is a blistering biopic journey into the<br />

heart and soul of this hugely influential cross-genre artist. Produced by Metallica's Robert Trujillo with Passion Pictures (Searching for Sugar Man).<br />

Jaco Pastorius was raised in oakland Park, FL. The film contains significant footage of Fort Lauderdale and Hollywood as well as Miami area.<br />

Screenplay: Paul Marchand & Robert Trujillo / Exec Producers: Robert Trujillo, John Pastorius IV, John Battsek, Andrew Ruhemann, Bob Bobbing,<br />

Gerry Harrington, Lorenzo Esparza / Producer: Robert Trujillo / Co-Producers: Diane Becker, Roger De Giacomi, Roger Mayer / Cinematographer:<br />

Roger De Giacomi / Editor: Paul Marchand/ Cast:<br />

Jaco Pastorius, Herbie Hancock, Sting, Flea, Geddy<br />

Lee, Joni Mitchell, Wayne Shorter, Bootsy Collins,<br />

Peter Erskine & many more.<br />

Contact: Paul Marchand – mrpaul@endfilm.com /<br />

Website: Jacothefilm.Com / Twitter: @Jacofilm /<br />

Facebook: facebook.com/JacoDocumentary<br />

JaCo PaSToRIuS<br />

RoBeRT TRuJILLo<br />

16<br />

SPeCIaL GueSTS:<br />

PauL MaRCHaNd, RoBeRT TRuJILLo, JoHN PaSToRIuS Iv (SoN), JuLIuS PaSToRIuS (SoN),<br />

MaRy PaSToRIuS (dauGHTeR), GReG PaSToIRuS (BRoTHeR).<br />

THE DIRECTOR: Paul Marchand often fills multiple roles on his films. Recently Paul edited Martin Scorsese's<br />

"The 50 Year Argument" and Chris Rock's "Good Hair" (Sundance Jury Prize). He was also a Director<br />

of Photography on John Marinouin's "Big River Man" (Sundance Best Cinematography). Paul began "JACO"<br />

as editor and took over as director after Stephen Kijak's departure.<br />

PauL MaRCHaNd


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18<br />

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19


★ LIFETIME ACHIEVEMENT AWARD ★<br />

Perhaps best known for<br />

her work as Major Margaret<br />

Houlihan on the popular television<br />

series M*A*S*H from<br />

1972 to 1983, actress Loretta<br />

Swit is equally at home playing<br />

comedy or drama on<br />

stage, screen or television.<br />

Born in New Jersey, Ms. Swit<br />

studied acting with Gene<br />

Frankel in Manhattan and<br />

trained at the American Academy<br />

of Dramatic Arts.<br />

Her Broadway debut was in<br />

Same Time, Next Year opposite<br />

Ted Bessell and later opposite<br />

former FLIFF guest<br />

Don Murray. She returned to<br />

Broadway to replace Cleo<br />

Laine in the musical The Mystery<br />

of Edwin Drood. Some of<br />

her additional theatrical work<br />

includes touring in the national<br />

company of the comedy<br />

Any Wednesday with<br />

Gardner McKay and as one<br />

of the Pigeon sisters opposite<br />

former FLIFF honoree Ernest<br />

Borgnine and Don Rickles in<br />

the Los Angeles production of<br />

The Odd Couple. She appeared with two companies of the legendary<br />

musical Mame, one with Susan Hayward and one with<br />

former FLIFF honoree Celeste Holm and later played the title<br />

role herself. She has appeared in over 1,000 performances of<br />

Shirley Valentine and received the Sarah Siddons Award,<br />

Chicago’s most prestigious theatre honor, for her work in this<br />

production. In 2010, she appeared for three months in a Canadian<br />

production of Shirley Valentine. Among her other stage<br />

credits are Love Letters with Anthony Franciosa, the musical<br />

spoof Song of Singapore and The Vagina Monologues in New<br />

York, Chicago and London’s West End, the national tour of 42nd<br />

Street, Doubt, Cactus Flower and Love, Loss and What I Wore.<br />

Ms. Swit made her feature film debut in Stand Up and be<br />

Counted with former FLIFF honoree Jacqueline Bisset and has<br />

also appeared in such movies as Freebie and the Bean with FLIFF<br />

honoree James Caan and Alan Arkin, Race with the Devil with<br />

LORETTA SWIT<br />

Peter Fonda, Beer with Rip<br />

Torn, S.O.B. with Julie Andrews<br />

and William Holden,<br />

Whoops Apocalypse with<br />

Peter Cook and Herbert Lom,<br />

Forest Warrior with Chuck<br />

Norris and Boardheads with<br />

Bronson Pinchot.<br />

She has appeared in over 25<br />

television movies including the<br />

original Cagney and Lacey in<br />

which she created the role of<br />

Chris Cagney, Games Mother<br />

Never Taught You with Sam<br />

Waterston, Hell Hath No Fury<br />

with Barbara Eden, The Execution<br />

with Sandy Dennis and<br />

Rip Torn, Dreams of Gold with<br />

Cliff Robertson and A Killer<br />

Among Friends with Patty<br />

Duke, which was the highest<br />

rated television movie of that<br />

year. In addition to appearing<br />

on The Muppet Show, Ms.<br />

Swit has appeared in such<br />

highly popular holiday television<br />

films as The Best Christmas<br />

Pageant Ever, Miracle at<br />

Moreaux and A Christmas<br />

Calendar.<br />

In addition to the Sarah Siddons Award, Ms. Swit has received<br />

such honors as the People’s Choice Award, the Genie Award,<br />

the Silver Satellite Award, the Jean Golden Halo Award, the Pacific<br />

Broadcasters Award and two Emmy Awards. She has been<br />

nominated for ten Emmy Awards and six Golden Globe Awards<br />

and was named Woman of the Year by both the Animal Protection<br />

Institute and the International Fund for Animal Welfare.<br />

As impassioned about animals as she is about acting, Ms.<br />

Swit is 1st Vice President of Actors and Others for Animals, an<br />

honorary board member of The Wildlife Waystation, chairperson<br />

for the Hooved Animal Rescue Protection Society and has acted<br />

as spokesperson for The Farm Sanctuary and the Humane Society<br />

of the U.S. Her wildlife series, Those Incredible Animals,<br />

was seen twice weekly for five years on the Discovery Channel<br />

and has been aired in over 30 countries. The program was also<br />

featured on Animal Planet.<br />

20<br />

Ms. Swit will receive the FLIFF Lifetime achievement award on<br />

wednesday, November 11 prior to the screening of NeveR THe SaMe<br />

at Cinema Paradiso – Lauderdale.


LORETTA SWIT<br />

M*A*S*H* REUNION<br />

MAJOR MARGARET "HOT LIPS" HOULIHAN ON M*A*S*H*<br />

BEST CHRISTMAS PAGEANT EVER<br />

AT ANIMAL PLANET FUNDRAISER<br />

FOR SANCTUARY<br />

TV WEEK<br />

ON THE SET OF M*A*S*H*<br />

S.O.B.<br />

WITH RIP TORN IN BEER<br />

RACE WITH THE DEVIL - WARREN OATES, LORETTA SWIT, PETER FONDA<br />

MIRACLE AT MOREAUX<br />

PEOPLE WEEKLY<br />

21


SHOWTIMES<br />

Wednesday, Nov 11, 3:30pm, CP-Hollywood,<br />

introduced by Loretta Swit<br />

WORLD<br />

CINEMA<br />

DOCUMENTARY<br />

NEVER THE SAME:<br />

THE PRISONER OF WAR EXPERIENCE<br />

Cook-out in Courtyard (4:30)<br />

Wednesday, Nov 11, 5pm, CP-Lauderdale,<br />

introduced by Loretta Swit<br />

FLORIDA & FESTIVAL PREMIERE<br />

Director: Jan Thompson / Philippines / 2014 / 85 min / BluRay / English<br />

In this intimate and moving portrait, American prisoners of Imperial Japan during World War II reveal their indomitable will to survive. Starved,<br />

beaten, sick and brutalized, but always keeping a wry sense of humor, these amazing soldiers used gallows humor to beat the odds. Some of<br />

the men were artists, some wrote poetry and songs and many collected recipes.<br />

The program paints a grim portrait of the ways that the men were forced to survive three and half years of captivity. Along with on-camera<br />

interviews with former POWs, the program is packed with excerpts from diaries, poems, over 100 original drawings and cartoons, recipes and songs.<br />

The film includes the story of the infamous “hell ships” where the POWs were sent to Japan and Manchuria as slave laborers. The death rate was<br />

high due to suffocation, starvation, exposure and by being bombed by “friendly fire”-their own US bombers not aware of the human cargo below.<br />

Never The Same is unique because of its many layers as it reaches deep to the core of how the men created coping mechanisms to survive.<br />

Since they were stripped of their dignity any resemblance of humanity quickly disappeared. It was a kind of social Darwinism and sheer luck<br />

that carried the survivors through their ordeal.<br />

Screenplay: Jan Thompson / Producers: Jan Thompson / Cinematographer: Kevin Hill, Chris Parr, Otto Arsenault,<br />

Jon Solita / Editor: Jan Thompson / Composer: Jan Thompson / Production Designer: Jan Thompson /<br />

Art Director: Ron Naverson / Principal Cast: Loretta Swit, Alec Baldwin, Ed Asner, Sam Waterston, Kathleen<br />

Turner, Robert Wagner, Robert Forster, Robert Loggia, Mike Farrell, Don Murray, Jamie Farr, Christopher Murray,<br />

John O’Hurley<br />

Contact: JanIThompson@gmail.com / TRAILER: https://vimeo.com/61304074 /<br />

WEBSITE: www.NTS-POW.com<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

22<br />

SPeCIaL GueST: LoReTTa SwIT, wHo wILL ReCeIve a LIFeTIMe CaReeR<br />

aCHIeveMeNT awaRd PRIoR To THe SCReeNING.<br />

THE DIRECTOR: Jan Thompson is a three-time Emmy award winning documentary director, writer, editor and composer. Her<br />

work has been seen on national television in the United States as well as Internationally. Jan’s documentaries have crossed<br />

different genres including musical performance with Conductor Daniel Barenboim. Jan’s precursor to Never The Same is The<br />

Tragedy of Bataan narrated by Alec Baldwin. Never The Same took over twenty years to produce and was produced because<br />

her father had been a POW. She is an advocate for former prisoners-of-war and her work has been included into the Congressional<br />

Record. Jan is a Professor in the Radio, Television and Digital Media Arts Department at Southern Illinois University<br />

in Carbondale.


SHOWTIMES<br />

Friday, Nov 13, 7:15pm, Sunrise Civic Ctr,<br />

Saturday, Nov 14, 4pm, CP-Hollywood<br />

SILVER SKIES<br />

AMERICAN<br />

INDIE<br />

CENTERPIECE FILM<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

FLORIDA PREMIERE<br />

F<br />

Director: Rosemary Rodriguez / US / 2015 / 96 min / DCP / English<br />

A group of tenant’s lives are turned upside down when their beloved apartment complex<br />

is suddenly sold out from under them. Silver Skies is a funny, dark and lovely story<br />

about getting older and trying to hang onto each other and the American Dream.<br />

Executive Produced by Fred Roos (the Godfather movies, Lost in Translation, St. Vincent)<br />

and Arthur Sarkissian (Rush Hour movies, While You Were Sleeping), Silver Skies<br />

has an eclectic cast including George Hamilton, Valerie Perrine, Alex Rocco, Barbara<br />

Bain, Mariette Hartley, Howard Hesseman, Jack McGee, and Jack Betts. These wonderful<br />

actors shine in roles we have never seen them in before, even in their 50 to 60<br />

year careers, making this a real crowd-pleaser.<br />

Written and Directed by: Rosemary Rodriguez / Story by: Rosemary Rodriguez and Pat<br />

Delaney / Executive Producers: Fred Roos, Arthur Sarkissian, Nestor Rodriguez / Produced<br />

by: Enrico Natale, Rosemary Rodriguez / Cinematographer: Nancy Schreiber,<br />

A.S.C. / Editor: Francis Zuccarello / Composer: Jim Coleman / Production Designer:<br />

Rand Sagers / Art Director: Chris “Blue” Prange / Principal Cast: George Hamilton, Valerie<br />

Perrine, Alex Rocco, Jack McGee, Mariette Hartley, Barbara Bain, Jack Betts,<br />

Howard Hesseman<br />

Contact: Rosemary Rodriguez – rosemaryrodriguez@yahoo.com<br />

Teaser : http://youtu.be/wlLsY6jTzXI<br />

Facebook: https://www.facebook.com/SilverSkiesMovie?fref=ts<br />

Sponsored by<br />

AAA Fire Protection<br />

Lynn Taylor<br />

& Glenn Friedt<br />

THe CITy oF SuNRISe HoSTS THe CeNTeRPIeCe PaRTy FoLLowING<br />

THe FRIday, NoveMBeR 13TH, 7:15PM SCReeNING.<br />

PaRTy IS INCLuded FRee FoR<br />

exeCuTIve PRoduCeR aNd SuPeRSTaR MeMBeRS.<br />

JaCk MCGee<br />

Born and raised in the South Bronx, character actor<br />

Jack McGee is the youngest of eight children. He<br />

joined the 1960s rock band “The Young Rascals.”<br />

Transitioning into acting, he was able to make ends<br />

meet as a NYC firefighter in the late 1970s, and, he<br />

got his first big part in the 1985 firefighter film “Turk<br />

182,” and then moved to Hollywood.<br />

Jack’s most notable TV role has been as Chief Jerry<br />

Reilly on FX’s edgy firefighter drama, “Rescue Me.”<br />

He also starred as Police Captain Mike Sutton in<br />

“Common Law”. Jack has recurred on NBC’s “Up<br />

All Night” and in the Spike TV series, “Players.” He<br />

guest starred on such shows as “Hawaii 5-0,” “Drop<br />

Dead Diva,” “Rizzoli & Isles,” “CSI: Miami,” “Criminal<br />

Minds,” “CSI: NY,” and “Castle.” Jack appeared<br />

in the Tom Tykwer action thriller “The International”<br />

alongside Clive Owen and Naomi Watts and “Father<br />

of Invention” with Kevin Spacey.<br />

Jack starred in the critically acclaimed film “The<br />

Fighter,” opposite Mark Wahlberg and Christian<br />

Bale, in “Moneyball” with Brad Pitt and “New Year’s<br />

Eve,” directed by Garry Marshall. He was most recently<br />

seen in “Gangster Squad” with Ryan Gosling,<br />

Sean Penn, Josh Brolin and Emma Stone.<br />

Jack will soon be seen in CBS’ new comedy series,<br />

“The McCarthys” as Arthur McCarthy, the patriarch<br />

of a sports-crazed Boston family.<br />

SPeCIaL GueSTS:<br />

RoSeMaRy RodRIGuez,<br />

NeSToR RodRIGuez,<br />

JaCk MCGee.<br />

THE DIRECTOR: Rosemary Rodriguez wrote and directed the Sundance, Indie Spirit nominated feature film Acts of Worship. Her<br />

episodic TV work includes The Good Wife, where she is a regular director (15 episodes, including the 100th), Denis Leary’s Rescue<br />

Me (where she was first woman director in five seasons), Empire, Manhattan, Elementary, Vegas, Rake, AMC’s Low Winter Sun,<br />

and Hell on Wheels. Most recent episodes include: Marvel’s AKA Jessica Jones for Netflix, and Outsiders.<br />

She’s in development on a Showtime series Florent starring Alan Cumming, and Loose Girl, her next feature.<br />

23


★ LIFETIME ACHIEVEMENT AWARD ★<br />

Candy Clark was born in<br />

Oklahoma, but grew up in<br />

Fort Worth, Texas. She<br />

moved to New York after high<br />

school where she pursued<br />

modeling; however, her career<br />

was destined to be in<br />

front of a movie camera.<br />

Clark’s feature film debut<br />

was in Fat City directed by<br />

John Huston and co-starring<br />

Stacy Keach and Jeff Bridges.<br />

The story centers on two boxers,<br />

one whose career is on<br />

the decline and one whose<br />

career is just taking off. Ironically,<br />

it is the only film about<br />

boxing helmed by the legendary<br />

director who had actually<br />

been a boxer at one point.<br />

Clark followed Fat City with<br />

a role which would become<br />

one of her signature parts,<br />

that of Debbie in George<br />

Lucas’s American Graffiti, in<br />

which she starred alongside<br />

Charles Martin Smith, Ron<br />

Howard, Richard Dreyfuss,<br />

Mackenzie Phillips, Harrison Ford, Bo Hopkins, Cindy Williams<br />

and Wolfman Jack! Reviewing the film for The New York Times,<br />

Roger Greenspun wrote, “American Graffiti exists not so much<br />

in its individual stories as in its orchestration of many stories, its<br />

sense of time and place. Although it is full of the material of fashionable<br />

nostalgia, it never exploits nostalgia.” Greenspun went<br />

on to say, “It is a very good movie, funny, tough, unsentimental.<br />

It is full of marvelous performances from actors (especially<br />

Candy Clark, Richard Dreyfuss, and Cindy Williams) hardly<br />

known for previous screen credits.” Academy voters obviously<br />

agreed with Greenspun for Candy Clark received an Oscar nomination<br />

for Best Supporting Actress for her work in the film, and<br />

she reprised her role in More American Graffiti six years later.<br />

Ms. Clark appeared with David Bowie and Rip Torn in the science<br />

fiction drama The Man Who Fell to Earth. Reportedly, she<br />

CANDY CLARK<br />

spent 96-and-a-half hours in<br />

the make-up chair during<br />

the production of the film<br />

and donned a hat to appear<br />

in Bowie’s role one day<br />

when the actor was out sick.<br />

A reviewer for Slant magazine<br />

called the film “alternately<br />

beautiful, mystifying,<br />

and embarrassing.” Some<br />

of Ms. Clark’s other motion<br />

pictures include Handle with<br />

Care directed by Jonathan<br />

Demme and co-starring fellow<br />

American Graffiti alum<br />

Paul Le Mat, The Big Sleep<br />

with Robert Mitchum, Sarah<br />

Miles and Richard Boone,<br />

When You Comin’ Back,<br />

Red Ryder? with Marjoe<br />

Gortner, Q with David Carradine<br />

and Michael Moriarty,<br />

Blue Thunder directed<br />

by John Badham and<br />

costarring Roy Scheider<br />

and Warren Oates, Hambone<br />

and Hillie with Lillian<br />

Gish, Amityville 3-D with<br />

Tony Roberts and Tess Harper, The Blob, Radioland Murders,<br />

and Zodiac among many others.<br />

Ms. Clark made her television debut on the series Room 222<br />

and some of the other series on which she has appeared include<br />

The New Perry Mason, Banacek, The New Dick Van Dyke Show,<br />

Faerie Tale Theatre, Simon & Simon, Magnum, P.I., Hunter, Matlock,<br />

Brothers, St. Elsewhere, Father Dowling Mysteries, Baywatch<br />

Nights and Criminal Minds. Her made-for-television films<br />

include Mystery Woman: Redemption, This is How the World<br />

Ends, The Price She Paid, Popeye Doyle, Cocaine and Blue<br />

Eyes, Rodeo Girl, Where the Ladies Go, James Dean and Amateur<br />

Night at the Dixie Bar and Grill.<br />

In addition to her Oscar nomination, Ms. Clark won the Saturn<br />

Award from the Academy of Science Fiction, Fantasy and Horror<br />

Films for Best Supporting Actress in Blue Thunder.<br />

24<br />

Ms. Clark will receive the FLIFF Lifetime achievement award<br />

on Saturday, November 14 prior to the screening of aMeRICaN GRaFFITI<br />

at Cinema Paradiso – Lauderdale.


CANDY CLARK<br />

AMERICAN GRAFFITI, CANDY CLARK WITH CHARLES MARTIN SMITH<br />

THE MAN WHO FELT EARTH WITH DAVID BOWIE<br />

WHEN YOU COMIN’ BACK RED RYDER<br />

DIANE KEATON & ELLIOTT GOULD - I WILL...I WILL...FOR NOW<br />

FAT CITY WITH JEFF BRIDGES<br />

THE BIG SLEEP WITH ROBERT MITCHUM<br />

BLUE THUNDER WITH ROY SCHEIDER<br />

ZODIAK<br />

AMITYVILLE 3D<br />

25


SHOWTIMES<br />

Saturday, Nov 14, 5:15pm, CP- Lauderdale<br />

Following the film will be<br />

The Mel’s drive-in Party<br />

AMERICAN<br />

RETRO<br />

FILM STUDIO<br />

Sponsored by<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

AMERICAN GRAFFITI CANDY CLARKE TRIBUTE FILM<br />

Director: George Lucas / USA / 1973 / 110 min / BluRay<br />

PLOT: A couple of high school grads spend one final<br />

night cruising the strip with their buddies before they go<br />

off to college.<br />

Ok, the plot of this movie is simple, pure and true in so<br />

many ways. But as you will read Roger Ebert’s original<br />

(and excellent) review below, you learn the plot is secondary<br />

to the era. When I saw AMERICAN GRAFFITI it was<br />

the most joyous, yet melancholy movie moment of my life.<br />

And though I was 23 years old, when I saw Candy Clark<br />

as Debbie on-screen, I instantly developed a movie crush<br />

and regressed to my high school memories.<br />

Roger ebert’s review My first car was a ‘54 Ford and I<br />

bought it for $435. It wasn’t scooped, channeled,<br />

shaved, decked, pinstriped, or chopped, and it didn’t<br />

have duals, but its hubcaps were a wonder to behold.<br />

When I went to see George Lucas’s “American Graffiti” that whole world – a world that now seems incomparably distant and innocent – was brought back<br />

with a rush of feeling that wasn’t so much nostalgia as culture shock. Remembering my high school generation, I can only wonder at how unprepared we<br />

were for the loss of innocence that took place in America with the series of hammer blows beginning with the assassination of President Kennedy.<br />

The great divide was November 22, 1963,and nothing was ever the same again. The teenagers in “American Graffiti” are, in a sense, like that cartoon<br />

character in the magazine ads: the one who gives the name of his insurance company, unaware that an avalanche is about to land on him. The options<br />

seemed so simple then: to go to college, or to stay home and look for a job and cruise Main Street and make the scene.<br />

The options were simple, and so was the music that formed so much of the way we saw ourselves. “American Graffiti”‘s sound track is papered from one<br />

end to the other with Wolfman Jack’s nonstop disc jockey show, that’s crucial and absolutely right. The radio was on every waking moment. A character in<br />

the movie only realizes his car, parked nearby, has been stolen when he hears the music stop: He didn’t hear the car being driven away. The music was as<br />

innocent as the time. Songs like “Sixteen Candles” and “Gonna Find Her” and “The Book of Love” sound touchingly naive today; nothing prepared us for<br />

the decadence and the aggression of rock only a handful of years later. The Rolling Stones of 1972 would have blown WLS off the air in 1962.<br />

“American Graffiti” acts almost as a milestone to show us how far (and in many cases how tragically) we have come. Stanley Kauffmann, who liked it,<br />

complained in the New Republic that Lucas had made a film more fascinating to the generation now between thirty and forty than it could be for other<br />

generations, older or younger. But it isn’t the age of the characters that matters; it’s the time they inhabited. Whole cultures and societies have passed<br />

since 1962. “American Graffiti” is not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie’s success<br />

in remembering exactly how it was to be alive at that cultural instant.<br />

On the surface, Lucas has made a film that seems almost artless; his teenagers cruise Main Street and stop at Mel’s Drive-In and listen to Wolfman<br />

Jack on the radio and neck and lay rubber and almost convince themselves their moment will last forever. But the film’s buried structure shows an innocence<br />

in the process of being lost, and as its symbol Lucas provides the elusive blonde in the white Thunderbird -- the vision of beauty always glimpsed<br />

at the next intersection, the end of the next street. Who is she? And did she really whisper “I love you” at the last traffic signal? In “8 1/2,” Fellini used Claudia<br />

Cardinale as his mysterious angel in white, and the image remains one of his best; but George Lucas knows that for one brief afternoon of American<br />

history angels drove Thunderbirds and could possibly be found at Mel’s Drive-In tonight... or maybe tomorrow night, or the night after.<br />

a Few Important Nominations & awards<br />

CANDY CLARK: Academy Award Nomination Best<br />

Performance by an actress in a supporting role<br />

Francis Ford Coppola & Gary Kurtz:<br />

Academy Award Nomination for Best Picture<br />

George Lucas: Academy Award Nomination<br />

Best Director<br />

Francis Ford Coppola & Gary Kurtz: Golden Globe<br />

Award Best Picture – Musical or Comedy<br />

Richard Dreyfus: Golden Globe Nomination Best Actor<br />

26<br />

with Special Guest, Candy Clark<br />

Starring: Richard dreyfus, Ron Howard, Candy Clark, Charles<br />

Martin Smith, Paul Le Mat, Cindy williams, Harrison Ford, Mackenzie Phillips, wolfman Jack


SHOWTIME<br />

Saturday, Nov 14, 4:30pm,<br />

Sunrise Civic Center<br />

The Sunset at Sunrise Party Follows<br />

the Q & A with Ms. Parsons<br />

AMERICAN<br />

RETRO<br />

FILM STUDIO<br />

BONNIE AND CLYDE ESTELLE PARSONS TRIBUTE FILM<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

30’s ERA<br />

ATTIRE<br />

OPTIONAL<br />

Director: Arthur Penn / USA / 1967 / 111 min / BluRay / English<br />

**** Roger Ebert, September 25, 1967 The lives in this case belonged, briefly, to Clyde Barrow and Bonnie Parker. They were two nobodies who got<br />

their pictures in the paper by robbing banks and killing people. They weren't very good at the bank robbery part of it, but they were fairly good at killing<br />

people and absolutely first-class at getting their pictures in the paper.<br />

Bonnie was a gum-chewing waitress and Clyde was a two-bit hood out on parole. But from the beginning, they both seemed to have the knack of entertaining<br />

people. Bonnie wrote ballads and mailed them in with pictures Clyde took with his Kodak. They seemed to consider themselves public<br />

servants, bringing a little sparkle to the poverty and despair of the Dust Bowl during the early Depression years.<br />

Under Arthur Penn's direction, this is a film aimed squarely and unforgivingly at the time we are living in. It is intended, horrifyingly, as entertainment. And<br />

so it will be taken. The kids on dates will go to see this one, just like they went to see "Dirty Dozen" and "Born Losers" and "Hells Angels on Wheels."<br />

But this time, maybe, they'll get more than they counted on. The violence in most American movies is of a curiously bloodless quality. People are shot<br />

and they die, but they do not suffer. The murders are something to be gotten over with, so the audience will have its money's worth, the same is true<br />

of the sex. Both are like the toy in a Crackerjack box: Worthless, but you feel cheated it it's not there.<br />

In "Bonnie and Clyde," however, real people die. Before they die they suffer, horribly. Before they suffer they laugh, and play checkers, and make love,<br />

or try to. These become people we know, and when they die it is not at all pleasant to be in the audience.<br />

The performances throughout are flawless. Warren Beatty and Faye Dunaway, in the title roles, surpass anything they have done on the screen before<br />

and establish themselves (somewhat to my surprise) as major actors.<br />

Michael J. Pollard, as C.W. Moss, the driver and mechanic for the gang, achieves a mixture of moronic good humor and genuine pathos that is unforgettable.<br />

Gene Hackman and Estelle Parsons play Buck and Blanche Barrow, the other members of the gang, as inarticulate, simple, even good - willed. When Buck<br />

is reunited with his kid brother, they howl with glee and punch each other to disguise the truth that they have nothing to say.<br />

After the gang has shot its way out of a police trap and Buck is mortally wounded, Blanche's high, mindless scream in the<br />

getaway car provides, for me, a very adequate vision of hell.<br />

This is pretty clearly the best American film of the year. It is also a<br />

landmark. Years from now it is quite possible that "Bonnie and Clyde"<br />

will be seen as the definitive film of the 1960s, showing with sadness,<br />

humor and unforgiving detail what one society had come to.<br />

Sponsored by<br />

Janet Schwartz &<br />

Irwin Levenstein<br />

Special Guests: oscar winner, estelle Parsons and Film Historian & author, Foster Hirsch<br />

Following the film Mr. Hirsch will interview Ms. Parsons onstage.<br />

27


★ LIFETIME ACHIEVEMENT AWARD ★<br />

Academy Award-winning<br />

actress Estelle Parsons graduated<br />

from Connecticut College<br />

and attended Boston<br />

University’s School of Law<br />

prior to pursuing an acting career<br />

and studying with Lee<br />

Strasberg at The Actors Studio.<br />

Early in her career, she<br />

worked for five years as a<br />

commentator, production assistant,<br />

producer and writer for<br />

NBC’s Today Show and was<br />

the first female political reporter<br />

on network television<br />

during her work on Today.<br />

Ms. Parsons has worked<br />

extensively on the stage and<br />

has starred in 26 Broadway<br />

productions since making her<br />

debut in Happy Hunting with<br />

Ethel Merman. She won a<br />

Theatre World Award for portraying<br />

the title role in Mrs.<br />

Dally Has a Lover and has<br />

been nominated for the Tony Award five times. In 1978 she received<br />

a Drama Desk Award for Unique Theatrical Experience<br />

for her work in Miss Margarida’s Way. In addition to her starring<br />

work on Broadway, she has directed Salome and Shakespeare<br />

on Broadway for the Schools, for which she directed As You Like<br />

It, Macbeth and Romeo and Juliet in repertory. Since turning 80,<br />

she has starred in four Broadway productions including August:<br />

Osage County, Good People, Nice Work If You Can Get It and<br />

The Velocity of Autumn, for which she received her most recent<br />

Tony nomination in 2014. Ms. Parsons was inducted into the<br />

American Theatre Hall of Fame in 2004.<br />

Ms. Parsons made her film debut in Ladybug, Ladybug in<br />

which staff and students at a rural school react to an impending<br />

nuclear threat not knowing whether it is real or not. Four years<br />

later, she starred as Blanche Barrow in Bonnie and Clyde, directed<br />

by former FLIFF honoree Arthur Penn. For her role as<br />

Clyde Barrow’s harrowed sister-in-law, she received the Academy<br />

Award as Best Supporting Actress. The following year, she appeared<br />

in Rachel, Rachel directed by Paul Newman and starring<br />

Joanne Woodward, and she received another Academy Award<br />

nomination for her work.<br />

ESTELLE PARSONS<br />

She continued her motion<br />

picture work with such major<br />

films as Don’t Drink the<br />

Water opposite Jackie Gleason<br />

and based on Woody<br />

Allen’s play, Watermelon<br />

Man, I Never Sang for My<br />

Father and I Walk the Line<br />

opposite Gregory Peck. Her<br />

diverse film roles have also<br />

included Dick Tracy, For<br />

Pete’s Sake, The Lemon Sisters,<br />

Looking for Richard,<br />

Boys on the Side and the remake<br />

of the Disney classic<br />

That Darn Cat.<br />

On television, Ms. Parsons<br />

has starred in a variety of series<br />

and made-for-television<br />

films. She had recurring roles<br />

on All in the Family and Archie<br />

Bunker’s Place, but many fans<br />

of the small screen will likely<br />

best remember her for<br />

Roseanne, in which she<br />

played the title character’s mother in 59 episodes. Some of the other<br />

television series on which she has appeared include The Good Wife,<br />

Frasier, Law and Order: Special Victims Unit, 100 Centre Street,<br />

Touched by an Angel, Love American Style, Medical Center, The Trials<br />

of O’Brien, The Patty Duke Show and The Defenders.<br />

Her television films and mini-series include the highly acclaimed<br />

Backstairs at the White House in which she portrayed<br />

First Lady Bess Truman and Empire Falls which reunited her with<br />

Joanne Woodward and Paul Newman. Some of her additional<br />

television films include The Love Letter, Arthur Miller’s The American<br />

Clock and A Private Matter among many others. Ms. Parsons<br />

has been featured in two episodes of Great Performances including<br />

Arthur Miller’s A Memory of Two Mondays in which she starred<br />

with Jack Warden, Harvey Keitel and Dick Van Patten and<br />

George S. Kaufman and Ring Lardner’s June Moon also starring<br />

Susan Sarandon and former FLIFF honoree Kevin McCarthy. On<br />

American Playhouse, she was featured in Come Along with Me<br />

directed by Joanne Woodward.<br />

Ms. Parsons returned to The Actors Studio in the late 1990s as<br />

Artistic Director, a position she held for five years. She has also<br />

taught acting at such esteemed universities as Yale and Columbia.<br />

28<br />

estelle Parsons will receive the FLIFF 2013 Lifetime achievement award on Saturday, November 14, 4:30pm<br />

prior to the Tribute Screening of Bonnie and Clyde, at the Sunrise Civic Center. Following the film,<br />

film historian and author, Foster Hirsch will conduct an onstage interview with Ms. Parsons,<br />

allowing time for questions from the audience. a reception follows.


ESTELLE PARSONS<br />

ROSEANNE<br />

LOVE AMERICAN-STYLE<br />

RECEIVING ACADEMY AWARD FOR BEST SUPPORTING ACTRESS<br />

IN BONNIE AND CLYDE, WITH WALTER MATTHAU PRESENTING.<br />

WATERMELON MAN<br />

ACCEPTING AN OBIE AWARD<br />

WITH JOANNE WOODWARD IN RACHEL RACHEL<br />

DON’T DRINK THE WATER<br />

29


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The Awards Gala<br />

Saturday, November 21<br />

Diplomat Resort & Spa<br />

3555 South Ocean Drive, Hollywood Beach<br />

6:30 Open Bar...Cocktails & Hors d’oeuvres<br />

8:00 Dinner & Wine ~ 8:45 Awards<br />

nicki Grossman<br />

Visionary Award<br />

Charles “Chip” abele<br />

Corporate Leader of the Year<br />

Ginny & Tom miller<br />

Betsy Cameron & Barry Smith<br />

Bonnie Barnett & Robert Kagan, mD<br />

Two For The Road<br />

amy madigan<br />

Lifetime Achievement<br />

ed Harris<br />

Lifetime Achievement<br />

Victor nunez<br />

The Florida Prize<br />

FLIFF members $175 ★ General public $225<br />

Gala Chairman, alan Koslow ★ Co-Chairs, mayor Tim Ryan ★ Bernie Friedman ★ noelle Stevenson ★ Teri pattullo ★ ed Walls<br />

Sponsored by The Greater Fort Lauderdale ★ CVB's office of Film, music & entertainment ★ The Gold Coast Regional Center<br />

Hollywood Circle, LLC ★ Block 40, LLC ★ Cadillac ★ nV5 ★ The Related Group ★ CB Cares<br />

Diplomat Resort ★ Southern Wine & Spirits ★ Blue ocean press ★ Be productions ★ pSaV<br />

Downtown Hollywood Community Redevelopment agency ★ Becker & poliakoff<br />

DIPLOMAT RESORT & SPA<br />

HOLLYWOOD<br />

is honored to be a part of<br />

the Fort Lauderdale<br />

International Film Festival’s<br />

30th Anniversary.<br />

After all, it’s only natural<br />

since we love<br />

Hollywood too.<br />

CONGRATULATIONS FLIFF<br />

ON 30 YEARS OF<br />

CINEMATIC ARTISTRY!<br />

3555 S OCEAN DRIVE | HOLLYWOOD, FL 33019<br />

954.602.6000 | DIPLOMATRESORT.COM<br />

31


★ LIFETIME ACHIEVEMENT AWARD ★<br />

As an actor, director and<br />

writer, Ed Harris has garnered<br />

a list of credits featuring a<br />

number of prestigious and<br />

award-winning productions.<br />

Born in New Jersey, Mr. Harris<br />

was attending Columbia<br />

University and playing football<br />

there when he became<br />

interested in acting. He<br />

moved to Oklahoma where<br />

his parents were living and<br />

enrolled in the University of<br />

Oklahoma’s theatre program.<br />

Upon graduation, he moved<br />

to Los Angeles and began<br />

working in theatre and film.<br />

One of his first significant<br />

roles was in George<br />

Romero’s Knightriders,<br />

which has become a cult favorite.<br />

Some of his other<br />

film credits include A History<br />

of Violence for which he received<br />

the National Society<br />

of Film Critics Award, The<br />

Hours, for which he received<br />

Oscar, Golden<br />

Globe, SAG and BAFTA<br />

nominations, The Truman<br />

Show for which he received a Golden Globe Award and an<br />

Oscar nomination, and Apollo 13 for which he received a SAG<br />

Award as well as Oscar and Golden Globe nominations.<br />

Some of his other film credits include Run All Night, Frontera,<br />

The Face of Love, The Way Back, Copying Beethoven, The<br />

Right Stuff, The Abyss, The Rock, The Human Stain, A Beautiful<br />

Mind, Stepmom, The Firm, Places in the Heart, Alamo<br />

Bay, Sweet Dreams, Jacknife, State of Grace, The Third Miracle,<br />

Touching Home and fellow 2015 FLIFF honoree Victor<br />

Nunez’s A Flash of Green.<br />

Mr. Harris made his feature film directing debut with Pollock<br />

and received an Academy Award nomination as Best Actor for<br />

his performance in the title role. His co-star, Marcia Gay Harden,<br />

won a Best Supporting Actress Oscar under his direction. Mr.<br />

Harris also directed and co-wrote Appaloosa and starred opposite<br />

Viggo Mortensen.<br />

On television, he won a Golden Globe Award for Best Supporting<br />

Actor for his portrayal of John McCain in Game Change on<br />

ED HARRIS<br />

HBO for which he also received<br />

Emmy and SAG<br />

nominations. He also<br />

starred with Paul Newman<br />

in Empire Falls for HBO for<br />

which he received Emmy,<br />

Golden Globe and SAG<br />

nominations. Some of his<br />

other television credits include<br />

The Last Innocent<br />

Man, Running Mates, Paris<br />

Trout and Riders of the Purple<br />

Sage, for which he and<br />

his wife and fellow FLIFF<br />

honoree Amy Madigan, as<br />

co-stars and co-producers,<br />

were presented with the<br />

Western Heritage Wrangler<br />

Award for Outstanding Television<br />

Feature Film.<br />

Mr. Harris made his<br />

Broadway debut in Precious<br />

Sons for which he<br />

won the Drama Desk<br />

Award, the Theatre World<br />

Award and received a Tony<br />

Award nomination. In 2012<br />

at the Geffen Playhouse in<br />

Los Angeles, he starred<br />

with Amy Madigan, Bill Pullman<br />

and Glenne Headley in the world premiere of playwright<br />

Beth Henley’s The Jacksonian. He reprised the role last fall to<br />

critical acclaim in the play’s New York premiere at the Acorn<br />

Theatre Off-Broadway. Mr. Harris received both an Outer Critics<br />

Circle nomination and a Lucille Lortel Award nomination for<br />

the Off-Broadway production of Wrecks at New York City’s Public<br />

Theatre. He originated the role, with writer/director Neil<br />

LaBute, for the play’s world premiere at the Everyman Palace<br />

Theatre in Cork, Ireland, and won the 2010 Los Angeles Drama<br />

Critics Circle Award for the production of Wrecks at the Geffen<br />

Playhouse. Some of his other theatre credits include Taking<br />

Sides, Fool for Love for which he won an Obie Award, Simpatico<br />

for which he won a Lucille Lortel Award, Prairie Avenue,<br />

Scar, A Streetcar Named Desire, The Grapes of Wrath and<br />

Sweet Bird of Youth.<br />

Mr. Harris is currently filming the series Westworld for writerdirector<br />

Jonathan Nolan and HBO and recently finished filming<br />

Dean Devlin’s science fiction feature film Geostorm.<br />

32<br />

Mr. Harris will attend a screening of his new film THe addeRaLL dIaRIeS on Nov 20, as well as<br />

victor Nunez’ Tribute film a FLaSH oF GReeN and the awards Gala on Nov 21.


ED HARRIS<br />

APOLLO 13 WALK OF FAME APALOOZA<br />

BEETHOVEN<br />

THE RIGHT STUFF<br />

GLENGARRY GLEN ROSS<br />

GOLDEN GLOBE<br />

GONE BABY GONE<br />

THE TRUMAN SHOW<br />

NIXON<br />

PLACES OF THE HEART<br />

POLLOCK<br />

SWING SHIFT<br />

A BEAUTIFUL MIND<br />

THE ABYSS<br />

THE HOURS<br />

33


★ LIFETIME ACHIEVEMENT AWARD ★<br />

Born in Chicago, Amy<br />

Madigan majored in philosophy<br />

at Marquette University<br />

and also studied piano at the<br />

Chicago Conservatory and<br />

acting at the famed Lee Strasberg<br />

Theater Institute. She<br />

began her entertainment career<br />

as a musician, first as pianist<br />

and lead singer with the<br />

band Jelly and then as lead<br />

singer for Big Daddy.<br />

She made her acting<br />

debut on the hit television series<br />

Hart to Hart and some of<br />

her other work for the small<br />

screen includes appearances<br />

on such series as CHiPs,<br />

American Playhouse, Criminal<br />

Minds, Saving Grace, Living<br />

Proof, ER, Law and Order<br />

and Fringe among others.<br />

She had a recurring role as<br />

Dr. Wyatt on Grey’s Anatomy<br />

and a regular role on HBO’s<br />

Carnivàle..<br />

In addition to her work on<br />

series, Ms. Madigan has also<br />

starred in a number of madefor-television<br />

films and miniseries<br />

including Ten x Ten, Living Proof, The Path to 9/11, The<br />

Ranch, The Laramie Project, Shot in the Heart, In the Name of<br />

the People, Having Our Say: The Delaney Sisters’ First Hundred<br />

Years, And Then There Was One for which she won the Cable<br />

ACE Award for Best Actress in a Movie or Miniseries, Roe vs.<br />

Wade for which she won the Golden Globe Award for Best Actress<br />

in a Supporting Role and received an Emmy nomination,<br />

The Laundromat, for which she won the Cable ACE Award for<br />

Best Actress in a Theatrical or Dramatic Special and The Day<br />

After among others.<br />

For the television film, Riders of the Purple Sage, Ms. Madigan<br />

received the Western Heritage Wrangler Award for Outstanding<br />

Television Feature Film. She was both a co-star and<br />

co-producer on the project with her husband, fellow 2015 FLIFF<br />

honoree Ed Harris.<br />

Ms. Madigan has starred in some three dozen feature films<br />

including Streets of Fire, Places in the Heart, Alamo Bay,<br />

Nowhere to Hide, Field of Dreams, Uncle Buck, The Dark Half,<br />

AMY MADIGAN<br />

Loved, With Friends Like<br />

These…, A Time for Dancing,<br />

The Discontents, Winter<br />

Passing, Gone Baby Gone,<br />

Once Fallen and Frontera.<br />

She received an Academy<br />

Award Nomination for Best<br />

Supporting Actress and a<br />

Golden Globe nomination for<br />

her work in Twice in a Lifetime<br />

and was nominated for<br />

the Golden Globe’s New<br />

Star of the Year for Love<br />

Child, her film debut. (Love<br />

Child was the Tribute film<br />

producer Paul Maslansky<br />

chose to screen when FLIFF<br />

honored him in 1991.) She<br />

was nominated for Independent<br />

Spirit Awards for her<br />

films Loved and The Prince<br />

of Pennsylvania.<br />

On stage, Ms. Madigan<br />

made her Broadway debut in<br />

the 1992 revival of A Streetcar<br />

Named Desire. She<br />

played Stella Kowalski in the<br />

production, which also<br />

starred Alec Baldwin as<br />

Stanley and Jessica Lange<br />

as Blanche. Reviewing the play for The New York Times, Frank<br />

Rich described Ms. Madigan as an actress “whose stage work<br />

has generally been as accomplished as her screen appearances”<br />

and noted her performance in Streetcar “captures Stella's<br />

Southern gregariousness.” She made her Off-Broadway debut<br />

in Beth Henley’s play The Lucky Spot for which she received the<br />

Theatre World Award and was nominated for the Drama Desk<br />

Award for Outstanding Actress in a Play. In Los Angeles, she<br />

received the Drama-Logue Award for her work in Stevie Wants<br />

to Play the Blues in which she starred with Paula Kelly at the Los<br />

Angeles Theater Center. Some of her other Los Angeles stage<br />

work includes A Lie of the Mind at the Mark Taper Forum and<br />

The Jacksonian at the Geffen Playhouse.<br />

Ms. Madigan recently completed the feature films Grey Lady<br />

and Stuck, a story where chance and happenstance collide as<br />

strangers, who would probably never notice or speak to each<br />

other, get stuck together on a locked subway car beneath New<br />

York City.<br />

34<br />

Ms. Madigan will attend the November 21st awards Gala.


