Carballo-PORTFOLIO
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Architect Manuel <strong>Carballo</strong> Msc. <strong>PORTFOLIO</strong><br />
2003-2015<br />
INDEX<br />
01. Chandigarh Unbuilt, Competition to Complete Le Corbusier’s Capitol [DEC 2015]<br />
02. Arne Jacobsen’s Lyngby Swimming Pool Building Reconstruction [JUL 2015]<br />
03. Antoni Gaudí, Barcelona’s Flower Kiosk Reconstruction [ABR 2015]<br />
04. Baltic Thermal Pool Park Competition [JUL 2014]<br />
05. Alta Florida, Residential Complex [FEB 2014]<br />
06. Beach House at Archipielago Los Roques [FEB 2013]<br />
07. Modular Building Design Challenge Competition [FEB 2012]<br />
08. Tower in Gothic Quarter: Bohemian Hostel for Backpackers Competition [ABR 2011]<br />
09. International Musical Complex and Urban Environment Competition [JUN 2010]<br />
10. Back Office Building [MAR 2008]<br />
11. 509, Residential Complex [DEC 2007]<br />
12. Aalto, Residential Complex [AGO 2007]<br />
13. Townhouses at Puerto Piritu [FEB 2005]<br />
14. TATE in Space, Student international Architecture Competition [JUN 2003]<br />
INTRODUCTION<br />
This is a selection of 14 representative projects of my<br />
practice as an Architect since 2003 to the present, from<br />
the most recent one made during my studies at the (ETSAB)<br />
Technical School of Architecture of Barcelona at the (UPC)<br />
Technical University of Catalonia, and ending with my thesis<br />
on the (FAU) Faculty of Architecture and Urbanism at the<br />
(UCV) Central University of Venezuela in 2003. For all of<br />
these projects I served as the Chief Architect in charge of<br />
the design, plans drawing and 3d modeling. I also had<br />
the opportunity to be the construction supervisor of project<br />
5, 6 and 7. For more information, please visit my portfolio<br />
online at https://www.behance.net/mnl<br />
I made the selection of these projects taking into account<br />
the scale and importance of each one within my<br />
practice. Despite leaving out some smaller scaled projects,<br />
such as renovations, expansions and interior designs,<br />
I think this selection is significant and exemplary of the<br />
architectural language that I have developed throughout<br />
my career.<br />
During the development of my projects, 3D modeling<br />
was always used as a design tool and not only as<br />
a mechanism of representation. 3D modeling facilitates<br />
the performing of spatial as well as scale tests during the<br />
design process. Since 2011, (BIM) Building Information<br />
Modelling was introduced into my design process. This<br />
technique potentiated not only tridimensional reviews but<br />
also streamlined the process, optimized modifications and<br />
reduced time invested during project development.
01. Chandigarh Unbuilt, Competition to Complete Le Corbusier’s Capitol<br />
(01) (02)<br />
This is an international architecture competition<br />
promoted by Archasm (http://www.archasm.in/index.html)<br />
seeking to complete the Museum of Knowledge<br />
of Le Corbusier’s Capitol Project in Chandigarh.<br />
In that matter, my architecture proposal for the MOK<br />
started with the division of the program into two main<br />
buildings. One building, located underground, it is a<br />
large basement that includes the R&D functions, the<br />
administration offices, auditorium, and the digital library.<br />
The second building is the exhibition galleries<br />
of the museum . It is divided into 4 elevated galleries,<br />
which are connected underground by the basement<br />
level.<br />
One of the main tasks of the MOK is to ensure the<br />
archiving of the existing knowledge. For this reason,<br />
I have designated the basement level as the proper<br />
location for the R&D activities. This level, known as<br />
Knowledge Center, covers the total area of the assigned<br />
site . It is naturally ventilated by 6 courtyards<br />
that allows the connection with the street level through<br />
by the use of ramps and stairs. located on them. These<br />
courtyards are fully covered with plants separating the<br />
different areas visually and acoustically.<br />
One of the main goals of the museum is to display<br />
the knowledge produced and stored. The Museum level<br />
is located 4 meters above the garden and divided<br />
into 4 buildings connected with the street level trough<br />
the repetitions of the already existing Le Corbusier<br />
Ramp of the Martyrs Memorial which allow the connection<br />
of between the Museum with and the garden.<br />
The galleries are divided into 4 buildings, allowing<br />
flexibility in for the curatorship of the exhibition.<br />
Each of the buildings has 2 levels of exhibition, and<br />
a terrace for outdoor exhibition, each of them are an<br />
connectionted to the R&D basement and has an underground<br />
connection with each other.<br />
A B C D E F G H I J<br />
7.50 7.50 7.50 7.50 7.50 7.50 7.50 7.50 7.50<br />
01<br />
5.40<br />
02<br />
5.40<br />
03<br />
5.40<br />
04<br />
5.40<br />
05<br />
5.40<br />
06<br />
5.40<br />
