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A Handbook to St Mary Redcliffe Church, J. Chilcott 1848

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\VITH BIOGRAPHICAL SKETCHES,<br />

AND A LIST OF THE CHAPLAINS AND VICARS, ETC,, FROM A. D., 1207, TO<br />

THE PRESENT TIME.<br />

TO WHICH 1s<br />

SUBJOINED, THE<br />

ORIGINAL APPEAL TO THE PUBLIC,<br />

BY THE VICAR, CHURCHWARDENS, AND VESTRY, FOR THE RESTORATION OF THAT<br />

SPLENDID EDIFICE: WITH AN ACCOUNT OF THE PARTIAL RESTORATION,<br />

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BRISTOL:<br />

PRINTED AND PUBLISHED BY J.<br />

CHILCOTT.<br />

MDGCCXLVIII.<br />

'


STAY, curyous traveller, and pass not bye,<br />

Until this fetivea pile as<strong>to</strong>undeb thine eye.<br />

Whole rocks on rocks, with yron joynd surveie,<br />

And okes with okes entremedc dispelled.d lie.<br />

This mightie pile, that keeps the wyndes at baie,<br />

Fyre-levyne, and the mokief s<strong>to</strong>rme defie,<br />

That shootes aloofe in<strong>to</strong> the reaulrnes of daie,<br />

Shall be the record of the Buylder’s fame for aie.<br />

Thou seest this maystrie of a human hand,<br />

The pryde of Brys<strong>to</strong>we, and the westeme loude,<br />

Yet is the Buylder's vertues much moe greete,<br />

Greeter than can bie Rowlies pen be seande.<br />

Thou seest the saynctes and kynges in s<strong>to</strong>nen state,<br />

That seemd with breath and human soule dispandes<br />

As payrdeh <strong>to</strong> us enseem these men of state<br />

Such is greete Canynges mynde when pay'rd <strong>to</strong> God elate.<br />

Well maiest thou be as<strong>to</strong>unde, but view it well,<br />

Go not from hence before thou see thy fill,<br />

And learn the Buylder’s vertues and his name ;<br />

Of this tall spyre in every countie tell,<br />

And with thy tale the lazingl rych men’s shame ;<br />

Showe howe the glorious Canynge did excelle ;<br />

How hee good man a friend for kinges became,<br />

And gloryous paved at once the way <strong>to</strong> heaven and fame.<br />

Rowms, by Cnxrrnmos.<br />

I Felive, elegant. ' Mokie, gloomy<br />

* Auounde, aatrmiah. l Dispande, expanded.<br />

s Entremed, intermixed. '1 Payrde, compared. *<br />

“ Disponed, diapered. i Lazing, inactive.<br />

‘ Fyer-levyn, lightning.


ST. MARY REDCLIFFE CHURCH.*<br />

“ The pride 0! Brinwc and the “'Onle‘rne Louder<br />

PERHA'PS no church in the kingdom has greater claims<br />

<strong>to</strong> the attention of the <strong>to</strong>pographer and the his<strong>to</strong>rian,<br />

than the church of <strong>St</strong>. <strong>Mary</strong> Redchfle. Its antiquity,<br />

the beauty of its architecture, and the interesting cir<br />

cumstances connected with its his<strong>to</strong>ry, entitle it <strong>to</strong><br />

peculiar notice. It is also associated with the enterprises<br />

of genius, for its name has been blended with the repu<br />

tation of Rowley, of Canynge, and of Chatter<strong>to</strong>n; and<br />

it is therefore always visited with enthusiasm by the<br />

lover of poetry, and the admirer of art; and when the<br />

interesting fabric shall have mouldered in<strong>to</strong> ruins, even<br />

those will be trodden with veneration, as sacred <strong>to</strong> the<br />

recollection of genius of the highest order.<br />

* Both <strong>St</strong>. <strong>Mary</strong> Redclifi'e and <strong>St</strong>. Thomas’ churches were originally<br />

chapels <strong>to</strong> Bedminster, and now, <strong>to</strong>gether with Abbots' Leigh, form but one<br />

Vicarage. Mr. Britten, the architectural antiquarian, says, “ The ecclesias<br />

fical his<strong>to</strong>ry of Radcliffe may be considered peculiar, if not truly singular.<br />

It constitutes part of the parish of Bedminster; it is in the diocese of Bris<strong>to</strong>l,<br />

and is a prebend <strong>to</strong> the Cathedral of Salisbury. This prebend comprehends<br />

Redclifl'e, with the parishes of Bedminster, Abbots’ Leigh, and <strong>St</strong>. Thomas;<br />

yet the parochial regulations are held distinct. The living of Bedminster is<br />

both a rec<strong>to</strong>ry and a vicar-age; and as prebend, the incumbent is patron of<br />

all the other living-s. He is nominated by the bishop of Salisbury. Previous<br />

<strong>to</strong> the year 1247, Redclilfe and the Temple-fee were vested in the Knights<br />

Templars."


6 ST. MARY REDCLIFFE CHURCH.<br />

Redclifi'e <strong>Church</strong> has consequently been the subject<br />

of no ordinary degree of interest. Its early his<strong>to</strong>ry has<br />

engaged the most assiduous attention, and employed the<br />

deepest research of some of the most eminent antiqua<br />

ries, his<strong>to</strong>rians, and <strong>to</strong>pographers ; but, alas! the result<br />

of their <strong>to</strong>il has ended in contradic<strong>to</strong>ry conclusions, in<br />

creased no doubt by Chatter<strong>to</strong>n’s inventions and forgeries.<br />

Nor have the MS. memoranda found in different collec<br />

tions, relating <strong>to</strong> the more recent stages of the inquiry,<br />

been more successful? 1Vills of as early date as 1207,<br />

1229, and 1230, which devise several grants of land for<br />

the purpose of keeping the church of our lady of Red<br />

clifle in repair; and several original indulgences, of the<br />

dates of 1232, 1246, and 1248, granted by several bishops,<br />

with relaxation of penance on certain conditions, viz.<br />

that “ they would devoutly visit the church of the blessed<br />

<strong>Mary</strong> Redclifle in Bris<strong>to</strong>l, and there charitany contribute<br />

<strong>to</strong>wards the repairs of the same, and pray for the souls<br />

of those there interred,” were found in Canynge's chest,<br />

over the north porch of the present church of Redclifl'e,<br />

which establishes the fact of the then existing church;<br />

yet the earliest authority we have for dates as <strong>to</strong> the<br />

foundation of it is contained in “ The Old Chronicles of<br />

'° “ Radcliffe,” says Leland, (Itin., v01. vii., p. 86,) “ a little suburb, was<br />

joined <strong>to</strong> the city by a s<strong>to</strong>ne bridge, so thick set with houses that it seemed<br />

a street rather than a bridge. This part is enclosed within the walls, and<br />

the inhabitants are free of the city.” He immediately adds, “ among the<br />

fairest of churches is <strong>St</strong>. <strong>Mary</strong> de Redclifi'e, without the walls, with a grand<br />

ascent of steps,” 5m. 8m.<br />

Leland adds, that “ <strong>St</strong>. Sprite’s Chapell,” (synonymous with Lamyng'<strong>to</strong>n’s<br />

Lady’s Chapel, according <strong>to</strong> Barrett,) “inRadclef churchyard, was one a<br />

paroche, afore the building-e of Radclyfe new churche."<br />

William Wyrcestre, who was a native of Bris<strong>to</strong>l, and lived in the time of<br />

Henry VI., calls <strong>St</strong>. Sprite’s “ an ancient chapel, near Redclefl'e <strong>Church</strong>.”


sr. MARY REDCLIFFE CHURCH. 7<br />

Bris<strong>to</strong>l,” (now in the possession of the Chamber of<br />

Bris<strong>to</strong>l,) which state that a “ church was built <strong>to</strong> our lady<br />

at Redclifl'e, by Sir Simon de Bur<strong>to</strong>n, in the year 1292.”<br />

This church, however, seems not <strong>to</strong> have been com<br />

pleted by him, nor <strong>to</strong> have obtained very large endow<br />

ments, for a MS. (Hobson’s) says, “Simon de Bur<strong>to</strong>n,<br />

mayor in 1294, had two years before began <strong>to</strong> build<br />

Redclifl'e <strong>Church</strong>; but he lived not <strong>to</strong> finish it, which<br />

afterwards William Canynge did, and gave lands <strong>to</strong> re<br />

pair it for ever.”<br />

It appears William Canynge, senior,“ mayor of Bris<strong>to</strong>l,<br />

completed the body of <strong>Redcliffe</strong> <strong>Church</strong> from the cross<br />

aisle downwards, in 1376, and so the church was finished<br />

as it now is; and as this was eighty-four years after the<br />

dedication of Bur<strong>to</strong>n’s church, it may be considered <strong>to</strong><br />

be the finishing of what had been begun and partly ac<br />

complished by its founder. It was cus<strong>to</strong>mary at that<br />

time for the builder of a church <strong>to</strong> begin at the east end,<br />

or choir part, which, when finished, was consecrated,<br />

and the remainder was gradually prosecuted, either by<br />

the original projec<strong>to</strong>r, or by his immediate successors.<br />

Barrett (p. 570) says, the church was probably not<br />

finished before the year 1396, which is more than a<br />

century after it was commenced by Bur<strong>to</strong>n. This con<br />

clusion of Barrett arose, perhaps, from the difficulty of<br />

making rapid progress in great undertakings at so early<br />

an era, as well from the want of money and efficient<br />

workmen, as from the many difficulties arising from the<br />

elaborate and ornamental nature of the Gothic workman<br />

"' He was member of parliament for Bris<strong>to</strong>l in 1364, 1383, and 1384.—<br />

311st His<strong>to</strong>ry quris<strong>to</strong>l, p. 151.


8 sr. MARY REDCLIFFE CHURCH.<br />

ship employed in this church. But the principal reason<br />

for believing that the building was not finished till the<br />

above date is, that several wills, dated about the year<br />

1380, state that money was left “for the fabric, and<br />

<strong>to</strong>wards repairing the church of <strong>Redcliffe</strong> ;” and among<br />

others, the will of John Muleward contains a gift in<br />

money “ ad opus Beam Marine dc Radcleve,” which Bar<br />

rett justly regards as a proof that the work was going on<br />

at that time.<br />

In 1445-6 the lofty spire or steeple was struck by<br />

lightning, and one hundred feet of it fell with such a<br />

tremendous force on the body of the church, as nearly<br />

<strong>to</strong> reduce it <strong>to</strong> a ruinous heap.<br />

The following extracts, from ancient MS. accounts of<br />

this awful visitation, are recorded by Barrett; one runs<br />

thus 2—“ 1445, at <strong>St</strong>. Paul’s tide, was very tempestuous<br />

weather, by which Redcliife steeple was owrthrown in a<br />

thunder clap, doing great harm <strong>to</strong> the church by the fall<br />

thereof; but by the good devotion of Mr. William<br />

Canynge it was re-edified, <strong>to</strong> his everlasting praise.”<br />

Another MS., though differing in the year, says, “In<br />

1442,” (the year Mr. William Canynge was mayor,) “ this<br />

William Canynge, wyth the helpe of others of the wor<br />

shypfulle <strong>to</strong>wns of Bris<strong>to</strong>l, kept masons and workmenne<br />

<strong>to</strong> edifie,repayre, cover, and glaze the church of <strong>Redcliffe</strong>,<br />

which his grandfather had founded in the days of Ed<br />

ward III.” A third MS.—“William Canynge“ re-edified<br />

and enlarged the church of <strong>Redcliffe</strong>, almost destroyed<br />

“ Here we have a second William Canynge, son of John and grandson of<br />

William, for a founder, which will settle the doubts that have arisen about<br />

his being the sole original founder of this church.


ST. MARY REDCLIFFE CHURCH. 9<br />

by lightning)“ in 1445, in so exquisite a manner, that he<br />

has ever since passed for the founder thereof; and he<br />

afterwards gave £500 <strong>to</strong> keep it in repair.” Barrett<br />

says, “ the same plan was observed by him in rebuilding<br />

and res<strong>to</strong>ring it <strong>to</strong> its original beauty, after being thrown<br />

down by lightning. The south aisle, where the mischief<br />

fell heaviest, seems <strong>to</strong> have been rebuilt with a some<br />

what more elevated arch, and in a lighter style than the<br />

north; a difference also is seen between the windows of<br />

the north and south aisles.”<br />

Such is the brief, but imperfect, his<strong>to</strong>ry of a structure,<br />

which it is impossible <strong>to</strong> contemplate without a power<br />

ful impression of the omnipotence of poetical genius.<br />

Whether Chatter<strong>to</strong>n, or a. priest in the reign of Edward<br />

IV. was the author of Ella, and of several other similar<br />

poems, the church of Redclifi'e itself, the monuments it<br />

contains, and the scenery that surrounds it, owe much<br />

of their attraction and interest <strong>to</strong> their association with<br />

' Mr. Brit<strong>to</strong>n’s description of a thunder s<strong>to</strong>rm, which occurred whilst he<br />

was busily and intently engaged in this church in 1812, is so graphic and<br />

sublime, that we give place <strong>to</strong> the following extract :—“ A heavy cloud ap<br />

peared <strong>to</strong> be suspended immediawa over the church, and discharged from<br />

its swollen bosom an accumulation of water, hail, lightning, thunder, and<br />

wind. In any situation such a s<strong>to</strong>rm must have been terrific; but situated<br />

as I was, in the midst of this church, impressed with the recollection of the<br />

destroyed spire; enveloped in gloom, and surrounded by knights in armour,<br />

monkish efligies, and other images of deceased persons; the effect was truly<br />

sublime and awful." . . . . . . “ The vivid lightning blazed through the long<br />

aisles, and illuminated every object. It glanced on the clustered columns,<br />

played round the brazen eagle, flashed on the supplicafing- statues: alternate<br />

gloom and dazzling glare pervaded the church.”<br />

On April 2, 1821, during a violent thunder s<strong>to</strong>rm, the electric fluid struck<br />

the north end of the <strong>to</strong>wer, shattered the beam that supported one of the bells<br />

without injuring the bells. It then passed down the bell wire of the clock,<br />

and escaped on the south side of the <strong>to</strong>wer, rolling up the lead from the roof,<br />

and dislodging near three owt. of the s<strong>to</strong>ne work.


