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judith “jack” halberstam on drag, gender and fashionable stupidity ...

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By Stephanie Abraham<br />

I. Oppressi<strong>on</strong> vs. Freedom<br />

I<br />

have thought about the decade that I<br />

worked as a fashi<strong>on</strong> model — from age<br />

12 until 22 — as if it took place in a<br />

different lifetime. I’ve compared “then” <strong>and</strong><br />

“now” in my own mind as if they were two<br />

different elements <strong>on</strong> a categorical chart,<br />

“then” being the objectified-victim column<br />

<strong>and</strong> “now,” the liberated-feminist <strong>on</strong>e. Yet,<br />

lately I’ve become uncomfortable with this<br />

way of seeing. It is true that now I<br />

underst<strong>and</strong> systemic oppressi<strong>on</strong> <strong>and</strong><br />

liberati<strong>on</strong> movements. Before I had <strong>on</strong>ly an<br />

individualist framework through which to<br />

interpret the world, so I do feel more<br />

empowered now. Still, model vs. feminist is a<br />

stereotypical juxtapositi<strong>on</strong> that no l<strong>on</strong>ger<br />

works for me, as I’ve realized that remnants<br />

of my model-past run up, down <strong>and</strong> all<br />

around my feminist-present.<br />

I earn a living as a substitute<br />

teacher. Whereas I’m <strong>on</strong> my fourth year in<br />

this job, many people do not last <strong>on</strong>e. This is<br />

because of the difficulties of teaching, <strong>and</strong><br />

the struggles with kids, yes, but also because<br />

of the financial instability <strong>and</strong> the we-needyou-here-right-away<br />

calls that come between<br />

6 <strong>and</strong> 7 a.m. This is familiar territory for a<br />

model — models rarely have stable<br />

employment <strong>and</strong> must resp<strong>on</strong>d in a flash to a<br />

casting or booking. Having begun that kind<br />

of life as a pre-teen, I know the routine.<br />

However, now I make $27 an hour, whereas in<br />

the past I made up to $4,000 in <strong>on</strong>e day. I<br />

can’t help but think of A Room of One’s Own<br />

<strong>and</strong> Woolf’s suggesti<strong>on</strong> that a woman can<br />

find freedom in ec<strong>on</strong>omic independence.<br />

Framed in this way, I was “freer” back then.<br />

Yet, many would say that being paid<br />

for my corporal “beauty” was inherently<br />

oppressive <strong>and</strong> that I was oppressing other<br />

women by imposing an impossible beauty<br />

st<strong>and</strong>ard. Yet, is working with children in<br />

public schools n<strong>on</strong>-exploitive? One could<br />

argue that as a teacher in public schools I<br />

serve as an agent of state repressi<strong>on</strong>. Mumia<br />

Abu Jamal, a political pris<strong>on</strong>er who has been<br />

<strong>on</strong> Pennsylvania’s Death Row for over 20<br />

years, suggests that freedom is found in the<br />

mind. Each year I seem to agree with him<br />

more. Perhaps freedom <strong>and</strong> oppressi<strong>on</strong> are<br />

not the cookie-cutter c<strong>on</strong>cepts we perceive<br />

them to be. Aren’t they more multidimensi<strong>on</strong>al<br />

than the simplistic categories<br />

we try <strong>and</strong> make of them?<br />

II. Perfecti<strong>on</strong>ism vs. Self-Acceptance<br />

I spent several years after retiring from<br />

modeling attempting to rid myself of my<br />

seeing bey<strong>on</strong>d the binaries<br />

mannequin training. Of course, try as I may,<br />

there are times when my body will not let me<br />

forget. Recently, I was studying late <strong>on</strong><br />

campus. When I took a break <strong>and</strong> walked<br />

down the hall, I noticed that the building<br />

was nearly empty, so I focused <strong>on</strong> staying<br />

alert for safety reas<strong>on</strong>s. However, when I<br />

came around the corner I stopped in my<br />

tracks <strong>and</strong> forgot about everything but what<br />

lay in fr<strong>on</strong>t of me — a l<strong>on</strong>g, sleek hallway,<br />