07<br />
5.40<br />
08<br />
5.40<br />
09<br />
5.40<br />
10<br />
5.40<br />
11<br />
5.40<br />
13<br />
5.40<br />
14<br />
5.40<br />
15<br />
5.40<br />
16<br />
5.40<br />
17<br />
5.40<br />
18<br />
5.40<br />
19<br />
5.40<br />
20<br />
5.40<br />
21<br />
5.40<br />
22<br />
5.40<br />
23<br />
5.40<br />
24<br />
5.40<br />
25<br />
5.40<br />
26<br />
5.40<br />
27<br />
5.40<br />
28<br />
5.40<br />
29<br />
5.40<br />
30<br />
5.40<br />
31<br />
5.40<br />
32<br />
5.40<br />
33<br />
5.40<br />
34<br />
5.40<br />
35<br />
5.40<br />
36<br />
5.40<br />
37<br />
5.40<br />
38<br />
05 - Roof<br />
17.00<br />
04 - Terrace<br />
The street level connects with the Capitol Complex<br />
through a large garden on the roof of the R&D<br />
basement, and a little gradient slope that connect this<br />
garden with the street. At this level are also located<br />
two open air theatres, cafes, retails and tuck shops<br />
that serve as an access to the building.<br />
(03)<br />
12.00<br />
03 - Level 2<br />
8.00<br />
02 - Level 1<br />
4.00<br />
01 - Street<br />
0.00<br />
00 - Basement<br />
-4.00<br />
5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40 5.40<br />
01 02 03 04 05 06 07 08 09 10 11 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38<br />
(01) Aerial render view of the project,<br />
from the west side of Chandigarh’s<br />
Capitol. At the background, Shivalik<br />
Hills<br />
(02) Interior render view of the Research<br />
& Development offices at the basement<br />
of the project.<br />
(03) Floor plan of the exhibition galleries<br />
at first level and longitudinal section<br />
of the project by the stairs
02. Arne Jacobsen’s Lyngby Swimming Pool Building Reconstruction<br />
In 1964 the municipality of Lyngby - Taarbæk<br />
(Denmark) commissioned the architect Arne Jacobsen<br />
to design a public indoor pool building for the municipality.,<br />
Tthe council decision was made by inthe August<br />
9, 1963. This first draft proposal was discussed<br />
in by the council, producing several changes to the<br />
project in the following months. Finally, on May 17,<br />
1971, three months after the death of Arne Jacobsen,<br />
the council decides not to build the project for economic<br />
reasons. As a final result of this design process,<br />
Jacobsen’s office produced a final project and a 3D<br />
model of the design, the original plans and the final<br />
model are located in the National Art Library of Denmark.<br />
Here is where this research begins, as a final thesis<br />
for my Master Degree at the Universidad Politectnica<br />
de Cataluña in Barcelona Spain. I was looking to<br />
rebuild a project that was never built. The publications<br />
that gave coverage to the draft for the Lyngby project<br />
only shows the blueprint presented by Jacobsen to the<br />
City of Lyngby in 1964. It was published for the first<br />
time in an article written by the same Jacobsen in the<br />
magazine Arkitecktur no. 5 of 1964. I seek through<br />
this reconstruction in order to showcase aspects of<br />
the project that had not been shown before, placing<br />
value on the intentions of the original project. I also<br />
researched other references and projects built by Jacobsen<br />
to enrich my proposal.<br />
As part of the reconstruction of the project, I was<br />
looking to recreate the landscaping project based on<br />
the information appearing in the plans as well as other<br />
references like Jacobsen’s watercolor perspectives<br />
shown in the competition for the municipality of Tårnby<br />
1960 and the Municipality of Glostrup 1954. In both<br />
cases, the vegetation is used in a very controlled way,<br />
with a geometrical pruning, generating volumes that<br />
control the limits of urban space that is generated in<br />
both projects.<br />
The original photographs of the model appearing<br />
in various publications over the years mainly show<br />
photographs from aerial angles, of the exterior and<br />
only one picture from interior of the building, that is<br />
why by reconstruct the building in three dimensions,<br />
I was able to show the building at a scale it was not<br />
shown before.<br />
During the process of redrawing of the original<br />
plans and three-dimensional modeling, it was possible<br />
to appreciate design principles that Jacobsen subsequently<br />
used in projects such as the building of indoor<br />
pool Fehrman, Germany. But it was also possible to<br />
appreciate a style belonging to buildings such as St.<br />
Catherine’s College, the National Bank and the SAS<br />
Royal Hotel.<br />
(01) (02)<br />
(03)<br />
(01) Interior render view of the swimming<br />
pool area, from the terrace level<br />
facing west.<br />
(02) Collage of the watercolor reconstruction<br />
using the 3D model plus fragments<br />
of other water colors made by<br />
Arne Jacobsen<br />
(03) Floor plan at level terrace of the<br />
indoor swimming pool building, and<br />
2 sections, one by the swimming pool<br />
and other by the thermal baths.