AMY MADIGAN<br />

ALAMO BAY<br />

FIELD OF DREAMS<br />

FUTURE WEATHER<br />

CRIMINAL MINDS<br />

GONE BABY GONE<br />

WITH ED IN<br />

Life MAGAziNe<br />

"BEING TOGETHER<br />

AND WORKING<br />

TOGETHER IS LIKE<br />

A GIFT FROM THE<br />

CORNUCOPIA OF<br />

WONDERFULNESS<br />

THAT FELL OUT OF<br />

HEAVEN OR<br />

SOMETHING,"<br />

SAYS AMY<br />

MADIGAN,<br />

LOVE CHILD<br />

PLACES IN THE HEART<br />

STREETS OF FIRE<br />

POLLOCK<br />

UNCLE BUCK<br />

WITH KEANU REEVES<br />

THE PRINCE OF<br />

PENNSYLVANIA<br />

35


★ THE FLORIDA PRIZE ★<br />

2015 marks the inaugural year of the presentation of the annual award, THE FLORIDA PRIZE. In alternating years the award<br />

will be given to a Florida Film Pioneer (Victor Nunez in 2015) and an Emerging Florida Filmmaker on even years.<br />

VICTOR NUNEZ<br />

A member of the founding boards of the Independent Feature<br />

Project (IFP) and the Sundance Film Institute, Victor Nunez has<br />

been making Indy movies for over four decades.<br />

Born in Deland, Nunez received his degrees at Antioch College and<br />

University of California at Los Angeles and began his work in the 1970s<br />

on educational and industrial films while still managing to make three<br />

award winning shortsTaking Care of Mother Baldwin (1970), Charley<br />

Benson’s Return to the Sea (1972), and A Circle in the Fire (1974).<br />

His feature film debut was Gal Young’Un (1979), financed with grants<br />

from the NEA and the Florida Arts Council. Based on the short story by<br />

Marjorie Kinnan Rawlings, the movie is set in the Prohibition Era Florida<br />

and is about a widowed Florida woman, her new opportunistic bootlegger<br />

husband and his young girlfriend. Starring Dana Preu, the film was<br />

invited to the New York, Toronto, and London film fests as well as the<br />

Director’s Fortnight in Cannes. In the NY Times, Vincent Canby called<br />

it, “an astonishingly good first feature, written, directed, photographed,<br />

edited and produced by Victor Nunez...I know very little about Mr. Nunez<br />

except that he lives and works in Florida, but if he’s representative of<br />

our new regional film makers, things are looking up.”<br />

His next film was A Flash of Green (1984) adapted from a John<br />

D. MacDonald novel and financed by grants from the Rockefeller<br />

Foundation and PBS American Playhouse. Set in the early ‘60s<br />

along the Gulf Coast of Florida, A Flash of Green tells of a tormented<br />

reporter drawn into aiding a self-serving county commissioner in an<br />

underhanded landfill development. Starring Ed Harris, Blair Brown,<br />

and Richard Jordan, the film was shown at the NY and Toronto Film<br />

Festivals, Cannes and on PBS American Playhouse.<br />

Nunez used a windfall from a great-aunt to finance Ruby in Paradise<br />

(1993), which starred then-newcomer Ashley Judd playing a<br />

young woman fleeing a bad relationship in the back woods of Tennessee<br />

who ends up working in a souvenir shop in Panama City.<br />

Again the film was shown at the NY and Toronto Fests and Director’s<br />

Fortnight. The film jointly won the 1993 Grand Jury Prize for Drama<br />

at the Sundance Film Festival and was selected by Roger Ebert as<br />

one of his “Top Ten” films of the year. Ashley won the Independent<br />

Spirit Award for Best Female Lead for her performance.<br />

In 1997, Ulee’s Gold, produced through Jonathan Demme’s company,<br />

garnered Victor’s widest audience and earned star Peter Fonda the Golden<br />

Globe and NY Film Critics Award as well as an Oscar Nomination for Best<br />

Actor. Set in the tupelo honey-producing region of the Apalachicola River,<br />

Peter played a third-generation beekeeper with a host of personal problems.<br />

Praising the star and director in The NYTimes, Janet Maslin called<br />

the film, “beautiful and heartfelt, an oasis of humanity in a season of furious<br />

hyperbole. Simple almost to a fault and yet effortlessly wrenching, it shows<br />

nothing more than the spiritual reawakening of a hard-bitten loner. Yet the<br />

star and filmmaker make this story resonate in moving, meaningful ways.”<br />

Coastlines (2002) plays out a messy triangle between three childhood<br />

friends. Starring Josh Brolin, Tim Olyphant and Sarah Wynter.<br />

Nunez’s characters and stories have often been described as<br />

emotionally resonant, multi-layered character driven narratives. Emmanuel<br />

Levy, in his book “Cinema of Outsiders”, states “Integrating<br />

Florida’s unique landscape and spirit, Nunez’s fully realized drama<br />

represents American regional cinema at its very best.<br />

A quick sojourn in New Mexico as a “hired gun” directing Rubin<br />

Blades as a father dying of cancer in Spoken Word (2009), while a<br />

great adventure, did seem a long way from the Gulf Coast and left<br />

the question of “what next,” wide open.<br />

Victor Nunez was inducted into the Florida Artists Hall of Fame<br />

in 2008, and his biography at Florida’s Division of Cultural Affairs<br />

states, “Victor Nunez has been called a national treasure of regional<br />

independent filmmaking. A visionary writer, director, cinematographer<br />

and producer, Nunez’s gripping work fuses character and place<br />

in portraits of his home state of Florida.”<br />

He is currently teaching directing at Florida State in his hometown<br />

of Tallahassee. “I don’t know what’s next, really. I’m not sure I<br />

recognize Florida anymore, but I am very grateful for this award.<br />

Perhaps it will inspire me to find my way back to my real Florida<br />

home one more time again.”<br />

Mr. Nunez will attend a FLaSH oF GReeN and receive The Florida Prize at The FLIFF Gala, Saturday, November 21.<br />

36


VICTOR NUNEZ<br />

COASTLINES JOSH BROLIN, TIMOTHY OLYPHANT & SARAH WYNTER<br />

GAL YOUNG'UN<br />

RUBY IN PARADISE ASHLEY JUDD<br />

SPOKEN WORD<br />

A FLASH OF GREEN<br />

BLAIR BROWN & ED HARRIS<br />

ULEE'S GOLD<br />

A FLASH OF GREEN ED HARRIS AND GREGORY JONES<br />

VICTOR NUNEZ SHOOTING - GAL YOUNG'UN<br />

37


SHOWTIME<br />

Saturday, Nov 21, 2pm, CP-Lauderdale<br />

AMERICAN<br />

SECOND LOOK<br />

INDIE<br />

FEATURE<br />

A FLASH OF GREEN VICTOR NUNEZ TRIBUTE FILM<br />

Director: Victor Nunez<br />

USA / 1984 / 131 min / DVD / English<br />

Roger Ebert’s original review, posted Jan 1, 1984<br />

"A Flash of Green" is based on a novel by John<br />

D. MacDonald, and like a lot of his stories, it<br />

seems to be about the plot but is really about the<br />

characters. We start with a story about saving<br />

an unspoiled bay from greedy developers, and<br />

we end with a story about a man trying to save<br />

himself from his own greed. It's a relief, halfway<br />

through the movie, to realize it's not going to be<br />

about how the good guys win and the bad guys<br />

don't turn the grasslands into parking lots. Instead,<br />

it's going to be about a complicated relationship<br />

involving a newspaper reporter, his<br />

conscience, and the woman he loves.<br />

The reporter is played by Ed Harris, who has<br />

never been better in a movie. He's not one of<br />

those hotshot journalists the movies like to fabricate,<br />

but a small-town journeyman who keeps<br />

a low profile, gets his job done, and in his own quiet way knows where all the bodies are buried. He gets a tip one day: Grassy Bay, the beautiful nature<br />

preserve, is once again being threatened by the schemes of Elmo Bliss (Richard Jordan), the rich and ambitious local developer.<br />

He passes the tip along to Kat Hubble (Blair Brown), the woman who led the last fight to save the bay. He loves Kat Hubble. They've both known that<br />

for a long time, but the situation is complicated by Harris's own wife, who has been slowly dying for months, and by the fact that Kat is a recent widow.<br />

Harris has another problem. He needs money, and when Elmo Bliss offers to cut him in for a piece of the action, he agrees. Is that a contradiction? "A<br />

Flash of Green" is attentive to the compromises of daily life, and it understands how people can be complicated enough to hold two opposed ideas at<br />

the same time. Harris knows that what he is doing is wrong, that it is a betrayal of his friends, and yet he does it because it seems necessary.<br />

Most movie newspapermen are portrayed as either heroes or creeps. Either they win the Pulitzer, or they violate somebody's privacy. The Harris character<br />

is seen more carefully, as a hard-working small-town guy who has lost a lot of his illusions. The developer, played by Richard Jordan, also is seen<br />

as a specific case. He isn't simply a wheeler-dealer, but a man who has more ambition than taste, and who can convince himself that it'll be good for<br />

everybody if Grassy Bay is filled in. And the Blair Brown character is complex, too; she understands the sexual attraction that exists between herself<br />

and Harris, but she doesn't confuse it with love, because it's not love, it's simply unfinished business.<br />

"A Flash of Green" was directed by Victor Nunez, who also made "Gal Young 'Un." Once again, he would rather explore his characters than send them<br />

spinning through some meaningless plot. Nunez lives near the Florida locations of this movie, and he has achieved a real sense of place. We feel the<br />

moist heat of the long summer nights, the cynical ways in which everybody knows everybody else's business, the urgency of unfulfilled people who<br />

can smell money, and think it means success.<br />

Writer: Victor Nunez from the novel by John D. MacDonald / Exec Producer: Sam Gowan / Producer: Richard Jordan / Cinematographer & Editor: Victor<br />

Nunez / Art Director: Carlos Asse / Costumes: Marilyn Wall & Dana Moser / Makeup & Hair: Marilyn Wall / Asst Dir: Kerry McKenny / Production Mgr: Gregory<br />

von Hausch / Cast: Ed Harris, Blair Brown, Richard Jordan, John Glover, George Coe, Jean DeBear, Helen Stenborg, Nancy Griggs, Malcolm Gets<br />

Diane Sobo<br />

Starwood Properties<br />

Sponsored by<br />

M.E. DePalma,<br />

DePalma Enterprises<br />

SPeCIaL GueSTS:<br />

ed HaRRIS aNd<br />

vICToR NuNez<br />

ed HaRRIS wILL PReSeNT vICToR NuNez wITH THe INauGuRaL FLoRIda PRIze<br />

oN SaTuRday, NoveMBeR 21, aT THe FLIFF awaRdS GaLa.<br />

38


SHOWTIME<br />

Sunday, November 22, 6:00pm, CP- Lauderdale<br />

Sunday, November 22, 6:00pm, CP- Hollywood<br />

THE WANNABE<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

CLOSING<br />

NIGHT FILM<br />

SOUTHEAST PREMIERE<br />

E<br />

Director: Nick Sandow / USA / 2015 / 85 min / DCP / English<br />

Obsessed with mob culture, and desperate to fit in, Thomas sets out to fix the 1992 trial of John Gotti. He believes if the plan is executed, it<br />

will put him at the center of all that he idolizes. The plot is foiled, setting off events worthy of mob lore. The Wannabe intertwines real people<br />

and true events, past and present, with fantasy.<br />

Nick Sandow’s writing and direction is spot on. He has crafted a beautifully written script with dialogue so true to life – true to character – it is<br />

thrilling to see the talented cast bring the script to life. From his director’s chair, Sandow is patient, allowing a natural progression, sometimes<br />

playfully (the flirtation), sometimes with tension and suspense (the last holdup). Vincent Piazza, (also one of the producers) is fearlessly insecure<br />

– he pulls all the right levers. Michael Imperioli (of The Sopranos fame) must have loved getting a role so different than his TV persona<br />

(mafia or tequila). Imperioli underplays it perfectly. But who would have thought Patricia Arquette could have topped BOYHOOD? My vote,<br />

she does it right here – with a character so tragically lost. She is, in a word, magnificent.<br />

Writer: Nick Sandow / Producers: Lizzie Nastro, Michael Gasparro, Vincent Piazza / Editor: Melody London / Associate Producer: Vince Cupone<br />

/ Cinematographer: Brett Pawlak / Executive Producer: Martin Scorsese, Dean Devlin, Maren Olson, Douglas Stone, Rick Genow / Composer:<br />

Nathan Larson / Co-Producer: Rick Bosner / Cast: Vincent Piazza, Patricia Arquette, Michael Imperioli, Vincenzo Amato, Nick Sandow, Doug<br />

E. Doug, Domenick Lombardozzi<br />

SPeCIaL GueSTS:<br />

NICk SaNdow,<br />

MICHaeL GaSPaRRo<br />

THE DIRECTOR: Nick Sandow has an extensive resume that spans film, television and theater. Acting credits include Orange<br />

Is the New Black, Boardwalk Empire, and Connie and Carla. The New York Times lauded his feature film directorial debut,<br />

Ponies, as “a riveting piece of work.”<br />

39


SHOWTIMES<br />

Saturday, Nov 21, 4:00pm, CP- Lauderdale<br />

Sunday, Nov 22, 3:30pm, CP- Hollywood<br />

SPOTLIGHT<br />

INDIE<br />

FILM<br />

FEATURE<br />

3RD STREET BLACKOUT<br />

SOUTHEAST PREMIERE<br />

E<br />

Negin Farsad & Jeremy Redleaf<br />

USA / 2015 / 85 min / DCP / English<br />

Mina and Rudy are that couple: adorable but not<br />

obnoxious. Intellectual but not condescending.<br />

Busy but still have time to post on Instagram.<br />

Yet, sometimes it seems this technologyobsessed<br />

duo can’t take their eyes off their<br />

screens.<br />

3rd Street Blackout is a dark comedy – literally –<br />

that follows Mina and Rudy in the days after Hurricane<br />

Sandy left large parts of New York without<br />

power. In this analogue world, their flaws are<br />

exposed, their commitment challenged and<br />

their mettle tested. How much would you pay<br />

to deliver a message during a blackout?<br />

Screenplay: Negin Farsad and Jeremy<br />

Redleaf / Producers: Jeremy Redleaf, Negin<br />

Farsad, Andrew Mendelson, Ryan Cunningham<br />

/ Executive Producers: Samuel Goldberg, Max<br />

Born / Cinematographer: Eunah-Lee / Editor:<br />

Andrew Mendelson / Composer: Gaby Alter /<br />

Production Designer: Jose Cavazos / Principal<br />

Cast: Janeane Garofalo, John Hodgman, Ed<br />

Weeks, Sasheer Zamata, Phyllis Somerville,<br />

Rachel Feinstein, Jordan Carlos, Katie Hartman,<br />

Negin Farsad, Jeremy Redleaf<br />

Contact: us@3rdstblackout.com<br />

NFarsad@gmail.com<br />

jeremy@bracketscreative.com<br />

Twitter: @3rdstblackout - @NeginFarsad<br />

Website: http://3rdstblackout.com<br />

Trailer https://www.youtube.com/watch?v=22pELmU9Rx8 - @TheLeafIsRed: http://facebook.com/3rdstblackout<br />

Sponsored by<br />

40<br />

THE DIRECTORS: Farsad is an Iranian-American comedian and filmmaker. In addition to being selected a TEDFellow, Negin was named one of the<br />

50 Funniest Women by the Huffington Post, one of 10 Funniest Feminist Comedians by Paper Magazine and one of Good Magazine’s GOOD 100 for<br />

her work in social justice comedy. She has written for PBS’s 1001 nights, MTV’s Detox, and IFCNews. She directed and wrote for Comedy Central’s<br />

Watch List and has appeared on Comedy Central’s Nightly Show. She has written and developed shows for LogoTV and Nickelodeon and written and<br />

appeared on various shows for WNYC, BBC, and MSNBC. She is also director/producer of feature release Nerdcore Rising starring Weird Al Yankovic<br />

& MC Frontalot. She is director/producer/cast of The Muslims Are Coming! starring Jon Stewart, Lewis Black, Janeane Garofalo, and David Cross.<br />

Her first book is scheduled for release in the 2015/2016 season through Grand Central Publishing. Like most comedians, she started her career off as<br />

a Cornell & Columbia-educated policy adviser for the City of New York.<br />

Jeremy is an Emmy Award winning actor-writer-director-producer-hypen-collector. He created and<br />

co-stars in "Odd Jobs," winner of "Best New Web Series," at the Streamy Awards, "Best Writing"<br />

at the International Television Festival and a development deal with Fox Television Studios. Jeremy<br />

runs BracketsCreative, a transmedia production company that serves as a creative consultant on<br />

Fuse/Funny Or Die’s “Billy on the Street” and is producing a documentary about public education.<br />

As a performer, he plays Gonnigan on "Sesame Street" and narrates "Guy Code" "Guy Court" and<br />

"Jobs That Don't Suck" for MTV. An expert on social video, storytelling & community engagement,<br />

Jeremy is frequently hired by brands to understand what “the kids” are doing on the interwebs.<br />

SPeCIaL GueSTS: NeGIN FaRSad, JeReMy RedLeaF


SHOWTIMES<br />

Saturday, Nov 7, 9pm, CP- Hollywood<br />

Sunday, Nov 8, 8:30pm, CP-Lauderdale<br />

AMERICAN<br />

SECOND LOOK<br />

INDIE<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

3 DAYS IN HAVANA<br />

Co-Directors: Tony Pantages & Gil Bellows<br />

Cuba / 2013 / 78 min / HDCam /<br />

English + Spanish w/English sub-titles<br />

Some people would kill for three days in Havana.<br />

Jack Petty sits in an airport bar, nursing a drink.<br />

He’s on a stopover halfway to Havana, and so is<br />

the sexy lady who chats him up, giving him travel<br />

tips and whispering something scary in his ear. He’ll<br />

meet her again, in the midst of a conspiracy that includes<br />

assassination, kidnapping and more.<br />

This is a film with a lot of tradition behind it: some<br />

major Hitchcock (particularly Strangers on a Train<br />

and The 39 Steps); the wised-up dialogue of old<br />

film noir; and the gritty detail and sharp plot twists<br />

of contemporary thrillers. It’s all put across with high<br />

spirits, and the cast is stellar—highlights include<br />

Christopher Heyerdahl as a slick member of the<br />

Canadian Consulate, John Cassini as a ruthless<br />

mob boss, and Phyllida Law as… well, you’ll see.<br />

And there are many other colorful characters, none<br />

of them trustworthy, most of them with their sights<br />

set on poor Jack. He’ll have to outwit, outrun or outfight<br />

them all—a tall order for a mere businessman<br />

on a conference trip. But he’s surprisingly cool<br />

under pressure. The fun here comes not just from<br />

the close shaves and slick repartee but from the<br />

knowledge, quickly acquired, that nothing is what it<br />

seems. (courtesy of the Vancouver Film Festival)<br />

Screenplay: Tony Pantages, Gil Bellows / Producers:<br />

Gil Bellows, Tony Pantages, Sidney Chiu / Cinematographer:<br />

Pieter Stathis / Editor: Rob<br />

Neilson / Composer: Keith Power / Production Designer:<br />

Cameron McLellan / Art Director: Kristine<br />

Cofsky / Principal Cast: Gil Bellows, Greg Wise,<br />

Chris Heyerdahl, Rya Khilstedt / Contact: Tony Pantages<br />

- tonypantages@gmail.com<br />

Sponsored by<br />

Cyndi Boyar<br />

SPeCIaL GueSTS:<br />

GIL BeLLowS aNd<br />

ToNy PaNTaGeS<br />

THE DIRECTORS: Gil Bellows & Tony Pantages met as young actors and forged a friendship and<br />

commitment to create highly crafted films together. Gil went on to act in projects like Shawshank Redemption<br />

and Ally McBeal as well as produce Temple Grandin. Tony directed, shot and produced award<br />

winning commercials, documentaries and music videos for INXS, Sarah McLachlan, Deadmau5 and<br />

other international acts. Their successes, humblings and lessons learned as actors, producers and<br />

filmmakers turned that burning desire to tell stories on the screen into a reality with their directorial<br />

debut, 3 Days In Havana.<br />

41


SHOWTIMES<br />

Wednesday, Nov 18, 8pm, CP- Lauderdale<br />

Thursday, Nov 19, 9pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

ACCUSED<br />

FLORIDA PREMIERE<br />

F<br />

Director: Paula van der Oest / The Netherlands / 2014 / 97 min / DCP / Dutch w/English sub-titles<br />

Based on a true story.<br />

Nurse Lucia (40) has been present at one inexplicable death too many, and the hospital alerts the police. Assistant District Attorney Judith<br />

(28), driven by ambition and genuinely outraged, gets stuck in and Lucia is sentenced to life in prison. But something keeps troubling Judith,<br />

and she discovers inconsistencies in witness statements, and even the suppression of lab evidence. Ignored by her superiors, Judith teams<br />

up with Lucia’s lawyer, but at every appeal the original guilty verdict is confirmed. Things look bleak until they get the media involved and the<br />

biggest miscarriage of justice in Dutch history is finally reversed.<br />

Screenplay: Moniek Kramer, Tijs van Marle / Producers: Reinier Selen (Rinkel Film) / Co-producers: Gemma Derksen (NCRV), Klara Björk<br />

(Filmkreatörerna), Martin Dewitte (Living Stone), Bernard Michaux (Lucil Film) / Cinematographer: Guido van Gennep NSC / Editor: Marcel<br />

Wijninga / Composer: Adam Nordén / Production Designer: Harry Ammerlaan / Principal Cast: Ariane Schluter, Sallie Harmsen, Fedja van<br />

Huêt, Annet Malherbe, Barry Atsma<br />

Sponsored by<br />

Contact: Laura Talsma – Fortissimo Films laura@fortissimo.nl / Website: www.rinkelfilm.nl www.fortissimofilms.com<br />

Facebook: Rinkel Film: https://www.facebook.com/pages/Rinkel-Film-BV/412457638767314?fref=ts<br />

Fortissimo Films https://www.facebook.com/fortissimofilms<br />

42<br />

THE DIRECTOR: Paula van der Oest graduated from the Netherlands Film and Television Academy in 1988 and worked as an assistant-director on<br />

several feature films before debuting in the cinema with 1996’s DE NIEUWE MOEDER (ANOTHER MOTHER), which premiered at the Venice Film<br />

festival. In 2002 ZUS & ZO (SIS & THAT), written by Paula, was nominated for a ‘Best Foreign Film’ Oscar - prompting Time Magazine to name her<br />

'the Woody Allen of Amsterdam'.<br />

Several years after making her first English-language film with MOONLIGHT in 2001 (which won her the Hollywood Discovery<br />

Award for Best European Film and Best Foreign Film at FLIFF), she directed Dutch stars Rutger Hauer and Carice van<br />

Houten in the hugely successful BLACK BUTTERFLIES (2011). An intense look at the life of South-African poet Ingrid Jonker,<br />

the film was sold to over fifty countries and has won a great number of national and international awards.<br />

Returning to the present day subject-wise, she wrote and directed THE DOMINO EFFECT (2013), an ensemble piece which<br />

deals with the still on-going credit crunch. Her new film ACCUSED was very well received by Lucia de Berk herself, the<br />

victim of the biggest miscarriage of justice in Dutch history: "Although she changed certain aspects for dramatic reasons,<br />

she captured the heart of my story."


SHOWTIMES<br />

Friday, Nov 20, 8:15pm, CP- Lauderdale<br />

Saturday, Nov 21, 6pm, CP- Hollywood<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

THE ADDERALL DIARIES<br />

FLORIDA PREMIERE<br />

F<br />

Director: Pamela Romanowsky / USA / 2015 / 87 min / DCP / English<br />

Based on the bestselling memoir by Stephen Elliott, The Adderall Diaries is the gripping and complex story of how an author’s fascination with a<br />

high-profile murder case leads him to come to terms with his troubled past while embarking on a potentially life-changing romance in the present.<br />

James Franco plays Stephen Elliot, a once-successful novelist paralyzed by writer's block and an escalating Adderall dependency, who becomes<br />

obsessed with a high-profile murder case as a way to escape his personal troubles. His interest leads him to meet Lana Edmond<br />

(Amber Heard), a smart, sexy reporter who gives him unique access to the case. As their relationship takes off, Stephen is suddenly thrust<br />

back into the past when his father (Ed Harris), a cruel and vindictive man, shows up to challenge the veracity of the memoir Stephen is writing.<br />

As Stephen simultaneously delves into the details of the murder case (which turns out to have some unexpected parallels to his own troubled<br />

upbringing) and reunites with his estranged father, he is forced to separate truth from lies and fact from fiction--ultimately leading him to finally<br />

reconcile his past and confront his future.<br />

Pamela Romanowksy’s debut feature deftly mixes tones and storylines to create a fascinatingly rich and engaging viewing experience. Through<br />

the character of Stephen, a flawed but always compelling protagonist, the film explores a wide array of themes and ideas, including the legacy<br />

of parents, the power of memory, and the nature of truth.<br />

Written By: Pamela Romanowsky (based on the novel by Stephen Elliott) / Produced By: James Franco, Vince Jolivette, Joseph McKelheer, James<br />

Reach / Starring: James Franco, Amber Heard, Ed Harris, Christian Slater, Cynthia Nixon<br />

SPeCIaL GueSTS:<br />

Contact: A24<br />

ed HaRRIS<br />

PaMeLa RoMaNowSky<br />

THE DIRECTOR: Pamela Romanowsky attended New York University's MFA Film Program. While there she collaborated with<br />

James Franco and eleven other student filmmakers to co-direct The Color of Time, a film on the life of poet C.K. Williams that<br />

starred Franco, Mila Kunis and Jessica Chastain. The film premiered at the 2012 Rome Film Festival. After collaborating with<br />

her on The Color of Time, Franco approached Romanowsky about directing Stephen Elliot's The Adderall Diaries. Rowanowsky<br />

workshopped her script at the Sundance Institute where she was mentored by Walter Salles. The film premiered at the 2015<br />

Tribeca Film Festival.<br />

43


SHOWTIMES<br />

Friday, Nov 6, 3:30pm, CP- Hollywood<br />

Monday, Nov 16, 3:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

TOŢI COPIII DOMNULUI (ALL GOD’S CHILDREN)<br />

UNITED STATES PREMIERE<br />

Director: Adrian Popovici<br />

Romania & Rep. Of Moldova<br />

F<br />

/<br />

2012 / 107 min / DCP / Romanian+Russian+Italian w/English<br />

sub-titles<br />

Pavalas, a boy aged nine, sits alone in a park, writing in a notebook,<br />

“One missing mother…blue…eyes.” He sticks his note in the fork of<br />

a tree. His mother, Irina left him three years earlier and has not returned.<br />

He’s living in an orphanage, only thinking about the day they<br />

will be reunited.<br />

Alina, who has lost her own son in a car accident and who has traveled<br />

to Moldova to adopt, is taken with Pavalas. She and her husband<br />

Peter drive him to the orphanage with the promise to see him again.<br />

But Irina, who had been forced into prostitution in Italy, does return,<br />

desperate to find Pavalas. She and her friend Tatiana travel to<br />

Transnistria, a part of Moldova, hoping to find him there. They have<br />

many misadventures until her pimp Bruno finds them, determined to<br />

teach Irina a lesson. He gives her three days to return the money he<br />

had invested in her – or sell him her child. It’s “the money or the boy.”<br />

Though “All God’s Children” is a work of fiction the film is dedicated<br />

to all the women and children who have been the victims of human<br />

trafficking.<br />

Screenplay: Valeriu Turcanu & Pascal Ilie Virgil / Producers : Cornelia<br />

Palos & Adrian Popovici (Romania) and Veaceslav Cebotari (Republic<br />

of Moldova) / Cinematographer: Veaceslav Cebotari / Editor: Adrian<br />

Popovic and Veaceslav Cebotari / Composer: Vlady Cnejevici and<br />

Adrian Popovici/ Principal Cast: Emergian Cazac, Ina Surdu, Michael<br />

Ironside, Paolo Seganti, Rodica Oantsa, Alina Turcanu<br />

Contact: Cornelia Palos cornelia@artisfilm.ro<br />

Trailer: https://vimeo.com/136259440<br />

Website: www.artisfilm.ro<br />

44<br />

THE DIRECTOR: Director, scriptwriter, rock band member, Adrian Popovici was born in Timisoara in 1958. During his high<br />

school years, he has also studied piano and guitar at the music school. He holds an engineering diploma in constructions.<br />

Between 1983-1989, he has played with a number of highly appreciated Romanian and foreign rock bands such as :”Timpuri<br />

Noi”, “Cargo”, “Progresiv Tm” and, in Germany, “Classics”. After this period, he leaved the country for Germany, returning<br />

in the 1990’s. He’s a member of EFA “European Film Academy” since 2004, and IFTA „Independent Film & Television Alliance”<br />

from 2011.


SHOWTIMES<br />

Sunday, Nov 15, 3:30pm, Sunrise Civic Ctr<br />

Tuesday, Nov 17, 5:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

APPLES FROM THE DESERT<br />

FLORIDA PREMIERE<br />

Director: Arik Lubetzky & Matti Harari<br />

F<br />

Israel / 2015 / 96 min / DCP /<br />

Hebrew w/English sub-titles<br />

The rebellious teenage daughter of ultra-Orthodox<br />

Jewish parents journeys into the secular world<br />

in APPLES FROM THE DESERT, an adaptation of<br />

the award-winning Israeli play that poignantly explores<br />

themes of love and reconciliation.<br />

Rebecca Abravanel (a radiant Moran Rosenblatt)<br />

is an only child, living a cloistered existence with<br />

her strictly religious Sephardic parents in<br />

Jerusalem. Unhappy with the restrictive traditions<br />

of home and community, she secretly breaks<br />

taboos, attending dance classes where she forms<br />

a relationship with secular kibbutznik Dooby (the<br />

acting debut of Israeli singer and guitarist Elisha<br />

Banai). Suspicious and angry in the face of Rebecca’s<br />

growing acts of rebellion, her strict father<br />

(Shlomi Koriat) reacts by setting in motion a prearranged<br />

marriage to an older widower with children<br />

of his own. Rebecca’s mother (Reymond<br />

Amsalem) and aunt (Irit Kaplan) are appalled, but<br />

dare not defy the authoritarian man of the household.<br />

After Rebecca runs away from home, the family<br />

conflict culminates in a moment of truth, forcing<br />

them to confront their beliefs and one another.<br />

Nominated for three Israeli Academy Awards, AP-<br />

PLES FROM THE DESERT is a timeless and moving<br />

tale of tradition versus modernity.<br />

Producer: Michael Sharfshtein, Moshe Edery, Leon<br />

Edery / Screenplay: Savyon Liebrecht, Arik Lubetzky,<br />

Matti Harari / Cinematographer: Amnon Zalait<br />

/ Editor: Etty Li-on Zingman / Music:<br />

Tom Sharfshtein / Production Designer: Ariel Glazer<br />

/ Principal Cast: Moran Rosenblatt, Shlomi Koriat,<br />

Remonde Amsellem, Elisha Banai, Irit Kaplan<br />

Contact: Israeli Films, Dana Goren<br />

israelifilms@gmail.com<br />

Sponsored by<br />

THE DIRECTORS: Arik Lubetzky is a director and screenwriter of feature films and television series. His<br />

TV series "The real thing" (Chalomot Ne'urim) was successfully screened on France 2 of his feature films,<br />

"Valentina's Mother" and "Little Simico's Great Fantasy", were screened in Haifa Film Festival.<br />

Matti Harari was born in Tel Aviv, Israel, and studied film & television at the Tel Aviv University. (B.A 1992).<br />

Since then he wrote and directed the feature films "BLACK JACK" (2004), "THE LAST SUSPECT" (2005)<br />

"VALENTINA'S MOTHER" (2008), "APPLES FROM THE DESERT" (2015). He also wrote and directed the<br />

T.V series "JAFFA'S STORYS" (1994), "THE REAL THING" (1998) and "THE DOBELE" (2007). He is now<br />

involved in several projects among them "NATBAG" A science fiction drama and "LIMASSOL" a political<br />

thriller, both in development.<br />

45


SHOWTIMES<br />

Wednesday, Nov 11, 5:30pm, CP- Hollywood<br />

Friday, Nov 13, 7:30pm, CP- Lauderdale<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

BABY, BABY, BABY<br />

FLORIDA PREMIERE<br />

Director: Brian Klugman / USA<br />

F<br />

/ 2015 / 85 min / BluRay / English<br />

Sydney writers short stories that reflect<br />

his feelings about his relationship.<br />

Sunny dreams of becoming a successful<br />

painter. They’re two mismatched<br />

people, who try to put their past relationship<br />

baggage behind them and move<br />

on to higher ground together.<br />

They’re perfect for each other..until they<br />

aren’t…<br />

Screenplay: Brian Klugman / Producers:<br />

Robert Bauer, Cassidy Lunnen /<br />

Cinematographer: Giorgio Scali / Editor:<br />

Mitchell Sinoway / Composer: John<br />

Dragonetti / Production Designer: Andrew<br />

Resnik / Principal Cast: Adrianne<br />

Palicki, Brian Klugman, James Roday,<br />

Michaela Conlin, Kelly McCreary, Greg<br />

Grunberg, Kelsey Grammer + Special<br />

Appearances By Jessica Alba, Bradley<br />

Cooper, Kenza Fourati, Griffin Gluck,<br />

Jared Harris, Dennis Haysbert, Cloris<br />

Leachman, Louise Parker, Jonathan Silverman,<br />

William Shatner, Sonya Walger<br />

/ Contact: Robert Bauer -robert@stamperlumber.com,<br />

Cassidy Lunnen –<br />

Clunnen@gmail.com<br />

Sponsored by<br />

Marilynn Berry<br />

46<br />

THE DIRECTOR: Brian Klugman is a writer, director, producer and actor. He has appeared in over 50 films and television<br />

series, and has written scripts for every major studio in Hollywood. Brian and his writing partner, Lee Sternthal have been<br />

working together for over 15 years and are graduates of the Sundance screenwriter’s lab. Their work has appeared on<br />

Hollywood’s blacklist of best screenplays. Brian and Lee wrote and directed their first film, The Words. The movie starred<br />

Bradley Cooper, Zoe Saldana, Jeremy Irons, Olivia Wilde, Dennis Quaid, and Ben Barnes.<br />

Baby Baby Baby is Brian’s fist solo feature film directing debut.


SHOWTIMES<br />

Thursday, Nov 19, 7:45pm, CP- Lauderdale<br />

Friday, Nov 20, 9:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

BETIBU<br />

SOUTHEAST PREMIERE<br />

E<br />

Director: Miguel Cohan / Argentina / 2014 / 100 min / DCP / Spanish w/English sub-titles<br />

A powerful industrialist is found with his throat cut in his luxury mansion. The famous novelist Betibú agrees to move into the neighborhood so she<br />

can write the chronicles of the case, but she soon discovers that this killing is just one in a series of murders of powerful men who share a dark past.<br />

As the Oscar-winning The Secrets in their eyes showed, the Argentineans can deliver great noir, and Betibu, which comes from the same production<br />

stable, represents a solid addition to the canon. Like the best of the genre, it spine-tinglingly evokes the unpleasant monsters gliding<br />

beneath our smooth social surfaces. The Hollywood Reporter<br />

This Argentine crime thriller is well written, produced and acted. The cast is superb, the locations range from intoxicatingly beautiful to intoxicatingly<br />

sinister...and a perfect addition to our 30th Annual Line-up.<br />

Writers: Ana Cohan, Miguel Cohan / Producers: Vanessa Ragone, Mariela Besuievsky, Gerardo Herrero / Composer: Federico<br />

Jusid / Cinematographer: Rodrigo Pulpeiro / Editor: Irene Blecua / Production Designer: Mariela Rípodas / Cast : Mercedes<br />

Morán, Daniel Fanego, Alberto Ammann, José Coronado, Osmar Núñez, Gerardo Romano, Lito Cruz, Carola Reyna<br />

Contact: Latido Films, Madrid<br />

Sponsored by<br />

THE DIRECTOR: Miguel Cohan won the Argentinean Oscar and The Film Critics Award for best Adapted Screenplay BETIBU.<br />

He has written and directed three features and several shorts.<br />

47


SHOWTIMES<br />

Tuesday, Nov 17, 8:30pm, CP- Lauderdale<br />

Wednesday, Nov 18, 7:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

BOCCACCERIAS HABANERAS BOCCACCHIOS IN HAVANA<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

SOUTHEAST PREMIERE<br />

E<br />

Director: Arturo Sotto / Cuba / 2014 / 100 min / DCP / Spanish w/English sub-titles<br />

Boccaccerias Habaneras (Boccaccio in Havana) is composed by three stories interconnected by a main line: a writer’s room where people go<br />

to tell anecdotes hoping to make some money and become characters of a novel or a movie. This is a Bocacccio’s version based on a city<br />

environment, a Havana Decameron. A film full of sensuality, ease and hidden passions.<br />

Story #1: It’s the Day of the Wedding and Mom & Dad are doing all the heavy lifting while the bride to be drifts off with another thought.<br />

Story #2: A backstage worker at a traveling circus, is called upon to perform services not in his job description...and the consequences could<br />

not be more hilarious.<br />

Story #3: A cigar company has for years brought in a student intern from the local college to learn business from the ground up. Little does<br />

he realize, that cigar he is making him is rolling him into a lot of trouble.<br />

Bawdy, outrageous, hilarious and campy... Boccacchios provides us with more than laughs, but also an intimate look into the day-to-day lives<br />

of our neighbors to the south.<br />

Screenplay: Arturo Sotto / Producers: Isabel Prendes / Cinematographer:<br />

Alejandro Pérez / Editor: Alejandro Valera / Composer: Andrés<br />

Levin / Production Designer: Francisco Álvarez / Art Director: /<br />

Carlos Urdanivia / Principal Cast: Libia Batista, Jorge Perugorria, Luis<br />

Alberto García, Mario Guerra, Tudith Castillo, Zulema Cruz<br />

Contact: Arturo Sotto, sotto@cubarte.cult.cu / www.cubacine.cult.cu<br />

Sponsored by<br />

SPeCIaL GueSTS:<br />

aRTuRo SoTTo, zuLeMa CRuz<br />

48<br />

THE DIRECTOR: Writer, Screenwriter, Director. Graduated, Bachelor in Performing Arts from the Habana University of<br />

Arts, and Film Directing from the Int’l School of Film & TV of San Antonio de los Banos. On two occasions, nominated for<br />

the Goya Awards, Movies: “PON TU PENSAMIENTO EN MI”(Put Your Thoughts On Mi), “AMOR VERTICAL” (Vertical Love).<br />

These movies were also selected to represent Cuba in the Oscar nominations. Coral Award for the short “TALCO PARA LO<br />

NEGRO” (Powder For The Black), in the 14th Annual Film Festival of Habana & Iberoamerican Festival of Huelva. Best Actress<br />

Award “AMOR VERTICAL” in the Cartagena de Indias Festival. Best Actor Award “AMOR VERTICAL”,Vina del Mar<br />

Festival. Grand Jury Award, Biarritz Festival, “LA NOCHE DE LOS INOCENTES” (The Night Of The Innocent). Coral Award<br />

Original Screenplay movie “PPK” in the 30th anual Habana Film Festival. Published Volumes: “CONVERSACIONES AL<br />

LADO DE CINECITTA” (Conversations Next To Cinecitta). “CARO DIARIO”(Dear Diary). Audience & Screenplay Coral<br />

Awards at the 35th Annual Habana Film Festival. “Boccaccerías Habaneras” Best Screenplay & Best Director at the Havana<br />

Film Festival in New York “Boccaccerías Habaneras”


Official Wines<br />

of the<br />

30th Annual<br />

Fort Lauderdale<br />

Film Festival<br />

Available at<br />

49


SHOWTIMES<br />

Wednesday, Nov 4, 5:30pm, CP-Lauderdale<br />

Wednesday, Nov 4, 8:0pm, CP-Lauderdale<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

BROOKLYN<br />

FLORIDA PREMIERE<br />

Director: John Crowley<br />

F<br />

USA / 2015 / 105 min / DCP / English<br />

BROOKLYN tells the profoundly moving story of Eilis Lacey<br />

(Saoirse Ronan), a young Irish immigrant navigating her<br />

way through 1950s Brooklyn. Lured by the promise of America,<br />

Eilis departs Ireland and the comfort of her mother’s<br />

home for the shores of New York City. The initial shackles<br />

of homesickness quickly diminish as a fresh romance<br />

sweeps Eilis into the intoxicating charm of love. But soon,<br />

her new vivacity is disrupted by her past, and Eilis must<br />

choose between two countries and the lives that exist<br />

within.<br />

Screenplay: Nick Hornby / Producers: Finola<br />

Dwyer, Amanda Posey / Composer: Michael Brook / Cinematographer:<br />

Yves Bélanger / Editor: Jake Roberts / Production<br />

Designer: François Séguin / Principal Cast: Saoirse<br />

Ronan , Domhnall Gleeson, Michael Zegen, Emory Cohen,<br />

Mary O'Driscoll , Julie Walters, Emily Bett Rickards , Jim<br />

Broadbent<br />

Contact: Fox Searchlight Pictures<br />

50<br />

THE DIRECTOR: Crowley became involved in theatre as a student, seeing it as a stepping stone to directing film. He began directing plays in Dublin in<br />

the early 90s, reached London's West End by 1996 and eventually become an associate director at the Donmar Warehouse. In 2000, he directed Come<br />

and Go as part of the Beckett on Film series and made his feature debut Intermission (2003), a comedy drama set in Dublin, starring Colin Farrell, Cillian<br />

Murphy and Kelly MacDonald, based on a screenplay by playwright Mark O'Rowe.<br />

In May 2005 Crowley, along with Danny Boyle, launched the UK Film Council Development Fund's "25 Words or Less: Director’s Cut" scheme to<br />

develop a feature film project, stating that he wanted particularly to "create a contemporary 'rebirth' or transformation story about a man or woman<br />

who begins as someone that spreads coldness."<br />

In 2007, Crowley reteamed with O'Rowe for the thought-provoking BAFTA-winning drama Boy A, about a young man's return<br />

to civilian life after imprisonment for a brutal childhood killing, which was made for British television but was released theatrically<br />

in the US the following year.<br />

Additionally, Crowley was Tony nominated for the hugely successful London and Broadway runs of Martin McDonagh's<br />

play The Pillowman in 2003 and 2005. He directed Neve Campbell and Cillian Murphy in the West End production of Love<br />

Song in 2006-7, and in 2007 filmed a television version of Harold Pinter's Celebration starring Michael Gambon, Stephen<br />

Rea and Colin Firth. In 2009 he directed the film Is Anybody There?, set in 1980s seaside Britain, written by Peter Harness and<br />

starring Michael Caine as a grumpy ex-magician. In 2010, Crowley teamed once again with McDonagh for A Behanding in<br />

Spokane on Broadway.


