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HELLBOOK

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The quartet of songwriters comprising Weikie,<br />

Andi, Sascha and Markus again raise expectations<br />

after those years of tireless creative<br />

contributions.<br />

The masterpiece has an impressive<br />

opening tale with the progressive,<br />

mystical Nabataea. The composition<br />

evokes this legendary kingdom that<br />

was discovered in the early twentieth<br />

century and is the origin of<br />

many myths and legends, as<br />

well as Petra’s Secret, while<br />

hiding us behind a musical<br />

cliff. Nabataea is a unique<br />

creative piece with musical<br />

reminiscences, and<br />

we can hear several<br />

independent melodic<br />

developments in the<br />

course of its short<br />

seven minutes.<br />

The soaring creation and the most overwhelming track<br />

on the new album is entitled Burning Sun. It is a complex,<br />

direct and hymnal track written by Weikie, with elegant<br />

instrumental arrangements full of beauty. It is sharp and<br />

pure, as are Sascha’s World of War, Markus’ Far from the<br />

Stars, or Andi’s Live Now! and Waiting for the Thunder.<br />

The array of musical colours displayed by the impressive<br />

Hold Me in Your Arms, Straight out of Hell, Asshole,<br />

Years, Make Fire Catch the Fly and Church Breaks Down<br />

has been shaped into a monumental album, where the<br />

band make each idea work, without cracks or bumps.<br />

This is improved still further by an immeasurably broad<br />

pitch range in Andi’s performance on vocals. And there's<br />

a fitting tribute to the memory of Jon Lord through the<br />

wonderful rendition of Burning Sun (Hammond Version),<br />

included as a B-side on the CD.<br />

With positive fan and media recognition, Helloween<br />

set out on a successful world tour, recalling a highlight<br />

from their own history by revisiting the Hellish<br />

Rock Tour along with Gammaray together on the same<br />

stage.<br />

«We have created better ones so<br />

we control the way…»<br />

HEROES<br />

‘To embrace your origins<br />

and to leave<br />

behind the frontier<br />

of your primeval<br />

world is the<br />

path to blindly face<br />

the future.’ It seems<br />

the perfect ending for a new<br />

beginning, driven by the strong<br />

instinct to improve themselves, to keep<br />

innovating and not to rule out risks.<br />

Now 30 years have passed<br />

since those eager, visionary<br />

teenagers started<br />

their journey with their<br />

first official<br />

recording, and<br />

in May 2015<br />

Hellow<br />

e e n<br />

will released their long-awaited 15 th studio album entitled<br />

My God-Given Right. Together with their successful team of<br />

collaborators, our tireless band recorded the entire album<br />

between October 2014 and February 2015 at their own Mi<br />

Sueño Studio in Tenerife.<br />

As with their seven previous works, their long-term producer<br />

Charlie Bauerfeind handled the whole production and every<br />

recording duty. Helloween have also returned to the German<br />

record label Nuclear Blast, a cooperation that had been<br />

suspended since the release of Rabbit Don't Come Easy in<br />

2003.<br />

In addition to this, Martin Häusler brings back to us his mastery<br />

as a designer and illustrator by presenting us a stunning<br />

cover in full 3D, with a groundbreaking choice of colour<br />

palette, dominated by white with slight contrasts of blue<br />

and shiny elements. In line with the album's title, it seems<br />

to lead us to a new beginning full of light, fresh energy and<br />

purpose, like those pumpkin robots ready to march. Just in<br />

a simple way, direct and thrilling, like a virginal blank page.

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