03. Antoni Gaudí, Barcelona’s Flower Kiosk Reconstruction<br />
Only ink drawings on manila paper signed by Antonio<br />
Gaudi and a project description are the only documents<br />
left of the selling flowers kiosk and toilets drafted<br />
by Antoni Gaudí in May 14, 1878, requested by Mr.<br />
Enrique Girossi. (Expediente de Fomento no. 873) These<br />
documents were located in the Municipal Archives of<br />
Barcelona until the year 1970, and currently located in<br />
the Municipal Institute of History. So, availing myself of<br />
the existing draft, and project description, I proceeded<br />
to make a three-dimensional kiosk proposal. The goal<br />
was to place the buildings at the same twenty different<br />
locations described in the original project, creating a<br />
tour of the “Barcelona of 1878” using the base map of<br />
the city at the time.<br />
The description stated that 20 kiosks were to be installed<br />
at a cost of 8,500 pesetas each. Mr Girossi de<br />
Sanctis, was offered to install these kiosks-toilets at various<br />
points in the city of Barcelona. In exchange, he requested<br />
exclusive concession and authorization to place<br />
in, lighting signs with advertisement and a flower shops.<br />
The description named marble iron and glass as<br />
construction materials. Each kiosk measures 4 meters<br />
long, 2.40 wide and 4 meters high, with a top canopy<br />
that protects from sun and rain on all four sides so the<br />
passersby could be entertained with advertising placed<br />
in opaque glass walls, internally illuminated at night<br />
with light gas. Each kiosk also includes a paid restroom<br />
service with toilets, urinals, and sinks and with anan<br />
area for cleaning and store natural flowers that would<br />
operate day and night.<br />
In the central part under the canopy, a rectangular<br />
plate with a clock was located in the middle on both<br />
sides of this calendar. Further down, a barometer and<br />
a thermometer were also included.<br />
Locations proposed for Girossi’s Kiosk by Gaudi in<br />
Barcelona City in1878:<br />
1. Rambla del Centro, in front of Café Nacional<br />
2. Rambla del Centro, in front of Casa Subiela<br />
3. La Boqueria in front of La Virreina<br />
4. Rambla de los estudios<br />
5. End of rambla de canaletas<br />
6. Entrance of Paseo de Gracia<br />
7. Av. Gran Vía and Aragón Street<br />
8. San Agustín Square,<br />
9. Universidad Square<br />
10. Nueva Square<br />
11. Claris Street<br />
12. Urquinaona Square (formerly San Sebastián)<br />
13. El Borne Market<br />
14. Paseo de San Juan (lower part)<br />
15. Real Square<br />
16. San Jaime Square<br />
(01) (02)<br />
(03)<br />
(01) Final render of the Girossi’s kiosks<br />
designed by Gaudi<br />
(02) Photo montage of the Girossi’s kiosk<br />
over Paseo de Ggracia boulevard<br />
at Barcelona City<br />
(03) Unique original document available<br />
from Gaudi’s project, this is an ink<br />
drawing on paper of the facade and<br />
the schematic floor plan.
04. Baltic Thermal Pool Park Competition<br />
(01) (02)<br />
The Pool Park was conceived an integrated building interconnecting<br />
all of the internal areas and its surroundings,<br />
reducing the impact in the landscape and preserving the tree<br />
groves. In order to reduce the impact to the surrounding areas,<br />
an important part of the building is placed underground. This<br />
characteristic not only reduce the total height, but also to take<br />
advantages of the natural heat of the underground and protects<br />
from cold winds during winter.<br />
The outdoor pool is strategically located in the middle of the<br />
complex, as it will be the central attraction of this park during<br />
summer. This area is above the ground level seeking the fresh<br />
summer breeze, the natural sun light and better views of the<br />
surroundings. There are 2 swimming pools in this area, a large<br />
thermal water pool, a pool bar with underwater seating, as well<br />
as food and beverages zones. There is also a children’s outdoor<br />
park and pool.<br />
Since the indoor pool will be used during winter time, it is<br />
well protected at underground level, surrounded by glass walls<br />
and ceilings with skylights oriented according to the movement<br />
of the sun during the year. There are 3 pools in this zone, a small<br />
thermal water pool, a small pool with attractions, and finally a<br />
children’s pool, close to the outdoor children’s park.<br />
standard rooms and 10 family rooms. All of the rooms have an<br />
outdoor terrace oriented to the tree groves and the sea. The villas<br />
are designed as family houses and some of them are designated<br />
for disable people. They have two bedrooms, kitchen , living<br />
room, a private garden. The glass façade and ceiling skylights<br />
are oriented according to the sun movement, in order to use the<br />
