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Aziz Art Nov2015

History of art(west and Iranian)-contemporary art

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Tabrizi expanded the domain of his<br />

explorations and, using traditional<br />

Iranian motifs and techniques,<br />

created numerous works in fresh<br />

forms. These techniques included<br />

tile work, engraving, book<br />

illustration, plaster work, collage,<br />

painting on old inscriptions,<br />

painting on glass, use of mirrors in<br />

painting, and use of padlocks,<br />

chains, and various objects. These<br />

techniques are examples of<br />

proposals that the artists offered<br />

to the Iranian contemporary art<br />

world. Tabrizi made a<br />

juxtaposition of his personal<br />

documents – including school<br />

workbooks, identification<br />

notebook, school identification<br />

cards, certificates, bank notebooks,<br />

athletic club cards, and university<br />

entrance exam card – on a panel<br />

within a composition decorated<br />

with sealing wax and the common<br />

inscriptions found on documents<br />

and seals. Entitled Life Workbook,<br />

the work was displayed along with<br />

other works inspired by spells and<br />

the illustrated pages of books that<br />

were shown along with Massoud<br />

Arabshahi's relief works at the<br />

Faculty of Fine <strong>Art</strong>s of Tehran<br />

University in 1964. Life Workbook<br />

can be considered a proposition for<br />

"conceptual art," but this was not<br />

what Tabrizi intended.<br />

Tabrizi graduated from university in<br />

1964, and decided to continue for a<br />

Master's degree along with<br />

Ghandriz, Pilaram, and Arabshahi.<br />

Top students of the Faculty of Fine<br />

<strong>Art</strong>s, including Morteza Momayez,<br />

Rouyin Pakbaz, Hadi Hazaveyee,<br />

Sirous Malek, and Mohammad<br />

Mahalati, who would be considered<br />

an opposite camp to the students<br />

of the Faculty of Decorative <strong>Art</strong>s,<br />

established a gallery along with<br />

Tabrizi, Pilaram, Arabshahi, and<br />

Ghandriz. This effort had been<br />

previously made by others, but had<br />

never succeeded. This group of<br />

thirteen artists succeeded in<br />

gathering many avant-garde artists<br />

together at the Iran Auditorium,<br />

and in organizing the first wellreceived<br />

exhibition. Activities at the<br />

Iran Auditorium reached a point<br />

where artists that included Sohrab<br />

Sepehri, Bijan Safāri, Marcos<br />

Grigorian, Parviz Tanavoli, and<br />

Manochehr Sheibani, were invited<br />

to hold a group exhibition at the<br />

Saderat Bank building in Jomhouri<br />

St.

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