10 ST. MARY REDCLIFFE CHURCIL<br />

these writings. The <strong>to</strong>mb of Canynge might have re<br />

mained the subject of solitary examination <strong>to</strong> the occa<br />

sional visi<strong>to</strong>r, had not his name been coupled with that<br />

of the real or supposed author of these extraordinary<br />

compositions; and though the architectural beauties of<br />

the structure might have excited the partial and occa<br />

sional admiration of the professional student, or the lover<br />

of the arts, it is owing <strong>to</strong> the MSS. of Rowley, or <strong>to</strong> the<br />

materials of their fabrication, that it has become the<br />

object of interesting contemplation <strong>to</strong> the literary world,<br />

and has awakened the inquiries and exercised the talents<br />

of at Miller, a Bryant, a. Mathias, a Southey, a Brit<strong>to</strong>n,<br />

and others.<br />

The superstructure of the whole church displays dis<br />

tinct and different eras of architecture. The crypt un<br />

derneath the north transept, and the middle north porch,<br />

are certainly the oldest portions; the arches of the former,<br />

and the pilaster-columns, arches, and mouldings of the<br />

latter, being in strict accordance with the buildings of<br />

the thirteenth century.<br />

Of a subsequent age and style are the <strong>to</strong>wer and grand<br />

northern porch, in both of which we recognise a later<br />

style of architecture; while the tracery of the ceilings,<br />

the niches, and numerous mouldings, are of much more<br />

enriched and elaborate characters than the former speci<br />

men. The parts were probably raised in the reign of<br />

Edward 111., by William Canynge, senior.<br />

In the finishing of the nave, choir, and transepts, we<br />

must look for the works of WVilliam Canynge, Jun., the<br />

rich merchant of Bris<strong>to</strong>l, and dean of Westbury; but<br />

here the style is not so strictly in unison with the era.


ST. MARY REDCLIFFE CHURCH.<br />

<strong>St</strong>ill, however, we must contemplate the greater part of<br />

the church as the workmanship of his time. A more<br />

decorated species of architectural design is shown in the<br />

entrance door-way <strong>to</strong> the vestry, which was probably a<br />

chantry erected by Sir Thomas Mede ; and also in his<br />

monument in the eastern end of the north aisle, the<br />

latter of which was probably raised about the year 1486.<br />

William Wyrcestre has bes<strong>to</strong>wed more than his usual<br />

care and attention upon the examination of this singu<br />

larly fine church; and his mensuration will be found <strong>to</strong><br />

be more generally correspondent with the modern.<br />

The following very minute and mason-like account<br />

was probably communicated by Nor<strong>to</strong>n, the master<br />

mason, who is mentioned as having been consulted by<br />

our author:<br />

‘-‘ The <strong>to</strong>wer of Redclyfl‘ contains a diameter of 23 by<br />

24 feet. Its height is 120 feet, and with the spire, as it<br />

now remains broken by a s<strong>to</strong>rm, is 200 feet high. The<br />

diameter, at the <strong>to</strong>p of the fracture, is 16 feet, and it has<br />

eight panes or sides. Every s<strong>to</strong>ne at the beginning of<br />

the spire is two feet thick; but at the <strong>to</strong>p of the fracture<br />

only four inches. The diameter of the ‘ garlonde’ [the<br />

parapet round the summit,] where the cross is placed, is<br />

eleven feet. Thickness of the walls at the foundation is<br />

seven feet, and five at the <strong>to</strong>p of the <strong>to</strong>wer.”<br />

“ The dimension or proportion most artificially wrought<br />

in free mason work of the western porch of Redcliff<br />

<strong>Church</strong>. Width seven feet, height nine feet. The<br />

square in the dome. ‘ The west dore fretted yn the<br />

hede with great gentise and smale, and fytted with en<br />

tayle, with a double moolde, costly den and wrought.’ ”


12 ST. MARY REDCLIFFE CHURCH.<br />

“ These four proportions in both. A champ ashlar [a<br />

water-table,] of ashlar-work; a cors, wyth an arch buttant<br />

[a flying arch]; a botterasse. A body boterasse, [a but<br />

tress against a wall], and a corner botterass.”<br />

He likewise measured the interior, with Nor<strong>to</strong>n, the<br />

master-mason.<br />

“The whole length of the church of <strong>St</strong>. <strong>Mary</strong> Red<br />

clive is 63 yards, exclusive of our Lady’s Chapel. The<br />

breadth is 18 yards; <strong>to</strong>tal 231 feet. The said chapel 13<br />

yards, one foot and a half, by 21 feet.<br />

“ The length of the first gate or north porch is seven<br />

yards, and the chapel continued from the gate of en<br />

trance is six yards more.”<br />

“ The height of the arched and fretted 'vault (voltae<br />

frettae arehuatee,) of the nave and aisles, and likewise the<br />

aisles of the transept from north <strong>to</strong> south, is 80 steps from<br />

the ground, from information given me by the plumber,<br />

on the 7th of September, 1480, each step containing<br />

eight inches at least. The length of the transept 67<br />

paces. The aisles are 26 paces. The chapel of the<br />

north porch contains in circumference 44 yards, and is<br />

ornamented with the statues of the kings, (cum ymagini<br />

bus regum operatis subtilitur in opere de frees<strong>to</strong>ne.)”<br />

“ Between each pillar and arch there is a space of 10<br />

feet. The transept has eight arches: every window in<br />

the ‘ ovyr-s<strong>to</strong>rye’ has five glazed divisions, and is 10 feet<br />

wide; and those in each aisle have three. There were<br />

six bells in the <strong>to</strong>wer, the largest of which weighed<br />

7024 lbs. avoirdupois, and the smallest 1300 lbs weight.<br />

“The ‘sevaree’ [square space,] between every two<br />

windows opposite of the nave is 22 ft. by 16.”


sr. MARY REDCLIFFE CHURCH. 13<br />

“In the church of Redclifi'e,” says Britten, “ the<br />

architect has manifested both genius and science. Its<br />

design has some traits of novelty, and its execution is<br />

founded on geometrical principles. Though its orna<br />

ments and some of the parts are similar in many other<br />

churches, yet the whole is unique; and it may be justly<br />

called a grand and truly interesting specimen of the<br />

architecture of the age in which it was erected. Lofti<br />

ness, lightness, and variety, are its marked characteristics.<br />

Every part, both internally and externally, is charged<br />

with ornaments ;-—is enriched with sculpture and archi<br />

tectural embellishments.” ...... “ It may not inaptly be<br />

compared <strong>to</strong> a graceful and elegant female, dressed in a<br />

light and flowing drapery; as the latter adorns the for<br />

mer.” Approaching it by Redclifl'e <strong>St</strong>reet, the view is<br />

singularly impressive and prepossessing. The richly<br />

decorated <strong>to</strong>wer, west front of the church, unique north<br />

porch, and transept; with flying buttresses, pinnacles,<br />

and perforated parapets,—--all unite <strong>to</strong> constitute a mass<br />

of architecture which cannot fail <strong>to</strong> delight the artist,<br />

and as<strong>to</strong>nish the common observer.<br />

The church is built on a red sandy rock or cliff, from<br />

which it derives its name. There are three principal<br />

entrances,—by a north, south, and west door; but the<br />

north door was evidently used as the principal entrance<br />

in the days of popery, being full of Gothic work, niches<br />

for figures of saints and kings. Here was also a confes<br />

sional, the poor’s charity box, and an “image of our<br />

lady, decorated with a fine cloth, wyth frynge <strong>to</strong> cover<br />

her.” Maude Easterfield, in 1491, gave this image a<br />

most splendid ring. Upon digging a grave here, on the


14 ST. MARY REDCLIFFE CHURCH.<br />

30th January, 1750, two frees<strong>to</strong>ne sepulchres were dis<br />

covered, containing the complete skele<strong>to</strong>ns of two per<br />

sons, with their bones lying in their natural order.<br />

The entrance <strong>to</strong> the north porch is by a pair of hand<br />

some iron gates, recently placed at the foot of a flight of<br />

steps ascending <strong>to</strong> it from Phippen <strong>St</strong>reet. Within this<br />

porch are some pillars of s<strong>to</strong>ne, which, when struck, give<br />

a peculiar <strong>to</strong>ne; and hence they are named dumb organs.<br />

The entrance <strong>to</strong> the south porch is highly adorned with<br />

architectural dressings; a range of five niches, with<br />

acutely pointed and crocketed pediments, is displayed<br />

immediately over the central door-way ; and at the angles<br />

are double graduated buttresses, with sculptured canopies<br />

and pinnacles. We are sorry <strong>to</strong> add, however, that the<br />

whole of this once beautiful and ornamental workmanship<br />

is in a very mutilated condition, and rapidly approaching<br />

<strong>to</strong> decay. The west entrance is seldom, if ever, opened<br />

for divine service.<br />

Nearly over the south entrance door, on the inside, is a tablet, on<br />

which is a. carved sword that belonged <strong>to</strong> Sir Robert Yeamans,<br />

Bart, who was mayor of Bris<strong>to</strong>l in 1669.<br />

In the south-west angle of the church is a large s<strong>to</strong>ne coflin,<br />

with a statue in demi-relief on the lid, and beneath it two words<br />

in old characters, which Barrett reads, “51mm; iampug<strong>to</strong>n."<br />

This coflin was placed here in 1766, having been discovered<br />

under the west window of <strong>St</strong>. Sprite’s chapel, which formerly<br />

s<strong>to</strong>od close <strong>to</strong> the church, and was demolished at that period.<br />

Upon first opening the cofiin, the solid parts of the body retained<br />

their natural position in a perfect manner; but on being <strong>to</strong>uched,<br />

they immediately crumbled <strong>to</strong> dust. John Lamyng<strong>to</strong>n is men<br />

tioned in Barrett’s list of vicars, as having been chaplain of this<br />

church in 1393.


7 z: I'- '-l-_ q<br />

ST. MARY REDCLIFFE CHURCH.<br />

Near this, recently discovered in lowering the walk round the<br />

church, is<br />

a massy s<strong>to</strong>ne coflin lid, and a fragment of one of<br />

smaller dimensions, both narrowing gradually from the whole<br />

width downwards, so as <strong>to</strong> fit the s<strong>to</strong>ne cofiins, of which they<br />

formed the cover. The cross on the smaller is plain; the other<br />

foliated, and round the verge is a partly-obliterated inscription,<br />

in Roman letters. Part of another was also dug up; but there is<br />

nothing uncommon or rare in the discovery of these sepulchral<br />

memorials. Our shadows fall on many of these symbols of the<br />

faith of our own and other times, traced in various forms upon<br />

the slabbed pavement of the aisles; indeed, (from being the most<br />

common species of monumental sculpture,) the variety of crosses,<br />

both plain and ornamented, on coflin s<strong>to</strong>nes and slabs remaining<br />

in every ecclesiastical edifice of any size and antiquity, are very<br />

numerous, and of every age, from the twelfth t0 the sixteenth<br />

century. They were not always denotations of the ecclesiastical<br />

order, though it is probable they were more appropriated <strong>to</strong> the<br />

clergy than <strong>to</strong> the civil classes of society; the most ancient, and<br />

those of the thirteenth century, have the cofiin-shaped form, and<br />

in general the cross more simply designed.<br />

The ancient s<strong>to</strong>ne Font, which lay neglected in the north-east<br />

aisle of the church, was removed in 1839, by order of Mr.<br />

<strong>Church</strong>warden Ringer, <strong>to</strong> its original situation against a pillar—<br />

in the son’rn-wnsr AIsLn,-on which is inscribed, “Except a<br />

man be born of water and of the Spirit, he cannot enter the<br />

kingdom of heaven.” Near it, on a scroll, supported by an<br />

angel, is another inscription, which time has nearly obliterated.<br />

Against a pillar, <strong>to</strong> the right of the organ loft, and facing the<br />

south door, is a mural monument, composed of a white marble<br />

scroll, relieved by a grey slab. On the <strong>to</strong>p is an open book;<br />

on the leaves are inscribed, “ Psalm lxxiii. 25. Psalm cxxxix.<br />

l7." and surmounted with a cross and olive branch. At the<br />

base is a shield, bearing the arms and crest, with the mot<strong>to</strong>,


16 ST. MARY REDCLIFFE CHURCH.<br />

" Nunquam nisi honorificentissime"--Never, unless most honour<br />

ably. The inscription on the scroll is as follows :—<br />

To the Memory of<br />

SIR FRANCIS FREELING, BARONET,<br />

who was born in this parish, August the 25th, 1764,<br />

and who died at Bryans<strong>to</strong>n Square, in the county of Middlesex,<br />

on the 10th of July, 1836.<br />

For more than half a century<br />

his life was devoted <strong>to</strong> the public service,<br />

in the<br />

GENERAL POST OFFICE,<br />

in which, for thirty-eight years, he discharged the arduous duties of<br />

SECRETARY.<br />

By unwearied industry<br />

in the employment of great talents,<br />

and by unblemished integrity, grounded upon<br />

Christian principles,<br />

he acquired and retained the favour of<br />

three successive sovereigns,<br />

and the approbation of the public.<br />

He has left a name<br />

which will be remembered with honour<br />

in his birth place,<br />

and which is cherished with afiection and veneration<br />

by his children,<br />

who have raised this monument.<br />

Sir F. FREELING, Bart, was descended from humble parents, his father<br />

being a confectioner, residing on Redelifl‘e Hill, opposite the western<br />

end of the church. He was educated at a common day school, where<br />

only reading, writing, and arithmetic were taught; and attained a<br />

knowledge of the Latin language under the gratui<strong>to</strong>us tuition of the<br />