natural sun heating during the winter<br />
The food and beverages zone is located within the outdoor<br />
pool area and includes a restaurant, a bar and a kitchen provided<br />
with indoor and outdoor tables; the restaurant and the bar<br />
are sharing the kitchen area .<br />
The parking zone is located under the accommodation<br />
building. The vehicle access is provided through the Kaleju ST.<br />
and also the main pedestrian entrance is located at this area.<br />
There are 288 parking spots distributed in half level floors with<br />
open walls to provide natural ventilation.<br />
The spa was designed all around a courtyard trying to isolate<br />
itself from the noises of the outdoor pool using vegetation<br />
and ventilation courtyards on each room. These individual courtyards<br />
are equipped with outdoor private showers, and Jacuzzi.<br />
The gym, the beauty salon and other areas are located under<br />
the outdoor pool zone, using also natural ventilation trough the<br />
individual courtyards during summer time.<br />
The guest accommodation area is divided into 2 edifications,<br />
one is the main building or hotel and the other is the villas<br />
or houses. The hotel has 3 types of rooms, 20 Luxury rooms, 50<br />
(03)<br />
(01) Render of aerial view from the<br />
south west side, showing thermal complex,<br />
the covered swimming pool and<br />
the hotel building.<br />
(02) Render view of the project<br />
from the Baltic sea side.<br />
(03) Site plan and crossing section by<br />
the hotel tower and the villas
05. Alta Florida, Residential Complex<br />
The Alta Florida Residential Complex project was<br />
designed as a gated community complex at the top<br />
of a mountain in the “Lomas de San Rafael” suburb<br />
in Caracas, Venezuela, this prime location provides a<br />
360-degree vision of the Caracas city valley and the<br />
Avila mMountain at the north side of the site . The existing<br />
road in the interior of the plot allows the internal<br />
circulation of vehicles. Each housingtownhouse unit has<br />
its own parking space at the front and also a common<br />
parking lot for visitors or personal use in the central area<br />
of the site.<br />
The project was conceived by locating the housing<br />
unitstownhouses in the outer perimeter of the plot, leaving<br />
the center wide open for the location of parking<br />
spaces covered by an elevated green roof for social<br />
areas and swimming pool. The project comprehends<br />
a total of 16 two level semi-detached townhouses , a<br />
basement with multipurpose room with access to the garden<br />
and a rooftop terrace. The sizes of these units are<br />
is of 360 sqmm2 and 280 m2sqm. As the plot has a<br />
slope topography, a series of terraces were developed<br />
with small stone- retaining walls between the units.<br />
Every residential unit follows the same scheme,<br />
starting at street level where the social area is located<br />
staggered along the slope of the land, the ground level<br />
includes the kitchen, service premises toilet and guest<br />
room, the dining room and living room with a small outdoor<br />
terrace facing city views. The 1st floor comprise 3<br />
bedrooms with walk-in closets and one en-suit bathroom<br />
each. Finally, the master bedroom with walk-in closet<br />
and the en-suit bathroom. At the top of each unit, there<br />
is a terrace with open views to the Caracas valley.<br />
At the south side of the complex, beside the swimming<br />
pool, there is a gathering area that includes a<br />
gymnasium, a sauna, and a squash court that, along<br />
with the swimming pool on the top of the garage, comprise<br />
the social and recreational area of the complex,<br />
providing residents the ability to develop different kind<br />
of outdoor activities without leaving the complex.<br />
The existing roads and trees did not allow the location<br />
of units on the perimeter, this is why it was requested<br />
the modification of roads as a new urban plan to<br />
the Town Hall authorities. This proposal allowed us to<br />
preserve many trees and to achieve a 360-degree view<br />
of Caracas city. This layout also helped to allocate the<br />
common parking area in the center of the complex. This<br />
project is actually under construction, and according to<br />
the schedule it would be finished in 2017.<br />
(01) (02)<br />
(03)<br />
(01) Aerial render view of the project,<br />
from the west side with the Avila Mountain<br />
at the far left and Caracas city to<br />
the right.<br />
(02) Render of the project showing the<br />
interior roads and units layout within<br />
the site.<br />
(03) Assembly site plan of the housing<br />
project, showing the location of the<br />
units in the outer perimeter of the plot<br />
and a section of the project showing<br />
the terraces.
