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★ THE FLORIDA PRIZE ★<br />
2015 marks the inaugural year of the presentation of the annual award, THE FLORIDA PRIZE. In alternating years the award<br />
will be given to a Florida Film Pioneer (Victor Nunez in 2015) and an Emerging Florida Filmmaker on even years.<br />
VICTOR NUNEZ<br />
A member of the founding boards of the Independent Feature<br />
Project (IFP) and the Sundance Film Institute, Victor Nunez has<br />
been making Indy movies for over four decades.<br />
Born in Deland, Nunez received his degrees at Antioch College and<br />
University of California at Los Angeles and began his work in the 1970s<br />
on educational and industrial films while still managing to make three<br />
award winning shortsTaking Care of Mother Baldwin (1970), Charley<br />
Benson’s Return to the Sea (1972), and A Circle in the Fire (1974).<br />
His feature film debut was Gal Young’Un (1979), financed with grants<br />
from the NEA and the Florida Arts Council. Based on the short story by<br />
Marjorie Kinnan Rawlings, the movie is set in the Prohibition Era Florida<br />
and is about a widowed Florida woman, her new opportunistic bootlegger<br />
husband and his young girlfriend. Starring Dana Preu, the film was<br />
invited to the New York, Toronto, and London film fests as well as the<br />
Director’s Fortnight in Cannes. In the NY Times, Vincent Canby called<br />
it, “an astonishingly good first feature, written, directed, photographed,<br />
edited and produced by Victor Nunez...I know very little about Mr. Nunez<br />
except that he lives and works in Florida, but if he’s representative of<br />
our new regional film makers, things are looking up.”<br />
His next film was A Flash of Green (1984) adapted from a John<br />
D. MacDonald novel and financed by grants from the Rockefeller<br />
Foundation and PBS American Playhouse. Set in the early ‘60s<br />
along the Gulf Coast of Florida, A Flash of Green tells of a tormented<br />
reporter drawn into aiding a self-serving county commissioner in an<br />
underhanded landfill development. Starring Ed Harris, Blair Brown,<br />
and Richard Jordan, the film was shown at the NY and Toronto Film<br />
Festivals, Cannes and on PBS American Playhouse.<br />
Nunez used a windfall from a great-aunt to finance Ruby in Paradise<br />
(1993), which starred then-newcomer Ashley Judd playing a<br />
young woman fleeing a bad relationship in the back woods of Tennessee<br />
who ends up working in a souvenir shop in Panama City.<br />
Again the film was shown at the NY and Toronto Fests and Director’s<br />
Fortnight. The film jointly won the 1993 Grand Jury Prize for Drama<br />
at the Sundance Film Festival and was selected by Roger Ebert as<br />
one of his “Top Ten” films of the year. Ashley won the Independent<br />
Spirit Award for Best Female Lead for her performance.<br />
In 1997, Ulee’s Gold, produced through Jonathan Demme’s company,<br />
garnered Victor’s widest audience and earned star Peter Fonda the Golden<br />
Globe and NY Film Critics Award as well as an Oscar Nomination for Best<br />
Actor. Set in the tupelo honey-producing region of the Apalachicola River,<br />
Peter played a third-generation beekeeper with a host of personal problems.<br />
Praising the star and director in The NYTimes, Janet Maslin called<br />
the film, “beautiful and heartfelt, an oasis of humanity in a season of furious<br />
hyperbole. Simple almost to a fault and yet effortlessly wrenching, it shows<br />
nothing more than the spiritual reawakening of a hard-bitten loner. Yet the<br />
star and filmmaker make this story resonate in moving, meaningful ways.”<br />
Coastlines (2002) plays out a messy triangle between three childhood<br />
friends. Starring Josh Brolin, Tim Olyphant and Sarah Wynter.<br />
Nunez’s characters and stories have often been described as<br />
emotionally resonant, multi-layered character driven narratives. Emmanuel<br />
Levy, in his book “Cinema of Outsiders”, states “Integrating<br />
Florida’s unique landscape and spirit, Nunez’s fully realized drama<br />
represents American regional cinema at its very best.<br />
A quick sojourn in New Mexico as a “hired gun” directing Rubin<br />
Blades as a father dying of cancer in Spoken Word (2009), while a<br />
great adventure, did seem a long way from the Gulf Coast and left<br />
the question of “what next,” wide open.<br />
Victor Nunez was inducted into the Florida Artists Hall of Fame<br />
in 2008, and his biography at Florida’s Division of Cultural Affairs<br />
states, “Victor Nunez has been called a national treasure of regional<br />
independent filmmaking. A visionary writer, director, cinematographer<br />
and producer, Nunez’s gripping work fuses character and place<br />
in portraits of his home state of Florida.”<br />
He is currently teaching directing at Florida State in his hometown<br />
of Tallahassee. “I don’t know what’s next, really. I’m not sure I<br />
recognize Florida anymore, but I am very grateful for this award.<br />
Perhaps it will inspire me to find my way back to my real Florida<br />
home one more time again.”<br />
Mr. Nunez will attend a FLaSH oF GReeN and receive The Florida Prize at The FLIFF Gala, Saturday, November 21.<br />
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