Feminist <strong>on</strong> the runway.<br />

brightly lit, just like the runway. Before I<br />

could think, my hips took the lead, my stride<br />

became more determined, my right h<strong>and</strong><br />

slipped into my pocket, my left <strong>on</strong>e flowed<br />

back <strong>and</strong> forth at my side. I remembered the<br />

adrenaline, how my heartbeat would mesh<br />

with the rhythm of the music. At the end of<br />

the ramp I would turn ever so slightly, stop<br />

<strong>and</strong> pose, then turn <strong>and</strong> pose again, giving<br />

the photographers another chance to get the<br />

ideal shot. All I could see was the flash of the<br />

cameras. I spent hours in fr<strong>on</strong>t of those<br />

instruments in hopes that they would work<br />

their magic, capture a moment of perfecti<strong>on</strong><br />

<strong>and</strong> render me flawless.<br />

Perfecti<strong>on</strong> is a dangling carrot chased<br />

by many people — especially those in<br />

competitive envir<strong>on</strong>ments, especially models.<br />

Most women — models or not — bombard<br />

themselves with impossible dem<strong>and</strong>s.<br />

Growing up in a patriarchy does that to you.<br />

For me, it has to do with growing up in the<br />

United States (where the dem<strong>and</strong> is to “be<br />

the best”), in the Catholic Church (where<br />

“dirty” <strong>and</strong> “sinner” are often mapped <strong>on</strong>to<br />

women) <strong>and</strong> in an Arab Irish household (both<br />

cultures emphasize fitting in, passing <strong>and</strong><br />

succeeding).<br />

I thought I had left the brutal<br />

expectati<strong>on</strong>s behind me when I left the<br />

modeling industry. Fed up <strong>and</strong> ready to move<br />

<strong>on</strong>, I called my agent <strong>and</strong> told him I no<br />

l<strong>on</strong>ger had it in me. Then I tucked my<br />

portfolio <strong>and</strong> headshots in the bottom drawer<br />

of my dresser <strong>and</strong> tried not to look back.<br />

Shortly afterward I discovered feminist<br />

theory <strong>and</strong> activism. I raised my fist in the<br />

air, renounced the beauty myth <strong>and</strong><br />

dem<strong>and</strong>ed self-acceptance for all women.<br />

Recently I was re-reminded that [my]<br />

life does not change as quickly as I think it<br />

does. I broke down. Something had happened<br />

between a colleague <strong>and</strong> me that I thought<br />

was impossible to work out, <strong>and</strong> of course I<br />

took the blame. I dug my face into my<br />

partner’s shoulder <strong>and</strong> wept. Unperturbed by<br />

my tears, he lifted my chin <strong>and</strong> said, “The<br />

problem is not you — it’s the pers<strong>on</strong> who<br />

invented the word ‘perfect.’ Perfecti<strong>on</strong> does<br />

not exist. I wouldn’t want you any other way,<br />

<strong>and</strong> I d<strong>on</strong>’t think she, or any<strong>on</strong>e else in your<br />

life, would either.”<br />

Up until then I hadn’t noticed that I<br />

was still <strong>on</strong> that hamster wheel hoping to<br />

outrun that which is inherent to humans —<br />

making mistakes. He had narrowed in <strong>on</strong><br />

what I was really up against, <strong>and</strong> it was<br />

something I hadn’t even c<strong>on</strong>sidered. I<br />

realized then that it’s not that “<strong>on</strong>ce I<br />

[model-self] was lost <strong>and</strong> now I [feministself]<br />

am found.” Instead, I’m me, still trying<br />

to figure it out.<br />

I <strong>on</strong>ce heard that life is a spiral<br />

offering us the same less<strong>on</strong>s over <strong>and</strong> over,<br />

<strong>and</strong> that at each interval we hit them <strong>on</strong> a<br />

different level. People’s lives can’t be<br />

plugged into the boxes we use to categorize<br />

the world. They are infinitely more complex<br />

than that. “Fashi<strong>on</strong>-model-turned-feminist”<br />

implies a false dichotomy as well as a falsely<br />

linear life narrative. I am a model, a feminist,<br />

an X, a Y <strong>and</strong> a Z — all at <strong>on</strong>ce. These are<br />

different aspects of my complex identity that<br />

are visible at different moments. What are<br />

yours?<br />

Stephanie was <strong>on</strong>ce told that her mouth was her<br />

best attribute. She thought, Yeah, because it's nice<br />

<strong>and</strong> LOUD. Get loud with her:<br />

lamuallim@sbcglobal.net.<br />

LOUDmouth 20

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