SHOWTIMES<br />

Saturday, Nov 7, 9pm, CP- Lauderdale<br />

Thursday, Nov 12, 7:45pm, CP- Hollywood<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

CAROL<br />

FLORIDA PREMIERE<br />

F<br />

Director: Todd Haynes / USA / 2015 / 118 min / DCP / English<br />

In an adaptation of Patricia Highsmith’s seminal novel, The Price of Salt, CAROL follows two women from very different backgrounds who find<br />

themselves in an unexpected love affair in 1950’s New York. As conventional norms of the time challenge their undeniable attraction, an<br />

honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet, is a clerk working<br />

in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol, an alluring woman trapped in a loveless, convenient<br />

marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens.<br />

While Carol breaks free from the confines of marriage, her husband begins to question her competence as a mother as her involvement with<br />

Therese and close relationship with her best friend Abby come to light.<br />

Producers: Elizabeth Karlsen, Tessa Ross, Christine Vachon, Stephen Woolley / Composer: Carter Burwell / Writer: Phyllis Nagy / Cinematographer:<br />

Edward Lachman / Editor: Affonso Gonçalves / Production Designer: Judy Becker / Principal Cast: Cate Blanchett, Rooney Mara,<br />

Sarah Paulson, Kyle Chandler, Jake Lacy and Cory Michael Smith.<br />

Sponsored by<br />

George Kress<br />

THE DIRECTOR: Todd Haynes is known for making provocative films that subvert narrative structure and resound with transgressive, complex eroticism. Born 1961,<br />

in LA and developed an interest in film at a young age. While still a high school student, he produced his first film, a short about contemporary teenage life entitled<br />

The Suicide (1978). Haynes studied at Brown University, making his directorial debut with Assassins: A Film Concerning Rimbaud (1985). He gained his first dose<br />

of attention and controversy with Superstar: The Karen Carpenter Story (1987). A psychological docudrama about singer and anorexia victim Karen Carpenter, the<br />

film blended sharp satire (...its use of Barbie dolls to portray the characters) with historical perspective and surprising compassion. The considerable notice it earned<br />

at a number of film festivals was tempered by a lawsuit filed against Haynes by Richard Carpenter, whom the film portrayed in a less than<br />

flattering light. Controversy and acclaim again came Haynes' way with his 1991 feature directorial debut, Poison. The exploration of AIDSera<br />

deviancy, alienation, death, homosexuality, and persecution told in turn as a vox-pop documentary, '50s sci-fi horror fantasy, and gay<br />

love story. The fact that it received $25,000 worth of funding from the National Endowment for the Arts made the film a target of the campaign<br />

being waged by the right-wing American Family Asso. If anything, the publicity generated by the controversy helped the film, and Poison<br />

and won the 1991 Sundance's Grand Prize, establishing Haynes as a talent to be taken seriously. He resurfaced with Safe. The story<br />

of a housewife (Julianne Moore) who is literally allergic to the 20th century. This recognition was apparent in the anticipation surrounding<br />

Haynes' next feature, 1998's Velvet Goldmine. Starring Christian Bale, and Ewan McGregor, the film a loving tribute to the Glam rock era.<br />

In 2002, Haynes finally won both critical approval and popular success with his Oscar nominated Far From Heaven. The film boasted lush<br />

cinematography, a sweeping, perceptive score from Elmer Bernstein, and brilliant leading performances by Julianne Moore, Dennis Haysbert,<br />

Dennis Quaid and Patricia Clarkson. (Excerpted from The All Movie Guide)<br />

51


SHOWTIMES<br />

Thursday, Nov 12, 7pm, CP- Lauderdale<br />

Friday, Nov 13, 9pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

CASESE QUIEN PUEDA GET MARRIED IF YOU CAN<br />

EAST COAST PREMIERE<br />

Director: Marco Polo de Constandse<br />

W<br />

México 2013 / 107 min / DCP /<br />

Spanish w/English sub-titles<br />

Snobby glamorous Ana Paula gets lost in<br />

the jungle a week before her wedding just<br />

after she finds out that her fiancé has been<br />

cheating on with her cousin. Meanwhile,<br />

Daniela, her bohemian sister gets reunited<br />

with her friend from childhood Gustavo,<br />

who has been secretly the love of her life.<br />

Screenplay: Martha Higareda / Producers:<br />

Alejandra Cárdenas, Martha Higareda<br />

/ Cinematographer: Horacio<br />

Marquínez / Editor: Jorge Macaya / Composer:<br />

Juan Manuel Langarica / Production<br />

Designer: Alejandra Quijano / Art<br />

Director: Darío Carreto / Principal Cast:<br />

Martha Higareda, Miriam Higareda, Luis<br />

Gerardo Méndez, Michel Brown<br />

Contact: Xanic Zepeda xanic@sinsentidofilms.com<br />

/<br />

Trailer: https://vimeo.com/117940163 /<br />

Twitter: https://twitter.com/cqplapelicula<br />

THE DIRECTOR: Marco Polo has participated in several national and international features. He has<br />

worked in the direction department in movies like Kill Bill I & II , Matador and many others. He has<br />

several participations as a producer for television and film. Get married if you can is his first film project<br />

as a director. Through his company Filmadora Nacional he’s now coproducing with Tigre Pictures<br />

the thriller “La Isla” starring Ana Claudia Talancón, Iván Sánchez and Andrés Almeida, producing<br />

“Siempre Vuelven” and preparing to direct the romantic comedy “Valentina’s Wedding”.<br />

52


SHOWTIMES<br />

Saturday, Nov 7, 4pm, CP- Hollywood<br />

Sunday, Nov 8, 3:30pm, CP- Lauderdale<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

CASSANOVA WAS A WOMAN<br />

FLORIDA PREMIERE<br />

F Director: Kevin Arbouet<br />

USA / 2014 / 112 min / DCP / English<br />

Cassanova Canto is a struggling actor who fits<br />

none of today’s social stereotypes. She is a 5’7”,<br />

blonde, blue-eyed Cuban-American who has<br />

fallen in love with a woman, while still married<br />

to her husband. Throw in a famous Spanish<br />

soap star mother, a homophobic sister, and an<br />

imaginary naked Fantasy Man, and her dilemma<br />

takes a riotous unexpected twist. Leaving the<br />

audience pondering: Can you be a free-spirited,<br />

sexually fluid, pansexual, bisexual, metrosexual,<br />

monogamist - oh, and…also be Latin?<br />

Screenplay: Jezabel Montero / Producers: Jezabel<br />

Montero, Peter Iengo / Cinematographer: Eric<br />

Hales, John McClung / Editor: Ethan David / Production<br />

Designer: David Dean Ebert / Art Director:<br />

Ali Marx / Principal Cast: Jezabel Montero, Margo<br />

Singaliese, Paolo Andino, Monica Steuer, Carolann<br />

Valentino, Zully Montero, Chaz Mena, Gene<br />

Gabriel, Jessica Blank<br />

Contact:<br />

Jezabel Montero jezabel@fuacatafilms.com<br />

Website: www.fuacatafilms.com<br />

Facebook:<br />

www.facebook.com/cassanovawasawoman<br />

Sponsored by<br />

Eileen Schneider<br />

SPeCIaL GueST:<br />

JezaBeL MoNTeRo<br />

PeTeR IeNGo<br />

THE DIRECTOR: Kevin Arbouet is a former Vice President of Lee Daniels Entertainment (Monster’s<br />

Ball, Precious) works currently as a film, television and commercial director. Director and<br />

writer of the feature films, Police State and Fair Market Value. His feature “Generation Iron”,<br />

which he 2nd Unit directed, starred Mickey Rourke and Arnold Schwarzenegger and went on to<br />

become one of the highest grossing documentaries of the year.<br />

53


SHOWTIMES<br />

Monday, Nov 9, 5:30pm, CP- Lauderdale<br />

Tuesday, Nov 10, 5:15pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

Sponsored by<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

DEAREST QIN AI DE XIAO HAI<br />

UNITED STATES PREMIERE<br />

Director: Peter Ho-Sun Chan<br />

F<br />

China / 2014 / 128 min / DCP /<br />

Mandarin w/English sub-titles<br />

Wen Jun (Huang Bo) and his wife Xiaojuan (Hao Lei) are busy<br />

parents in the bustling South China city of Shenzen. One day,<br />

as their young son Tian Peng plays in the streets with his<br />

friends, he's snatched by kidnappers, leaving his parents distraught<br />

— but not despairing. With extraordinary commitment<br />

and resourcefulness, they set out to find their lost son.<br />

FESTIVALS & AWARDS: Venice Biennale /Toronto Film Fest /<br />

Rio Intl Film Festival / Busan Intl Film Festival / BFI London Film<br />

Festival / Tallinn Black Nights Intl Film Festival / Intl Film Festival<br />

India Goa / Hawaii Intl Film Festival / Hong-Kong Asian Film Festival<br />

/ China Intl Film Festival (Best Picture, Best Director) / Dubai<br />

Intl Film Festival / EFM Berlin / Portland Intl Film Festival / Glasgow<br />

Film Festival / Cleveland Intl Film Festival / Dublin Intl Film<br />

Festival / Cinemasia Film Festival<br />

54<br />

THE DIRECTOR: Chan was born in Hong Kong to Chinese parents. He spent infancy in Hong Kong before moving with his parents to Thailand. He<br />

later studied in the U.S. attending film school at UCLA. He returned to Hong Kong in 1983 for a summer internship in the film industry. He served as<br />

a second AD and producer to Basil Lee on Heroes Are Not Fat, which was set in Thailand. He was a location mgr on 3 Jackie Chan films, Wheels on<br />

Meals, The Protector and Armour of God.<br />

His directorial debut, Alan and Eric: Between Hello and Goodbye, was crowned best film at the Hong Kong Film Directors' Guild in 1991. It also won<br />

best actor at the Hong Kong Film Awards for Eric Tsang, who would become a frequent collaborator with Chan.<br />

Chan produced a number of box-office and critical hits in Hong Kong, including his own: He Ain't Heavy, He's My Father. Other critical successes followed:<br />

Tom, Dick And Hairy, He's a Woman, She's a Man and Comrades, Almost a Love Story. In the late 1990s, Chan worked in Hollywood,<br />

directing The Love Letter, starring Kate Capshaw, Ellen DeGeneres and Tom Selleck.<br />

In 2000, Chan co-founded Applause Pictures with Teddy Chen and Allan Fung. The company's<br />

focus was on fostering ties with pan-Asian filmmakers, producing such films as Jan Dara by Thailand's<br />

Nonzee Nimibutr, One Fine Spring Day South Korea's Hur Jin-ho, Samsara by<br />

China's Huang Jianxin, and The Eye by Danny and Oxide Pang.<br />

Chan's 2005 film, the musical Perhaps Love closed the 2005 Venice Film Festival and was Hong<br />

Kong's entry for an Academy Awards nomination in the best foreign film category. Perhaps Love<br />

became one of the year's top-grossing films in China, Hong Kong and Taiwan, and received a<br />

record 29 awards. Chan next directed The Warlords (2007) and produced Derek Yee's Protégé<br />

(2007). The two films garnered 8 Hong Kong Film Awards and 3 Golden Horse Awards, including<br />

Best Director and Best Feature Film.


SHOWTIMES<br />

Saturday, Nov 14, 9pm, CP- Hollywood<br />

Saturday, Nov 21, 9:30pm, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

HAEMOO<br />

FLORIDA PREMIERE<br />

Director: Sung-Bo Shim<br />

F<br />

South Korea / 2014 / 111 min / DCP /<br />

Korean w/English sub-titles<br />

Kang, a long time captain of the Junjin, is disheartened<br />

to learn that his ship has been sold by its<br />

owner, leaving Kang's entire crew in danger of losing<br />

their livelihood. Swallowing his pride, Kang pays<br />

a visit to Yeo, a human trafficking broker, and decides<br />

to take on the dangerous job of smuggling illegal<br />

migrants into South Korea. When the Junjin<br />

arrives at the pickup point, a violent storm forces<br />

the boat to stall in the open waters, inevitably pitting<br />

Kang's crew against the migrants. As tension and<br />

unrest spread throughout the Junjin, a dense sea<br />

fog envelops the boat, and tragedy unfolds in the<br />

mysterious depths of the fog...<br />

"Never in a million years would someone be able<br />

to watch this film for the first time and guess that<br />

it's a debut feature. So assured is the direction, so<br />

purposeful is the camera."<br />

– Nikola Grazdanovic, The Playlist<br />

"...crisp, starkly beautiful compositions, contrasting<br />

claustrophobic human activity with the ocean's<br />

vastness."<br />

– Maggie Lee, variety<br />

"While the film is expertly made, all its visual thrills<br />

are present to serve the characters and their complexly<br />

interwoven moral trajectories..."<br />

– Pierce Conran, Twitch Film<br />

Writers: Sung-Bo Shim, Joon-ho Bong / Producers:<br />

Joon-ho Bong, Neung-yeon Joh, Lewis Taewan<br />

Kim / Cinematographer: Kyung-pyo Hong / Editors:<br />

Jae-beom Kim, Sang-beom Kin / Production Designer:<br />

Ha-jun Lee / Principal Cast: Yun-seok Kim,<br />

Yoo-chun Park, Ye-re Han, Seong-kun Mun, Sangho<br />

Kim, Hee-jun Lee, In-gi Jeong<br />

Contact: Film Movement<br />

THE DIRECTOR: Sung-bo Shim is a writer and director, known for Memories of Murder (2003), Haemoo (2014) and Visiting<br />

Report in Korea (2004).<br />

55


SHOWTIMES<br />

Saturday, Nov 14, 2:30pm, Sunrise Civic Ctr<br />

Sunday, Nov 15, 3:30pm, CP- Lauderdale<br />

SUNSHINE<br />

CELLULOID<br />

FEATURE<br />

THE HAPPIEST PLACE ON EARTH<br />

SOUTH FLORIDA PREMIERE<br />

Director: John Goshorn<br />

Florida / 2015 / 81 mn / HDCam / English<br />

As the film opens, Jonah and Maggie are in the process of buying<br />

their first home, picking out one that feels perfect to start a<br />

family. They move in, riding a wave of satisfaction at opening<br />

the next chapter in their lives. But it doesn't last. Days after moving<br />

in, the newspaper where Jonah works makes job cuts, his<br />

position among them. They try to muddle through and hold on<br />

to their dream. Maggie picks up a waitressing gig to supplement<br />

her daycare job, and Jonah tries desperately to find work and<br />

renegotiate the terms of their mortgage, to no avail. And trying<br />

to compete in a dying industry and a saturated job market, his<br />

opportunities are severely limited.<br />

After a particularly humiliating interview and another round of<br />

bad news about the mortgage, Jonah is at his wit's end. He<br />

heads to the coast to regroup, but never returns home. He is<br />

presumed to have drowned while kayaking in the ocean, but no<br />

one is certain. Maggie is left to pick up the pieces while weighing<br />

her grief, her hope for Jonah's miraculous return, suspicions regarding<br />

the circumstances surrounding his disappearance, and<br />

her own need to move on with her life.<br />

Screenplay: John Goshorn / Producers: John Goshorn, Kate<br />

Jacobs, Julie Opala / Cinematographer: Jeffrey Gross /<br />

Editor: Alan Parker, Austin Boggs, Kate Shults /<br />

Composer: Gavin Salkeld / Production Designer: Elizabeth Sutphin<br />

/ Art Director: / Principal Cast: Jennifer Faith Ward, Tom<br />

Kemnitz Jr., Marco DiGeorge, Peg O’Keef<br />

Contact: John Goshorn jhgoshorn@gmail.com, 321-439-8388<br />

Trailer http://youtu.be/_6j_DAJA1WcWc<br />

Website: http://www.happiestplacemovie.comFacebook:<br />

http:///www.facebook.com/happiestplacemovie<br />

Sponsored by<br />

SPeCIaL GueST:<br />

JoHN GoSHoRN<br />

THE DIRECTOR John Goshorn was born and raised in a rural Virginia town an hour from the nearest<br />

movie theater. The Happiest Place on Earth is his debut feature film as a writer, director, and producer.<br />

He recently adapted and directed an Edgar Allan Poe anthology stage show, and previous work includes<br />

work in front of and behind the camera in independent shorts and features, TV commercials, promotional<br />

spots, and paid programming segments. He currently works as a film educator.<br />

56


SHOWTIMES<br />

Sunday, Nov 15, 6:30pm, Sunrise Civic Ctr<br />

Monday, Nov 16, 5:30pm, CP- Hollywood<br />

HILL START<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

FLORIDA PREMIERE<br />

Director: Oren Stern /<br />

F<br />

Israel / 2014 / 92 min / DCP /<br />

Hebrew w/English sub-titles<br />

A Comic drama that tells the story of<br />

the Geva family – a bourgeois family<br />

from Jerusalem.<br />

After a car accident, the mother of the<br />

family, Ora, goes into a coma.<br />

The family members try to bring her<br />

back in every way possible.<br />

On this emotional and fascinating journey<br />

we will meet some plastic surgeons,<br />

a wheelchair-bound marathon<br />

coach, a tough private investigator, a<br />

yoga instructor, a sensitive belly dancer<br />

and a big star in the Arab cinema.<br />

Screenplay: Riki Shulman, Oren Stern<br />

/ Producer: Michael Sharfshtein,<br />

Moshe Edery, Leon Edery / Cinematographer:<br />

Amnon Zalait / Editor:<br />

Zohar Sela / Music: Issar Shulman /<br />

Principal Cast: Shlomo Bar Aba, Mali<br />

Levi Gershon, Itay Tiran, Rotem Zisman<br />

Cohen, Idit Teperson, Romi<br />

Aboulafia, Yossi Marshak, Yousef<br />

Sweid, Albert Illuz<br />

Contact: Dana Goren, Israel Films<br />

Sponsored by<br />

THE DIRECTOR Oren Stern was born on August 16th 1972in Ramat-Gan, Israel. A graduate of the cinema department,<br />

the "Camera Obscure" school. Filmography: 2004 - Cutting free from Suzi- 50 min, a comic drama for<br />

"Hot" cable t.v. 2003- Tears of Amsalem - 50 min, a comic drama for "Hot" cable t.v. 2000- Funeral at Park de<br />

France- 25 min, a comic drama (a graduate project). Winner of the best drama prize of the international Mexico<br />

City festival for short films.<br />

57


SHOWTIMES<br />

Saturday, Nov 7, 6:30pm, CP-Hollywood<br />

Sunday, Nov 8, 6pm, CP- Lauderdale<br />

LATIN LOVER<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

UNITED STATES PREMIERE<br />

F<br />

Cristina Comencini / Italy / 2015 / 105 min / DCP / Italian w/English sub-titles<br />

Saverio Crispo was a famous actor and a womanizer: his 5 daughters – born from 5 different mothers in different parts of the world – gather<br />

in his hometown on the 10th anniversary of his death. Crushed by their father’s legacy, the 5 daughters, are like strangers and this is the occasion<br />

they need to finally get to know each other and also learn an unsettling truth about their father.<br />

A hysterical comedy with mother pitting daughter against daughter with the burning question who did he love more? They swap stories and<br />

surprises in a Love: Italian Style way. Food, wine, nostalgia, more wine and a healthy dash of secret amore.<br />

Writers: Giulia Calenda, Cristina Comencini / Producer: Lionello Cerri (Lumiere&Co) / Cast : Jordi Molla, Marisa Paredes, Virna Lisi, Candela Penna<br />

and Valeria Bruni Tedeschi<br />

Contact: RaiCom in Rome<br />

58<br />

THIS IS THe FINaL FILM oF BeLoved aCTReSS vIRNI LISI wHo woN 24<br />

awaRdS INCLudING 2 GoLdeN GLoBeS aNd BeST aCTReSS aT CaNNeS<br />

THE DIRECTOR: Cristina Comencini was born in Rome in 1956. Her father was the Italian director Luigi Comencini and with him she began her career<br />

as a screenwriter, co-writing Il matrimonio di Caterina (1982), Buon Natale... Buon anno (1989), Quattro storie di donne<br />

(1986), Cuore and La Storia.<br />

Graduated in Economics, she made her debut as a movie director in 1988 with Zoo, followed by I divertimenti della vita privata<br />

(1990), La fine è nota (1992), Va' dove ti porta il cuore (1996), Matrimoni (1998), Liberate i pesci (1999), Il più bel giorno della<br />

mia vita (Award Winner for Best Foreign Film at FLIFF 2002), La bestia nel cuore (2005 - nominated by the Academy Awards<br />

for the Best Foreign Language Film's category), Bianco e nero (2008), Quando la Notte (2011), Latin Lover (2015). For theatre<br />

she wrote and directed the plays Due Partite (2006), Est Ovest (2009), Libere (2010) and La Scena (2013).<br />

As author, she published Pagine strappate (1991), Passione di famiglia (1994), Matrioska (2002), La bestia nel cuore<br />

(2004), Due partite (2006), L'illusione del bene (2007 - nominated by Premio Strega as Best Book of the Year), Quando<br />

la Notte (2009), La nave più bella (2012), Lucy (2014), Voi non la conoscete (2014).<br />

She is the happy mother of three: Carlo, Giulia and Luigi.


SHOWTIMES<br />

Saturday, Nov 7, 7pm, CP- Lauderdale<br />

Sunday, Nov 8, 6pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

LE PÉRE NOEL<br />

UNITED STATES PREMIERE<br />

Alexandre Coffre<br />

F<br />

France / 2014 / 80 min / DCP /<br />

French w/English sub-titles<br />

On this Christmas Eve, six-year-old Antoine has<br />

only one idea in mind: to meet Father Christmas<br />

and go on a trip to the stars with him in his sleigh.<br />

When Father Christmas does magically fall onto his<br />

balcony, Antoine is too dazzled to see that he is in<br />

fact a thief in disguise, who is stealing jewels from<br />

apartments in chic neighborhoods.<br />

Despite all his efforts to get rid of the very determined<br />

boy, Father Christmas and Antoine form an<br />

improbable duo who traverse Paris from roof to<br />

roof, each of them looking for their own dream.<br />

This film is one of my favorites of FLIFF2015. Essential<br />

to any great movie is ‘Do you care about the characters?’<br />

The answer is an undeniable YES! Heart,<br />

pathos, comedy, suspense, action and surprise...this<br />

is a 6 cylinder vehicle with V8 thrust. The director,<br />

Alexander Coffre was the Director / Co-Writer of last<br />

year’s hit THE VOLCANO. This film is a different animal.<br />

Still lots of laughs, but much more moving in<br />

such an engaging fashion. Cinema magnifique!<br />

Executive Producer : Nicolas Duval Adassovsky /<br />

Screenwriters : Rachel Palmieri, Fabrice Carazo / Co-<br />

Producer : Grégoire Melin / Music Composer : Klaus<br />

Badelt / Costume designer : Virginie Montel / Director<br />

of Photography : Pierre Cottereau / Editor : Hervé de<br />

Luze / Production Designer : Gwendal Bescond / Principal<br />

Cast: Tahir Rahim, Victor Cabal, Annelise hesme,<br />

Michael Abiteboul, Philippe Rebbot, Amelie Glenn<br />

Contact: Kinology, Paris<br />

Sponsored by<br />

Le PeRe NoeL IS SeLeCTed aS THe FILM To<br />

RePReSeNT FRaNCe oN FReNCH NIGHT,<br />

SaTuRday, NoveMBeR 7, aT CINeMa PaRadISo<br />

– LaudeRdaLe. JoIN uS 7PM FoR THe FILM<br />

FoLLowed By THe SoIRee aT 8:20PM.<br />

Official Wines<br />

of the<br />

30th Annual<br />

Fort Lauderdale<br />

Film Festival<br />

THE DIRECTOR: Alexander Coffree is best known for the hysterical film THE VOLCANO which headlined last year’s<br />

French Night. His only other film was BORDERLINE in 2010.<br />

59


SHOWTIMES<br />

Saturday, Nov 14, 3:00pm, CP- Lauderdale<br />

Sunday, Nov 15, 3:15pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

LIZA, THE FOX-FAIRY LIZA, A RÓKATÜNDÉR<br />

EAST COAST PREMIERE<br />

Director: Károly Ujj-Mészáros<br />

W<br />

Hungary / 2015 / 98 min / DCP /<br />

Hungarian w/English sub-titles<br />

Fox-fairies are evil demons from Japanese folklore,<br />

who rob men of their lives. Liza, a 30-year-old<br />

nurse, goes in search of love, but her ill-fated admirers<br />

all die on their first date.<br />

Liza has taken care of Marta, widow of the former<br />

Japanese ambassador, for the last 12 years. Liza’s<br />

only companion is her imaginary friend, Tomy Tani,<br />

the ghost of a Japanese pop singer from the 1950s.<br />

It’s her birthday, and so Liza goes to a Mekk<br />

Burger’s to find romance. While she’s away, Marta<br />

dies. Jealous relatives report Liza to the police for<br />

murdering Marta to inherit her apartment. Sergeant<br />

Zoltan is put on the case. The policeman rents a<br />

room from Liza so he can keep a closer eye on his<br />

suspect. Zoltan secretly repairs a stack of faulty fittings,<br />

very nearly gets killed in the process, and<br />

falls slowly in love with Liza. Liza gains confidence<br />

and begins to look better when she takes tips from<br />

a women’s magazine, but all her dating efforts end<br />

in fatal accidents orchestrated by Tomy Tani. Liza<br />

is convinced that she has become a fox-fairy, a<br />

deadly demon from Japanese folklore. The battle<br />

for Liza’s life begins between the mysterious pop<br />

singer and Sergeant Zoltan.<br />

A peculiar and poignant comedy set in a fictionalized<br />

1970s Hungary with a capitalist system… Liza,<br />

The Fox-Fairy is a sarcastic fairy tale for grownups.<br />

Screenplay: Bálint Hegedűs, Károly Ujj-Mészáros /<br />

Director of Photography: Péter Szatmári /<br />

Editor: Judit Czakó / Music: Dániel Csengery, Ambrus<br />

Tövisházi / Producer: István Major / Production<br />

Company: Filmteam / Principal Cast: Mónika Balsai,<br />

Szabolcs Bede-Fazekas, David Sakurai, Piroska<br />

Molnár, Zoltán Schmied<br />

Contact: Vajda Katalin, kati.vajda@filmunio.hu<br />

Facebook: https://www.facebook.com/lizaarokatunder<br />

Karoly as a small town boy had little knowledge of his future as a teenager, so to gain some time to think he enrolled the Budapest University of Economics,<br />

where he finally met an extraordinary art-form – film.<br />

That fatal meeting made him a filmgeek, and wrote his final thesis on American film industry...<br />

With his university degree he started as a production runner, then soon became a location manager. He joined Saatchi<br />

and Saatchi Budapest as a production assistant. He was one of the first freelancer agency producers of Hungary, he<br />

worked for almost all the major international network agencies in Hungary.<br />

He never gave up his ambition to become a director. His weird sense of humor and emotional touch can be witnessed in<br />

his more than 150 commercials, and also in his 10 short-films that won several national and international awards.<br />

His relentlessness and persistence finally made possible for him to shoot his first feature film, Liza, the Fox-fairy, is a funny<br />

fairy tale for grown ups..<br />

60


SHOWTIMES<br />

Friday, Nov 13, 4pm, CP- Hollywood<br />

Sunday, Nov 15, 6pm, CP- Lauderdale<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

LOOK AGAIN<br />

WORLD PREMIERE<br />

Director: Daniel O’Connor<br />

U<br />

Canada / 2015 / 89 min / DCP / English<br />

Look Again is a comedy that explores our tendency to<br />

judge others and the consequences of doing so. Amit<br />

Gupta has been going through a rough time. First, his<br />

business partner took off with all his money, then his<br />

girlfriend cheated on him. He’s about to end it all<br />

when he’s visited by his guardian angels who give him<br />

a very special gift: a pair of glasses that enable him<br />

to tell at a glance who is good and who is bad. But<br />

are people really just “good” or “bad”? At first all<br />

seems well but soon Amit realizes that having this<br />

special power brings with it results that are both unexpected<br />

and unwelcome.<br />

Screenplay: Daniel O'Connor / Producers: Daniel<br />

O’Connor, Connie Contardi / Cinematographer:<br />

Henry Sansom /Editor: Bern Euler /Composer: Jason<br />

Staczek /Production Designer: Orhan<br />

Sumen / Principal Cast: Anand Rajaram, Brittany<br />

Allen, Joel Keller, Eugene Clark, Christian<br />

Potenza, Darryl Dinn<br />

Contact: Daniel O’Connor<br />

daniel@danieloconnor.ca<br />

Trailer: https://youtu.be/l0UYwe3T62g<br />

Website: www.lookagainmovie.com<br />

Twitter: twitter.com/lookagainmovie<br />

Facebook:lookagianmovie<br />

SPeCIaL GueST:<br />

daNIeL o’CoNNoR<br />

THE DIRECTOR: Daniel O’Connor is a Writer/Director living in Toronto, Canada. Daniel has produced several awardwinning<br />

short films including the A Wing and A Prayer which aired nationally in Canada. Daniel’s first feature film was<br />

Run Robot Run! which he wrote, directed and produced. The film was well received at festivals throughout the world including<br />

the Austin Film Festival and the Buenos Aires Film Festival. Robot won Best Comedy at the White Sands Film<br />

Festival and aired on Pay TV and cable in Canada. In 2012 Daniel directed the comedy TV pilot Stand By Your Booth<br />

from his own script.<br />

61


SHOWTIME<br />

Monday, Nov 9, 8pm, CP- Lauderdale<br />

AMERICAN FILM STUDIO<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

LOVE THE COOPERS<br />

FLORIDA PREMIERE<br />

Director: Jessie Nelson<br />

F<br />

USA / 2015 / 105 mins / DCP / English<br />

LOVE THE COOPERS follows the Cooper clan as four<br />

generations of extended family come together for their<br />

annual Christmas Eve celebration. As the evening unfolds,<br />

a series of unexpected visitors and unlikely<br />

events turn the night upside down, leading them all toward<br />

a surprising rediscovery of family bonds and the<br />

spirit of the holiday.<br />

Written By: Steven Rogers / Produced By: Michael<br />

London, Jessie Nelson, Janice Williams / Cast: Alan<br />

Arkin, John Goodman, Ed Helms, Diane Keaton, Jake<br />

Lacy, Anthony Mackie, Amanda Seyfried, June Squibb,<br />

Marisa Tomei, Olivia Wilde / Contact: CBS Films<br />

CoMe eaRLy aT 7:30 To PaRTake IN ouR<br />

CHRISTMaS PaRTy...dReSS FeSTIveLy<br />

CHRISTMaS-y!<br />

62<br />

Sponsored by<br />

Bonnie Barnett &<br />

Robert Kagan, M.D.<br />

THE DIRECTOR: Jessie Nelson is an American film producer,<br />

director, and screenwriter. She is best known for directing<br />

and producing I Am Sam, for which she won<br />

the Stanley Kramer Award and<br />

the Naguib Mahfouz Award for<br />

the Best First or Second Work<br />

at the Cairo International Film<br />

Festival.<br />

Nelson studied for a time<br />

at University of California, Santa Cruz, but left to work with Mabou Mines. She starred in the Shakespeare in the Park production<br />

of The Tempest with Raul Julia.<br />

Nelson co-authored the 2011 children's book Labracadabra with Karen Leigh Hopkins. She is married to Bryan Gordon.


SHOWTIMES<br />

Saturday, Nov 14, 1:30pm, CP- Hollywood<br />

Sunday, Nov 15, 1pm, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

THE MAGIC BEANS<br />

NORTH AMERICA PREMIERE<br />

Director: Theo Panayides<br />

W<br />

Cyprus / 2014 / 101 min / DCP /<br />

Greek w/English sub-titles<br />

Four actors (plus their annoying friend) wait in an old<br />

house for a drama teacher to arrive and lead them in<br />

a workshop. At some point they get hungry, and buy<br />

five portions of beans from a nearby restaurant - but<br />

the beans lead to comical hallucinations and weird goings-on,<br />

allowing them to resolve their personal issues<br />

in unexpected ways.<br />

Screenplay: Theo Panayides / Producer: Theo<br />

Panayides / Cinematographer: George Rahmatoulin<br />

/ Editor: Sotiris Christou / Composer: Argyro<br />

Christodoulides / Production Designer: Andy Bargilly<br />

/ Art Director: Andy Bargilly / Principal Cast: Petros<br />

Yiorkadjis, Polyxeni Savva, Andreas Koutsoumbas,<br />

Ioanna Kordatou / Contact: Theo Panayidestheo@cyprus-mail.com<br />

THE DIRECTOR: Theo Panayides was born in Nicosia, Cyprus. He studied Law at University College London and Film at the<br />

London International Film School. When not making films, he’s been working for the past 15 years as a journalist and film reviewer<br />

at the ‘Cyprus Mail’ newspaper.<br />

Filmography:<br />

2005 MALGAAT (short – writer/director/producer) 2008 A BETTER HOLE (documentary – director/producer)<br />

2011 ANDY AND LENA (short – writer/director/producer) 2015 THE MAGIC BEANS (writer/director/producer)<br />

63


SHOWTIMES<br />

Saturday, Nov 21, 8:30, CP- Hollywood<br />

Sunday, Nov 22, 1pm, CP- Lauderdale<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

MOJAVE<br />

FLORIDA PREMIERE<br />

F<br />

64<br />

Director: William Monahan / USA / 2015 / 93 min / DCP / English<br />

In this electrifying and darkly comedic Hollywood neo-noir, an artist has an ominous encounter with a drifter in the desert, which gets taken to<br />

shocking surprises.<br />

Garret Hedlund plays Thomas, a brooding artist in a spiritual funk who leaves the comfort of his Hollywood Hills home to spend a few days in the Mojave<br />

desert. Before long, though, he meets Jack (Oscar Isaac), a dangerous, chameleon-like drifter who resents Thomas’ wealth and privilege.<br />

A thrilling combination of a twisty Hitchcockian thriller, modern-day Hollywood satire, and thought-provoking meditation on identity and fame,<br />

Mojave is the second feature directed by Academy Award winning screenwriter William Monahan (The Departed), and as a director he delivers<br />

the same skillful craftsmanship and tonal complexity that has always been a hallmark of his writing. The cast is uniformly excellent, with Oscar<br />

Isaac delivering another ingenious and completely distinctive performance, making Jack not only a fun, unpredictable, and scary villain, but<br />

also a provocative counterpoint to the lifestyle and world Thomas so thoroughly embodies.<br />

Written By: William Monahan / Produced By: William Monahan, Aaron L. Ginsburg, William Green, Justine Suzanne Jones / Starring: Oscar<br />

Isaac, Garrett Hedlund, Louise Bourgoin, Walter Goggins / Contact: A24<br />

THE DIRECTOR: Monahan was born in Dorchester, Massachusetts. He attended the University of Massachusetts Amherst. He moved to New York City and contributed<br />

to the alternative weekly newspaper New York Press and the magazines Talk, Maxim, and Spy. In 1997 Monahan won a Pushcart Prize for a short story.<br />

Monahan wrote a novel titled Light House: A Trifle, and Warner Bros. optioned the film rights. In 2001 20th Century Fox bought<br />

Monahan's spec script Tripoli, about William Eaton's epic march on Tripoli during the Barbary Wars, in a deal worth mid-six<br />

figures in American dollars, with Mark Gordon attached as producer. The script was given to Ridley Scott to direct.<br />

Monahan steadily secured work in the film industry throughout the 2000s. Brad Pitt's production company, Plan B,<br />

hired Monahan to write an adaptation of Hong Kong director Andrew Lau's gangster film Infernal Affairs. Monahan<br />

respun Infernal Affairs as a battle between Irish American gangsters and cops in Boston's Southie district, and Martin<br />

Scorsese directed the completed screenplay under the title The Departed for Warner Bros. Monahan's work on the<br />

film would later earn him two Best Adapted Screenplay awards, from the Writers Guild of America and the Academy<br />

of Motion Picture Arts and Sciences.


SHOWTIMES<br />

Saturday, Nov 7, 2:45pm, CP- Lauderdale<br />

Sunday, Nov 8, 1pm, CP- Hollywood<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

THE MORNING AFTER<br />

FLORIDA PREMIERE<br />

F<br />

Shanra J. Kehl / USA / 2015 / 79 min / BluRay / English + French & Spanish w/English sub-titles<br />

"Oh, crap?" Have you ever said that to yourself when you woke up in someone else's bed? The Morning After follows eight characters who wake up<br />

having to deal with the aftermath of being in someone else’s bed. How do they escape their greediness, intimacy issues and infidelity?<br />

Writer: Shanra J. Kehl / Producers: Robert Shapiro, Shanra J. Kehl, Helen Vonderheide / Executive Producers: Don Stricklin, Shanra J. Kehl / Cinematographer:<br />

Shanra J. Kehl / Editor: Katherine Walker / Composer: David Nyman / Original Music by: Captain Cuts / Production Designer: Sarah<br />

Cole / Costume Designer: JJ Lewis / Principal Cast: Michelle Lombardo, Ben Esler, Roberto Aguire, Vanessa Evigan, Mason Trueblood, Sterling Jones,<br />

Philipp Karner, Christian Collard, Karli-Rae Grogan, Jad Mager, Tina Arning, Chelsea Edmundson, Lauren Barnette<br />

Contact: Shanra J. Kehl, PO BOX 5732, Santa Monica, CA 90409, 8189130871, shanrakehl@gmail.com<br />

Trailer: https://www.youtube.com/watch?v=pB0fovkKkes / Website: www.themorningaftermovie.com / Twitter: @TMA_MOVIE<br />

Facebook: https://www.facebook.com/themorningaftermovie<br />

Sponsored by<br />

Steven & Kim Naimoli<br />

THE DIRECTOR: Shanra J. Kehl, a Wisconsin native, attended Montana State University to study Film<br />

and Photography. After two years in Bozeman, she transferred to Columbia College Chicago to continue<br />

study Cinematography. At CCC, she produced and shot a short film called Paradise Lounge, which won<br />

almost a dozen festivals. Shanra continued to work in Chicago on indie films until she moved to Los Angeles<br />

to work as Phedon Papamichael’s camera intern on the film Idenitity. Following her internship,<br />

Shanra followed the DP path and continued to shoot indie films, docu-series shows, reality shows and<br />

two documentaries for Paramount Pictures, SHOWTIME, BRAVO, A&E, MTV, CBS, and many other networks.<br />

She has also directed two shorts, Manscaping and The Clock. Manscaping won a half a dozen<br />

film festivals and was picked up by Shorts International for distribution. After having success with all of<br />

the shorts she’s produced and shot, she’s continuing her career with producing, writing, directing and<br />

DPing her first directorial debut, The Morning After.<br />

65


SHOWTIMES<br />

Friday, Nov 6, 6pm, CP- Hollywood<br />

Sunday, Nov 8, 8:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

THE MOVING FOREST<br />

UNITED STATES PREMIERE<br />

F<br />

Director: Vinícius Coimbra / Brazil –<br />

Uruguay – Germany – Scotland /<br />

2015 / 95 min / DCP / Portuguese<br />

w/English sub-titles<br />

Elias is a prominent executive that<br />

works at the second largest, privatelyowned<br />

bank in Brazil. He has received<br />

many opportunities and support from the<br />

bank’s president, Heitor. One day, in<br />

front of the bank, Elias comes across a<br />

street knitter, a mysterious woman who<br />

predicts his future, saying he will become<br />

the Vice President of the bank on<br />

this very same day, and will soon become<br />

President.<br />

Elias is very impressed with the story,<br />

which he tells to his beautiful, powerful<br />

wife, Clara. Excited by these predictions,<br />

Clara suggests he invites Heitor to their<br />

home for dinner that very same evening.<br />

The wheel of fortune has been set in motion and a sequence of murders is perpetrated by the couple who leave a path of blood as they ascend<br />

to power, making them both executioners and victims of their own fate.<br />

A modern re-telling of MACBETH, with all the violence, lust, greed and ambition the Bard could want.<br />

Screenplay: Vinícius Coimbra, Manuela Dias / Producer: Elisa Tolomelli / Cinematographer: Pablo Baião, Alexandre Fructuoso / Editor: Vinícius<br />

Coimbra / Composer: Sacha Amback / Production Designer: Thais Mello and Mariana Secco / Art Director: Walter Brunialti / Principal<br />

Cast: Gabriel Braga Nunes, Ana Paula Arosio, Nelson Xavier, Ângelo Antônio, Fernando Alves Pinto<br />

Contact: Elisa Tolomelli – elisatolomelli@hotmail.com / Website: https://www.ehfilmes.com.br<br />

Facebook: https://www.facebook.com/aflorestaquesemove<br />

THE DIRECTOR: 2013 Emmy Award Winner (Best Telenovela – “Lado a Lado”, by TV Globo), Vinícius Coimbra<br />

has graduated in advertising and marketing at ESPM / SP and has directed, in more than ten years of career, telenovelas,<br />

series and commercials. In 2011 his first feature "The Hour and Turn of Augusto Matraga" received five<br />

awards at Rio de Janeiro International Film Festival, among them Best Film (Critics Prize) and Audience Award.<br />

SUPERSTAR MEMBERS<br />

Chip Abele<br />

Pam Huizenga Alexander<br />

Kip Alexander<br />

Ruth Barry<br />

Marilynn Berry<br />

James M. Boren<br />

Cyndi Boyar<br />

Betsy Cameron & Barry Smith<br />

Jenna & John Casciotta<br />

M.E. Depalma<br />

Arlette Ehrlich<br />

Richard & Andrea Eisen<br />

Judy Erickson<br />

Bonnie Everhart<br />

Estelle Fineberg<br />

Theo & Connie Folz<br />

Michael & Susan Goldberg<br />

Arnold & Suzanne Gouveia<br />

Diana Hammerstein<br />

Dane & Cynthia Hancock<br />

Joan Lazzara<br />

Robert Kagan & Bonnie Barnett<br />

Debra Keneipp<br />

Ellen Kirby<br />

Alan & Sharon Koslow<br />

George Kress<br />

Margot & Joy Laskin<br />

Patrick & Gayle Leveque<br />

Liannette Marquez<br />

Jackie Matuseski<br />

Sandy McCallum<br />

Daryl Miller<br />

Ginny & Tom Miller<br />

Claudette Moritz<br />

Steven & Kim Naimoli<br />

Jim & Candy Norton<br />

Teri & Brian Pattullo<br />

Ron Raymond<br />

Anna Rua<br />

Phoebe & Shelly Satlin<br />

Steve Savor<br />

Eileen Schneider<br />

Janet Schwartz<br />

Diane Sobo<br />

Doug & Val. Solomon<br />

Robert & Brenda Stacy<br />

Noelle Stevenson<br />

Alfredo Tamburrino<br />

Lynn Taylor<br />

Gerry & Lucy Weber<br />

Beverly Weiss<br />

Steve Wetzler<br />

Jennifer & Marcus Wolf<br />

EXECUTIVE PRODUCERS<br />

Michael Asser<br />

Charles B. Bay<br />

Regina Bonney<br />

Carol Burpeau<br />

Ursula Creuziger<br />

Lisa Dennison<br />

Dan & Meg Donoghue<br />

Karen Donohue<br />

66


SHOWTIME<br />

Monday, Nov 9, 7:30pm, CP- Hollywood<br />

Monday, Nov 23, 8:00pm, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

MUSICAL CHAIRS LES CHASES MUSICALES<br />

FLORIDA PREMIERE<br />

Director: Marie Belhomme<br />

F<br />

France / 2015 / 83 min / DCP /<br />

French w/English sub-titles<br />

Perrine, a thirty-something woman, is a child at<br />

heart. When she accidentally makes a man fall in<br />

a dumpster, she runs away after calling for help.<br />

But upon learning he is in a coma, she starts visiting<br />

him every day and does everything in her<br />

power to wake him up. Even if it means stealing his<br />

job, his apartment, his dog, his son’s custody, and<br />

even if it means falling for him…<br />

Writer: Marie Belhomme , Michel Leclerc / Producers:<br />

Emmanuel Barraux, Agnès Vallée / Cinematographer:<br />

Pénélope Pourriat / Editors:<br />

Sébastien de Sainte Croix / Production Designer:<br />

Erwan Le Floc'h | Philippe van Herwijnen / Principal<br />

Cast: Isabelle Carré, Carmen Maura, Philippe<br />

Rebbot<br />

Contact: BAC<br />

Sponsored by<br />

THE DIRECTOR: Les<br />

Chases Musicales is Marie<br />

Belhomme’s feature directorial<br />

debut.<br />

Ivar & Mona Fandel<br />

Numas Guerra<br />

Jennifer Halquist Colony<br />

Terry Hardacre<br />

Al Jennings<br />

Betty Lakey Smith<br />

Pierre & Francine Lapter<br />

William Marks<br />

Lucy Marrero<br />

Suzanne Migdall<br />

Michael Minor<br />

Terry Murphy<br />

Susie Novak<br />

Marilyn Painter<br />

Linda Patterson<br />

Jeff & Debra Sandler<br />

Hermine Swaim<br />

Joelle M. Triollet<br />

West Tucker<br />

Robert & Rose White<br />

DIRECTOR MEMBERS<br />

Lori Abadessa<br />

Richard Adamick<br />

Jorge & Maria Begue<br />

Roseanne Belsito<br />

Bruce Bornstein<br />

Carole Chancy<br />

Al DiCalvo<br />

Sally Dieguez<br />

Dr. Tibbi Duboys<br />

Laura Feak<br />

Janice Feirstein<br />

Wesley & Nancy Fetzer<br />

David & Kathy Freeman<br />

Chris Gilson<br />

Barbara Gilston<br />

Richard & Susan Goldman<br />

Christian & Christina Gonzalez<br />

Robert Hanley<br />

Robert Harrison<br />

Frank Hildebrandt<br />

Kathleen Ireland<br />

Susan Jacobs<br />

Darren & Lizz Karp<br />

Dr. Gil Klajman<br />

John Leyden<br />

Gertrude Lulla<br />

John Maginnis<br />

Gerri Miccio<br />

Basil & Carol Pagones<br />

Basil Pagones<br />

Lee & Sher Patterson<br />

Kathleen Ryan<br />

Carl & Elaine Schumacher<br />

Art & Helen Smith<br />

Mike Tiburzi<br />

Carolyn Travis<br />

Albina Troshechkina<br />

Jeff Trotta<br />

Thomas Valentine<br />

Patsy West<br />

Jill Younis<br />

67


SHOWTIME<br />

Wednesday, Nov 11, 11:30am CP-Lauderdale<br />

Thursday, Nov 12, 5:30pm, CP- Hollywood<br />

NOS FEMMES<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

FLORIDA PREMIERE<br />

Director: Richard Berry<br />

F<br />

France / 2015 / 90 min / DCP /<br />

French w/English sub-titles<br />

Max, Paul and Simon have been friends for 35 years.<br />

They take great pleasure in their one vacation a year<br />

together without their partners and meet-up regularly<br />

to spend evenings drinking or playing cards. Each has<br />

a successful career and they all appear to have perfect<br />

lives until the night Simon announces to his<br />

friends that he has just strangled his wife, Estelle after<br />

a blazing row. Max and Paul are horrified by Simon’s<br />

confession, but worse is to come when Simon asks<br />

them to lie and provide him with an alibi for the time<br />

Estelle was killed. Both men are torn between lying<br />

or turning over their best friend to the police.<br />

Nos Femmes is following in a tradition for films celebrating<br />

male friendship that have long proved fertile<br />

ground for French directors. There’s been Hugo<br />

Gélin’s Comme des Frères, Marc Esposito’s Les<br />

Coeurs des Hommes 1,2 and 3,La Vérité si Je Mens<br />

(|Would I Lie to You) 1,2 and 3 and just last week<br />

Olivier Baroux examined male relationships in the<br />

comedy Entre Amis, with Auteuil once again in the<br />

lead role. Buddy movies are not the exclusive property<br />

of French directors, but it’s interesting to ask why<br />

there are so many films made in France about male<br />

friendships and so few about the female equivalent?<br />

Of course Berry’s film is not just about the ties<br />

between men, but also about the limits of friendship<br />

and how far one person can ever truly know another.<br />

Deep stuff, but Berry knows when to lighten the mood<br />

and shift the film in a completely different direction.<br />

Although publicity for the film shows the three actors<br />

together, this is really a two-man show with Berry and Auteuil expertly batting the witty, incisive dialogue back and forth while covering a range<br />

of issues from moral responsibility, to the nature of friendship, fidelity, and, of course, love and mariage. And it’s funny – really, laugh out loud<br />

funny – especially the unforgettable sight of Berry dancing and rapping to Dans Ma Benz by French group, NTM. Nos Femmesis a real treat<br />

for audiences who will enjoy watching Berry and Auteuil at the top of their game and a script that provides genuine food for thought.<br />

Writer: Eric Assous, Richard Berry / Producer(S) : Thomas Langmann (La Petite Reine), Sébastien Delloye (Entre Chien Et Loup) / Cast : Daniel<br />

Auteuil, Richard Berry, Thierry Lhermitte / Contact: Kinology, Paris<br />

Sponsored by<br />

68<br />

THE DIRECTOR: Richard Berry (born Richard Élie Benguigui, 31 July 1950) is a French actor, film director and screenwriter.<br />

He has appeared in nearly 100 films since 1972. He starred in The Violin Player, which was entered into the 1994 Cannes Film<br />

Festival. His film MOI CESAR opened the 2003 FLIFF.