Rev. Dr. Robins,* one of the canons of the Bris<strong>to</strong>l Cathedral, whose<br />

kindness he ever acknowledged by constant <strong>to</strong>kens of gratitude ;<br />

justly attributing <strong>to</strong> that gentleman's benevolent assistance his qua<br />

lification for the discharge of the duties of the important department<br />

he afterwards filled at the General Post Office. He was apprenticed.<br />

at the Bris<strong>to</strong>l Post Oflice,where his talents and probity soon attracted<br />

attention; and on the establishment of the new system of mail<br />

* Master of Queen Elizabeth's Grammar School, attached <strong>to</strong> Redclifl'e<br />

<strong>Church</strong>.


s'r. MARY REDCLIFFE cmmcn. l7<br />

coaches by Mr. Palmer, in 1786, Mr. F. was strongly recommended<br />

as his assistant, <strong>to</strong> carry his improvements in<strong>to</strong> effect. Mr. F. was<br />

accordingly introduced in<strong>to</strong> the General Post Office in 1787, where<br />

he filled the office of Surveyor, principal and resident Surveyor, joint<br />

Secretary, (with the late Anthony Tod, Esq.) and sole Secretary for<br />

nearly half a century.<br />

His unwearied assiduity and unremitting attention <strong>to</strong> the duties of his<br />

office procured for him the unbounded confidence and warm personal<br />

friendship of every one of the noble individuals, without distinction<br />

of party, who presided over the Post Office throughout his career.<br />

He was much distinguished by his excellent master, George III., and<br />

the title he enjoyed was bes<strong>to</strong>wed on him unsolicited by George IV.,<br />

from whom he received other flattering testimonials of approbation.<br />

The patent of his baronetcy is dated March 11, 1828.<br />

The visi<strong>to</strong>r being now introduced <strong>to</strong> the nave of the<br />

church, looking east, has his attention directed <strong>to</strong> the<br />

whole-roof, which is artificially vaulted with s<strong>to</strong>ne, and<br />

richly adorned with tracery: the wall between the large<br />

arches and the upper tier of cleres<strong>to</strong>ry windows being<br />

covered with panelling and pilasters. The pillars which<br />

support the roof are very lofty, and inimitably wrought<br />

in<strong>to</strong> the most delicate mouldings. In length the whole<br />

church, with the Lady Chapel,‘ is two hundred and<br />

thirty-nine feet; and from north <strong>to</strong> south of the great<br />

cross aisles is one hundred and seventeen feet:-—-the<br />

height of the middle aisle is fifty-four, and of the north<br />

and south aisles twenty-five feet.<br />

The magical effect of the interior, its beautiful uni<br />

formity, its harmonious combination of the various parts,<br />

is well calculated <strong>to</strong> produce a high and solemn feeling<br />

of mysterious awe upon the soul of the specta<strong>to</strong>r; while<br />

‘ There is a door-way leading <strong>to</strong> the Lady Chapel from the south-east aisle.<br />

B


18 ST. MARY REDCLIFFE CHURCH.<br />

the clustered pillars, the mullioned windows, the panelled<br />

walls, and, crowning and adorning the whole, the groined'<br />

vaulted ceiling, profusely enriched with intertwining<br />

moulded ribs, foliated tracery, and finely sculptured<br />

bosses, at once attest the skill of the architect, and the<br />

extraordinary capabilites of the Gothic order, when<br />

unostentatious piety, with unsparing hand, devotes its<br />

worldly treasures <strong>to</strong> aid its full development.<br />

The east window and also the original altar screen,<br />

were concealed by three large paintings by Hogarth,<br />

which somewhat diminished the architectural vista, and<br />

impaired the beauty of the original design. As will be<br />

seen by the Appeal, the res<strong>to</strong>ration of this portion of the<br />

venerable fabric is amongst the contemplated improve<br />

ments. The present generation are beginning <strong>to</strong> estimate<br />

and appreciate the exalted beauties of the Gothic style ;<br />

and the disposition evinced <strong>to</strong> remove the paintings,<br />

marks a return <strong>to</strong> that purity of taste which so distin<br />

guished ecclesiastical architecture at the era when this<br />

building was completed. The subject of the painting<br />

by Hogarth, represented in the centre, is The Ascension<br />

of Christ, the other two represent The Three <strong>Mary</strong>s at<br />

the Sepulchre, and The High Priest and Servants Sealing<br />

the Tomb. They were put up in the year 1766, and the<br />

artist was paid for his labour 500 guineas, the whole<br />

having cost, with the alterations, &c., £761 : 0 : 1. In<br />

the work he was assisted by Simmons, who painted the<br />

altar-piece of the Annunciation, in All Saints’ <strong>Church</strong>.<br />

Immediately over the communion table is a picture re<br />

presenting .lesus res<strong>to</strong>ring Jarius’s Daughter <strong>to</strong> life, by<br />

H. Tresham, R. A., and presented, in 1792, <strong>to</strong> the


sr. MARY REDCLIFFE CHURCH. l9<br />

church by the painter’s uncle, Sir Clif<strong>to</strong>n Wintringham,<br />

Bart. Pending the alterations, and previously <strong>to</strong> their<br />

final removal, the pictures have been advanced forty-six<br />

feet, <strong>to</strong> allow of the necessary alterations progressing<br />

behind, without interfering with the services of the<br />

church.<br />

Before walking up the nave, take a view of a most<br />

beautiful Gothic Screen <strong>to</strong> the organ gallery, which was<br />

previously an attempt at classic architecture, peculiarly<br />

unfitted <strong>to</strong> this beautiful Gothic church. The alteration<br />

was suggested by Mr. W. Ringer, whilst churchwarden<br />

of the parish, in 1839; under whose superintendence<br />

and good taste it was effected, at a cost of about £200,<br />

the greatest part of which was raised by private sub<br />

scription.<br />

Proceeding up the middle aisle, in the centre of the<br />

transept, near the pulpit, is a large brazen eagle, formerly<br />

used as a reading desk; the gift of Mr. James Wathen,<br />

of this parish, pin maker.<br />

We will now inspect the transepts and north and south<br />

aisles, ere we pass in<strong>to</strong> the chancel and the Lady’s chapel.<br />

Attached <strong>to</strong> a column in the south transept is a flat slab, with<br />

a long inscription, which commemorates Sir William Penn,<br />

father of the illustrious founder of Pennsylvania, and one of the ~<br />

Society of Friends. He lies immediately beneath, and since the<br />

<strong>to</strong>mb-s<strong>to</strong>ne closed over the cofiined clay, in the silence and still<br />

ness of its last earthly home, his remains have been undisturbed<br />

until recently, when another of the family was added <strong>to</strong> the mor<br />

tality within. The column itself is adorned with banners and<br />

with armour. These may be appropriate emblems on the grave<br />

of the warrior; but here they appear <strong>to</strong> be misplaced; as they


20 six MARY rumours]; cnuncn.<br />

seem <strong>to</strong> profane the temple, which is<br />

the God of peace.<br />

dedicated <strong>to</strong> the service of<br />

Sir WILLIAM PENN, Knt., father of William Penn the Quaker, who<br />

was the founder and legisla<strong>to</strong>r of Pennsylvania, is described in his<br />

monument as being a native of Bris<strong>to</strong>l; but Wood says (Ath. Ox.<br />

1050) that he was born at Mynety, in Wiltshire, where his father<br />

and grandfather were wealthy inhabitants. His early inclinations<br />

led him <strong>to</strong> adopt a maritime life. He was made captain at twenty<br />

one; rear admiral of Ireland, at twenty-three; vice admiral of<br />

Ireland, at twenty-five; admiral <strong>to</strong> the <strong>St</strong>raits, at twenty-nine; vice<br />

admiral of England, at thirty-one;<br />

war, at thirty-two.<br />

nd general in the first Dutch<br />

Returning in 1655, he was chosen representativa:<br />

in parliament for Weymouth; and in 1660, was made commissioner<br />

of the admiralty and navy, governor of the port and <strong>to</strong>wn of Kinsale,<br />

vice admiral of Munster, and a member of that provincial council.<br />

In 1664, he was chosen great captain commander under the Duke of<br />

York, and distinguished himself in an engagement against the Dutch<br />

fleet; after which he <strong>to</strong>ok leave of the sea; but continued in his<br />

other employments till 1669 ; when, in consequence of bodily infir<br />

mities, (contracted through anxiety and fatigue of public afi'airs) he<br />

withdrew, and with a gentle and even gale, in much peace, arrived<br />

and anchored in his last and best port at Wanstead, in the county of<br />

Essex, September 16th, 1670, in the forty-ninth year of his age. His<br />

remains were removed <strong>to</strong> Bris<strong>to</strong>l in the latter end of September,<br />

where they lay in state in the Guildhall till Oc<strong>to</strong>ber 3rd; from<br />

whence they were conveyed <strong>to</strong> Redclifie <strong>Church</strong>, guarded on either<br />

side of the way by the trained band.<br />

In this transept was formerly the chauntry of Saint Catharine,<br />

founded by William Canynges, in the year 1465, as appears<br />

from a deed in Latin, dated 6th Edward IV. George Weare<br />

Braikenridge, Esq., has in his possession a very curious docu<br />

ment, being the rental of Canynges’ two chantries in this church,<br />

dated the next ensuing year after his death, 1473. Besides these<br />

chantries were altars dedicated <strong>to</strong> Saint Blaize, Saint Nicholas,<br />

and Saint George, with their attendant priests, whose ofice was


s1". MARY REDCLIFFE cannon. 21<br />

<strong>to</strong> ofi'er orisons for the dead and living by name. William<br />

Canynges was buried at the altar of Saint Catharine, beneath<br />

the centre window of the transept; the eli‘igies of himself, in his<br />

magisterial robes, and his wife, dressed after the costume of the<br />

times, recline upon an altar-<strong>to</strong>mb of s<strong>to</strong>ne, raised upon the spot,<br />

surmounted by a large flat canopy.<br />

'1 s i .11. V . . '.\ \<br />

This was placed here by Canynges in 1466, when his wife died,<br />

as a memorial of her and himself. Under the canopy, at the<br />

back of the <strong>to</strong>mb, is the following inscription setting forth his<br />

riches, and enumerating the names with the burdens of his<br />

ships, concluding with an epitaph recording his virtues.<br />

“WILLM CANNING, y‘ richest merchant of y- <strong>to</strong>wn of Bris<strong>to</strong>w, after“<br />

wards chosen 5 times Mayor of y' said <strong>to</strong>wne, for the good of the Common<br />

wealth of the same: he was in order of priesthood 7 years, and afterwards


8T. MARY REDCLIFPE CHURCH.<br />

Dean of Westbury, and died the 7th Nov. 1474; which said William did<br />

build, within the said <strong>to</strong>wn of Westbury, a college (with his canons,) and the<br />

said William did maintain by space of 8 years, 800 handycraftsmen, besides<br />

carpenters and masons, every day 100 men. Besides, King Edward the IVth<br />

had of the said William, 3000 marks for his Peace <strong>to</strong> be had in 2470 <strong>to</strong>ns of<br />

shipping.<br />

“These are the names of the shipping and their bnrthensz—The <strong>Mary</strong><br />

Canynges, 400 <strong>to</strong>ns; The <strong>Mary</strong> and John, 900; The Katharine, 140; The<br />

Little Nicholas, 140; The Katharine of Bos<strong>to</strong>n, 220; The <strong>Mary</strong> Radclifl‘,<br />

600; The Galliot, 500; <strong>Mary</strong> Batt, 220; The Margaret, 200; A Ship in<br />

Ireland, 100.<br />

“ No age, no time, can wear out well-woon fame,<br />

The s<strong>to</strong>nes themselves a statly work doth shew,<br />

From senseless grave we ground may meus good name,<br />

And noble minds by ventrous deeds we know.<br />

A lanterns cleer setts forth a candele light,<br />

A worthy act declares a worthy Wight;<br />

The buildings rare, that here you may behold,<br />

To shrine his bones deserves a <strong>to</strong>mbe of gold.<br />

The famous fabrickc which he here hath donne,<br />

Shines in its sphere as glorious as the sonne;<br />

What needs more words, the future world he sought,<br />

And set the pomp and pride of this at nought.<br />

Heaven was his aim, let heaven be still his station,<br />

That leaves such work for others imitation.”<br />

This was probably placed here, upon traditional authority,<br />

after the dilapidations committed upon the edifice during the<br />

civil wars. The verses are much in the style of Thomas<br />

<strong>Church</strong>yard, a very popular poet, and known composer of epi<br />

taphs in the reign of Elizabeth.<br />

There is also, at the southern extremity of the transept, an<br />

other plain altar-<strong>to</strong>mb of peculiar interest, supporting the recum<br />

bent figure of a priest in sacerdotal robes, with a large scrip, or<br />

pocket, attached <strong>to</strong> the left side. An angel is placed at his<br />

head, and a dog, with a large bone in his paws, at his feet.<br />

There is no inscription upon it, <strong>to</strong> mark decidedly the person<br />

<strong>to</strong> whose memory this monument has been erected. Mr. Cole<br />

states it <strong>to</strong> be a third <strong>to</strong>mb of William Canynges; tradition,<br />

however, assigns it <strong>to</strong> his purse-bearer or treasurer.<br />

7, “MA


sr. MARY REDCLIFFE CHURCH. 23<br />

The adjoining altar-<strong>to</strong>mb, on which lies the effigy of a man<br />

in priest’s robes, is commonly ascribed <strong>to</strong> William Canynges, as<br />

Dean of Westbury. The head is shaven, and the countenance<br />

is extraordinary for its expression, as of one who “did rigid vigils<br />

keep," with strict penance and mortification; the nose is long<br />

and aquiline, the cheek bones high, with very thin cheeks, and<br />

the chin narrow and projecting. The hands are raised in the<br />

act of devotion, telling <strong>to</strong> generation after generation, who come<br />

and gaze, retire and pass away, of the Christian's faith and hope,<br />

of that heaven <strong>to</strong> which while he prayed, he died.<br />

There is, how<br />

ever, no resemblance between this head and that on the other <strong>to</strong>mb,<br />

while the extraordinary character of the countenance unques<br />

tionably indicates it <strong>to</strong> have been a portrait. At the feet of this<br />

effigy is the small, but remarkable, figure of an old man, appa<br />

rently in great bodily agony, embodying a metaphysical idea of<br />

putting 08' the old man, from his having abandoned his lay<br />

character. This monument Canynges is said <strong>to</strong> have procured,<br />

according <strong>to</strong> a practice then not unusual, <strong>to</strong> be placed in the<br />

chapel of the College at Westbury, as a daily incitement <strong>to</strong> his<br />

piety. An inscription in Latin, on a loose board, is sometimes<br />

attached <strong>to</strong> this <strong>to</strong>mb. This inscription assigns the <strong>to</strong>mb <strong>to</strong><br />

Canynges, but as it is sometimes attached <strong>to</strong> the monument last<br />

described, as well as <strong>to</strong> this, it cannot be considered of any<br />

authority.<br />

Dallaway says, that when the College at Westbury was<br />

burned down by Prince Rupert, in<br />

1643, this monument was<br />

saved, and removed here. But this is incorrect; that it was<br />

here previously <strong>to</strong> 1610 is evident from Holland’s Translation<br />

of Camden's Britannia, printed in that year; which states that<br />

in Redclifl'e <strong>Church</strong> Canynges had “ two faire monuments, upon<br />

the one lieth his image portraied in an Alderman's robe; upon<br />

the other his image likewise, in sacerdotal habit, for that in his<br />

old age he <strong>to</strong>ok the orders of priesthood."


