A Handbook to St Mary Redcliffe Church, J. Chilcott 1848
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:wAQRIGINAL APPEAL TO THE PUBLIC,<br />
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ST.<br />
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MXRY REDCLIFFE CHURCH,<br />
BRISTOL;<br />
\VITH BIOGRAPHICAL SKETCHES,<br />
AND A LIST OF THE CHAPLAINS AND VICARS, ETC,, FROM A. D., 1207, TO<br />
THE PRESENT TIME.<br />
TO WHICH 1s<br />
SUBJOINED, THE<br />
ORIGINAL APPEAL TO THE PUBLIC,<br />
BY THE VICAR, CHURCHWARDENS, AND VESTRY, FOR THE RESTORATION OF THAT<br />
SPLENDID EDIFICE: WITH AN ACCOUNT OF THE PARTIAL RESTORATION,<br />
AAD THE FORMATION OF THE CLNYNGE SOCIETY.<br />
@bir‘fl milieu, wrmn'fl <strong>to</strong> ti):<br />
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BRISTOL:<br />
PRINTED AND PUBLISHED BY J.<br />
CHILCOTT.<br />
MDGCCXLVIII.<br />
'
STAY, curyous traveller, and pass not bye,<br />
Until this fetivea pile as<strong>to</strong>undeb thine eye.<br />
Whole rocks on rocks, with yron joynd surveie,<br />
And okes with okes entremedc dispelled.d lie.<br />
This mightie pile, that keeps the wyndes at baie,<br />
Fyre-levyne, and the mokief s<strong>to</strong>rme defie,<br />
That shootes aloofe in<strong>to</strong> the reaulrnes of daie,<br />
Shall be the record of the Buylder’s fame for aie.<br />
Thou seest this maystrie of a human hand,<br />
The pryde of Brys<strong>to</strong>we, and the westeme loude,<br />
Yet is the Buylder's vertues much moe greete,<br />
Greeter than can bie Rowlies pen be seande.<br />
Thou seest the saynctes and kynges in s<strong>to</strong>nen state,<br />
That seemd with breath and human soule dispandes<br />
As payrdeh <strong>to</strong> us enseem these men of state<br />
Such is greete Canynges mynde when pay'rd <strong>to</strong> God elate.<br />
Well maiest thou be as<strong>to</strong>unde, but view it well,<br />
Go not from hence before thou see thy fill,<br />
And learn the Buylder’s vertues and his name ;<br />
Of this tall spyre in every countie tell,<br />
And with thy tale the lazingl rych men’s shame ;<br />
Showe howe the glorious Canynge did excelle ;<br />
How hee good man a friend for kinges became,<br />
And gloryous paved at once the way <strong>to</strong> heaven and fame.<br />
Rowms, by Cnxrrnmos.<br />
I Felive, elegant. ' Mokie, gloomy<br />
* Auounde, aatrmiah. l Dispande, expanded.<br />
s Entremed, intermixed. '1 Payrde, compared. *<br />
“ Disponed, diapered. i Lazing, inactive.<br />
‘ Fyer-levyn, lightning.
ST. MARY REDCLIFFE CHURCH.*<br />
“ The pride 0! Brinwc and the “'Onle‘rne Louder<br />
PERHA'PS no church in the kingdom has greater claims<br />
<strong>to</strong> the attention of the <strong>to</strong>pographer and the his<strong>to</strong>rian,<br />
than the church of <strong>St</strong>. <strong>Mary</strong> Redchfle. Its antiquity,<br />
the beauty of its architecture, and the interesting cir<br />
cumstances connected with its his<strong>to</strong>ry, entitle it <strong>to</strong><br />
peculiar notice. It is also associated with the enterprises<br />
of genius, for its name has been blended with the repu<br />
tation of Rowley, of Canynge, and of Chatter<strong>to</strong>n; and<br />
it is therefore always visited with enthusiasm by the<br />
lover of poetry, and the admirer of art; and when the<br />
interesting fabric shall have mouldered in<strong>to</strong> ruins, even<br />
those will be trodden with veneration, as sacred <strong>to</strong> the<br />
recollection of genius of the highest order.<br />
* Both <strong>St</strong>. <strong>Mary</strong> Redclifi'e and <strong>St</strong>. Thomas’ churches were originally<br />
chapels <strong>to</strong> Bedminster, and now, <strong>to</strong>gether with Abbots' Leigh, form but one<br />
Vicarage. Mr. Britten, the architectural antiquarian, says, “ The ecclesias<br />
fical his<strong>to</strong>ry of Radcliffe may be considered peculiar, if not truly singular.<br />
It constitutes part of the parish of Bedminster; it is in the diocese of Bris<strong>to</strong>l,<br />
and is a prebend <strong>to</strong> the Cathedral of Salisbury. This prebend comprehends<br />
Redclifl'e, with the parishes of Bedminster, Abbots’ Leigh, and <strong>St</strong>. Thomas;<br />
yet the parochial regulations are held distinct. The living of Bedminster is<br />
both a rec<strong>to</strong>ry and a vicar-age; and as prebend, the incumbent is patron of<br />
all the other living-s. He is nominated by the bishop of Salisbury. Previous<br />
<strong>to</strong> the year 1247, Redclilfe and the Temple-fee were vested in the Knights<br />
Templars."
6 ST. MARY REDCLIFFE CHURCH.<br />
Redclifi'e <strong>Church</strong> has consequently been the subject<br />
of no ordinary degree of interest. Its early his<strong>to</strong>ry has<br />
engaged the most assiduous attention, and employed the<br />
deepest research of some of the most eminent antiqua<br />
ries, his<strong>to</strong>rians, and <strong>to</strong>pographers ; but, alas! the result<br />
of their <strong>to</strong>il has ended in contradic<strong>to</strong>ry conclusions, in<br />
creased no doubt by Chatter<strong>to</strong>n’s inventions and forgeries.<br />
Nor have the MS. memoranda found in different collec<br />
tions, relating <strong>to</strong> the more recent stages of the inquiry,<br />
been more successful? 1Vills of as early date as 1207,<br />
1229, and 1230, which devise several grants of land for<br />
the purpose of keeping the church of our lady of Red<br />
clifle in repair; and several original indulgences, of the<br />
dates of 1232, 1246, and 1248, granted by several bishops,<br />
with relaxation of penance on certain conditions, viz.<br />
that “ they would devoutly visit the church of the blessed<br />
<strong>Mary</strong> Redclifle in Bris<strong>to</strong>l, and there charitany contribute<br />
<strong>to</strong>wards the repairs of the same, and pray for the souls<br />
of those there interred,” were found in Canynge's chest,<br />
over the north porch of the present church of Redclifl'e,<br />
which establishes the fact of the then existing church;<br />
yet the earliest authority we have for dates as <strong>to</strong> the<br />
foundation of it is contained in “ The Old Chronicles of<br />
'° “ Radcliffe,” says Leland, (Itin., v01. vii., p. 86,) “ a little suburb, was<br />
joined <strong>to</strong> the city by a s<strong>to</strong>ne bridge, so thick set with houses that it seemed<br />
a street rather than a bridge. This part is enclosed within the walls, and<br />
the inhabitants are free of the city.” He immediately adds, “ among the<br />
fairest of churches is <strong>St</strong>. <strong>Mary</strong> de Redclifi'e, without the walls, with a grand<br />
ascent of steps,” 5m. 8m.<br />
Leland adds, that “ <strong>St</strong>. Sprite’s Chapell,” (synonymous with Lamyng'<strong>to</strong>n’s<br />
Lady’s Chapel, according <strong>to</strong> Barrett,) “inRadclef churchyard, was one a<br />
paroche, afore the building-e of Radclyfe new churche."<br />
William Wyrcestre, who was a native of Bris<strong>to</strong>l, and lived in the time of<br />
Henry VI., calls <strong>St</strong>. Sprite’s “ an ancient chapel, near Redclefl'e <strong>Church</strong>.”
sr. MARY REDCLIFFE CHURCH. 7<br />
Bris<strong>to</strong>l,” (now in the possession of the Chamber of<br />
Bris<strong>to</strong>l,) which state that a “ church was built <strong>to</strong> our lady<br />
at Redclifl'e, by Sir Simon de Bur<strong>to</strong>n, in the year 1292.”<br />
This church, however, seems not <strong>to</strong> have been com<br />
pleted by him, nor <strong>to</strong> have obtained very large endow<br />
ments, for a MS. (Hobson’s) says, “Simon de Bur<strong>to</strong>n,<br />
mayor in 1294, had two years before began <strong>to</strong> build<br />
Redclifl'e <strong>Church</strong>; but he lived not <strong>to</strong> finish it, which<br />
afterwards William Canynge did, and gave lands <strong>to</strong> re<br />
pair it for ever.”<br />
It appears William Canynge, senior,“ mayor of Bris<strong>to</strong>l,<br />
completed the body of <strong>Redcliffe</strong> <strong>Church</strong> from the cross<br />
aisle downwards, in 1376, and so the church was finished<br />
as it now is; and as this was eighty-four years after the<br />
dedication of Bur<strong>to</strong>n’s church, it may be considered <strong>to</strong><br />
be the finishing of what had been begun and partly ac<br />
complished by its founder. It was cus<strong>to</strong>mary at that<br />
time for the builder of a church <strong>to</strong> begin at the east end,<br />
or choir part, which, when finished, was consecrated,<br />
and the remainder was gradually prosecuted, either by<br />
the original projec<strong>to</strong>r, or by his immediate successors.<br />
Barrett (p. 570) says, the church was probably not<br />
finished before the year 1396, which is more than a<br />
century after it was commenced by Bur<strong>to</strong>n. This con<br />
clusion of Barrett arose, perhaps, from the difficulty of<br />
making rapid progress in great undertakings at so early<br />
an era, as well from the want of money and efficient<br />
workmen, as from the many difficulties arising from the<br />
elaborate and ornamental nature of the Gothic workman<br />
"' He was member of parliament for Bris<strong>to</strong>l in 1364, 1383, and 1384.—<br />
311st His<strong>to</strong>ry quris<strong>to</strong>l, p. 151.
8 sr. MARY REDCLIFFE CHURCH.<br />
ship employed in this church. But the principal reason<br />
for believing that the building was not finished till the<br />
above date is, that several wills, dated about the year<br />
1380, state that money was left “for the fabric, and<br />
<strong>to</strong>wards repairing the church of <strong>Redcliffe</strong> ;” and among<br />
others, the will of John Muleward contains a gift in<br />
money “ ad opus Beam Marine dc Radcleve,” which Bar<br />
rett justly regards as a proof that the work was going on<br />
at that time.<br />
In 1445-6 the lofty spire or steeple was struck by<br />
lightning, and one hundred feet of it fell with such a<br />
tremendous force on the body of the church, as nearly<br />
<strong>to</strong> reduce it <strong>to</strong> a ruinous heap.<br />
The following extracts, from ancient MS. accounts of<br />
this awful visitation, are recorded by Barrett; one runs<br />
thus 2—“ 1445, at <strong>St</strong>. Paul’s tide, was very tempestuous<br />
weather, by which Redcliife steeple was owrthrown in a<br />
thunder clap, doing great harm <strong>to</strong> the church by the fall<br />
thereof; but by the good devotion of Mr. William<br />
Canynge it was re-edified, <strong>to</strong> his everlasting praise.”<br />
Another MS., though differing in the year, says, “In<br />
1442,” (the year Mr. William Canynge was mayor,) “ this<br />
William Canynge, wyth the helpe of others of the wor<br />
shypfulle <strong>to</strong>wns of Bris<strong>to</strong>l, kept masons and workmenne<br />
<strong>to</strong> edifie,repayre, cover, and glaze the church of <strong>Redcliffe</strong>,<br />
which his grandfather had founded in the days of Ed<br />
ward III.” A third MS.—“William Canynge“ re-edified<br />
and enlarged the church of <strong>Redcliffe</strong>, almost destroyed<br />
“ Here we have a second William Canynge, son of John and grandson of<br />
William, for a founder, which will settle the doubts that have arisen about<br />
his being the sole original founder of this church.
ST. MARY REDCLIFFE CHURCH. 9<br />
by lightning)“ in 1445, in so exquisite a manner, that he<br />
has ever since passed for the founder thereof; and he<br />
afterwards gave £500 <strong>to</strong> keep it in repair.” Barrett<br />
says, “ the same plan was observed by him in rebuilding<br />
and res<strong>to</strong>ring it <strong>to</strong> its original beauty, after being thrown<br />
down by lightning. The south aisle, where the mischief<br />
fell heaviest, seems <strong>to</strong> have been rebuilt with a some<br />
what more elevated arch, and in a lighter style than the<br />
north; a difference also is seen between the windows of<br />
the north and south aisles.”<br />
Such is the brief, but imperfect, his<strong>to</strong>ry of a structure,<br />
which it is impossible <strong>to</strong> contemplate without a power<br />
ful impression of the omnipotence of poetical genius.<br />
Whether Chatter<strong>to</strong>n, or a. priest in the reign of Edward<br />
IV. was the author of Ella, and of several other similar<br />
poems, the church of Redclifi'e itself, the monuments it<br />
contains, and the scenery that surrounds it, owe much<br />
of their attraction and interest <strong>to</strong> their association with<br />
' Mr. Brit<strong>to</strong>n’s description of a thunder s<strong>to</strong>rm, which occurred whilst he<br />
was busily and intently engaged in this church in 1812, is so graphic and<br />
sublime, that we give place <strong>to</strong> the following extract :—“ A heavy cloud ap<br />
peared <strong>to</strong> be suspended immediawa over the church, and discharged from<br />
its swollen bosom an accumulation of water, hail, lightning, thunder, and<br />
wind. In any situation such a s<strong>to</strong>rm must have been terrific; but situated<br />
as I was, in the midst of this church, impressed with the recollection of the<br />
destroyed spire; enveloped in gloom, and surrounded by knights in armour,<br />
monkish efligies, and other images of deceased persons; the effect was truly<br />
sublime and awful." . . . . . . “ The vivid lightning blazed through the long<br />
aisles, and illuminated every object. It glanced on the clustered columns,<br />
played round the brazen eagle, flashed on the supplicafing- statues: alternate<br />
gloom and dazzling glare pervaded the church.”<br />
On April 2, 1821, during a violent thunder s<strong>to</strong>rm, the electric fluid struck<br />
the north end of the <strong>to</strong>wer, shattered the beam that supported one of the bells<br />
without injuring the bells. It then passed down the bell wire of the clock,<br />
and escaped on the south side of the <strong>to</strong>wer, rolling up the lead from the roof,<br />
and dislodging near three owt. of the s<strong>to</strong>ne work.
10 ST. MARY REDCLIFFE CHURCIL<br />
these writings. The <strong>to</strong>mb of Canynge might have re<br />
mained the subject of solitary examination <strong>to</strong> the occa<br />
sional visi<strong>to</strong>r, had not his name been coupled with that<br />
of the real or supposed author of these extraordinary<br />
compositions; and though the architectural beauties of<br />
the structure might have excited the partial and occa<br />
sional admiration of the professional student, or the lover<br />
of the arts, it is owing <strong>to</strong> the MSS. of Rowley, or <strong>to</strong> the<br />
materials of their fabrication, that it has become the<br />
object of interesting contemplation <strong>to</strong> the literary world,<br />
and has awakened the inquiries and exercised the talents<br />
of at Miller, a Bryant, a. Mathias, a Southey, a Brit<strong>to</strong>n,<br />
and others.<br />
The superstructure of the whole church displays dis<br />
tinct and different eras of architecture. The crypt un<br />
derneath the north transept, and the middle north porch,<br />
are certainly the oldest portions; the arches of the former,<br />
and the pilaster-columns, arches, and mouldings of the<br />
latter, being in strict accordance with the buildings of<br />
the thirteenth century.<br />
Of a subsequent age and style are the <strong>to</strong>wer and grand<br />
northern porch, in both of which we recognise a later<br />
style of architecture; while the tracery of the ceilings,<br />
the niches, and numerous mouldings, are of much more<br />
enriched and elaborate characters than the former speci<br />
men. The parts were probably raised in the reign of<br />
Edward 111., by William Canynge, senior.<br />
In the finishing of the nave, choir, and transepts, we<br />
must look for the works of WVilliam Canynge, Jun., the<br />
rich merchant of Bris<strong>to</strong>l, and dean of Westbury; but<br />
here the style is not so strictly in unison with the era.
ST. MARY REDCLIFFE CHURCH.<br />
<strong>St</strong>ill, however, we must contemplate the greater part of<br />
the church as the workmanship of his time. A more<br />
decorated species of architectural design is shown in the<br />
entrance door-way <strong>to</strong> the vestry, which was probably a<br />
chantry erected by Sir Thomas Mede ; and also in his<br />
monument in the eastern end of the north aisle, the<br />
latter of which was probably raised about the year 1486.<br />
William Wyrcestre has bes<strong>to</strong>wed more than his usual<br />
care and attention upon the examination of this singu<br />
larly fine church; and his mensuration will be found <strong>to</strong><br />
be more generally correspondent with the modern.<br />
The following very minute and mason-like account<br />
was probably communicated by Nor<strong>to</strong>n, the master<br />
mason, who is mentioned as having been consulted by<br />
our author:<br />
‘-‘ The <strong>to</strong>wer of Redclyfl‘ contains a diameter of 23 by<br />
24 feet. Its height is 120 feet, and with the spire, as it<br />
now remains broken by a s<strong>to</strong>rm, is 200 feet high. The<br />
diameter, at the <strong>to</strong>p of the fracture, is 16 feet, and it has<br />
eight panes or sides. Every s<strong>to</strong>ne at the beginning of<br />
the spire is two feet thick; but at the <strong>to</strong>p of the fracture<br />
only four inches. The diameter of the ‘ garlonde’ [the<br />
parapet round the summit,] where the cross is placed, is<br />
eleven feet. Thickness of the walls at the foundation is<br />
seven feet, and five at the <strong>to</strong>p of the <strong>to</strong>wer.”<br />
“ The dimension or proportion most artificially wrought<br />
in free mason work of the western porch of Redcliff<br />
<strong>Church</strong>. Width seven feet, height nine feet. The<br />
square in the dome. ‘ The west dore fretted yn the<br />
hede with great gentise and smale, and fytted with en<br />
tayle, with a double moolde, costly den and wrought.’ ”
12 ST. MARY REDCLIFFE CHURCH.<br />
“ These four proportions in both. A champ ashlar [a<br />
water-table,] of ashlar-work; a cors, wyth an arch buttant<br />
[a flying arch]; a botterasse. A body boterasse, [a but<br />
tress against a wall], and a corner botterass.”<br />
He likewise measured the interior, with Nor<strong>to</strong>n, the<br />
master-mason.<br />
“The whole length of the church of <strong>St</strong>. <strong>Mary</strong> Red<br />
clive is 63 yards, exclusive of our Lady’s Chapel. The<br />
breadth is 18 yards; <strong>to</strong>tal 231 feet. The said chapel 13<br />
yards, one foot and a half, by 21 feet.<br />
“ The length of the first gate or north porch is seven<br />
yards, and the chapel continued from the gate of en<br />
trance is six yards more.”<br />
“ The height of the arched and fretted 'vault (voltae<br />
frettae arehuatee,) of the nave and aisles, and likewise the<br />
aisles of the transept from north <strong>to</strong> south, is 80 steps from<br />
the ground, from information given me by the plumber,<br />
on the 7th of September, 1480, each step containing<br />
eight inches at least. The length of the transept 67<br />
paces. The aisles are 26 paces. The chapel of the<br />
north porch contains in circumference 44 yards, and is<br />
ornamented with the statues of the kings, (cum ymagini<br />
bus regum operatis subtilitur in opere de frees<strong>to</strong>ne.)”<br />
“ Between each pillar and arch there is a space of 10<br />
feet. The transept has eight arches: every window in<br />
the ‘ ovyr-s<strong>to</strong>rye’ has five glazed divisions, and is 10 feet<br />
wide; and those in each aisle have three. There were<br />
six bells in the <strong>to</strong>wer, the largest of which weighed<br />
7024 lbs. avoirdupois, and the smallest 1300 lbs weight.<br />
“The ‘sevaree’ [square space,] between every two<br />
windows opposite of the nave is 22 ft. by 16.”
sr. MARY REDCLIFFE CHURCH. 13<br />
“In the church of Redclifi'e,” says Britten, “ the<br />
architect has manifested both genius and science. Its<br />
design has some traits of novelty, and its execution is<br />
founded on geometrical principles. Though its orna<br />
ments and some of the parts are similar in many other<br />
churches, yet the whole is unique; and it may be justly<br />
called a grand and truly interesting specimen of the<br />
architecture of the age in which it was erected. Lofti<br />
ness, lightness, and variety, are its marked characteristics.<br />
Every part, both internally and externally, is charged<br />
with ornaments ;-—is enriched with sculpture and archi<br />
tectural embellishments.” ...... “ It may not inaptly be<br />
compared <strong>to</strong> a graceful and elegant female, dressed in a<br />
light and flowing drapery; as the latter adorns the for<br />
mer.” Approaching it by Redclifl'e <strong>St</strong>reet, the view is<br />
singularly impressive and prepossessing. The richly<br />
decorated <strong>to</strong>wer, west front of the church, unique north<br />
porch, and transept; with flying buttresses, pinnacles,<br />
and perforated parapets,—--all unite <strong>to</strong> constitute a mass<br />
of architecture which cannot fail <strong>to</strong> delight the artist,<br />
and as<strong>to</strong>nish the common observer.<br />
The church is built on a red sandy rock or cliff, from<br />
which it derives its name. There are three principal<br />
entrances,—by a north, south, and west door; but the<br />
north door was evidently used as the principal entrance<br />
in the days of popery, being full of Gothic work, niches<br />
for figures of saints and kings. Here was also a confes<br />
sional, the poor’s charity box, and an “image of our<br />
lady, decorated with a fine cloth, wyth frynge <strong>to</strong> cover<br />
her.” Maude Easterfield, in 1491, gave this image a<br />
most splendid ring. Upon digging a grave here, on the
14 ST. MARY REDCLIFFE CHURCH.<br />
30th January, 1750, two frees<strong>to</strong>ne sepulchres were dis<br />
covered, containing the complete skele<strong>to</strong>ns of two per<br />
sons, with their bones lying in their natural order.<br />
The entrance <strong>to</strong> the north porch is by a pair of hand<br />
some iron gates, recently placed at the foot of a flight of<br />
steps ascending <strong>to</strong> it from Phippen <strong>St</strong>reet. Within this<br />
porch are some pillars of s<strong>to</strong>ne, which, when struck, give<br />
a peculiar <strong>to</strong>ne; and hence they are named dumb organs.<br />
The entrance <strong>to</strong> the south porch is highly adorned with<br />
architectural dressings; a range of five niches, with<br />
acutely pointed and crocketed pediments, is displayed<br />
immediately over the central door-way ; and at the angles<br />
are double graduated buttresses, with sculptured canopies<br />
and pinnacles. We are sorry <strong>to</strong> add, however, that the<br />
whole of this once beautiful and ornamental workmanship<br />
is in a very mutilated condition, and rapidly approaching<br />
<strong>to</strong> decay. The west entrance is seldom, if ever, opened<br />
for divine service.<br />
Nearly over the south entrance door, on the inside, is a tablet, on<br />
which is a. carved sword that belonged <strong>to</strong> Sir Robert Yeamans,<br />
Bart, who was mayor of Bris<strong>to</strong>l in 1669.<br />
In the south-west angle of the church is a large s<strong>to</strong>ne coflin,<br />
with a statue in demi-relief on the lid, and beneath it two words<br />
in old characters, which Barrett reads, “51mm; iampug<strong>to</strong>n."<br />
This coflin was placed here in 1766, having been discovered<br />
under the west window of <strong>St</strong>. Sprite’s chapel, which formerly<br />
s<strong>to</strong>od close <strong>to</strong> the church, and was demolished at that period.<br />
Upon first opening the cofiin, the solid parts of the body retained<br />
their natural position in a perfect manner; but on being <strong>to</strong>uched,<br />
they immediately crumbled <strong>to</strong> dust. John Lamyng<strong>to</strong>n is men<br />
tioned in Barrett’s list of vicars, as having been chaplain of this<br />
church in 1393.