06. Beach House at Archipielago Los Roques<br />
The archipelago of “Los Roques” is located at 145<br />
kms. from the city of Caracas, in the Caribbean Sea.<br />
There, a small town called El Gran Roque, part of “Los<br />
Roques” archipelago hosts this beautiful beach house<br />
called Casa Verde (Green House). The great Caribbean<br />
weather, the white sand and its clear water, makes<br />
it a wonderful Venezuelan tourist destination for locals<br />
and overseas. This town has particular regulation that<br />
sets the specifications of building facades, so it was<br />
mandatory to take into account these regulations but<br />
also the location of the sun during the year and the<br />
wind direction as a passive cooling system.<br />
This project began as a renovation of an existing<br />
house. Since Los Roques is considered a national park,<br />
no new construction are allowed, but, the very poor<br />
condition of this house helped us acquired an exceptional<br />
construction permit as long as the new project<br />
facades and the old building distribution were coupled<br />
in an harmonic way. This proved to be a challenge<br />
during design and construction.<br />
The Beach House project is located next to the<br />
beach allowing direct view of the sea but at the same<br />
time, it is protected from direct sun rays by the use of<br />
aluminum lattices . The social area is located to the East<br />
side of the house, which remains cool during the year.<br />
The implementation of lattices provided a wonderful interior<br />
atmosphere and comfort.<br />
The social area has movable lattice panels tailored<br />
in aluminum carpentry, which when opened provide<br />
sun protection and act like pergolas framing the visuals<br />
of the Caribbean Sea. The bedroom area located at<br />
the west side of the project is protected by an outer<br />
thick wall perimeter that works as heat isolation by mass<br />
dissipation.<br />
The structure is a hybrid of concrete columns and<br />
a wooden beam frame that support the roof which is<br />
formed by a double sandwich of aluminum finishes and<br />
a thick 150 millimeters isolation foam core. The nodes<br />
that connect the concrete columns with the wooden<br />
frame are custom designed prefabricated galvanized<br />
steel pieces that works as connections between both<br />
materials.<br />
Once a year, the sea level raises and covers a<br />
great part of the beach. To overcome this issue, the<br />
house is placed on the top of a concrete basement.<br />
Even with this extra height, big waves can potentially<br />
reach the façade and interior, that is why all of the<br />
furniture is made of concrete casted in place, including<br />
beds, sofas, kitchen cabinets, even the bathroom<br />
cabinets.<br />
One of the main challenges during construction<br />
was the shipment of materials from mainland to the island.<br />
This required an important logistic work and a<br />
very precise scheduling of activities to achieve compliance<br />
goals. Another major factor was the supervision<br />
of the construction site, given that labor was brought<br />
from mainland to the island given the scarcity of local<br />
manpower and qualified labor.<br />
(01) (02)<br />
(03)<br />
(01) Actual image of the house being<br />
constructed in final phases. Taken from<br />
the sea, showing the South facade<br />
(02) Actual image of the house being<br />
constructed in final phase<br />
(03) Floor plan of the project and south<br />
facade
07. Modular Building Design Challenge Competition<br />
(01) (02)<br />
This is my proposal for the architecture competitions<br />
of The Modular Building Design Challenge 2012<br />
promoted by Urban Collective (http://urbancollective.<br />
com.au/) aimed to not only stablish a dialogue within<br />
the community about building interest on prefabrication<br />
and modular design, but also to create contemporary<br />
and affordable construction units to alleviate the widely<br />
discussed housing affordability crisis in Sydney, Australia.<br />
As this was intended as a competition of ideas<br />
with no specific site constrain, there is no expectation<br />
that submitted designs adhere to any specific planning<br />
controls. Instead, designs are aim to propose contemporary<br />
and functional modular solutions to provide<br />
good standard housing for residents and the surrounding<br />
neighborhood.<br />
This Eco Modular Living Unit was designed using<br />
4 modular units of 12,192mm long, 2,438mm wide<br />
and 2,896mm height. Each individual unit expands on<br />
size to double the area, from 29.5m2 to 59m2. The<br />
4 modular units can be setup in a number of different<br />
layouts in order to cater for different needs, functions<br />
and site constrains like size and topology.<br />
This living unit was designed for Sydney, NSW. I<br />
took into account the weather and the need of good<br />
insulation which was achieve using different kinds of<br />
ecologic resources of energy such as solar panels and<br />
wind turbines in order to generate electric energy, and<br />
also using passive / low technology systems such as<br />
trombe walls and thermal chimney to regulate the internal<br />
temperature of the unit.<br />
The 1st floor plant, is formed by a sort of basement<br />
of 45cm of height witch separate the unit from<br />
the terrain, and includes a swimming pool and rain<br />
water collection system. This level contains the Living<br />
/ Dining Room, the kitchen, and the studio / home<br />
office, which can be changed to a laundry room if it’s<br />
necessary.<br />
At the 2nd floor two bedrooms with internal bathrooms,<br />
and also individual spaces to study within the<br />
room are located . The master bedroom has a comfortable<br />
bathroom with bath, shower and panoramic<br />
views of the surrounding areas. At this level is also<br />
located the roof gardens that helps to regulate the internal<br />
temperature of the unit.<br />
This Eco Modular Living Unit uses different temperature-regulated<br />
passive systems such as thermal chimney<br />
and trombe walls. These are low-tech low-cost systems<br />
which help to efficiently regulate the internal temperature<br />
of the living unit, by changing the dampers configurations<br />
during summer and winter. The location and<br />
inclination of those systems are designed according to<br />
Sydney insulation needs .<br />
The facade is the result of the industrial aesthetics<br />
of cargo containers, which were used as inspiration,<br />
but were redefined in order to allow the expansion of<br />
the internal space at the moment of installation.<br />
(03)<br />
13<br />
12<br />
11<br />
10<br />
9<br />
8<br />
7<br />
6<br />
5<br />
4<br />
3<br />
2<br />
1<br />
A B C D E F G H I J K L M N<br />
A B C D E F G H I J K L M N<br />
Level 3<br />
6.25<br />
Level 2<br />
3.35<br />
Level 1<br />
0.45<br />
Level 0<br />
0.00<br />
(01) Render of aerial view of the project<br />
showing the integration of the different<br />
units together as a residential unit.<br />
(02) Render view of the project taken<br />
from the swimming pool area.<br />
(03) Floor plan at ground level and<br />
cross section by the Livingroom and<br />
stairs.