24 ST. MARY REDCLIFFE CHURCH.<br />

Not far from the monument of Mr. Canynges is the following<br />

inscription, in old characters, on a flat s<strong>to</strong>ne :—“ Hic jacet<br />

Willims Coke . . . . . . . . Willims Canynges merca<strong>to</strong>re villaa<br />

Bris<strong>to</strong>ll . . . . . . . . propicietur Deus. Amen.” A large knife<br />

and skimmer are engraved on this slime; by which it would<br />

appear that he was Canynges’ cook. These however cannot be<br />

taken as authority, being evidently the production of some un<br />

practised hand of more recent date.<br />

Not far from this is a flat s<strong>to</strong>ne, with a cross upon it, having a<br />

rim of brass running round its edges, and these inscriptions :—<br />

“Hic jaoet Johes Blecker, seu pandoxa<strong>to</strong>r, cujus fiie propicietur Deus.<br />

Amen.”<br />

“Hicjaeent Ricardus Coke et 'I‘ibota fix ejus, . . . . . . . —picietur. Deus."<br />

John Blecker is supposed <strong>to</strong> have been one of Canynges'<br />

servants. The term “ pandoxa<strong>to</strong>r" is translated brewer.<br />

Aflixed <strong>to</strong> a column nearly opposite the <strong>to</strong>mb of Canynges and<br />

his lady is a neat monument, with a long Latin inscription, <strong>to</strong><br />

the memory of Maria, the wife of William Barrett, F. S. A. and<br />

author of “ The His<strong>to</strong>ry and Antiquities of Bris<strong>to</strong>l."<br />

Mr. Baaas'r'r was a man of some learning, and of considerable research.<br />

He appears <strong>to</strong> have devoted the leisure of twenty years of his life <strong>to</strong><br />

the collecting of materials for his His<strong>to</strong>ry of Bris<strong>to</strong>l ; and every<br />

facility seems <strong>to</strong> have been afl‘orded <strong>to</strong> his inquiries, both by public<br />

bodies and by individuals. The mass of materials which he collected<br />

appears immense, and highly valuable; but he was evidently incom<br />

petent <strong>to</strong> the task of selecting, arranging, and discriminating the<br />

wheat from the chaff; and hence the numerous fictions of Chatter<strong>to</strong>u.<br />

Many of the papers which Mr. Barrett had collected were left <strong>to</strong> Mr.<br />

Gapper; those relating <strong>to</strong> Chatter<strong>to</strong>n were disposed of <strong>to</strong> the Rev.<br />

Mr. Kerric'k, of Cambridge, for Dr. Glynn, and Were afterwards<br />

deposited in the British Museum. The late Sir John Smyth, of Long<br />

Ash<strong>to</strong>n, purchased some MSS. at the sale of Mr. Barrett’s effects.<br />

The oldest date on the slabbed pavement in this transept, yet<br />

nnobliterated by passing feet and the slow and silent decay of<br />

many years, is 1596. Its tale has long been <strong>to</strong>ld, and is now


sr. MARY REDCLIFFE cannon. 25<br />

left for another generation <strong>to</strong> replace, till those for whom the<br />

s<strong>to</strong>ny vault was first prepared, shall have neither sign nor<br />

evidence <strong>to</strong> mark their final home. Of the thousands past, that<br />

here sleep in the damp vaults' dayless gloom—of the generations<br />

which have vanished from the face of the earth, and in their<br />

most desolate privilege of state, sought even in death distinction<br />

from their fellow men—what have we left? their <strong>to</strong>mbs are<br />

nameless sepulchres,—remorseless years have obliterated their<br />

inscriptions, and their crumbling dilapidated surface defies the<br />

scrutiny of man, who would seek <strong>to</strong> pierce through the silent<br />

mysteries of buried years.<br />

In the east aisle of the south transept is a boss, on which are<br />

the figures of a sow with young pigs; a very strange and unusual<br />

device, <strong>to</strong> say the least of it; and it is difiicult <strong>to</strong> account for its<br />

being there, except we attribute it <strong>to</strong> the licentiousness of the<br />

workmen. In the centre of the transept is another boss, represent<br />

ing our Saviour as bleeding on the cross.<br />

Against the piers of this transept, are three hatchments with<br />

the royal arms, and a fourth belonging <strong>to</strong> the Chetwode family,<br />

with the mot<strong>to</strong>, “ Corona me a Christus." Christ is my Crown.<br />

The cleres<strong>to</strong>ry windows also, from the peculiar elegance of their<br />

design, should not be overlooked, being surrounded by a band<br />

of quatrefoiled lights, many on the east side containing some<br />

beautifully stained glass.<br />

The visi<strong>to</strong>r will now cross <strong>to</strong> the north transept, where is the<br />

Baptismal Font now in use. It is of white marble, beautifully<br />

constructed, wrought, and polished: the floor on which it is<br />

placed is elevated, paved also with marble, and enclosed with<br />

mahogany rails. The font was purchased in 1755 for £171.<br />

The beautiful gates of wrought iron, at the entrance of this<br />

transept, will attract attention by the chasteness and beauty of<br />

the design, in which is introduced the arms of the city, appro<br />

priately emblazoned.<br />

'


26 ST. MARY REDCLIFFE CHURCH.<br />

Under the window in this transept is a Knight Templar,<br />

carved in frees<strong>to</strong>ne, lying on a plain altar <strong>to</strong>mb, in a coat of mail,<br />

with a shield on his left side, and a sword in his right hand,<br />

probably designed for Robert de Berkeley, Lord of Bedminster<br />

and Redclifl‘e, and a benefac<strong>to</strong>r <strong>to</strong> this church.<br />

Near this is a handsome mural monument, erected by sub<br />

scription in 1835, with the following inscription on a marble<br />

tablet 2——<br />

Sacred \<br />

To the Memory of<br />

NATHANIEL BRIDGES, D. D.<br />

Vicar of Willoughby' and Hat<strong>to</strong>n,<br />

and for 28 years<br />

Iecturer of this Parish.<br />

He died the 17th July, 1834,<br />

aged 86 years.<br />

In him were combined<br />

Those estimable qualities<br />

which<br />

Render social intercourse delightful<br />

and make public ministrations a blessing.<br />

Gospel simplicity, deep uniform piety,<br />

unremitting zeal<br />

for the spiritual interest of the people,<br />

and unbounded benevolence,<br />

were his distinguishing characteristics.<br />

Firmly attached<br />

<strong>to</strong> the Establish <strong>Church</strong> of England,<br />

he yet rose superior <strong>to</strong> party prejudices,<br />

and loved all who loved his Master.<br />

In him the church of Christ<br />

has lost a faithful, laborious,<br />

and successful minister.<br />

Marble will moulder, monuments decay,<br />

Time sweeps memorials from the earth away;<br />

But lasting records are of BRIDGES given,<br />

The date eternity, the archives heaven.<br />

There living tablets, with his worth engraved,<br />

<strong>St</strong>and forth for ever in the souls he saved.<br />

‘ Dr. Bridges was presented <strong>to</strong> the living of Willoughby in 1792, by<br />

Magdalen College, Oxford, in which college he graduated M. A. in 1778;<br />

B. D. in 1780; and D. D. in 1784. At Ilat<strong>to</strong>n he succeeded, we believe, Dr.<br />

Samuel Parr.


sr. MARY REDCLIFFE CHURCH. 24 u<br />

In one of the windows of the north transept are some<br />

fragments of ancient stained glass, which appear coeval<br />

with the church. On one piece six women in a boat are<br />

represented, possibly alluding <strong>to</strong> a particular event con<br />

nected with the church. There are also some diagrams,<br />

arms, and letters,which probably mark certain benefac<strong>to</strong>rs<br />

who contributed <strong>to</strong>wards finishing the fabric. Figures<br />

of the virgin and child, with crowns on their heads, are<br />

comparatively perfect.<br />

There were also in other windows, painted glass of<br />

the arms of England, of Harring<strong>to</strong>n, Hungerford,<br />

Canynges, Cradock, Berkeley, Mede, <strong>St</strong>ur<strong>to</strong>n, Dyrick,<br />

Says, Graunt, Montague, Cheyney, Fulk, Fitzwarren,<br />

Sir I. Inyn, Rivers, &c.<br />

In the north-east angle of the transept are deposited the<br />

remains of Mrs. FORTUNE LITTLE, widow of Mr. John Little,<br />

of this parish. She died June 28, 1777 ; aged 57. To whose<br />

memory the following beautiful lines are inscribed, on a neat<br />

marble slab, from the pen of the celebrated Mrs. H. More.<br />

0h ! could this verse her bright example spread,<br />

And teach the living while it prais’d the dead ;<br />

Then, reader ! should it speak her hope divine,<br />

Not <strong>to</strong> record her faith, but strengthen thine ;<br />

Then should her every virtue stand confess’d,<br />

’Till every virtue kindled in thy breast.<br />

But if thou slight the moni<strong>to</strong>ry strain,<br />

And she has lived, <strong>to</strong> thee at least in vain,<br />

Yet let her death an awful lesson give :<br />

The dying Christian speaks <strong>to</strong> all that live.<br />

Enough for her that here her ashes rest,<br />

"l‘ill God’s own plaudit shall her worth attest.


28 ST. MARY REDCLIFFE onuacn.<br />

In the north-west angle<br />

of the north aisle, against a<br />

pillar, there is placed what is<br />

traditionally called a rib of<br />

the noted Dun Cow, slain<br />

by Guy, earl of Warwick;<br />

but it is more likely <strong>to</strong> be<br />

the rib of a whale, or of<br />

some other monstrous fish.<br />

The beauty of the lancet<br />

arch above is particularly<br />

noticeable—See Wood Cut_<br />

Over the north porch is<br />

a large hexagonal room,‘<br />

known formerly as the Trea<br />

sury House, in which were<br />

kept all the archives belong<br />

ing <strong>to</strong> the church; and in<br />

which still remain the fragments of nine chests, of various<br />

shapes and sizes, from which the manuscripts attributed<br />

<strong>to</strong> Rowley are said <strong>to</strong> have been taken by Chatter<strong>to</strong>n’s<br />

father. The ascent <strong>to</strong> it is by a s<strong>to</strong>ne staircase, half way<br />

up which is an apartment, inhabited perhaps originally<br />

by the keeper of the porch. Externally and internally<br />

this porch consists of two principal tiers or s<strong>to</strong>ries, each<br />

dissimilar <strong>to</strong> the other, and each adorned with niches,<br />

canopies, crockets, pediments, &c.<br />

" This is the room in which Chatter<strong>to</strong>n asserted that he found, in an old<br />

chest, supposed <strong>to</strong> have been placed there by William Canynges soon after<br />

the building was finished, those valuable MSS. of Rowley and others, Written<br />

in the fifteenth century, which he transcribed and published.


ST. MARY REDCLIFFE CHURCH. 29<br />

One of these chests in particular was said <strong>to</strong> be called<br />

Mr. Canynges’ cmji'ef and secured by six keys, two of<br />

which were entrusted <strong>to</strong> the minister and procura<strong>to</strong>r of<br />

the church, two <strong>to</strong> the mayor, and one <strong>to</strong> each of the<br />

churchwardens. In process of time the six keys appear<br />

<strong>to</strong> have been lost; and about the year 1727, a notion<br />

prevailed that some title-deeds, and other writings of<br />

value, were contained in Mr. Canynges’ cofi‘er. In con<br />

sequence of this opinion, an order of vestry was made<br />

that the chest should be opened under the inspection of<br />

an at<strong>to</strong>rney, and that those writings which appeared of<br />

consequence should be removed <strong>to</strong> the south porch of<br />

the church. The locks were therefore forced, and not<br />

only the principal chest, but the others, which were also<br />

supposed <strong>to</strong> contain writings, were also broken open.<br />

The deeds relating <strong>to</strong> the church were removed, and the<br />

other manuscripts left exposed, as of no value. Con<br />

siderable depredations were committed upon them by<br />

different persons; but the most insatiate of the plunderers<br />

was the father of Chatter<strong>to</strong>n. His uncle, being sex<strong>to</strong>n<br />

of <strong>St</strong>. <strong>Mary</strong> Redcliife, gave him free access <strong>to</strong> the church.<br />

He carried off, from time <strong>to</strong> time, parcels of the parch<br />

ment, which were deposited in a cupboard in the school,<br />

and employed for the covering of copy-books and other<br />

purposes. At his death his widow carried the remainder<br />

<strong>to</strong> her own habitation. For an account of the discovery<br />

of their value, as related by Chatter<strong>to</strong>n, we refer the<br />

' When rents were received and kept in specie, it was usual for corporate<br />

bodies <strong>to</strong> keep the writings and rents of estates left for particular purposes,<br />

in chests appropriated <strong>to</strong> each particular benefac<strong>to</strong>r, and called by the bene<br />

fac<strong>to</strong>r’s name. Several old chests of this kind are still existing in the<br />

University of Cambridge.