7 z: I'- '-l-_ q<br />
ST. MARY REDCLIFFE CHURCH.<br />
Near this, recently discovered in lowering the walk round the<br />
church, is<br />
a massy s<strong>to</strong>ne coflin lid, and a fragment of one of<br />
smaller dimensions, both narrowing gradually from the whole<br />
width downwards, so as <strong>to</strong> fit the s<strong>to</strong>ne cofiins, of which they<br />
formed the cover. The cross on the smaller is plain; the other<br />
foliated, and round the verge is a partly-obliterated inscription,<br />
in Roman letters. Part of another was also dug up; but there is<br />
nothing uncommon or rare in the discovery of these sepulchral<br />
memorials. Our shadows fall on many of these symbols of the<br />
faith of our own and other times, traced in various forms upon<br />
the slabbed pavement of the aisles; indeed, (from being the most<br />
common species of monumental sculpture,) the variety of crosses,<br />
both plain and ornamented, on coflin s<strong>to</strong>nes and slabs remaining<br />
in every ecclesiastical edifice of any size and antiquity, are very<br />
numerous, and of every age, from the twelfth t0 the sixteenth<br />
century. They were not always denotations of the ecclesiastical<br />
order, though it is probable they were more appropriated <strong>to</strong> the<br />
clergy than <strong>to</strong> the civil classes of society; the most ancient, and<br />
those of the thirteenth century, have the cofiin-shaped form, and<br />
in general the cross more simply designed.<br />
The ancient s<strong>to</strong>ne Font, which lay neglected in the north-east<br />
aisle of the church, was removed in 1839, by order of Mr.<br />
<strong>Church</strong>warden Ringer, <strong>to</strong> its original situation against a pillar—<br />
in the son’rn-wnsr AIsLn,-on which is inscribed, “Except a<br />
man be born of water and of the Spirit, he cannot enter the<br />
kingdom of heaven.” Near it, on a scroll, supported by an<br />
angel, is another inscription, which time has nearly obliterated.<br />
Against a pillar, <strong>to</strong> the right of the organ loft, and facing the<br />
south door, is a mural monument, composed of a white marble<br />
scroll, relieved by a grey slab. On the <strong>to</strong>p is an open book;<br />
on the leaves are inscribed, “ Psalm lxxiii. 25. Psalm cxxxix.<br />
l7." and surmounted with a cross and olive branch. At the<br />
base is a shield, bearing the arms and crest, with the mot<strong>to</strong>,
16 ST. MARY REDCLIFFE CHURCH.<br />
" Nunquam nisi honorificentissime"--Never, unless most honour<br />
ably. The inscription on the scroll is as follows :—<br />
To the Memory of<br />
SIR FRANCIS FREELING, BARONET,<br />
who was born in this parish, August the 25th, 1764,<br />
and who died at Bryans<strong>to</strong>n Square, in the county of Middlesex,<br />
on the 10th of July, 1836.<br />
For more than half a century<br />
his life was devoted <strong>to</strong> the public service,<br />
in the<br />
GENERAL POST OFFICE,<br />
in which, for thirty-eight years, he discharged the arduous duties of<br />
SECRETARY.<br />
By unwearied industry<br />
in the employment of great talents,<br />
and by unblemished integrity, grounded upon<br />
Christian principles,<br />
he acquired and retained the favour of<br />
three successive sovereigns,<br />
and the approbation of the public.<br />
He has left a name<br />
which will be remembered with honour<br />
in his birth place,<br />
and which is cherished with afiection and veneration<br />
by his children,<br />
who have raised this monument.<br />
Sir F. FREELING, Bart, was descended from humble parents, his father<br />
being a confectioner, residing on Redelifl‘e Hill, opposite the western<br />
end of the church. He was educated at a common day school, where<br />
only reading, writing, and arithmetic were taught; and attained a<br />
knowledge of the Latin language under the gratui<strong>to</strong>us tuition of the<br />
Rev. Dr. Robins,* one of the canons of the Bris<strong>to</strong>l Cathedral, whose<br />
kindness he ever acknowledged by constant <strong>to</strong>kens of gratitude ;<br />
justly attributing <strong>to</strong> that gentleman's benevolent assistance his qua<br />
lification for the discharge of the duties of the important department<br />
he afterwards filled at the General Post Office. He was apprenticed.<br />
at the Bris<strong>to</strong>l Post Oflice,where his talents and probity soon attracted<br />
attention; and on the establishment of the new system of mail<br />
* Master of Queen Elizabeth's Grammar School, attached <strong>to</strong> Redclifl'e<br />
<strong>Church</strong>.
s'r. MARY REDCLIFFE cmmcn. l7<br />
coaches by Mr. Palmer, in 1786, Mr. F. was strongly recommended<br />
as his assistant, <strong>to</strong> carry his improvements in<strong>to</strong> effect. Mr. F. was<br />
accordingly introduced in<strong>to</strong> the General Post Office in 1787, where<br />
he filled the office of Surveyor, principal and resident Surveyor, joint<br />
Secretary, (with the late Anthony Tod, Esq.) and sole Secretary for<br />
nearly half a century.<br />
His unwearied assiduity and unremitting attention <strong>to</strong> the duties of his<br />
office procured for him the unbounded confidence and warm personal<br />
friendship of every one of the noble individuals, without distinction<br />
of party, who presided over the Post Office throughout his career.<br />
He was much distinguished by his excellent master, George III., and<br />
the title he enjoyed was bes<strong>to</strong>wed on him unsolicited by George IV.,<br />
from whom he received other flattering testimonials of approbation.<br />
The patent of his baronetcy is dated March 11, 1828.<br />
The visi<strong>to</strong>r being now introduced <strong>to</strong> the nave of the<br />
church, looking east, has his attention directed <strong>to</strong> the<br />
whole-roof, which is artificially vaulted with s<strong>to</strong>ne, and<br />
richly adorned with tracery: the wall between the large<br />
arches and the upper tier of cleres<strong>to</strong>ry windows being<br />
covered with panelling and pilasters. The pillars which<br />
support the roof are very lofty, and inimitably wrought<br />
in<strong>to</strong> the most delicate mouldings. In length the whole<br />
church, with the Lady Chapel,‘ is two hundred and<br />
thirty-nine feet; and from north <strong>to</strong> south of the great<br />
cross aisles is one hundred and seventeen feet:-—-the<br />
height of the middle aisle is fifty-four, and of the north<br />
and south aisles twenty-five feet.<br />
The magical effect of the interior, its beautiful uni<br />
formity, its harmonious combination of the various parts,<br />
is well calculated <strong>to</strong> produce a high and solemn feeling<br />
of mysterious awe upon the soul of the specta<strong>to</strong>r; while<br />
‘ There is a door-way leading <strong>to</strong> the Lady Chapel from the south-east aisle.<br />
B
18 ST. MARY REDCLIFFE CHURCH.<br />
the clustered pillars, the mullioned windows, the panelled<br />
walls, and, crowning and adorning the whole, the groined'<br />
vaulted ceiling, profusely enriched with intertwining<br />
moulded ribs, foliated tracery, and finely sculptured<br />
bosses, at once attest the skill of the architect, and the<br />
extraordinary capabilites of the Gothic order, when<br />
unostentatious piety, with unsparing hand, devotes its<br />
worldly treasures <strong>to</strong> aid its full development.<br />
The east window and also the original altar screen,<br />
were concealed by three large paintings by Hogarth,<br />
which somewhat diminished the architectural vista, and<br />
impaired the beauty of the original design. As will be<br />
seen by the Appeal, the res<strong>to</strong>ration of this portion of the<br />
venerable fabric is amongst the contemplated improve<br />
ments. The present generation are beginning <strong>to</strong> estimate<br />
and appreciate the exalted beauties of the Gothic style ;<br />
and the disposition evinced <strong>to</strong> remove the paintings,<br />
marks a return <strong>to</strong> that purity of taste which so distin<br />
guished ecclesiastical architecture at the era when this<br />
building was completed. The subject of the painting<br />
by Hogarth, represented in the centre, is The Ascension<br />
of Christ, the other two represent The Three <strong>Mary</strong>s at<br />
the Sepulchre, and The High Priest and Servants Sealing<br />
the Tomb. They were put up in the year 1766, and the<br />
artist was paid for his labour 500 guineas, the whole<br />
having cost, with the alterations, &c., £761 : 0 : 1. In<br />
the work he was assisted by Simmons, who painted the<br />
altar-piece of the Annunciation, in All Saints’ <strong>Church</strong>.<br />
Immediately over the communion table is a picture re<br />
presenting .lesus res<strong>to</strong>ring Jarius’s Daughter <strong>to</strong> life, by<br />
H. Tresham, R. A., and presented, in 1792, <strong>to</strong> the
sr. MARY REDCLIFFE CHURCH. l9<br />
church by the painter’s uncle, Sir Clif<strong>to</strong>n Wintringham,<br />
Bart. Pending the alterations, and previously <strong>to</strong> their<br />
final removal, the pictures have been advanced forty-six<br />
feet, <strong>to</strong> allow of the necessary alterations progressing<br />
behind, without interfering with the services of the<br />
church.<br />
Before walking up the nave, take a view of a most<br />
beautiful Gothic Screen <strong>to</strong> the organ gallery, which was<br />
previously an attempt at classic architecture, peculiarly<br />
unfitted <strong>to</strong> this beautiful Gothic church. The alteration<br />
was suggested by Mr. W. Ringer, whilst churchwarden<br />
of the parish, in 1839; under whose superintendence<br />
and good taste it was effected, at a cost of about £200,<br />
the greatest part of which was raised by private sub<br />
scription.<br />
Proceeding up the middle aisle, in the centre of the<br />
transept, near the pulpit, is a large brazen eagle, formerly<br />
used as a reading desk; the gift of Mr. James Wathen,<br />
of this parish, pin maker.<br />
We will now inspect the transepts and north and south<br />
aisles, ere we pass in<strong>to</strong> the chancel and the Lady’s chapel.<br />
Attached <strong>to</strong> a column in the south transept is a flat slab, with<br />
a long inscription, which commemorates Sir William Penn,<br />
father of the illustrious founder of Pennsylvania, and one of the ~<br />
Society of Friends. He lies immediately beneath, and since the<br />
<strong>to</strong>mb-s<strong>to</strong>ne closed over the cofiined clay, in the silence and still<br />
ness of its last earthly home, his remains have been undisturbed<br />
until recently, when another of the family was added <strong>to</strong> the mor<br />
tality within. The column itself is adorned with banners and<br />
with armour. These may be appropriate emblems on the grave<br />
of the warrior; but here they appear <strong>to</strong> be misplaced; as they
20 six MARY rumours]; cnuncn.<br />
seem <strong>to</strong> profane the temple, which is<br />
the God of peace.<br />
dedicated <strong>to</strong> the service of<br />
Sir WILLIAM PENN, Knt., father of William Penn the Quaker, who<br />
was the founder and legisla<strong>to</strong>r of Pennsylvania, is described in his<br />
monument as being a native of Bris<strong>to</strong>l; but Wood says (Ath. Ox.<br />
1050) that he was born at Mynety, in Wiltshire, where his father<br />
and grandfather were wealthy inhabitants. His early inclinations<br />
led him <strong>to</strong> adopt a maritime life. He was made captain at twenty<br />
one; rear admiral of Ireland, at twenty-three; vice admiral of<br />
Ireland, at twenty-five; admiral <strong>to</strong> the <strong>St</strong>raits, at twenty-nine; vice<br />
admiral of England, at thirty-one;<br />
war, at thirty-two.<br />
nd general in the first Dutch<br />
Returning in 1655, he was chosen representativa:<br />
in parliament for Weymouth; and in 1660, was made commissioner<br />
of the admiralty and navy, governor of the port and <strong>to</strong>wn of Kinsale,<br />
vice admiral of Munster, and a member of that provincial council.<br />
In 1664, he was chosen great captain commander under the Duke of<br />
York, and distinguished himself in an engagement against the Dutch<br />
fleet; after which he <strong>to</strong>ok leave of the sea; but continued in his<br />
other employments till 1669 ; when, in consequence of bodily infir<br />
mities, (contracted through anxiety and fatigue of public afi'airs) he<br />
withdrew, and with a gentle and even gale, in much peace, arrived<br />
and anchored in his last and best port at Wanstead, in the county of<br />
Essex, September 16th, 1670, in the forty-ninth year of his age. His<br />
remains were removed <strong>to</strong> Bris<strong>to</strong>l in the latter end of September,<br />
where they lay in state in the Guildhall till Oc<strong>to</strong>ber 3rd; from<br />
whence they were conveyed <strong>to</strong> Redclifie <strong>Church</strong>, guarded on either<br />
side of the way by the trained band.<br />
In this transept was formerly the chauntry of Saint Catharine,<br />
founded by William Canynges, in the year 1465, as appears<br />
from a deed in Latin, dated 6th Edward IV. George Weare<br />
Braikenridge, Esq., has in his possession a very curious docu<br />
ment, being the rental of Canynges’ two chantries in this church,<br />
dated the next ensuing year after his death, 1473. Besides these<br />
chantries were altars dedicated <strong>to</strong> Saint Blaize, Saint Nicholas,<br />
and Saint George, with their attendant priests, whose ofice was
s1". MARY REDCLIFFE cannon. 21<br />
<strong>to</strong> ofi'er orisons for the dead and living by name. William<br />
Canynges was buried at the altar of Saint Catharine, beneath<br />
the centre window of the transept; the eli‘igies of himself, in his<br />
magisterial robes, and his wife, dressed after the costume of the<br />
times, recline upon an altar-<strong>to</strong>mb of s<strong>to</strong>ne, raised upon the spot,<br />
surmounted by a large flat canopy.<br />
'1 s i .11. V . . '.\ \<br />
This was placed here by Canynges in 1466, when his wife died,<br />
as a memorial of her and himself. Under the canopy, at the<br />
back of the <strong>to</strong>mb, is the following inscription setting forth his<br />
riches, and enumerating the names with the burdens of his<br />
ships, concluding with an epitaph recording his virtues.<br />
“WILLM CANNING, y‘ richest merchant of y- <strong>to</strong>wn of Bris<strong>to</strong>w, after“<br />
wards chosen 5 times Mayor of y' said <strong>to</strong>wne, for the good of the Common<br />
wealth of the same: he was in order of priesthood 7 years, and afterwards
8T. MARY REDCLIFPE CHURCH.<br />
Dean of Westbury, and died the 7th Nov. 1474; which said William did<br />
build, within the said <strong>to</strong>wn of Westbury, a college (with his canons,) and the<br />
said William did maintain by space of 8 years, 800 handycraftsmen, besides<br />
carpenters and masons, every day 100 men. Besides, King Edward the IVth<br />
had of the said William, 3000 marks for his Peace <strong>to</strong> be had in 2470 <strong>to</strong>ns of<br />
shipping.<br />
“These are the names of the shipping and their bnrthensz—The <strong>Mary</strong><br />
Canynges, 400 <strong>to</strong>ns; The <strong>Mary</strong> and John, 900; The Katharine, 140; The<br />
Little Nicholas, 140; The Katharine of Bos<strong>to</strong>n, 220; The <strong>Mary</strong> Radclifl‘,<br />
600; The Galliot, 500; <strong>Mary</strong> Batt, 220; The Margaret, 200; A Ship in<br />
Ireland, 100.<br />
“ No age, no time, can wear out well-woon fame,<br />
The s<strong>to</strong>nes themselves a statly work doth shew,<br />
From senseless grave we ground may meus good name,<br />
And noble minds by ventrous deeds we know.<br />
A lanterns cleer setts forth a candele light,<br />
A worthy act declares a worthy Wight;<br />
The buildings rare, that here you may behold,<br />
To shrine his bones deserves a <strong>to</strong>mbe of gold.<br />
The famous fabrickc which he here hath donne,<br />
Shines in its sphere as glorious as the sonne;<br />
What needs more words, the future world he sought,<br />
And set the pomp and pride of this at nought.<br />
Heaven was his aim, let heaven be still his station,<br />
That leaves such work for others imitation.”<br />
This was probably placed here, upon traditional authority,<br />
after the dilapidations committed upon the edifice during the<br />
civil wars. The verses are much in the style of Thomas<br />
<strong>Church</strong>yard, a very popular poet, and known composer of epi<br />
taphs in the reign of Elizabeth.<br />
There is also, at the southern extremity of the transept, an<br />
other plain altar-<strong>to</strong>mb of peculiar interest, supporting the recum<br />
bent figure of a priest in sacerdotal robes, with a large scrip, or<br />
pocket, attached <strong>to</strong> the left side. An angel is placed at his<br />
head, and a dog, with a large bone in his paws, at his feet.<br />
There is no inscription upon it, <strong>to</strong> mark decidedly the person<br />
<strong>to</strong> whose memory this monument has been erected. Mr. Cole<br />
states it <strong>to</strong> be a third <strong>to</strong>mb of William Canynges; tradition,<br />
however, assigns it <strong>to</strong> his purse-bearer or treasurer.<br />
7, “MA
sr. MARY REDCLIFFE CHURCH. 23<br />
The adjoining altar-<strong>to</strong>mb, on which lies the effigy of a man<br />
in priest’s robes, is commonly ascribed <strong>to</strong> William Canynges, as<br />
Dean of Westbury. The head is shaven, and the countenance<br />
is extraordinary for its expression, as of one who “did rigid vigils<br />
keep," with strict penance and mortification; the nose is long<br />
and aquiline, the cheek bones high, with very thin cheeks, and<br />
the chin narrow and projecting. The hands are raised in the<br />
act of devotion, telling <strong>to</strong> generation after generation, who come<br />
and gaze, retire and pass away, of the Christian's faith and hope,<br />
of that heaven <strong>to</strong> which while he prayed, he died.<br />
There is, how<br />
ever, no resemblance between this head and that on the other <strong>to</strong>mb,<br />
while the extraordinary character of the countenance unques<br />
tionably indicates it <strong>to</strong> have been a portrait. At the feet of this<br />
effigy is the small, but remarkable, figure of an old man, appa<br />
rently in great bodily agony, embodying a metaphysical idea of<br />
putting 08' the old man, from his having abandoned his lay<br />
character. This monument Canynges is said <strong>to</strong> have procured,<br />
according <strong>to</strong> a practice then not unusual, <strong>to</strong> be placed in the<br />
chapel of the College at Westbury, as a daily incitement <strong>to</strong> his<br />
piety. An inscription in Latin, on a loose board, is sometimes<br />
attached <strong>to</strong> this <strong>to</strong>mb. This inscription assigns the <strong>to</strong>mb <strong>to</strong><br />
Canynges, but as it is sometimes attached <strong>to</strong> the monument last<br />
described, as well as <strong>to</strong> this, it cannot be considered of any<br />
authority.<br />
Dallaway says, that when the College at Westbury was<br />
burned down by Prince Rupert, in<br />
1643, this monument was<br />
saved, and removed here. But this is incorrect; that it was<br />
here previously <strong>to</strong> 1610 is evident from Holland’s Translation<br />
of Camden's Britannia, printed in that year; which states that<br />
in Redclifl'e <strong>Church</strong> Canynges had “ two faire monuments, upon<br />
the one lieth his image portraied in an Alderman's robe; upon<br />
the other his image likewise, in sacerdotal habit, for that in his<br />
old age he <strong>to</strong>ok the orders of priesthood."