SHOWTIMES<br />

Sunday, Nov 22, 1pm, CP- Hollywood<br />

Monday, Nov 23, 5:30pm, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

OPERATION SUNFLOWER<br />

Director: Avraham Kushnir<br />

Israel / 2014 / 105 min / DCP / English + Hebrew-French-<br />

German w/English sub-titles<br />

The Iranians are bringing missiles out of their bunkers and within<br />

an hour and a half they will be prepared to “push the button” and<br />

launch the missiles at any point in Israel.<br />

Against the time that is running out, a drama is being reconstructed.<br />

It is a political, scientific and human drama that took<br />

place in Jerusalem and Paris during the 1950's - 60's.<br />

On his return from a trip to a concentration camp, Ben Gurion<br />

gives an order to develop Israel’s nuclear option – as an insurance<br />

policy for the remainder of the Jewish people. At the time<br />

only the USA, Great Britain and Russia had the bomb<br />

At the center of this story are the Head of the Mossad as well<br />

as a key Nuclear Physicist together with his doctoral students.<br />

They are recruited to develop the bomb for Israel. The mission<br />

seems impossible.<br />

The tense and romantic relationships between the characters<br />

are presented against the background of the determination of<br />

the Head of the Mossad to attain the Bomb and the soul-searching<br />

of the physicists who understand the terrible significance of<br />

this project.<br />

Operation Sunflower also deals with the dilemma of the commitment<br />

of the Jewish People around the world towards the State<br />

of Israel and how far will they go in order to help the Jewish<br />

State. The Story that unfolds in the film, in the words of one of<br />

the characters, "was mythical".<br />

Producers: Haim Sharir and Avraham Kushnir / Cinematographers:<br />

Boaz Yehonatan Yaakov / Editor: Yosef Grinfeld / Music:<br />

Antonin Dvorak, performed by the Jerusalem Symphony Orchestra,<br />

Broadcasting authority / Principal Cast: Yehoram Gaon,<br />

Tsofit Grant, Baruch Brener, Daniella Kertesz, Yossi Marshak,<br />

Emmanuel Halperin, Sasha Demidov<br />

Contact: Israeli Films, Dana Goren, israelifilms@gmail.com<br />

Sponsored by<br />

THE DIRECTOR: During high school Kushnir studied at the youth village HaKfar HaYarok. Afterwards, during his mandatory<br />

military service, Kushnir served in an Infantry unit. After his army service Kushnir worked as a stagehand and later on began<br />

directing plays.<br />

His professional career as an actor began in the early 1980s when he began performing in stand up shows. In 1985 Kushnir<br />

hosted the annual Israeli singing show "The Festigal" alongside Gadi Yagil.<br />

In 1987, while he was 27 years old, Kushnir represented Israel in the 1987 Eurovision Song Contest along with Nathan Dattner, as<br />

part of the comedic duo "HaBatlanim" (lit. "The Bums"), with the comical song "Shir Habatlanim" which ended up in the 8th place.[1]<br />

69


SHOWTIME<br />

Friday, Nov 13, 9:45pm, CP- Lauderdale<br />

Friday, Nov 20, 1pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

Sponsored by<br />

Michelle Filippi &<br />

Nhumas Guerra<br />

PAQUETE #3<br />

NORTH AMERICA PREMIERE<br />

W<br />

Director: Alfredo HuecK / Venezuela / 2015 / 100 min /<br />

BluRay / Spanish w/English sub-titles<br />

Package # 3 is a Venezuelan political satire. El Cholo, a Peruvian taxi<br />

driver, flees from the justice of his country and comes to Venezuela<br />

looking for a better future. After encountering a band of swindlers...Wait<br />

a minute. Venezuela? Really?<br />

Screenplay: Alfredo HuecK / Producers: Beto Benites / Cinematographer:<br />

Gyula David / Editor: Luis rahamut,Manuela Lupini, Alfredo<br />

Hueck / Composer: Claudio Ramirez / Production Designer: Daniel<br />

Isaac / Art Director: Maria Soler / Principal Cast: Beto Benites, Emilio<br />

Lovera, Eulalia Siso, Daniela Bascope, Dimas Gonzales, Vicente<br />

Peña, Leonidas Urbina, Eduardo Gulino, Pavel Roschupkin<br />

Contact: Alfredo HuecK ah@paquete3.com<br />

Trailer: https://youtu.be/0-2AYJSfTX8<br />

Website: www.eyeandhook.com / Twitter: @paquete3<br />

Facebook: facebook.com/paquete3<br />

THE DIRECTOR: In 2005 his first fiction short film [YBI-173] got major recognition<br />

in Venezuela and Spain. Afterwards he couldn’t stop making short films:<br />

Get in love (winner in Brussels Film Festival and selected in Paris), Stay (TNT<br />

Project48 winner), Bloques (selected at Sao Paulo<br />

Film Festival), Save me a Spot (NewFilmmakers LA<br />

selection) and Lady in White ( Cork Underground<br />

Film Festival). He is currently developing his second<br />

feature film, a romantic comedy Plaster Wedding<br />

(Bodas de Cartón) and he’s working on the script of<br />

his third feature film THE GRAND PREMIERE. He<br />

also works in the advertising and television industries<br />

as a Creative Director and Editor and continues<br />

to promote his first feature PACKAGE#3.<br />

SPeCIaL GueST:<br />

aLFRedo HueCk<br />

A PERFECT DAY<br />

FLORIDA PREMIERE<br />

F<br />

SHOWTIMES<br />

Sunday, Nov 22, 3:30pm, CP- Lauderdale<br />

Sunday, Nov 22, 8:30pm, CP- Hollywood<br />

Director: Fernando León de Aranoa / Balkans / 2015 / 105 min / DCP / English<br />

There’s a little something of early Robert Altman in this enjoyably spiky comic war movie from<br />

the Spanish director Fernando León de Aranda: think of it as a second helping of M*A*S*H.<br />

We’re somewhere in the Balkans in late 1995, and word of the ceasefire that has been<br />

thrashed out between the Serbian, Croatian, Bosnian and Yugoslavian foreign ministers<br />

in the United States has not yet filtered up to the rubble-strewn mountains where<br />

Mambrú and B, two international aid workers played by Benicio Del Toro and Tim Robbins,<br />

are doing their best to keep the local communities from self-combustion.<br />

Overnight, the corpse of a very fat man has appeared in a very deep village well,<br />

which is bad news on two counts. Firstly, it has to be removed from the well within<br />

around 24 hours or the water will be rendered unpotable; and secondly, the corpse<br />

didn’t get there by itself, which means there’s more afoot here than cosmic bad luck.<br />

Mambrú (Del Toro) successfully winches the body up most of the<br />

way, but the rope snaps and down it goes again – just as the wildeyed<br />

and woolly brained veteran B (Robbins) screeches on to the<br />

scene with Sophie (Mélanie Thierry), a recent aid-agency recruit<br />

with a delicate stomach, in the back of his jeep.<br />

Screenplay: Leon de Aranoa, based on the novel “Dejarse llover” by Paula<br />

Farias. / Camera: Alex Catalan / Editor: Nacho Ruiz Capillas / Music: Arnau Bataller / Production Designer: Cesar Macarron / Principal Cast: Benicio<br />

Del Toro, Tim Robbins, Olga Kurylenko, Melanie Thierry, Fedja Stukan, Eldar Residovic, Sergi Lopez / Contact: IFC Films<br />

70


SHOWTIMES<br />

Saturday, Nov 14, 7:45pm, Sunrise Civic Ctr<br />

Monday, Nov 16, 7:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

THE SECRET OF ITALIA<br />

WORLD PREMIERE<br />

Director: Antonello Belluco<br />

U<br />

Italy / 2014 / 98 min / DCP /<br />

Italian w/English sub-titles<br />

Inspired by true events that took place in<br />

the spring of 1945. Codevigo, a small<br />

town in the valley south of Padua, experiences<br />

the war only after the liberation. The<br />

drama of one family in what is known as<br />

‘The Massacre at Codevigo,’ brought<br />

about by the Communist partisans, as<br />

seen through the eyes and heart of a<br />

young girl: Italia.<br />

Screenplay: Gerardo Fontana and Antonello<br />

Belluco / Producer: Antonello Belluco<br />

/ Cinematographer: Giovanni<br />

Andreotta / Editor: Antonello Belluco /<br />

Composer: Paolo Agostini / Production<br />

Designer: Virgini Vianello / Costume Designers:<br />

Romilda Zaccaria and Caterina<br />

Pavan / Sound Engineer: Enrico Lenarduzzi<br />

/ Executive Producer: Maria<br />

Rafaella Lucietto /Principal Cast: Romina<br />

Power, Gloria Rizzato, Fabrizio Romagnoli,<br />

Giovanni Capalbo, Elisabetta De<br />

Gasperi, Alberto Vetri, Maria Vittoria<br />

Casarotti Todeschini / Contact: cmcconekey@gmail.com<br />

Contact: Carine McConekey<br />

cmcconekey@gmail.com<br />

Trailer:<br />

https://www.youtube.com/watch?v=6XpbbbaMgUk&amp%3Bfeature=share<br />

Twitter: @Segretodiitalia, @IlSegretodiItalia<br />

Facebook:<br />

https://www.facebook.com/pages/The-Truth-<br />

About-Italy/704043709717126<br />

THE DIRECTOR: Antonello Belluco has a PhD. in Political Science. After many years working for private radio and television stations, he worked at<br />

the RAI, an Italian news outlet, as a program director and then director for almost 5 years. After starting with<br />

short films, he began directing national commercial campaigns. He learned how to use a camera and developed<br />

his style while working on television commercials. He is credited for writing and directing 3 musicals. He also<br />

directed numerous home video, fiction and documentary films until his first feature at the age of 48: “Antonio<br />

Guerriero di Dio” with Jordi Molla, Arnoldo Foa and Mattia Sbragia.<br />

He made another film for television: ”Il Giorgione”. He then directed and produced “The Secret of Italia” with<br />

Romina Power.<br />

He is currently in pre-production for a new film called “Issa Rossa” that deals with another controversial part of<br />

Italian history.<br />

71


SHOWTIME<br />

Friday, Nov 13, 6:30pm, CP- Hollywood<br />

Wednesday, Nov 25, 5:45pm, CP- Lauderdale<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

SONGS MY BROTHERS TAUGHT ME<br />

FLORIDA PREMIERE<br />

Director: Chloé Zhao<br />

F<br />

USA / 2015 / 98 min / DCP / English<br />

Set on the Great Plains and the Badlands of Pine<br />

Ridge Indian Reservation, SONGS MY BROTH-<br />

ERS TAUGHT ME is a compelling and complex tale<br />

that explores the bond between a brother and his<br />

younger sister, who find themselves on separate<br />

paths to rediscovering the meaning of home.<br />

Screenplay: Chloé Zhao / Producers: Chloé Zhao, Angela<br />

C. Lee, Mollye Asher, Nina Yang Bongiovi and Forest<br />

Whitaker / Cinematographer: Joshua James<br />

Richards / Editor: Alan Canant / Composer: Peter Golub<br />

/ Sound Design: Bob Edwards / Principal Cast: John<br />

Reddy, Jashaun St. John, Taysha Fuller, Eléonore Hendricks,<br />

Travis Lone Hill, Cat Clifford, Irene Bedard<br />

Contact: Angela C. Lee angela@niftypic.com<br />

Werbsite: www.songsmybrotherstaughtme.com<br />

Twitter: @songsthemovie<br />

Facebook: https://www.facebook.com/songsmybrotherstaughtme<br />

Sponsored by<br />

Teri & Brian Pattullo<br />

BEST WISHES<br />

To Gregory, Bonnie and<br />

the Fabulous Team at<br />

FLIFF 2015<br />

RICHARD WARREN<br />

RAPPAPORT<br />

AND RENÉ KATZ<br />

CONCERT,<br />

THE FILM<br />

THE DIRECTOR: Chloé Zhao was named one of the 25 New Faces<br />

of Independent Film by Filmmaker Magazine in 2013. Her feature<br />

debut Songs My Brothers Taught Me will premiere in US Dramatic<br />

Competition at 2015 Sundance Film Festival. The film received support<br />

from organizations such as Sundance Institute, San Francisco<br />

Film Society, IFP, Film Independent, Cinereach, and Time Warner<br />

Foundation and won grants such as the Chris Columbus/Richard<br />

Vague production grant. Chloé’s short film Daughters premiered at<br />

the Clermont-Ferrand International<br />

Film Festival and won<br />

Best Student Live Action at<br />

Palm Springs International<br />

Film Festival. Chloé was born<br />

in Beijing, studied Politics at<br />

Mount Holyoke College and<br />

Film Production at NYU.<br />

72


SHOWTIMES<br />

Saturday, Nov 7, 5pm, CP- Lauderdale<br />

Sunday, Nov 8, 3:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

THEEB<br />

Director: Naji Abu Nowar<br />

Jordan / 2014 / 100 min / DCP /<br />

Arabic w/English sub-titles<br />

1916. While war rages in the Ottoman Empire, Hussein raises his<br />

younger brother Theeb (“Wolf”) in a traditional Bedouin community<br />

that is isolated by the vast, unforgiving desert. The brothers’<br />

quiet existence is suddenly interrupted when a British Army officer<br />

and his guide ask Hussein to escort them to a water well located<br />

along the old pilgrimage route to Mecca. So as not to dishonor<br />

his recently deceased father, Hussein agrees to lead them on the<br />

long and treacherous journey. The young, mischievous Theeb secretly<br />

chases after his brother, but the group soon find themselves<br />

trapped amidst threatening terrain riddled with Ottoman mercenaries,<br />

Arab revolutionaries, and outcast Bedouin raiders. Naji<br />

Abu Nowar’s powerful and assured directorial debut, set in the<br />

land of Lawrence of Arabia, is a wondrous “Bedouin Western”<br />

about a boy who, in order to survive, must become a man and<br />

live up to the name his father gave him.<br />

THe HuFFINGToN PoST<br />

“It is a spectacularly epic film with a wonderfully intimate human<br />

story. It possesses everything that allows me fall in love with cinema,<br />

again and again… the kind of film that grabs a hold of you<br />

and doesn’t let go.”<br />

THoMPSoN oN HoLLywood<br />

“A quietly gripping adventure tale that’s perhaps intended as a corrective<br />

to the romantic grandeur of Lawrence of Arabia, Naji Abu<br />

Nowar’s THEEB is classic storytelling at its finest… Eid (Jacir) carries<br />

this concise and unsentimental film on his young shoulders with<br />

amazing assurance.”<br />

SCReeN daILy<br />

“A beautifully simple and stunningly elegant film – that can be seen as<br />

something of a companion piece to Lawrence of Arabia – Naji Abu<br />

Nowar’s delightful THEEB is a striking film.”<br />

SLaNT MaGazINe<br />

“Despite the film’s measured pacing and simple plot, the story takes several<br />

surprising turns, confounding viewer expectations throughout. This combination of unhurried exposition and unexpected plot twists is a<br />

testament to the confidence of the filmmakers’ vision and their faith in the strength of the material… THEEB might herald the inauguration of<br />

a new film genre: the Bedouin western.”<br />

Writers: Naji Abu Nowar, Bassel Ghandour / Producers: Bassel Ghandour, Rupert Lloyd / Composer: Jerry Lane / Cinematographer:<br />

Wolfgang Thaler / Editor: Rupert Lloyd / Production Designer: Anna Lavelle / Principal Cast: Jacir Eid Al-<br />

Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox<br />

Sponsored by<br />

Contact: Film Movement<br />

Estelle Fineberg<br />

THE DIRECTOR: Naji Abu Nowar is a writer and director, known for Theeb (2014), Death of a Boxer(2009) and Till Death (2012).<br />

73


SHOWTIMES<br />

Monday, Nov 16, 7:30pm, CP- Lauderdale<br />

Tuesday, Nov 17, 7:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

TOKYO FIANCÉE<br />

SOUTHEAST PREMIERE<br />

E<br />

Director: Stefan Liberski<br />

Japan / 2013 / 100 min / DCP / English +<br />

French & Japanese w/English sub-titles<br />

Her head filled with dreams, Amélie, 20, goes back to<br />

Japan, where she spent her childhood. To earn a living,<br />

she decides to give privates classes in French and<br />

meets Rinri, her first and only student, a young Japanese<br />

man with whom she soon has an intimate relationship.<br />

Between the pitfalls of a culture shock that is both<br />

poetic and amusing, she discovers a side of Japan she<br />

had never seen before...<br />

The story is a simple one: Amélie and Rinri meet, are<br />

attracted to one another, delight in each other’s company<br />

for a while, then break up. Adapted from the novel,<br />

the movie in turn gives a fresh interpretation of this universal<br />

story. The film uses themes that run throughout<br />

the book: Japan, transitioning into adulthood, sensuality,<br />

otherness, the fascination exerted by beauty.<br />

The Japan of TOKYO FIANCÉE is often veiled by a hazy<br />

mist that resembles a moist cocoon in which Amélie’s<br />

metamorphosis takes place; a metaphor for the place both<br />

real and imaginary that we leave behind as we exit childhood.<br />

Still a very young girl when she returns to the Japan<br />

where she spent her early childhood, it’s as a young<br />

woman that she will leave Japan for the second time.<br />

More than a discovery of love, the heroine will be initiated<br />

into sensuality. She confuses the pleasures of sex<br />

with that of food. The taste of ripe kaki fruit conjures<br />

up the eroticism of Japanese baths and hot springs.<br />

Bodies explore one another in the furô and onsen’s hot<br />

waters. For young Amélie, her Japanese lover embodies<br />

this mysterious otherness. Rinri is both very handsome<br />

and unique. The film resonates the otherness of<br />

Japan, that of sexuality, which the young woman discovers,<br />

and that of beauty. It is my intention to show<br />

Japan’s beauty differently: the Land of the Rising Sun can still reveal itself - to us as well as the heroine - in a very unexpected light. Tokyo Fiancée<br />

is also a portrait of a city and a country. The Fukushima disaster does occur in the course of the film, straying from the novel, but it<br />

couldn’t have been otherwise: it is impossible to describe Japan today without mentioning Fukushima. Stefan Liberski<br />

Screenwriter: Stefan Liberski, An Adaptation Of A Novel By Amélie<br />

Nothomb / Cinematographer: Hichame Alaouie / Production Designer:<br />

Sophie Anquez / Costume Designer: Claire Dubien / Editor:<br />

Frédérique Broos / Principal Cast: Pauline Etienne, Taichi Inoue,<br />

Julie Le Breton, Alice Delencquesaing, Akimi Ota, Hiorki Kageyama,<br />

Tokio Yokoi, Hiromi Asai, Shinnosuke Kasahara, Masaki Watanabe<br />

Sponsored by<br />

74<br />

THE DIRECTOR: After graduating in Philosophy and Literature from the Université Libre de Bruxelles in 1977, Liberski worked<br />

in a number of fields before assistanting on Federico Fellini’s La Città delle Donne in 1979. In 1989, he founded the comic<br />

troupe Les Snuls. He directed a series of short films for French TV. He has written a number of novels. In 2005, he directed<br />

his first feature ‘Bunker Paradise’.


SHOWTIMES<br />

Friday, Nov 20, 6pm, CP- Lauderdale<br />

Saturday, Nov 21, 3:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

A TREE WITHOUT ROOTS<br />

WORLD PREMIERE<br />

Christopher Lovick And Christian Ducale<br />

U<br />

Vietnam - India / 2015 / 70 min /<br />

DVD / English<br />

Conceived in an ashram, a young writer’s transformational<br />

journey through India as he searches for<br />

his dying father who he has never met.<br />

Ok, I’m going to make a lofty comparison...this<br />

film’s mood, pacing and tenor reminds me of Apocalypse<br />

Now...not so much in subject, its not remotely<br />

a war story. It is a stranger in a strange land<br />

tale. And most prominently, the protagonist narrates<br />

from his mind – not unlike Capt. Willard’s narration<br />

in A.N.<br />

The film is exciting, surprising and in just over an<br />

hour you see Vietnam and much trekking in India.<br />

There is humor, suspense and wonder galore.<br />

Screenplay: Christopher Lovick and Christian<br />

Ducale / Producers: Irina Popov, Christian Ducale,<br />

Christopher Lovick / Cinematographer: Christian<br />

Ducale / Editor: Tarek Karkoutly and Christopher<br />

Lovick / Composer: Peter Import / Contact: Christian<br />

Ducale pulittogether@yahoo.com<br />

Sponsored by<br />

Dr. Daryl Miller<br />

THE DIRECTOR: Christopher Lovick recently sold his script MONTY CLIFT to HBO, which stars Matt Bomer and is produced<br />

by the Oscar-nominated Alix Madigan (Winter’s Bone). He was recently hired by Lumanity Pictures to adapt a story by Dennis<br />

Lehane (MYSTIC RIVER, GONE BABY GONE, SHUTTER ISLAND).<br />

SPeCIaL GueSTS:<br />

CHRISToPHeR LovICk<br />

aNd CHRISTIaN duCaLe<br />

Christian Ducale discovered his love for cinema at the ripe age of seven after watching Albert Lamorisse’s acclaimed film<br />

“Le Ballon Rouge” (The Red Balloon). An avid traveler, he has trekked through the jungles of Sumatra, dove with the hammerheads<br />

in the Philippines and camped under the desert stars in India. He has shot and directed several short films and<br />

music videos to date.<br />

75


SHOWTIMES<br />

Saturday, Nov 7, 1:30pm, CP- Hollywood<br />

Sunday, Nov 8, 1:15pm, CP- Lauderdale<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

TRUCK 20’S LOCATION<br />

WORLD PREMIERE<br />

Director: Johnathon Amayo<br />

U<br />

USA / 2015 / 81 min / DCP / English<br />

Truck 20’s Location is a drama-comedy about two<br />

Paramedics whose routine day turns into a strange<br />

and dangerous quest through the underbelly of Detroit.<br />

As a Detroit paramedic, Joe Wells learned how let<br />

things go. It’s the only way to cope. The sick, the<br />

dying, the lonely… That’s every day for Wells and<br />

his partner Maurice, as they bounce from patient to<br />

patient, problem to pain in their ambulance, Truck<br />

20. Joe Wells is burnt out. At 45 years old, after<br />

years of working so hard to let things go, Wells<br />

wonders if anything is worth holding onto.<br />

Today, Wells and Maurice are pulling the notorious<br />

double-shift. The first few hours of the 24-hour<br />

stretch are difficult… A psychiatric patient escapes<br />

their ambulance, and they collect two shooting victims<br />

before breakfast. But when Wells and Maurice<br />

find a treasure on a corpse, they find salvation. For<br />

Wells, it’s a way out of Emergency Medical Servitude;<br />

for Maurice, a new television. But do they<br />

keep it? And whose money is it?<br />

To survive the double-shift, Wells and Maurice need<br />

to figure out what to hold on to, and what to let go.<br />

Screenplay: M. A. Papper / Producers: M. A. Papper,<br />

Johnathon Amayo, Tamam Tayeh / Cinematographer:<br />

Johnathon Amayo, Carl Ballou, Don Carter, M. A. Papper<br />

/ Editor: Johnathon Amayo, M. A. Papper, Tamam<br />

Tayeh / Composers: Mary Restrepo & Rob Smith, Edvard<br />

Egilsson / Principal Cast: Ronnie Marmo, Brak Little<br />

Contact: M. A. Papper –<br />

papper.festival@verizon.net<br />

Website: www.truck20.com<br />

SPeCIaL GueSTS:<br />

JoHNaTHoN aMayo<br />

RoNNIe MaRMo<br />

BRak LITTLe<br />

THE DIRECTOR: Johnathon Amayo has worked in film and television production for over two decades. He got his official<br />

start at 17, directing and editing documentaries in the U.S. Air Force’s 2nd Combat Camera Squadron where he spent<br />

time in combat operational zones documenting real-world events.<br />

After his military service, Johnathon served as a specialist and spokesman for Avid Technology, and started his own production<br />

and consulting firm with clients that ranged from E!, Fox, ABC, CBS, Warner Brothers, the Ant Farm, and NBC<br />

Universal. He’s also co-founder of National Organization of Black Directors.<br />

Truck 20’s Location is Johnathon Amayo’s feature-length debut.<br />

76


SHOWTIMES<br />

Wednesday, Nov 18, 5:45pm, CP- Lauderdale<br />

Friday, Nov 20, 3:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

VIRGIN MOUNTAIN FUSI<br />

FLORIDA PREMIERE<br />

Director: Dagur Kari / Iceland / 2015 / 94 min / DCP /<br />

F<br />

Icelandic w/English sub-titles<br />

Fusi, a 43 year-old man still lives with his mother. His daily life is characterized<br />

by one of the monotonous routine. The appearance of vibrant<br />

Alma and young Hera will upset his old bachelor habits.<br />

Writer: Dagur Kari / Producers: Agnes Johansen | Baltasar Kormákur /<br />

Cinematographer: Rasmus Videbæk / Editors: Olivier Bugge<br />

Coutté | Andri Steinn / Production Designer: Halfdan Pedersen / Principal<br />

Cast: Gunnar Jónsson, Ilmur Kristjánsdóttir, Sigurjón Kjartansson,<br />

Franziska Una Dagsdóttir, Margrét Helga Jóhannsdóttir, Arnar Jónsson<br />

Contact: BAC<br />

THE DIRECTOR: Icelandic helmer Dagur Kari, who last directed “The<br />

Good Heart” with Paul Dano, is returning to Icelandic filmmaking with<br />

“Virgin Mountain,” a character study about a late bloomer which had its<br />

world premiere in the Berlinale’s Gala<br />

section. “Virgin Mountain” marks Kari’s<br />

fourth film. The helmer broke though<br />

with his first film “Noi The Albino” a festivals’<br />

darling, he followed up with<br />

“Dark Horse” which won Goteborg’s<br />

Dragon Award for best film in 2005 and<br />

then made his English-language debut<br />

with “The Good Heart.” Virgin Mountain<br />

won three prizes at 2015’s Tribeca –<br />

best narrative feature, actor (Gunnar<br />

Jonsson) and screenplay (Kari)<br />

Congratulations<br />

Gregory<br />

for bri<br />

inging us<br />

to<br />

the<br />

30 th Anniversary<br />

of<br />

the<br />

Fort Lauderdale<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

77


SHOWTIMES<br />

Saturday, Nov 14, 6:30pm, CP- Hollywood<br />

Sunday, Nov 15, 8:15pm, CP- Lauderdale<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

THE BEAUTIFUL ONES<br />

SOUTHEAST PREMIERE<br />

E<br />

Director: Jesse V. Johnson / USA / 2015 / 94 min / BluRay / English<br />

Gabriel Tancredi (Ross McCall from Green Street Hooligans 2), the nephew of a local crime boss, has built a life for himself more or less modeled<br />

after one of the characters played by his favorite movie star: Steve McQueen. He’s got McQueen’s Mark IV 5.0 Cobra Roadster for his<br />

wheels, he’s got the shades, the watch, the threads, and even the chic over the shoulder gun holster from Bullitt.<br />

On the surface, Gabriel looks like a cop straight out of the late 60’s or early 70’s, and with his background in the military, he’s got more than<br />

the gab and swagger of a wannabe – he’s the real thing. His aunt Catarina (Julie Warner from Indian Summer) is running the syndicate her<br />

father started decades ago.<br />

The late Ed Lauter (Born on the Fourth of July.) plays Old Man Tancredi, the former head of the family, now wheel-chair bound and suffering<br />

from Alzheimer's, his vicious temper is still raw, his anger at the world seems to have eaten him from the inside outwards, a visit on his Birthday<br />

is anything but warm and friendly. For Gabriel, his Grandfather represents success in the Crime game, all your friends are in jail or dead,<br />

you’re angry at life and no one wants you around.<br />

Shot in beautiful black and white in a style reminiscent of a bygone era, Jesse V. Johnson’s The Beautiful Ones is a calculated lark of a film,<br />

with wit, pizazz, and plenty of badass action. This movie has moxy to spare, and it’s a breath of fresh air in a depressed movie market that has<br />

forgotten how to produce movies that actually feel cinematic and spry.<br />

Screenplay: Jesse V. Johnson / Producers: Anthony V. Pugliese / Cinematographer: HC Van / Urfalian / Editor: Ken Blackwell / Composer:<br />

Sean Murray / Production Designer: Melissa Long / Co-Producer: Travis Merindino, Bianca Baghatourian, Chris Ullrich, Michael Hurst / Principal<br />

Cast: Ross McCall, Fernanda Andrade, Brian Tee, Jessy Schram, Ed Lauter, Julie Warner, Eric Roberts, Robert Oddo<br />

Contact: Jesse V Johnson : figgypix@yahoo.com<br />

Trailer: https://vimeo.com/106179392<br />

Website: http://jessevjohnson.com/<br />

Facebook: https://www.facebook.com/thebeautifulonesmovie?fref=ts<br />

Sponsored by<br />

Jesse V. Johnson<br />

and FilmTrek Pictures<br />

SPeCIaL GueSTS:<br />

JeSSe JoHNSoN, RoSS MCCaLL,<br />

aNTHoNy PuGLIeSe,<br />

RoBeRT oddo<br />

78<br />

THE DIRECTOR: The Beautiful Ones is the Passion project of writer/director Jesse V. Johnson. It is his love letter to the genrefilms<br />

he loves, the French Gangster films of the 50's and 60's, the American Crime Movies of the 70's and British Kitchen Sink<br />

films of the 60's.


SHOWTIMES<br />

Monday, Nov 16, 5:15pm, CP- Lauderdale<br />

Thursday, Nov 19, 6:30pm, CP- Hollywood<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

WELL WISHES<br />

EAST COAST PREMIERE<br />

W<br />

Director: Anderson Boyd / USA / 2015 / 94 min / DCP / English<br />

During a stagnant economy Miles loses his office job on a coin toss. Having hit rock bottom he tosses his last penny into a plaza wishing fountain.<br />

A thought sets his eyes alight. He retrieves his coin. Then another. And another. Assembling a team of friend Jack and kindly stranger<br />

Durwood he builds an enterprise of harvesting coins from wishing fountains. Miles takes to the American highway and finds love in an indebted<br />

traveler while Jack and Durwood grow the venture from home. As the business booms, everyone's idea of success collides and sets the adventure<br />

on an unexpected trajectory.<br />

Screenplay: Anderson Boyd / Producers: Juan Cruz Pochat, Anderson Boyd / Cinematographer: Daniel Satinoff / Editor: Anderson Boyd /<br />

Composer: Eric Kaye & Jason Payne / Production Designer: Katherine Bulla / Art Director: Charlotte Cox / Principal Cast: Shane Callahan,<br />

Cullen Moss, Anna Stromberg, Don Henderson Baker<br />

Contact: a.drew.boyd@gmail.com / Website: http://www.wellwishesmovie.com<br />

Twitter: @wellwishesmovie / Facebook: www.facebook.com/wellwishesmovie<br />

THE DIRECTOR: Anderson "Drew" Boyd spent formative years in the film school and industry of coastal Wilmington, North<br />

Carolina, before a career in post-production led to New York. Various editorial credits include Winter's Bone, The History of<br />

Future Folk, Cold Weather, The Tillman Story, and Joan Rivers: a Piece of Work. Well Wishes marks his feature directorial<br />

debut.<br />

79


SHOWTIMES<br />

Sunday, Nov 15, 1pm, Sunrise Civic Ctr<br />

Wednesday, Nov 18, 5:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

THE WONDERS<br />

FLORIDA PREMIERE<br />

Director Avi Nesher<br />

F<br />

Israel / 2012 / 112 min / DCP /<br />

Hebrew w/English sub-titles<br />

Inspired by a true story, The Wonders combines<br />

genres, moods and influences – everything from<br />

film noir to Alice in Wonderland – to create a unique<br />

and compelling movie that mixes mystery, comedy,<br />

psychological thriller, political intrigue and romance.<br />

Arnav, a graffiti artist and bartender, lives near the Old<br />

City of Jerusalem. Wearing a mask, he paints walls<br />

at night and hopes that Vax, his former girlfriend who<br />

recently “found religion,” will come back to him. But<br />

when Arnav sees a mysterious stranger forced into<br />

an abandoned apartment across the way by three<br />

bearded men, he becomes involved with a hardboiled<br />

investigator, a gorgeous mystery woman, and<br />

the conflicted, mysterious captive himself.<br />

★★★★ "One of the greatest israeli movies ever.<br />

Highly Recommended" Walla /<br />

★★★★ "The best israeli movie of the year. A movie<br />

that will delight all those who love cinema"<br />

Cinemascope<br />

★★★★★ (Excellent)"A brilliant, elegant, very original<br />

mystery" Jerusalem Post<br />

★★★★★ (Excellent) "full of mystery, humor and indeed,<br />

wonder. A cinematic gem" Maariv<br />

★★★★★ (Excellent) "Very smart, full of surprising<br />

twists and turns. Not to be missed!!!" Channel 1<br />

★★★★ "funny, light hearted and very sophisticated"<br />

Yediot Aharonot<br />

★★★★ "A Great Ride – witty and highly entertaining"<br />

Ynet<br />

★★★★ "A great movie – clever, moving, thrilling"<br />

Channel 10<br />

★★★★ "An extraordinary mind bender.<br />

Highly recommended" Pnai Plus<br />

Sponsored by<br />

80<br />

THE DIRECTOR: One of Israel’s most influential directors, Nesher was born in Israel but spent much of his adolescence in New York, where he studied<br />

at Ramaz Yeshiva and Columbia University.<br />

Nesher’s first movie, The Troupe (1979), was an irreverent look at an army entertainment troupe. Nesher wrote and directed Dizengoff 99, the story<br />

of a group of young people in Tel Aviv. Nesher shifted gears and made Rage and Glory, a controversial film about a Jewish underground organization<br />

during the 1940s. The movie set off a heated debate in Israel, and in 2001 was selected by the Lincoln Center Film Society as one of the most important<br />

Israeli films of all time.<br />

De Laurentiis convinced Nesher to come to Hollywood. Nesher started as a writer for such Ron Howard and James<br />

Cameron. In 1990, he wrote and directed the sci-fi mystery, Timebomb, and the supernatural mystery, Doppelganger,<br />

starring Drew Barrymore. Nesher’s next theatrical offering, Taxman. The New York Times called it, “A delight . . . a<br />

charmer of a mystery.”<br />

In 2001, Nesher returned to Israel to write and direct Turn Left at the End of the World. Later in 2004, Nesher’s experimental<br />

political documentary, Oriental, won the “In the Spirit of Freedom” Award at the Jerusalem Film Festival. Nesher’s<br />

next film, The Secrets (2007), about young ultra-Orthodox women who meet a mysterious Frenchwoman, played by Fanny<br />

Ardant, was hailed by The Hollywood Reporter as, “Witty and wise, sensual and emotionally over-powering – one of the<br />

best Israeli movies in recent years.” New York Observer critic Andrew Sarris called it, “One of the best movies of the year.”


SHOWTIMES<br />

Tuesday, Nov 10, 7pm, CP- Lauderdale<br />

Wednesday, Nov 11, 7:45pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

FEATURE<br />

YOUTH<br />

FLORIDA PREMIERE<br />

Director: Paolo Sorrentino<br />

F<br />

Switzerland /2015 / 118 min / DCP / English<br />

From Paolo Sorrentino, the director of Italy’s Oscar<br />

foreign language winner THE GREAT BEAUTY<br />

comes YOUTH, about two longtime friends vacationing<br />

in the Swiss Alps. Oscar winning actor<br />

Michael Caine plays Fred, an acclaimed composer<br />

and conductor, who brings along his daughter<br />

(Rachel Weisz) and best friend Mick (Harvey Keitel),<br />

a renowned filmmaker. While Mick scrambles<br />

to finish the screenplay for what he imagines will be<br />

his last important film, Fred has no intention of resuming<br />

his musical career. The two men reflect on<br />

their past, each finding that some of the most important<br />

experiences can come later in life.<br />

Writer: Paolo Sorrentino / Producers: Carlotta<br />

Calori, Francesca Cima, Nicola Giuliano / Composer:<br />

David Lang / Cinematographer: Luca<br />

Bigazzi / Editor: Cristiano Travaglioli / Production<br />

Designer: Ludovica Ferrario / Principal Cast:<br />

Michael Caine, Harvey Keitel, Rachel Weitz, Jane<br />

Fonda, Paul Dano<br />

Contact: Fox Searchlight Pictures<br />

THE DIRECTOR: Sorrentino was born in Naples. His first<br />

film as screenwriter, The Dust of Naples, was released<br />

in 1998. He also began directing short movies, including<br />

L'amore non ha confini in 1998 and La notte lunga in 2001. His feature-length debut was One Man Up (L'uomo in più), for which he was awarded<br />

the Nastro D'Argento prize.<br />

He achieved international recognition in 2004 for his thriller, The Consequences of Love. The film, which explores the mindset of<br />

a lonely businessman being used as a pawn by the Mafia, won many awards and was nominated for the Palme D'Or at the 2004<br />

Cannes Film Festival.<br />

Sorrentino's next feature, The Family Friend (L'amico di famiglia), was shown at the Cannes Film Festival in May and the London<br />

Film Festival in October 2006. It tells the story of a malicious septuagenarian loan-shark who develops a fixation with the beautiful<br />

daughter of one of his customers. Sorrentino made his acting debut with a cameo appearance in Nanni Moretti's film The Caiman (Il<br />

caimano), which was also shown at the 2006 London Film Festival.<br />

Sorrentino's following film, Il Divo, is his as first film as screenwriter, The Dust of Naples, was released in 1998. He also began directing<br />

short movies, including L'amore non ha confini in 1998 and La notte lunga in 2001. His feature-length debut was One Man<br />

Up , for which he was awarded the Nastro D'Argento prize.<br />

81


ON-LINE AUCTION<br />

Celebrating our 30th FLIFF, we are featuring an on-Line auction.<br />

Begins: October 22 – Ends: November 22 at the Ritz Carlton Wrap Party! Log-On to: www.32auctions.com/FLIFF30th<br />

Check out the great items...make terrific holiday, birthday, anniversary, congrats for making bail presents.<br />

CRuISe To CuBa 7 nights roundtrip from<br />

Miami. 3 ports of call, Havana, Santiago de<br />

Cuba and Cienfuegos. The ship is a floating<br />

hotel! The Adonia is a modern ship with a full<br />

range of amenities. You’ll have ample leisure<br />

time to spend at the pool, in the gym, at the spa,<br />

or tucked into<br />

a comfortable<br />

chair in the onboard<br />

library.<br />

All impact activities<br />

are included<br />

as well<br />

as meals. total. “Fathom is a different kind of<br />

cruise that combines your love of travel with your<br />

desire to make a difference.” Ocean View cabin<br />

for Two has a Value of $6,760<br />

Compliments of Fathom Impact Travel.<br />

SouTH aFRICa - A Week For Two at<br />

Game Lodge in Zulu Natal...Remember OUT<br />

OF AFRICA starring Kim Basinger? All of<br />

those plantation scenes were filmed on this<br />

property. 6 days and 6 nights's luxury accommodation<br />

at Zulu Nyala Luxury Tented Safari<br />

Lodge or Zulu Nyala Heritage Safari Lodge<br />

situated in the heart of South Africa's Zululand<br />

conservation region- one of the richest<br />

conservation regions in Africa. * Full board,<br />

that is three delicious meals per day, prepared<br />

by the ethnic<br />

chefs - with<br />

an African flavor<br />

of course.<br />

* Two game<br />

viewing activities<br />

per day<br />

guided by professional game rangers inopen<br />

game viewing vehicles on Zulu Nyala Game<br />

Reserve. Value: $5,250. Compliments of<br />

Chip abele & The Hollywood Circle, LLC<br />

aN oRIGINaL PIeCe<br />

By PaM HuIzeNGa<br />

Handmade 18k gold<br />

Drop Pendant and<br />

leather necklace with<br />

18k gold clasp. Drop<br />

pendant is Saturn Chalcedony. Pendant is approx<br />

2.5" long and leather is 18". Value:<br />

$2,700 Compliments of Pam Huizenga<br />

MaRLINS LuxuRy SuITe FoR 8<br />

Enjoy a 2016 Miami Marlins game in style in<br />

the FOX SPORTS LUXURY BOX. Includes<br />

two parking passes. Value: $1,000.<br />

Compliments of Michael Goldberg<br />

& zimmerman advertising<br />

ToTaL wINe TaSTING PaRTy<br />

For you and<br />

19 friends!<br />

Compliments<br />

of Total wine<br />

all this and MoRe! Go to www.32auctions.com/FLIFF30th want to donate an item? Contact us at info@fliff.com<br />

82


SHOWTIME<br />

Monday, Nov 9, 2:45pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

SHORT DOCUMENTARY<br />

ALL IN HER STRIDE<br />

FLORIDA PREMIERE<br />

F<br />

Director: Fiona Cochrane<br />

Australia / 2014 / 55 min / HD Cam / English<br />

Leverne McDonnell was an Australian actor and a close friend and colleague. When<br />

she was diagnosed with pancreatic cancer she wanted to make a statement about<br />

voluntary euthanasia, so we made a documentary together about how she lived her<br />

life and her death, both with great humor.<br />

While voluntary euthanasia has been legalised in some countries, it is not legal in<br />

Australia despite support for it by the majority of the population in opinion polls.<br />

Producers: Fiona Cochrane, Leverne Mcdonnell / Cinematographer & Editor Zbigniew<br />

Friedrich<br />

Contact : Fiona Cochrane f_reel@optusnet.com.au / info @f-reel.com<br />

Trailer: http://youtu.be/eRQu71DXyro<br />

Website: www.f-reel.com<br />

THE DIRECTOR: Producer/ director Fiona Cochrane has produced<br />

and/or directed several low-budget independent Australian<br />

feature films as well as numerous documentaries and short films.<br />

Her films have screened at numerous international festivals and<br />

received many international awards.<br />

CHAU, BEYOND THE LINES<br />

EAST COAST PREMIERE<br />

W<br />

Director: Courtney Marsh<br />

Vietnam / 2015 / 34 min / DCP / Vietnamese w/English sub-titles<br />

Chau, a teenager living in a Vietnamese care center for kids disabled by Agent Orange,<br />

struggles with the reality of his dream to one day become a professional artist.<br />

Director: Courtney Marsh / Producers: Jerry Franck, Courtney Marsh / Associate Producers:<br />

Duy Nguyen, Hai-lam Phan / Executive Producer: Marcelo Mitnik / Story By:<br />

Courtney Marsh, Marcelo Mitnik / Cinematography: Courtney Marsh, Hai-lam Phan /<br />