30 51‘. MARY anncmrrn CHURCH.<br />

reader <strong>to</strong> Messrs. Southey and Cottle’s edition of ‘ The<br />

Works of T. Chatter<strong>to</strong>n.’<br />

Passing in<strong>to</strong> the north aisle, or <strong>St</strong>. <strong>St</strong>ephen’s chapel,<br />

we observe the res<strong>to</strong>ration of the east and adjoining<br />

window has been completed; and that in a style of execu<br />

tion fully equal <strong>to</strong> the former window, though the pro<br />

duction of the most brilliant architectural era the annals<br />

of our country can advance. We lack not the ability <strong>to</strong><br />

produce works equal <strong>to</strong> the proudest achievements of the<br />

past, but we want the means, the spirit, the devotion,<br />

the self-sacrificial zeal of an age when man’s labour was<br />

not spared, and his treasures were poured forth in raising<br />

magnificent fabrics in honour of the God he worshipped<br />

and adored.<br />

At the eastern end of the north aisle is a very handsome<br />

monument, consisting of an altar-<strong>to</strong>mb, surmounted by a richly<br />

ornamented canopy. Recumbent on the former are efiigies of<br />

the deceased and his wife, with their heads resting on cushions,<br />

and having two figures of angels supporting the pillow. The<br />

plinth of the <strong>to</strong>mb, as well as the back and sides, is covered with<br />

panelling and tracery. Immediately over the <strong>to</strong>mb are five<br />

crocketed canopies, with pinnacles, &c., and the whole is sur<br />

mounted with a richly-sculptured frieze and parapet. From<br />

the imperfect inscription which still remains, it appears that this<br />

monument is dedicated <strong>to</strong> the memory of THOMAS MEDE, who<br />

was sheriff in 1452, and subsequently three times mayor of<br />

Bris<strong>to</strong>l. He had a country seat at Nayland, then called<br />

Mede's Place, in the parish of Wraxall, and county of Somerset.<br />

Attached <strong>to</strong> the former monument, and of the same style and<br />

character, is another <strong>to</strong> the memory of PHILIP Mann, the<br />

brother of Tnomas MEDE, whose monument has just been<br />

described. There is no efiigy, but on a very singular brass, fixed


s'r. MARY REDCLIFFE cnuncn. 31<br />

<strong>to</strong> the back of the <strong>to</strong>mb, is a man and two women, with the fol<br />

lowing inscription on labels :—<br />

In English thus :—<br />

“ S" trinitas un’ d' miserere nobis,<br />

Pater de ccelis deus miserere nobis."<br />

“ Holy Trinity, one God, have mercy upon us,<br />

Oh God, Father of heaven, have mercy upon us.”<br />

Philip Mede appears <strong>to</strong> have been several times mayor of Bris<strong>to</strong>l,<br />

and <strong>to</strong> have represented the city in two parliaments, held at<br />

Coventry and Westminster, in the thirty-eighth year of the reign<br />

of Henry the Sixth. His will is dated Jan. llth, 1471, and<br />

directs his body <strong>to</strong> be buried at the altar of <strong>St</strong>. <strong>St</strong>ephen, in<br />

Redclifi'e <strong>Church</strong>.<br />

The Rev. THOMAS BROUGHTON was buried in the north aisle<br />

of this church, in December, 1774. He was born in London,<br />

July, 1704. Bishop Sherlock presented him with the living<br />

and prehendship of Bedminster and Redclifi'e. He was one of<br />

the original writers in the “Biographia Britannica," the author<br />

of a musical drama, entitled, “ Hercules," and the complier of a<br />

“Dictionary of all Religions." The following is the inscription<br />

on a neat marble tablet :—<br />

Sacred <strong>to</strong> the Memory of<br />

The Rev. THOMAS BROUGHTON, D. D.<br />

Rec<strong>to</strong>r of <strong>St</strong>. ANDREw’s, Human, and grandson of<br />

Henry Brough<strong>to</strong>n, Esq.<br />

of Willisham, in the County qultfl‘olk ,<br />

Prebendary of the CATHEDRAL CHURCH of Salisbury,<br />

Rec<strong>to</strong>r of <strong>St</strong>iping'<strong>to</strong>n, in the County of Herts,<br />

And Vicar of Bedminster, with the chapelries of <strong>Mary</strong> <strong>Redcliffe</strong>,<br />

<strong>St</strong>. Thomas and Abbot’s Leigh annexed.<br />

He was born in the Parish of <strong>St</strong>. Andrew, Holborn, in the year 1703;<br />

and married ANNE, the daughter of the Rev. Thomas Harris,<br />

of this City, by whom he had six children.<br />

He was a profound and elegant scholar,<br />

and successfully applied his talents <strong>to</strong> the support of the<br />

Protestant Establishment,<br />

of which he was an able and faithful minister.<br />

He died QIst December, in the year 1774,<br />

aged Tl.


32 an MARY REDCLIFFE CHURCH.<br />

The floor of the chancel is laid with black and white<br />

marble, and you approach the altar by steps of the same<br />

material. The altar and chancel were repaired in 1757.<br />

On the floor, <strong>to</strong> the south, is a large black marble s<strong>to</strong>ne,<br />

with brass curiously laid in and engraved, with the figures of<br />

a man and woman, with six sons underneath the man, and<br />

eight daughters under the woman; on the s<strong>to</strong>ne are brass<br />

shields, with monograms and arms, and the following inscrip<br />

tion :—“ Hic jacent JOHES JAY quondam vicecomes istius<br />

villas. et Johanna ux. eg. q. quidem Johes obiit—die—mens—<br />

A0 D“ m,cccc,lxxx, quor, aiahs pprop, de Amé."<br />

Which may be thus rendered :—“ Here lie John Jay, formerly<br />

Sherifi' of that Town, and Johanna his wife, which said John<br />

died on the day of the month of , in the year<br />

of our Lord 1480; on the souls of whom may God have mercy.<br />

Amen."<br />

Joan JAY was sherifi‘ of Bris<strong>to</strong>l, and a merchant of eminence.<br />

wife was sister <strong>to</strong> William Wyrcestre, the his<strong>to</strong>rian.<br />

His<br />

Parallel <strong>to</strong> this on the north side, is a slab, in which is inserted<br />

a brass, with an engraved representation of a man and woman,<br />

and another in the form of a shield: there were three others, as<br />

is evident from the blank places whence they were <strong>to</strong>rn. The<br />

memorial is of John Brook, one of the Judges of Assize in the<br />

reign of Henry VIII., and runs thus :-—“Hic jacet corpus vene<br />

rabilis viri Johis Brook, qnondam servientis ad legem illus trissimi<br />

principis felicis memorize regis. Henrici octavi et justiciari<br />

ejusdem regis ad assisas in partibus occidentalibus Anglias, et<br />

capitalis seneschalli illius honorabilis domus et monasterii Beatae<br />

Mariae de Glasconia in com. Somcet. qui quidem Johis obiit<br />

25 die mens. Decembn's, Anno Dom. millesimo, quingantesimo<br />

xxii., et juxta cam requiescit. Johanna uxor ejus una filiarum et<br />

haeredum Ricardi Amerike, quorum animabus propitietur Deus.<br />

Amen.”


sr. MARY REDCLIFFE CHURCH. 33<br />

In English :-—“ Here lies the body of that worthy gentleman,<br />

JOHN BROOK, formerly Serjeant at Law <strong>to</strong> that most famous<br />

Prince of happy memory, King Henry the Eighth, and Judge<br />

of Assize <strong>to</strong> the said King, in the West of England, and chief<br />

Seneschal of that honourable house and Monastery of the<br />

Blessed <strong>Mary</strong>, of Glas<strong>to</strong>nbury, in the County of Somerset;<br />

which said John departed this life on the 25th day of the month<br />

of December, in the year of our Lord one thousand five hundred<br />

and twenty-two; and beside him rests Johanna his wife, one of<br />

the daughters and heirs of Richard Amerike; on whose souls<br />

may God have mercy. Amen."<br />

The effect of the chancel, as now seen behind the<br />

pictures, is very singular, and suggestive of many swell<br />

ing thoughts. We look at the great east window, it is<br />

unadorned with its wonted painted glass; we look at the<br />

altar-screen beneath, on which the light of day again<br />

falls, and behold the injuries and disgraces it has received.<br />

There seem the faith of bygone centuries, breathing from<br />

the friable s<strong>to</strong>nes, whose certain decay and dissolution, the<br />

awakened intelligence and piety of the day would fain<br />

arrest. There is a dreary mournfulness in the scene,which<br />

fastens on the mind, and is in unison with the time-worn<br />

mouldering fragments at our feet, and with our thoughts,<br />

as we trace the destiny of our race, on the s<strong>to</strong>ried pave<br />

ment, or on the graven brass, that still bears upon its<br />

surface the names of those who obtained the world’s<br />

regard, long ages back.<br />

The design of the original altar-screen, <strong>to</strong> which we<br />

will first direct the visi<strong>to</strong>r’s attention, though sadly<br />

mutilated, is sufliciently apparent for res<strong>to</strong>ral ; it is<br />

divided in<strong>to</strong> seven arched compartments, of three lights,<br />

0


34 ST. MARY REDCLIFFE CHURCH.<br />

with a screen in each spandril, making fourteen; on<br />

some of which, are dimly discernible, the arms of some<br />

of the principal benefac<strong>to</strong>rs of the church. The design<br />

of the screen is seen <strong>to</strong> better advantage from <strong>St</strong>. <strong>Mary</strong>’s<br />

Chapel, but on this side the yellow wash has been allowed<br />

so <strong>to</strong> accumulate, as <strong>to</strong> render the shields perfectly bald.<br />

At the east end of the church, partitioned by the altar<br />

screen, is the chapel of the Virgin <strong>Mary</strong>; it would<br />

appear, that a communication formerly existed from the<br />

chancel <strong>to</strong> this chapel, by means of an archway in the<br />

centre of the screen. The chapel has been much dis<br />

figured by the introduction of doors, the closing of<br />

windows, &c. On the sill of one of the windows, is a<br />

clumsy figure of Queen Elizabeth, coarsely carved in<br />

wood. When Saint John’s Chapel was taken down, in<br />

1766, the Grammar School granted by this Queen, and<br />

held in that building, was removed here.<br />

In this Chapel is a large s<strong>to</strong>ne, with a brass plate inlaid in<br />

the centre, bearing an engraved figure of the deceased in his<br />

judge's robes. On a slip of brass round the margin is this<br />

inscription:—“Hic jacet JOHANNES INYN MILES capitalis<br />

justiciarius Domini regis ad placita caram ipso rege tenenda,<br />

qui obiit 24 die Marcii, Anno Domini Milesimo c.c.c.c. xxxix.<br />

cujus animae propitietur Deus. Amen."<br />

In English 2—“ Here lies JOHN INYN MILES, Knight, Chief<br />

Justice of the Common Pleas of our Lord the King; who died<br />

on the 24th day of March, in the year of our Lord 1439; on<br />

whose soul may God have mercy. Amen.”<br />

There are no particulars known of this judge except what is above<br />

mentioned. Barrett says he had a country seat at Bishopworth,<br />

near Filwood; since then used as a farm house.