24 ST. MARY REDCLIFFE CHURCH.<br />
Not far from the monument of Mr. Canynges is the following<br />
inscription, in old characters, on a flat s<strong>to</strong>ne :—“ Hic jacet<br />
Willims Coke . . . . . . . . Willims Canynges merca<strong>to</strong>re villaa<br />
Bris<strong>to</strong>ll . . . . . . . . propicietur Deus. Amen.” A large knife<br />
and skimmer are engraved on this slime; by which it would<br />
appear that he was Canynges’ cook. These however cannot be<br />
taken as authority, being evidently the production of some un<br />
practised hand of more recent date.<br />
Not far from this is a flat s<strong>to</strong>ne, with a cross upon it, having a<br />
rim of brass running round its edges, and these inscriptions :—<br />
“Hic jaoet Johes Blecker, seu pandoxa<strong>to</strong>r, cujus fiie propicietur Deus.<br />
Amen.”<br />
“Hicjaeent Ricardus Coke et 'I‘ibota fix ejus, . . . . . . . —picietur. Deus."<br />
John Blecker is supposed <strong>to</strong> have been one of Canynges'<br />
servants. The term “ pandoxa<strong>to</strong>r" is translated brewer.<br />
Aflixed <strong>to</strong> a column nearly opposite the <strong>to</strong>mb of Canynges and<br />
his lady is a neat monument, with a long Latin inscription, <strong>to</strong><br />
the memory of Maria, the wife of William Barrett, F. S. A. and<br />
author of “ The His<strong>to</strong>ry and Antiquities of Bris<strong>to</strong>l."<br />
Mr. Baaas'r'r was a man of some learning, and of considerable research.<br />
He appears <strong>to</strong> have devoted the leisure of twenty years of his life <strong>to</strong><br />
the collecting of materials for his His<strong>to</strong>ry of Bris<strong>to</strong>l ; and every<br />
facility seems <strong>to</strong> have been afl‘orded <strong>to</strong> his inquiries, both by public<br />
bodies and by individuals. The mass of materials which he collected<br />
appears immense, and highly valuable; but he was evidently incom<br />
petent <strong>to</strong> the task of selecting, arranging, and discriminating the<br />
wheat from the chaff; and hence the numerous fictions of Chatter<strong>to</strong>u.<br />
Many of the papers which Mr. Barrett had collected were left <strong>to</strong> Mr.<br />
Gapper; those relating <strong>to</strong> Chatter<strong>to</strong>n were disposed of <strong>to</strong> the Rev.<br />
Mr. Kerric'k, of Cambridge, for Dr. Glynn, and Were afterwards<br />
deposited in the British Museum. The late Sir John Smyth, of Long<br />
Ash<strong>to</strong>n, purchased some MSS. at the sale of Mr. Barrett’s effects.<br />
The oldest date on the slabbed pavement in this transept, yet<br />
nnobliterated by passing feet and the slow and silent decay of<br />
many years, is 1596. Its tale has long been <strong>to</strong>ld, and is now
sr. MARY REDCLIFFE cannon. 25<br />
left for another generation <strong>to</strong> replace, till those for whom the<br />
s<strong>to</strong>ny vault was first prepared, shall have neither sign nor<br />
evidence <strong>to</strong> mark their final home. Of the thousands past, that<br />
here sleep in the damp vaults' dayless gloom—of the generations<br />
which have vanished from the face of the earth, and in their<br />
most desolate privilege of state, sought even in death distinction<br />
from their fellow men—what have we left? their <strong>to</strong>mbs are<br />
nameless sepulchres,—remorseless years have obliterated their<br />
inscriptions, and their crumbling dilapidated surface defies the<br />
scrutiny of man, who would seek <strong>to</strong> pierce through the silent<br />
mysteries of buried years.<br />
In the east aisle of the south transept is a boss, on which are<br />
the figures of a sow with young pigs; a very strange and unusual<br />
device, <strong>to</strong> say the least of it; and it is difiicult <strong>to</strong> account for its<br />
being there, except we attribute it <strong>to</strong> the licentiousness of the<br />
workmen. In the centre of the transept is another boss, represent<br />
ing our Saviour as bleeding on the cross.<br />
Against the piers of this transept, are three hatchments with<br />
the royal arms, and a fourth belonging <strong>to</strong> the Chetwode family,<br />
with the mot<strong>to</strong>, “ Corona me a Christus." Christ is my Crown.<br />
The cleres<strong>to</strong>ry windows also, from the peculiar elegance of their<br />
design, should not be overlooked, being surrounded by a band<br />
of quatrefoiled lights, many on the east side containing some<br />
beautifully stained glass.<br />
The visi<strong>to</strong>r will now cross <strong>to</strong> the north transept, where is the<br />
Baptismal Font now in use. It is of white marble, beautifully<br />
constructed, wrought, and polished: the floor on which it is<br />
placed is elevated, paved also with marble, and enclosed with<br />
mahogany rails. The font was purchased in 1755 for £171.<br />
The beautiful gates of wrought iron, at the entrance of this<br />
transept, will attract attention by the chasteness and beauty of<br />
the design, in which is introduced the arms of the city, appro<br />
priately emblazoned.<br />
'
26 ST. MARY REDCLIFFE CHURCH.<br />
Under the window in this transept is a Knight Templar,<br />
carved in frees<strong>to</strong>ne, lying on a plain altar <strong>to</strong>mb, in a coat of mail,<br />
with a shield on his left side, and a sword in his right hand,<br />
probably designed for Robert de Berkeley, Lord of Bedminster<br />
and Redclifl‘e, and a benefac<strong>to</strong>r <strong>to</strong> this church.<br />
Near this is a handsome mural monument, erected by sub<br />
scription in 1835, with the following inscription on a marble<br />
tablet 2——<br />
Sacred \<br />
To the Memory of<br />
NATHANIEL BRIDGES, D. D.<br />
Vicar of Willoughby' and Hat<strong>to</strong>n,<br />
and for 28 years<br />
Iecturer of this Parish.<br />
He died the 17th July, 1834,<br />
aged 86 years.<br />
In him were combined<br />
Those estimable qualities<br />
which<br />
Render social intercourse delightful<br />
and make public ministrations a blessing.<br />
Gospel simplicity, deep uniform piety,<br />
unremitting zeal<br />
for the spiritual interest of the people,<br />
and unbounded benevolence,<br />
were his distinguishing characteristics.<br />
Firmly attached<br />
<strong>to</strong> the Establish <strong>Church</strong> of England,<br />
he yet rose superior <strong>to</strong> party prejudices,<br />
and loved all who loved his Master.<br />
In him the church of Christ<br />
has lost a faithful, laborious,<br />
and successful minister.<br />
Marble will moulder, monuments decay,<br />
Time sweeps memorials from the earth away;<br />
But lasting records are of BRIDGES given,<br />
The date eternity, the archives heaven.<br />
There living tablets, with his worth engraved,<br />
<strong>St</strong>and forth for ever in the souls he saved.<br />
‘ Dr. Bridges was presented <strong>to</strong> the living of Willoughby in 1792, by<br />
Magdalen College, Oxford, in which college he graduated M. A. in 1778;<br />
B. D. in 1780; and D. D. in 1784. At Ilat<strong>to</strong>n he succeeded, we believe, Dr.<br />
Samuel Parr.
sr. MARY REDCLIFFE CHURCH. 24 u<br />
In one of the windows of the north transept are some<br />
fragments of ancient stained glass, which appear coeval<br />
with the church. On one piece six women in a boat are<br />
represented, possibly alluding <strong>to</strong> a particular event con<br />
nected with the church. There are also some diagrams,<br />
arms, and letters,which probably mark certain benefac<strong>to</strong>rs<br />
who contributed <strong>to</strong>wards finishing the fabric. Figures<br />
of the virgin and child, with crowns on their heads, are<br />
comparatively perfect.<br />
There were also in other windows, painted glass of<br />
the arms of England, of Harring<strong>to</strong>n, Hungerford,<br />
Canynges, Cradock, Berkeley, Mede, <strong>St</strong>ur<strong>to</strong>n, Dyrick,<br />
Says, Graunt, Montague, Cheyney, Fulk, Fitzwarren,<br />
Sir I. Inyn, Rivers, &c.<br />
In the north-east angle of the transept are deposited the<br />
remains of Mrs. FORTUNE LITTLE, widow of Mr. John Little,<br />
of this parish. She died June 28, 1777 ; aged 57. To whose<br />
memory the following beautiful lines are inscribed, on a neat<br />
marble slab, from the pen of the celebrated Mrs. H. More.<br />
0h ! could this verse her bright example spread,<br />
And teach the living while it prais’d the dead ;<br />
Then, reader ! should it speak her hope divine,<br />
Not <strong>to</strong> record her faith, but strengthen thine ;<br />
Then should her every virtue stand confess’d,<br />
’Till every virtue kindled in thy breast.<br />
But if thou slight the moni<strong>to</strong>ry strain,<br />
And she has lived, <strong>to</strong> thee at least in vain,<br />
Yet let her death an awful lesson give :<br />
The dying Christian speaks <strong>to</strong> all that live.<br />
Enough for her that here her ashes rest,<br />
"l‘ill God’s own plaudit shall her worth attest.
28 ST. MARY REDCLIFFE onuacn.<br />
In the north-west angle<br />
of the north aisle, against a<br />
pillar, there is placed what is<br />
traditionally called a rib of<br />
the noted Dun Cow, slain<br />
by Guy, earl of Warwick;<br />
but it is more likely <strong>to</strong> be<br />
the rib of a whale, or of<br />
some other monstrous fish.<br />
The beauty of the lancet<br />
arch above is particularly<br />
noticeable—See Wood Cut_<br />
Over the north porch is<br />
a large hexagonal room,‘<br />
known formerly as the Trea<br />
sury House, in which were<br />
kept all the archives belong<br />
ing <strong>to</strong> the church; and in<br />
which still remain the fragments of nine chests, of various<br />
shapes and sizes, from which the manuscripts attributed<br />
<strong>to</strong> Rowley are said <strong>to</strong> have been taken by Chatter<strong>to</strong>n’s<br />
father. The ascent <strong>to</strong> it is by a s<strong>to</strong>ne staircase, half way<br />
up which is an apartment, inhabited perhaps originally<br />
by the keeper of the porch. Externally and internally<br />
this porch consists of two principal tiers or s<strong>to</strong>ries, each<br />
dissimilar <strong>to</strong> the other, and each adorned with niches,<br />
canopies, crockets, pediments, &c.<br />
" This is the room in which Chatter<strong>to</strong>n asserted that he found, in an old<br />
chest, supposed <strong>to</strong> have been placed there by William Canynges soon after<br />
the building was finished, those valuable MSS. of Rowley and others, Written<br />
in the fifteenth century, which he transcribed and published.
ST. MARY REDCLIFFE CHURCH. 29<br />
One of these chests in particular was said <strong>to</strong> be called<br />
Mr. Canynges’ cmji'ef and secured by six keys, two of<br />
which were entrusted <strong>to</strong> the minister and procura<strong>to</strong>r of<br />
the church, two <strong>to</strong> the mayor, and one <strong>to</strong> each of the<br />
churchwardens. In process of time the six keys appear<br />
<strong>to</strong> have been lost; and about the year 1727, a notion<br />
prevailed that some title-deeds, and other writings of<br />
value, were contained in Mr. Canynges’ cofi‘er. In con<br />
sequence of this opinion, an order of vestry was made<br />
that the chest should be opened under the inspection of<br />
an at<strong>to</strong>rney, and that those writings which appeared of<br />
consequence should be removed <strong>to</strong> the south porch of<br />
the church. The locks were therefore forced, and not<br />
only the principal chest, but the others, which were also<br />
supposed <strong>to</strong> contain writings, were also broken open.<br />
The deeds relating <strong>to</strong> the church were removed, and the<br />
other manuscripts left exposed, as of no value. Con<br />
siderable depredations were committed upon them by<br />
different persons; but the most insatiate of the plunderers<br />
was the father of Chatter<strong>to</strong>n. His uncle, being sex<strong>to</strong>n<br />
of <strong>St</strong>. <strong>Mary</strong> Redcliife, gave him free access <strong>to</strong> the church.<br />
He carried off, from time <strong>to</strong> time, parcels of the parch<br />
ment, which were deposited in a cupboard in the school,<br />
and employed for the covering of copy-books and other<br />
purposes. At his death his widow carried the remainder<br />
<strong>to</strong> her own habitation. For an account of the discovery<br />
of their value, as related by Chatter<strong>to</strong>n, we refer the<br />
' When rents were received and kept in specie, it was usual for corporate<br />
bodies <strong>to</strong> keep the writings and rents of estates left for particular purposes,<br />
in chests appropriated <strong>to</strong> each particular benefac<strong>to</strong>r, and called by the bene<br />
fac<strong>to</strong>r’s name. Several old chests of this kind are still existing in the<br />
University of Cambridge.
30 51‘. MARY anncmrrn CHURCH.<br />
reader <strong>to</strong> Messrs. Southey and Cottle’s edition of ‘ The<br />
Works of T. Chatter<strong>to</strong>n.’<br />
Passing in<strong>to</strong> the north aisle, or <strong>St</strong>. <strong>St</strong>ephen’s chapel,<br />
we observe the res<strong>to</strong>ration of the east and adjoining<br />
window has been completed; and that in a style of execu<br />
tion fully equal <strong>to</strong> the former window, though the pro<br />
duction of the most brilliant architectural era the annals<br />
of our country can advance. We lack not the ability <strong>to</strong><br />
produce works equal <strong>to</strong> the proudest achievements of the<br />
past, but we want the means, the spirit, the devotion,<br />
the self-sacrificial zeal of an age when man’s labour was<br />
not spared, and his treasures were poured forth in raising<br />
magnificent fabrics in honour of the God he worshipped<br />
and adored.<br />
At the eastern end of the north aisle is a very handsome<br />
monument, consisting of an altar-<strong>to</strong>mb, surmounted by a richly<br />
ornamented canopy. Recumbent on the former are efiigies of<br />
the deceased and his wife, with their heads resting on cushions,<br />
and having two figures of angels supporting the pillow. The<br />
plinth of the <strong>to</strong>mb, as well as the back and sides, is covered with<br />
panelling and tracery. Immediately over the <strong>to</strong>mb are five<br />
crocketed canopies, with pinnacles, &c., and the whole is sur<br />
mounted with a richly-sculptured frieze and parapet. From<br />
the imperfect inscription which still remains, it appears that this<br />
monument is dedicated <strong>to</strong> the memory of THOMAS MEDE, who<br />
was sheriff in 1452, and subsequently three times mayor of<br />
Bris<strong>to</strong>l. He had a country seat at Nayland, then called<br />
Mede's Place, in the parish of Wraxall, and county of Somerset.<br />
Attached <strong>to</strong> the former monument, and of the same style and<br />
character, is another <strong>to</strong> the memory of PHILIP Mann, the<br />
brother of Tnomas MEDE, whose monument has just been<br />
described. There is no efiigy, but on a very singular brass, fixed
s'r. MARY REDCLIFFE cnuncn. 31<br />
<strong>to</strong> the back of the <strong>to</strong>mb, is a man and two women, with the fol<br />
lowing inscription on labels :—<br />
In English thus :—<br />
“ S" trinitas un’ d' miserere nobis,<br />
Pater de ccelis deus miserere nobis."<br />
“ Holy Trinity, one God, have mercy upon us,<br />
Oh God, Father of heaven, have mercy upon us.”<br />
Philip Mede appears <strong>to</strong> have been several times mayor of Bris<strong>to</strong>l,<br />
and <strong>to</strong> have represented the city in two parliaments, held at<br />
Coventry and Westminster, in the thirty-eighth year of the reign<br />
of Henry the Sixth. His will is dated Jan. llth, 1471, and<br />
directs his body <strong>to</strong> be buried at the altar of <strong>St</strong>. <strong>St</strong>ephen, in<br />
Redclifi'e <strong>Church</strong>.<br />
The Rev. THOMAS BROUGHTON was buried in the north aisle<br />
of this church, in December, 1774. He was born in London,<br />
July, 1704. Bishop Sherlock presented him with the living<br />
and prehendship of Bedminster and Redclifi'e. He was one of<br />
the original writers in the “Biographia Britannica," the author<br />
of a musical drama, entitled, “ Hercules," and the complier of a<br />
“Dictionary of all Religions." The following is the inscription<br />
on a neat marble tablet :—<br />
Sacred <strong>to</strong> the Memory of<br />
The Rev. THOMAS BROUGHTON, D. D.<br />
Rec<strong>to</strong>r of <strong>St</strong>. ANDREw’s, Human, and grandson of<br />
Henry Brough<strong>to</strong>n, Esq.<br />
of Willisham, in the County qultfl‘olk ,<br />
Prebendary of the CATHEDRAL CHURCH of Salisbury,<br />
Rec<strong>to</strong>r of <strong>St</strong>iping'<strong>to</strong>n, in the County of Herts,<br />
And Vicar of Bedminster, with the chapelries of <strong>Mary</strong> <strong>Redcliffe</strong>,<br />
<strong>St</strong>. Thomas and Abbot’s Leigh annexed.<br />
He was born in the Parish of <strong>St</strong>. Andrew, Holborn, in the year 1703;<br />
and married ANNE, the daughter of the Rev. Thomas Harris,<br />
of this City, by whom he had six children.<br />
He was a profound and elegant scholar,<br />
and successfully applied his talents <strong>to</strong> the support of the<br />
Protestant Establishment,<br />
of which he was an able and faithful minister.<br />
He died QIst December, in the year 1774,<br />
aged Tl.
32 an MARY REDCLIFFE CHURCH.<br />
The floor of the chancel is laid with black and white<br />
marble, and you approach the altar by steps of the same<br />
material. The altar and chancel were repaired in 1757.<br />
On the floor, <strong>to</strong> the south, is a large black marble s<strong>to</strong>ne,<br />
with brass curiously laid in and engraved, with the figures of<br />
a man and woman, with six sons underneath the man, and<br />
eight daughters under the woman; on the s<strong>to</strong>ne are brass<br />
shields, with monograms and arms, and the following inscrip<br />
tion :—“ Hic jacent JOHES JAY quondam vicecomes istius<br />
villas. et Johanna ux. eg. q. quidem Johes obiit—die—mens—<br />
A0 D“ m,cccc,lxxx, quor, aiahs pprop, de Amé."<br />
Which may be thus rendered :—“ Here lie John Jay, formerly<br />
Sherifi' of that Town, and Johanna his wife, which said John<br />
died on the day of the month of , in the year<br />
of our Lord 1480; on the souls of whom may God have mercy.<br />
Amen."<br />
Joan JAY was sherifi‘ of Bris<strong>to</strong>l, and a merchant of eminence.<br />
wife was sister <strong>to</strong> William Wyrcestre, the his<strong>to</strong>rian.<br />
His<br />
Parallel <strong>to</strong> this on the north side, is a slab, in which is inserted<br />
a brass, with an engraved representation of a man and woman,<br />
and another in the form of a shield: there were three others, as<br />
is evident from the blank places whence they were <strong>to</strong>rn. The<br />
memorial is of John Brook, one of the Judges of Assize in the<br />
reign of Henry VIII., and runs thus :-—“Hic jacet corpus vene<br />
rabilis viri Johis Brook, qnondam servientis ad legem illus trissimi<br />
principis felicis memorize regis. Henrici octavi et justiciari<br />
ejusdem regis ad assisas in partibus occidentalibus Anglias, et<br />
capitalis seneschalli illius honorabilis domus et monasterii Beatae<br />
Mariae de Glasconia in com. Somcet. qui quidem Johis obiit<br />
25 die mens. Decembn's, Anno Dom. millesimo, quingantesimo<br />
xxii., et juxta cam requiescit. Johanna uxor ejus una filiarum et<br />
haeredum Ricardi Amerike, quorum animabus propitietur Deus.<br />
Amen.”
sr. MARY REDCLIFFE CHURCH. 33<br />
In English :-—“ Here lies the body of that worthy gentleman,<br />
JOHN BROOK, formerly Serjeant at Law <strong>to</strong> that most famous<br />
Prince of happy memory, King Henry the Eighth, and Judge<br />
of Assize <strong>to</strong> the said King, in the West of England, and chief<br />
Seneschal of that honourable house and Monastery of the<br />
Blessed <strong>Mary</strong>, of Glas<strong>to</strong>nbury, in the County of Somerset;<br />
which said John departed this life on the 25th day of the month<br />
of December, in the year of our Lord one thousand five hundred<br />
and twenty-two; and beside him rests Johanna his wife, one of<br />
the daughters and heirs of Richard Amerike; on whose souls<br />
may God have mercy. Amen."<br />
The effect of the chancel, as now seen behind the<br />
pictures, is very singular, and suggestive of many swell<br />
ing thoughts. We look at the great east window, it is<br />
unadorned with its wonted painted glass; we look at the<br />
altar-screen beneath, on which the light of day again<br />
falls, and behold the injuries and disgraces it has received.<br />
There seem the faith of bygone centuries, breathing from<br />
the friable s<strong>to</strong>nes, whose certain decay and dissolution, the<br />
awakened intelligence and piety of the day would fain<br />
arrest. There is a dreary mournfulness in the scene,which<br />
fastens on the mind, and is in unison with the time-worn<br />
mouldering fragments at our feet, and with our thoughts,<br />
as we trace the destiny of our race, on the s<strong>to</strong>ried pave<br />
ment, or on the graven brass, that still bears upon its<br />
surface the names of those who obtained the world’s<br />
regard, long ages back.<br />
The design of the original altar-screen, <strong>to</strong> which we<br />
will first direct the visi<strong>to</strong>r’s attention, though sadly<br />
mutilated, is sufliciently apparent for res<strong>to</strong>ral ; it is<br />
divided in<strong>to</strong> seven arched compartments, of three lights,<br />
0
34 ST. MARY REDCLIFFE CHURCH.<br />
with a screen in each spandril, making fourteen; on<br />
some of which, are dimly discernible, the arms of some<br />
of the principal benefac<strong>to</strong>rs of the church. The design<br />
of the screen is seen <strong>to</strong> better advantage from <strong>St</strong>. <strong>Mary</strong>’s<br />
Chapel, but on this side the yellow wash has been allowed<br />
so <strong>to</strong> accumulate, as <strong>to</strong> render the shields perfectly bald.<br />
At the east end of the church, partitioned by the altar<br />
screen, is the chapel of the Virgin <strong>Mary</strong>; it would<br />
appear, that a communication formerly existed from the<br />
chancel <strong>to</strong> this chapel, by means of an archway in the<br />
centre of the screen. The chapel has been much dis<br />
figured by the introduction of doors, the closing of<br />
windows, &c. On the sill of one of the windows, is a<br />
clumsy figure of Queen Elizabeth, coarsely carved in<br />
wood. When Saint John’s Chapel was taken down, in<br />
1766, the Grammar School granted by this Queen, and<br />
held in that building, was removed here.<br />
In this Chapel is a large s<strong>to</strong>ne, with a brass plate inlaid in<br />
the centre, bearing an engraved figure of the deceased in his<br />
judge's robes. On a slip of brass round the margin is this<br />
inscription:—“Hic jacet JOHANNES INYN MILES capitalis<br />
justiciarius Domini regis ad placita caram ipso rege tenenda,<br />
qui obiit 24 die Marcii, Anno Domini Milesimo c.c.c.c. xxxix.<br />
cujus animae propitietur Deus. Amen."<br />
In English 2—“ Here lies JOHN INYN MILES, Knight, Chief<br />
Justice of the Common Pleas of our Lord the King; who died<br />
on the 24th day of March, in the year of our Lord 1439; on<br />
whose soul may God have mercy. Amen.”<br />
There are no particulars known of this judge except what is above<br />
mentioned. Barrett says he had a country seat at Bishopworth,<br />
near Filwood; since then used as a farm house.