Edited By: Courtney Marsh / Composer: Steve London / Translations: Duy Nguyen<br />

Contact: marsh.cnm@gmail.com<br />

Website: www.beyondthelinesfilm.com<br />

Twitter: @courtneynmarsh<br />

Facebook: facebook.com/chaubeyondthewalls<br />

SHOWTIME<br />

Friday, Nov 13, 6:15pm, CP- Lauderdale<br />

SPeCIaL GueST:<br />

CouRTNey MaRSH<br />

THE DIRECTOR: Originally from Fort Lauderdale, Florida, Courtney Marsh received<br />

her BFA from UCLA's School of Film and Television. Upon graduating, Courtney<br />

worked extensively in the camera department under the mentorship<br />

of Salvatore Totino, ASC AIC (Cinderella Man, Angels &<br />

Demons, Any Given Sunday). Her short films have screened internationally<br />

and she has participated in programs with the Academy<br />

of Motion Picture Arts & Sciences as well as Film<br />

Independent. Currently, Courtney is traveling to festivals to promote<br />

and raise awareness with her documentary short<br />

film, while developing her first<br />

83


SHOWTIMES<br />

Friday, Nov 6, 10:30pm, CP- Lauderdale<br />

Saturday, Nov 21, 1pm, CP- Hollywood<br />

AMERICAN<br />

INDIE<br />

DOCUMENTARY<br />

BACK IN TIME<br />

SOUTHEAST PREMIERE<br />

Director: Jason Aron<br />

E<br />

USA-Canada-UK / 2015 / 94 min /<br />

BluRay / English<br />

BACK IN TIME looks at the cultural impact the<br />

BACK TO THE FUTURE trilogy has had on the<br />

public over the last thirty years. Through interviews<br />

with key cast and crew, including Steven Spielberg,<br />

Robert Zemeckis, Bob Gale, Michael J. Fox and<br />

others, as well as DeLorean Time Machine owners,<br />

the inventors of the world's first working hoverboard,<br />

and many, many more, the film explores why<br />

we're all still talking about this famous franchise<br />

three decades later.<br />

Producer: Lee Leshen / Executive Producer: Louis<br />

Krubich / Director of Photography: Jason Aron /<br />

Cinematographers: Mitchell Hooper, Greg Lassik,<br />

Derek Brown, Jay Lafayette, Mark Cambria / Editor:<br />

Thomas Griffin / Composer: Gregory Johnson /<br />

Principal Cast: Steven Spielberg, Michael J. Fox,<br />

Robert Zemeckis, Christopher Lloyd, Bob Gale,<br />

Lea Thompson, Huey Lewis<br />

Contact: Lee Leshen – lee@patchworknyc.com<br />

Trailer: https://www.youtube.com/watch?v=soWkvfhAZAs<br />

Website: www.backintimefilm.com<br />

Twitter: @backintimefilm<br />

Facebook: www.facebook.com/backintimefilm<br />

SPeCIaL GueST:<br />

Lee LeSHeN<br />

THE DIRECTOR: An avid filmmaker for the past decade, Jason has been heavily involved in professional sports filmmaking<br />

for much of his career. He has interviewed and worked alongside personalities from all corners of the industry—star athletes,<br />

team owners, pundits, analysts, and more. In addition to this heavy focus on documentary filmmaking, Jason has an extensive<br />

background in directing commercials for a wide range of companies. Jason’s passion for the medium can be traced<br />

way Back in Time, to when he made a line-by-line tape recording of a certain iconic film. He’s the original driving force<br />

behind this film project, and his commitment to the integrity of the documentary’s material is second to none.<br />

84


SHOWTIME<br />

Thursday, Nov 19, 5:30pm, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

DOCUMENTARY<br />

THE PENGUIN COUNTERS<br />

SOUTHEAST PREMIERE<br />

Director: Peter Getzels & Harriet Gordon<br />

E<br />

Antarctica / 2014 / 67 min / BluRay / English<br />

Armed with low-tech gear and high-minded notions<br />

that penguin populations hold the key to human<br />

survival, Ron Naveen lays bare his 30 year love affair<br />

with the world’s most pristine scientific laboratory:<br />

Antarctica. Famed as a place that ‘wants you dead,’<br />

his ragtag team of field-biologists embark on a journey<br />

to some of the harshest corners of the planet,<br />

where they track the impact of climate change on<br />

penguin populations - one nest at a time. But penguins<br />

aren’t the only stars. During the fifteen-day<br />

voyage, Ron discovers that the ashes of the legendary<br />

explorer Frank Wild – the famed leader on<br />

Ernest Shackleton’s expeditions - are sailing to his<br />

final burial place on board the ship, accompanied by<br />

descendants of both Wild and Shackleton.<br />

Producers & Writers: Peter Getzels, Harriet Gordon<br />

/ Cinematographer: Erik Osterholm, Peter Getzels<br />

/ Additional Camerawork: Harriet Gordon / Co-Directed<br />

in the field: Erik Osterholm / Editor: Catherine<br />

Shields / Original Music: Robert Neufeld<br />

Contact: hgetzels@mac.com<br />

Trailer:<br />

https://www.youtube.com/watch?v=8LW4TQjhmUU<br />

Website: http://www.penguincountersmovie.com/<br />

Twitter: @PenguinCounters<br />

Facebook:<br />

https://www.facebook.com/penguincountersmovie?fref=ts<br />

SPeCIaL GueSTS:<br />

PeTeR GeTzeLS,<br />

HaRRIeT GoRdoN<br />

RoN NaveeN<br />

Sponsored by<br />

THE DIRECTORS: Peter Getzels and Harriet Gordon have a long track record of award-winning documentaries<br />

in far-flung corners of the world for British, American, and European television. With a<br />

background in Anthropology and exploration, their subjects range from long-term, character-driven<br />

narratives to cutting-edge science and the fringes of religion. Based in Oxford, England for sixteen<br />

years where they attended the National Film and TV School, Peter and Harriet are now in Washington<br />

DC where they continue making provocative documentaries. Peter also leads a team on the long running<br />

PBS series Closer to Truth, a global journey in search of the vital ideas about the cosmos, consciousness<br />

and meaning.<br />

85


SHOWTIMES<br />

Tuesday, Nov 10, 9:30pm, CP-Lauderdale<br />

Sunday, Nov 15, 8:15pm, CP-Hollywood<br />

SUNSHINE<br />

BETWEEN MYTH AND HISTORY<br />

CELLULOID<br />

DOCUMENTARY<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

FLORIDA PREMIERE<br />

F<br />

Director: Vivian Orozco / USA / 2015 / 83 min / BluRay / English<br />

Through this film, take a look at the different pieces and people that help create, manage and run a festival of this size and caliber. It sheds<br />

light and explores different interpersonal connections that make up this festival, not just the performance itself. Discover the story that is hidden<br />

behind the colors, sights, and sounds.<br />

Our story is told through the lives, interactions, and perspectives of nine people. Jim DeFabia, Monica Taylor, and Emily DeFabia, an unusual<br />

family who strengthen their bond at the festival, Edward Stinson and Michelle Lawrence, a mother-son duo whose ethnicity sets them apart,<br />

Adolfo Herrera and Vivian Orozco, friends with a Father-daughter relationship cultivated from years of working together, Denise Michelle, a<br />

hard working young woman who’s life takes some incredible turns, and lastly the man behind the festival itself, Bobby Rodriguez.<br />

The documentary team follows these people through the organization, workshop, rehearsal, and performance process and sheds light on the<br />

Festival’s inner workings. The cast, vendors, crew, security and management teams are all intimately connected in a type of extended family<br />

bond not often seen in the everyday workplace. It creates a human picture of one of the most anticipated events in South Florida.<br />

Narrative Script: Anthony Labson / Script Editors: Alexa Baray, Vivian Orozco / Producer: Vivian Orozco / Associate Producers: Christopher<br />

Taylor, Suzannie Michelle Lawrence / Cinematographer: Fernando Barron II / Camera Operator: Rick Santese / Production Assistants: Katy<br />

Goldapple, Robert Mcpherson / Sound Mixer: Victor Centofanti / Boom Operator: Robert McPherson / Editor: Gabriel Marchisio Jr./ Assistant<br />

Editors: Vivian Orozco, Christopher Taylor / Sound Designer: Aaron Berman / Production Manager: Mark Adelaja / Production Coordinator:<br />

Kavita Lowtan / Principal Cast: Bobby Rodriguez, Denise Michelle, Adolfo Herrera, Vivian Orozco, Suzannie Michelle Lawrence, Edward<br />

Stinson III, James DeFabia, Emily DeFabia, Monica Taylor /<br />

Contact: Vivian Orozco –humayafilms@gmail.com / Trailer: https://vimeo.com/117041310 / Website: www.humayafilms.com<br />

Twitter: @humayafilms / Facebook: www.facebook.com/pages/humayafilms<br />

Sponsored by<br />

SPeCIaL GueSTS:<br />

vIvIaN oRozCo,<br />

BoBBy RodRIGuez<br />

PLuS MeMBeRS oF CaST aNd CRew<br />

86<br />

THE DIRECTOR: Vivian Orozco is from Cooper City. She studied Theater, Computer Arts and Animation at Florida Atlantic<br />

University before pursuing her love of film. She began her film career three years ago, and she continues to find and craft<br />

new stories and ways to present them. Her goal is to one day create stories that are moving and engaging, encouraging the<br />

imagination to take a journey and return changed.


SHOWTIMES<br />

Saturday, November 14<br />

10am – Breakfast With Bobby<br />

in the CPL Courtyard<br />

AMERICAN<br />

INDIE<br />

DOCUMENTARY<br />

11am – Episodes 1, 3, 6<br />

1pm – Pizza in Courtyard<br />

1:15 – Episodes 7, 8, 10<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

A DIRECTOR PREPARES: BOBBY ROTH’S MASTERCLASS<br />

Director: Bobby Roth<br />

USA / 2015 / 210 min / Digital File / English<br />

EAST COAST PREMIERE<br />

W<br />

Bobby Roth has directed more than eighty episodes of television,<br />

twenty-five TV movies, and thirteen feature films, and he has been<br />

teaching film seminars throughout the world for the last ten years.<br />

Now, through interviews with more than fifty of his colleagues in<br />

the film industry, hours of original behind-the-scenes footage, and<br />

an unprecedented glimpse of production materials, A Director Prepares:<br />

Bobby Roth’s Master Class demystifies the craft of directing<br />

and hands over all the tools aspiring filmmakers need to feel comfortable<br />

walking onto a set and calling Action! FLIFF will feature 3<br />

of the 10 episodes. See schedule below.<br />

episode 1 Preparation & Imagination Some schools of<br />

thought regarding film production emphasize spontaneity and the<br />

freedom of “winging it.” This is not one of them. This episode offers<br />

an overview of Bobby’s method, which emphasizes extremely disciplined<br />

preparation that allows you to be free in the moment, principally<br />

for the actors, and allows you flexibility for contingencies. An extensive case study from Prison Break helps illuminate the importance<br />

of prep work and how it can pay off.<br />

episode 3 designing Shots One of the main elements of prep, in both film and television, is producing the shot list. This episode covers<br />

not only what a shot list is, how it should look, and whom to give it to, but also how to imbue camera instructions with emotion and personal<br />

investment. Extensive case studies from Lost and Marvel’s Agents of S.H.I.E.L.D. demonstrate the way personal experience can and should<br />

affect everything from lens choice to camera placement.<br />

eipsode.6 Collaboration<br />

The director’s role is like a conductor in an orchestra, synthesizing different components by working with heads of multiple departments. This<br />

episode takes a unique look at building and maintaining relationships with your crew, and examines one of most students’ greatest anxieties<br />

about filmmaking: what to do when the collaborative process breaks down and relationships on set go sour.<br />

episodes 7 & 8 How to Get actors to do what you want, Parts I & II At the very core of the craft of directing is working with actors.<br />

Central to the Bobby Roth method of directing is to prepare as extensively as possible in preparation in order to be available to the actors<br />

during production. During production, time is especially precious, and actors require great attention and sensitivity to deliver their best performances.<br />

In this double-episode, we take an extended look at the question Bobby is most frequently asked by students and young filmmakers:<br />

how do you get actors to do what you want? Interviews with more than twenty leading actors shed a diverse array of insights into what is<br />

expected of directors and the best strategies for building productive working relationships with them.<br />

episode10 The Business The final episode looks outside the process of production itself towards what many film students find an even<br />

more urgent topic: the business of getting hired, raising funds, and getting brought back to work again. This episode focuses on interviews<br />

with showrunners, agents, and executives, who candidly illuminate the hierarchies at work in the hiring process of television, and how to build<br />

a career making movies.<br />

Writers: Bobby Roth, Nick Roth / Producers: Bobby Roth, Nick Roth / Cinematographer: John Smith / Editor: Jesse Kane / Contact: Bobby<br />

Roth rothbobby@aol.com / TRAILER (YouTube or Vimeo address): https://vimeo.com/118760572 / WEBSITE: bobbyroth.net/masterclass<br />

TWITTER: @rothbobby / FACEBOOK: https://www.facebook.com/bobbyrothdirector<br />

Sponsored by<br />

THE DIRECTOR: Bobby Roth was born and raised in Los Angeles. He studied philosophy and creative writing at<br />

UC Berkeley before graduating with a BA in Cinema from USC in 1972. He went on to film school at UCLA, where<br />

he received his MFA in Motion Picture Production in 1975. Since then he has directed more than eighty episodes<br />

of television, twenty-five TV movies, and thirteen feature films. He was a founding member of the Independent Feature<br />

Project and the first Co-Chairman of the DGA’s Independent Feature Committee. His films have won countless<br />

awards and have been exhibited in over 100 international film festivals. He also teaches film seminars throughout<br />

the world. He still resides in Los Angeles, actively working in the entertainment industry.<br />

SPeCIaL GueST:<br />

BoBBy RoTH<br />

NICk RoTH<br />

87


SHOWTIMES<br />

Saturday, Nov 14, 9:15pm, CP- Lauderdale<br />

Sunday, Nov 15, 5:45pm, CP- Hollywood<br />

AMERICAN<br />

INDIE<br />

DOCUMENTARY<br />

THE F WORD<br />

WORLD PREMIERE<br />

U<br />

Director: Robert Adanto / USA / 2015 / 104 min / DCP / English<br />

The F Word explores radical, “4th wave” feminist performance via interviews with a younger generation of feminist artists using their bodies as<br />

subject matter. The female body has proven, and continues to be, central to their practice, and, as a result many of these artists remain marginalized<br />

by the mainstream art world. As Leah Schrager, well known for her performance practice Naked Therapy, states, “As soon as you introduce a bit<br />

of sexiness or sexuality into an artwork it suddenly becomes questionable. Just because something elicits arousal or shows elements of sexiness<br />

does absolutely not make it not art.” While some artists, like Ann Hirsch and Kate Durbin, choose to represent female identity though digital media,<br />

others, like the radical, queer, transnational feminist art collective, Go! Push Pops, explore sexuality and gender in pop culture in the digital age.<br />

As feminist lecturer Kristen Sollee asserts, 4th wavers “are not afraid to be ‘girly’, (or) to be hyper-feminine, or to self-objectify. That was something<br />

that was not part of feminism in the past, and now it’s becoming more and more acceptable.” Featuring: Narcissister, Ann Hirsch, Go! Push Pops,<br />

Leah Schrager, Kate Durbin, Rachel Mason, Rafia Santana, Rebecca Goyette, Claudia Bitran, Sadaf, Michelle Charles, Damali Abrams, Kristen<br />

Sollee, Nancy Princenthal and Susan Bee.<br />

Writer & Producer: Robert Adanto / Cinematographer: Daniel Cole / Editor: Carlos Doce, Michael Gonzalez and Taylor White / Composer: MIMICO<br />

and DUST/ Performance Advisor: Dr. Kathy Battista / Principal Cast: Narcissister, Ann Hirsch, Leah Schrager, Kate Durbin, Dr. Kathy Battista,<br />

Kristen Sollee, Go! Push Pops, Rachel Mason, Rafia Santana, Claudia Bitran, Rebecca Goyette, and Sadaf<br />

Contact: Robert Adanto robertjadanto@gmail.com<br />

Trailer: https://vimeo.com/133657286<br />

Website: www.thef-wordflick.com<br />

Twitter: https://twitter.com/RobertAdanto<br />

Facebook: https://www.facebook.com/TheFWordAdanto?fref=ts<br />

Sponsored by<br />

88<br />

THE DIRECTOR: Robert Adanto made his directorial debut with The Rising Tide (2008), a documentary exploring the explosive<br />

Chinese contemporary art scene. Shot in the summer of 2006, The Rising Tide captures the confusion and ambiguity that<br />

characterize the new China. His next film, Pearls on the Ocean Floor (2010) examined the lives and works of Iranian female<br />

artists living and working in and outside the Islamic Republic. Pearls on the Ocean Floor received the Bronze Palm Award for<br />

Best Doc at the 2011 Mexican Int’l Film Festival and a Spirit of Independents Award at the 2012 FLIFF. City of Memory (2014), which<br />

premiered at last year’s FLIFF, explores Hurricane Katrina’s impact on the lives of visual artists from New Orleans. In commemoration<br />

of the 10th anniversary of Hurricane Katrina, the New Orleans Film Society recently presented City of Memory at the Ogden Museum<br />

of Southern Art. Mr. Adanto earned his M.F.A. in Acting from NYU’s Tisch School of the Arts.<br />

SPeCIaL GueST:<br />

RoBeRT adaNTo


SHOWTIME<br />

Wednesday, Nov 11, 7:15pm, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

DOCUMENTARY<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

GENTLE GIANT THE ANDRE RODGERS STORY<br />

Director: Gina Sealy<br />

Bahamas / 2014 / 60 min /<br />

English / BluRay<br />

Born in 1934, Andre Rodgers grew up in the<br />

Bahamas, then a British colony. He played<br />

cricket and had never even seen a baseball<br />

game before 1954 when he tried out for the<br />

San Francisco Giants. Rodgers was signed<br />

immediately and became a minor league phenom<br />

before playing 11 years in the majors.<br />

In this documentary directed, produced and<br />

narrated by Rodgers’ daughter, Gina Sealy,<br />

Baseball Hall of Famers Ernie Banks and<br />

Orlando Cepeda, as well as John Jordan<br />

“Buck” O’Neil, the first black coach in major<br />

league baseball, all talk about how Andre,<br />

with his gentle disposition, taught them to<br />

deal with racism and navigate the unknown<br />

and invisible boundaries of the color barrier<br />

on and off the baseball fields of America.<br />

Rodgers is credited with changing the face of sports in the Bahamas.<br />

Producers: Gina Sealy, Kevin Taylor / Camera: Kevin Taylor, Kent Minnis, Leslie Sealy / Video Editor: Kevin Taylor / Writer:<br />

Gina Sealy / Narrator: Gina Sealy / Script Editor: Patricia Roker<br />

Contact: Gina Sealy - gina.rodgers.sealy@gmail.com / Trailer: https://vimeo.com/134943483<br />

Facebook: www.facebook.com/GentleGiantAndreRodgers<br />

FLORIDA PREMIERE<br />

F<br />

THE DIRECTOR: Gina Sealy is the daughter of Andre Rodgers, the first Bahamian to play major league baseball. Gentle Giant<br />

has become a work of inspiration for the youth of the world. This is the second documentary that Sealy has directed and produced.<br />

WHEN PIGS SWIM<br />

EAST COAST PREMIERE<br />

W<br />

SPeCIaL GueSTS:<br />

GINa SeaLy, CHaRLIe SMITH<br />

Director: Charlie Smith / The Bahamas / 2014 / 15 min / English<br />

How did the 'Swimming Pigs of Exuma' get there, where did they come from, and who put them there?<br />

Written By: Jeff Todd / Producers: Peter Nicholson, Tyrone Munroe / Cinematographer: Charlie<br />

Smith, Kevin Taylor / Editor: Charlie Smith, George Achi<br />

Sponsored by<br />

Contact: Charlie Smith – Charlie@earthbeat.com<br />

Website: www.Whenpigsswimexuma.Com<br />

Twitter: @Whenpigsswim1<br />

Facebook: http://www.facebook.com/whenpigsswim<br />

wedNeSday, Nov 11, 7PM JuNkaNoo PaRade BeGINS aT RIveR By CPL; 7:15 GeNTLe<br />

GIaNT; 8:15 wHeN PIGS SwIM; 8:30 JoIN JINkaNoo daNCeRS & MuSICIaNS IN<br />

CouRTyaRd FoR BaHMIaN PaRTy wITH SaNdS BeeR aNd CoNCH FRITTeRS<br />

THE DIRECTOR: Charles Allan Smith or ‘Charlie’ as he is better<br />

known as, is a multi award-winning Filmmaker with more than<br />

twenty five years of experience as a director, photographer and<br />

actor. His documentary films have won numerous awards including<br />

a PBS, Southern Lens Broadcast award, a Fort Lauderdale<br />

International Film Festivals Best of Florida award and The Bahamas<br />

International Film Festivals ‘Oscar’, Haven Award. He<br />

was also one of the first Bahamians to Host on an International<br />

Network as a VJ for the Caribbean Satellite Network (CSN), and<br />

Creator and Host of his own television show, Electric Air, which<br />

aired for eleven years in The Bahamas.<br />

89


SHOWTIMES<br />

Wednesday, Nov 11, 1:15pm, CP- Lauderdale<br />

Saturday, Nov 21, 6:45pm, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

DOCUMENTARY<br />

HURRICANE 3D<br />

UNITED STATES PREMIERE<br />

F<br />

Directors: Cyril Barbançon & Andy Byatt<br />

France / 2015 / 80 min / DCP / English<br />

The greatest in depth examination of the birth of<br />

a storm off the coast of West Africa, and its evolution<br />

across the Atlantic, through the Caribbean<br />

and up the Gulf of Mexico, ultimately unleashing<br />

its fury on the U.S. coast.<br />

The film is astounding because of its perspectives.<br />

From its the creation and development,<br />

we view the storm from the inhabitants of residents<br />

of Cape Verde Islands, the crew onboard<br />

the Hurricane Hunter airplanes, the view under<br />

water as the storm pummels the coral reefs, the<br />

wildlife impacted, the people of Hispaniola, Cuba<br />

and the Gulf residents in the United States.<br />

The cool, calm narration adds dramatically – reinforcing<br />

the fact that nature is the ultimate<br />

power – we can prepare, evacuate, pray, but<br />

cannot affect the course or strength of this<br />

deadly natural disaster.<br />

HURRICANE 3D is an excellent teacher of the<br />

peril we face if precaution is neglected. Especially<br />

because of our geography annually in the<br />

line of fire, we recommend for all audiences from<br />

high school to seniors. The film is majestic, powerful,<br />

enlightening and highly informative.<br />

Writers: Jacqueline Farmer, Frédérique Zepter /<br />

Producers: Jacqueline Farmer, Bertrand Loyer /<br />

Cinematographer: Cyril Barbançon / Editor:<br />

Philippe Ravoet / Contact: Kinology, Paris<br />

Sponsored by<br />

90<br />

THE DIRECTORS: Andy Byatt is an English wildlife documentary<br />

film producer for the BBC Natural History Unit (NHU) in Bristol.<br />

His expertise is in the creation of underwater wildlife films. He codirected<br />

Deep Blue, a natural history feature film about<br />

the oceans narrated by Michael Gambon. This film was largely put<br />

together with highlights from the NHU's internationally acclaimed<br />

series, The Blue Planet, of which Byatt was one of the producers,<br />

along with Alastair Fothergill and Martha Holmes. His<br />

project Planet Earth an 11-part High-definition TV wildlife series<br />

first aired in March 2006.


SHOWTIMES<br />

Wednesday, Nov 11, 1pm, CP- Hollywood<br />

Wednesday, Nov 11, 3:15pm, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

DOCUMENTARY<br />

THE LIBERATORS: WHY WE FOUGHT<br />

NORTH AMERICA PREMIERE<br />

W<br />

Director: Emanuel Rotstein<br />

Germany / 2015 / 53 min / DVD / English<br />

Germany's documentary THE LIBERATORS –<br />

WHY WE FOUGHT features the personal memories<br />

of some of the last living veterans. Emanuel<br />

Rotstein, producer for HISTORY, takes viewers on<br />

a journey from these veterans' quaint hometowns<br />

in the US to the shores of Europe and their final<br />

march through Nazi Germany. These stories are interwoven<br />

with the accounts of some of the few remaining<br />

survivors of Dachau who owe their life to<br />

the American soldiers. It’s almost 70 years since<br />

the fateful day April 29, 1945 but the life-altering experience<br />

has stayed with them to this very day. Until<br />

today both liberators and survivors suffer from what<br />

is now called post-traumatic stress disorder and still<br />

experience Holocaust-related nightmares. Until<br />

today both liberators and survivors share the determination<br />

that the world must never forget and understand<br />

General Eisenhower’s words, when he<br />

saw the stacked bodies inside a liberated camp:<br />

„We are told that the American soldier does not<br />

know what he was fighting for.<br />

Now, at least he will know what he is fighting<br />

against“.<br />

Screenplay: Emanuel Rotstein / Producers: Emanuel<br />

Rotstein / Cinematographer: Dirk Heuer / Editor: Rodney<br />

Sewell / Composer: Frank Casaretto / Production<br />

Designer: Petra Thurn / Art Director: Jürgen<br />

Petrack / Principal Cast: Dr. Andreas Weinek<br />

Contact: Emanuel Rotstein<br />

emanuel.rotstein@aenetworks.de<br />

Trailer: Https://Www.Youtube.Com/User/Historydeu<br />

Website: www.History.De/Befreier<br />

Facebook: www.facebook.com/historydeutschland<br />

THE DIRECTOR: Since November 2010 Emanuel Rotstein, Director Production, is responsible for all original productions of<br />

A+E Networks Germany thus strengthening its brands HISTORY and A&E in German-speaking territories. He received international<br />

acclaim for his award-winning documentary “The Eleventh Day – The Survivors of Munich 1972”, about the survivors<br />

of the attack on the Israeli athletes during the 1972 Summer Olympics in Munich. The focus of his work lies in documentaries<br />

and factual series with a historical background. “The Liberators – Why We Fought” is the latest program from HISTORY and<br />

A&E Germany’s original production slate.<br />

91


SHOWTIMES<br />

Thursday, Nov 12, 5:15pm, CP- Lauderdale<br />

Friday, Nov 13, 1:30pm, CP- Hollywood<br />

AMERICAN<br />

INDIE<br />

DOCUMENTARY<br />

LOOK AT US NOW, MOTHER!<br />

SOUTH FLORIDA PREMIERE<br />

Director: Gayle Kirschenbaum<br />

USA, France, India / 2015 / 84 min / BluRay / English<br />

What happens to a girl when she is born into a family that was expecting<br />

a boy? What drives a child to convince herself she is adopted?<br />

With raw honesty and biting humor comes Gayle Kirschenbaum’s<br />

personal story of pain, survival and being born into the<br />

wrong family. Look At Us Now, Mother! documents a highly<br />

charged mother-daughter relationship’s transition from Mommie<br />

Dearest to Dear Mom, from hatred to love, with the daughter behind<br />

the camera. The film is an unflinching look at the complex<br />

bond between two women, illuminating not only family behaviors<br />

and patterns, but generational, cultural and individual histories.<br />

Gayle and Mildred’s journey spans decades and continents,<br />

fraught with conflict and emotional land mines; this is an intimate<br />

story of family dysfunctions, forgiveness and healing.<br />

Writer/Director: Gayle Kirschenbaum / Producer: Gayle<br />

Kirschenbaum / Co-Producer: Melissa Jo Peltier / Editors: Alex<br />

Keipper, Gayle Kirschenbaum / Composer: Jonathan Sacks /<br />

Cinematographers: Steven Gladstone, Gayle Kirschenbaum /<br />

Editing consultant: David Zieff / Associate Producer: Kirsten Larvick<br />

/ Consulting Producers: Lori Cheatle, Mark Mori / Music Supervisor:<br />

Don Dinicola / Online Editor/Colorist: Steve Pequignot<br />

/ Sound Design: Quentin Chiappetta<br />

Contact: Jessica Phillips –<br />

Jessica@kirschenbaumproductions.com<br />

Trailer: https://vimeo.com/119594942<br />

Website: www.LookAtUsNowMother.com<br />

Twitter: https://twitter.com/glkirschenbaum<br />

Facebook: https://www.facebook.com/kplookatusnowmother<br />

92<br />

THE DIRECTOR: Gayle Kirschenbaum is an Emmy-winning filmmaker/TV producer/blogger and personality. Called “the<br />

Nora Ephron of documentaries”, Gayle has turned the camera on herself in her most recently completed feature documentary,<br />

LOOK AT US NOW, MOTHER! This is the “larger version” of her humorous short, MY NOSE, in which we follow<br />

her mother’s relentless campaign to get her to have a nose job. Prior to this film, Kirschenbaum made a poignant and<br />

wacky film with her dog about the human/canine bond called A DOG'S LIFE: A DOGAMENTARY which premiered on<br />

HBO. She created several reality shows that premiered on TLC and Discovery Health, and co-created Judgment Day<br />

that also aired on HBO. Kirschenbaum is a member of the Producers Guild of America, New York Women in Film and<br />

Television, Film Fatales and is a judge for the Emmys. Gayle currently blogs for the Huffington Post. She has been featured<br />

widely in the media including New York Times, NBCs Today Show, Miami Herald, Washington Post, and Ladies<br />

Home Journal.<br />

SPeCIaL GueSTS:<br />

GayLe & MILdRed<br />

kIRSCHeNBauM


SHOWTIMES<br />

Monday, Nov 16, 1:30pm, CP- Hollywood<br />

Tuesday, Nov 17, 3pm, CP- Hollywood<br />

LOST & FOUND<br />

WORLD<br />

CINEMA<br />

DOCUMENTARY<br />

FLORIDA PREMIERE<br />

F<br />

Director: Nicolina Lanni & John Choi<br />

Canada, USA, Japan / 2015 / 86 min / DCP<br />

/ English & Japanese w/English sub-titles<br />

March 11 2011 Japan was hit by the largest<br />

earthquake in its recorded history. The ensuing<br />

tsunami engulfed over 90 cities killing over<br />

18,000 people.<br />

Millions of tons of debris was pulled into the<br />

Pacific and left floating out to sea. One<br />

year later Beachcombers in North America<br />

started finding Japanese items washed<br />

ashore and were consumed with finding the<br />

owners. They packed their bags and traveled<br />

to Japan in hopes to reunite people<br />

with some small piece of their past.<br />

The unlikeliest of friendships were forged in<br />

the wake of a massive natural disaster.<br />

Producers: Nicolina Lanni & John Choi / Cinematographer: John Choi / Editor: John Choi / Composer: Edo Van Breemen<br />

Contact: Nicolina Lanni nicolina@frankfilms.ca /<br />

Trailer: https://vimeo.com/138346613 / Website: www.lostandfoundthefilm.ca<br />

Twitter: https://twitter.com/TsunamiFilm2013 / Facebook: https://www.facebook.com/lostandfoundthefilm<br />

THE DIRECTORS: Nicolina & John are Toronto based filmmakers. John started his career in New York & Los<br />

Angeles working on feature films which include 28 days, The Out-of-Towners and In Dreams. Nicolina has a<br />

background in journalism and began her career at the CBC in Canada. Together they started the production<br />

company Frank Films and direct and produce programming for the likes The History Channel, Discovery Channel,<br />

NHK, SBS, Shaw Media and more. Lost & Found is their first feature length documentary.<br />

ANIMATION<br />

THE ANTHEM OF THE HEART<br />

FLORIDA PREMIERE<br />

F<br />

SHOWTIME<br />

Sat, Nov 7, 12 noon, CP- Lauderdale<br />

Japan / 2015 / 120 min / BluRay / Japanese w/English sub-titles<br />

Jun Naruse is a girl who carries the guilt of breaking up her family<br />

with the words she carelessly uttered when she was young…<br />

Suddenly, a mysterious “Egg Fairy” appears in front of Jun and<br />

casts a curse on her so that she can never hurt anybody with<br />

her words. Jun’s ability to speak is sealed away: every time<br />

she tries, she feels a pain in her stomach. Traumatized by this<br />

experience, Jun hides her feelings deep inside of her heart,<br />

turning to e-mail messages on her mobile phone as her sole<br />

means of communication<br />

Jun is now a second year high school student. One day, her<br />

homeroom teacher appoints Jun and three other students as<br />

members of the Regional Friendship Exchange Executive<br />

Committee. As it turns out, the appointed group is a rather unexpected mix of students. Other than Jun, the members of the Committee are<br />

Takumi Sakagami, the burn-out who never speaks his true intentions; Daiki Tasaki, the former baseball team ace who failed his run at the<br />

Championships due to an injury; and Natsuki Nito, the cheerleader and honor student who has some concerns about her love life. They all<br />

suffer from emotional trauma just like Jun.<br />

Contact: Eleven Arts<br />

93


SHOWTIME<br />

Tuesday, Nov 17, 1:30pm, CP- Hollywood<br />

Wednesday, Nov 18, 3:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

DOCUMENTARY<br />

THE ANTHROPOLOGIST<br />

FLORIDA PREMIERE<br />

F<br />

Directors: Seth Kramer, Daniel A. Miller, Jeremy Newberger<br />

USA-Russia-Kiribati-Peru / 2015 / 81 min / DCP / English + Russian, Sakha,<br />

Ikiribati, Spanish, and Quechua, w/English sub-titles<br />

Margaret Mead is the best-known anthropologist of all time. She was fascinated by<br />

how remote cultures, locked for centuries in a certain way of life, negotiated changes<br />

from the modern world. Today, anthropologist Susie Crate studies communities negotiating<br />

climate change. From Siberia to Peru to the South Pacific, Crate interacts<br />

with villagers who face melting permafrost, receding glaciers, and rising tides.<br />

The film interweaves the stories of these two observers of change. How are<br />

human beings programmed to deal with change? And if it’s too late to change our<br />

climate, is it possible to change how we’ve been programmed?<br />

Susie’s teenage daughter Katie is her reluctant travel companion. Margaret Mead’s<br />

daughter Mary Bateson (76) is also an anthropologist. The path towards change, Bateson suggests, is a bridge between generations.<br />

Screenplay: Daniel A. Miller / Producers: Seth Kramer, Daniel A. Miller, Jeremy Newberger / Cinematographer: Simon Compain, Roger Tibbetts<br />

Grange, Seth Kramer, Dave Messick, Richard Patterson, Rodney Patterson, Graham Wright / Editor: Seth Kramer / Composer: Peter<br />

Rundquist / Art Director: Jeremy Newberger / Principal Cast: Mary Catherine Bateson, Susie Crate, Katie Yegorov-Crate<br />

Contact: Daniel A. Miller – miller@ironboundfilms.com / Website: http://www.TheAnthroMovie.com<br />

Twitter: https://twitter.com/TheAnthroMovie / Facebook: https://www.facebook.com/pages/Ironbound-Films-The-Anthropologist<br />

THE DIRECTORS: Seth Kramer, Daniel A. Miller, and Jeremy Newberger are Ironbound Films. Their last film<br />

ÉVOCATEUR: THE MORTON DOWNEY JR. MOVIE premiered at Tribeca, and aired on CNN. It was a NYT<br />

Critics’ Pick and in 2013 was chosen as NY1’s best doc, one of LA Weekly’s top ten and one of USA Today<br />

and the Int’l Press Academy’s top ten docs. Their film THE NEW RECRUITS was a 2011 Emmy Award nominee.<br />

Their film THE LINGUISTS premiered at Sundance and was a 2010 Emmy Award nominee.<br />

RIGHT FOOTED<br />

SHOWTIMES<br />

Monday, Nov 9, 1pm, CP- Hollywood<br />

Director: Nick Spark Friday, Nov 20, 7pm, CP- Hollywood<br />

USA-Philippines-Ethiopia / 2015 / 82 min / DCP / English<br />

Born without arms as the result of a severe birth defect, Jessica Cox never allowed herself<br />

to believe that she couldn’t accomplish her dreams. An expert martial artist, college graduate<br />

and motivational speaker, Jessica is also the world’s only armless airplane pilot and an advocate<br />

for people with disabilities. Right Footed chronicles Jessica’s amazing story of overcoming<br />

adversity and follows her over a period of two years as she becomes a mentor for<br />

children with disabilities and a disability rights advocate working in the U.S.A. and abroad.<br />

FLORIDA PREMIERE<br />

F<br />

Producers: Nick Spark, Mona Lisa Yuchengco / Director of Photography: Bill Megalos / Editor:<br />

Susan Metzger / Composer: Nathan Halpern / Add’l Photography: Clay Westervelt /<br />

Graphics: Carl Anderson<br />

Contact: Nick Spark (310) 428 6139 / Trailer: https://www.youtube.com/watch?v=xh9xGavDZ9M<br />

Website: www.RightFootedmovie.com / Twitter: https://twitter.com/RIGHTFOOTEDFilm<br />

Facebook: https://twitter.com/RIGHTFOOTEDFilm<br />

94<br />

THE DIRECTOR: Nick Spark is a LA based writer and documentarian with a long standing passion for unconventional characters,<br />

particularly the oft-overlooked female heroine. He produced and wrote The Legend of Pancho Barnes, a doc that profiles<br />

gender-bending pilot Florence “Pancho” Barnes, a forgotten rival of Amelia Earhart’s. It won the L.A. area Emmy in 2010,<br />

screened in numerous film festivals and continues to air on PBS in the USA and abroad. He is an MFA graduate of the U.S.C.<br />

School of Cinematic Arts and has an undergraduate degree in Creative Writing from the University of Arizona.


SHOWTIME<br />

Wednesday, Nov 11, 11:30am, CP- Hollywood<br />

AMERICAN<br />

INDIE<br />

DOCUMENTARY<br />

Sponsored by<br />

SHARKS OF WAR: TRUTH, TALES, AND TERROR<br />

THE DIRECTOR: Robert Cantrell is a veteran diver, author, professional photographer and cinematographer, and partner of All<br />

Fins On Productions. In addition to making films, he works as a business development and strategy consulting executive. His background<br />

includes service as an infantry lieutenant with the 101st Airborne Division of the U.S. Army.<br />

Robert earned biology degree from Duke and an MBA from Edinburgh Business School. While at Duke, many of his independent<br />

studies focused on sharks. Sharks later became important features in his strategy courses.<br />

FLORIDA PREMIERE<br />

F<br />

Director: Robert Cantrell / Bahamas and USA / 2015 / 49 min / DVD / English<br />

Before World War II, experts dismissed sharks as a threat to servicemen. Then in<br />

1942, US Navy headquarters received reports about horrific attacks on castaways<br />

adrift from sunken ships and downed airplanes. Many of these reports proved to be<br />

true. Soon after the war, diving pioneers sought out sharks, expecting the worst because<br />

of the shark attack stories. Instead, they found an animal less to be feared<br />

than understood.<br />

Join the team as they dive at night among the three shark species responsible for the<br />

worst mass attacks of World War II: the bull, tiger, and oceanic whitetip. Learn the<br />

haunting tale of survival told by USS Indianapolis survivor Richard Thelen and the<br />

promise he made to his father that brought him home.<br />

Screenplay: Robert Cantrell / Producers: Robert Cantrell, George C. Schellenger / Executive<br />

Producers: Joseph Dionne, Catherine Cantrell / Cinematography: Jon Schellenger /<br />

Cinematographers: Jim Abernethy, Robert Cantrell, Jon Schellenger, George C. Schellenger,<br />

Joe Romeiro, Dan Harriger, Mike Black, Matt Heath, Michelle Heller / Editor: Robert<br />

Cantrell / Featuring: Jim Abernethy, Robert Cantrell, George C. Schellenger, Julia Goswick,<br />

Joe Romeiro, Jon Schellenger, Maris Kazmer, Kristzina Holly, Matt Heath, Jamine Martinelli,<br />

Mike Black, Chad Shagren, Michelle Heller, Jay Castellano, Dan Harriger<br />

Contact: Robert Cantrell Robert@allfinson.com / Trailer: https://vimeo.com/116287546 / Website: www.sharksofwar.com and www.allfinson.com<br />

Twitter: @RobertLCantrell / Facebook:https://www.facebook.com/pages/All-Fins-On-LLC/123365017748015?ref=bookmarks<br />

Special Guests: Robert Cantrell and George Schellenger<br />

1ST SQUAD, 3RD PLATOON<br />

The Rauch<br />

Brothers / USA /<br />

2015 / 4 min / English<br />

In August 2005, Marine<br />

Lance Cpl. Travis<br />

Williams and his<br />

squad were sent on a<br />

rescue mission in<br />

Barwanah, Iraq. En<br />

route, their vehicle<br />

was hit by a roadside<br />

bomb. Of Travis' entire 12-person team, he alone survived. Here,<br />

Travis reflects on the hours and days after the explosion, as well as<br />

his life now, and pays tribute to the men he left behind.<br />

Directors: The Rauch Brothers / Art Direction: Bill Wray / Producers: Lizzie<br />

Jacobs, Maya Millett & Mike Rauch / Animation: Tim Rauch / Audio: Nadia<br />

Reiman & Yasmina Guerda /<br />

Contact: Rachel Hartman – rhartman@storycorps.org<br />

www.storycorps.org/animations<br />

https://twitter.com/storycorps https://www.facebook.com/StoryCorps<br />

BIRTHDAY<br />

FLORIDA PREMIERE<br />

F<br />

Director: Chris King<br />

USA / 2015 / 13 min / English<br />

When a young military wife<br />

gets news that her Marine husband<br />

has been severely<br />

wounded in combat, she discovers<br />

that life ahead for them<br />

is going to be a difficult and yet<br />

amazing journey.<br />

Screenplay: Chris King / Producer:<br />

Chris King / Co-Producers:<br />

Heather King, Eric Wheeler<br />

/ Cinematographer: Ryan Black<br />

/ Editor: Chris King / Composer:<br />

Jonsi & Alex (Universal, Fox,<br />

and Beggars Group, Ltd.) / Principal<br />

Cast: Mandy Moody, Chris<br />

Gouchoe / Contact: Chris King – chris@watermarkfilms.net<br />

http://watermarkfilms.net<br />

https://www.facebook.com/pages/Watermark-Films/104439926264854<br />

THE DIRECTORS: The Rauch Brothers are directors<br />

of the Peabody Award-winning and three-time<br />

Emmy-nominated StoryCorps animated shorts.<br />

Their studio, Rauch Bros. Animation, creates handdrawn<br />

character animation to entertain, inspire, and<br />

inform audiences of all types.<br />

THE DIRECTOR: Chris King is a multiple awardwinning<br />

independent filmmaker with feature and<br />

short film projects having played in over 90 countries<br />

and in over 100 film festivals around the world.<br />

95


SHOWTIME<br />

Wednesday, Nov 11, 9pm, CP- Lauderdale<br />

SUNSHINE<br />

CELLULOID<br />

SHORT DOCUMENTARY<br />

Sponsored by<br />

STORIES ON THE SKIN TATTOO CULTURE AT FAU<br />

Writer / Producer: Susan Rosenkranz<br />

USA / 2012 / 39 min / DVD / English<br />

Stories on the Skin: Tattoo Culture at FAU is an ongoing creative collaboration<br />

between The Jaffe Center for Book Arts and Dr. Karen J. Leader, of the Department<br />

of Visual Arts and Art History, Florida Atlantic University. The origins of our<br />

project stem not from any hypothesis or opinion about the practice itself. As an<br />

art historian collaborating with a center committed to books as aesthetic objects,<br />

our focus is on a visual medium, the tattoo, and the textual component, the narrative,<br />

which, through interpretation and performance, offer a deeper understanding<br />

of the artful presentation of the self to the world, on the pages of the body.<br />

The film documents the project as students reveal their ink and stories, and answer questions<br />

about motivations, memories, and meanings. Some of these are transformed into<br />

live performances. Using original artworks and score, writer/producer Susan Rosenkranz<br />

weaves these materials into a revealing portrait of 21st-century tattoo culture.<br />

Writer/Producer: Susan Rosenkranz / Executive Producers: Arthur Jaffe, Karen<br />

Leader / Co-Executive Producer: Marleen Forkas / Assistant Producer/Photographer:<br />

Patricia Koppisch / Editor: Cathy Stuart / Composer: Ricky Wilson / Production<br />

Directors: Monica Carrión, Cathy Stuart / Camera: Mark Bolding, Eric<br />

Michaelson, Susan Rosenkranz / Audio: Mark Bolding, Joseph Hammond /<br />

Graphic Design: Tracey Kurilla / Still Photography: Mark Bolding / Production Assistant:<br />

Nina Bolding, Melisa Poole / Principal Cast: Arthur Jaffe, Karen Leader,<br />

Faculty and Students of Florida Atlantic University<br />

Arthur Jaffe, Executive Producer (1921-2015) was Professor Emeritus and Founder, Jaffe Center for Book Arts, Florida Atlantic University / Karen J.<br />

Leader Ph.D., Executive Producer, is Assistant Professor of Art History, Department of Visual Arts and Art History, Florida Atlantic University / Susan<br />

Rosenkranz Ph.D., Writer/Producer, is a freelance filmmaker, educator and historian.<br />

Contact: Karen Leader, kleader@fau.edu / Website: storiesontheskin.org / Facebook: facebook.com/storiesontheskinatfau<br />

TIME SIMPLY PASSES<br />

AMERICAN<br />

INDIE<br />

DOCUMENTARY<br />

FLORIDA PREMIERE<br />

F<br />

SHOWTIMES<br />

Tuesday, Nov 3, 5:30pm, CP- Lauderdale<br />

Thursday, Nov 12, 3:30pm, CP- Hollywood<br />

WORLD PREMIERE<br />

Director: Ty Flowers / USA / 2015 / 53 min / DCP / English<br />

U<br />

Time Simply Passes is a film about James Joseph Richardson, an orange picker in Florida who was wrongfully<br />

convicted of murdering his seven children in 1967. He spent 21 years in prison, until he was released in 1989<br />

when the conviction was overturned due to unique and miraculous circumstances. Since then, he's been surviving<br />

on donations from friends while attempting to receive compensation from the State.<br />

It's a film about race, about Florida, about the evolution of small-town justice, about lost moments in history,<br />

about permanent flaws built into the American justice system, about corrupt police and politicians, and serves<br />

as an evaluation of the concept of restorative compensatory justice.<br />

The film relies heavily on archival footage, photographs, and documents, and strives to piece together many<br />

disparate elements to tell a story over 40 years in the making.<br />

Contact: Ty Flowers - tanfilmsmanfilms@gmail.com / Trailer: https://vimeo.com/134981854<br />

Website: http://www.tanmanfilms.com / Twitter: tyflowerss / Facebook: https://www.facebook.com/timesimplypassesfilm?fref=ts<br />

Producer: Ty Flowers / Camera & Sound: Ty Flowers, Connor Kammerer / Additional Footage: Mike Vasilinda / Additional<br />

Research: Charles Flowers, Michael Sigler-Delgado / Original Music: Ty Flowers, Phil Nicolazzo<br />

SPeCIaL GueST: Ty FLoweRS<br />

96<br />

THE DIRECTOR Ty Flowers is a multi-disciplinary media artist and musician who whose work primarily engages with the screen.<br />

He grew up in Fort Lauderdale, Florida and graduated from the University of Florida in 2008, whereupon he moved to New York<br />

City. He has for the past seven years created Video Art, Music Videos, Commercials, and broadcast Documentaries for clients such<br />

as the History Channel, Science Channel, A&E, and many others. His work has been exhibited at or been featured in Spin Magazine,<br />

Pitchfork, Stereogum, NPR, Vice, New York Live Arts, and on televisions around the world. This is his first feature film.