08. Tower in Gothic Quarter: Bohemian Hostel for Backpackers Competition<br />
The proposal for the bohemian backpacker’s hostel in<br />
the Gothic Quarter of Barcelona, was conceived through<br />
five different areas: the garden perimeter, the basement,<br />
the air terrace, the tower and the urban landmark<br />
The garden perimeter was conceived as an extension<br />
of the “Plaza dels Angels” (see map 01 ground and<br />
aerial view of the proposal). Its purpose is to create a<br />
gap between the proposal and existing buildings. These<br />
surrounding edifications have windows and access to the<br />
proposal site, making for both ventilation and lighting.<br />
The inverted catenary was used to optimize the load<br />
distribution of a structure that would reach 100 meters<br />
high and would be appreciated from many different<br />
points of the city of Barcelona. This element was widely<br />
used by Antonio Gaudí in his work and is recognized as<br />
a city landmark. The Bohemian Hostel would have LED<br />
lighting along the inverted catenary so it could be appreciated<br />
at night. Finally, this structure would include a panoramic<br />
elevator, located at the terrace of the tower rooms.<br />
It would run to a 100 meters high platform, to allow visitors<br />
a 360-degree view over the city of Barcelona.<br />
(01) (02)<br />
The basement, as the area containing services necessary<br />
for the operation of the shelter, contains the entrance<br />
hall, reception, shop, bar (controlled by receiving<br />
access). The main double-height hall (see internal view),<br />
Internet room, administration, nursing and room service<br />
(see drawings 03 and 04 floor) can also be found in the<br />
basement. Deposits and laundry are shown in drawing<br />
No. floor. 02<br />
Above the basement, the air terrace (See map No.<br />
05), is built acknowledging the height of the neighboring<br />
buildings and to being kind to the context. At this level<br />
the kitchen and the dining room are located. The latter is<br />
proposed between a covered area and outdoor space to<br />
enjoy the visual of the city.<br />
The hostel rooms are situated along the tower. Each<br />
floor has 10 rooms and 2 shared bathrooms and circulation<br />
hallways along the edge of each floor. The corner<br />
rooms enjoy a 180 degrees’ view.<br />
(03)<br />
(01) Render of aerial view of the project<br />
without the context, showing the garden<br />
at ground level.<br />
(02) Render view of the project from the<br />
Plaza dels Angel<br />
(03) Floor plans of the project from left<br />
to right: Level 1 main access, Level 2<br />
exterior deck terrace and restaurant,<br />
Level 3 Staff mezzanine. Level 4 Tower<br />
typical plant.
09. International Musical Complex and Urban Environment Competition<br />
The architecture competition for the International<br />
Musical Complex and urban Environment provides the<br />
opportunity to develop an area of great importance for<br />
the consolidation of the Venezuelan music system.<br />
My proposal for this competition aims to be a<br />
platform to enable the international exchange and projection<br />
of national talent. To achieve these purposes,<br />
the complex is designed to perform various activities,<br />
which were organized within a volume set, to supply<br />
many functions inherent to orchestral activities such as,<br />
concerts, essays, study halls, warehouses, administrative<br />
offices, among others.<br />
slope terrain in order to propose a basement-building<br />
with many levels connecting the boulevard and park.<br />
Finally, this Musical Complex merges the northern<br />
front of a more urban character with the south side<br />
framed by the park and surroundings. A building where<br />
musicians can be inspired by the environment hopping<br />
become the place of reference for music, youth, nature<br />
and citizens.<br />
(01) (02)<br />
The volume located on the east side of the site,<br />
conforms the building of the Music Complex. It is a<br />
nine-story building containing 3 public spaces such as<br />
audio library. Reproduction and digitization are located<br />
at ground level. Most of this building is intended for<br />
rehearsal and study for the musicians of the nation’s<br />
system of youth orchestras, therefore, these spaces are<br />
separated from each other by insulated double walls.<br />
The three white floating volumes that make up the<br />
concert halls are located at different levels, each with<br />
independent access and services. The spaces resulting<br />
from its forms and their location, demarcate the entrance<br />
to the complex and opens it to the Caobos Park. It is<br />
aimed to maintain the connection between the Amador<br />
Bendayán Boulevard and Caobos Park creating an<br />
open space that invites passerby to visit and enjoy.<br />
The basement is generated taking advantage of the<br />
(03)<br />
(01) Render of aerial view of the project<br />
taken from the boulevard Amador<br />
Bendayan.<br />
(02) Render of aerial view of the project<br />
from the Caobos Park side.<br />
(03) Cross section of the auditorium,<br />
concert halls, and floor plan at street<br />
level.