sr. MARY REDCLIFFE CHURCH. 35<br />
Under the north end of the great cross aisle, is a large<br />
room, at the east end of which was a fire-place. The<br />
number of rooms in this building which bear indications<br />
of having been inhabited, were probably assigned <strong>to</strong><br />
chantry priests, poor scholars, and other members of the<br />
church. The will of Belinus Nansmoen, dated March<br />
20th, 1416, provides for many poor scholars, and cho<br />
risters, and for several chaplains, attached <strong>to</strong> the church,<br />
which renders the supposition not improbable that the<br />
apartment above alluded <strong>to</strong> was a common dining room,<br />
there being formerly a communication <strong>to</strong> it out of the<br />
north aisle of the church, where a door and s<strong>to</strong>ne stair<br />
case are s<strong>to</strong>pped up, by which there was a descent in<strong>to</strong><br />
the room. It has long since been converted in<strong>to</strong> a place<br />
of burial, and is now known as the crypt.<br />
Although the church had been liberally endowed, at<br />
different times, with large estates for the support of the<br />
fabric and the divine offices celebrated therein, yet so<br />
dishonestly were its affairs administered during the<br />
Commonwealth, and its revenues wasted, that it was<br />
found impossible, at the Res<strong>to</strong>ration, wholly <strong>to</strong> repair<br />
the mischief which had been committed. Neither did<br />
the structure itself escape the ravages of the over-righte<br />
ous and senseless fanatics of those days; many of its<br />
ornaments, and all the lofty pinnacles, which added so<br />
much <strong>to</strong> its external beauty, were <strong>to</strong>rn down, and have<br />
not since been rebuilt. Within, brass plates were s<strong>to</strong>len<br />
from the monuments, and their decorations mutilated<br />
and destroyed; the organ was broken down, and the<br />
bibles, prayer books, books of homilies, cushions, cas<br />
socks, and all the moveable furniture of the church,
36 ST. MARY REDCLIFFE CHURCH.<br />
were accumulated <strong>to</strong>gether, and a bonfire made of the<br />
heap, amidst the rejoicings and acclamatious of the popu<br />
lace. After doing all the injury their excited minds<br />
could conceive, they paraded the streets with streamers<br />
<strong>to</strong>rn from the surplices, using the organ pipes for trum<br />
pets, as they marched triumphantly along.<br />
In the year 1709, the church underwent repair by<br />
means of a brief for £5,000; the chamber of the city<br />
contributing £200. In 1762 the bells were re-cast, and<br />
subsequent <strong>to</strong> that period two more bells have been added<br />
<strong>to</strong> the number. In 1796 the church was again repaired,<br />
and the pinnacles on the south side rebuilt. As lately<br />
as April 2, 1821, during a tremendous s<strong>to</strong>rm at midnight,<br />
the electric fluid struck the north end of the <strong>to</strong>wer, and<br />
entering the upper bell- loft window, forced out the s<strong>to</strong>nes<br />
in different directions, and making a large aperture, so<br />
shattered the beam which supported one of the bells, as<br />
<strong>to</strong> render it useless. It then passed down the bell wire,<br />
and escaped on the south side of the <strong>to</strong>wer; rolling up<br />
the lead from the roof, and dislodging nearly three hun<br />
dred weight of s<strong>to</strong>ne. The pieces of wire which were<br />
found, had all the appearance of having been subject <strong>to</strong><br />
an intense heat.<br />
The following, being a list of stage furniture)“ neces~<br />
sary for the exhibition of what was then termed a<br />
" Walpole in his Miscellanies, dated 1778, says that Vertue, the engraver,<br />
transcribed it from some old parchments in <strong>St</strong>. <strong>Mary</strong> Radcliffe twenty years<br />
ago; and adds, “ That was the origin of Chatter<strong>to</strong>n’s list of great painters,<br />
and probably of his other inventions, Can it be supposed that Vertue should<br />
have seen that old bill, and with his inquisitive and diligent turn not have<br />
inquired whether there was nothing more 7"
ST. MARY REDCLIFFE CHURCH.<br />
Mysterie, extracted from a book belonging <strong>to</strong> the church<br />
of <strong>St</strong>. <strong>Mary</strong> Redclifl'e, and communicated <strong>to</strong> the Society<br />
of Antiquaries, is not a little curious.—“ Memorandum:<br />
That Master Canynge hath delivered, the 4th day of<br />
July, in the year of our Lord 1470, <strong>to</strong> Mr. Nicholas<br />
Bettes, Vicar of Radcliffe; Moses Courteryn, Philip<br />
Bartholomew, and John Brown, procura<strong>to</strong>rs of Ratclifi'e,<br />
heforesaid,—<br />
A new sepulchre well guilt, and cover there<strong>to</strong>, an image of<br />
God Almighty rysing out of the same sepulchre, with all the<br />
ordinance that longeth there<strong>to</strong>; that is <strong>to</strong> say, a lath made of<br />
tymbre and iron work that longeth there<strong>to</strong>.<br />
Item, there<strong>to</strong> longeth heven made of timbre and stained<br />
clothes.<br />
Item. Helle, made of timbre and iron work, with devills,<br />
the number thirteen.<br />
Item. Four knyghtes, armed, keeping the sepulchre, wyth<br />
their wepons in their hands, that is <strong>to</strong> say, two speers, two axes,<br />
with two paves.<br />
Item. Four pair of angels wings for four angels, made of<br />
timbre, and well paynted.<br />
Item. The fadre, the crown, and vysage, the ball wyth a<br />
crosse upon it, well guilt with fyne gold.<br />
Item. The Holy Ghost coming out of heven in<strong>to</strong> the<br />
sepulchre.<br />
Item. Longing <strong>to</strong> the four angels four chevelers [heads of<br />
hair or wigs]."
38 ST. MARY REDCLIFFE CHURCH.<br />
Barrett gives the following as the list of chaplains,<br />
vicars, &c. :—<br />
1207 William—,chaplainofRedclifi'<br />
Richard de Newbry, vicar<br />
1276 John de Rung, clericus<br />
1290 Jerrard de 'l‘yllett<br />
1307 Robt. de Mersh<strong>to</strong>n, chaplain<br />
1338 William de Jat<strong>to</strong>n<br />
1342 Ralph de Clive<br />
1356 William of Wykeham, had the<br />
prebend of Bedminster cum<br />
Redclifi'<br />
1374 John French<br />
1381 William Draper<br />
1389 Henry dc Nethenene<br />
1391 Nicholas Grill<br />
1393 John Lamyn<strong>to</strong>n, chaplain<br />
Thomas Godefellow, do.<br />
1399 John Bush, do.<br />
1410 William Dudlesburg<br />
1429 Joannes Phrcas or Freas<br />
1434 John Bath<br />
1438 William Peircy or Perry<br />
1446 Nicholas Pittes<br />
1460 William Sey<br />
1464 Chetworth<br />
1473 William Chock, younger bro<br />
ther of Sir Richard Chock, of<br />
Ash<strong>to</strong>n<br />
1496 Roger Saundey<br />
1508 Edward Powell, D. D. V. See<br />
Wood's Ath. Ox. vol. i. p. 46.<br />
1534 Henry Williams, presented <strong>to</strong><br />
it by Cardinal Campeius, 2nd<br />
Edwardthe Sixth. SeeWood,<br />
vol. i. p. 681.<br />
1550 Thomas Nor<strong>to</strong>n<br />
1555 John Blacks<strong>to</strong>ne<br />
1559 Arthur Saule<br />
1579 Meredith Hamner<br />
1585 Samuel Davis<br />
1628 Thomas Palmer<br />
1636 Giles Thornborough<br />
1637 John Game<br />
1639 William Noble.<br />
1639 Matthew Hazard.<br />
1660 Francis Hor<strong>to</strong>n<br />
1670 Humphry Brent<br />
1678 Richard Thompson<br />
1685 William Manning<br />
Ejeoted.<br />
Intended.<br />
1701 John Gibb. He built the vicar<br />
age house on Redclifi'e Hill<br />
1744 Thomas Brough<strong>to</strong>n, the author<br />
of the “ Dictionary of all Re<br />
ligions,” folio, and many other<br />
works<br />
1778 Edmund Spry, A. M.<br />
SUBSEQUENTLY TO BARRETT.<br />
1806 Martin Richard Whish, the<br />
present vicar<br />
In the centre of the churchyard was an elegant cross,<br />
noticed by William Wyrcestre, at which sermons were<br />
formerly preached. Mr. Edgworth, Prebendary of Bris<strong>to</strong>l<br />
Cathedral, and- a zealous opponent of Latimer in this<br />
city, in his preface <strong>to</strong> a volume of sermons, published in<br />
his old age, alludes <strong>to</strong> his having preached “ sundry ser<br />
mons at Redclifi' Cross, in the good and worshipful city<br />
of Bris<strong>to</strong> .” The cross was removed in 1763. In 1704
ST. MARY REDCLIFFE CHURCH.<br />
a remarkable tree was growing in the western part of<br />
the churchyard, the arms of which were supported by<br />
six or seven props. At this time the fence of the church<br />
yard was a thickset hedge, and the gate facing <strong>to</strong>wards<br />
Bedminster, a common field gate. It was not until 1753<br />
that the steps and terrace west of the church were laid<br />
in their present form.<br />
This stately and beautiful Gothic structure, which from<br />
its elevated situation, its Cathedral style of building,<br />
rises <strong>to</strong> a noble height above the surrounding houses,<br />
after having its northern side obscured for upwards of a<br />
century, is now thrown open <strong>to</strong> public view, by the<br />
removal of those houses which the indifference of a past<br />
generation had permitted <strong>to</strong> be erected before it; and<br />
presents a pile of building so magnificent, so picturesque<br />
in every point of view, that it irresistibly arrests and<br />
commands the attention of the passenger, who contem<br />
plates with awe and admiration, its venerable and hoary<br />
grandeur. But the centuries that have passed away,<br />
have marked their course upon its blackened walls; and<br />
although we now see new beauties <strong>to</strong> admire, we have<br />
much also <strong>to</strong> deplore and <strong>to</strong> regret; the mutilated but<br />
tresses, the gaping fissures, and the crumbling s<strong>to</strong>nes,<br />
tell <strong>to</strong>o sadly that decay has followed the footsteps of<br />
time, and unless arrested, must hasten the venerable<br />
fabric in<strong>to</strong> ruin. Let us hope that all who feel a pride<br />
and a glory in this ancient edifice, will press forward <strong>to</strong><br />
avert the stigma and disgrace of allowing so magnificent<br />
a monument of the piety and liberality of our fathers <strong>to</strong><br />
crumble unheeded <strong>to</strong> the dust: let us not have <strong>to</strong> blush<br />
in our advanced state of refinement, that we are unable<br />
<strong>to</strong> preserve from destruction the noble legacy that has
40 ST. MARY REDCLIFFE CHURCH.<br />
been bequeathed un<strong>to</strong> this city, not for usldone, but for<br />
after generations.<br />
The city authorities, having removed the old houses,<br />
enclosed the ground belonging <strong>to</strong> the church with iron<br />
rails. They have also caused the dangerous hill <strong>to</strong> be<br />
levelled, and built a new street (Phippen <strong>St</strong>reet,) connect<br />
ing Redclifl‘e with Thomas <strong>St</strong>reet. Meanwhile the parish<br />
authorities have not been idle; they issued a very spirited<br />
appeal, drawn up by Messrs. Brit<strong>to</strong>n and Hosking, for<br />
the complete res<strong>to</strong>ration of the <strong>to</strong>wer and church <strong>to</strong><br />
their pristine architectural elegance. To accomplish this<br />
upwards of £40,000 will be necessary. This appeal<br />
produced a subscription list of nearly £7,000, and the<br />
Committee of Res<strong>to</strong>ration proceeded in their undertaking<br />
——by lowering the ground round the church <strong>to</strong> the depth<br />
of from two <strong>to</strong> four feet; which being accomplished, the<br />
ceremony, which was a very imposing one, of laying the<br />
foundation s<strong>to</strong>ne of the res<strong>to</strong>ration in the eastern part of<br />
this venerable structure, <strong>to</strong>ok place on Tuesday, April<br />
21, 1846. The inscription on the s<strong>to</strong>ne reads thus :—<br />
THIS STONE<br />
IN<br />
RESTORATION<br />
OF ST. MARY REDCLIFFE CHURCH,<br />
was laid on the 21st day of April, A. D. 1846, by the<br />
RIGHT WORSHIPFUL JOHN KERLE HABERFIELD, &quire,<br />
THREE TIMES MAYOR or BRISTOL, ASSISTED BY THE<br />
ANCIENT SOCIETY OF FREE MASONS,<br />
The Right Worshipful HENRY SHUTE, Esq., Provincial Grand Master,<br />
The Right Worshipful WILLIAM DONE BUSHELL, Esq., Deputy<br />
Provincial Grand Master,<br />
In the presence of the Clergy, Corporation, and Citizens of Bris<strong>to</strong>l.<br />
MARTIN RICHARD Wrsrr, A. M., Vicar.<br />
Tnonns Pnoc'ron, Chairman of the Res<strong>to</strong>ration Committee.<br />
JOHN WARRY Junr.<br />
JOHN HARE, ’ ’ } <strong>Church</strong>wardens.<br />
JOHN BRI'H‘ON, F. S. A.,<br />
Gunner: Go'nwm, F. R. S.,i Mcmmm‘
ST. MARY REDCLIFFE CHURCH. 41<br />
The first contract has been for some time completed,<br />
by which the whole extent of the faced-work of the walls<br />
as originally seen is now exposed <strong>to</strong> view; a complete<br />
system of drainage has been formed, and the ground ad<br />
joining the church, on the south side, widely paved. The<br />
oak roofs of the chancel and aisle have been renewed, and<br />
new leaded on a layer of asphalted felt and oak boarding.<br />
The east end, with its curious “ imbricated ” window, and<br />
one severy of the chancel on each side of it, have been<br />
res<strong>to</strong>red s<strong>to</strong>ne by s<strong>to</strong>ne. This portion of the res<strong>to</strong>ration,<br />
however, shows more clearly the wretched condition of<br />
the other parts of the building not yet <strong>to</strong>uched; and<br />
though the funds at the disposal of the Committee have<br />
been expended, a Society, under the name of “ The<br />
Canynges Society,” has been formed, with a view <strong>to</strong><br />
obtain annual subscriptions <strong>to</strong> assist them in their desir<br />
able works of accomplishing the complete res<strong>to</strong>ration of<br />
the edifice; we therefore hope, that many who visit the<br />
church, may be induced <strong>to</strong> leave their names as Members<br />
with any one of the Committee, whose names are inserted<br />
in a subsequent page.<br />
In the address of “ 17w Canynges Society,” the Com<br />
mittee say :—<br />
“Let the venerated name of‘ Canynges' be the call that shall<br />
excite in us the spirit which stimulated him, and if we cannot<br />
individually effect what he did, we may each do something, and<br />
united <strong>to</strong>gether we may accomplish much. The necessity for<br />
the maintenance and res<strong>to</strong>ration of <strong>St</strong>. <strong>Mary</strong> <strong>Redcliffe</strong> <strong>Church</strong><br />
is imminent and pressing, and can only be effected by earnest<br />
and continuous co-operation. As a Canynges Sooz'ety, then, let<br />
us each emulate the other in our endeavours <strong>to</strong> obtain the
42 ST. MARY REDCLIFFE CHURCH.<br />
means whereby this magnificent struclure may be preserved alike<br />
honourable <strong>to</strong> him who founded it, as <strong>to</strong> those who, when it was<br />
passing away, again res<strong>to</strong>red it <strong>to</strong> its pristine beauty."<br />
The following extracts are from the rules of the above<br />
Society, viz., that,—<br />
“ The Canynges Society consists of a President, Treasurer,<br />
Vice Presidents, and ordinary Members, who are subscribers of<br />
not less than 21s. annually, or donors of not less than £20.<br />
The Committee consist of the President, Vice Presidents, Trea<br />
surer, the Vicar and Churrhwardens of <strong>St</strong>.<br />
<strong>Mary</strong> Redclitl'e for<br />
the time being, and 25 Members, with power <strong>to</strong> add <strong>to</strong> their<br />
number. The President, Treasurer, and Members of Committee<br />
are chosen at the Annual Meeting. The Vice Presidents consist<br />
of those gentlemen who have filled the office of President and<br />
who still continue their subscription <strong>to</strong> the Society.<br />
“ That Ladies be invited <strong>to</strong> become Members of the Society,<br />
and <strong>to</strong> interest themselves in its important object. That each<br />
Member shall use his best endeavours <strong>to</strong> obtain subscriptions or<br />
donations <strong>to</strong> the funds of the Society, and shall receive a Book<br />
from the President <strong>to</strong> enter therein such amounts as he may<br />
collect; all moneys <strong>to</strong> be paid over <strong>to</strong> the Treasurer at the earliest<br />
convenience, and the Books returned <strong>to</strong> the President at least 14<br />
days previous <strong>to</strong> the Annual Meeting.<br />
“That the Annual Meeting shall be held on the third Tuesday<br />
in June, or such other day as may be hereafter agreed upon by<br />
the Committee, due notice being given by circular addressed <strong>to</strong><br />
each Member, and by advertisement in one or more of the<br />
Bris<strong>to</strong>l papers. That the Members shall attend Divine Service<br />
at Redcliife <strong>Church</strong> on that day, and subsequently dine <strong>to</strong>gether,<br />
when the Report of the Society’s proceedings, during the past<br />
year, shall be read, the amount collected by each Member<br />
announced, and the ofiicers for the ensuing year elected.<br />
“ That at the first Meeting of the Committee, after the Annual
ST. MARY REDCLIFFE CHURCH.<br />
Meeting, a portion of <strong>St</strong>. <strong>Mary</strong> Redclifl'e <strong>Church</strong> shall be selected<br />
for res<strong>to</strong>ration, under the advice of the Architect, and the amount<br />
obtained under the past President shall be paid over <strong>to</strong> the credit<br />
of the Res<strong>to</strong>ration Committee, with the understanding that it<br />
shall be applied <strong>to</strong> the part so pointed out.<br />
“J. K. Haberfield, Esq. has kindly accepted the office of<br />
President for the first year, W. H. Wyld, Esq., that of Treasurer,<br />
and the following gentlemen have consented <strong>to</strong> act on the Com<br />
mittee,—The Right Worshipful J. D. Pountney, Esq., Mayor<br />
of Bris<strong>to</strong>l, Rev. M. R. Whish, R. J.<br />
P. King, James Gibbs,<br />
Thomas Garrard, Wm. Poole King, Wm. H. Wyld, Thomas<br />
Lucas, Matthew Perkins, Charles B. Hare, Wm. Powell, Richard<br />
Gibbs and R. C. Beddoe, Churhwardens, Charles Clarke, J. H.<br />
Wyld, Robert Phippen, Wm. Cooper. J. Lucas, W. H. Bayley,<br />
J. Gardiner, J. Hare, Thomas Proc<strong>to</strong>r, J. A. Symonds, M. D.,<br />
Esqrs. And any Ladies or Gentlemen willing <strong>to</strong> become<br />
Members of the Society, are requested <strong>to</strong> communicate, at an<br />
early period,with the President or any Member of the Committee."<br />
In conclusion, we advert with great pleasure <strong>to</strong> the<br />
fact of the authorities of the parish having generously<br />
and liberally made arrangements for the church being<br />
thrown open <strong>to</strong> the public from Ten o’clock in the<br />
morning till Five in the evening, without any fee <strong>to</strong> the<br />
attendant. Thus enabling all those who appreciate this<br />
noble specimen of architectural beauty, <strong>to</strong> visit and<br />
admire it as long and as frequently as they please, and<br />
at the same time setting a good example <strong>to</strong> others who<br />
have the care of similiar buildings.
'<br />
; BIOGRAPHICAL SKETCHES<br />
O?<br />
CANYNGES AND CHATTERTON.<br />
\VILLIAM CANYNGES, the subject of our present memoir, was<br />
only five years old at the early death of his father; but the<br />
fostering care of his mother's second husband amply supplied<br />
that loss. His genius and education were directed by him <strong>to</strong><br />
mercantile pursuits; and he had experience of whatever might<br />
insure <strong>to</strong> him the good fortune of his future life, in the opportu<br />
nities of learning the modes of commerce, in one of the most<br />
extensive and opulent establishments in Bris<strong>to</strong>l subsisting at<br />
that period. That he soon discovered most valuable talents in<br />
such pursuits cannot be doubted. The effects in such regular<br />
movements usually follow the cause; and there was an early<br />
promise of his great success.<br />
N0 document ascertains his progress before the years 1432,<br />
when he was bailiff; 1438, sheriff; and 1441, when he was<br />
elected mayor. All that can be advanced with certainty must<br />
be from irrefragable docutnents, as far as he was concerned with<br />
his fellow burgesses, as their municipal magistrate and their<br />
representative in parliament.<br />
The first-noticed honour he enjoyed five times; one less than<br />
his grandfather had done. He was first returned <strong>to</strong> parliament<br />
in 1451, and subsequently in 1455.<br />
Highly as this distinction is now valued, it was then considered<br />
as an onus, not only by the borough, but by the individual<br />
elected, in those simple times. The representatives of Bris<strong>to</strong>l<br />
had daily wages, and an allowance given for their journeys.<br />
Canynges having arrived at his fortieth year, there is satisfac<br />
<strong>to</strong>ry evidence that he had exceeded his contemporary merchants<br />
in-influence and wealth. Chaucer, in his prologue <strong>to</strong> the Can<br />
terbury Pilgrimage, had preconceived his exact portrait :—<br />
" are hanrtbp man tuI incl his in“ besettz<br />
as“ Matt an might that be has in Betta.
nmom or CANYNGES. 45<br />
go atzhzfastlp not: be his gubernann,<br />
was his bargains, anti tutti] his cbtbt'sauntz.‘<br />
~470tsuttjz I): was a tnnttfjg man lm'tljallmL<br />
After the lapse of four centuries, the private worth and public<br />
services of this estimable man still command a place in our<br />
grateful memories; while the researches of antiquaries have<br />
penetrated through the dark shadow of the wings of time, and<br />
gathered from documentary evidence much that is locally in<br />
teresting, connected with his private his<strong>to</strong>ry.<br />
It appears that Canynges married early in life: but the sur<br />
name of his wife is not known. She died about 1460, when the<br />
monument with efligies was placed in Redclifi'e <strong>Church</strong> by her<br />
husband, as a memorial of her and of himself. Their children<br />
were William and John, both of whom deceased before their<br />
father. No mention occurs of any daughter. \Villiam married<br />
Isabel or Elizabeth, daughter and heir of John Vowel, Esq. of<br />
\Vells. She had a large jointure from her inherited property,<br />
and from the settlement and bequest of her father-in-law, having<br />
remarried John Depeden, Esq., of Bris<strong>to</strong>l, by whom she left no<br />
issue. By her first husband she had two sons, Thomas and<br />
William, and one daughter, Agnes. Of Thomas we have dis<br />
covered no farther than that he was of age in 1484, if not earlier,<br />
when he sold “ Canynges' Place.” This alienation was disputed<br />
in Chancery, by William Spencer, the execu<strong>to</strong>r, and the chantry<br />
priests of <strong>Redcliffe</strong>, but confirmed. No mention is made of this<br />
elder son in William Canynges’ will, and most probably because<br />
he inherited the estate of his mother, at Wells. The other son<br />
William, and the daughter Agnes, both died minors; a fact cer<br />
tainly known by the lapse of the Bris<strong>to</strong>l property, which had<br />
been devised <strong>to</strong> them and their heirs in<strong>to</strong> the hands of William<br />
Spencer the mayor, the corporation, and the chantry priests of<br />
.Redclide. John, the other son of W. Canynges, left a widow,<br />
but no children. Both these widows were endowed in his<br />
will.<br />
Thus we may attribute <strong>to</strong> a probable and rational cause, the<br />
resolution which he <strong>to</strong>ok of abandoning the cares of a busy<br />
mercantile life, of which the chief consolation and support had<br />
failed him, by the premature death of his two sons.<br />
From his earliest youth he was deeply imbued with religious<br />
' The word “ chevisaimce” means any contract for mop-pf].<br />
t In modern English 2—“ This worthy man applied his ants beneficiall ,<br />
so that no man could say that he was indebted <strong>to</strong> him, so honourany did e<br />
conduct his mercantile affairs, in all his bargains and transactions of money.”
