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AVL TIMES 6<br />
FOH engineer Simon Khoo (top) and monitor engineer Zashrill<br />
“With over 30 cues between performances<br />
and multiple scene changes during the 2½<br />
hour show, the Yamaha system gave us the<br />
confidence and ease-of-mind working without<br />
any problems or worries,” says Simon<br />
“The FOH loudspeaker system was designed<br />
for the audience to experience very comfortable<br />
listening levels. It had to accommodate<br />
a very wide and narrow seating arrangement,<br />
so we decided to use a combination<br />
Part of the 86 channels of Wireless Microphones<br />
into the Rio stage boxes<br />
of Nexo PS15 and Yamaha DSR112 speakers<br />
for the main system. Yamaha DSR112 were<br />
also deployed as stage monitors for the<br />
dancers and choir, while an Aviom system<br />
of wireless in-ear monitors was provided<br />
for the performers and musicians.”<br />
The flexibility of the CL and QL-series outputs<br />
allowed the monitor consoles to be<br />
cascaded, providing 32 main mixes while<br />
maintaining independent mixes on each<br />
console. “We were also able to decide which<br />
mix stayed at the dedicated console and<br />
which mix was cascaded,” says Simon. He<br />
concludes, “The event was a success and<br />
went without a hitch, thanks to the Yamaha<br />
solution. Both the venue operator and client<br />
were also pleasantly surprised with the ease<br />
and time taken for the setup and sound<br />
check.”<br />
Absolute Technical Production Sdn Bhd<br />
enquiry@absolutegroup.com.my<br />
www.absolutegroup.com.my<br />
THE WORLD’S FASTEST GROWING MEDIA FOR AVL TECHNOLOGIES