10. Back Office Building<br />
The Premier Insurance building was designed for<br />
this company as a back office, taking into account<br />
their specific requirements, but at the same time allowing<br />
flexibility for future growth and densification<br />
by technologically flexible systems. The location designated<br />
for this project is an industrial area named<br />
La California in Caracas, Venezuela.<br />
The project has a ground floor with a reception<br />
area to attend visitors, providers and customers.<br />
Then, the rest of the building enjoy an open-plan<br />
layout that allows different types of furniture disposition<br />
and densities, thus achieving a flexible project<br />
that suited not only the current demands, but the potential<br />
growth of the company and the performance<br />
of new functions along with future changes in the<br />
organization. All the electrical installations for lighting,<br />
voice and data systems are distributed within<br />
the ceiling area, so every desk configuration can be<br />
installed on any floor and connected to the grid by<br />
plugging-in the unit to the ceiling installations.<br />
On each floor there is a service area, where toilets,<br />
lifts and emergency stairs are located, as well<br />
as the area that holds technical equipment. Each<br />
floor layout is different, but in every case, the outer<br />
perimeter was used to place room offices with<br />
glazed panels that allow the natural sunlight to penetrate<br />
the interior of the floor where the open space<br />
and the furniture Is located.<br />
We kept the number of columns to a minimum to<br />
reduce the costs and to grant the open plan effect.<br />
This design was supported by using deep pile foundations.<br />
The parking at the basement was designed<br />
in half levels, facilitating the ventilation.<br />
A kitchen and dining room for the employees<br />
was created at the ground level. The goal is to make<br />
the building as autonomous as possible and to solve<br />
the problem of the absence of nearby places for<br />
lunch.<br />
(01) (02)<br />
(03)<br />
(01) Exterior render image and main<br />
access to the building<br />
(02) Aerial render view from the North<br />
West side of the building<br />
(03) Typical floor plan levels 1, 2 and<br />
3 of the office building and cross section<br />
by the basement parking area.
11. 509, Residential Complex<br />
The 509 Residential Complex, is located on the top<br />
of one of the mountains of Alto Hatillo suburb, which<br />
provides excellent visuals of the valley of Caracas. The<br />
proposal consists of 6,500.00 m2 sqm of construction<br />
area, divided into a seven-story tower with 12 apartments<br />
and 5 individual townhouses, the complex have<br />
an internal access road to the carpark and each townhouse<br />
. The common areas are located in the basement<br />
of the tower, which includes the basement carpark<br />
with landscaped slabs.<br />
Each townhouse unit was developed using the<br />
same half level scheme. Starting at the street level, there<br />
is the carpark and the main access to the unit. Half<br />
way down comprises the social areas such as the kitchen,<br />
the dining room, the living room and the outdoor<br />
terrace, while half way up includes the bed rooms and<br />
the TV room. The master bedroom with its own walk-in<br />
closet and en-suit bathroom is located at the rooftop.<br />
At the garden level, there is also a multipurpose room.<br />
As the plot is located at the top of a mountain, we<br />
used the topography of the terrain in order to take advantage<br />
of north side views by staggering the location<br />
of houses, thus achieving that, both the building and the<br />
houses enjoy the views of the Avila Mountain.<br />
The complex has already been built and sold 100<br />
percent in presale. The project was successfully executed<br />
according to plan. Only some landscaping work<br />
and planting vegetation on the perimeter is left to be<br />
completed. The strategy of providing a wide range of<br />
housing units with different areas and features to cover<br />
a much wider target audience, granted a successful<br />
presale phase. It was so successful that it is now implemented<br />
in other residential projects.<br />
(01) (02)<br />
The seven-story tower has 3 types of residential<br />
units, the ones located at the first two levels which are<br />
duplex with private gardens, then 3 levels of single level<br />
units, and finally two duplex at the pent house level<br />
with private rooftop terraces. Each single level apartment<br />
was designed in order to allow contiguous units<br />
to be joined together to double the area and function<br />
as a single unit.<br />
(03)<br />
(01) Render of Aerial view of the project<br />
from the north side.<br />
(02) Actual image of the building being<br />
constructed in the final phase<br />
(03) Site assembly plan and crossing<br />
section by the building tower and<br />
houses.