sr. MARY REDCLIFFE CHURCH. 35<br />

Under the north end of the great cross aisle, is a large<br />

room, at the east end of which was a fire-place. The<br />

number of rooms in this building which bear indications<br />

of having been inhabited, were probably assigned <strong>to</strong><br />

chantry priests, poor scholars, and other members of the<br />

church. The will of Belinus Nansmoen, dated March<br />

20th, 1416, provides for many poor scholars, and cho<br />

risters, and for several chaplains, attached <strong>to</strong> the church,<br />

which renders the supposition not improbable that the<br />

apartment above alluded <strong>to</strong> was a common dining room,<br />

there being formerly a communication <strong>to</strong> it out of the<br />

north aisle of the church, where a door and s<strong>to</strong>ne stair<br />

case are s<strong>to</strong>pped up, by which there was a descent in<strong>to</strong><br />

the room. It has long since been converted in<strong>to</strong> a place<br />

of burial, and is now known as the crypt.<br />

Although the church had been liberally endowed, at<br />

different times, with large estates for the support of the<br />

fabric and the divine offices celebrated therein, yet so<br />

dishonestly were its affairs administered during the<br />

Commonwealth, and its revenues wasted, that it was<br />

found impossible, at the Res<strong>to</strong>ration, wholly <strong>to</strong> repair<br />

the mischief which had been committed. Neither did<br />

the structure itself escape the ravages of the over-righte<br />

ous and senseless fanatics of those days; many of its<br />

ornaments, and all the lofty pinnacles, which added so<br />

much <strong>to</strong> its external beauty, were <strong>to</strong>rn down, and have<br />

not since been rebuilt. Within, brass plates were s<strong>to</strong>len<br />

from the monuments, and their decorations mutilated<br />

and destroyed; the organ was broken down, and the<br />

bibles, prayer books, books of homilies, cushions, cas<br />

socks, and all the moveable furniture of the church,


36 ST. MARY REDCLIFFE CHURCH.<br />

were accumulated <strong>to</strong>gether, and a bonfire made of the<br />

heap, amidst the rejoicings and acclamatious of the popu<br />

lace. After doing all the injury their excited minds<br />

could conceive, they paraded the streets with streamers<br />

<strong>to</strong>rn from the surplices, using the organ pipes for trum<br />

pets, as they marched triumphantly along.<br />

In the year 1709, the church underwent repair by<br />

means of a brief for £5,000; the chamber of the city<br />

contributing £200. In 1762 the bells were re-cast, and<br />

subsequent <strong>to</strong> that period two more bells have been added<br />

<strong>to</strong> the number. In 1796 the church was again repaired,<br />

and the pinnacles on the south side rebuilt. As lately<br />

as April 2, 1821, during a tremendous s<strong>to</strong>rm at midnight,<br />

the electric fluid struck the north end of the <strong>to</strong>wer, and<br />

entering the upper bell- loft window, forced out the s<strong>to</strong>nes<br />

in different directions, and making a large aperture, so<br />

shattered the beam which supported one of the bells, as<br />

<strong>to</strong> render it useless. It then passed down the bell wire,<br />

and escaped on the south side of the <strong>to</strong>wer; rolling up<br />

the lead from the roof, and dislodging nearly three hun<br />

dred weight of s<strong>to</strong>ne. The pieces of wire which were<br />

found, had all the appearance of having been subject <strong>to</strong><br />

an intense heat.<br />

The following, being a list of stage furniture)“ neces~<br />

sary for the exhibition of what was then termed a<br />

" Walpole in his Miscellanies, dated 1778, says that Vertue, the engraver,<br />

transcribed it from some old parchments in <strong>St</strong>. <strong>Mary</strong> Radcliffe twenty years<br />

ago; and adds, “ That was the origin of Chatter<strong>to</strong>n’s list of great painters,<br />

and probably of his other inventions, Can it be supposed that Vertue should<br />

have seen that old bill, and with his inquisitive and diligent turn not have<br />

inquired whether there was nothing more 7"


ST. MARY REDCLIFFE CHURCH.<br />

Mysterie, extracted from a book belonging <strong>to</strong> the church<br />

of <strong>St</strong>. <strong>Mary</strong> Redclifl'e, and communicated <strong>to</strong> the Society<br />

of Antiquaries, is not a little curious.—“ Memorandum:<br />

That Master Canynge hath delivered, the 4th day of<br />

July, in the year of our Lord 1470, <strong>to</strong> Mr. Nicholas<br />

Bettes, Vicar of Radcliffe; Moses Courteryn, Philip<br />

Bartholomew, and John Brown, procura<strong>to</strong>rs of Ratclifi'e,<br />

heforesaid,—<br />

A new sepulchre well guilt, and cover there<strong>to</strong>, an image of<br />

God Almighty rysing out of the same sepulchre, with all the<br />

ordinance that longeth there<strong>to</strong>; that is <strong>to</strong> say, a lath made of<br />

tymbre and iron work that longeth there<strong>to</strong>.<br />

Item, there<strong>to</strong> longeth heven made of timbre and stained<br />

clothes.<br />

Item. Helle, made of timbre and iron work, with devills,<br />

the number thirteen.<br />

Item. Four knyghtes, armed, keeping the sepulchre, wyth<br />

their wepons in their hands, that is <strong>to</strong> say, two speers, two axes,<br />

with two paves.<br />

Item. Four pair of angels wings for four angels, made of<br />

timbre, and well paynted.<br />

Item. The fadre, the crown, and vysage, the ball wyth a<br />

crosse upon it, well guilt with fyne gold.<br />

Item. The Holy Ghost coming out of heven in<strong>to</strong> the<br />

sepulchre.<br />

Item. Longing <strong>to</strong> the four angels four chevelers [heads of<br />

hair or wigs]."


38 ST. MARY REDCLIFFE CHURCH.<br />

Barrett gives the following as the list of chaplains,<br />

vicars, &c. :—<br />

1207 William—,chaplainofRedclifi'<br />

Richard de Newbry, vicar<br />

1276 John de Rung, clericus<br />

1290 Jerrard de 'l‘yllett<br />

1307 Robt. de Mersh<strong>to</strong>n, chaplain<br />

1338 William de Jat<strong>to</strong>n<br />

1342 Ralph de Clive<br />

1356 William of Wykeham, had the<br />

prebend of Bedminster cum<br />

Redclifi'<br />

1374 John French<br />

1381 William Draper<br />

1389 Henry dc Nethenene<br />

1391 Nicholas Grill<br />

1393 John Lamyn<strong>to</strong>n, chaplain<br />

Thomas Godefellow, do.<br />

1399 John Bush, do.<br />

1410 William Dudlesburg<br />

1429 Joannes Phrcas or Freas<br />

1434 John Bath<br />

1438 William Peircy or Perry<br />

1446 Nicholas Pittes<br />

1460 William Sey<br />

1464 Chetworth<br />

1473 William Chock, younger bro<br />

ther of Sir Richard Chock, of<br />

Ash<strong>to</strong>n<br />

1496 Roger Saundey<br />

1508 Edward Powell, D. D. V. See<br />

Wood's Ath. Ox. vol. i. p. 46.<br />

1534 Henry Williams, presented <strong>to</strong><br />

it by Cardinal Campeius, 2nd<br />

Edwardthe Sixth. SeeWood,<br />

vol. i. p. 681.<br />

1550 Thomas Nor<strong>to</strong>n<br />

1555 John Blacks<strong>to</strong>ne<br />

1559 Arthur Saule<br />

1579 Meredith Hamner<br />

1585 Samuel Davis<br />

1628 Thomas Palmer<br />

1636 Giles Thornborough<br />

1637 John Game<br />

1639 William Noble.<br />

1639 Matthew Hazard.<br />

1660 Francis Hor<strong>to</strong>n<br />

1670 Humphry Brent<br />

1678 Richard Thompson<br />

1685 William Manning<br />

Ejeoted.<br />

Intended.<br />

1701 John Gibb. He built the vicar<br />

age house on Redclifi'e Hill<br />

1744 Thomas Brough<strong>to</strong>n, the author<br />

of the “ Dictionary of all Re<br />

ligions,” folio, and many other<br />

works<br />

1778 Edmund Spry, A. M.<br />

SUBSEQUENTLY TO BARRETT.<br />

1806 Martin Richard Whish, the<br />

present vicar<br />

In the centre of the churchyard was an elegant cross,<br />

noticed by William Wyrcestre, at which sermons were<br />

formerly preached. Mr. Edgworth, Prebendary of Bris<strong>to</strong>l<br />

Cathedral, and- a zealous opponent of Latimer in this<br />

city, in his preface <strong>to</strong> a volume of sermons, published in<br />

his old age, alludes <strong>to</strong> his having preached “ sundry ser<br />

mons at Redclifi' Cross, in the good and worshipful city<br />

of Bris<strong>to</strong> .” The cross was removed in 1763. In 1704


ST. MARY REDCLIFFE CHURCH.<br />

a remarkable tree was growing in the western part of<br />

the churchyard, the arms of which were supported by<br />

six or seven props. At this time the fence of the church<br />

yard was a thickset hedge, and the gate facing <strong>to</strong>wards<br />

Bedminster, a common field gate. It was not until 1753<br />

that the steps and terrace west of the church were laid<br />

in their present form.<br />

This stately and beautiful Gothic structure, which from<br />

its elevated situation, its Cathedral style of building,<br />

rises <strong>to</strong> a noble height above the surrounding houses,<br />

after having its northern side obscured for upwards of a<br />

century, is now thrown open <strong>to</strong> public view, by the<br />

removal of those houses which the indifference of a past<br />

generation had permitted <strong>to</strong> be erected before it; and<br />

presents a pile of building so magnificent, so picturesque<br />

in every point of view, that it irresistibly arrests and<br />

commands the attention of the passenger, who contem<br />

plates with awe and admiration, its venerable and hoary<br />

grandeur. But the centuries that have passed away,<br />

have marked their course upon its blackened walls; and<br />

although we now see new beauties <strong>to</strong> admire, we have<br />

much also <strong>to</strong> deplore and <strong>to</strong> regret; the mutilated but<br />

tresses, the gaping fissures, and the crumbling s<strong>to</strong>nes,<br />

tell <strong>to</strong>o sadly that decay has followed the footsteps of<br />

time, and unless arrested, must hasten the venerable<br />

fabric in<strong>to</strong> ruin. Let us hope that all who feel a pride<br />

and a glory in this ancient edifice, will press forward <strong>to</strong><br />

avert the stigma and disgrace of allowing so magnificent<br />

a monument of the piety and liberality of our fathers <strong>to</strong><br />

crumble unheeded <strong>to</strong> the dust: let us not have <strong>to</strong> blush<br />

in our advanced state of refinement, that we are unable<br />

<strong>to</strong> preserve from destruction the noble legacy that has


40 ST. MARY REDCLIFFE CHURCH.<br />

been bequeathed un<strong>to</strong> this city, not for usldone, but for<br />

after generations.<br />

The city authorities, having removed the old houses,<br />

enclosed the ground belonging <strong>to</strong> the church with iron<br />

rails. They have also caused the dangerous hill <strong>to</strong> be<br />

levelled, and built a new street (Phippen <strong>St</strong>reet,) connect<br />

ing Redclifl‘e with Thomas <strong>St</strong>reet. Meanwhile the parish<br />

authorities have not been idle; they issued a very spirited<br />

appeal, drawn up by Messrs. Brit<strong>to</strong>n and Hosking, for<br />

the complete res<strong>to</strong>ration of the <strong>to</strong>wer and church <strong>to</strong><br />

their pristine architectural elegance. To accomplish this<br />

upwards of £40,000 will be necessary. This appeal<br />

produced a subscription list of nearly £7,000, and the<br />

Committee of Res<strong>to</strong>ration proceeded in their undertaking<br />

——by lowering the ground round the church <strong>to</strong> the depth<br />

of from two <strong>to</strong> four feet; which being accomplished, the<br />

ceremony, which was a very imposing one, of laying the<br />

foundation s<strong>to</strong>ne of the res<strong>to</strong>ration in the eastern part of<br />

this venerable structure, <strong>to</strong>ok place on Tuesday, April<br />

21, 1846. The inscription on the s<strong>to</strong>ne reads thus :—<br />

THIS STONE<br />

IN<br />

RESTORATION<br />

OF ST. MARY REDCLIFFE CHURCH,<br />

was laid on the 21st day of April, A. D. 1846, by the<br />

RIGHT WORSHIPFUL JOHN KERLE HABERFIELD, &quire,<br />

THREE TIMES MAYOR or BRISTOL, ASSISTED BY THE<br />

ANCIENT SOCIETY OF FREE MASONS,<br />

The Right Worshipful HENRY SHUTE, Esq., Provincial Grand Master,<br />

The Right Worshipful WILLIAM DONE BUSHELL, Esq., Deputy<br />

Provincial Grand Master,<br />

In the presence of the Clergy, Corporation, and Citizens of Bris<strong>to</strong>l.<br />

MARTIN RICHARD Wrsrr, A. M., Vicar.<br />

Tnonns Pnoc'ron, Chairman of the Res<strong>to</strong>ration Committee.<br />

JOHN WARRY Junr.<br />

JOHN HARE, ’ ’ } <strong>Church</strong>wardens.<br />

JOHN BRI'H‘ON, F. S. A.,<br />

Gunner: Go'nwm, F. R. S.,i Mcmmm‘


ST. MARY REDCLIFFE CHURCH. 41<br />

The first contract has been for some time completed,<br />

by which the whole extent of the faced-work of the walls<br />

as originally seen is now exposed <strong>to</strong> view; a complete<br />

system of drainage has been formed, and the ground ad<br />

joining the church, on the south side, widely paved. The<br />

oak roofs of the chancel and aisle have been renewed, and<br />

new leaded on a layer of asphalted felt and oak boarding.<br />

The east end, with its curious “ imbricated ” window, and<br />

one severy of the chancel on each side of it, have been<br />

res<strong>to</strong>red s<strong>to</strong>ne by s<strong>to</strong>ne. This portion of the res<strong>to</strong>ration,<br />

however, shows more clearly the wretched condition of<br />

the other parts of the building not yet <strong>to</strong>uched; and<br />

though the funds at the disposal of the Committee have<br />

been expended, a Society, under the name of “ The<br />

Canynges Society,” has been formed, with a view <strong>to</strong><br />

obtain annual subscriptions <strong>to</strong> assist them in their desir<br />

able works of accomplishing the complete res<strong>to</strong>ration of<br />

the edifice; we therefore hope, that many who visit the<br />

church, may be induced <strong>to</strong> leave their names as Members<br />

with any one of the Committee, whose names are inserted<br />

in a subsequent page.<br />

In the address of “ 17w Canynges Society,” the Com<br />

mittee say :—<br />

“Let the venerated name of‘ Canynges' be the call that shall<br />

excite in us the spirit which stimulated him, and if we cannot<br />

individually effect what he did, we may each do something, and<br />

united <strong>to</strong>gether we may accomplish much. The necessity for<br />

the maintenance and res<strong>to</strong>ration of <strong>St</strong>. <strong>Mary</strong> <strong>Redcliffe</strong> <strong>Church</strong><br />

is imminent and pressing, and can only be effected by earnest<br />

and continuous co-operation. As a Canynges Sooz'ety, then, let<br />

us each emulate the other in our endeavours <strong>to</strong> obtain the


42 ST. MARY REDCLIFFE CHURCH.<br />

means whereby this magnificent struclure may be preserved alike<br />

honourable <strong>to</strong> him who founded it, as <strong>to</strong> those who, when it was<br />

passing away, again res<strong>to</strong>red it <strong>to</strong> its pristine beauty."<br />

