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Viva Lewes Issue #114 March 2016

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in town this month: art<br />

coming a Bloomsbury household, and is using the<br />

money to fund a massive refurbishment, building a<br />

new gallery, as well as a new car park, and various<br />

other facilities.<br />

The building work won’t be completed until summer<br />

2017; in the meantime Charleston’s curator Darren<br />

Clarke has organised an exhibition, at Pelham House<br />

in <strong>Lewes</strong>, featuring the work of their artist-in-residence,<br />

the photographer Axel Hesslenberg.<br />

Darren has given us a preview of the photos that<br />

will be on show: the exhibition will be, in effect,<br />

a celebration of what goes on at Charleston today.<br />

And so images of the farmhouse interiors will sit<br />

alongside pictures of the artworks on the walls, of<br />

various cultural celebrities at their two literary festivals<br />

(Grayson Perry and Tom Stoppard, above, for<br />

example), of Charleston’s employees and volunteers<br />

at work, and of the rebuilding process in progress.<br />

It’s a taster, in effect, for what to expect Charleston<br />

Farmhouse to look like next year, when all the refurbishments<br />

are complete, and when the gallery is<br />

up and running. A show which will be able to cast<br />

yet more light on the design and artwork that was<br />

created in this remarkable rural retreat, and on its<br />

influence and influences. Alex Leith<br />

Charleston Centenary Project - Securing a unique<br />

inheritance. Photographs by Axel Hesslenberg. Pelham<br />

House, <strong>March</strong> 4th to April 14th, free entry<br />

39

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