SHOWTIMES<br />

Friday, Nov 6, 6pm, CP- Lauderdale<br />

Tuesday, Nov 10, 8:15pm, CP- Hollywood<br />

AMERICAN<br />

INDIE<br />

DOCUMENTARY<br />

Sponsored by<br />

THE TWO DOLLAR BILL DOCUMENTARY<br />

WORLD PREMIERE<br />

U<br />

Director: John Bennardo / USA / 2015 / 103 min / DCP / English<br />

While some believe that $2 bills are no longer made, they are<br />

alive and well. In this comprehensive documentary, learn all<br />

about 'the deuce' from its history to the many superstitions surrounding<br />

it; the way it's perceived and used in society, and even<br />

some incredible stories about the ways it connects people.<br />

Filmed in over a dozen states, and featuring the only footage<br />

ever permitted of $2s being produced at the Bureau of Engraving<br />

and Printing, this intriguing film will open your eyes about a truly<br />

unique – and misunderstood - piece of currency.<br />

Writer: John Bennardo / Producers: John Bennardo, Amy<br />

Byer-Shainman, Erik Mintz / Camera: John Bennardo, Eitan Marcoff,<br />

Matthew Grande, Lee Kirchner / Editor: John Bennardo /<br />

Composers: Ryan McLean, Jared Rodehorst, Zack Ryan<br />

Contact: John Bennardo – john@2dollarbillmovie.com<br />

Trailer: https://youtu.be/x76GpPAdk_Q<br />

Website: 2dollarbillmovie.com / Twitter: @2dollarbilldoc<br />

Facebook: /2dollarbillmovie<br />

THE DIRECTOR: Before receiving a Master’s<br />

Degree from The American Film Institute<br />

in Los Angeles, John studied film locally<br />

at the University of Miami. He produced a<br />

weekly series for Oprah Winfrey’s Oxygen<br />

Network. John has produced two doc shorts.<br />

John also runs his own video production<br />

company and teaches film & editing classes<br />

at Lynn University.<br />

BATTLE FOR THE BARRIERS FESTIVAL PREMIERE<br />

Director: Sharon Baker / Coastal US / 2015 / 32 min / BluRay / English<br />

Compounded by sea level rise and stronger and more frequent storms, lives<br />

and infrastructure in coastal communities are increasingly at risk for flooding<br />

and wind driven destruction from events like super storm Sandy. Battle for the<br />

Barriers explores adaptation strategies and projects in coastal states along<br />

the Eastern US seaboard designed to help safeguard the people, wildlife and<br />

properties in these storm and flood prone areas. In the absence of Federal policy<br />

to address climate change, state-based organizations, both public and private,<br />

seek to protect beaches, dunes and wetlands--the first line of defense along the<br />

coastlines and inland waterways in harm's way.<br />

Producer: Sharon Baker / Produced by : Hearts and Minds Film, an initiative of Serviam<br />

Media, Inc. / Production: TELEDUCTION, Inc. / Sr. Editor & Graphic Design: Julie<br />

Pfeifenroth / Director of Photography: Pascal Dieckmann / Associate Producer: Dan<br />

Rosenthal / Editor: Dan Collins / Production: Alicia Dominguez / Web Design & Illustration:<br />

Janet Williams / Transcription: Cicely Blanchard / Narrator: Frank Baker<br />

Contact: teleduction@gmail.com / Trailer: https://vimeo.com/124207972<br />

Website: www.battleforthebarriers.com<br />

SHOWTIME<br />

Wednesday, Nov 11, 9pm, CP- Lauderdale<br />

THE DIRECTOR: Sharon Baker’s life long interest in advancing social justice through critical storytelling have been the driving<br />

forces behind TELEDUCTION's success since its expansion to film and television in 1982. She has documented the struggles and<br />

achievements of people in neighborhoods throughout the US, and around the world. Her titles include Cartoons Go to War, Whispers<br />

of Angels, With All Deliberate Speed: Brown v. Board, Estamos Aqui and Why I Write. Sharon’s extensive experience has netted<br />

her Emmys, National Gabriel, bronze and silver Chris Awards and Palm D’Or at Film Festivals.<br />

97


SHOWTIME<br />

Monday, Nov 9, 5pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

DOCUMENTARY<br />

WHEN GIANTS FALL<br />

FLORIDA PREMIERE<br />

F<br />

98<br />

Director: Leslie Griffith<br />

Africa / 2015 / 78 min / DCP / English<br />

A penetrating look at the endangered African elephants, the criminals who<br />

hunt them, and the dedicated heroes trying to save them. Witness the magnificence<br />

of the African elephant and experience the gentle souls that lie<br />

within their awesome grey bulk. A century ago, they roamed all of Africa,<br />

but now they are left with only fragments of land and nowhere to run as they<br />

face extinction. These charismatic giants are under constant threat by fierce<br />

and unrelenting predators from the worldwide illegal ivory trade.<br />

Screenplay: Leslie Griffith / Producers: Leslie Griffith / Cinematographer: Greg<br />

Nelson / Editor: Gary Lundgren / Composer: John Morgan Askew / Principal<br />

Cast: Saba Douglas-Hamilton, Sir Iain Douglas-Hamilton, Dr. Dame Daphne<br />

Sheldrick, Oscar Nkala, Cynthia Moss, Lazaro Nyalandu<br />

Contact: Anne Lundgren anne.lundgren@mac.com<br />

Trailer: https://vimeo.com/125818415<br />

Website: http://www.whengiantsfall.com/<br />

Twitter: https://twitter.com/GiantsFallFilm<br />

Facebook: https://facebook.com/whengiantsfallfilm<br />

THE DIRECTOR: Leslie Griffith is a journalist whose career in newspaper, radio and television has spanned three<br />

decades. She has earned 9 Emmys and 37 Emmy nominations, and the Prestigious Casey Medal for helping to stop<br />

exploitation of America’s children.<br />

She has earned seven Radio and Television News Directors Association awards, two Edward R Murrow awards, the 2006<br />

People’s Choice Award for Best Female Anchor in Oakland Magazine and the 2005 Associated Press Anchor of the Year.<br />

The Humane Society of the United States awarded Leslie with the National Genesis Award in 2005, for exposing abuse<br />

at Ringling Bros. and Barnum & Bailey Circus.


SHOWTIMES<br />

Thursday, Nov 19, 4pm, CP- Hollywood<br />

Saturday, Nov 21, 11:30am, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

DOCUMENTARY<br />

PARTY<br />

SEE PAGE 7<br />

INCLUDED<br />

WHEN VOICES MEET: ONE DIVIDED COUNTRY; ONE UNITED CHOIR;<br />

ONE COURAGEOUS JOURNEY ACROSS SOUTH AFRICA<br />

Director: Nancy Sutton Smith<br />

South Africa / 2015 / 86 min / BluRay / English<br />

They said it couldn’t – and shouldn’t – be done. South<br />

Africa was in flames from political violence, and the<br />

apartheid government was refusing to give up power.<br />

Risking their lives and careers, South African musician<br />

and music therapist Sharon Katz joined with singer and<br />

educator Nonhlanhla Wanda to form a 500-voice multiracial<br />

choir. Threatened with bombs and thwarted at<br />

every turn, they prevailed and railroaded across the<br />

country aboard The Peace Train to break through<br />

apartheid’s barriers.<br />

Singing their way into the hearts, minds and soul of the<br />

divided country in the midst of a civil war, they promoted<br />

a peaceful transition to democracy and went on<br />

to become Mandela’s face of the new nation. When<br />

Voices Meet documents the trials, tribulations and triumphs<br />

of those musician activists and young choir<br />

members who performed together for seven years and<br />

then reunited 20 years later to tell their stories.<br />

Executive Producer: Marilyn Cohen / Cinematographer:<br />

Clive Read / Editor: Nancy Sutton Smith / Composer:<br />

Sharon Katz / Principal Cast: John Kani, Abigail<br />

Kubeka, Sharon Katz, Nonhlanhla Wanda<br />

Contact: Marilyn Cohen - film@whenvoicesmeet.com<br />

Trailer: https://vimeo.com/116500649 - When Voices<br />

Meet trailer / Website: http://whenvoicesmeet.com/<br />

Twitter: https://twitter.com/WhenVoicesMeet<br />

Facebook: https://www.facebook.com/WhenVoicesMeet<br />

SOUTHEAST PREMIERE<br />

E<br />

a LIve PeRFoRMaNCe By SHaRoN kaTz & THe PeaCe TRaIN CaST<br />

PReCedeS THe FILM! ReCePTIoN aT 11aM, PeRFoRMaNCe & FILM aT 11:30<br />

SPeCIaL GueSTS:<br />

SHaRoN kaTz,<br />

NoNHLaNHLa waNda,<br />

MaRILyN CoHeN,<br />

weNdy kHeTHIwe QuICk,<br />

SHIRLey CoHeN<br />

THE DIRECTOR: Nancy Sutton Smith has her Masters in education and teaches digital cinema, video editing, graphics, journalism<br />

and mass media at Northeast Community College in Nebraska. She spent 30 years as a TV news broadcaster, producer<br />

and video editor in Dallas, Los Angeles, Atlanta and Philadelphia. She was the Executive Producer of a daily half hour feature<br />

show, CN8 Extra, focused on human interest video features. When Nancy produced a piece that featured Sharon Katz & The<br />

Peace Train, the decade-long collaboration was born. Nancy won 6 regional Emmys and an Associated Press Best Editor<br />

Golden Mic statue for the first gang documentary ever produced in LA which went on to win a Robert F. Kennedy Journalism<br />

Award. She recently won Best Doc and Best Director at the US Premiere of When Voices Meet in Washington, DC.<br />

99


SHOWTIMES<br />

Tuesday, Nov 3, 8pm, CP-Lauderdale<br />

Friday, Nov 6, 1pm, CP- Hollywood<br />

SUNSHINE<br />

CELLULOID<br />

FEATURE<br />

Sponsored by<br />

3:13<br />

FLORIDA PREMIERE<br />

Director: David Jaure / Florida / 2014 / 85 min / BluRay / English<br />

F<br />

From living a normal life to surviving homelessness in the city of Miami, Peter<br />

is a victim of the turbulent US recession during late 2000's. A drama based<br />

on true events. A heartbreaking chronicle witnessing a drastic character transformation<br />

when he is exposed to the harsh cruelties the streets reveal.<br />

Screenplay: David Jaure / Producers: David Jaure, Vecco Jaure, Ariel<br />

Quiros / Cinematographer: Nathan Mikita / Editor: Nicolas Goldbart & Carlos<br />

J Ruiz / Composer: Guillermo Guareschi / Principal Cast: Paul Alexandro,<br />

Bassem Ramirez Farach, Markeyth Powell<br />

THE DIRECTOR: David Jaure was born in the small town of Mendoza, Argentina.<br />

As a young child, his father introduced him to the game of golf. With<br />

many years of practice, David became the best Junior Golfer in Mendoza.<br />

His father’s love for the game and for his sons’ dreams were the fuel behind<br />

what prompted him to move the family to the United States.<br />

In 1993 he attended Florida International University on a full golf scholarship.<br />

During his years of playing golf, he signed up for an acting class. David<br />

Jaure’s ambitious hope and love for making movies can be shared with the<br />

world. He hopes his vision and work will reach a significant number of people<br />

and change their lives in a positive way.<br />

Contact: David Jaure - david@jaureproductions.com<br />

Trailer: https://vimeo.com/106445188 / Website: http://313movie.com/<br />

Twitter: https://twitter.com/themovie313<br />

Facebook: https://www.facebook.com/313themovie SPeCIaL GueST:<br />

davId JuaRe<br />

THE DIRECTOR: David Jaure was born on March 30th, 1976 in the small town of Mendoza, Argentina. As a young child, his father introduced him<br />

and his brother to the game of golf. With many years of sacrifice and practice, David became the best Junior Golfer in Mendoza. His<br />

father’s love for the game and for his sons’ dreams were the fuel behind what prompted him to move the family to the United States.<br />

In 1993 he attended Florida International University on a full golf scholarship. During his years of playing golf at the highest<br />

standards of university levels, he signed up for an acting class and was immediately hypnotized by this wonderful art.<br />

After many years of studying and learning the craft, David realized he had an immense love for it. Many people live their lives<br />

not knowing what their passion is. He lived his life the same way, finally finding his passion and himself in filmmaking; in the<br />

ability to bring images to life and change the way people feel and think.<br />

David Jaure’s ambitious hope and love for making movies can be shared with the world. He hopes his vision and work will<br />

reach a significant number of people and change their lives in a positive way.<br />

SHOWTIME Tuesday, Nov 3, 6:30pm, CP-Lauderdale<br />

CONCERT, RICHARD WARREN RAPPAPORT<br />

WORLD PREMIERE<br />

Director: Richard Warren Rappaport / USA / 2015 / 26 min / DVD / English<br />

U<br />

Richard Warren Rappaport’s live concert merges music, art and creativity in<br />

this introspective and reflective look into the world of an American singer-songwriter<br />

and the genesis of his original music, where every song has a story and<br />

every story has a song.<br />

SPeCIaL GueSTS:<br />

ReNe kaTz, RICHaRd RaPPaPoRT<br />

Screenplay: Richard Warren Rappaport / Producers: Richard Warren Rappaport, Robert<br />

Berkowitz; Executive Producer: René Katz / Cinematographer, Editor and Art Director: René<br />

Borroto / Composer: Richard Warren Rappaport / Production Design: René Borroto and Alina<br />

Lopez / Principal Cast: Richard Warren Rappaport and René Katz / Contact: Richard Warren<br />

Rappaport – rwr@RappaportArts.com www.youtube.com/watch?v=DLg-1fe505Q www.istudioi.com/music_1.html<br />

www.facebook.com/ConcertRichardWarrenRappaport<br />

100<br />

THE DIRECTOR: Richard Warren Rappaport is a BMI recording artist, writer and publisher and has performed on radio, in film and on television.<br />

He is also an attorney practicing in entertainment, arts and sports law, an author (STAR, ABA Publishing) and producer.


SHOWTIMES<br />

Thursday, Nov 12, 9:30pm, CP- Lauderdale<br />

Wednesday, Nov 25, 8pm, CP- Lauderdale<br />

AMERICAN<br />

INDIE<br />

FEATURE<br />

A BEVERLY HILLS CHRISTMAS<br />

FESTIVAL PREMIERE<br />

Director: Brian Skiba / USA / 2015 / 90 min / BluRay / English<br />

Guided by Arch Angel Gabriel, Angelina embarks on an almost impossible mission to try and save her spoiled 14-year-old daughter Ravin<br />

Foxworth (and her pampered dog ‘Bunny’) from going down the wrong path. With only two days before Christmas, Angelina must complete<br />

her task of getting her daughter off the naughty list and onto the nice list.<br />

This Christmas season, Ravin Foxworth discovers that true value is found in assisting others and not in material things.<br />

Screenplay: FD Lewis / Producers: Donna Spangler, Vincent De Paul / Cinematographer: Christian Filippella / Editor: Andrea Bottigliero /<br />

Composer: Gardner Cole / Production Designer: Nathaly Lopez / Art Director: Kyle Bentley / Production by: Boonie Publishing LLC & FIVE<br />

ARTS FILMS / Principal Cast: Dean Cain, John Savage, Donna Spangler, Vincent De Paul, Ravin Spangler, Kristian Lea, Brandon Tyler<br />

Russell, Simona Fusco, Mara Rydell<br />

Contact: spangler1@earthlink.net, hunterartists@gmail.com / Website: www.BHC-themovie.com<br />

Facebook:https://www.facebook.com/pages/Beverly-Hills-Christmas/806280686125793?fref=ts<br />

THE DIRECTOR: Arizona's Filmmaker of the Year (2011), Brian Skiba is a prolific Director, Producer and Writer of feature films.<br />

He produced a documentary on the Mosquito Coast of Honduras called Families Helping Families. Brian directed his first feature<br />

film, "Blood Moon Rising" a horror/comedy. Brian was asked to direct two films back to back ". One of the films, "Dirty Little<br />

Trick", starred Dean Cain and Michael Madsen.<br />

In 2012, Brian produced: "Final Recourse" starring Teri Polo, Chaz Palminteri and Tia Carrere in Dallas, Texas. The same year,<br />

Brian directed a Grindhouse/Action movie, ".357" starring, Laurie Love, Fred "The Hammer" Williamson and William Katt. At<br />

the start of 2013 Brian wrote a script called, "Defending Santa”. He later went on to direct "Defending Santa", starring, Dean<br />

Cain, Jodie Sweetin, John Savage and Jud Tylor. He directed "Anatomy of Deception" starring, Natasha Henstridge. Brian then<br />

wrote and directed "Merry Exmas" staring Dean Cain, Kristy Swanson, and Ernie Hudson.<br />

SPeCIaL GueSTS:<br />

doNNa SPaNGLeR,<br />

vINCeNT de PauL<br />

101


SHOWTIMES<br />

Thursday, Nov 5, 8pm, CP- Lauderdale<br />

Friday, Nov 6, 8:30pm, CP- Hollywood<br />

AMERICAN<br />

PRE-FEST<br />

INDIE<br />

FEATURE<br />

Sponsored by<br />

SINGLE IN SOUTH BEACH<br />

UNITED STATES PREMIERE<br />

Director: Alejandro Itkin – Hunter Carson<br />

F<br />

USA / 2014 / 87 min / HD Cam / English<br />

Amy, an attractive and overconfident single woman, confuses love<br />

with money and becomes a victim of the materialistic nature of South<br />

Beach.<br />

The journey through her romantic relationships starts with Nick, a<br />

down-to-earth, young architect.<br />

Amy has dreams that Nick can't fulfill, and although she loves him,<br />

she grows tired of his inability to afford the lifestyle South Beach demands.<br />

In her search for glamour and a dancing career, Amy meets Sam,<br />

an older, married man who lives in New York. Even though Sam provides<br />

Amy with the luxurious lifestyle she financial support, Amy becomes<br />

involved in a parallel relationship with Robert, who loves her<br />

but remains suspicious of her ways and motives.<br />

Amy's double life reaches a point of no return, where she discovers that<br />

in South Beach, not everything is as good as it looks.<br />

Screenplay: Alejandro Itkin/ Producers: Piedad Palacios, Ed Arenas,<br />

Kevin Sorbo, Alejandro Itkin / Cinematographer: Bernard Salzman /<br />

Editor: Fabio Silva / Composer: Mark Heinbrook – Luis Fandiño / Production<br />

Designer: Fabio Silva/ Art Director: Tom Criswell /<br />

Principal Cast: Kevin Sorbo, Carlos Ponce, Haley Webb<br />

Contact: Alejandro Itkin (aditkin@gmail.com)<br />

Website: singleinsouthbeach.com<br />

Facebook: Single in South Beach<br />

SPeCIaL GueSTS:<br />

FILMMakeRS oN<br />

THe Red CaRPeT<br />

THE DIRECTOR: Alejandro Itkin, born in Buenos Aires, Argentina, moved<br />

to Los Angeles at the age of 21 where his limited handle of the English<br />

language only allowed him to work as a bus boy for an Italian Restaurant. At the age of 23, Mr. Itkin opened his own company in Chicago teaching<br />

people how to speak English, where he produced several TV commercials. In 1998, while president of Visual Teaching Systems,<br />

Alejandro produced a Five-Hour Spanish-Teaching program with a cast of 35 actors plus extras.<br />

After fifteen years in the Windy City, he moved to Miami to start on his passion of film producing and directing. Alejandro just<br />

wrote, produced and directed one of the first feature films under the new Florida Film Incentive Program. Single in South<br />

Beach will have its theatrical release at the Fort Lauderdale Film Festival on November 5, 2015.<br />

He’s now working on a Spanish Language film, “El Loco”, a biopic of the life of Martin Palermo, one<br />

of the most successful soccer players in Argentina.<br />

102<br />

THANKS TO ALL OUR DONORS FOR THE SUMMER ON-LINE AUCTION!<br />

air France – 3 Roundtrip Upgradeable tkts<br />

from anywhere in the lower 48 to Paris<br />

Broward B Cycle – Annual Membership<br />

diplomat Resort & Spa –<br />

Two Nights / Deluxe Oceanfront Room<br />

echo Salon – Certificate for $75<br />

eileen Schneider – Original Woodstock poster<br />

Hollywood Circle, LLC – Safari at Zulu Nyala<br />

iStudio - Certificate for $100<br />

Jody kenyon Massage –<br />

90 minute in-home massage<br />

Lobster Bar Seafood Grille - Certificate for $100<br />

Mario’s Catalina Restaurant - Certificate for $50<br />

Miami Marlins – 4 Tickets to attend Batting<br />

Practice + 4 Baseline Seats to a game<br />

Museum of discovery & Science -<br />

Certificate for for admission for 4<br />

Pamela Huizenga Jewelry - 18k gold Drop<br />

Pendant & leather necklace w/18k gold clasp<br />

Sea watch Restaurant - Certificate for $50<br />

Segway Fort Lauderdale - $125 Tour for Two<br />

Spinneybeck Italian Leather – Fine Leather Bag<br />

Tracey L. Samples Swedish Massage -<br />

Certificate for $80<br />

winterfest - Two tickets to the<br />

Grand Marshall Reception<br />

zimmerman – Fox Sports Luxury Box for 8 at<br />

Marlins Game + Two Parking Passes


SHOWTIME<br />

Monday, Nov 2, 6pm, CP- Lauderdale<br />

PRE-FEST<br />

WORLD CINEMA<br />

DOCUMENTARY & FEATURE<br />

MY FATHER’S LAND<br />

UNITED STATES PREMIERE<br />

F<br />

Director: Miquel Galofre & K. Tyler Johnston<br />

Bahamas, Haiti, Dominican Republic, Trinidad & Tobago / 2015 /<br />

62 min / .mov / English +Creole, Spanish w/English sub-titles<br />

Papa Jah, a humble gardener, has lived in the Bahamas for 40 years. He returns<br />

to Haiti to see his 103 year old father and reunite with the land he left.<br />

Writers & Producers: Miquel Galofre, K. Tyler Johnston / Cinematographer: Miquel<br />

Galofre/ Editor: Miquel Galofre / Composer: Pol Dunyo<br />

Contact: Tyler Johnston - Tylerjbarr@gmail.com<br />

Trailer: https://www.youtube.com/watch?v=1HXAQanQTo8<br />

Facebook: https://www.facebook.com/myfathersland<br />

THE DIRECTORS: Miquel Galofre is a documentary filmmaker born in Barcelona<br />

and based in the Caribbean. He has worked as a Director, Producer, Photographer<br />

and Editor for more than 25 years. With experience in television, commercials and<br />

feature film production, he has traveled extensively and filmed on location around<br />

the world. Miquel brings fresh insights and master craftsmanship to all his projects.<br />

His documentary “Songs Of Redemption” won the best documentary award at<br />

Krakow film festival in 2014 and recently his feature documentary “Art Connect”<br />

won the premier award at the Trinidad and Tobago Film Festival.<br />

K. Tyler Johnston is an award winning, Artist,<br />

Producer, Director, and Actor, with American and<br />

Caribbean roots. He has 20 years of experience in event and motion picture production in the United<br />

States and though out the Caribbean. Tyler has worked with the Trinidad & Tobago Film Festival, the<br />

Santa Cruz Film Festival and founded the Portland Maine Film Festival in 2009. He works hands on<br />

managing diverse projects and people, keeping the energy positive and goals on target.<br />

WHAT ABOUT LOVE<br />

SHOWTIME<br />

Monday, Nov 2, 8pm, CP- Lauderdale<br />

Sponsored by<br />

Director: Willys Michel<br />

Haiti-USA / 2015 / 90 min / DVD /<br />

English +French and Haitian Creole w/English sub-titles<br />

What About Love is a Haitian-American film loosely base on the classic tragedy<br />

of Shakespeare's Romeo and Juliet. Set in South Florida, the film dramatizes the<br />

story of two political exiled Haitian families, the LaGuerre and the LeRoie. Once<br />

joined by idealism and prosperity for a better country, Haiti, the two families are<br />

now separated by misguided deeds and goals. Lives are destroyed in the families<br />

quest for political power.<br />

Screenplay: Willys Michel / Producers: Winston Bliss and Willys Michel / Cinematographer:<br />

Gerald Lee / Editor: Gerald Lee, Willys Michel, and James<br />

Pierre / Composer: Erol Josue / Production Designer: Winston Bliss / Art Director:<br />

Jose Duran / Principal Cast: John Francois, Lys Berly, Josh Gates,<br />

Izary Navarro, Yourie Jean Pierre, Wesley Sean, Erol Josue, Michael Mario Good, and Jacques Santos / Contact: Willys Michel –<br />

w.michel@knights.ucf.edu<br />

SPeCIaL GueSTS:<br />

wILLyS MICHeL + CaST & CRew<br />

THE DIRECTOR: Willys Michel, commenced his cinematic career as a Production Coordinator for the Fort<br />

Lauderdale International Film Festival under the direction of Gregory von Hausch. Shortly thereafter, Willys<br />

ventured to New York to expand his expertise. The filmmaker's production resume includes affiliations with:<br />

The Hudlin Brothers, The Black Filmmakers Foundation, Private Screenings Inc., TV Interactive, and Alternative<br />

Media and Filmworks.<br />

WORLD PREMIERE<br />

U<br />

103


104


SHOWTIME<br />

Saturday, Nov 21, 11:30am, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

SHORTS<br />

CAN’T WE ALL JUST GET ALONG – 47 MIN<br />

100 MILES TO LORDSBURG<br />

Director: Karen Borger / USA / 2015 / 16 min / English<br />

In 1961, Jack and Martha, a young, African-American couple, are traveling across the country<br />

for a new job opportunity in California. Jack, a Korean War Vet, and Monique, his very-pregnant<br />

wife, need to stop in New Mexico as the hot weather and rough roads are causing Martha great<br />

distress. They reference a travel guide "The Negro Motorist Green Book" that tells them the<br />

motels that allow African-Americans to stay as well as the gas stations that will sell them gas.<br />

Screenplay: Dr. Phil Lewis, Bradley Littlefield / Producer: Bradley Littlefield / Co-Producer: Monique McNeil / Cinematographer:<br />

James Costello / Editor: Daniel Luke Fitch / Composer: Frederick Nagadazie / Cast: Archie Archambo,<br />

Daniel Patrick Haley, Brian Mason, LaTrice Harper / Contact: Open Range Pictures, Brad Littlefield 213.309.6999<br />

brad.littlefield@gmail.com www.greenbookmovie.com https://www.facebook.com/100MilesToLordsburg?fref=ts<br />

THE DIRECTOR: Karen Borger forged a successful career as an award-winning filmmaker;<br />

writing, directing and producing short films, documentaries & high-end TV commercials in Australia<br />

and Asia before relocating to the USA in 2007. Karen has worked in a freelance capacity<br />

and as Director of Original Content for The Walt Disney Company. She was selected for the<br />

David Lynch Masters in Film program, 2015, is currently producing her thesis project.<br />

THE ADULTERER<br />

Director: Gian Francisco Smith / USA / 2015 / 16 min / English<br />

Harold is in his 12th year of marriage. A chance meeting with a beautiful stranger forces a choice<br />

he had hoped never to make. But as the story untwists we begin to see what’s really at stake.<br />

Writer, Producer & Editor: Gian Francisco Smith / Cinematographer: Andrew Bui / Composer: Benjamin Tissot,<br />

Nasimuyu / Cast: Nicole Collins, Gian Smith, Canae White / Contact: Gian Smith, gian0@yahoo.com, Nicole<br />

Collins, jnicollins@yahoo.com @Gian_Smith Facebook.com/gian.f.smith<br />

THE DIRECTOR: Gian Smith has always had a passion for storytelling and film. He is notable as a<br />

spoken word poet for his appearances on HBO:Treme, and NPR. Though a gifted orator, Gian’s passion<br />

has always been to compliment all senses in storytelling, and it is no wonder film is his calling.<br />

DOG DAYS<br />

FLORIDA PREMIERE<br />

F<br />

WORLD PREMIERE<br />

WORLD PREMIERE<br />

U<br />

Director: George Taylor / United Kingdom / 2015 / 12 min / English<br />

It’s the dog days of summer: the idle time at the height of summer, when the Romans used<br />

to say people are compelled to act strangely. The city sweats. On the hottest night of the<br />

year, two people from very different Londons meet - and go for a midnight swim.<br />

Screenplay: George Taylor / Producers: William Willson / Cinematographer: Nick Cooke & Davide Cinzi / Editor:<br />

Simon Modery / Composer: Tom Havelock / Principal Cast: Melanie Gray, Ivanno Jeremiah / Contact:<br />

Katie McCullough - submissions@festivalformula.com http://www.dogdaysshortfilm.com<br />

THE DIRECTOR: During his time as an Assistant Director, George Taylor has worked with<br />

some of the best directors in the business, including Anthony Minghella, Clint Eastwood, Richard<br />

Linklater, Alejandro González Iñárritu, Steven Frears and more. This is his second short.<br />

A MORE PERFECT UNION<br />

Director: The Rauch Brothers / USA / 2015 / 3 min / English<br />

When Theresa Burroughs came of voting age, she was ready to cast her ballot—but she<br />

had a long fight ahead of her. During the Jim Crow era, the board of registrars at Alabama's<br />

Hale County Courthouse prevented African Americans from registering to vote. Undeterred,<br />

Theresa remembers venturing to the courthouse on the first and third Monday of each<br />

month, in pursuit of her right to vote.<br />

Art Direction: Bill Wray / Producers: Lizzie Jacobs, Maya Millett & Mike Rauch / Animation: Tim Rauch / Audio<br />

Produced by: Nadia Reiman & Katie Simon / Music: Fredrik / Label: The Kora Records / Publisher: House of<br />

Hassle / Contact: Rachel Hartman – rhartman@storycorps.org www.storycorps.org/animations https://twitter.com/storycorps<br />

https://www.facebook.com/StoryCorps<br />

105


SHOWTIME<br />

Saturday, Nov 7, Noon, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

SHORTS<br />

CHILDREN SEE MAGIC BECAUSE THEY LOOK FOR IT – 45 MIN<br />

CRACKED<br />

Director: Adria Tennor / USA / 2015 / 14 min / English<br />

Nine-year-old Rosalie tries in vain to connect with her awkward ten-year-old uncle, Sam,<br />

until her grandmother, Sam’s mother, unwittingly turns an unfortunate mishap into an opportunity<br />

for Rosalie to bravely win Sam’s trust forever.<br />

Screenplay: Adria Tennor / Producers: Wade Danielson, David Dwiggins, Douglas Nabors / Cinematographer:<br />

Yash Bhatt / Editor: David E.K. Abramson / Composer: J. Peter Robinson / Production<br />

Designer: Julia House / Cast: Marguerite Moreau, Kerrie Keane, Talyan Wright & Stanley<br />

Jack Miller/ Contact: Adria Tennor adria@adriatennor.com<br />

crackedshort.com @crackedshort facebook.com/CrackedShort<br />

THE DIRECTOR: Adria Tennor began her career as an actress most known for her roles in AMC’s<br />

Mad Men & TWC’s The Artist. Her feature script, Never Been Born, is in pre-production and stars<br />

Dale Dickey, Thomas Sadoski and Annika Marks.<br />

VIOLET<br />

Director: Maurice Joyce / UK / 2015 / 8 min / English<br />

‘Violet’ is the dark, cautionary tale of a young girl who despises her reflection.<br />

Writer: Mark Hodkinson / Producers: Mark Hodkinson, Nuria González Blanco /<br />

Executive Producer : Alan Joyce / Composer: Dean Valentine / Character Design: Mónica Armiño<br />

Yela / Animation - Francisco Javier Peces Cortés, Francisco Javier Ara Santos, Sergio Córdoba,<br />

Santiago López Jover, Paul Williams, Rubén García Díaz, Maurice Joyce, Asst Animation: Erika<br />

Szegedy, Guillermo Seguí Peláez / Additional Effects: Fran Doyle / Digital Ink & Paint + Storyboard,<br />

Animatic and Backgrounds Maurice Joyce / Title Design: Paul Joyce / Compositing: Paulo<br />

Jorge Rodrigues Marques, Mark Mullery / Editing: Maurice Joyce, Alan Slattery / Sound Design<br />

& Mix: Barry Reid / Online Editing: Jamie O’Rourke<br />

THE DIRECTOR: Maurice Joyce was born in Dublin, Ireland in 1969. He began his career in animation<br />

in 1989 as a layout artist at Murakami Wolf Studios in Dublin where he worked on projects<br />

such as Teenage Mutant Ninja Turtles, James Bond Jr., and Speed Racer. During his four years<br />

at Murakami Wolf, he trained as an animator, storyboard artist, sheet director and designer.<br />

TUMBLE DRY LOW<br />

Director: Jefferson Stein / USA / 2014 / 7 min / English<br />

A little girl and her father come together to cope with loss.<br />

Screenplay: Jefferson Stein / Producers: Kelly Stein, Myles Siegel, Jefferson Stein /<br />

Cinematographer: Kenneth Richard / Editor: Jill Patricia / Composer: Marcelino Villalpando,<br />

Jefferson Stein / Cast: Georgia Rose Bell, Chase Arrington / Contact: Jefferson Stein<br />

–jdstein89@gmail.com http://www.jeffersonstein.com/tumble-dry-low @jeffersonstein<br />

https://www.facebook.com/tumbledrylowfilm<br />

THE DIRECTOR: Jefferson Stein is an award winning filmmaker from Texas. His short film TUM-<br />

BLE DRY LOW (2015) has screened in over 25 festivals around the world including Seattle<br />

(SIFF), Athens (AIFVF), and Maryland (MFF), winning a Gold Remi at WorldFest.<br />

PLAY DATE<br />

FLORIDA PREMIERE<br />

F<br />

FLORIDA PREMIERE<br />

F<br />

FLORIDA PREMIERE<br />

F<br />

FLORIDA PREMIERE<br />

F<br />

Director: Paige Morrow Kimball / USA / 2015 / 16 min / English<br />

When a little girl discovers a homeless woman in her backyard, she invites her inside for a<br />

play date without her distracted parents noticing.<br />

Screenplay: Paige Morrow Kimball / Producers: Paige Morrow Kimball, Terry Walters, Kristina<br />

Kondrath, Toby Lawless / Cinematographer: Kimby Caplan / Editor: Vaune Kirby Frechette /<br />

Composer: Johnny Harris / Cast: Terry Walters, Tami Roman, Isabella Spencer, Marcuis Harris<br />

/ Contact: Paige Morrow Kimball - makazanfilms@gmail.com http://playdatefilm.com @paigekimball<br />

https://www.facebook.com/pages/Play-Date-short-film/1423966794548492<br />

106<br />

THE DIRECTOR: A chance drive through LA’s Skid Row inspired filmmaker Paige Morrow Kimball<br />

to create “Play Date.” She’s also an actor, a journalist and is currently developing her first feature<br />

film, “Late Bloomer”.


SHOWTIME<br />

Friday, Nov 20, 10:30pm, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

SHORTS<br />

DOWN UNDER – 42 MIN<br />

INJURY TIME<br />

Director: Jack Sheridan / Australia / 2014 13 min / English<br />

The dying minutes of a football manager's desperate struggle to win The Game on his own<br />

terms - filmed chiefly in one shot.<br />

Screenplay: Leigh Gawain Wellwood & Jack Sheridan / Producers: Julie Byrne, Jennifer Jones / Cinematographer:<br />

Ernie Clark A.C.S. / Editor: David Ngo / Composer: / Production Designer: Tony Cronin / Principal<br />

Cast: David Field, Laurence Breuls, Matthew Randell / Contact: Jack Sheridan - lanewaypictures@gmail.com<br />

http://injurytimeshort.lanewaypictures.com @lanewaypictures www.facebook.com/lanewaypics<br />

THE DIRECTOR: Jack Sheridan graduated with Honours (First Class) in Screen Studies, after studying Theatre<br />

and Film in Australia and the USA. Jack has won a number of awards for his films, which have screened<br />

nationally and internationally, including at the Sydney Opera House, and the Edinburgh and Vancouver International<br />

Film Festivals. Jack's most recent short INJURY TIME stars Australian icon David Field. The high<br />

concept narrative is told in real-time in one continuous shot. The short represents his growing fascination<br />

with high-concept stories mixing the thriller and drama genres.<br />

KARROYUL<br />

Director: Kelrick Martin / Australia / 2015 / 15 min / English<br />

Kelly, an Aboriginal girl, wants to be left alone after the death of her mother. On the day of<br />

the funeral her uncle takes her back to the taboo massacre site of her ancestors, where<br />

Kelly senses an ancient presence beckoning her to lift the curse on her ancestral home.<br />

Screenplay: Kim Scott / Producers: Jaclyn Hewer, Melissa Kelly / Cinematographer: Torstein Dyrting ACS /<br />

Editor: Lawrie Silvestrin ASE / Composer: Ash Gibson Greig / Production Designer: Murray Edwards / Art<br />

Director: N/A / Principal Cast: Chanelle Hawkins, Bruce R Carter / Contact: Kelrick Martin – kelrick@spearpoint.com.au<br />

www.spearpoint.com.au @spearpointTV www.facebook.com/spearpointTV<br />

THE DIRECTOR: Kelrick Martin has more than 15 years media experience including CEO Spear Point Productions,<br />

Commissioning Editor National Indigenous Television (NITV), Producer ABC Television and Producer/Presenter<br />

with ABC Radio National. He directed and co-produced documentaries Prison Songs,<br />

Outside Chance and Yagan.<br />

THE DETECTIVES OF NOIR TOWN<br />

Andrew Chambers /Australia / 2014 / 7 min / English<br />

In a town where people and puppets walk the streets, a puppet detective is on the case of<br />

his missing uncle. Though he has competition from every man, woman and dummy wanting<br />

to be named Noir Towns top detective.<br />

Screenplay: Andrew Chambers/ Producers: Andrew Chambers, Paul Layton Cinematographer: Patrick Smith<br />

Editor: Andrew Chambers Composer: Joff Bush Puppet Designer: Diego Francia / Principal Cast:David<br />

Collins, Zoe Carides, Paul Layton, Nick Boshier, Anthony MacFarlane / Contact: Andrew Chambers:<br />

ajc_chambers@hotmail.com (+61)415221464 https://www.facebook.com/Detsofnoirtown @MrFilm<br />

https://www.facebook.com/Detsofnoirtown<br />

THE DIRECTOR: Andrew wrote, directed and was a host for a movie review, sketch television series titled<br />

'25 Frames' for TVS, a community station in Australia. Several short films later, Andrew wrote, produced and<br />

directed his stand-out comedy short ‘My Thoughts Exactly’. Andrew is currently working on developing the<br />

concept of ‘My Thoughts Exactly’ into a television series.<br />

FIXED<br />

SOUTHEAST PREMIERE<br />

E<br />

UNITED STATES PREMIERE<br />

F<br />

FLORIDA PREMIERE<br />

F<br />

FLORIDA PREMIERE<br />

F<br />

Directors: Codey Wilson & Burleigh Smith / Australia / 2015 / 7 min / English<br />

Jemimah is five years old and desperate for her dog, Tilly, to have puppies. When she learns<br />

her parents plan to have Tilly desexed, Jemimah embarks on a quest to get Tilly pregnant.<br />

Producers: Rob Viney & Burleigh Smith / Writers: Casey Binsali, Tarier Majak, Jack O’Keeffe, Nathan Smith,<br />

Codey Wilson, Burleigh Smith / Camera: Michael Titter / Editor: Ross Farnsworth / A.D.: Nathan Smith /<br />

Cast: Amara Harnisch, Paul Treasure, Alitia Harnisch, Jamie Smith, Samantha Mitchell, Marian Byrne<br />

THE DIRECTORS: FIXED is Codey Wilson’s first film as director. He studied film at SAE Institute, where he<br />

met co-director Burleigh Smith and producer Rob Viney. Codey lives in Mandurah, Western Australia, and<br />

has a keen interest in cinematography and surfing.<br />

Burleigh Smith is a screenwriter, film director and actor. His films centre on relationships between men and<br />

women and often emphasize dry wit and desperate characters. Burleigh’s work has screened at over 200<br />

film festivals across 25 countries. He lives in Perth, Western Australia, where he lectures in filmmaking.<br />

107


SHOWTIME<br />

Wednesday, Nov 18, 1:30pm, CP- Hollywood<br />

WORLD CINEMA<br />

SHORTS<br />

EVERY SAINT HAS A PAST AND EVERY SINNER HAS A FUTURE –66 MIN<br />

HELP POINT<br />

Director: Andrew Margetson / United Kingdom / 2014 / 13 min / English<br />

F<br />

Jack has lost his car in a giant airport car park where he meets Maya in the same predicament. Seeking<br />

the assistance of a ‘Help Point’, they reach someone who turns out to be less than helpful to Jack.<br />

Screenplay: Andrew Margetson / Producer: Nick Hudson / Cinematographer: Federico Alfonzo/ Editor: David<br />

Webb / Composer: Music Super Circus / Production Designer: Merel Graeve / Principal Cast: Cian Barry,<br />

Ruta Gedmintas, John Thomson / Contact: andy@margetson.com www.helppointshort.com @andymargetson<br />

www.facebook.com/helppointshort<br />

THE DIRECTOR: Andrew Margetson is an award-winning director of commercials. He has created memorable<br />

spots for many of the world's top brands including Canon, Sony, Nike, Coca Cola. Help Point is his first film<br />

made for cinema. www.margetson.com<br />

FUN BIBLE FACTS!<br />

Mike Kopera / USA / 2015 5 min / English<br />

Three true, untold stories of Noah and his Ark.<br />

Screenplay: Bruce Blumberg / Producers: Mike Kopera, Bruce Blumberg / Key Animator: Francis Anderson<br />

/ Sound Editor: Mike Kopera / Composer: Lance Treviño / Principal Cast: Michael Rosenblum, Mike Kopera,<br />

Rebecca Kernes, Mike Vaughn / Contact: Mike Kopera – mikekopera@gmail.com www.lakeviewpix.com<br />

THE DIRECTOR: Mike Kopera is a graduate of Northwestern University and has acted in and produced two<br />

features -- “The Cabining” and “Initiation.” “Fun Bible Facts!” is his first foray into animation.<br />

THE LIGHT THIEF<br />

Director: Eva Daoud / Bahrain – Spain / 2015 / 19 min / Spanish w/English sub-titles<br />

When the essence of Love is snatched from someone and locked away in a vessel with no<br />

name, what happens to those persons and how do they change? How can the broken<br />

hearted souls break that curse and recover from their pain? Can they regain their spark by<br />

overcoming dark supernatural forces?<br />

Screenplay: Eva Daoud / Producers: 32 Productions and Corpo Films / Cinematographer: Miguel de Olaso Macgregor /<br />

Editor: Sergio Rozas / Composer: Jorge Magaz / Production Designer: Marta Gutierrez-Abad / Art Director: Marta Gutierrez-Abad<br />

/ Principal Cast: Angel de Miguel, Maria Pedroviejo, Aloma Escuder, Alicia Lobo, Julia Fournier, Rebeca Roldan,<br />

Chema Moro, Alicia Montesquiu / Contact: eva@bfginternational.com<br />

THE DIRECTOR: Award winning International Film Director and Producer...Over 60 International Film Festival Screenings<br />

to date...Winner of the Black Pearl Jury Prize for Best Student Film at the Abu Dhabi Film Festival...Graduate Filmmaker<br />

from the New York Film Academy (2011)...Ph.D. Degree in Economics and Management (2002)...Experienced in Marketing,<br />

Education, Management, Journalism and Broadcasting...Avid Purveyor of World Ancient history and mythology<br />

PROM NIGHT<br />

FLORIDA PREMIERE<br />

U S S<br />

FLORIDA PREMIERE<br />

F<br />

FLORIDA PREMIERE<br />

F<br />

FLORIDA PREMIERE<br />

Director: Josh Shayne / USA / 2014 / 14 min / English<br />

F<br />

'Prom Night' is a dark romantic comedy about Max, a high school senior, who is navigating<br />

his own insecurities and the advances of Sylvie, his more sexually experienced girlfriend.<br />

Screenplay: Josh Shayne / Producer: Joshua Louis Simon / Cinematographer: Justin Foster / Editor: James<br />

Darling / Composer: Erik Desiderio / Production Designer: Amy Bishop / Principal Cast: Quinn Meyers, Stefanie<br />

Brown, Catherine Curtin, Stephen Tewksbury, Emily Ackerman, Shawn Platzker, Ali Axelrad / Contact:<br />

Josh Shayne – joshshayne@gmail.com http://promnightfilm.com http://joshshayne.com<br />

THE DIRECTOR: Josh Shayne is a writer/director, illustrator, and designer. He graduated from NYU film in<br />

2005. Shortly thereafter, his short film ‘Le Voyeur’ aired on IFC. His production company Good Worker will<br />

launch their original series HOME/OFFICE this fall.<br />

108<br />

NOTICED<br />

EAST COAST PREMIERE<br />

Director: Limor Diamant / USA/ 2015 / 15 min / English<br />

W<br />

"When a lonesome postal worker discovers one night that a peeping tom lives across from<br />

her, a growing fascination with him sends her on a surprising journey."<br />

Screenplay: Limor Diamant, Sigal Diamant / Producer: Nikos Karamigios / Cinematographer: Radan Popovic<br />

/ Editor: Lauren Zuckerman / Production Designer: Danielle Lee / Costume<br />

Designer: Rachel Shachar / Principal Cast: Sigal Diamant, Tomas Oscar Andren / Contact: Nikos Karamigios<br />

– nkaramig@gmail.com www.noticedthemovie.com @noticedthemovie INSTAGRAM: @noticedthemovie<br />

THE DIRECTOR: Born in Israel and raised in Los Angeles, Limor graduated from the California Institute of<br />

the Arts where she wrote and directed short films. She’s produced numerous feature films such as Feardot-<br />

Com, and The Musketeer. Her directorial debut feature film will be Metamorphosis, from her screenplay<br />

based on the novella by Franz Kafka. Ram Bergman Productions is producing the film.