46 MEMOIR 01-"<br />
feeling, and was a faithful and zealous follower of the <strong>Church</strong> of<br />
Rome, which was then prevalent in this country. His friend<br />
and confessor from his earliest days, was John Carpenter, born<br />
at VVestbury-upon-Trym, and who eventually became bishop of<br />
Worcester; and these impressions were fostered by him. He<br />
it was who probably suggested the rebuilding of Redclifle<br />
<strong>Church</strong> upon so grand a scale, for he was a known patron of<br />
ecclesiastical architecture. He rebuilt the college of Westbury<br />
upon-Trym. ,<br />
In 1467 Canynges gave <strong>to</strong> repair the tenements, then dilapi<br />
dated, which belonged <strong>to</strong> two chantries in Redclifie <strong>Church</strong>,<br />
here<strong>to</strong>fore founded by Everard Le Fraunceys; and <strong>to</strong> found<br />
another, <strong>to</strong> be called “\V. Canynges’ Priest,” the sum of £340,<br />
by a deed in Mr. Cumberland’s collection; and not £500, as<br />
misstated. In the next year he obtained from King Edward IV.<br />
a patent <strong>to</strong> establish two priests, for a daily mass before the<br />
altar of <strong>St</strong>. George, with a salary of nine marks, and a cham<br />
ber for each. He had previously erected a building <strong>to</strong> receive<br />
all these near the churchyard. \Vyrcestre speaks of this edifice<br />
as having bay windows, probably on the plan of those built for<br />
the vicars choral of Wells, by Bishop Becking<strong>to</strong>n, about the<br />
same time.<br />
In I468, having completed his original intention, he resolved<br />
<strong>to</strong> dedicate the remnant of his days <strong>to</strong> the service of God and<br />
the church. He was ordained accolyte Sept. 19, 1467; deacon<br />
and priest. April 16, [468; and was then appointed the first dean<br />
of the Benedictine College of Westbury, then newly modelled<br />
by his friend. In this retreat he passed the last six years of his<br />
life.<br />
Canynges’ will bears date November 12, 1473, at VVestbury,<br />
and he died the next year, aged conjecturally seventy-four years.<br />
His funeral was conducted <strong>to</strong> his place of sepulture in Redclifle<br />
<strong>Church</strong>, accompanied by a large concourse of ecclesiastics, par<br />
ticularly of the mendicant orders, within the <strong>to</strong>wn, <strong>to</strong> whom he<br />
had bequeathed legacies of an amount very unusual in those<br />
da s.<br />
}In the house occupied by Mr. Jefi‘eries, Bookseller, Redclifl'e<br />
<strong>St</strong>reet, is a large room, traditionally known as “ Canynges'<br />
Chapel ," now appropriated <strong>to</strong> the extensive business there carried<br />
on. Its principal feature of interest remaining, is a wooden roof<br />
of a high pitch, with curved bracing ribs, springing from corbel<br />
heads of angels bearing shields, meeting under the middle of the<br />
tie beam, and forming an obtuse arch, ornamented with foliations<br />
of open carving, with the spandrels filled with pierced panel<br />
t- ,m- l
CHATTERTON. 47<br />
work or tracery, as was the character, at the period <strong>to</strong> which this<br />
roof may be assigned, in the reign of Henry VI.<br />
On the floor of the room behind, is an unusually perfect<br />
specimen of what are frequently called encaustic tiles, with in<br />
scriptions and shields of arms upon them. Few are found<br />
belonging <strong>to</strong> a period earlier than the middle of the thirteenth<br />
century; these appear, similar <strong>to</strong> the earliest tiles, <strong>to</strong> have the<br />
pattern stamped in the red clay, and that pattern filled up with<br />
white clay; differing from those of the vestry room in the Mayor's<br />
Chapel, which are enamelled with patterns of several colours,<br />
and are attributed <strong>to</strong> the latter part of the fifteenth century.<br />
The use of paving tiles ceased at the Reformation.<br />
The design of these is uniform, and deserve a more minute<br />
description than the limits of this work will admit. Those who<br />
feel interested in the study of these relics, can have an opportunity<br />
of examining them more carefully, the pavement being left un<br />
covered by Mr. J efferies for their inspection and gratification.<br />
The pavement was only partially discovered twenty years since,<br />
by accidentally removing the floor; since which Mr. Jefl'eries<br />
has uncovered the whole.<br />
THOMAS CHATTERTON was the posthumous son of Thomas<br />
and Sarah Chatter<strong>to</strong>n, and was born in a house on Redclifl'e<br />
Hill, (immediately behind No. 50) November 20th, 1762. His<br />
father was, in the early part of his life, a writing master in a<br />
classical school; he afterwards became subchaunter of the cathe<br />
dral of Bris<strong>to</strong>l, which office he held, <strong>to</strong>gether with that of master<br />
of Pyle <strong>St</strong>reet School, till his death, which <strong>to</strong>ok place in August,<br />
1752. His father was succeeded in the management of Pyle<br />
<strong>St</strong>reet School by Mr. Love, <strong>to</strong> whose care, at five years' old,<br />
Chatterth was committed; but such was his apparent dulness<br />
and want of capacity, that he was sent back <strong>to</strong> his mother with<br />
the character of a stupid boy, and one who was absolutely inca<br />
pable of receiving instruction.<br />
He was admitted in<strong>to</strong> Cols<strong>to</strong>n School in August, 1760; and<br />
on the lst of July, 1767, he left it, and was bound apprentice <strong>to</strong><br />
Mr. J. Lambert, at<strong>to</strong>rney, of Bris<strong>to</strong>l, for seven years, <strong>to</strong> learn<br />
the art of a scrivener.<br />
In the beginning of Oc<strong>to</strong>ber, 1768, the new bridge at Bris<strong>to</strong>l<br />
was finished; at that time there appeared in Farlcy’s Brislol<br />
Journal an account of the ceremonies on opening the old<br />
bridge, introduced by a letter <strong>to</strong> the printer, intimating that<br />
“ The following description of the Friars first passing over the
48 MEMOIR or<br />
old bridge was taken from an ancient manuscript," and signed<br />
“ Dunhelmus Bris<strong>to</strong>liensis." The paper, if it be allowed <strong>to</strong> be a<br />
fabrication of modern times, demonstrates strong powers of in<br />
vention, and an uncommon knowledge of ancient cus<strong>to</strong>ms. So<br />
singular a memoir could not fail <strong>to</strong> excite curiosity, and many<br />
persons became anxious <strong>to</strong> see the original. The printer, Mr.<br />
Farley, could give no account of it, nor of the person who<br />
brought the copy; but after much inquiry, it was discovered<br />
that the manuscript was brought by a youth between fifteen and<br />
sixteen years of age, of the name of Thomas Chatter<strong>to</strong>n.<br />
A circumstantial account of the discovery of these manuscripts,<br />
found in a room over the north porch of <strong>St</strong>. <strong>Mary</strong> <strong>Redcliffe</strong><br />
<strong>Church</strong>, is preserved in Mr. Bryant’s Observations on Rowley's<br />
Poems. Considerable depredations had, from time <strong>to</strong> time,<br />
been committed upon them, by different persons; but the most<br />
insatiate of these plunderers was the father of Chatter<strong>to</strong>n. His<br />
uncle, being sex<strong>to</strong>n of <strong>St</strong>. <strong>Mary</strong> Radcliffe, gave him free access<br />
<strong>to</strong> the church. He carried off, from time <strong>to</strong> time, parcels of the<br />
parchments; and one time alone, with the assistance of his boys,<br />
is known <strong>to</strong> have filled a large basket with them. Of the dis<br />
covery of their value by the younger Chatter<strong>to</strong>n, the account of<br />
Mr. Smith, a very intimate acquaintance, which he gave <strong>to</strong> Dr.<br />
Glynn, of Cambridge, is <strong>to</strong>o interesting <strong>to</strong> be omitted. “ When<br />
young Chatter<strong>to</strong>n was first articled <strong>to</strong> Mr. Lambert, he used<br />
frequently <strong>to</strong> come home <strong>to</strong> his mother by way of a short visit.<br />
There, one day, his eye was caught by one of these parchments,<br />
which had been converted in<strong>to</strong> a thread-paper. He found not<br />
only the writing <strong>to</strong> be very old, the characters very different<br />
from common characters, but that the subject therein treated<br />
was different from common subjects. Upon inquiry, he was led<br />
<strong>to</strong> a full discovery of all the parchments which remained; the<br />
bulk of them consisted of poetical and other compositions, by<br />
Mr. Canynges, anda particular friend of his, Thomas Rowley,<br />
whom Chatter<strong>to</strong>n at first called a monk, and afterwards a secular<br />
priest of the fifteenth century. Such, at least, appears <strong>to</strong> be the<br />
account which Chatter<strong>to</strong>n thought proper <strong>to</strong> give, and which he<br />
wished <strong>to</strong> be believed."<br />
Upon being infortned of the manner in which his father had<br />
procured the parchments, he went himself <strong>to</strong> the place, and<br />
picked up four more, which, if Mrs. Chatter<strong>to</strong>n rightly remem<br />
ers, Mr. Barrett had at that time in his possession.<br />
The eventful his<strong>to</strong>ry of the munitnent room, as associated with<br />
the writings of the unfortunate Chatter<strong>to</strong>n, has already been<br />
given in the preceding pages of this book. The room forms
CHATTERTON. 49<br />
an irregular octagon, admitting light through narrow unglazed<br />
apertures, upon the broken and scattered fragments of the<br />
famous Rowleian chests, that with the rubble and dust of<br />
centuries cover the floor. In melancholy cadence the cannying<br />
wind creeps through the unprotected openings, and spreads its<br />
plaintive murmuring wail over the wreck of years. It is here<br />
creative fancy pictures forth the sad image of the spirit of the<br />
spot, the ardent boy, flushed and fed by hope, musing on the<br />
brilliant deception he had conceived, whose daring attempt has<br />
left his name un<strong>to</strong> the intellectual world as a marvel and a<br />
mystery. Here in the full but fragile enjoyment of his brief<br />
and illusory existence, be s<strong>to</strong>red the treasure-house of his<br />
memory with the thoughts that, teeming over his pages, have<br />
enrolled his name amongst the great in the land of poetry and<br />
song. Happy then, ere his first and joyous aspirations were<br />
repressed, ere the warm and genial emotions of his heart<br />
were checked, before time had dissipated his idle dreams, and<br />
neglect, contempt, and distress, had fastened on his mind, and<br />
hurried him onward <strong>to</strong> his un<strong>to</strong>ward destiny. Then as the daily<br />
chimes poured from the lofty <strong>to</strong>wer their soul-subduing melody,<br />
and recalled his thoughts that roamed far, far away, <strong>to</strong> a distant<br />
age, with long hidden tales of romance, and chivalry, and antique<br />
minstrelsy, <strong>to</strong> the ties of affection that formed a portion of his<br />
better nature; <strong>to</strong> the domestic hearth, where his heart’s social,<br />
kindliest feelings were enshrined ;—little did he then deem that<br />
the hour would come, when in the utter desolation of his soul,<br />
apart from all human sympathy, alone, in his deep interminable<br />
pride, his disappointed ambition would render him reckless of<br />
all worldly hopes, and unmindful of all heavenly commands.<br />
Little did he deem that the native energy of his genius would<br />
combat in vain the tide of difficulties which flowed against him;<br />
that penury and want, the misery of human days, which made<br />
his mortal life a wearying disease, would poison the springs of<br />
his existence; that in the dearth of his crushed feelings, friend<br />
less, hopeless, fearless, he would dare break the frail bonds of -<br />
fleeting life, and rush unsummoned before the throne of the<br />
Almighty!<br />
Chatter<strong>to</strong>n's attention, at Bris<strong>to</strong>l, was not confined <strong>to</strong> Rowley;<br />
his pen was exercised in a variety of pieces, chiefly satirical,<br />
and several essays, both in prose and verse, which he sent<br />
<strong>to</strong> the magazines. Dunhelmus Bris<strong>to</strong>liensis was the signa<br />
ture he generally employed. In the course of the year 1769,<br />
he was a considerable contribu<strong>to</strong>r <strong>to</strong> the Town and Country<br />
Magazine.<br />
D
5O<br />
MEMOIR or<br />
Among the efforts which he made <strong>to</strong> extricate himself from his<br />
irksome situation, the most remarkable is his application <strong>to</strong> the<br />
Hon. Horace \Valpole, in March, 1769; the ground of which<br />
was an offer <strong>to</strong> furnish him with some accounts of a series of great<br />
painters, who had flourished at Bris<strong>to</strong>l, which Chatter<strong>to</strong>n said<br />
had been lately discovered, with some old poems, in that city.<br />
Mr. Walpole answered Chatter<strong>to</strong>n's letter, desiring further in<br />
formation; and in reply was informed that “he (Chatter<strong>to</strong>n)<br />
was the son of a poor widow, who supported him with great<br />
difficulty; that he was apprenticed <strong>to</strong> an at<strong>to</strong>rney, but had a taste<br />
for more elegant studies." Mr. Walpole, though convinced of<br />
the author‘s intention <strong>to</strong> impose upon him, could not, as he<br />
himself confesses, help admiring the spirit of poetry which ani<br />
mated these compositions. The testimonies of his approbation,<br />
however, were <strong>to</strong>o cold <strong>to</strong> produce in Chatter<strong>to</strong>n any thing but<br />
lasting disgust.<br />
Those who have sullied the youth of Chatter<strong>to</strong>n with the im<br />
putation of extraordinary irregularities, and have aserted that<br />
“his profligacy was, at least, as conspicuous as his abilities,"<br />
have, it is conceived, rather grounded these assertions on the<br />
apparently profane and immoral tendency of some of his pro<br />
ductions, than on personal knowledge of a correct review of his<br />
conduct. During his residence in Bris<strong>to</strong>l, we have the most<br />
respectable evidence in favour of the regularity of his conduct,<br />
namely, that of his master, Mr. Lambert. Of few young men<br />
in his situation it can be said, that during a course of nearly<br />
three years, he seldom encroached upon the strict limits which<br />
were assigned him, with respect <strong>to</strong> his hours of liberty; that his<br />
master could never accuse him of improper behaviour; and that<br />
he had the utmost reason <strong>to</strong> be satisfied he never spent his hours<br />
of leisure in any but respectable compan .<br />
“Of Mrs. Angel, with whom he last resided, no inquiries<br />
have afforded any satisfac<strong>to</strong>ry intelligence; but there can belittle<br />
doubt that his death was preceded by extreme indigence. Mr.<br />
Gross, an apothecary in Brook <strong>St</strong>reet, informed Mr. War<strong>to</strong>n,<br />
that while Chatter<strong>to</strong>n lived in the neighbourhood, he frequently<br />
called at the shop, and was repeatedly pressed by Mr. Cross <strong>to</strong><br />
dine or sup with him in vain. One evening, however, human<br />
frailty so far prevailed over his dignity, as <strong>to</strong> tempt him <strong>to</strong> par<br />
take of the regale of a barrel of oysters, when he was observed <strong>to</strong><br />
eat most voraciously. Mrs. Wolfe, a barber’s wife, within a. few<br />
doors of the house where Mrs. Angel lived, has also afforded<br />
ample testimony, both <strong>to</strong> his poverty and his pride. She says,<br />
that Mrs. Angel <strong>to</strong>ld her, after his death, that on the 24th of
CHATTERTON. 51<br />
August, as she knew he had not eaten any thing for two or three<br />
days, she begged he would take some dinner with her; but he<br />
was offended at her expressions, which seemed <strong>to</strong> hint he was in<br />
want, and assured her he was not hungry. In these desperate<br />
circumstances, his mind reverted <strong>to</strong> what (we learn from Mr.<br />
Thistlewaite, and other quarters) he had accus<strong>to</strong>med himself <strong>to</strong><br />
regard as a last resource. ‘ Over his death, for the sake of the<br />
world,’ says the author of Love and Madness, ‘ I would willingly<br />
draw a veil. But this must not be. They who are in a condi<br />
tion <strong>to</strong> patronise merit, and they who feel a consciousness of<br />
merit which is not patronised, may form their own resolutions<br />
from the catastrophe of his tale—those, <strong>to</strong> lose no opportunity of<br />
befriending genius—~these, <strong>to</strong> seize every op ortunity of be<br />
friending themselves, and, upon no account, <strong>to</strong> arbour the most<br />
distant idea of quitting the world, however it may be unworthy<br />
of them, lest despondency should at last deceive them in<strong>to</strong> so<br />
unpardonable a step.’ Chatter<strong>to</strong>n, as ap ears by the Coroner’s<br />
Inquest, swallowed arsenic in water, on e 24th August, 1770,<br />
and died in consequence thereof the next day. He was buried<br />
in a shell, in the burying ground of Shoe Lane workhouse.”
