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Viva Lewes Issue #112 January 2016

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art<br />

Photo by Carlotta Luke<br />

Focus on: Depot Cinema Mural<br />

Blackboard paint on white-painted hoardings, 6x50’<br />

“It works on two different levels,” says Carmen Slijpen,<br />

the Creative Manager of the Depot Cinema,<br />

in Pinwell Road. “The first level is that people will<br />

be interested in what’s on the hoardings, and be excited<br />

week by week as more goes up…”<br />

What is on the hoardings, you’ll have noticed, if<br />

you’ve been down that way since September, is a<br />

growing series of well-designed and executed largeformat<br />

black-and-white images from the history of<br />

cinema, whether a Hollywood star, a Fellini heroine<br />

or snapshot reference to a Hitchcock thriller.<br />

“But what’s maybe more interesting is that people’s<br />

interest will be piqued about what’s going on behind<br />

the hoardings,” she continues. Hoardings being<br />

hoardings, that means building work: the old depot<br />

(built for use by the Post Office, later employed by<br />

Harveys) is, of course, being converted into a cinema,<br />

due to open in Spring 2017.<br />

The images have been created by the graphic designer<br />

Peter Bushell, and a group of volunteers<br />

culled from a film group who used to meet up at<br />

the Depot before the builders moved in. Carmen<br />

has given Peter a list of films she feels incorporates<br />

the wide range of genres that will be shown at the<br />

cinema, then he has sought out iconic and striking<br />

images of these films, upped the contrast on them<br />

to make them silhouetty, and put them on an A4<br />

grid. This grid has been enlarged onto the hoardings,<br />

and the volunteers – including Carmen herself<br />

– have painstakingly reproduced the images onto<br />

the white-painted wood, using blackboard paint<br />

(after learning acrylic runs in heavy rain). The volunteers<br />

meet on Wednesdays and Sundays; they’ve<br />

so far completed 25-30 of the 70 images planned.<br />

“It’s something you couldn’t afford to pay for,” says<br />

Carmen, “if you wanted to commission it.”<br />

You might notice I’ve been cagey about revealing<br />

exactly who is depicted in this massive artwork. It’s<br />

great fun trying to identify who’s who and which<br />

film they’ve come from, but… “We’re not giving<br />

anything away because we’re going to have a<br />

competition when the artwork is finished, offering<br />

some free tickets to people who can identify all of<br />

the films,” reveals Carmen.<br />

Alex Leith<br />

<strong>Lewes</strong> Depot Cinema/lewesdepot.org<br />

37

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