The following extracts are from the rules of the above<br />

Society, viz., that,—<br />

“ The Canynges Society consists of a President, Treasurer,<br />

Vice Presidents, and ordinary Members, who are subscribers of<br />

not less than 21s. annually, or donors of not less than £20.<br />

The Committee consist of the President, Vice Presidents, Trea<br />

surer, the Vicar and Churrhwardens of <strong>St</strong>.<br />

<strong>Mary</strong> Redclitl'e for<br />

the time being, and 25 Members, with power <strong>to</strong> add <strong>to</strong> their<br />

number. The President, Treasurer, and Members of Committee<br />

are chosen at the Annual Meeting. The Vice Presidents consist<br />

of those gentlemen who have filled the office of President and<br />

who still continue their subscription <strong>to</strong> the Society.<br />

“ That Ladies be invited <strong>to</strong> become Members of the Society,<br />

and <strong>to</strong> interest themselves in its important object. That each<br />

Member shall use his best endeavours <strong>to</strong> obtain subscriptions or<br />

donations <strong>to</strong> the funds of the Society, and shall receive a Book<br />

from the President <strong>to</strong> enter therein such amounts as he may<br />

collect; all moneys <strong>to</strong> be paid over <strong>to</strong> the Treasurer at the earliest<br />

convenience, and the Books returned <strong>to</strong> the President at least 14<br />

days previous <strong>to</strong> the Annual Meeting.<br />

“That the Annual Meeting shall be held on the third Tuesday<br />

in June, or such other day as may be hereafter agreed upon by<br />

the Committee, due notice being given by circular addressed <strong>to</strong><br />

each Member, and by advertisement in one or more of the<br />

Bris<strong>to</strong>l papers. That the Members shall attend Divine Service<br />

at Redcliife <strong>Church</strong> on that day, and subsequently dine <strong>to</strong>gether,<br />

when the Report of the Society’s proceedings, during the past<br />

year, shall be read, the amount collected by each Member<br />

announced, and the ofiicers for the ensuing year elected.<br />

“ That at the first Meeting of the Committee, after the Annual


ST. MARY REDCLIFFE CHURCH.<br />

Meeting, a portion of <strong>St</strong>. <strong>Mary</strong> Redclifl'e <strong>Church</strong> shall be selected<br />

for res<strong>to</strong>ration, under the advice of the Architect, and the amount<br />

obtained under the past President shall be paid over <strong>to</strong> the credit<br />

of the Res<strong>to</strong>ration Committee, with the understanding that it<br />

shall be applied <strong>to</strong> the part so pointed out.<br />

“J. K. Haberfield, Esq. has kindly accepted the office of<br />

President for the first year, W. H. Wyld, Esq., that of Treasurer,<br />

and the following gentlemen have consented <strong>to</strong> act on the Com<br />

mittee,—The Right Worshipful J. D. Pountney, Esq., Mayor<br />

of Bris<strong>to</strong>l, Rev. M. R. Whish, R. J.<br />

P. King, James Gibbs,<br />

Thomas Garrard, Wm. Poole King, Wm. H. Wyld, Thomas<br />

Lucas, Matthew Perkins, Charles B. Hare, Wm. Powell, Richard<br />

Gibbs and R. C. Beddoe, Churhwardens, Charles Clarke, J. H.<br />

Wyld, Robert Phippen, Wm. Cooper. J. Lucas, W. H. Bayley,<br />

J. Gardiner, J. Hare, Thomas Proc<strong>to</strong>r, J. A. Symonds, M. D.,<br />

Esqrs. And any Ladies or Gentlemen willing <strong>to</strong> become<br />

Members of the Society, are requested <strong>to</strong> communicate, at an<br />

early period,with the President or any Member of the Committee."<br />

In conclusion, we advert with great pleasure <strong>to</strong> the<br />

fact of the authorities of the parish having generously<br />

and liberally made arrangements for the church being<br />

thrown open <strong>to</strong> the public from Ten o’clock in the<br />

morning till Five in the evening, without any fee <strong>to</strong> the<br />

attendant. Thus enabling all those who appreciate this<br />

noble specimen of architectural beauty, <strong>to</strong> visit and<br />

admire it as long and as frequently as they please, and<br />

at the same time setting a good example <strong>to</strong> others who<br />

have the care of similiar buildings.


'<br />

; BIOGRAPHICAL SKETCHES<br />

O?<br />

CANYNGES AND CHATTERTON.<br />

\VILLIAM CANYNGES, the subject of our present memoir, was<br />

only five years old at the early death of his father; but the<br />

fostering care of his mother's second husband amply supplied<br />

that loss. His genius and education were directed by him <strong>to</strong><br />

mercantile pursuits; and he had experience of whatever might<br />

insure <strong>to</strong> him the good fortune of his future life, in the opportu<br />

nities of learning the modes of commerce, in one of the most<br />

extensive and opulent establishments in Bris<strong>to</strong>l subsisting at<br />

that period. That he soon discovered most valuable talents in<br />

such pursuits cannot be doubted. The effects in such regular<br />

movements usually follow the cause; and there was an early<br />

promise of his great success.<br />

N0 document ascertains his progress before the years 1432,<br />

when he was bailiff; 1438, sheriff; and 1441, when he was<br />

elected mayor. All that can be advanced with certainty must<br />

be from irrefragable docutnents, as far as he was concerned with<br />

his fellow burgesses, as their municipal magistrate and their<br />

representative in parliament.<br />

The first-noticed honour he enjoyed five times; one less than<br />

his grandfather had done. He was first returned <strong>to</strong> parliament<br />

in 1451, and subsequently in 1455.<br />

Highly as this distinction is now valued, it was then considered<br />

as an onus, not only by the borough, but by the individual<br />

elected, in those simple times. The representatives of Bris<strong>to</strong>l<br />

had daily wages, and an allowance given for their journeys.<br />

Canynges having arrived at his fortieth year, there is satisfac<br />

<strong>to</strong>ry evidence that he had exceeded his contemporary merchants<br />

in-influence and wealth. Chaucer, in his prologue <strong>to</strong> the Can<br />

terbury Pilgrimage, had preconceived his exact portrait :—<br />

" are hanrtbp man tuI incl his in“ besettz<br />

as“ Matt an might that be has in Betta.


nmom or CANYNGES. 45<br />

go atzhzfastlp not: be his gubernann,<br />

was his bargains, anti tutti] his cbtbt'sauntz.‘<br />

~470tsuttjz I): was a tnnttfjg man lm'tljallmL<br />

After the lapse of four centuries, the private worth and public<br />

services of this estimable man still command a place in our<br />

grateful memories; while the researches of antiquaries have<br />

penetrated through the dark shadow of the wings of time, and<br />

gathered from documentary evidence much that is locally in<br />

teresting, connected with his private his<strong>to</strong>ry.<br />

It appears that Canynges married early in life: but the sur<br />

name of his wife is not known. She died about 1460, when the<br />

monument with efligies was placed in Redclifi'e <strong>Church</strong> by her<br />

husband, as a memorial of her and of himself. Their children<br />

were William and John, both of whom deceased before their<br />

father. No mention occurs of any daughter. \Villiam married<br />

Isabel or Elizabeth, daughter and heir of John Vowel, Esq. of<br />

\Vells. She had a large jointure from her inherited property,<br />

and from the settlement and bequest of her father-in-law, having<br />

remarried John Depeden, Esq., of Bris<strong>to</strong>l, by whom she left no<br />

issue. By her first husband she had two sons, Thomas and<br />

William, and one daughter, Agnes. Of Thomas we have dis<br />

covered no farther than that he was of age in 1484, if not earlier,<br />

when he sold “ Canynges' Place.” This alienation was disputed<br />

in Chancery, by William Spencer, the execu<strong>to</strong>r, and the chantry<br />

priests of <strong>Redcliffe</strong>, but confirmed. No mention is made of this<br />

elder son in William Canynges’ will, and most probably because<br />

he inherited the estate of his mother, at Wells. The other son<br />

William, and the daughter Agnes, both died minors; a fact cer<br />

tainly known by the lapse of the Bris<strong>to</strong>l property, which had<br />

been devised <strong>to</strong> them and their heirs in<strong>to</strong> the hands of William<br />

Spencer the mayor, the corporation, and the chantry priests of<br />

.Redclide. John, the other son of W. Canynges, left a widow,<br />

but no children. Both these widows were endowed in his<br />

will.<br />

Thus we may attribute <strong>to</strong> a probable and rational cause, the<br />

resolution which he <strong>to</strong>ok of abandoning the cares of a busy<br />

mercantile life, of which the chief consolation and support had<br />

failed him, by the premature death of his two sons.<br />

From his earliest youth he was deeply imbued with religious<br />

' The word “ chevisaimce” means any contract for mop-pf].<br />

t In modern English 2—“ This worthy man applied his ants beneficiall ,<br />

so that no man could say that he was indebted <strong>to</strong> him, so honourany did e<br />

conduct his mercantile affairs, in all his bargains and transactions of money.”


46 MEMOIR 01-"<br />

feeling, and was a faithful and zealous follower of the <strong>Church</strong> of<br />

Rome, which was then prevalent in this country. His friend<br />

and confessor from his earliest days, was John Carpenter, born<br />

at VVestbury-upon-Trym, and who eventually became bishop of<br />

Worcester; and these impressions were fostered by him. He<br />

it was who probably suggested the rebuilding of Redclifle<br />

<strong>Church</strong> upon so grand a scale, for he was a known patron of<br />

ecclesiastical architecture. He rebuilt the college of Westbury<br />

upon-Trym. ,<br />

In 1467 Canynges gave <strong>to</strong> repair the tenements, then dilapi<br />

dated, which belonged <strong>to</strong> two chantries in Redclifie <strong>Church</strong>,<br />

here<strong>to</strong>fore founded by Everard Le Fraunceys; and <strong>to</strong> found<br />

another, <strong>to</strong> be called “\V. Canynges’ Priest,” the sum of £340,<br />

by a deed in Mr. Cumberland’s collection; and not £500, as<br />

misstated. In the next year he obtained from King Edward IV.<br />

a patent <strong>to</strong> establish two priests, for a daily mass before the<br />

altar of <strong>St</strong>. George, with a salary of nine marks, and a cham<br />

ber for each. He had previously erected a building <strong>to</strong> receive<br />

all these near the churchyard. \Vyrcestre speaks of this edifice<br />

as having bay windows, probably on the plan of those built for<br />

the vicars choral of Wells, by Bishop Becking<strong>to</strong>n, about the<br />

same time.<br />

In I468, having completed his original intention, he resolved<br />

<strong>to</strong> dedicate the remnant of his days <strong>to</strong> the service of God and<br />

the church. He was ordained accolyte Sept. 19, 1467; deacon<br />

and priest. April 16, [468; and was then appointed the first dean<br />

of the Benedictine College of Westbury, then newly modelled<br />

by his friend. In this retreat he passed the last six years of his<br />

life.<br />

Canynges’ will bears date November 12, 1473, at VVestbury,<br />

and he died the next year, aged conjecturally seventy-four years.<br />

His funeral was conducted <strong>to</strong> his place of sepulture in Redclifle<br />

<strong>Church</strong>, accompanied by a large concourse of ecclesiastics, par<br />

ticularly of the mendicant orders, within the <strong>to</strong>wn, <strong>to</strong> whom he<br />

had bequeathed legacies of an amount very unusual in those<br />

da s.<br />

}In the house occupied by Mr. Jefi‘eries, Bookseller, Redclifl'e<br />

<strong>St</strong>reet, is a large room, traditionally known as “ Canynges'<br />

Chapel ," now appropriated <strong>to</strong> the extensive business there carried<br />

on. Its principal feature of interest remaining, is a wooden roof<br />

of a high pitch, with curved bracing ribs, springing from corbel<br />

heads of angels bearing shields, meeting under the middle of the<br />

tie beam, and forming an obtuse arch, ornamented with foliations<br />

of open carving, with the spandrels filled with pierced panel<br />

t- ,m- l


CHATTERTON. 47<br />

work or tracery, as was the character, at the period <strong>to</strong> which this<br />

roof may be assigned, in the reign of Henry VI.<br />

On the floor of the room behind, is an unusually perfect<br />

specimen of what are frequently called encaustic tiles, with in<br />

scriptions and shields of arms upon them. Few are found<br />

belonging <strong>to</strong> a period earlier than the middle of the thirteenth<br />

century; these appear, similar <strong>to</strong> the earliest tiles, <strong>to</strong> have the<br />

pattern stamped in the red clay, and that pattern filled up with<br />

white clay; differing from those of the vestry room in the Mayor's<br />

Chapel, which are enamelled with patterns of several colours,<br />

and are attributed <strong>to</strong> the latter part of the fifteenth century.<br />

The use of paving tiles ceased at the Reformation.<br />

The design of these is uniform, and deserve a more minute<br />

description than the limits of this work will admit. Those who<br />

feel interested in the study of these relics, can have an opportunity<br />

of examining them more carefully, the pavement being left un<br />

covered by Mr. J efferies for their inspection and gratification.<br />

The pavement was only partially discovered twenty years since,<br />

by accidentally removing the floor; since which Mr. Jefl'eries<br />

has uncovered the whole.<br />

THOMAS CHATTERTON was the posthumous son of Thomas<br />

and Sarah Chatter<strong>to</strong>n, and was born in a house on Redclifl'e<br />

Hill, (immediately behind No. 50) November 20th, 1762. His<br />

father was, in the early part of his life, a writing master in a<br />

classical school; he afterwards became subchaunter of the cathe<br />

dral of Bris<strong>to</strong>l, which office he held, <strong>to</strong>gether with that of master<br />

of Pyle <strong>St</strong>reet School, till his death, which <strong>to</strong>ok place in August,<br />

1752. His father was succeeded in the management of Pyle<br />

<strong>St</strong>reet School by Mr. Love, <strong>to</strong> whose care, at five years' old,<br />