The COMPILER has inserted here a copy of the eloquent appeal,<br />
issued by the Vestry of <strong>St</strong>. <strong>Mary</strong> Redcli e, in 1842, for<br />
raising Subscriptions <strong>to</strong> res<strong>to</strong>re their magnificent church;<br />
he has much pleasure in giving it all the publicity in his<br />
power, and most cordially wishes it every success.<br />
Tn); VICAR, Cnnncnwannsns, and Vns'rrtv of the Parish of<br />
<strong>St</strong>. <strong>Mary</strong> Redclifl'e, having resolved upon a public and extended<br />
appeal on behalf of the venerable and once-splendid fabric en<br />
trusted <strong>to</strong> their care, prepared and circulated, in July last, an<br />
address briefly stating the circumstances which appeared <strong>to</strong> them<br />
<strong>to</strong> justify such appeal. That address explained the preliminary<br />
steps which the parish authorities had adopted, and especially<br />
their selection of Mr. Bar'rron <strong>to</strong> advise respecting the decayed<br />
state of their church, and the best mode of res<strong>to</strong>ring it <strong>to</strong> its<br />
pristine integrity and beauty, with their reasons for such selec<br />
tion. The result of their communication with that gentleman<br />
was his calling <strong>to</strong> his aid Mr. Hosxme, Professor of Architec<br />
ture and of the arts of construction, at King’s College, London,<br />
whom the vestry, at Mr. Bnrr'ron's request, have associated<br />
with him in the commission.<br />
These gentlemen having carefully and fully surveyed the<br />
church, presented <strong>to</strong> the parish authorities luminous and detailed<br />
reports, on all the matters referred <strong>to</strong> them, accompanied by<br />
plans and drawings illustrative of their views. In the conclusion<br />
of their preliminary address, the parish authorities stated that<br />
the reports were thought <strong>to</strong>o copious for printing on that occa~<br />
sion; but that in a subsequent appeal, an analysis should be given,<br />
<strong>to</strong> embrace their more leading and prominent parts, and illustrated<br />
by copies of some of the drawings. It is in fulfilment of this<br />
intention, and of the pledge contained in their former paper,<br />
that the vicar, churchwardens, and vestry, now present this more<br />
extended address, in the hope and belief that the public will<br />
feel as well satisfied as the parish authorities in their preliminary<br />
address stated themselves <strong>to</strong> be; that the able and eminent archi<br />
tects alluded <strong>to</strong>, have, in their consideration of the matters<br />
referred <strong>to</strong> them, “been governed by views not less honourable<br />
<strong>to</strong> their reputation for taste and science, than for sound and
1N APPEAL TO RESTORE ST. MARY REDCLIFFE.<br />
practical knowledge; and that could the views of those gentlemen<br />
be carried out, our city would possess a parochial church, and<br />
the west of England a national monument, of unequalled beauty,<br />
and one <strong>to</strong> be visited and admired by multitudes of strangers of<br />
our own and of foreign nations."<br />
In their reports on the present state and contemplated repairs<br />
and res<strong>to</strong>ration of the church of <strong>St</strong>. <strong>Mary</strong> Redclifl‘e, Messrs.<br />
Bruno»: and Hosxme commence by drawing the attention 01<br />
the parish authorities <strong>to</strong> the injuries sustained by the fabric, from<br />
the long-continued access of damp and moisture, both in the<br />
superstructure and foundation walls,—produced, as <strong>to</strong> theformer,<br />
by the insufiicient means for carrying ofi‘ the rain and snow,—<br />
and, as <strong>to</strong> the latter, by the want of drainage; both which<br />
deficiencies they principally ascribe <strong>to</strong> the original arrangement<br />
for the discharge of water from the roofs, and want of drainage<br />
round the fabric. To the former of these defects, they attribute,<br />
in a great degree, the injury <strong>to</strong>, if not destruction of, the external<br />
faces of the masons’ work upon the walls and buttresses. They<br />
have, in much detail, set out the nature, extent, and causes of<br />
the mischief; and, in a subsequent part of their report, have<br />
suggested, with like detail, the extensive and efficient measures<br />
recommended for remedying the evils alluded <strong>to</strong>, and for pre<br />
venting their future recurrence.<br />
They describe the Roqf Covering as, throughout, in a very<br />
defective state, though heavy expence is annually incurred in<br />
repairing it; and they suggest its entire re-arrangement and<br />
re-construction, upon the principles described in their reports.<br />
They have also ascertained and have very accurately described,<br />
an original defect existing in the great Tower, evinced in a bulg<br />
ing outwards of the external faces of that part of the structure,<br />
and produced by an inequality of strength and resisting power<br />
between the finely-wrought and closely-jointed masonry of the<br />
faces, and the rubble backing which constitutes the main bulk of<br />
the walls; and they state that, with the exception of the <strong>to</strong>wer<br />
and the flank wall and buttresses of the south aisle of the chancel,<br />
all the walls and foundations, throughout, appear <strong>to</strong> be perfectly<br />
sound and but little injured. They attribute the settlement out<br />
wards of the flank wall, first noticed, <strong>to</strong> the want of proper<br />
drainage before alluded <strong>to</strong>, and <strong>to</strong> the <strong>to</strong>o near approach of graves<br />
t0 the foundations of the wall in question, which are not, in<br />
that part of the fabric, more than four or five feet in depth;<br />
and they state that, by an attempt formerly made <strong>to</strong> prevent<br />
the flank from going further, or <strong>to</strong> hold it up, mischief has been<br />
occasioned <strong>to</strong> the pillars which stand between it and the chancel,
54 AN APPEAL FOR THE<br />
and, through those pillars, <strong>to</strong> the cleres<strong>to</strong>ry resting upon them.<br />
They express their opinion that the chancel is in an insecure<br />
state therefrom, and point out in very strong and clear terms<br />
the mischief and danger <strong>to</strong> be apprehended, unless immediate<br />
attention be given there<strong>to</strong>; and they enter, at considerable detail,<br />
in<strong>to</strong> the comparative inefficiency of the repairs which have been<br />
from time <strong>to</strong> time effected.<br />
Recurring <strong>to</strong> the Tower, they state, that the solid structure<br />
of this beautiful work is generally sound and trustworthy, though<br />
its exterior surface has almost wholly perished ; and that from<br />
the dilapidated state of the whole exterior, and especially of the<br />
enrichments previously noticed by them, the <strong>to</strong>wer is unsafe<br />
<strong>to</strong> approach; and they therefore recommend means for excluding<br />
persons from passing within reach of the danger <strong>to</strong> be appre<br />
ended, from the constant liability of fragments of s<strong>to</strong>ne, of no<br />
mean size, <strong>to</strong> become detached, and <strong>to</strong> fall in every direction.<br />
They represent the masons' work of the Spire as generally<br />
sound, though the surface of the s<strong>to</strong>ne upon the exterior is<br />
rapidly disintegrating from the causes described in the report.<br />
In proceeding <strong>to</strong> advise as <strong>to</strong> the solid and substantial repair<br />
of the fabric, in its more important parts, and the res<strong>to</strong>ration<br />
of the ornamental parts, Messrs. BRITTOR and Hosxme state<br />
that so intimate a connection exists between the parts of such a<br />
building as that under consideration, as <strong>to</strong> render what may<br />
apppar <strong>to</strong> be merely ornamental in most cases essential <strong>to</strong> the<br />
sta ility of the structure,—-that they feel themselves compelled<br />
<strong>to</strong> report on these two heads <strong>to</strong>gether; and they furnish very<br />
able and sufficient grounds for their determination; but dividing<br />
the subject in<strong>to</strong> two parts, viz. :—<br />
First, the Tower and S ire; and second, the <strong>Church</strong> with<br />
the Lady Chapel, the Porc es, and other accessories.<br />
With respect <strong>to</strong> the first, it would be injustice <strong>to</strong> the architects<br />
<strong>to</strong> give in any other language than their own, the suggestions<br />
they have offered, viz. :—<br />
“ The Tower and Spire—This singularly beautiful composi<br />
tion is al<strong>to</strong>gether distinct in style and date from the church,<br />
which has been added <strong>to</strong> it, and deserves, as it requires, <strong>to</strong><br />
be considered, not as a merely provincial edifice, and far less as<br />
a simple parish steeple, but as a national monument, and in the<br />
first rank of the many noble structures of the kind in existence<br />
in this country. In magnitude it is exceeded by few; in destined<br />
altitude, the larger cathedrals alone would excel it; and in<br />
chaste simplicity of design, combined with elaborately beautiful,<br />
but subdued and appropriate, decoration, Redclifl'e Tower is sur
RESTORATION on ST. MARY REDCLIFFE. 55<br />
passed by none; whilst it is re-eininent in its position, on a lofty<br />
bank of the Avon, within t e commercial capital of the west of<br />
England. We have already intimated that the solid structure<br />
of the <strong>to</strong>wer is sound and trustworthy, and that it is capable of<br />
being easily made <strong>to</strong> bear all that it was ever intended <strong>to</strong> carry.<br />
............It would appear, however, that when the church was<br />
built, the idea of completing the spire was abandoned, as the<br />
south-western buttresses of the <strong>to</strong>wer were reduced in projection,<br />
and otherwise altered <strong>to</strong> compose with the west from of the<br />
church,——and the south-eastern angle was altered, throughout,<br />
<strong>to</strong> extend the nave of the church uninterruptedly <strong>to</strong> its western<br />
front. The tact and skill with which the outer, or south-western<br />
angle of the <strong>to</strong>wer was altered, and the fine taste with which<br />
the turret pier, in front of the church, which composes with the<br />
reduced buttress of the <strong>to</strong>wer, is arranged, <strong>to</strong> connect the parts of<br />
the composition, are most admirable; but not so the arrangement<br />
at the other angle, where a low, heavy arch, and an unmeaning<br />
blank, upon a heavier pier, obtrude themselves immediately within<br />
the church door; contrasting, most disadvantageoust <strong>to</strong>o, with<br />
the composition of the arches of the aisle, and with the cleres<strong>to</strong>ry<br />
on the other side of the entrance.<br />
“ It may be remarked here, that, at the time Redclifl'e church<br />
was built, the taste which produced the original design of the<br />
magnificent superstructure <strong>to</strong> the <strong>to</strong>wer no longer existed: spires<br />
were not built <strong>to</strong> Gloucester cathedral nor <strong>to</strong> Bath Abbey church,<br />
in the 15th century,—-as they had been at Salisbury, Norwich,<br />
and Litchfield, in the 13th and 14th centuries: comparatively<br />
small spires, on lofty <strong>to</strong>wers, as at Louth and Newcastle,—or<br />
lanterns, as at Bos<strong>to</strong>n,—indicate the prevailing taste, in that<br />
respect, when this church was built, and the abutments of the<br />
spire of the original design were altered or removed. In this<br />
manner, the incomplete or demolished spire was left, and the<br />
original composition was shom of its fair proportions.<br />
“ In compliance with the instructions <strong>to</strong> us, <strong>to</strong> advise as <strong>to</strong> such<br />
alterations in the res<strong>to</strong>ration of the ornamental parts of the<br />
fabric, both external and internal, as may seem necessary for<br />
reinstating it <strong>to</strong> its ancient and pristine beauty, we urge, most<br />
strongly, the necessity of res<strong>to</strong>ring, at the same time, the perished<br />
surfaces of the <strong>to</strong>wer, and its immediate accessories,—adapting<br />
it <strong>to</strong> receive the completed spire,-—and carrying on, <strong>to</strong> comple<br />
tion, that beautiful feature of a masterwork of architectural<br />
composition, which, in its truncated state, is but an unpicturesque<br />
deformity. Thus the original design may be both res<strong>to</strong>red and<br />
completed, and Bris<strong>to</strong>l possess a noble national monument, that
56 AN APPEAL FOR THE<br />
will add <strong>to</strong> the beauty of her locality and <strong>to</strong> her pre-eminence<br />
amongst English cities.<br />
“ In res<strong>to</strong>ring the <strong>to</strong>wer, as contradistinguished from the super<br />
imposed spire, it will, of course, be proper that the work should<br />
be set upright on all its faces; and, in doing this, it will become<br />
necessary <strong>to</strong> take out and reinstate the whole of the ashlaring<br />
of the surfaces, even when it might otherwise remain, though<br />
that, indeed, is of very small extent. Moreover, all the s<strong>to</strong>nes<br />
upon which the enrichments occur, must, of necessity, be drawn,<br />
wherever the enriched surfaces are defective; and these require<br />
ments <strong>to</strong>gether would involve the reinstatement of all the external<br />
surfaces of the <strong>to</strong>wer. Paring old work, and pinning in patches<br />
of new s<strong>to</strong>ne, where there is not any left <strong>to</strong> pare, we consider<br />
al<strong>to</strong>gether out of the question,—as paring would reduce the<br />
original proportions of the design,—and pinning-in, among the<br />
pared faces, pieces, in the place of s<strong>to</strong>nes al<strong>to</strong>gether ruined, would<br />
not produce a res<strong>to</strong>ration of the fabric <strong>to</strong> its ancient and pristine<br />
beauty. The absolutely necessary res<strong>to</strong>ration of the faces of the<br />
<strong>to</strong>wer, with its buttresses,-turrets, pinnacles, niches, canopies,<br />
pediments, windows, and their enrichments, parapets, cornices,<br />
and corbels, will give the means of doing all that is necessary,<br />
with a trifling exception, <strong>to</strong> fit the <strong>to</strong>wer <strong>to</strong> receive the spire of<br />
its full dimensions. This exception involves an alteration within<br />
the church; but we shall be able <strong>to</strong> shew, that what is required<br />
there, can be made, not only consistent with, but most desirable<br />
for, the services of the interior.<br />
“ The existing portion of the spire is, fortunately, quite enough<br />
<strong>to</strong> give the means of developing the original design, whilst it<br />
affords demonstrative evidence that a complete spire was con<br />
templated by the original designer of the structure. If lines<br />
be drawn from points within the footings of the buttresses of the<br />
<strong>to</strong>wer, through the base of the spire, on the summit of the<br />
<strong>to</strong>wer, they will follow the sides of the spire, as far as it now<br />
exists, and meet at such a height as similar compositions of equal<br />
date would justify by analogy. We have drawn such lines, or<br />
rather we have set up the present compartment as it exists,<br />
and find that its thrust is within the abutments afl'orded by<br />
the buttresses, and that the sub-structure generally has the<br />
strength necessary <strong>to</strong> carry the super-structure resulting from<br />
carrying it up <strong>to</strong> the height indicated; which height results<br />
from a continuation of the same lines upwards, and is further<br />
jtlistified by the best existing examples of works of the same<br />
c ass.<br />
“ The decorations of the spire, as it exists, are of singular
RESTORATION OF ST. MARY REDCLIFFE.<br />
beauty and propriety; the ribs are exquisitely moulded; and the<br />
characteristic enrichment of the vertical and pointed moulding:<br />
of the <strong>to</strong>wer below, is carried with great good taste and beautiful<br />
efl'ect, up in<strong>to</strong> the spire : so that nothing has <strong>to</strong> be imagined in<br />
that respect; and we may say with confidence, that the design,<br />
as we present it, of the <strong>to</strong>wer with the res<strong>to</strong>red spire, is a true<br />
presentment of the original intention of the first designer. We<br />
may have omitted <strong>to</strong> state hither<strong>to</strong>, however, what is most<br />
satisfac<strong>to</strong>ry <strong>to</strong> know, that in the midst of the dilapidation and<br />
disintegration which pervade the work, nothing in the moulded<br />
forms or other enrich-ments, and nothing in the form: and<br />
proportions generally, is entirely lost,- but specimen: remain,<br />
from which res<strong>to</strong>rations may be made with certain truth.<br />
" It will be remarked, that the basement of the <strong>to</strong>wer, in the<br />
drawing of the elevation of the west front, shews a greater depth<br />
of faced work than appears at present. This we consider it<br />
desirable <strong>to</strong> res<strong>to</strong>re, <strong>to</strong> prevent the structure from losing any<br />
part of its apparent elevation, in raising the level of Redcliflb<br />
<strong>St</strong>reet before the north-west entrance <strong>to</strong> the enclosure; and we<br />
have suggested, in the drawings, a re-arrangement of the stgps<br />
of approach <strong>to</strong> the church, in accordance with this view. e<br />
propose <strong>to</strong> alter the windows of the <strong>to</strong>wer, from their present<br />
forms and proportions, <strong>to</strong> others, more in character with the<br />
design of the superstructure.”<br />
For the reasons detailed in the report, Messrs. Bar'r'ron and<br />
HOSKING recommend that attention should be first directed <strong>to</strong><br />
the res<strong>to</strong>ration of the <strong>to</strong>wer and spire; and that the former<br />
should, under the circumstances, not be deferred any longer, if<br />
it be desired <strong>to</strong> preserve this beautiful monument from utter<br />
destruction.<br />
Speaking of “ the <strong>Church</strong>, with the Lady Chapel, the Porches,<br />
and other accessories,"——after the recommendations, before alluded<br />
<strong>to</strong>, as <strong>to</strong> what are termed the hydraulic arrangements and the ro<br />
posed reconstruction of the roofs,-—Messrs. Burma and os<br />
KING suggest a new gateway at the north-west corner of the<br />
church enclosure, and other arrangements consequent upon the<br />
recent alterations under the Bris<strong>to</strong>l Improvement Act, and for<br />
giving more efl'ect thereby <strong>to</strong> the beautiful edifice under con<br />
sideration; and, after their valuable suggestions for the substantial<br />
repair of the fabric, in the south flank of the chancel and the<br />
transept, they refer <strong>to</strong> their drawings, as shewing with sufficient<br />
clearness the res<strong>to</strong>rations they propose of the various parts of<br />
the exterior of the building; which res<strong>to</strong>rations, they state, are<br />
mostly from existing authority within the building itself, and
58 n: APPEAL FOR me<br />
where no specimen exists of the original parts, the res<strong>to</strong>rations<br />
are stated <strong>to</strong> be made, <strong>to</strong> the best of their judgment, from analogy.<br />
Repeating their difliculty of separating the substantial from the<br />
ornamental parts, they go on <strong>to</strong> shew that many portions com<br />
monly considered merely ornamental, are either absolutely neces<br />
sary, or highly useful, <strong>to</strong> the substantial structure; and after<br />
naming several instances of this sort, they add :—<br />
“ We do not contemplate, however, and cannot imagine that<br />
the necessary and useful reparations are re aired <strong>to</strong> be made<br />
in merely shaped blocks of s<strong>to</strong>ne, without (the mouldings and<br />
other decorations a propriate <strong>to</strong> them; and, for ourselves, had<br />
rather see the church a picturesque ruin, than be instrumental<br />
in res<strong>to</strong>ring it <strong>to</strong> strength without its native beauty. \Ve propose,<br />
therefore. the res<strong>to</strong>ration of all the decorations that ever existed<br />
upon the surfaces of the work, and” that with new materials,<br />
and not by paring and patching the old."<br />
They add, however, that in some few cases, the heads of the<br />
windows, with the tracery in them, may, perhaps, be preserved.<br />
The architects propose <strong>to</strong> remove the modern attachment <strong>to</strong><br />
the south porch, also the lobby <strong>to</strong> the lady chapel, and likewise<br />
the sheds and other unsightly objects about the church and of<br />
the doorway and steps at the south-east side of the north porch;<br />
they further suggest certain provisions and res<strong>to</strong>rations conse<br />
quent on such removals.<br />
fls <strong>to</strong> the Interior of the <strong>Church</strong>.——The suggestions of Messrs.<br />
BRITTON and Hosxmo refer <strong>to</strong> matters of which they describe<br />
the res<strong>to</strong>ration for the most part as easy. But the most important<br />
res<strong>to</strong>ration of the interior is that at the east end, involving the<br />
removal of Hogarth's pictures, and other inappropriate attach<br />
ments, and the reinstatement of the east and cleres<strong>to</strong>ry windows;<br />
and they hope <strong>to</strong> find that reparations only will he wanted <strong>to</strong> the<br />
screen, between the chancel and the lady chapel. The latter<br />
will want certain alterations, including a new floor.<br />
In the res<strong>to</strong>ration of the spire will be involved some alterations,<br />
pointed out by them, at the west end of the church, including<br />
a new arrangement for the organ; and they ex ress their hope,<br />
that as the whole of the lead and glass must e removed from<br />
the windows for the res<strong>to</strong>ration of the mullions and tracery, it<br />
may, in the principal ones at least, be reinstated with stained<br />
glass of an appropriate character.<br />
They also propose, in detail, numerous and important altera<br />
tions in the re-arrangement of the pews and seats, by which<br />
with an increased seat accommodation, and better command from<br />
the pulpit, reading desk, and altar, a more perfect view of the
RESTORATION or s'r. MARY REDCLIFFE. 59<br />
building may be obtained; whilst all the beautiful pillars shall<br />
be in every case insulated, that the eye may range over their<br />
lofty and symmetrical forms and proportions from the base <strong>to</strong><br />
the summit.<br />
The reports of Messrs. BRITTON and Hosxnso, with their<br />
accompanying drawings, though (for want of more time and<br />
labour than t ey have yet been able <strong>to</strong> bes<strong>to</strong>w,) not made with<br />
the fulness of detail required for actual operations, are, never<br />
theless, the result of admeasurements and of careful delineation<br />
of the most important parts; and their observations arise fiom<br />
close examination of the work in general and in detail, upon<br />
personal survey and attentive study and consideration of what<br />
they have observed; and their estimates subjoined are the result<br />
of such survey and consideration, and also upon comparison with<br />
the cost of other large works of analogous extent and character.<br />
The Tower and Spire.-—The complete reinstatement and<br />
res<strong>to</strong>ration of the <strong>to</strong>wer with its pinnacles, and all its decorations,<br />
in the manner, and with the s<strong>to</strong>ne they contemplate adopting,<br />
will cost about £8,200.<br />
The re-construction and completion of the ire, according<br />
<strong>to</strong> the data afforded by the existing portion thereofihnd according<br />
<strong>to</strong> the drawing of the west front res<strong>to</strong>red, and making the requi<br />
site additions <strong>to</strong> the buttresses of the <strong>to</strong>wer, and including the<br />
scaffolding and machinery necessary, will cost about £3,600.<br />
The <strong>Church</strong>, with the Lady Chapel, the Porches, and other<br />
accessories:—<br />
lst.——The hydraulic arrangements, including new roofs <strong>to</strong><br />
the church and lady chapel, the re-arrangement of the north<br />
west approaches, with the earthwork, drains, &c., as recommended<br />
in their general report, after giving credit for old materials, will<br />
cost £1,850.<br />
2nd.-—The substantial repair and reinstatement of the interiors,<br />
and the repair, reinstatement, and perfect res<strong>to</strong>ration of the whole<br />
of the exteriors of the church, lady chapel, and orches, including<br />
the re-working of the whole of the external ecorations in the<br />
s<strong>to</strong>ne alluded <strong>to</strong>, <strong>to</strong>gether with the alterations and presumed<br />
improvements recommended in the general report, it is estimated<br />
will cost nearly £21,400.<br />
3rd.—The re-arrangement and refitting of the interior of the<br />
church, as pro osed by Messrs. Barr'rou and Hosxmo, will<br />
cost £2,600. he whole presenting a <strong>to</strong>tal outlay of £37,650,<br />
which, with a due estimate for contingencies, in works so exten<br />
sive and of such comparatively novel character, cannot, in the<br />
judgment of the arish authorities, be safely calculated at a sum<br />
much less than 40,000.
60 AN APPEAL FOR THE<br />
It is, however, stated by the architects, that the expence<br />
under the second head may admit of reduction, by their finding,<br />
on further examination, portions of the work capable of remain<br />
ing, or of being re-worked and re-applied in places less exposed<br />
<strong>to</strong> the weather; and it is their opinion, that the part of the<br />
work contemplated in this section may, after precautions are<br />
taken <strong>to</strong> secure it, generally be distributed over any reasonable<br />
number of years.<br />
In allusion <strong>to</strong> the large sum required for effecting the object in<br />
all its proposed details, the parish authorities can but repeat,<br />
in the language of their preliminary address, that such an amount<br />
is only <strong>to</strong> be raised by the liberal co-operation of those, whom<br />
providence has blessed with the ability and the desire <strong>to</strong> aid in<br />
such objects as that for which this appeal is intended; and<br />
upon those of our own locality who have been so favoured by<br />
Providence, they repeat their confidence, that an appeal will<br />
not be made in vain for the res<strong>to</strong>ration of a fabric, which, if not<br />
wholly the work of a Bris<strong>to</strong>l merchant, is <strong>to</strong> be ascribed princi<br />
pally <strong>to</strong> one of that class. Their confidence is strengthened by<br />
the able and energetic support they have received from many<br />
and influential quarters, and especially from our local press, by<br />
one of whose edi<strong>to</strong>rs it has been well and eloquently said, that,<br />
“the question for the public—for the church-going public in<br />
" particular—<strong>to</strong> answer, is,——shall decay he suffered <strong>to</strong> proceed<br />
“ until res<strong>to</strong>ration shall have become impossible 7’ The amount<br />
“required (£40,000) for the complete repair of the fabric is<br />
“ certainly great, but when we recollect the large sums which<br />
“ have been raised for the res<strong>to</strong>ration of Hereford Cathedral, and<br />
“ of York Minster, we cannot doubt that the nobility, gentry,<br />
" and wealthy commoners of Gloucestershire, Somersetshire,<br />
“and the neighbouring counties, will evince equal liberality in<br />
“ worthin upholding—<br />
“ ‘ The pride of Bris<strong>to</strong>we and the western land.’<br />
“ Nor must the afliuent merchants of Bris<strong>to</strong>l forget, that <strong>to</strong> a<br />
“ Bris<strong>to</strong>l merchant the existence of <strong>St</strong>. <strong>Mary</strong> Redclifl‘e is princi<br />
“pally owing, and that, as they occupy the position, so ought<br />
“ they <strong>to</strong> emulate the spirit, of a Canynges. But, indeed, it is <strong>to</strong><br />
“ be supposed that every Bris<strong>to</strong>l man, without distinction of party<br />
“ or sect, will feel, on this occasion, a laudable pride in con<br />
“ tributing, according <strong>to</strong> his means, <strong>to</strong>wards the preservation of<br />
“ an edifice which, for centuries, has formed the chief ornament<br />
“ of his native city.
