Viva Lewes Issue #114 March 2016
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in town this month: art<br />
coming a Bloomsbury household, and is using the<br />
money to fund a massive refurbishment, building a<br />
new gallery, as well as a new car park, and various<br />
other facilities.<br />
The building work won’t be completed until summer<br />
2017; in the meantime Charleston’s curator Darren<br />
Clarke has organised an exhibition, at Pelham House<br />
in <strong>Lewes</strong>, featuring the work of their artist-in-residence,<br />
the photographer Axel Hesslenberg.<br />
Darren has given us a preview of the photos that<br />
will be on show: the exhibition will be, in effect,<br />
a celebration of what goes on at Charleston today.<br />
And so images of the farmhouse interiors will sit<br />
alongside pictures of the artworks on the walls, of<br />
various cultural celebrities at their two literary festivals<br />
(Grayson Perry and Tom Stoppard, above, for<br />
example), of Charleston’s employees and volunteers<br />
at work, and of the rebuilding process in progress.<br />
It’s a taster, in effect, for what to expect Charleston<br />
Farmhouse to look like next year, when all the refurbishments<br />
are complete, and when the gallery is<br />
up and running. A show which will be able to cast<br />
yet more light on the design and artwork that was<br />
created in this remarkable rural retreat, and on its<br />
influence and influences. Alex Leith<br />
Charleston Centenary Project - Securing a unique<br />
inheritance. Photographs by Axel Hesslenberg. Pelham<br />
House, <strong>March</strong> 4th to April 14th, free entry<br />
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