SHOWTIME<br />

Thursday, Nov 19, 1:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

SHORTS<br />

FORESEEABLE OUTCOMES? – 65 MIN<br />

FRENCH KISS<br />

Director: John Gray / France / 2015 / 24 min / English<br />

Ethan is an American in Paris on a business trip. Margaux is a beautiful young Parisian who<br />

admires Ethan from afar. Determined to remedy his obsession with work, and through magical<br />

realism that can only happen in Paris, a mischievous Margaux tricks Ethan into following<br />

her and her string of clues all over the city.<br />

Screenplay: John Gray / Executive Producers: David Beebe, Kim Moses, Ian Sander /<br />

Co-Executive Producer Nichelle Protho Consulting Producer: Elan Dassani Line Producer:<br />

Xavier Roy Cinematographer: Joël Labat / Editor: Neil Mandelberg/ Composer: Michael A.<br />

Levine / Production Designer: Octavio Tapia / Art Director: n/a Principal Cast: Tyler Ritter,<br />

Margot Luciarte, Cedric Weber, Michael Vander Meire, Stephane Dausse, Lassana Lestin,<br />

Beleina Win, Vincent Menjou Cortes, Melissa Jo Peltier, Dee Lay Cherod / Contact: Nichelle<br />

Protho – Nichelle@slam360.com www.frenchkissfilm.com<br />

THE DIRECTOR: New York native John Gray created and produced the CBS television series<br />

“Ghost Whisperer,” which ran for five seasons. He has written and directed many other<br />

critically acclaimed movies for television, including MARTIN AND LEWIS starring Sean<br />

Hayes and Jeremy Northam, and Emmy nominated A PLACE FOR ANNIE starring Sissy<br />

Spacek and Mary-Louise Parker.<br />

FEBRUARY<br />

Director: Jessi Shuttleworth / USA / 2014 / 13 min / English<br />

Nearly two decades ago in a small town in eastern Washington, a boy walked into a local<br />

middle school with a hunting rifle and committed an unspeakable crime. Eighteen years<br />

after, on the eve of his parole, Samantha Hail, a young state trooper who lost her brother<br />

and survived the event, struggles with serving the code of a trooper or the thickness of blood.<br />

Screenplay: Jessi Shuttleworth / Producers: Jessi Shuttlworth, Ciara Shuttleworth, Cathy<br />

Hurst / Cinematographer: Michael Swaigen / Editor: Dustin O’Neill / Composer: Dave Volpe<br />

/ Set Designer: Holly Boardman / Principal Cast: Dan Shaked, Jessi Shuttleworth, Phyllis<br />

Somerville, Katherine Hiler, Ethan Phillips, Christopher Halladay, Patrick Husted, Cristen<br />

Hemingway, Bill Tucker, Hayley Gasbarro, Aidan Gasbarro, Brian Roque / Contact: Jessi<br />

Shuttleworth<br />

shuttleworth@scablandproductions.com<br />

http://www.scablandproductions.com/<br />

THE DIRECTOR: Jessi Shuttleworth was born in Nebraska and raised in eastern Washington.<br />

She studied at Saint Michael’s College and the American Conservatory Theatre. She<br />

has worked professionally in film, television, and commercials. Shuttleworth currently in preproduction<br />

on her second film, Howlin’ at the Moon.<br />

ORIGINAL BILL<br />

Director: John Putch /USA / 2013 / 28 min / English<br />

FLORIDA PREMIERE<br />

F<br />

FLORIDA PREMIERE<br />

FLORIDA PREMIERE<br />

‘Original Bill’ is the story of a writer who buys a farmhouse Pennsylvania hoping to find<br />

unique inspiration to write his novel. He is sidetracked by his Amish neighbor, who smokes,<br />

drinks, swears and secretly watches his TV.<br />

Screenplay: John Putch / Producers: John Putch, Jonathan Taylor / Cinematographer: Keith<br />

J. Duggan / Editor: John Putch / Composer: Ace Baker / Principal Cast: David Deluise, Dana<br />

Delany, Nathalie Boltt / Contact: John Putch jp@putchfilms.com www.putchfilms.com<br />

THE DIRECTOR: Prior to becoming a filmmaker, John was an accomplished actor who started<br />

in the theater, then enjoyed a successful TV and film career before making the switch to directing.<br />

He now enjoys directing for TV and using his earnings to make films he cares about.<br />

109


SHOWTIME<br />

Thursday, Nov 12, 1pm, CP- Hollywood<br />

AMERICAN<br />

THE BRIEF, EXISTENTIAL CRISIS OF<br />

F<br />

A YOUNG UNDERWEAR MODEL<br />

Directors: Brett and Drew Checkelsky / USA / 2015 / 12 min / English<br />

A young underwear model, unfamiliar with rejection, crosses paths with a middle-aged<br />

woman dealing with a serious version of the same problem.<br />

Screenplay: Drew and Brett Checkelsky / Producers: Nicole Cosgrove / Cinematographer: Corey Gegner / Editor: Matt<br />

Cascella / Composer: Ready for Men / Production Designer: Britt Tapsall / Sound Design: Claire Bell / Cast: Max Van<br />

Bel, Lué McWilliams / Contact: Drew Checkelsky - Drew.Checkelsky@gmail.com<br />

THE DIRECTORS: Brett and Drew Checkelsky are brothers from Ohio. This is their first filmmaking effort together. Their<br />

plan is to create more films that capture their belief that while life is silly, one should still think about what they’re doing.<br />

CAREER GIRL<br />

Director: Fortunato Procopio / USA / 2015 / 9 min / English<br />

On the morning of the biggest meeting of her life, Monica wakes up with an unexpected problem.<br />

Screenplay: Johanna Watts / Producers: Johanna Watts, Jon Spaihts / Cinematographer: Fortunato Procopio / Editor: Axel<br />

Hubert / Composer: Vivek Maddala / Cast: Johanna Watts, Jon Huertas, Tava Smiley, Dashiell Spaihts / Contact: Johanna<br />

Watts, 310-770-7909, johannawatts@gmail.com http://careergirlmovie.com http://twitter.com/careergirlfilm<br />

https://www.facebook.com/careergirlmovie/<br />

THE DIRECTOR: Fortunato Procopio’s extensive body of work as a cinematographer includes feature films, documentaries,<br />

shorts, and hundreds of commercials. He is a frequent contributor to SNL, having shot dozens of parody commercials. He<br />

also lensed the award-winning film The Devil and Daniel Johnston. This is his first foray into directing.<br />

I AM GOOD<br />

INDIE<br />

SHORTS<br />

IT’S WHAT I DO – 62 MIN FLORIDA PREMIERE<br />

Director: Noora Albright /USA / 2015 / 11 min / English<br />

F<br />

A story of a chance encounter between two very different women. Miranda is a bored housewife,<br />

and Sabrina is a supermodel who's having the worst day of her life.<br />

Writer & Producer: Noora Albright / Cinematographer: Matthew Skala / Editor: Peggy Davis / Composer: John Robert Wood<br />

/ Principal Cast: Claudia Graf, Noora Albright, Miles Warner, Joonas / Contact: Noora Albright-noora.albright@sbcglobal.net<br />

https://twitter.com/IAmGoodTheMovie https://www.facebook.com/IAmGoodTheMovie<br />

THE DIRECTOR: THE DIRECTOR: Noora had a re-occurring role in a morning broadcast on Finnish National TV. She was a<br />

lead singer on an album named "Tutti". In 1998, Noora enrolled with The Stella Adler Conservatory in New York. She Co-<br />

Starred in Spike Lee’s pilot for Showtime called “Sucker Free City”, in the USA Network series “Monk” and in the Showtime<br />

series “Sleeper Cell”.<br />

NOTHING PERSONAL<br />

Director: Ralph Toporoff USA / 2015 / 21 min / English<br />

FLORIDA PREMIERE<br />

F<br />

FLORIDA PREMIERE<br />

FLORIDA PREMIERE<br />

110<br />

From volcanic explosions to avalanche prone glaciers, a struggling reportage photographer,<br />

successfully navigate his way past nature’s wrath. But facing dangerous elements is no<br />

preparation for the machinations of a photographer’s representative with his own set of<br />

ethics. It’s art versus commerce meeting together at an airport hotel in New Jersey.<br />

Writer & Editor: Ralph Toporoff / Producer: Maria Politano / Cinematographer: Zachary Halberd / Editor: Ralph Toporoff<br />

/ Production Mgr: Murad Peret / Visual Effects: Wonsuk Choi / Sound Design: Steve Burgess / Music: Danielle Toporoff /<br />

Costume: Monica Nicoletti / Cast: Mike Sharits, Eliud Kauffman, Adam Bradley, Gregory J. Cohan, Philip di Domenico,<br />

Nelson Avidon, Audrey Rapoport / Contact: Ralph Toporoff - top@pipeline.com<br />

THE DIRECTOR: THE DIRECTOR: Ralph Toporoff is a film veteran who started as a photographer for Look, Paris Match<br />

and Gente while residing in Europe. Upon his return to the USA he became a member of the Motion Picture Cameraman’s<br />

Union and later a member of the DGA. He is also an adjunct professor at SVA Film and Television Department In New York.<br />

RE INC.<br />

FLORIDA PREMIERE<br />

F<br />

Director: Jason Sheedy / USA / 2015 / 9 min / English<br />

Re Inc. follows two entrepreneurs as they pioneer a unique business endeavor in the afterlife.<br />

Caroline, recently deceased, is confronted by the partners.<br />

Screenplay: Brett Brooks / Producers: Joan Karpeles, Kyle Steinike / Cinematographer: Luke McMahon /<br />

Editor: Jason Sheedy / Composer: Alby Odum / Production Designer: Meagen Lee / Principal Cast: Brett<br />

Brooks, Nicholas Ryan Izzo, Anney Reese, Joan Karpeles / Contact: Kyle Steinike – kylesteinike@gmail.com<br />

www.returnstylepic.com/reinc<br />

THE DIRECTOR: Jason Sheedy is an American independent film writer, director, and editor. He grew up in<br />

Morris, IL, and attended the Savannah College of Art and Design. Sheedy has since created award-winning<br />

shorts and a debut feature film entitled Patient.


SHOWTIME<br />

Thursday, Nov 5, 5:15pm, CP- Lauderdale<br />

MIAMIANS & DANCERS & BEARS, OH MY!<br />

SHORT DOCUMENTARIES<br />

32 MIN<br />

THE FIRST MIAMIANS<br />

Alan Tomlinson / Florida / 2015 / 13 min / English<br />

FESTIVAL PREMIERE<br />

Long before the first American pioneers established homesteads on the Miami River, its<br />

banks were occupied by the Tequesta Indians. Today, archeologists have discovered the<br />

remnants of a Tequesta fishing village on a development site in downtown Miami, and what<br />

they are finding is completing a vivid picture of what life was like for this prehistoric community<br />

of first Miamians.<br />

Producers: Francesca de Onis, Roberto Latorre / Written: Alan Tomlinson / Cinematographer:<br />

Alan Tomlinson, Douglas Clark / Editor: Alan Tomlinson/ Aerial Photography: Paul<br />

Morris / Colorist: Eva Hadaway / Graphics & Titles: Claudia Munoz, Mihail Halatchev / Contact:<br />

Adrienne Kennedy – akennedy@wlrn.org wlrn.org #wlrn<br />

THE DIRECTOR: Alan Tomlinson is an award-winning journalist and television producer<br />

whose career spans newspapers and broadcasting in radio and television. He has produced,<br />

directed, written and photographed numerous documentaries and television series for the<br />

Discovery Channel and National Geographic, among others.<br />

DANCE OF THE PEOPLE<br />

Director: Marc Menish / USA / 2014 / 10 min / BluRay / English<br />

FLORIDA PREMIERE<br />

The Green Grass Cloggers, formed by East Carolina University students in 1971, turned<br />

the old-fashioned clogging world upside down with their intense performances and casual<br />

attitude towards appearances. This sincere yet quirky approach to clogging quickly garnered<br />

them many fans. Forty-five years later, many of the older members are facing the reality of<br />

their ageing bodies. Newer dancers are needed to maintain the group's legacy -- dancers<br />

with their own ideas of self-expression. "Dance of the People" explores this pivotal point in<br />

the team's history.<br />

Producer: Marc Menish / Cinematographer: Marc Menish / Editor: Marc Menish / Assistant<br />

Editor: Durward Rogers Contact: Marc Menish menish@mac.com<br />

THE DIRECTOR: Marc Menish (originally from Fort Lauderdale & considers FtL to be home!)<br />

is a filmmaker/ educator. He has studied documentary filmmaking in France and the US<br />

and currently teaches media-related classes in Tokyo. His other docs include: "Aso Chopper"<br />

about the Japanese fascination with big-bike culture.<br />

BIG CYPRESS NATIONAL PRESERVE:<br />

BLACK BEARS<br />

FESTIVAL PREMIERE<br />

Felipe Marrou / Florida / 2014 / 9 min / English<br />

As part of WLRN’s ongoing wildlife series, host Rey Becerra journeys into the preserve in<br />

search of the black bear. Black bears can also be found in colder climates like Alaska and<br />

other northern states, many people do not realize that they also thrive in the everglades.<br />

Producers: Felipe Marrou, Rey Becerra / Director: Felipe Marrou / Cinematographer: Felipe<br />

Marrou / Editor: Felipe Marrou / Principal Cast: Rey Becerra (Host) / Contact: Adrienne<br />

Kennedy– akennedy@wlrn.org wlrn.org :#wlrn<br />

THE DIRECTOR: Felipe Marrou, Founder and CEO of VTM Productions, is an award winning<br />

director of photography, producer, director, and editor. Felipe has worked with prestigious<br />

names in the industry such as Steven Spielberg, Tom Cruise, Jamie Foxx, and Scarlett<br />

Johansson.<br />

111


SHOWTIMES<br />

Saturday, Nov 14, 7:45pm, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

SHORTS<br />

112<br />

NICE PLACE TO VISIT BUT I WOULDN’T WANT TO LIVE THERE – 82MIN<br />

DOT<br />

Director: Tali Barde / Germany / 2014 / 28 min / German w/English sub-titles<br />

A man gets hit by a car only to wake up taking a shower five days later. After another fatal<br />

accident, he wakes up in an elevator and realizes he has a limited number of chances left<br />

to figure out what is happening to him.<br />

Screenplay: Tali Barde, Milan Grünewald, Katja Winke / Producers: Tali Barde, Louis Bürk / Cinematographer:<br />

Louis Bürk / Editor: Marco Heibach / Composer: Marco Heibach, Philipp Seuthe / Production Designer: Luisa<br />

Gross / Principal Cast: Arne Obermeyer, Lena Kupke, Manuel Moser / Contact: Tali Barde contact@avalonfilm.de<br />

http://www.avalonfilm.de/dot.html http://www.facebook.com/film.dot<br />

THE DIRECTOR: Tali Barde was born 1990 in Bensberg, Germany. By the age of he 20 he started<br />

autodidactically working on his first feature film, which became a big success on film festivals a<br />

few years later. DOT is his second film.<br />

EN CASA<br />

Director: Alfonso Nogueroles / Spain / 2014 / 9 min / Spanish w/English sub-titles<br />

Alberto is bored in school so he leafs through the Art History book while eyeing Beatriz, a<br />

beautiful classmate. They both spend a day alone at Alberto's magnificent house.<br />

Screenplay: Alfonso Nogueroles / Producers: Manuel Alcaide, Alfonso Nogueroles /<br />

Cinematographer: Antonio Belón / Editor: Alfonso Nogueroles / Art Director: Sandra Frantz / Principal Cast:<br />

Adrián Barbero, Lucía Díez, Pere Brasó / Contact: Alfonso Nogueroles - info@aladeriva.es www.aladeriva.es<br />

THE DIRECTOR: After graduating from the Complutense University in Audiovisual Communications<br />

in 1999, he started working for several commercial companies and participated in many shortfilms.<br />

In 2003 he founded A La Deriva, that produces his fiction, documentary and experimental shorts.<br />

THE RED HOUSE<br />

Director: Jiaqi Lin / China / 2014 / 18 min / Mandarin w/English subtitles<br />

F<br />

“The Red House” is the story of Fangfang, a 25 year old prostitute, struggling to save enough to buy back her<br />

freedom…she has to rethink her plans when 6 year old Amei, is sold into prostitution by her desperate parents.<br />

Screenplay: Jiaqi Lin / Produced by: Larry Kaster / Cinematographer: Donald M. Morgan, ASC / Editor:<br />

Michael Bohusz / Composer: Charles Bernstein / Production Designer: Michale Paul Clausen / Principal Cast:<br />

Felix Fang, Leann Lei, Makayla Gatmaitan, Peggy Lu / Contact: Larry Kaster,<br />

lkaster@rushhourproductions.com Jiaqi Lin jiaqimaggielin@gmail.com / www.theredhouseshort.com<br />

THE DIRECTOR: Jiaqi Lin was born Quanzhou, China, in 1989. Jiaqi had always had a fascination<br />

and a love for films, and her studies in animation only deepened this passion. In 2012, Jiaqi moved<br />

to L.A. and began her studies at NYFA. In 2013, Jiaqi started to develop the storyline for a short film<br />

that would ultimately become “The Red House,” pulling from her cultural experience and family history.<br />

ECHO ROAD<br />

Director: Edmund Swabey / United Kingdom / 2014 / 12 min / English<br />

Echo Road centres around two brothers who embark on a journey from London to Yorkshire to<br />

meet their estranged Sister and scatter the ashes of a family member. The film tells the difficult<br />

story of coming to terms with losing a loved one and the strong connection between siblings.<br />

Screenplay: Duncan MacInnes/ Producers: Duncan MacInnes, Jay Brown/ Cinematographer: Jake Martin /<br />

Editor: Edmund Swabey / Composer: Deborah Mollison/ Principal Cast: Jay Brown, Toby Wharton, Eddie<br />

Webber, Sophie Olivia / Contact: Katie McCullough - submissions@festivalformula.com http://curvefilms.co.uk<br />

@defconfilms ww.facebook.com/defconfilms<br />

RICKSHAW PASSENGER<br />

Director: aneel ahmad<br />

Pakistan / 2015 / 15 min / Punjab w/English sub-titles<br />

FLORIDA PREMIERE<br />

F<br />

EAST COAST PREMIERE<br />

FLORIDA PREMIERE<br />

FLORIDA PREMIERE<br />

WORLD PREMIERE<br />

Imtiaz a Raksha (rickshaw) driver, gives a ride to Tameena, a hotel call girl, and begins waiting for her daily;<br />

he falls in love with her and is trying to rescue her from the horrors of poverty and prostitution<br />

Screenplay: Aneel Ahmad / Producers: Aneel Ahmad Cinematographer: Aneel Ahmad / Editor Aneel Ahmad/ Composer:<br />

Nainita Desai Javier Blanco / Principal Cast: Zehri Ali Mohammed Haroon / Contact: Jane Davidson Jane@aneelahmad.co.uk<br />

www.aneelahmad.com www.twitter.com/aneelahmad www.facebook.com/aneelahmadfilms<br />

THE DIRECTOR: Aneel Ahmad is an English film director working on diverse films around the world.


SHOWTIMES<br />

Sunday, Nov 15, 1:30pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

SHORTS<br />

OOPS! – 52 MIN<br />

LAY IN WAIT<br />

FLORIDA PREMIERE<br />

F<br />

Director: Jonathan Ade / USA / 2014 / 25 min / English<br />

A young married woman in the midst of an affair loses her wedding ring in the woods and<br />

must find it before the sun sets.<br />

Screenplay: Jonathan Ade / Producers: John Negropontes, Michael M. McGuire / Cinematographer: Alexander<br />

D. Paul / Editor: Daniel Raj Koobir, Jonathan Ade / Composer: Nick Huntington, Brady Nelson, Chris<br />

Lane / Production Designer: Marlena Feehery / Art Director: Dan Warren / Principal Cast: Elizabeth Olin,<br />

Michael Stahl-David, Kevin Ashworth / Contact: Jonathan Ade – jonathan.ade@gmail.com<br />

www.layinwait.com @layinwaitfilm facebook.com/layinwait<br />

THE DIRECTOR: Raised in suburban Washington, DC, Jonathan Ade began making movies<br />

at eight years old. Since that time, he developed his passion for creating uniquely-held, cinematic<br />

narratives. Lay in Wait represents his fourth short in the last five years.<br />

SPLIT END<br />

FLORIDA PREMIERE<br />

Director: Eddie Shieh / USA / 2014 / 6 min / English + Portuguese w/English sub-titles<br />

Created for the Asian American Film Lab 72 Hour Shootout from brief to finish under the theme<br />

of "The Color of My Hair," a young, single woman bored with her social life caters a party for<br />

a beautiful couple and finds the charismatic husband also looking for something new.<br />

Screenplay & Editor: Eddie Shieh / Producers: Eddie Shieh, Christiane Seidel / Cinematographer: Lance Ferguson<br />

/ Principal Cast: Tatiana Sachie, Brennan Taylor, Christiane Seidel / Contact: Eddie Shieh - eddieshieh@gmail.com<br />

http://TheSplitEnd.com http://twitter.com/soysaucechicken http://facebook.com/splitend.film<br />

THE DIRECTOR: Eddie Shieh is a director, editor, and screenwriter of the Writer’s Guild of<br />

America East and WGA Digital Caucus. His passion for storytelling stems from a career as<br />

an advertising creative director.<br />

THE FAKE<br />

Directors: Matthew Helfgott & Jared Hillman / USA / 2015 / 8 min / English<br />

W<br />

A tight-fisted empty-nester sets out to get a fake ID in order to snag the senior discount.<br />

Screenplay: Ken Schefler / Producers: Elyse Rosenfield, Matthew Helfgott, Jared Hillman / Cinematographer:<br />

Adam Biddle / Editor: David Marks / Composer: Matt Duncan / Production Designer: Julie Kunke, Aleksandra<br />

Zgorska / Principal Cast: Warren Sweeney, Joey Luthman, Natalie Lander, Rob Moore / Contact: Jared Hillman<br />

— info@hillmanhelfgott.com www.HillmanHelfgott.com @HillmanJared<br />

THE DIRECTORS: Helfgott and Hillman wear multiple hats on their projects together, often<br />

serving as co-writers/directors/producers. Their previous film, The Listing Agent, won a Spirit<br />

of Independence Award at FLIFF ’14 before being picked up by Sundance Channel. Additionally,<br />

Jared is an actor (Social Network, Castle, Psych, iCarly); Matt directs commercials,<br />

earning distinctions at Cannes and the London International Awards.<br />

NIGHT SHIFT<br />

EAST COAST PREMIERE<br />

FLORIDA PREMIERE<br />

Director: Richard Higson / United Kingdom / 2014 13 min / English<br />

'An easy kidnap in the country', they said. Lenny and Chris head to a mysterious manor<br />

house for a special job. But it gets complicated. Very complicated. And they haven't reckoned<br />

on just who they're there to kidnap, and who else might have had the same idea...<br />

Screenplay: Richard Higson / Producers: Natasha Phelan / Cinematographer: Ben Baily / Editor: Emma Collins /<br />

Composer: Blair Mowat / Principal Cast: Catrin Stewart, David Schaal, Don Warrington, Tom Bennet, Daniel Hawksford<br />

/ Contact: Katie McCullough - submissions@festivalformula.com http://curvefilms.co.uk @RichardHigson<br />

THE DIRECTOR: Richard has a vast repertoire in producing and directing successful, long<br />

running television series such as Come Dine With Me (Channel 4), Antiques Road Trip<br />

(BBC2) and Teen Dad (MTV). He created the production company Curve Films, where he<br />

has a wealth of short films which have played at international festivals.<br />

113


SHOWTIME<br />

Tuesday, Nov 10, 1pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

SHORTS<br />

OPPRESSION – 62 MIN<br />

AT THE END OF THE LINE<br />

Director: Robert Kerr / Germany / 2015 / 5 min / English<br />

In 1939, in Nazi Germany, an amazing thing happened:<br />

F<br />

Jewish parents, sensing their lives<br />

were in danger, placed their children aboard trains to be raised by foster families across free<br />

Europe. They did this, knowing they would probably never see their children again…<br />

Cinematography/Editing: Anthony Cousins. Director: Robert Kerr. Song “At the End of the Line” written by<br />

Jason Bradley and Robert Kerr. Song performed by Vera Zero. Violin by Taras Umrish. Storyboards, photographs,<br />

and much more at www.attheendofthelinefilm.com www.facebook.com/attheendoftheline<br />

THE DIRECTOR: Robert Kerr is a film and television director based out of the Minneapolis area. He is also<br />

the founding member of Vera Zero, a post punk/power pop band with International airplay. He is currently<br />

working on two feature length scripts as well as writing songs for upcoming Vera Zero projects.<br />

THE WALK<br />

Director: Alonso Alvarez Barreda / Mexico / 2015 / 13 min / English + Spanish w/English sub-titles<br />

W<br />

In the harshness of the Arizona desert a Mexican man and his son are faced with a major<br />

crisis of conscience as they try to cross the border illegally.<br />

Screenplay: Alonso Alvarez Barreda / Producers: Effie T. Brown, Alonso Alvarez Barreda / Cinematographer:<br />

Tom Campbell / Editor: Yu Gu / Composer: Roberto Murguía / Production Designer: Bruton Jones / Principal<br />

Cast: Max Arciniega, Ciro Suarez / Contact: Alonso Alvarez Barreda. Alonso@wamafilms.com<br />

www.wamafilms.com @AlvarezBarreda @wamafilms Alonso Alvarez Barreda<br />

THE DIRECTOR: Hailing from Tampico Tamaulipas, Alonso Alvarez Barreda is a Mexico Director/Writer whose<br />

short films have been featured and honored in film festivals around the world including Cannes, New York, Heartland,<br />

Hollywood and Telluride. He has received more than fifteen international awards and worldwide accolades.<br />

LAS CIENI<br />

Director: Andrzej Cichocki / Poland / 2014 / 14 min / No Dialogue<br />

While hunting a wolf in a sinister forest, a man is startled F by the sound of guns firing. Suddenly, there<br />

are people running... even the wolves are overwhelmed by a sense of the impending danger.<br />

Screenplay: Andrzej Cichocki / Producers: Jerzy Lukaszewicz / Cinematographer: Andrzej Cichocki / Editor:<br />

Cezary Grzesiuk / Composer: Maciej Sztor / Costumes: Anna Banasiak / Sound: Jan Wronski / Principal<br />

Cast: Michal Bonin, Pawel Tchorzelski / Contact: skynotes@me.com https://twitter.com/CinemanPL facebook.com/lascienitheshadowforest<br />

THE DIRECTOR:<br />

Studied at Krzysztof Kieslowski Radio & TV Faculty (Film Department) of University of Silesia in Katowice. A<br />

film director and cinematographer. He also creates with photography and music.<br />

WILDFIRE<br />

Director: Adam Meeks / USA / 2015 / 12 min / English<br />

When a forest fire threatens the faith and safety of F a religious community in the Rocky Mountains,<br />

a young mother must take action to protect herself from harm.<br />

Screenplay: Adam Meeks & Nat Beach / Producers: Casey Bader, Nicole Quintero, & Gerardo Guadiana /<br />

Cinematographer: Daniel Stenzel / Editor: Chriz Naing & Adam Meeks / Composer: Aled Roberts / Production<br />

Designer: Lisa Rifkind / Art Director: Grace Hendricks / Principal Cast: Joosje Duk, James Hook, Sophia<br />

Zalipsky / Contact: Adam Meeks — mam1280@nyu.edu facebook.com/wildfirefilm<br />

THE DIRECTOR: A recent graduate of NYU’s Tisch School of the Arts, Adam is a freelance screenwriter and<br />

director living and working in New York City. He was the 2014 recipient of the Martin Scorsese Young Filmmaker<br />

Award and the NYU George Heineman Production Award. ‘Wildfire’ is his first short film.<br />

BALL OF HOPE<br />

FLORIDA PREMIERE<br />

EAST COAST PREMIERE<br />

FLORIDA PREMIERE<br />

FLORIDA PREMIERE<br />

EAST COAST PREMIERE<br />

W<br />

Director: Mayar Nouri / Syria / 2015 / 18 min / Syrian Arabic w/English sub-titles<br />

Football in the States can drive a person crazy – in some places, it can be an elixir for sanity.<br />

Screenplay: Mayar Nouri / Producers: Yamin Safa / Cinematographer: Basel Sarawlji / Editor: Mayar Nouri<br />

/ Composer: Taher Mamelli / Production Designer: Ghaith Mahmoud / Art Director: Ghaith Mahmoud / Principal<br />

Cast: - / Contact: Mayarnouriproductions@gmail.com<br />

THE DIRECTOR: Mayar is a 23 year old film Director from Syria. Graduated from Full Sail University in 2013<br />

and went back to Syria to try to put to work everything he learned and experienced a the United States.<br />

114


SHOWTIME<br />

Sunday, Nov 22, 7:45pm, CP- Lauderdale<br />

WORLD<br />

CINEMA<br />

SHORTS<br />

SPOOK FEST – 72 MIN<br />

FEAR THY NEIGHBOR<br />

Director: John Goodman / Florida / 2015 / 15 min / English<br />

When a mentally unstable girl meets her serial killing neighbor, a dark game of cat and mouse begins.<br />

Writer: Josh Goodman / producers: Kisanti Hathor , Josh Goodman, Chrsitopher Bernard / Cinematographer:<br />

Chrsitopher Bernard / Score: Travis “Creole Kid” Pierre / Sound Design: Forever Damor / Sound Editor: Jeremy<br />

Ryan / Crew: Danielle Smith, Corbin Bridges, Dillon Stokes, Christina Alvarez / Cast: Kisanti Hathor,<br />

Evan Judson, Shannon Gilroy, Eric Stotts, Danielle Smith / Contact: jgoodman1234@gmail.com<br />

THE DIRECTOR: Josh Goodman has had a wide-ranging background in video production<br />

and editing. He got his start producing videos for political campaigns and then moved on to<br />

music videos, commercials and short films throughout Florida and New York City. He continues<br />

to pursue new and exciting adventures behind the camera.<br />

DEAD LINES<br />

Director: Marco Ragozzino / USA / 2015 / 16 min / English<br />

Eddie Cartwright (Marco Ragozzino) has just landed a job answering phones overnight at the mega conglomerate<br />

VexComm. Despite the odd hours, Eddie is grateful to be employed - especially with a pregnant wife (Gina<br />

Holden) at home. After an awkward greeting from a skittish receptionist (Missi Pyle), Eddie is introduced to his<br />

new position by the strange and mysterious office manager Vincent Crepleton (Tim Bagley). But once the sun<br />

sets and the building has cleared out, Eddie discovers he's not entirely alone. The phones ring incessantly,<br />

objects float across the room, and unexpected specters begin materializing around the 99th floor. Can Eddie<br />

manage his relentless job responsibilities or will he fall victim to the call center's curse as other have before him?<br />

WHAT’S EATING DAD?<br />

FLORIDA PREMIERE<br />

Director: Michael Goldburg / USA / 2014 / 11 min / English<br />

F<br />

When Chloe meets her boyfriend's parents for the first time, what's really for dinner is something<br />

she never imagined. In the vein of "Meet the Parents" meets "Shaun of the Dead," “What’s Eating<br />

Dad?” is a hilariously absurd, horror-comedy short about literally surviving the future in-laws.<br />

Screenplay: Michael Goldburg / Producers: Michael Goldburg, Dave Chan / Cinematographer: Peter Olsen<br />

/ Editor: Ryan Penny / Composer: Michael Whalen / Production Designer: Abigail Benavides / Make-Up:<br />

Kate Susen / Visual Effects: Dennis Fitzsimmons / Principal Cast: Morgan Wright, Brennan Taylor, Barbara<br />

Miluski, Joel Haberli / Contact: Michael Goldburg – michael@michaelgoldburg.com http://whatseatingdad.com<br />

http://twitter.com/whatseatingdad http://facebook.com/whatseatingdad<br />

THE DIRECTOR: Michael Goldburg’s NYU thesis film won a Warner Bros. Pictures Production<br />

Award. His prior film, “Happy Trails,” screened at FLIFF while his latest, “What’s Eating Dad?,” was<br />

named a Top 10 Horror Short of 2014. Michael is currently making his first feature, “Sure-Fire.”<br />

STRAYS<br />

Director: Peter Morland Hutton / USA / 2015 / 30 min / English<br />

In dark days not far from now, three lifelong friends and a captain set sail into the night to<br />

escape from a small Chesapeake town afflicted with a secret. The group make the most of<br />

their night as they plot a course to the safety of an isolated lighthouse. They laugh. They<br />

tease. They try to make sense of the chaos. They pretend that tomorrow will never<br />

come. Until it does…<br />

Screenplay: Peter Morland Hutton / Producers: Kyle David Crosby, Peter Morland Hutton / Cinematographer:<br />

Wayne Fugate / Editor: Kelly Rummler, John Mccormack, Hunter Haines / Composer: Dominic Messinger /<br />

Production Designer: / Art Director: / Principal Cast: Skyler Day, Marque Richardson, Mark Furze, Jim Cody<br />

Williams / Contact: Lindsay Bennett – Lindsay@huttonmiller.com, Peter Hutton – peter@huttonmiller.com<br />

http://www.straysfilm.com https://www.facebook.com/pages/Strays-Film<br />

THE DIRECTOR: As a successful commercial writer/producer/director for over 15 years,<br />

Peter Hutton is turning his attention to creative film making. His love of sailing and the<br />

Chesapeake Bay make his hometown of Cape St. Claire the perfect setting for his first film<br />

project–a short thriller that takes place on the water.<br />

115


SHOWTIME<br />

Thursday, Nov 5, 5:45pm, CP- Lauderdale<br />

SUNSHINE<br />

SUN SHORTS – 47 MIN<br />

CASK OF AMONTILLADO<br />

Director: Jeff Freeman / USA / 2014 / 9 min / English<br />

Based on the Edgar Alan Poe story of the same name… An argument between two filmmakers<br />

about what constitutes a good horror film takes a “Poe”-etic turn of events in this dark comedy.<br />

Screenplay: Jeff Freeman (based on an original story by Edgar Alan Poe) / Producers: Derek Pixley / Cinematographer:<br />

George Montiero / Editor: Jeff Freeman / Sound: Bob Cady / Make-Up Design: Andrea Joe<br />

Cicalese / Cast: William Grefe’, Steven Brack / Contact: Jeff Freeman – jeff_realitysedgemedia@yahoo.com<br />

www.realitysedgemedia.net @Jeff_N_Stein https://www.facebook.com/groups/1444078669153868/<br />

THE DIRECTOR: Native Floridian Jeff Freeman was bitten by the film making bug later in<br />

life. Jeff has worked on multiple short & feature films as producer/editor/director & Produced/Written/Directed<br />

his own feature “Island of the Cannibal Death Gods”.<br />

THE FALLEN<br />

CELLULOID<br />

FEATURE<br />

EAST COAST PREMIERE<br />

W<br />

WORLD PREMIERE<br />

Director: Gabriel Kipling Tyner / Florida / 2014 / 10 min / English<br />

This is the classic story of Adam and Eve. They start off content with their lives, but are<br />

tempted and want to see more. Eve is deceived, and so is Adam. This is the story of their<br />

rebellion, and it’s consequences.<br />

Screenplay: Andrew Souza / Producers: Gabriel Kipling Tyner, Andrew Souza, and Gaetano Fasulo/ Cinematographer:<br />

Gabriel Kipling Tyner / Editor: Gabriel Kipling Tyner / Principal Cast: Eric Power, Laura Garrido, Carl Rimi /<br />

Contact: Gabriel Kipling Tyner talktogabriel@gmail.com<br />

THE DIRECTOR: I have worked several jobs; car washer, white water river guide, construction<br />

worker, and even a teacher. I know that making films is what I want to do because I<br />

have done it all. Life is about figuring out what you don’t want to do and I know that filmmaking<br />

is my calling.<br />

DINOSAUR<br />

Director: Ann Deborah Fishman<br />

USA / 2015 / 8 min / DVD / English<br />

Lou Manning was the<br />

biggest agent in Hollywood<br />

but now he is down<br />

to his last client who<br />

shows him how the game<br />

is played in 2015.<br />

Screenplay & Producer:<br />

Ann Deborah Fishman<br />

/Cinematographer: Bobby<br />

Keegan / Editor: Jesse<br />

Miller / Production Designer:<br />

Ann Deborah Fishman<br />

/ Cast: Alan Heyman,<br />

Rhonda Stearns, Mindy<br />

Acevedo, James Bullard,<br />

Sylvia Brach / Contact:<br />

Ann Deborah Fishman –<br />

ann.fishman@1450.com.<br />

Sponsored by<br />

FLORIDA PREMIERE<br />

Discover at...<br />

select Neiman Marcus Stores | Marissa Collections, Naples, FL.<br />

PAMELAHUIZENGA.COM<br />

THE DIRECTOR: Ann<br />

Deborah Fishman wrote,<br />

produced and co-directed<br />

the romantic comedy entitled Marriage Material starring Saturday<br />

Night Live alum Victoria Jackson.<br />

116


SHOWTIME<br />

Tuesday, Nov 10, 3pm, CP- Hollywood<br />

WORLD<br />

CINEMA<br />

SHORTS<br />

SURPRISE!!!! – 69 MIN<br />

MI CASA SU CASA<br />

Director: Sara Verhagen<br />

France / 2015 / 15 min / English + French-Italian-Spanish w/English sub-titles<br />

When Celine returns from a holiday in Mexico, she is faced with a little problem. A certain<br />

Bartleby welcomes her and other guests with open arms to... HER home? To HIS home?<br />

Celine is about to enter a bizarre world full of strange people, but more importantly, an apartment<br />

that doesn't hold the slightest trace of her existence. How can one be certain to be<br />

home, when everything seems to prove the contrary?<br />

Writers: John M. Keller, Sara Verhagen Dog / Producers: Sara Verhagen, Emmanuel Pampuri<br />

/ Key Cast: Sara Verhagen, Paul Bandey, Silvie Laguna, Pierre Zeni / Contact: Sara<br />

Verhagen sara.verhagen@gmail.com<br />

THE DIRECTOR: Sara Verhagen is a multilingual actress, writer and director (7 languages).<br />

At 18 she left the south of France to spend five years in London, three of which training at “East<br />

15 Acting School.” After moving to Paris, Sara started working behind the camera for the first<br />

time in 2011, with "Dog Sitting" (in which she also had the starring role), and was co-writter and<br />

co-director. The film was lucky enough to be bought by a production company, and to achieve<br />

quite an international success with numerous festival selections, (including Palm Springs, Just<br />

for Laughs Montreal, Atlanta, Shnit...) and several awards (including the prestigious French<br />

"Alpe D'Huez" Best Short Film Award and a Top Pick Citation at the Short Film Corner in<br />

Cannes). Sara is currently working on the scripts of two feature films and another short film.<br />

ROMAN CITIZEN<br />

Director: Luca Elmi / Italy / 2015 / 40 min / English<br />

One summer morning. A morning like many others in a city like any other. Suddenly the<br />

sound of gunshots echoes through the buildings. A bank is under attack. Hostages are taken.<br />

Trying to solve a situation whose cruelty is as unusual as unexplained, two policemen -<br />

one approaching the end of her career, and the other consumed by a passion for ancient<br />

Rome - will face what seems to be an impossible answer.<br />

Screenplay: Luca Elmi / Producers: Hunter Curry, Drew Ingram / Cinematographer: Hunter<br />

Curry / Editor: Stefania Calatroni / Composer: Marcello De Toffoli / Production Designer:<br />

Jacob Heustis / / Principal Cast: Sheilagh Weymouth, Laurel Casillo, David Vanarsdale,<br />

Josh Loren / Contact: Luca Elmi – luca@elmi.it facebook.com/romancitizenmovie<br />

THE DIRECTOR: Born in Milan, Italy in 1961. Graduated High School (classical studies) in<br />

1981. Law school in Milan, but no degree (didn’t like the idea of being a lawyer). Lives and works<br />

in Milan, Italy. Has been a cinema scholar and a filmmaker forever. Authored several short films.<br />

Film and theatre actor. Authored short stories, a novel, a play and several screenplays.<br />

LOW/FI<br />

UNITED STATES PREMIERE<br />

F<br />

FLORIDA PREMIERE<br />

FLORIDA PREMIERE<br />

Director: Alejandro Montoya / USA / 2015 / 14 min / English<br />

Influenced by pop culture all her life, Lea feels wronged by the way movies and music portray<br />

love, now that she is 30 and single she cuts pop culture cold turkey to see if this way she<br />

can find the man of her dreams.<br />

Writers: Alejandro Montoya Marin / Producers: Alejandro Montoya Marin, Ariel Rakes / Director<br />

of Photography: Ariel Rakes / Cast: Kristen Rakes, Jodi Lynn Thomas, Alex Knight,<br />

Nathan Brimmer, Jocelyn Montoya, Julia Harris, Richard Daniel Williams, Fabian Valle,<br />