RESTORATION OF ST. MARY REDCLIFFE. 61<br />
“ To the rich dissenter, who conscientiously objects <strong>to</strong> church<br />
“ rates, we would remark that no compulsory rate is about <strong>to</strong> be<br />
“ attempted, but that the sum required is <strong>to</strong> be raised by voluntary<br />
“ contribution, for the laudable purpose of preserving from decay<br />
" and ruin one of the finest specimens of ecclesiastical architecture<br />
“ <strong>to</strong> be found in England; and, we would also remind him, that<br />
“ he may prove, by his gift, that it is principle, and not interest,<br />
“which actuates his resistance <strong>to</strong> enforced rates. But not <strong>to</strong><br />
“ Bris<strong>to</strong>l, or the immediate neighbourhood, nor even <strong>to</strong> the sur<br />
“ rounding counties, will be confined the exertions necessary <strong>to</strong><br />
“ preserve from ruin this magnificent gothic structure. The<br />
“interest felt will be of a far more expansive character. The<br />
" clergy generally, the nobility, the gentry, the scholar, the<br />
“ antiquarian, the lover and admirer of the past, the man of<br />
“ poetical temperament, who recognises in architectural beauty<br />
" poetry in one of her grandest forms,—all will come forward in<br />
“ order <strong>to</strong> contribute, in proportion <strong>to</strong> their revenues, <strong>to</strong> the pre<br />
“ servation of <strong>St</strong>. <strong>Mary</strong> Redcliti'e."<br />
The parish authorities, whilst they feel that they cannot, with<br />
propriety, divest themselves of the responsibility of carrying out,<br />
so far as they shall be enabled <strong>to</strong> do, the repair and res<strong>to</strong>ration<br />
contemplated, feel sensibly that the public, from whom the means<br />
of accomplishment is so largely <strong>to</strong> be drawn, are entitled <strong>to</strong> every<br />
reasonable security for the due appropriation of the sums con<br />
tributed: and it is therefore the desire of the parish authorities,<br />
at an early period after any considerable subscription shall have<br />
been obtained, <strong>to</strong> convene a. meeting of the subscribers, by the<br />
majority of whom, subscribing not less than £10 each, six con<br />
tribu<strong>to</strong>rs of not less than £50 each shall be chosen, who, with<br />
the members of the vestry for the time being, shall form a<br />
committee for carrying out such repair and res<strong>to</strong>ration, and for<br />
controlling the moneys received, and the expenditure thereof.<br />
The parish authorities, in aid of the object intended, propose<br />
<strong>to</strong> anticipate, as far as they possibly can be advised <strong>to</strong> do, the<br />
revenues of the estates vested in them for the repair and support<br />
of the church, and by means of which, that object has been<br />
hither<strong>to</strong> (however inadequately) accomplished without the parish<br />
having been ever burdened by a church rate, and from this<br />
source they will apply the sum of £2,000, <strong>to</strong> be paid, as they<br />
propose the individual contributions shall be paid, by five equal<br />
and successive yearly instalments, <strong>to</strong> meet the expenditure as it<br />
will probably annually progress.<br />
In conclusion, the vicar, churchwardens, and vestry, of <strong>St</strong>.<br />
<strong>Mary</strong> Redclifl'e, venture <strong>to</strong> quote and apply <strong>to</strong> their church, the
62 AN APPEAL, ETC.<br />
language used by the learned and Very Reverend the Dean of<br />
Hereford, in reference <strong>to</strong> his own cathedral, which at the present<br />
moment is in a dangerous state; but which is likely <strong>to</strong> be pre<br />
served and renovated by the united efforts of the benevolent<br />
friends of the church and of archaeology. “ Res<strong>to</strong>ration is the<br />
grand object <strong>to</strong> be achieved, not mending and patching." *<br />
* * * * * “I earnestly intreat that res<strong>to</strong>ration may<br />
be regarded as the one thing sought,—sound and legitimate<br />
res<strong>to</strong>ration, for which there is sufficient authority.”* ‘<br />
To the preceding appeal the parish authorities append the<br />
following remarks and suggestions by their senior architect, who,<br />
as an antiquary and author, has laboured nearly half a century<br />
<strong>to</strong> elucidate and illustrate the ecclesiastical architecture of Great<br />
Britain.<br />
M. R. WHISH, Vrcaa.<br />
THOS. PROCTOR, Cmcnwaanass.<br />
JOHN FARLER,<br />
‘ “ A <strong>St</strong>atement of the condition, 810., of the Cathedral <strong>Church</strong> of Here<br />
ford, by the Very Rev. John Mereweather, Dean," &c. &c. 8v0. 1842.<br />
a“ Since the Report from Messrs. Brit<strong>to</strong>n and Hosking,<br />
dated Oc<strong>to</strong>ber, 1842, was issued, professional engagements in<br />
London induced Mr. Hosking <strong>to</strong> resign the duties of Architect<br />
<strong>to</strong> the reparation of this church; and Mr. George Godwin, F. R. S.,<br />
F. S. A., was appointed in his place. Subsequently <strong>to</strong> ‘Mr.<br />
Hosking’s retirement, Mr. Brit<strong>to</strong>n also, from advanced age,<br />
thought well <strong>to</strong> resign, and the res<strong>to</strong>ration has proceeded and<br />
will continue <strong>to</strong> proceed under the able and zealous guidance<br />
of Mr. Godwin alone.
REMARKS AND SUGGESTIONS BY MR. BRI'I'I‘ON.<br />
As stated in the preceding address, I was applied <strong>to</strong> by the parochial ofii'<br />
cers of Redclifl'e <strong>Church</strong> for advice respecting its repairs and res<strong>to</strong>ration, in<br />
conse uence of having published, about thirty years ago, a his<strong>to</strong>ry of that<br />
truly utiful and interesting edifice. To justify that application, as well<br />
as my own opinions and advice, and at the same time <strong>to</strong> secure the confidence<br />
and iberal co-operation of the public, in the res<strong>to</strong>ration of a church which<br />
has been re-eminent for originality and beauty, and is susceptible of being<br />
again e as sound in masonry, and exquisite in architectural enrichment,<br />
as when left by Gan es’ architect: I trust it may not be deemed irrelevant,<br />
orlpseless, <strong>to</strong> make a ew remarks on matters immediately belonging <strong>to</strong> the<br />
so 'ect.<br />
en I wrote the his<strong>to</strong>ry alluded <strong>to</strong>, I had a comparatively limited ac<br />
quaintance with the ancient ecclesiastical edifices of the country; and the<br />
series of drawings, by Mr. Wild, were not so strictly architectural as they<br />
ought <strong>to</strong> have been. Hence the volume is not so full and in<br />
its architech information as I could wish, or as I could make it now, nor<br />
are the engraved illustrations equal <strong>to</strong> those I subsequentl produced, in the<br />
“ Cathedral Antiquities.” Since that time I have criti y examined, de<br />
scribed, and illustrated most of the magnificent and elaborate cathedrals of<br />
the country; several of the finest churc es; and have likewise inves '<br />
the his<strong>to</strong>ries and characteristics ofmany of the most distinguished buil '<br />
of Europe. Thus ualified, I felt competent <strong>to</strong> afi‘ord some useful advice <strong>to</strong><br />
the ves of Redcflfi‘e parish when they applied <strong>to</strong> me. Redclifi'e <strong>Church</strong><br />
has now orne the rude blasts and tempests of some centuries; has sustained<br />
much dilapidation by the elements; and suffered also various and serious<br />
injuries by the neglect of some persons, and by the injudicious alterations<br />
and repairs of others. Hence it had become the imperious duty of its present<br />
guardians, <strong>to</strong> make a bold and powerful etfort, not merely <strong>to</strong> check the rapid<br />
Elog'ress of destruction, but <strong>to</strong> aim at a complete and efficient res<strong>to</strong>ration.<br />
at this may be accomplished is, I trust, clearly and satisfac<strong>to</strong>rily explained<br />
by the detailed reports presented <strong>to</strong> the vestry.<br />
Advanced in age, and therefore incompetent <strong>to</strong> traverse scafi'oldings,<br />
ascend lofty stairs, and examine roofs of buildings, I found it impossible <strong>to</strong><br />
undertake the execution of the practical duties r uired, and must have<br />
declined the honour and atification of being pro essionolly em loyed in<br />
the proposed res<strong>to</strong>ration ad not the parochial oflicers readily owed me<br />
<strong>to</strong> nominate my friend, liir. Hosxnvo, <strong>to</strong> co-operate with me in surve 'ng<br />
and reportinv on the church, and undertaking the constructive duties 0 the<br />
architect. With this assistance,—with a most zealous and united body of<br />
gentlemen in the vestry,—with a subject calculated <strong>to</strong> awaken and reuse <strong>to</strong><br />
energy the most laudable ambition, I shall cheerfully and ardently devote<br />
the remainder of my life, and all my experience, <strong>to</strong> prove that the genuine<br />
res<strong>to</strong>ration of such a church as Redcliii‘e, will be at once highly honourable<br />
<strong>to</strong> its oflicers, <strong>to</strong> the parishioners, <strong>to</strong> the citizens of Bris<strong>to</strong>l, and <strong>to</strong> all persons<br />
concerned in the work; whilst it will be a las ' monument of the consum<br />
mate skill and taste of its original architect, an tend <strong>to</strong> put <strong>to</strong> shame many<br />
of the bald and flimsy buildings of modern date.<br />
To those persons who are not acquainted with Redclifi'e <strong>Church</strong>, it may be<br />
both interesting and useful <strong>to</strong> give a short account of its peculiarities, beau<br />
ties, and his<strong>to</strong>ric annals. As a parochial Christian temple it is acknowledged
64 MR. BRITTON’S<br />
<strong>to</strong> rank, if not the first, at least in the first class, amongst the many fine<br />
sacred edifices of our country. As compared with the cathedral and con<br />
ventual churches of En land, it surpasses most in symmetry of design,—-in<br />
harmony and unity of c er,—in rich and elaborate adornments,—in the<br />
picturesque composition of exterior forms and pam,—and in the fascinating<br />
combination of clustered pillars, mullioned windows, panelled walls, an<br />
in-ribbed ceilings of the interior. I know of no building, <strong>to</strong> compare with<br />
it in all these features, in Great Britain; and I feel assured, that there is<br />
none superior in graceful dashing and beauty of detail in all civilized Europe.<br />
Excepting the cathedral of S ' bury, which is nearly of one age and design<br />
throughout, the other cathedrals, and indeed most of the large parish and<br />
oonventual churches, consist of heterogeneous parts, of varied and discorth<br />
dates and styles.<br />
The accompanying views of Redclifi‘e <strong>Church</strong>, though on a small scale,<br />
cannot fail <strong>to</strong> impress every eye that can see, and every mind that can ap‘<br />
preciate the beauties and merits of architectural dos~ , that the churn ,<br />
now fast approaching ruin, was once, as it may again made, a splendid<br />
edifice; a temple eminently adapted for the soothing and sublime devotions<br />
of Christian worshi , and also calculated <strong>to</strong> impress eve specta<strong>to</strong>r with<br />
wonder, delight, an admiration. Forciny and appositely as it been said.<br />
in the quaint language of ancient lore :—<br />
" <strong>St</strong>ay, curious traveller, and pass not bye<br />
Until this relive [elegant] pile as<strong>to</strong>und thine eye,—<br />
Thou seen this mayslrie of a human hande,<br />
The pride of Brisiowe and the westerns lande.—<br />
Well maies! then he as<strong>to</strong>unde, but view it well;<br />
Go not from hence, before thou see thy fill,<br />
And learn the builder's vertues and his name;<br />
Or this tall rpm in every countrye lelle,<br />
And will: thy tale the lazing rych man shame;<br />
Shows how the Glorious Canynges (lid excelle;<br />
How he, good man, a friend <strong>to</strong> lryngel became,<br />
And glorious paved at once, the way <strong>to</strong> heaven and fame."<br />
These singular and trul poetical lines, by an uneducated boy, embrace<br />
points .adnnrallly appli'ca le <strong>to</strong>.our pre‘sent tune and pprpose.. ‘<br />
Although essential and substantial repairs and res<strong>to</strong>ration be the main<br />
object in the contemplated works, these will be applied <strong>to</strong> the interior even<br />
more than <strong>to</strong> the exterior of the bail ' ; for if the latter may be regarded<br />
as the shell, the former is the kernel; ' the last he the case, the first is the<br />
jewel intended <strong>to</strong> be preserved. Indeed, as the inside of Redclifi'e <strong>Church</strong><br />
was in its ori ' and finished state an architectural design of pre-eminent<br />
richness and u ,—as it was destined by its founder and architect <strong>to</strong> sur<br />
pass all its neighbours in originality of com 'tion and elaborate finish, so<br />
was it adapted <strong>to</strong> satisfy the wants and wis es of those for whose devotions<br />
it was intended: the resent architects, emulous <strong>to</strong> follow such example,<br />
ropose <strong>to</strong> render it yand completely adapted for the rites, as well as the<br />
bits, of its protestant occupants. In (10' this they consider it material<br />
<strong>to</strong> provide accommodation for the many, ra er than merel <strong>to</strong> please the<br />
few; they think the clergyman and his congregation should in such close<br />
communion, that the former may be seen, as well as heard by the latter. If<br />
the numerous shafled pillars tend <strong>to</strong> interfere with this communion in some<br />
11 60., the few sittings, so placed as <strong>to</strong> be out of view of the minister; will<br />
on y be rsorted <strong>to</strong> on emergencies. flu designing and disposing the altar,<br />
the number desk, ofand seats, the the pulpit, most the scrupurlous oven, attention and the will out, be aspaid wellby as the thearchitects<br />
required<br />
<strong>to</strong> the ancient of the Anglican church, and they confidently anticipate<br />
many striking an beautiful scenes and efl‘ects when the whole is completed,<br />
p the subordinate appendages being made <strong>to</strong> correspond and harmonise with
.<br />
/_<br />
VIEW FROM THE SOUTHEAST, WITH THE SPIRE, AS PROPOSED TO BE REfiTORED<br />
pv‘uu—v<br />
a- __,-_-_ e_<br />
0'<br />
_.—-_<br />
~-v<br />
_—<br />
-<br />
,-<br />
‘<br />
.<br />
. _<br />
_ , ~ut 0 ~— P— -<br />
M.'__~"\—’?-'~w‘p~ Mfufi_—~—m-w: - ~ 3:---zfl—QQJ<br />
‘_.-\ "'_' ., ,'2_<br />
' " M<br />
"hem-f”<br />
_J.P.LHCNP§ON:' * '“" ‘<br />
~_~ 0 ‘ 7"“‘-—-I-'“. ~‘- , -Q‘fl _ -<br />
VIEW OF THE NAVE, Bic, LOOKING TOWARDS THE EAST, RES'I'ORED.<br />
lll" Ifun<br />
ii<br />
/'<br />
l<br />
| l<br />
a<br />
~‘"‘.l"‘_lllai.'vt§ti ii i<br />
Divested ol' pews, seats, and other furniture of a<br />
details of the interior otthis truly beautiful edifice.<br />
testant church, the above print shews the architectural character and<br />
f not equal in sculptured decoration <strong>to</strong> the gorgeous chapel: of Henry VIL,<br />
Iondon, and Kin s Coll Cambridge, it will bear comparison with those justly famed buildings, and will he found <strong>to</strong> surpass<br />
PM! of th: ‘eath rals an other large churches of our own and of foreig: countries in this respect- Although in miniature, this<br />
‘1 J Ind i<br />
' in wood<br />
‘ the finaly ItiersOver or pillars, this tncened with thewall<br />
arches <strong>to</strong> the aisles, and the<br />
panelled walls above them in the‘situation til' the triforium of the] oath<br />
is a series of cluu<strong>to</strong>ry<br />
windows of dimensions. and 0! fine forms and pro rtions, wi mnllious and tracery. These, itis reasonably‘inkrred, were<br />
originally till with stained glass, “casting a dim. 1e igious light" over the whole scene. (ionnectin , and apparently tyinns<br />
t ther, the twn side walls, is a groin-vaulted ceiling, profusely adorned with intertwining moulded n s, foliated tracery<br />
ric ly sculptured bosses spreading over the whole. In t eview presented by the engraving, the eye ran through I bepiztiful<br />
vista full of the most charming architectural eti'ects. lt requires but little stretch of fancy <strong>to</strong> imagine t e exquisite and indeed<br />
sublime appearance of the whole, were the windows tilled with pictured glass, and the ribs, bosses, and capitals of the vaulted<br />
ceilings, and of the shalted pillars, with gold and colours " richly ight."
'<br />
REMARKS AND SUGGESTIONS. 65<br />
the architectural disposition and character of the church. A learned and<br />
travelled cle an, who has devoted some years <strong>to</strong> the study of the church<br />
architecture 0 the middle ages, writes <strong>to</strong> me thus; “ The harmam‘ous eii‘ect<br />
of Redclifi'e <strong>Church</strong> must at one time have been quite unrivalled. I am not<br />
aware of any cathedral or parish church, either in England or abroad, that<br />
contains an e ual amount of rich and uniform vaulting. The bosses, more<br />
particularl , th in quality and quantity, s ass all that I have met with<br />
elsewhere. He then laments the effects of ogarth’s ictures, with their<br />
vulgar draperies, and the filling in of the east window an of the altar-screen<br />
beneath; and re robates the barbarous and lo pews, which cut up and<br />
destroy much of e architectural beauty of the c urch.<br />
Fortunately for the cause of architecture and of good taste, we are living<br />
in times when the enlightened higher orders of the clergy apipreciate the<br />
beauties of the ancient churches in which they ofiiciate; and w on not only<br />
deans and archdeacons, but many churchwardens, consider it <strong>to</strong> be a plea<br />
sure as well as a duty <strong>to</strong> render willin aid in upholding and preserving,<br />
whilst they really adorn, the sacred ' ces committed <strong>to</strong> their care. Hence<br />
the contrast between this and a former age is striking, and, at the same time,<br />
truly gratifying <strong>to</strong> all admirers of ancient architecture.<br />
SEPULCHRAL AND CBNOTAPHIAL MONUMENTS IN CHURCHES.—NO one,<br />
until very latel , has uestioned the propriety of placing public memorials<br />
within the walls of C ' tiau churches; as funeral ceremonies and local<br />
associations jointly conspired <strong>to</strong> int <strong>to</strong> those buildings as fitting and appro<br />
priate places for such testimonialls' ; but we know that these sacred spots, and<br />
onorary privileges, have been most wofully misused, and even disgraced,<br />
on <strong>to</strong>o man occasions. There is scarcely a. cathedral, or other fine church<br />
in Englan , whose symmetry, beauty, and even stability have not been<br />
greatly injured/b the introduction of all sorts 0f fantastical, and even ugly<br />
compositions, c ed monuments; whilst the same have been as lamenta ly<br />
misplaced. The Abbey-church of Westminster, and that of Bath, are no<strong>to</strong><br />
rious examples; the former presenting the appearance of a warehouse, or<br />
lumber lack of gallery, art; whilst of all thesorts, latter sizes, was, forms, till very and lately, colours, equally of soulIdisfigured tured art and<br />
injured. Recently, however, the guardians of Ba church, advised by their<br />
skilful architect, have tastefully renovated the building, and arranged its<br />
numerous tablets, &c., with some regard <strong>to</strong> system and propriety. In<br />
general, we find church monuments inserted in, and weakening the solid<br />
and essential walls; out in<strong>to</strong>, and 'nst slender and elegant pillars; placed<br />
in windows, <strong>to</strong> the destruction of e aborate mullions and s<strong>to</strong>ried lazing; or<br />
otherwise disposed, without the least feeling ofrespect <strong>to</strong> the sacre character<br />
of thpflpllace, or <strong>to</strong> its architectural beauty and his<strong>to</strong>rical interest. Hence the<br />
gene 'ty of such works have been rendered more offensive than pleasing<br />
and impressive; and instead of conferring compliment and reflecting honour<br />
both on the dead and the living, have impeached the taste and judgment of<br />
* My respected friend, I. H. Markland, has lately agitated this subject in a pam—<br />
phlel on “English <strong>Church</strong>es and Sepulchral Memorials ;" and “the Quarterly<br />
Review” (Sept. 1842,) has taken up the cause, <strong>to</strong> show the impropriety, the nudevo<br />
tional tendency, of occu%ing the walls and areas of churches with “sepulchral me<br />
morials" of any kind. hilst it most justly reprobales all the vulgar and tasteless<br />
slabs, sculpture, and inscriptions, that have <strong>to</strong>o long defaced the architectural beauties<br />
of Christian temples, i! also more strongly and earnestly censures the practice of<br />
interring bodies within their walls. This subject is entitled <strong>to</strong> the deliberate and<br />
candid investigation of the scholar, critic, and philosopher; for, <strong>to</strong>o much enslaved<br />
and blinded by old habits and established cus<strong>to</strong>ms, the general mind is unqualified <strong>to</strong><br />
come <strong>to</strong> sound and impartial conclusions. We are in a state of transilicu,——enquiry<br />
and research have opened the long-closed door: of mystery and prejudice, and truth<br />
and light will inevitably burst forth and illuminate the mental hemisphere. My own<br />
pursuits have impelled me <strong>to</strong> read and think much on the subject, and l have long<br />
meditated on a novel and nearly matured plan, <strong>to</strong> preserve, display, and give full<br />
efficiency <strong>to</strong> monumental memorials.<br />
E
66 MR. narrron’s<br />
the latter, and rendered that ridiculous which might <strong>to</strong> have been admoni<strong>to</strong>ry<br />
and sublime. It is time this evil, this vulgar practice, were remedied; and<br />
the present is a most favourable opportunity <strong>to</strong> set a laudable example. In<br />
preserving the <strong>to</strong>mbs already belonging <strong>to</strong>tlle church, it is proposed <strong>to</strong> class<br />
and arrange them with some attention <strong>to</strong> simplicity and symmetry, and <strong>to</strong><br />
adopt suc regulations for the future as may ensure a continuance of the<br />
system. In explaining this subject <strong>to</strong> the worthy descendants of a time<br />
honoured individual, whose mortal remains repose within this splendid<br />
Christian mausoleum, they immediately commissioned the architects <strong>to</strong> make<br />
such a design as would be at once appropriate <strong>to</strong> the deceased, and <strong>to</strong> the<br />
buildi , <strong>to</strong>wards the complete res<strong>to</strong>ration of which they profi'ered also<br />
cheerffily <strong>to</strong> contribute.<br />
To accommodate and afford eve degree of comfort <strong>to</strong> even larger congre—<br />
tious than have generally assent led within the walls of this church, we<br />
lave made such arrangement of the seats, as shall bring all persons more<br />
fully and freely within sight and hearin of the minister; and have also<br />
taken especial care <strong>to</strong> display the comp etc height and design of all the<br />
raceful clustered pillars of the edifice. Many other material, and it is<br />
lieved important, improvements of the interior are pointed out in the<br />