12. Aalto, Residential Complex<br />
The Aalto residential complex is located at the<br />
top of the Alto Hatillo suburb, which provides excellent<br />
visuals of Caracas valley. The project has<br />
more than 20 residential units and 5,300.00 m2<br />
of construction. This is a private urban residential<br />
project developed within a bigger residential urban<br />
promotion which is under construction.<br />
(01) (02)<br />
All social areas in each residential unit are located<br />
facing north, while the rooms facing south enjoy<br />
the view of El Hatillo valley. At the top levels, the<br />
towers are terraced. The car park roof of the lower<br />
level of each duplex, serves as a private garden for<br />
each building.<br />
All the social areas like the swimming pool, gymnasium,<br />
and gardens are located at the north side of<br />
the plot. There is an internal road that divides the<br />
complex into two towers on one side and one tower<br />
in the other. Each tower has a different height, starting<br />
with 5 levels on the west side of the site facing<br />
carparks and recreational areas, while on the East<br />
side, the tower reach 7 levels facing a site aimed to<br />
host future building with the same height.<br />
This residential complex is already builtd. The<br />
variety in units’ sizes and characteristics was a commercial<br />
success given that all the apartments were<br />
sold in pre-sale. The project catered owners of different<br />
purchasing power, so all 22 houses were sold.<br />
Some were joined together to create bigger spaces<br />
and others were divided to create smaller homes.<br />
(03)<br />
(01) Render of aerial view of the project<br />
from the north east side.<br />
(02) Actual image of building being<br />
constructed in the final phase<br />
(03) Site assembly plan and north facade<br />
of the project showing the 3 levels<br />
of the residential towers.
13. Townhouses at Puerto Piritu<br />
Puerto Piritu is a well know tourist area located in<br />
the state of Anzoategui in Venezuela. Due to exceptional<br />
geographical conditions like beautiful beaches<br />
and lagoons. This region is characterized by sparse<br />
vegetation contrasting with large beach areas that<br />
are visited mainly by local tourists.<br />
I chose to develop a hotel based on small townhouses<br />
for rent. These townhouses have a common<br />
parking area and swimming pool, but each unit has<br />
a private outdoor area and garden.<br />
The location of the site is very close to the best<br />
beaches in the area. It is also located at the main<br />
street for shopping. This concept of townhouses for<br />
rent during holiday season is very popular in the<br />
area. There are no services rooms within the townhouses<br />
because the cleaning and laundry is commonly<br />
outsourced.<br />
(01) (02)<br />
The units are freestanding townhouses with 3<br />
bedrooms. The social area consists of a living room,<br />
a dining room and an outdoor terrace. To ventilate<br />
and illuminate the units, we I implemented courtyards<br />
that separate the social areas from the private ones<br />
and also function as ventilation for the bathrooms<br />
and kitchen.<br />
The structure is very simple, the walls are stone<br />
and self-supporting brick. The structure is a frame of<br />
beams and columns made of steel, while the roof is<br />
made of prefabricated aluminum sheets finished on<br />
both faces with an insulating foam interior.<br />
They were arranged together in a way to improve<br />
ventilation for common areas and to enjoy the<br />
sea view. This disposition also achieved free corners<br />
and enhanced the privacy of the outdoor terraces.<br />
(03)<br />
(01) Render of aerial view of one residential<br />
unit from the North West side<br />
(02) Render of aerial render view of<br />
one residential unit from the south east<br />
side<br />
(03) Plan of the assembly project, showing<br />
the staggered disposition of the residential<br />
units.
14. TATE in Space, Student international Architecture Competition<br />
This is a special project because it was my first<br />
international experience at the very beginning of my<br />
professional career. The Tate Modern Gallery in<br />
London, called for an international student competitionstudent<br />
competition to design the new headquarters<br />
of the gallery in outer space. This My proposal<br />
was selected as the first runner up, and also the<br />
subject of the thesis for my academic degree at the<br />
Central University of Venezuela, where it received<br />
the highest rating and the mention of Best Thesis of<br />
the Semester. The project was exhibited among others<br />
at the “Maison Europeen de la Photographie” in<br />
Paris / France in 2003 at the Art-Outsiders festival<br />
gravity, the above and below and how gallery’s visitors<br />
experience the artwork and navigate the gallery<br />
in such conditions.<br />
The final product of the design process includes<br />
a 3D animated video navigating throughout the gallery<br />
and a virtual visit to the exhibition galleries with<br />
an art curatorship conceived in zero gravity.<br />
(01) (02)<br />
The architecture competition of the Tate Modern<br />
Gallery was a contest of ideas, in which no time<br />
was given for a deeper space and theoretical exploration,<br />
which is why the same subject was further developed<br />
as my thesis work so I could reach a deeper<br />
theoretical development and exploration level. The<br />
main theme was the architectural exploration under<br />
the effect of zero gravity and the contemplation of<br />
artwork under this condition of weightlessness.<br />
The gallery was designed as a toroid based in a<br />
uniform elliptical section extruded along an axis that<br />
follows the path of the Mobius tape, generating an<br />
outer surface with a virtually infinite path. The choice<br />
of that particular form was based on the most evident<br />
characteristics of the outer space, the absence of<br />
(03)<br />
(01) Render of external view of the gallery<br />
in out space.<br />
(02) Render of the typical section (03) 3D section of the typical extruded<br />
section, in the center the main gallery,<br />
at the left the secondary hall, and at the<br />
right side the main circulation device.