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art<br />
Photo by Carlotta Luke<br />
Focus on: Depot Cinema Mural<br />
Blackboard paint on white-painted hoardings, 6x50’<br />
“It works on two different levels,” says Carmen Slijpen,<br />
the Creative Manager of the Depot Cinema,<br />
in Pinwell Road. “The first level is that people will<br />
be interested in what’s on the hoardings, and be excited<br />
week by week as more goes up…”<br />
What is on the hoardings, you’ll have noticed, if<br />
you’ve been down that way since September, is a<br />
growing series of well-designed and executed largeformat<br />
black-and-white images from the history of<br />
cinema, whether a Hollywood star, a Fellini heroine<br />
or snapshot reference to a Hitchcock thriller.<br />
“But what’s maybe more interesting is that people’s<br />
interest will be piqued about what’s going on behind<br />
the hoardings,” she continues. Hoardings being<br />
hoardings, that means building work: the old depot<br />
(built for use by the Post Office, later employed by<br />
Harveys) is, of course, being converted into a cinema,<br />
due to open in Spring 2017.<br />
The images have been created by the graphic designer<br />
Peter Bushell, and a group of volunteers<br />
culled from a film group who used to meet up at<br />
the Depot before the builders moved in. Carmen<br />
has given Peter a list of films she feels incorporates<br />
the wide range of genres that will be shown at the<br />
cinema, then he has sought out iconic and striking<br />
images of these films, upped the contrast on them<br />
to make them silhouetty, and put them on an A4<br />
grid. This grid has been enlarged onto the hoardings,<br />
and the volunteers – including Carmen herself<br />
– have painstakingly reproduced the images onto<br />
the white-painted wood, using blackboard paint<br />
(after learning acrylic runs in heavy rain). The volunteers<br />
meet on Wednesdays and Sundays; they’ve<br />
so far completed 25-30 of the 70 images planned.<br />
“It’s something you couldn’t afford to pay for,” says<br />
Carmen, “if you wanted to commission it.”<br />
You might notice I’ve been cagey about revealing<br />
exactly who is depicted in this massive artwork. It’s<br />
great fun trying to identify who’s who and which<br />
film they’ve come from, but… “We’re not giving<br />
anything away because we’re going to have a<br />
competition when the artwork is finished, offering<br />
some free tickets to people who can identify all of<br />
the films,” reveals Carmen.<br />
Alex Leith<br />
<strong>Lewes</strong> Depot Cinema/lewesdepot.org<br />
37