reports <strong>to</strong> the vestry; and in the progress of the works, it will be not only<br />
our duty, but our most anxious Wish and study, <strong>to</strong> render the whole building<br />
as perfect, as it is original and uni ue ; and then, whilst its exterior and<br />
interior architecture may secure the miration of the critical antique , the<br />
imangemcnt and fittings of the latter shall be in harmony with the bui ding,<br />
and fully adapted <strong>to</strong> all the comforts and accommodation of a large protestant<br />
congregation.<br />
In our report <strong>to</strong> the vestry, we have suggested the eligibility of commenc—<br />
ing res<strong>to</strong>ration with the <strong>to</strong>wer and spire; in completing which, two objects<br />
and ends will be attained, and rendered pable <strong>to</strong> all persons, viz., the true<br />
pro rtions, architectural beauties, an admirable design of the former,<br />
wlu t the sublime and graceful effect of the latter, will be seen both near<br />
and far 011'; and thus completed, they will jointly demonstrate what can be<br />
done with good materials and skilfu workmen, in renovating this decayed<br />
garb of antiquity, and giving <strong>to</strong> it a quality and power of endurance for many<br />
successive ages.<br />
HISTORICAL N0’I‘lCES.—-The church ofRedclifi'e is not cnlypopularly called<br />
Canynges’ work, but the <strong>to</strong>pographers of the cityulso ascribe it <strong>to</strong> a rson of<br />
this name. Hence much error, and much confusion, have prevail . There<br />
were several persons named Canynges, two of whom appear <strong>to</strong> have been rich<br />
merchants, ma ore, and liberal benefac<strong>to</strong>rs <strong>to</strong> the r and <strong>to</strong> the religious<br />
fraternities of ris<strong>to</strong>l. Barrett, Seyer, Evans, D away, and other unti—<br />
quarics, have failed <strong>to</strong> indentify the works and deeds of the senior and junior<br />
members ofthat family ; although the lastreverend gentleman has endeavoured<br />
<strong>to</strong> do so, and has certainly given a better and more discriminating account of<br />
the varieties of architecture in this church than any other writer: but he is<br />
occasionally very obscure and confused, not only in his “ Essa on Can 3,"<br />
but pro-eminently so in his “ Discourses upon Architecture in England. ' It<br />
cannot fail <strong>to</strong> rplex any person <strong>to</strong> discover what he means by the ‘ Ora<strong>to</strong>ries<br />
in Redclifl'e hurch were built <strong>to</strong> receive perpetual Chantries :" (p. 20.)<br />
Scyer and Evans have not made out the true his<strong>to</strong>ry of the edifice, nor was<br />
mv former assay at all successful. It would require more s ace than can be<br />
afforded on this occasion, <strong>to</strong> unravel the entangled thread which these authors<br />
have 5 un. I must confine myself <strong>to</strong> the mere consideration of the dates and<br />
ol2 the building, as intimated by those members or parts which are of<br />
dissimilar styles.<br />
There are four palpable varieties of Christian architecture in Redclifi'e<br />
<strong>Church</strong>, manifesting as many architects, and as man different times when<br />
they were respectively designed and erected. The mner north rch, or<br />
vestibule,—the <strong>to</strong>wer and spire,—the outer north poroh,—the bog; of the
\<br />
REMARKS AND soconsrrons. 67<br />
church, with the lady chapel, and the south porch,-—we feel assured were<br />
built successively; and it 1s generally admitted, that an older church was<br />
removed <strong>to</strong> give lace <strong>to</strong> the present nave and chancel, with their aisles, and<br />
the transept. The oldest of these members, i. e. the vestibule, is of a date<br />
between A. D. 1200 and 1230. “ In 1207, Lord Robert de Berkeley granted<br />
<strong>to</strong> Redclifi'e <strong>Church</strong>, at the request of William, the cha lain, his fountain of<br />
water from Huge Well, for the friars of <strong>St</strong>. John the aptist in Redolifi'e.”<br />
Lands were conferred on the same church, about that time, plainly showing<br />
that there was one then in the 'ile The <strong>to</strong>wer and spire we may safely<br />
refer <strong>to</strong> the reign of Edward , as cor-res nding with known specimens of<br />
that age. According <strong>to</strong> the chronicles of ris<strong>to</strong>l, Simon de Bur<strong>to</strong>n, who was<br />
mayor, in 1293, “ began <strong>to</strong> build the church of <strong>St</strong>. <strong>Mary</strong> de Redclitie, when<br />
John Lamyng<strong>to</strong>n was cha ninz" (Evans‘s Chronological Outline.) Seyer,<br />
in his “ Memoirs of Bris<strong>to</strong>l, ’ (vol. II. p. 77) from MS. calendar, more cautious<br />
and particular, says, “ It was about the year 1293 or 1294, that Simon de<br />
Bour<strong>to</strong>n, a person of wealth and consequence, who was mayor of Bris<strong>to</strong>l in<br />
that car, and bore the same oflice six times, built the church of <strong>St</strong>. <strong>Mary</strong><br />
Redc ifi'e, where the eastern end now is.” Here we find it positively stated<br />
by one writer, that the church was built, and by another that it was begun<br />
at the above date. To us it is quite clear that no part of the resent chum<br />
is so early as 1294. That the eater portion of it is <strong>to</strong> be ascri ed <strong>to</strong> lVilliam<br />
Gang/ages, Jam, may be safe y inferred by the testimony of written docu<br />
ments, and the architectural features of the building. He was a religious, a<br />
Wealthy, and a charitable merchant; and after amassing large riches, marr -<br />
ing, and having two children, and becoming a widower, in 1460 or 1466, re<br />
retired from business and the civil and civic pursuits of life, <strong>to</strong> become priest<br />
of the religious house at Westbury-upon-Trym, founded by his confessor and<br />
early friend, John Ca nter, Bishop of Worcester. To this association, <strong>to</strong><br />
the influence of the (>3.th hierarchy, and <strong>to</strong> the general fashion of the age,<br />
we may refer the size and style of the church, whose res<strong>to</strong>ration we strenu<br />
ously advocate. That other persons contributed <strong>to</strong>wards the same building<br />
there can scarcely be a doubt; indeed the armorial bearings and devices on<br />
many of the bosses of the ceiling, lainly shew that the <strong>St</strong>aii'ords, Berkeleys,<br />
Beairchamps, Montacutes, and. o ers, aided in this sacred and propitia<strong>to</strong>ry<br />
wor .<br />
A critical his<strong>to</strong>ry of the whole edifice, with biographical accounts of the<br />
founders and contribu<strong>to</strong>rs, would constitute an interesting, and indeed an<br />
important literary memoir; for whilst it would unfold and elucidate the local<br />
manners, cus<strong>to</strong>ms, pursuits, and habits, of a large and influential class of<br />
provincial society, it would also tend <strong>to</strong> exemplify the political, moral, and<br />
philoso hical state of the country, at different epochs. In the volume I<br />
former y published on Redclifi‘e C urch, these matters are barely alluded <strong>to</strong>;<br />
for my sources of information were then limited; but from the vast mass of<br />
his<strong>to</strong>rical documents since brought <strong>to</strong> lirrht and rendered accessible, and also<br />
from the discoveries of antiquaries, emf the investigations of authors, there<br />
are at the present time abundance of materials for such an essa as I have<br />
suggested: on this occasion I can only allude <strong>to</strong> the subject, an express a<br />
be e that it may be undertaken and achieved by a. competent writer.<br />
t may not be irrelevant <strong>to</strong> say that, at the 1present time, many and great<br />
renovations and improvements are making in anglish and foreign cathedral<br />
and other churches; particularly in those of Canterbury and York, of Colo e<br />
and of Antwerp, also at <strong>St</strong>afford, <strong>St</strong>ratford-‘upon-Avon, the round churc es<br />
at Cambridge, and the Temple, London. The latter, now completed, is the<br />
most clip-ant and also the most interesting edifice of its class, and in appro<br />
priate ornment, in Europe. Though small and plain in des'gn, as compared<br />
with that of Redclifl'e, more money has lately been expende on the one in<br />
London than is required <strong>to</strong> make that of Bris<strong>to</strong>l a perfect renovation. So<br />
also on the anterior only of Her the Seventh‘s Chapel, more than £42,000<br />
were paid for its renewal, after t e year 1809.
68 MR. Ban'roiv’s REMARKS AND SUGGESTIONS.<br />
Loon. PATRIMXSM is a virtue which has essentially promoted the im<br />
provement and importance of almost every old city and <strong>to</strong>wn in Great Britain.<br />
An Englishman’s native place and home is naturall dear <strong>to</strong> him, and when<br />
the pleasures and cares of life have accompanied ' <strong>to</strong> ripe old age and<br />
fortune has crowned his career, he meditates on the reminiscences of2 that<br />
home, and of the relations and friends with which it has been associated.<br />
Hence originated most of the noble foundations and exem lary charities<br />
which belong <strong>to</strong> Bris<strong>to</strong>l, and <strong>to</strong> many other ‘ lish <strong>to</strong>wns an cities :—hence<br />
the names of Cols<strong>to</strong>n, Cabot, Penn, Carr, itson, the Whites, the Fitz<br />
hardin , the Thames, and the Canynges, of the olden times,—a.nd those of<br />
Seyer, uthey, h‘reeling, Chatter<strong>to</strong>n, and many others of the present,—-are<br />
intimately associated with this place by deeds of munificent benevolence, or<br />
by works of merit. To some 0 these men, not only is Bris<strong>to</strong>l indebted for<br />
much of its fame and greatness, but thousands and tens of thousands of its<br />
natives have derived many and important benefits from their ood deeds and'<br />
their p0 ular influence. Their names and memories shoul , therefore, be<br />
constantly brought under public notice, not merely <strong>to</strong> do them just honours,<br />
but <strong>to</strong> reuse others <strong>to</strong> follow their praiseworthy example. Portraits of some<br />
of them are reserved in the Council House, and those of others should be<br />
procured an duly exhibited in that or in other public places. Their Immu<br />
menta should also be guarded with real 'ous care; and were such testimonies<br />
as the following repeated, of all public nefac<strong>to</strong>rs, it would still further pro<br />
mote the cause of local triotism :-—“ A Pious Meditation, b John Whitson,<br />
Alderman of the City 0 Bris<strong>to</strong>l, with some Account of the uthor, by G. S.<br />
Catcott, and the Rev. John Eden, 8vo., 1829, with a Portrait and View of his<br />
Monument."—“Go thou and do likewise ;" or, as inscribed on the sim ly<br />
beautiful monument raised <strong>to</strong> commemorate “ William Canynges, who ed<br />
ye 7th of July, 1474 :—<br />
" No age nor time can wear out well-woon fame,<br />
The s<strong>to</strong>ne! themselves a natlie worke doth show,<br />
From senseless grave we ground may men! good name,<br />
And noble minds by ventrous deeds we know.<br />
A Lanterns clear sols forth a candcl light,<br />
A worthy act declares a worthy Wight.<br />
The buildings rare that here you may behold<br />
To shrine his bones, deserves a <strong>to</strong>mbe of gold:<br />
The famous {shriek that he here hath donne,<br />
Shines in its sphere as glorious as the wane.<br />
What needs more words, the future worlds he soughte,<br />
And set ye pomp and pride of this at nonghle:<br />
Heaven was his alme, let heaven be still his station,<br />
That leaves such works for others imitation."<br />
With these apposite and pertinent lines, and with the sincere belief that<br />
there are many benevolent hearts as much alive <strong>to</strong> perform deeds of charity<br />
and goodness now, as the time-honoured Cnnynges' heart was in a former<br />
age, and which may prom t the livin <strong>to</strong> imitate the glorious works of the<br />
dead, I conclude an apps , which I ear is very inadequate <strong>to</strong> the subject,<br />
as it is <strong>to</strong> the feelings and wishes of<br />
J. BRI'I'I‘ON,<br />
Oc'roass 3|, lsn.<br />
Bur<strong>to</strong>n <strong>St</strong>reet, London.
69<br />
ORIGINAL ADDRESS,<br />
\<br />
ISSUED IN JULY, 1w, AND REFERRED TO IN THE COMMENCE<br />
MENT OF THE FOREGOING APPEAL.<br />
Tm: Vicar, <strong>Church</strong>wardens, and Vestry of <strong>St</strong>. <strong>Mary</strong> Redclifl'e,<br />
having resolved 11 on a public and extended appeal on behalf<br />
of the venerable abric entrusted <strong>to</strong> their care, are induced <strong>to</strong><br />
h0pe that they will be justified in this course by the circumstances<br />
connected with its present condition.<br />
They have been long and painfully aware, that all the pecu<br />
niary resources at their command applicable <strong>to</strong> the sustentation<br />
of their church, though applied with the utmost care and<br />
vigilance, have been scarcely adequate <strong>to</strong> the repair of the con<br />
tinual breaches and decays in the lead and s<strong>to</strong>ne work, where<br />
immediate danger had been apprehended; and they have long<br />
felt it vain and useless, with such inadequate means, <strong>to</strong> con<br />
template any thing like general or extensive repair, even of the<br />
more solid and substantial parts of the church, however impressed<br />
with the well-grounded conviction, that time and weather were<br />
silently, but surely, carrying on the work of destruction. <strong>St</strong>ill<br />
less could the parish authorities dare <strong>to</strong> think of the res<strong>to</strong>ration<br />
of their church <strong>to</strong> its architectural pristine beauty. Circumstances<br />
have now arisen, which, though not foreseen, are of such peculiar<br />
importance and character as <strong>to</strong> require them <strong>to</strong> make a great<br />
efl'ort on behalf of a church so venerable, so beautiful, and so<br />
renowned as that of <strong>St</strong>. <strong>Mary</strong> Redclifle, described by Queen<br />
Elizabeth, in her charter, as “ one of the most famous, abso<br />
lute, fairest, and goodliestlparish churches within the realm of<br />
England," and deemed by the ablest judges <strong>to</strong> be inferior in<br />
magnitude only <strong>to</strong> the noble cathedrals of Wells and Gloucester,<br />
whilst it is susceptible of being made truly the pride of Bris<strong>to</strong>l<br />
and the surrounding counties.<br />
The circumstances alluded <strong>to</strong> were the recent general and<br />
deep interest excited in the study of ancient Christian architec<br />
ture, and, with a view of promoting that study, the establishment<br />
of societies in the two Universities of Oxford and Cambridge,<br />
in London and in Bris<strong>to</strong>l; but above all, the very recent Act of<br />
Parliament for improving the latter city, by the salutary opera<br />
tions of which, the entire north front of the church, in all its
70 ORIGINAL annaass.<br />
beautiful and interesting details, has, for the first time for many<br />
centuries, been laid open <strong>to</strong> public view: but while the eye of<br />
taste has been gratified with this beautiful exhibition, the feelings<br />
have been pained <strong>to</strong> observe that it is but beauty in decay, thus<br />
more forcibly a peeling <strong>to</strong> the parish authorities <strong>to</strong> make the<br />
effort <strong>to</strong> which t ey have alluded.<br />
The vicar, churchwardens, and vestry, thus called on, gave<br />
their best consideration <strong>to</strong> the subject, and the result was, their<br />
determination <strong>to</strong> obtain from some gentleman of the highest<br />
reputation for science and practical knowledge in such subjects,<br />
a detailed survey and report on the state and condition of their<br />
church, directed <strong>to</strong> the following heads :—<br />
First,--The solid and substantial repair of the fabric, in all<br />
the more important parts of its walls, pillars, arches, buttresses,<br />
and roofs.<br />
Secondly—The res<strong>to</strong>ration of its ornamental parts both ex<br />
ternal and internal, or of such portions thereof as with reference<br />
<strong>to</strong> the next head, it might be deemed proper <strong>to</strong> retain.<br />
Thirdly,-—Snch alterations (principally internal) as might<br />
seem necessary for res<strong>to</strong>ring the fabric <strong>to</strong> its ancient and pristine<br />
beauty.<br />
In the selection of the gentleman in question, their attention<br />
was naturally drawn <strong>to</strong> Mr. BRITTON, who had thirty years ago,<br />
considered their church as worthy of his deep study and of the<br />
able efforts of his mind, in a separate publication of considerable<br />
extent, equally celebrated for its literary character and its accu<br />
rate and beautiful illustrations; and it is no small gratification <strong>to</strong><br />
them <strong>to</strong> find this gentleman, after the lapse of so long a period,<br />
still able and anxious <strong>to</strong> devote his best efforts <strong>to</strong>wards the<br />
accomplishment of the objects they had in view, bringing <strong>to</strong> the<br />
task the more matured knowledge which had been since afforded<br />
him, during the thirty years in question, from his investiga<br />
tion and ably written accounts of many of our cathedrals and<br />
other churches, and from his extensive reading and study, by<br />
which he was enabled <strong>to</strong> prepare and give repeated lectures<br />
on the architectural antiquities of Europe, and in the completion<br />
of these works and lectures, has been impelled or induced criti<br />
cally <strong>to</strong> examine most of the ecclesiastical edifices of our own<br />
country. And it was, they repeat, with heartfelt gratification,<br />
that the parish authorities found Mr BRITTON, with all his<br />
matured knowledge and increased reputation, willing <strong>to</strong> resume<br />
the subject of Redclifl'e church, and <strong>to</strong> apply his talents and<br />
knowledge <strong>to</strong>wards its res<strong>to</strong>ration.<br />
The result of this communication with Mr. Barr'ron, was his
ORIGINAL ADDRESS.<br />
calling <strong>to</strong> his aid the talent. of that eminent architect and civil<br />
engineer, Mr. \VILLIAM HOSKING, Professor of Architecture,<br />
&c., King's College, London; and after a minute and attentive<br />
examination of the church in general and in its details, upon<br />
personal survey and close study and consideration, these gentle<br />
men have now presented <strong>to</strong> the vicar, churchwardens, and vestry,<br />
luminous and detailed reports on all the matters referred <strong>to</strong><br />
them, accompanied by plans and drawings illustrative of their<br />
views; and, so far as these documents have been yet considered,<br />
the parish authorities feel satisfied, that the gentlemen alluded<br />
<strong>to</strong> have been governed by views not less honourable <strong>to</strong> their<br />
reputation for taste and science, than for sound and practical<br />
knowledge, and that could the views of those gentlemen be carried<br />
out, our city would possess a parochial church, and the west of<br />
England a national monument, of unequalled beauty, and one<br />
<strong>to</strong> be visited and admired by multitudes of strangers of our own<br />
and foreign nations: but <strong>to</strong> effect this object, an expenditure ap<br />
proaching very nearly <strong>to</strong> the sum of forty thousand pounds must<br />
be encountered, and such an amount can only be raised by the<br />
liberal contributions of those throughout our country, whom<br />
providence has blessed with the ability and the desire <strong>to</strong> aid in<br />
such objects as that for which this appeal is intended; and, upon<br />
those of our own locality, who have been so favoured by Provi~<br />
deuce, it is confidently felt an appeal will not be made in vain<br />
for the res<strong>to</strong>ration of a fabric, which,—if not wholly the work<br />
of a Bris<strong>to</strong>l merchant or merchants,—is certainly <strong>to</strong> be ascribed<br />
principally <strong>to</strong> one of that class. ~<br />
The reports alluded <strong>to</strong> are of <strong>to</strong>o great extent <strong>to</strong> be introduced<br />
in this appeal, but it is intended <strong>to</strong> embody in a subsequent and<br />
early address, such an analysis thereof as shall embrace their<br />
more leading and prominent parts, illustrated by copies of the<br />
drawings; but the vicar, churchwardens, and vestry, knowing<br />
the deep and anxious interest which the subject has excited in<br />
the city, were unwilling <strong>to</strong> delay some communication of the<br />
progress they had made, and in the mean time the drawings<br />
alluded <strong>to</strong> are left at the vestry-room in the church for inspec<br />
tion.<br />
M. R. WHISH, VICAR.<br />
THOS.PROCTOR, C<br />
JOHN FARLER, } nuacnwaansus.<br />
BRISTOL, July 26, 1842.<br />
J. <strong>Chilcott</strong>, Printer, Clare <strong>St</strong>reet, Bris<strong>to</strong>l.
“- —~M--Ma.-;Mm- -'
ltecmlly Published by J. <strong>Chilcott</strong>, Bris<strong>to</strong>l.<br />
CHILCOTT’S DESCRIPTIVE HISTORY OF BRISTOL; or,<br />
Guide <strong>to</strong> Bris<strong>to</strong>l, Clif<strong>to</strong>n, 8'. the Hotwells; containing a Description<br />
of the Origin, Boundary, Extension, Public Buildings, the Domestic<br />
His<strong>to</strong>ry, Habitations, and Manners, of ANCIENT Buls'rOL ; also a<br />
Description of the Public Companies, principal Institutions, Natural<br />
Beauties, and Topographical Curiosities of Monmm BRISTOL, Clif<strong>to</strong>n,<br />
and the Hotwells; with Topographical Notices of the Seats, Villages,<br />
\Vatering Places, and other objects of Interest in the Neighbourhood;<br />
illustrated with Maps, Copper Plates, \Vood Cuts, &c. &c. _, Agent<br />
Pocket Volume, boards, 40. 6d.<br />
a<br />
'<br />
A NEW MAP OF BRISTOL, CLIFTON, & THE HOTWELLS;<br />
containing References <strong>to</strong> the <strong>Church</strong>es, Chapels, Schools, Almshouses,<br />
principal Hotels, and Public Buildings of the City and its Vicinity,<br />
ls. 6d.; or neatly done up on counts, in a case for the pocket, 28.<br />
STRANGERS' GUIDE TO BRISTOL, cur'roN, THE<br />
HOTWELLS; with a Description of the many \Valks'and Ride: in<br />
the Neighbourhood. With Map, Is. 6d. stitched.<br />
CHILCOTT'S NEW GUIDEWON 8; THE HOT WELLS;<br />
with Topographical Notices be e ' ages, \Vatering Places,<br />
and other objects of Interest in the Neigh<br />
Map, 'il'ood Engravings, &c. 28.<br />
hood; illustrated with<br />
A NEW MAP OF CLIFTON, corrected <strong>to</strong> <strong>1848</strong>, a Sheet, 1.9.; or<br />
neatly done up on cloth, in a case for the pocket, 18" 6d.<br />
TINTERN AND ITS VICINITY, by IV. H. Thomas, M. R. C. 8.;<br />
illutraterl with numerous Wood Engravings and Diagrams. sncon'n<br />
EDITION, greatly improved, 2s. 6d.<br />
CHILCOTP’S CLEVEDON NEW GUIDE“, with His<strong>to</strong>rical Notices<br />
of Clevedon Court, Wal<strong>to</strong>n <strong>Church</strong> and Castle, &c. ; also a Descrip<br />
tion of Coleridge’s Cottage, and of the mad} pleasant Walks and<br />
Rides <strong>to</strong> objects of interest in the Neighboifrh‘ood, A new EDITION,<br />
illustrated with Engravings, l'lmo. stitched, Is. 611.<br />
4;, .
D 3! W 1985
D 3 W I985