Sarah Minnich, Matthew Page, Rebekah Williams, Alejandro Montoya Marin / Contact: alejandromontoyamarin@hotmail.com<br />

THE DIRECTOR: Born in Laredo Texas, and raised in Mexico. Alejandro knew he wanted<br />

to do film from a very young age. After studying Marketing, he persued his dream of filmmaking<br />

in Canada. After graduating he moved back to the US, where he has been doing independent<br />

movies, short films, music videos, commercials.<br />

117


THE SUN-SENTINEL PANEL DISCUSSION<br />

SHOWTIME<br />

Tuesday, Nov 17, 6pm, CP- Lauderdale<br />

Sponsored by<br />

PLUNDERING AMERICA: THE CUBAN AMERICAN PIPELINE<br />

With the sweep of a pen, seemingly overnight, Cuba and the United States went from<br />

foes to friends. Late last year, President Obama announced a plan to normalize relations<br />

with the Castro government, ending 50 years of hostilities. In the ensuing debate,<br />

however, no one was confronting a costly problem: the impact of Cuban crime<br />

rings on the nation.<br />

The Sun Sentinel, in a groundbreaking series published in 2015, documented the<br />

eye-popping scope of the crimes. The investigation found Cuban crime rings had<br />

stolen more than $2 billion from the U.S. over two decades.<br />

How did they gain a foothold and flourish? U.S. immigration policy made it easy. For over 50 years, the U.S. welcomed Cubans as refugees fleeing communism.<br />

The Cuban Adjustment Act allows automatic entry for Cubans who reach American soil and legal residency after just a year, an advantage given<br />

to no other immigrant group and one that aided the criminals.<br />

Meet the investigation team: Sally Kestin and Megan O’Matz and database editor John Maines. After the 2004-05 hurricanes in Florida, the team uncovered<br />

massive fraud in FEMA’s disaster aid nationwide. That series was a finalist for the Pulitzer Prize in investigative reporting. An investigation by Kestin and<br />

Maines used SunPass toll records to document extreme speeding by off-duty South Florida police won the Pulitzer Prize Gold Medal for Public Service.<br />

O’Matz, a graduate of Penn State, joined the Sun Sentinel in 2000 and previously worked for the Chicago<br />

Tribune. Kestin, a graduate of Northwestern School of Journalism, has been at the paper for 17 years.<br />

She came from the Tampa Tribune and started her career at the Sarasota Herald-Tribune. Maines has<br />

done data work for the newsroom since 1998. He was a reporter for 21 years, working at the Massena<br />

Observer, the Ithaca Journal, and the Clarion-Ledger in Miss. Taimy Alvarez, a photographer/video editor,<br />

is a graduate of the Univ of Florida’s College of Journalism. She has been on Sun Sentinel staff for<br />

the past 17 years, documenting sports, features and news locally and throughout the Caribbean and<br />

South America. Before that, she was a staff photographer with the Atlanta Journal-Constitution.<br />

GOING HUNGRY<br />

GOING<br />

HUNGRY<br />

SHOWTIME<br />

Friday, November 13, 6pm, Sunrise Civic Ctr<br />

Life is not all early-bird dinners and golf in post-recession South Florida. Some seniors here are living<br />

in what the federal government calls “food deserts” - places where people can’t obtain fresh, affordable<br />

fare because of limited incomes, lack of transportation and isolation. They include elders who have<br />

been living in urban food desert most of their lives and are finding it harder than ever to put food on<br />

their tables. Yet others are people new to empty refrigerators and food pantry lines - seniors who came<br />

to live out their golden years in leisure lifestyle retirement villages. Some of those communities now<br />

have become food deserts, as their residents are outliving their incomes, their neighbors and their<br />

ability to drive.<br />

diane Lade was among the first reporters at regional<br />

U.S. newspapers to cover aging full time, starting in<br />

the 1980s. A Sun Sentinel journalist since 1978, she<br />

also worked as an asst city editor, columnist, feature<br />

and consumer writer. A grad of Univ of Missouri, she<br />

has been honored by the American Society on Aging<br />

and won awards from the Fla Press Club, including<br />

the top honor for in-depth reporting in 1997 and<br />

2014. She was part of the Sun Sentinel's hurricane team that was a<br />

Pulitzer finalist. Diane is a graduate of Dr. Robert Butler’s Age Boom<br />

Academy, now based at Columbia Univ, and received fellowships from<br />

AARP and the National Press Foundation. She was<br />

accepted to attend the White House Conference on<br />

Aging. Today, Diane is a feature writer and aging issues<br />

specialist in Sun Sentinel’s Lifestyle.<br />

andy Reid has covered government, growth and development,<br />

and environmental issues in Florida since<br />

1996. He joined the Sun Sentinel in 2005 and covers<br />

Palm Beach County government as well as South Florida water and environmental<br />

issues, with an emphasis on Everglades restoration. He previously<br />

worked at The Tampa Tribune, Stuart News and the News Chief<br />

in Winter Haven.<br />

Mike Stocker has been a photographer at the Sun<br />

Sentinel since 1998. He has covered stories in Haiti,<br />

Israel, Latin America, Europe and Africa. He has been<br />

recognized by the World Press, NPPA, Southern<br />

Short Course, the Atlanta Seminar on Photojournalism<br />

and the Robert F. Kennedy Journalism Awards.<br />

Mike was a member of the staff at the Herald that won<br />

the Pulitzer for their coverage of Hurricane Andrew.<br />

At the Sun Sentinel, he has been a Pulitzer Prize finalist for Spot News<br />

Photography in 1999 “for his photographs of the devastation caused by<br />

Hurricane Mitch in Central America;” as part of a team for Feature Photography<br />

for “compelling and explanatory images illustrating the devastating<br />

impact of AIDS in the Caribbean;" and again for Feature<br />

Photography for his “imaginative exploration of Holocaust survivors.”<br />

119


120<br />

WORLD CINEMA<br />

A MINI-FEST OF ROMANIAN CINEMA<br />

CINEMA PARADISO-LAUDERDALE<br />

OCTOBER 22-25<br />

An event organized by double 4 Studios, Inc, with the partial financial support of the Romanian Cultural Institute,<br />

in partnership with the Romanian american League, Cinema Paradiso and Fort Lauderdale International Film Festival,<br />

with the participation of the Romanian Filmmakers union, and The Romanian Center for National Cinema.<br />

Despite the fact that “Focus on Romania - Ft. Lauderdale Waves 2015” celebrates this Fall only its second year of existence, South<br />

Florida film lovers already cherish its return to CINEMA PARADISO, this October 22nd through 25th.<br />

Five feature films, a documentary and a collection of award winning shorts from Romania will screen at the well-known arthouse, home<br />

of the Fort Lauderdale International Film Festival (FLIFF), this year at its 30th edition. Guest filmmakers from Romania will again present<br />

and discuss their work with the interested audiences.<br />

Parties will mark the opening and closing nights, while refreshment will be served between screenings, on Friday and Saturday.<br />

TRAIN OF LIFE<br />

Director: Radu Mihaileanu / Romania / 1998 / 103 min / French w/English sub-titles<br />

This comedy-drama is set in Central Europe during the summer of 1941. Yiddish-speaking<br />

Jews purchase a train, forge identity papers, and leave town. Posing as both prisoners and<br />

Nazis, they hope to reach Palestine via the Soviet Union, but problems arise when they<br />

encounter real Germans.<br />

It’s entertainment that never lets us off the hook. Village Voice<br />

every bit as reverent as “Schindler’s List” and no less successful. Film.com<br />

Produced by: Belfilms and Canal +, with the participation of<br />

Sponsored by<br />

Castel Film<br />

SPeCIaL GueST: Radu MIHaILeaNu<br />

THuRSday, oCToBeR 22, 7:00PM,<br />

CINeMa PaRadISo - LaudeRdaLe<br />

After the film there will be a Q&A with the director followed by the Opening Night Party.<br />

ORIENTEERING<br />

Director: Dan Pita / Romania / 1982 / 96 min / Romanian w/English sub-titles<br />

A group of people from various walks of life enter an orienteering course in a wilderness, that not<br />

only test their strength and courage, but also their minds and spirit.<br />

funny, whimsical, and densely metaphoric, Orienteering is as equally potent as a wry allegory on<br />

the Ceauşescu regime under the thumb of Soviet-era communism as it is an acutely observed<br />

satire on the petty dynamics of office politics. filmref.com<br />

THE DIRECTOR: Winner of Berlin Silver Bear - Honorable Mention (1986); Golden Antigone<br />

- Special Mention at Montpellier Mediterranean Film Festival (1998); Silver Lion Venice<br />

International Film Festival (1992)<br />

Produced by: RomaniaFilm.<br />

SPeCIaL GueSTS: daN PITa aNd dIReCToR oF PHoToGRaPHy vLad PauNeSCu<br />

FRIday oCToBeR 23Rd. 7:00PM CINeMa PaRadISo - LaudeRdaLe<br />

After the film there will be a Q&A with the filmmakers followed by refreshments<br />

LIVE<br />

Director: Vad Paunescu / Romania / 2015 / 106 min / Romanian w/English sub-titles<br />

Ema is a successful TV journalist, the host of a popular investigation show. Her success<br />

relies heavily on ratings, and Ema is willing to put her health, and her resources at stake<br />

in order to always discover the truth. But one of the cases propels her into the middle of<br />

a big scandal that will change her life dramatically. Ema is caught between a rock and a<br />

hard place, inside a humongous and dangerous machinery,<br />

Sponsored by<br />

while fighting to unmask one of the most controversial and<br />

powerful political players.<br />

Produced by: Castel Film<br />

SPeCIaL GueSTS: vad PauNeSCu aNd CoSTuMe<br />

deSIGNeR oaNa PauNeSCu<br />

FRIday oCToBeR 23Rd, 9:15PM, CINeMa PaRadISo - LaudeRdaLe


WORLD CINEMA<br />

ROMANIAN MINI-FEST<br />

Produced by Double 4<br />

Studios (Fl.) in collaboration with FLIFF<br />

ALIYAH DADA<br />

Director: Oana Giurgiu<br />

Romanian / 2014 / 116 min / English<br />

In Israel, the Jewish population coming from Romania became the country’s fourth<br />

largest group. They always stayed in the shadow, sometimes hiding their origins,<br />

even though important personalities emerged from that community, and they have<br />

greatly contributed to the progress of their new country. The documentary follows 130<br />

years of immigration of Romanian Jews towards the Holy Land in a light and colorful<br />

depiction of history through human stories and collages. The film is a tribute to the<br />

poet Tristan Tzara – born in the same Romanian small town from where the first Jews<br />

immigrated to Palestine in 1882.<br />

Aliyah DaDa is one of the most pleasant and refreshing surprises of the contemporary<br />

Romanian cinema. Film Magazine, UCIN<br />

Produced by Libra Films / Special Guest: oana Giurgiu<br />

SaTuRday, oCToBeR 24, 6:30 PM, CINeMa PaRadISo - LaudeRdaLe<br />

After the film there will be a Q&A with the filmmakers followed by refreshments<br />

LOVE IS A STORY<br />

Director: Cristina Iacob<br />

Romania / 2014 / 97min / Romanian w/English sub-titles<br />

In an old and charming town in Transylvania, a young cellist ( Sebastian) and an attractive<br />

actress ( Aprilia) start a beautiful love story. However, nothing is as simple as<br />

it would seem.<br />

Being influenced by three men with strong personalities, the young Aprilia tries to find the<br />

balance between adulthood and the choices of a girl's heart. It's Christmas time and life<br />

holds for this talented beautiful girl only the presents that she is strong enough to hold.<br />

Sponsored by<br />

Produced by: Media Pro Entertainment and Zazu Films<br />

SaTuRday oCToBeR 24, 9.15PM,<br />

CINeMa PaRadISo - LaudeRdaLe<br />

CLoSING day - SuNday oCToBeR 25TH<br />

Award winning collection of Romanian short films - 90 min<br />

SuNday, oCToBeR 25, 5:00 PM, CINeMa PaRadISo - LaudeRdaLe<br />

MEDAL OF HONOR<br />

Director: Calin Peter Netzer<br />

Romania / 2009 / 104 min / Romanian w/English sub-titles<br />

75 year-old, Ion endures the silence of his wife and the indifference of his son, who<br />

is living in Canada and resents his father for preventing him to leave the country before<br />

the ‘89 Revolution, by denouncing him to the secret police. One day, Ion has the<br />

surprise to receive a medal of honor from the Ministry of Defense for some 'heroic'<br />

actions back in WW2, times he barely remembers. The medal forces Ion to reconsider<br />

his whole life. Maybe he wasn't all the time a loser. Maybe his life has a meaning.<br />

Maybe he means something to his family.<br />

Medal of Honor is a happy hybrid of a festival type of movie and one that is enjoyed<br />

by all audiences. It could be labeled as a dark comedy... Revistaclipa.com<br />

Sponsored by<br />

Produced by: Hi Films ( Romania) and Pandora Films<br />

(Germany)<br />

SPeCIaL GueST: SCReeNwRITeR TudoR voICaN<br />

SuNday, oCToBeR 25, 7:15PM,<br />

CINeMa PaRadISo - LaudeRdaLe<br />

after the film there will be a Q&a with the filmmakers<br />

followed by The Closing Night Party<br />

121


One of the “Best 380 colleges for 2016”<br />

by Princeton Review<br />

No. 6 on “Best Regional Colleges in the South”<br />

by U.S. News and World Report, 2015<br />

Ranked among “The Best Colleges for your Money”<br />

by Money Magazine, 2014<br />

St. Augustine ranked #1 in<br />

“The 50 Best College Towns to Live in Forever”<br />

by College Ranker, 2015<br />

122<br />

Learn more at www.flagler.edu or 1-800-304-4208.<br />

74 King Street, St. Augustine, FL 32084


123


124


See the<br />

Final 3 Nights of Lights:<br />

3 Great Parties!<br />

30 Terrific Films!<br />

Castillo San Marcos<br />

Bridge of Lions<br />

Invites you to the<br />

Ponce de Leon drank here!<br />

Magnolia Street<br />

Mission Nombre de Dios<br />

Casa Monica Hotel<br />

Plaza de la Constitucion<br />

In the Nation’s Oldest City<br />

January 29 – 31, 2016<br />

Presented by<br />

Flagler College and<br />

The Corazon Cinema & Cafe<br />

Sponsored by<br />

Radiology Associates Imaging<br />

Produced by<br />

The Fort Lauderdale International Film Festival<br />

info@FLIFF.com<br />

Flagler College<br />

125


Picture yourself on<br />

Hollywood Beach<br />

Stay in a 5-star resort, budget-friendly small<br />

lodging or anything in between<br />

2.5 mile oceanfront, auto-free, brick-paved<br />

Hollywood Beach Broadwalk<br />

Minutes away from Cinema Paradiso in<br />

Downtown Hollywood<br />

Leave the car! The Hollywood Trolley travels<br />

from Hollywood Beach to the Downtown<br />

and back<br />

VisitHollywoodFL.org<br />

FloridasHollywood HollywoodFLCRA FloridasHollywood


Cinema Paradiso<br />

HoLLywood<br />

TMC meets the first Thursday<br />

of each month for a 1:30pm<br />

matinee. $2 Ticket discount.<br />

FRee BaG oF PoPCoRN<br />

and post-film discussion.<br />

It’s Free To Join!<br />

Cinema Paradiso<br />

FoRT LaudeRdaLe<br />

Just Join and<br />

come to any ten movies,<br />

get the 11TH FRee<br />

PLuS a GLaSS oF wINe.<br />

Hollywood, 2008 Hollywood Blvd. Fort Lauderdale, 503 SE 6 St.<br />

To Join, just register on Sign In Sheet in either CP Lobby!<br />

Congratulations<br />

30th ANNUAL<br />

Bringing the best of Indie Films<br />

To Greater Fort Lauderdale for 30 YEARS!<br />

3<br />

Betsy Cameron & Barry Smith<br />

Between 111 SE 3rd Ave and the Museum<br />

Park with us when you’re downtown to enjoy the<br />

Theater, Riverwalk, Weekend Festivals,<br />

Imax, Museums & Restaurants.<br />

Safe, lighted new facility, attendant on duty, flat fee.<br />

127


FounDInG SponSoR BRoWaRD CuLTuRaL CounCIL<br />

To the members and audiences of the fort Lauderdale international film festival<br />

DIAMONDS, RUBIES AND PEARLS<br />

It’s a year of milestone birthday celebrations; Broward County is having<br />

their 100th birthday - the diamond year; Broward Cultural Division’s Public<br />

Art & Design Program celebrates 40 years next year, the Ruby anniversary;<br />

and this year, fort Lauderdale international<br />

film festival celebrates its 30th Pearl Anniversary.<br />

As though in celebration of all these jewels, this year<br />

we have done a unique thing with a very successful<br />

“Filmed in Broward” weekend long film festival that<br />

showcased many of the memorable films shot in<br />

Broward County, and we have attracted some heavyweight<br />

filmmakers over the course of our history!<br />

These filmmakers were interested in borrowing our<br />

palm-lined beaches, our expansive Everglades, our<br />

busy sunlit and moonlit streets, as backdrops for their<br />

stories. The warm breeze, the ocean and twinkling sky<br />

make for good, filmmaking drama, in films such as<br />

Cape fear directed by Martin Scorsese, starring<br />

Robert De Niro, Nick Nolte and Jessica Lange, The Birdcage by Mike<br />

Nicols, starring Robin Williams and Nathan Lane, both of which included<br />

scenes from Greater Fort Lauderdale.<br />

As independent films go, we know they are called ‘independent’ because<br />

they are produced mostly or completely outside of major film<br />

studios, in addition to being produced and distributed by independent<br />

entertainment, allowing for creative expression outside the big box office,<br />

and personal artistic vision realized. Sometimes, yes, they may<br />

be lower budget as a result, and sometimes this is the price for freedom<br />

to create. For this independence, ‘Independent Film’ is an important<br />

sector of the filmmaking industry.<br />

fort Lauderdale’s international film festival is 30<br />

years ‘Pearl’ strong, and growing right alongside<br />

Broward and indeed, Broward County’s arts and cultural<br />

sector.<br />

The growth and development of fLiff has enticed<br />

filmmakers from Bangladesh, Albania, Belize, Bhutan,<br />

Cambodia, Czech Republic, Egypt, Iceland, India,<br />

Iran, Malawi, Mongolia, New Zealand, Spain, Switzerland<br />

and Tanzania, who culminate annually in the<br />

heart of Fort Lauderdale to ‘talk shop,’ exhibit their<br />

productions and exchange global ideas. They bring<br />

the world to us!<br />

The Broward Cultural Council wishes to extend a mutual Happy Birthday<br />

to the fort Lauderdale international film festival, and emphasize<br />

its continued support and partnership in making Broward County a vibrant,<br />

artsy, talented destination for visitors and a home, with quality<br />

of life and international appeal for its residents.<br />

Let’s celebrate our jewels!<br />

diane weinbrum, Chair ~ Broward Cultural Council<br />

pReSenTeRS<br />

Michael Goldberg<br />

CEO, Zimmerman Advertising<br />

For Good. For Ever.<br />

The<br />

Mary N. Porter<br />

Legacy Fund<br />

of the<br />

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of Broward<br />

pRoDuCeRS<br />

128<br />

Linda Carter<br />

President, CEO<br />

Mary N. Porter<br />

Nicki Grossman<br />

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Jorge Camejo<br />

Executive Director


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Miles Forman<br />

Ken Detzner<br />

Secretary of State<br />

Irv Cowan<br />

Joseph Kaller<br />

Maurice Kanbar<br />

Ed Walls<br />

General Manager<br />

Forman Family Foundation<br />

Tara & Miles Forman with Austin & Christine Forman<br />

Noelle Stevenson<br />

Broward Film Comissioner<br />

Alan Koslow<br />

Shareholder<br />

Becker & Poliakoff<br />

Claire Jacobs<br />

Manager of Alliance Sales USA<br />

Heiko Dobrikow<br />

General Manager /<br />

Executive Vice President<br />

129


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134


Welcome film lovers and filmmakers to our thirtieth anniversary<br />

celebration! We extend a profound Thank You to all of you who may<br />

be attending for the first time, as well as those who<br />

have supported this non-profit cultural icon during its evolution over the<br />

past three decades. Before proceeding to acknowledge those who have<br />

made this enduring legacy possible, please let me share with you a few<br />

grateful thoughts about the wellspring of our success - the magic of film.<br />

Steven Spielberg recently observed, in comparing film to the paintings<br />

of Norman Rockwell, which inspired him, that Rockwell’s gift was<br />

to tell a complete story in a single frame. Although the filmmaker has the<br />

advantages of engaging “dialogue, thunderous special effects, evocative<br />

music, and dramatic lighting” – for Spielberg, both mediums “construct alternative<br />

realities that nurture our love of fantasy, our sense that goodness can exist in the<br />

world, and that ordinary people with ordinary failings can overcome the forces<br />

that threaten our individual and collective lives”.<br />

“A two-hour film has 172,800 frames”, says film critic David Thomson in his<br />

book Moments that Made the Movies; and the special movie moments for the<br />

audience are those which become memories “as potent in our imaginations as<br />

the rooms in which we spent our childhood.”<br />

And consider the unique intimacy of going to the movies. James Baldwin has<br />

observed, in writing about the iconic movie stars, that “only in the movies do you<br />

get to see other persons so intimately… intense, huge, and close up. In life, you<br />

try not to stare at celebrities – in the movies you get two hours to do so – raptly,<br />

even blissfully.”<br />

Legal Counsel<br />

Treasurer<br />

Immediate Past Chairman<br />

FLIFF CHAIRMAN'S MESSAGE<br />

Secretary<br />

Douglas P. Solomon<br />

Law Offices<br />

Douglas Paul Solomon<br />

BOARD OF DIRECTORS<br />

Chair Emeritus<br />

And at Cinema Paradiso, thanks to our CEO and President, Gregory<br />

Von Hausch - the great Jedi Warrior – our force for good, and the creative<br />

genius behind all of this - and Bonnie Leigh Adams, our talented<br />

Senior Program Director, we have consistently screened for you the<br />

best of independent and foreign films before their availability in other<br />

venues and before they achieve Golden Globe and Academy Award<br />

recognition, as they often do!<br />

A true grass roots venture, our film festival has grown from an idea<br />

by a handful of visionaries in 1986, without a theater of its own, to an<br />

internationally recognized cultural event and year round exhibitor of<br />

fine films operating in its own two “Cinema Paradiso” theaters in Fort<br />

Lauderdale and Hollywood, Florida!<br />

None of this could have come to pass without the solid support of our members,<br />

State and Broward County grants, assistance from the cities of Fort Lauderdale,<br />

Hollywood and Sunrise, and, especially, the very generous financial support of the<br />

hundreds of contributors, sponsors, and advertisers too numerous to list here!<br />

It is my honor and privilege to follow in the footsteps of former chairpersons<br />

who have built upon those humble beginnings, also too numerous to list, and to<br />

serve with our outstanding Board Members and Advisory Board members and<br />

a remarkable Staff and Volunteers described below.<br />

What a blessing to share with you our celebration of film, our three decades<br />

of progress – and to invite you to experience a banquet of superb selected newly<br />

minted films from all over the world.<br />

– Enjoy !<br />

Film Commissioner<br />

Exec At Large<br />

Board Development Chair<br />

President & CEO<br />

Betsy Cameron<br />

Cara Ebert Cameron, P.A.<br />

Teri Pattullo<br />

Alan Koslow<br />

Becker & Poliakoff<br />

Judy Erickson<br />

Diplomat Resort & Spa<br />

Ginny Miller<br />

Miller Construction Co.<br />

Noelle Stevenson<br />

Greater Fort Lauderdale/ Broward<br />

Office of Film & Entertainment<br />

Diane Sobo<br />

Starwood Properties<br />

Estelle Fineberg<br />

Estelle Fineberg<br />

Associates<br />

Gregory<br />

von Hausch<br />

Charles "Chip" Abele Marilynn Berry<br />

Chairman & CEO - Hollywood Circle, LLC,<br />

Block 40, LLC; Gold Coast Regional Ctr, LLC<br />

Cyndi Boyar<br />

Michael Goldberg<br />

CEO, Zimmerman Advertising<br />

Pam Huizenga-<br />

Alexander<br />

Pam Huizenga Jewelry;<br />

Sunset Bay Marina<br />

Robert Kagan, M.D.<br />

MRI Scan Center<br />

George Kress<br />

RPh<br />

Sandra Simiele McCallum<br />

AAA Fire Protection<br />

Dr. Daryl Miller<br />

Steven Naimoli<br />

Credit Bureau Services<br />

Jim Norton<br />

Coldwell Banker;<br />

Weston City Commissioner<br />

Steve Savor<br />

Philanthropist<br />

Eileen Schneider<br />

Florida Atlantic University<br />

ADVISORY BOARD<br />

Janet Schwartz<br />

Volunteer Coordinator<br />

Lynn Taylor<br />

Gerald B. Weber<br />

President & CEO,<br />

Jewelry Repair Enterprises, Inc<br />

Bonnie Barnett<br />

Heritage House Galleries<br />

John Boisseau Rob Davis Glenn Friedt Lisa Liotta John Mager<br />

Redevelopment &<br />

Operations Mgr City of Hollywood CRA<br />

MISSIoN STaTeMeNT<br />

Bringing people together year round,<br />

using Cinema to educate and inspire<br />

while showcasing<br />

the best in filmmaking.<br />

Carole Nugent<br />

Wil Shriner<br />

vISIoN STaTeMeNT<br />

From independent and world cinema to documentaries and student<br />

films, the diversity of work spotlighted by three decades of<br />

festivals and events will continue to make a significant cultural<br />

and economic impact on the communities of South Florida.<br />

135


Lumiere Sponsors:<br />

Wini and Joe Amaturo Doug Amaturo Marilynn Berry Antje & Leonard Farber Miles Forman<br />

Barbara & Arnie Grevior<br />

Walter Griffith Wayne & Marti Huizenga Tom & Ginny Miller Tom & Maryrose Mullane<br />

Millennium Club<br />

John Mager, a FLIFF member created the<br />

Millennium Club in 2006. Since that time we<br />

have raised thousands of dollars to upgrade<br />

Cinema Paradiso. Thanks John!<br />

Lawrence<br />

Oberman★<br />

Betty Lakeysmith Carla DiMauro<br />

★<br />

★<br />

Ginny & Tom Miller ★<br />

Nick and Molly<br />

St Cavish ★<br />

Sally & John<br />

Boisseau<br />

★★<br />

Brian and Susan<br />

Brown<br />

★★★<br />

Betsy Cameron &<br />

Barry Smith<br />

★★★<br />

Elliot Cantor<br />

★<br />

★★★★★★★★★★★<br />

M.E. DePalma<br />

★<br />

Estelle Fineberg<br />

★★★<br />

Richard & Mimi<br />

Friedman<br />

★<br />

Lynn Taylor &<br />

Glenn Friedt<br />

★★★<br />

Jerry &<br />

Nicole Gray<br />

★★<br />

Loyce I. Grigsby<br />

★<br />

Mae Silver<br />

★★<br />

Cynthia & Dane<br />

Hancock<br />

★<br />

William Kohn<br />

★<br />

Marilyn Kramer<br />

★<br />

John Mager<br />

★★★★★<br />

Pat & Sandy<br />

McCallum<br />

★★<br />

Dr. Daryl Miller<br />

★★★★★★<br />

Beatriz & Al Miniaci Claudette Moritz<br />

★★★★ ★★★<br />

Tom & Maryrose<br />

Mullane<br />

★★<br />

Steven & Kim<br />

Naimoli<br />

★★<br />

Dr. Jules<br />

Oaklander<br />

★<br />

136<br />

Pam O'Hara<br />

★<br />

Teri & Brian<br />

Pattullo<br />

★★★<br />

Steve Savor<br />

★<br />

Janet Schwartz<br />

★★★<br />

Betty<br />

Lakey-Smith<br />

★<br />

Diane Sobo<br />

★★<br />

Mary & Nick<br />

St Cavish<br />

★<br />

Milan & Coni<br />

Uselac<br />

★★★<br />

Mark Wilton<br />


FLIFF STAFF<br />

Bonnie Leigh Adams<br />

Senior Program Director<br />

Michelle Filippi<br />

Operations Director<br />

Erin Fontes<br />

Managing Director<br />

Irwin Levenstein<br />

Director of Membership/<br />

Photographer<br />

John Campbell<br />

Accountant<br />

Lennie Wong<br />

Sr Tech Director<br />

Craig Hill<br />

Print Trafficking/<br />

Head Projectionist<br />

Rudrick Dawes<br />

Tech Tream<br />

Jeanne O’Grady<br />

Concessions Manager<br />

Ray Cruz<br />

Tech Team<br />

Afshawn Towfigi<br />

Int'l Tech Team<br />

Jose Vazquez<br />

Tech Team<br />

Ken Perna<br />

Program Guide<br />

Art Director<br />

Janet Leavy<br />

Schwartz<br />

Volunteer Coordinator<br />

Jan Mitchell<br />

Marketing & PR<br />

Tina La Boeuf<br />

Theater Staff<br />

Steven Greenberg<br />

Festival Cafe Manager<br />

Alissa Allen<br />

Consultant<br />

Bob Meyer<br />

Spirits Wrangler<br />

Yuri Kaner<br />

Theater Staff<br />

Michele Boland<br />

Festival Box Office<br />

Gordon K. Smith<br />

Videographer<br />

Suzzette Dawes<br />

Theater Staff<br />

Kavita Lowtan<br />

Box Office Mgr.<br />

Karen Scinta<br />

FLIFF On-Location:<br />

Sunrise Coordinator<br />

Yvette White<br />

Theater Staff<br />

Rob Davis<br />

Associate<br />

Programmer<br />

*FLIFF Volunteer Advisor<br />

Alfredo Longo<br />

Alline Trutsko<br />

Amie Bland<br />

Ana Garcia<br />

Andrea Malow<br />

Anna Plasencia<br />

Art Smith<br />

Barbara Minzner<br />

Barbara Scott<br />

Barbara Sutton<br />

Bernadette Chawla<br />

Betty Lakeysmith<br />

Brittany Landers<br />

Brittany Law<br />

Bruce Bornstein<br />

Carla DiMauro<br />

Carol Burpeau<br />

Carol O’Brien*<br />

Carol Romano<br />

Carol Tumberry<br />

Caroline Seabright<br />

Cathie Conn<br />

Cathy Rollins<br />

CeeCee Via<br />

Christine Esposito-<br />

Torres<br />

Brian Bayerl<br />

DP, FLIFF Trailer<br />

Peter Langone<br />

Television/Trailer<br />

Director<br />

Dean Lyon<br />

Editor FLIFF Trailer<br />

Bob Greenberg<br />

PA FLIFF Trailer<br />

Foster Hirsch<br />

Historian and<br />

On-stage Interviewer<br />

Denise Castillon<br />

Marketing & PR<br />

2015 FLIFF VOLUNTEERS AS OF 9/15/15<br />

VOLUNTEER COORDINATOR: JANET LUSTIG SCHWARTZ<br />

Christine Van Hulle<br />

Cis Hancock<br />

Claudia Borden<br />

Sherman<br />

Claudia Lopez*<br />

Connie Sanders<br />

Craig Keeler<br />

Craig Mapp<br />

D’Affner Sainvil<br />

Daniel Pingani<br />

Danielle Troutman<br />

David Katimi<br />

Debbie Cawdrey<br />

Denise LaBella<br />

Diana Riojas<br />

Dominique Francois<br />

Donna Greene<br />

Donna Meents<br />

Dora Inga<br />

Eileen Schneider<br />

Ellen Bor*<br />

Emily Collier<br />

Enrique Widauski<br />

Eva Pedriglieri<br />

Federico Manuel Pohls<br />

Fern Katz<br />

Genesis Santos<br />

Genia King<br />

Gil Klajman<br />

Glen Tibaldeo<br />

Greg Bartoli<br />

Greg Nesper<br />

Gregory Slowikowski<br />

Hanna Kahan<br />

Harriette Altman*<br />

Helen Smith<br />

Janet Novack<br />

Janis Buongermino<br />

Jannine Hibbs<br />

Jason Pennant<br />

Jennifer Coloney<br />

Jessica Nelson<br />

Jim Woodworth<br />

Joan Marchese<br />

Joan O’Rourke*<br />

Joann Block<br />

Joe Marquez*<br />

Joshua Mullennix<br />

Judith (Judy) Ford*<br />

Karen Donohue<br />

Karen Lennon<br />

Karen Maltes<br />

Kimberly Borelus<br />

Kristin Beck<br />

Joan Kish<br />

Festival Concession<br />

Kristy Smeriglio<br />

Lea Lancourt*<br />

Leda Itzkowitz<br />

Lee Neuman<br />

Lenore Stern Morris<br />

Lesley Hicks<br />

Linda Patterson*<br />

Linda Rogers*<br />

Lisa Whattley<br />

Lisa York<br />

Lissandra Salomon<br />

Liz Karp<br />

Lorraine Schramm<br />

Louise Johnston<br />

Lyzanne Martin<br />

Madison Gallup*<br />

Mari SantaMaria<br />

Maria Brandt<br />

Maria Longo<br />

Maria Vargas<br />

Mariana Morris<br />

Marie McEntee<br />

Marilyn Rubin<br />

Matthew Gill<br />

Maykah Marshall<br />

Melana Francisco<br />

Melanie Caprio<br />

Michael Merino<br />

Michael Shipsky<br />

Michele Boland<br />

Mischa Robinson<br />

Moona Whitice<br />

Nadean Stone<br />

Najib Salaam<br />

Natalie Batiste<br />

Nhumas Guerras<br />

Noralee Traylor<br />

Patricia Perkins<br />

Paul McKee<br />

Paula Shavers<br />

Paulette Richardson<br />

Paulina Merino<br />

Pauline Vitale<br />

Pepper Prigal<br />

Peter Lent<br />

Peter Loucke<br />

Petrina D. Smith<br />

Ramona Rung<br />

Rayda Siso<br />

Regina Bonney<br />

Renate Laub*<br />

Richard Collura<br />

Ro King<br />

Robert Rosenberg<br />

CP - Asso Programmer<br />

Ross Kaplan<br />

Ry Nielson<br />

Sandy Darrall<br />

Sandy Goldstein<br />

Sarafina Casimir<br />

Seth Lefkow<br />

Sharin McKearnan<br />

Shianne Saraiva<br />

Stacy Reines<br />

Steven Alperstein<br />

Steven Love<br />

Susie Colucci<br />

Suzanne Kranz*<br />

Suzanne Southwell*<br />

Suzie Bleus<br />

Suzzette Dawes*<br />

Teresa Shafer<br />

Tibbi Duboys<br />

Tom Ryan<br />

Tomas Caicedo<br />

Trey Donnelly<br />

Tricara Williams<br />

Vanessa Ferguson<br />

Xiomara Flores<br />

Yvonne Blackman<br />

137


Radiology Associates Imaging, St. Augustine<br />

is a Proud Supporter of the<br />

St. Augustine Film Festival<br />

190 Southpark Blvd., Suite 101, St Augustine<br />

904-827-9191 · www.radiologyassociatesimaging.com<br />

138


139


LAW OFFICE OF<br />

BENEDICT P. KUEHNE, P.A.<br />

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ben.kuehne@kuehnelaw.com<br />

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DOWNTOWNN<br />

JEWISH<br />

P R E S<br />

O<br />

C<br />

H<br />

O<br />

At the Downtown Jewish Preschool we are proud to offer a creative, progressiv<br />

e,<br />

warm environment, where your child’ s individual style of learning will be valued<br />

and nurtured. We provide small classes<br />

with excellent teacher/student ratio os<br />

and a professional staff of early childh hood specialists.<br />

Our philosophy is inspired by the Re eggio Emilia approach, to cultivate within in<br />

children a lifelong passion for<br />

learning<br />

and exploration. We believe that childre en<br />

are full of curiosity and imagination; they are not empty memory banks waiting<br />

to be filled with facts, figures and dates. The specialized curriculum is flexible<br />

and emerges from children’s ideas, thoughts and observations. Your<br />

child will<br />

receive an enriching education, imbue ed with the warmth of Jewish tradition.<br />

RE GISTRATION TION OPEN F<br />

OR BOYS AND GIRLS<br />

AGES 18M MOS - 3 YEARS<br />

LOCATION:<br />

DJEC 1012 E BROWARD BLVD<br />

954.667.8000 .8000 · INFO@DOWNTOWNJEWISH.COM<br />

WWW.GANREGGIO.COM<br />

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Join us Year-Round at Cinema paradiso<br />

Each year we guarantee Free member screenings. In addition to movies at Cinema Paradiso,<br />

we have concerts, comedy, theatre, cabaret, corporate meetings, community fundraisers, and<br />

educational outings for the children of Broward County. Your membership insures our eternal<br />

flickering light. Members NEVER pay a processing fee for advanced online or telephone orders.<br />

Benefits<br />

membership Levels<br />

Superstar Executive Director Production Student<br />

Producer<br />

Assistant<br />

$825/$1400 $495/$895 $160/$275 $95/$160 $15<br />

40% Discount on CP tickets<br />

* * * * *<br />

Up to 40% Discount on FLIFF tickets<br />

* * * * *<br />

Discounts on Annual Parties and Special Events<br />

* * * * *<br />

Special FREE movie screenings<br />

* * * * *<br />

Exclusive 'Members Only' advanced ticket sales<br />

* * * * *<br />

Members Seated First" Studio Film Premieres<br />

* * * * *<br />

New digital Membership Card<br />

* * * * *<br />

(Ft. Laud & Hollywood, Not Incl. Festival)<br />

INDIVIDUAL - 5 FREE Cinema Paradiso tickets<br />

* * * *<br />

TEAM - 10 FREE (Same criteria above)<br />

* * * *<br />

No online Processing Fees<br />

* * * *<br />

"Members seated first" Studio Film Premiere<br />

* * * *<br />

Recognition in Festival Catalog<br />

* * *<br />

FREE Admission to Festival Poster Unveiling Party<br />

* * *<br />

FREE Centerpiece Film & Party during FLIFF<br />

* * *<br />

Free Admission to the Academy Awards Party<br />

* *<br />

Free Admission to the Cinco de Mayo Party<br />

* *<br />

FAST PASS - Free Admission to All FLIFF Films<br />

* *<br />

FREE Opening Night Film & Party<br />

*<br />

Free Festival 'Shorts' Selection admittance<br />

*<br />

FREE Closing Night Film & Wrap Party<br />

*<br />

Free Monthly NYFCS Movies<br />

*<br />

Free Admission to the FRENCH FILM Mini Fest<br />

*<br />

Free Admission to the ROMANIAN FILM Mini Fest<br />

*<br />

Phil Bannister<br />

Jayce & Tiff Bartok<br />

Brian Bayerl<br />

Bob & Anne Brantmeyer<br />

Ray Brasted<br />

Robert Brown<br />

Jim Burke<br />

Denease Butt<br />

Barbara Campbell<br />

Adam Chernov<br />

Will Coaxley<br />

Tara Collandra<br />

Michele Cowan<br />

Erman Erkur<br />

Craig Evans<br />

Willie Fernandez<br />

Rachel Galvin<br />

Amy Garcia<br />

Mark Gauert<br />

Kimberley Gaultier<br />

Gregoire Grasselin<br />

Bob Greenberg<br />

Jessica Gutchess<br />

Ronnie Haligman<br />

Chris Hoadley<br />

Wayne & Marti Huizenga<br />

Madalina Iordache-Levay<br />

Claire Jacobs<br />

SPECIAL THANKS!<br />

Ken Klein<br />

Jared Koesten<br />

Colleen LaPlant<br />

Susan Lazarus<br />

Eddy Leal<br />

Palma Leonatti<br />

Patrick Leveque<br />

Lisa Liotta<br />

Tatiana Lora<br />

Erin Lowrey<br />

Dean Lyon<br />

Autumn Markley<br />

Tom & Ginny Miller<br />

Yaffa Mizrachi<br />

Dave Montalbano<br />

Adeline Monzier<br />

Russell Nelson<br />

Teri & Brian Pattullo<br />

Christina Perez<br />

Joe Plana<br />

Elizabeth Rahe<br />

Mariah Reed<br />

Susan Renneisen<br />

Lisa Richie<br />

John Rutledge<br />

Riccardo Sabioni<br />

Kelley Sarantis<br />

Jeff Schermer<br />

Kahla Shoemaker<br />

Alan Somers<br />

Dawn Stagliano<br />

Kishan Stanley<br />

Chrsitina Swanno<br />

Celeste Locante-Thorson<br />

Alli Tolle<br />

Ed Walls<br />

Jeremy Weinstein<br />

Elena Wines<br />

Rafael Yanez<br />

Natalie Zauhar 141


THANK YOU<br />

FILMMAKERS AND FILM LOVERS<br />

FOR<br />

THREE DECADES OF SUPPORTING<br />

YOUR<br />

FORT LAUDERDALE INTERNATIONAL FILM FESTIVAL!<br />

– AND –<br />

CONGRATULATIONS<br />

TO GREGORY, BONNIE, STAFF AND VOLUNTEERS<br />

DOUGLAS P. SOLOMON, ESQ.<br />

PRIVILEGED TO SERVE AS<br />

CHAIRMAN OF THE BOARD 2015-16<br />

DOUGLAS PAUL SOLOMON<br />

LAW OFFICES<br />

WWW.ATTORNEYSOLOMON.COM<br />

MEMBER OF THE BAR OF FLORIDA AND NEW YORK<br />

DPSOLOMON@ATTORNEYSOLOMON.COM<br />

T 954.525.4100 F 954.525.4300 C 305.542.0234<br />

Official<br />

Travel Agency<br />

of the 30th Annual<br />

Fort Lauderdale<br />

Film Festival<br />

Journey Travel Agency …<br />

because it is more about the<br />

journey than the destination.<br />

We specialize in personalized service in the luxury<br />

travel market, corporate , groups and<br />

incentive travel from land to sea.<br />

142<br />

Journey Travel Agency<br />

a division of Corporate Travel Sales Bureau<br />

Kelley Sarantis<br />

3350 NW 22nd Terrace, Suite 1000, Pompano Beach, FL 33069<br />

561.361.0055 office 954.263.4924 cell<br />

By appointment only


Becker & Poliakoff salutes our client<br />

Chip Abele - FLIFF Corporate rate Leader<br />

Gold Coast Regional Center<br />

Hollywood Circle, LLC & Bloc ck 40, LLC<br />

And salutes all of the 2015 Honorees<br />

Nicki Grossman - Visionar ry Award<br />

Candy Clark - Lifetime Achievement<br />

Ed Harris - Lifetime Achievement<br />

Christopher Lloyd - Lifetime Achievement<br />

Amy Madigan - Lifetime Achievement<br />

Victor Nunez - The Florid da Prize<br />

Estelle Parsons - Lifetime Achievement<br />

Loretta Swit - Lifetime Achievement<br />

Alan Koslow, Shareholder,<br />

Beck ker & Poliakofff<br />

Immediate Past Chair of FLIFF and Chair of 2015 Galaa<br />

akoslow@bplegal.com | 954.985.41699 | www.bplegal.com<br />

Always Enjoy Responsibly.<br />

©2013 Anheuser-Busch InBev S.A., Stella Artois® Beer,<br />

Imported by Import Brands Alliance, St. Louis, MO<br />

143<br />

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Ticket order & membership Form<br />

Title / Date / Time Quantity Price SubTotal<br />

TICkeTS :<br />

Totals: # of Tickets $<br />

CINEMA PARADISO: $6 FLIFF Members, $8 seniors & students, $10 general admission except “Special Screenings”<br />

Name ______________________________________________________________________________<br />

Address _________________________________ City & zip: __________________________________<br />

Telephone Day:_____________________ Eve: _________________ Fax: _______________________<br />

Email: ________________________________________<br />

❑ Check enclosed<br />

❑ Please bill credit card #_______________________________________<br />

Exp. _________ Signature __________________________________<br />

There are no exchanges or refunds.<br />

Call 954-760-9898 ext 111 and learn how your group can raise money selling FLIFF tickets!<br />

144<br />

MeMBeRSHIP CHeCk oNe: (Add to $ total above)<br />

❑ FLIFF $15 – Student 25 years or younger with valid ID<br />

❑ Production Assistant $95<br />

❑ Production Team (Couples) $60<br />

❑ Director $160 / Director Team $275<br />

❑ Executive Producer $495<br />

❑ Executive Producer Team $895<br />

❑ Superstar $825 / Superstar Team $1400<br />

New member: ❑ yes<br />

Renewal: ❑ yes<br />

Memberships fees are non-refundable. Badges must be presented at events for admission or benefits.<br />

Memberships are good for 365 days from date of processing.<br />

mailing address<br />

1314 east Las olas Blvd., #007 • Fort Lauderdale FL 33301<br />

954.760.9099 fax • info@FLIFF.com

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