Chatterth was committed; but such was his apparent dulness<br />

and want of capacity, that he was sent back <strong>to</strong> his mother with<br />

the character of a stupid boy, and one who was absolutely inca<br />

pable of receiving instruction.<br />

He was admitted in<strong>to</strong> Cols<strong>to</strong>n School in August, 1760; and<br />

on the lst of July, 1767, he left it, and was bound apprentice <strong>to</strong><br />

Mr. J. Lambert, at<strong>to</strong>rney, of Bris<strong>to</strong>l, for seven years, <strong>to</strong> learn<br />

the art of a scrivener.<br />

In the beginning of Oc<strong>to</strong>ber, 1768, the new bridge at Bris<strong>to</strong>l<br />

was finished; at that time there appeared in Farlcy’s Brislol<br />

Journal an account of the ceremonies on opening the old<br />

bridge, introduced by a letter <strong>to</strong> the printer, intimating that<br />

“ The following description of the Friars first passing over the


48 MEMOIR or<br />

old bridge was taken from an ancient manuscript," and signed<br />

“ Dunhelmus Bris<strong>to</strong>liensis." The paper, if it be allowed <strong>to</strong> be a<br />

fabrication of modern times, demonstrates strong powers of in<br />

vention, and an uncommon knowledge of ancient cus<strong>to</strong>ms. So<br />

singular a memoir could not fail <strong>to</strong> excite curiosity, and many<br />

persons became anxious <strong>to</strong> see the original. The printer, Mr.<br />

Farley, could give no account of it, nor of the person who<br />

brought the copy; but after much inquiry, it was discovered<br />

that the manuscript was brought by a youth between fifteen and<br />

sixteen years of age, of the name of Thomas Chatter<strong>to</strong>n.<br />

A circumstantial account of the discovery of these manuscripts,<br />

found in a room over the north porch of <strong>St</strong>. <strong>Mary</strong> <strong>Redcliffe</strong><br />

<strong>Church</strong>, is preserved in Mr. Bryant’s Observations on Rowley's<br />

Poems. Considerable depredations had, from time <strong>to</strong> time,<br />

been committed upon them, by different persons; but the most<br />

insatiate of these plunderers was the father of Chatter<strong>to</strong>n. His<br />

uncle, being sex<strong>to</strong>n of <strong>St</strong>. <strong>Mary</strong> Radcliffe, gave him free access<br />

<strong>to</strong> the church. He carried off, from time <strong>to</strong> time, parcels of the<br />

parchments; and one time alone, with the assistance of his boys,<br />

is known <strong>to</strong> have filled a large basket with them. Of the dis<br />

covery of their value by the younger Chatter<strong>to</strong>n, the account of<br />

Mr. Smith, a very intimate acquaintance, which he gave <strong>to</strong> Dr.<br />

Glynn, of Cambridge, is <strong>to</strong>o interesting <strong>to</strong> be omitted. “ When<br />

young Chatter<strong>to</strong>n was first articled <strong>to</strong> Mr. Lambert, he used<br />

frequently <strong>to</strong> come home <strong>to</strong> his mother by way of a short visit.<br />

There, one day, his eye was caught by one of these parchments,<br />

which had been converted in<strong>to</strong> a thread-paper. He found not<br />

only the writing <strong>to</strong> be very old, the characters very different<br />

from common characters, but that the subject therein treated<br />

was different from common subjects. Upon inquiry, he was led<br />

<strong>to</strong> a full discovery of all the parchments which remained; the<br />

bulk of them consisted of poetical and other compositions, by<br />

Mr. Canynges, anda particular friend of his, Thomas Rowley,<br />

whom Chatter<strong>to</strong>n at first called a monk, and afterwards a secular<br />

priest of the fifteenth century. Such, at least, appears <strong>to</strong> be the<br />

account which Chatter<strong>to</strong>n thought proper <strong>to</strong> give, and which he<br />

wished <strong>to</strong> be believed."<br />

Upon being infortned of the manner in which his father had<br />

procured the parchments, he went himself <strong>to</strong> the place, and<br />

picked up four more, which, if Mrs. Chatter<strong>to</strong>n rightly remem<br />

ers, Mr. Barrett had at that time in his possession.<br />

The eventful his<strong>to</strong>ry of the munitnent room, as associated with<br />

the writings of the unfortunate Chatter<strong>to</strong>n, has already been<br />

given in the preceding pages of this book. The room forms


CHATTERTON. 49<br />

an irregular octagon, admitting light through narrow unglazed<br />

apertures, upon the broken and scattered fragments of the<br />

famous Rowleian chests, that with the rubble and dust of<br />

centuries cover the floor. In melancholy cadence the cannying<br />

wind creeps through the unprotected openings, and spreads its<br />

plaintive murmuring wail over the wreck of years. It is here<br />

creative fancy pictures forth the sad image of the spirit of the<br />

spot, the ardent boy, flushed and fed by hope, musing on the<br />

brilliant deception he had conceived, whose daring attempt has<br />

left his name un<strong>to</strong> the intellectual world as a marvel and a<br />

mystery. Here in the full but fragile enjoyment of his brief<br />

and illusory existence, be s<strong>to</strong>red the treasure-house of his<br />

memory with the thoughts that, teeming over his pages, have<br />

enrolled his name amongst the great in the land of poetry and<br />

song. Happy then, ere his first and joyous aspirations were<br />

repressed, ere the warm and genial emotions of his heart<br />

were checked, before time had dissipated his idle dreams, and<br />

neglect, contempt, and distress, had fastened on his mind, and<br />

hurried him onward <strong>to</strong> his un<strong>to</strong>ward destiny. Then as the daily<br />

chimes poured from the lofty <strong>to</strong>wer their soul-subduing melody,<br />

and recalled his thoughts that roamed far, far away, <strong>to</strong> a distant<br />

age, with long hidden tales of romance, and chivalry, and antique<br />

minstrelsy, <strong>to</strong> the ties of affection that formed a portion of his<br />

better nature; <strong>to</strong> the domestic hearth, where his heart’s social,<br />

kindliest feelings were enshrined ;—little did he then deem that<br />

the hour would come, when in the utter desolation of his soul,<br />

apart from all human sympathy, alone, in his deep interminable<br />

pride, his disappointed ambition would render him reckless of<br />

all worldly hopes, and unmindful of all heavenly commands.<br />

Little did he deem that the native energy of his genius would<br />

combat in vain the tide of difficulties which flowed against him;<br />

that penury and want, the misery of human days, which made<br />

his mortal life a wearying disease, would poison the springs of<br />

his existence; that in the dearth of his crushed feelings, friend<br />

less, hopeless, fearless, he would dare break the frail bonds of -<br />

fleeting life, and rush unsummoned before the throne of the<br />

Almighty!<br />

Chatter<strong>to</strong>n's attention, at Bris<strong>to</strong>l, was not confined <strong>to</strong> Rowley;<br />

his pen was exercised in a variety of pieces, chiefly satirical,<br />

and several essays, both in prose and verse, which he sent<br />

<strong>to</strong> the magazines. Dunhelmus Bris<strong>to</strong>liensis was the signa<br />

ture he generally employed. In the course of the year 1769,<br />

he was a considerable contribu<strong>to</strong>r <strong>to</strong> the Town and Country<br />

Magazine.<br />

D


5O<br />

MEMOIR or<br />

Among the efforts which he made <strong>to</strong> extricate himself from his<br />

irksome situation, the most remarkable is his application <strong>to</strong> the<br />

Hon. Horace \Valpole, in March, 1769; the ground of which<br />

was an offer <strong>to</strong> furnish him with some accounts of a series of great<br />

painters, who had flourished at Bris<strong>to</strong>l, which Chatter<strong>to</strong>n said<br />

had been lately discovered, with some old poems, in that city.<br />

Mr. Walpole answered Chatter<strong>to</strong>n's letter, desiring further in<br />

formation; and in reply was informed that “he (Chatter<strong>to</strong>n)<br />

was the son of a poor widow, who supported him with great<br />

difficulty; that he was apprenticed <strong>to</strong> an at<strong>to</strong>rney, but had a taste<br />

for more elegant studies." Mr. Walpole, though convinced of<br />

the author‘s intention <strong>to</strong> impose upon him, could not, as he<br />

himself confesses, help admiring the spirit of poetry which ani<br />

mated these compositions. The testimonies of his approbation,<br />

however, were <strong>to</strong>o cold <strong>to</strong> produce in Chatter<strong>to</strong>n any thing but<br />

lasting disgust.<br />

Those who have sullied the youth of Chatter<strong>to</strong>n with the im<br />

putation of extraordinary irregularities, and have aserted that<br />

“his profligacy was, at least, as conspicuous as his abilities,"<br />

have, it is conceived, rather grounded these assertions on the<br />

apparently profane and immoral tendency of some of his pro<br />

ductions, than on personal knowledge of a correct review of his<br />

conduct. During his residence in Bris<strong>to</strong>l, we have the most<br />

respectable evidence in favour of the regularity of his conduct,<br />

namely, that of his master, Mr. Lambert. Of few young men<br />

in his situation it can be said, that during a course of nearly<br />

three years, he seldom encroached upon the strict limits which<br />

were assigned him, with respect <strong>to</strong> his hours of liberty; that his<br />

master could never accuse him of improper behaviour; and that<br />

he had the utmost reason <strong>to</strong> be satisfied he never spent his hours<br />

of leisure in any but respectable compan .<br />

“Of Mrs. Angel, with whom he last resided, no inquiries<br />

have afforded any satisfac<strong>to</strong>ry intelligence; but there can belittle<br />

doubt that his death was preceded by extreme indigence. Mr.<br />

Gross, an apothecary in Brook <strong>St</strong>reet, informed Mr. War<strong>to</strong>n,<br />

that while Chatter<strong>to</strong>n lived in the neighbourhood, he frequently<br />

called at the shop, and was repeatedly pressed by Mr. Cross <strong>to</strong><br />

dine or sup with him in vain. One evening, however, human<br />

frailty so far prevailed over his dignity, as <strong>to</strong> tempt him <strong>to</strong> par<br />

take of the regale of a barrel of oysters, when he was observed <strong>to</strong><br />

eat most voraciously. Mrs. Wolfe, a barber’s wife, within a. few<br />

doors of the house where Mrs. Angel lived, has also afforded<br />

ample testimony, both <strong>to</strong> his poverty and his pride. She says,<br />

that Mrs. Angel <strong>to</strong>ld her, after his death, that on the 24th of


CHATTERTON. 51<br />

August, as she knew he had not eaten any thing for two or three<br />

days, she begged he would take some dinner with her; but he<br />

was offended at her expressions, which seemed <strong>to</strong> hint he was in<br />

want, and assured her he was not hungry. In these desperate<br />

circumstances, his mind reverted <strong>to</strong> what (we learn from Mr.<br />

Thistlewaite, and other quarters) he had accus<strong>to</strong>med himself <strong>to</strong><br />

regard as a last resource. ‘ Over his death, for the sake of the<br />

world,’ says the author of Love and Madness, ‘ I would willingly<br />

draw a veil. But this must not be. They who are in a condi<br />

tion <strong>to</strong> patronise merit, and they who feel a consciousness of<br />

merit which is not patronised, may form their own resolutions<br />

from the catastrophe of his tale—those, <strong>to</strong> lose no opportunity of<br />

befriending genius—~these, <strong>to</strong> seize every op ortunity of be<br />

friending themselves, and, upon no account, <strong>to</strong> arbour the most<br />

distant idea of quitting the world, however it may be unworthy<br />

of them, lest despondency should at last deceive them in<strong>to</strong> so<br />

unpardonable a step.’ Chatter<strong>to</strong>n, as ap ears by the Coroner’s<br />

Inquest, swallowed arsenic in water, on e 24th August, 1770,<br />

and died in consequence thereof the next day. He was buried<br />

in a shell, in the burying ground of Shoe Lane workhouse.”


The COMPILER has inserted here a copy of the eloquent appeal,<br />

issued by the Vestry of <strong>St</strong>. <strong>Mary</strong> Redcli e, in 1842, for<br />

raising Subscriptions <strong>to</strong> res<strong>to</strong>re their magnificent church;<br />

he has much pleasure in giving it all the publicity in his<br />

power, and most cordially wishes it every success.<br />

Tn); VICAR, Cnnncnwannsns, and Vns'rrtv of the Parish of<br />

<strong>St</strong>. <strong>Mary</strong> Redclifl'e, having resolved upon a public and extended<br />

appeal on behalf of the venerable and once-splendid fabric en<br />

trusted <strong>to</strong> their care, prepared and circulated, in July last, an<br />

address briefly stating the circumstances which appeared <strong>to</strong> them<br />

<strong>to</strong> justify such appeal. That address explained the preliminary<br />

steps which the parish authorities had adopted, and especially<br />

their selection of Mr. Bar'rron <strong>to</strong> advise respecting the decayed<br />

state of their church, and the best mode of res<strong>to</strong>ring it <strong>to</strong> its<br />

pristine integrity and beauty, with their reasons for such selec<br />

tion. The result of their communication with that gentleman<br />

was his calling <strong>to</strong> his aid Mr. Hosxme, Professor of Architec<br />

ture and of the arts of construction, at King’s College, London,<br />

whom the vestry, at Mr. Bnrr'ron's request, have associated<br />

with him in the commission.<br />

These gentlemen having carefully and fully surveyed the<br />

church, presented <strong>to</strong> the parish authorities luminous and detailed<br />

reports, on all the matters referred <strong>to</strong> them, accompanied by<br />

plans and drawings illustrative of their views. In the conclusion<br />

of their preliminary address, the parish authorities stated that<br />

the reports were thought <strong>to</strong>o copious for printing on that occa~<br />

sion; but that in a subsequent appeal, an analysis should be given,<br />

<strong>to</strong> embrace their more leading and prominent parts, and illustrated<br />

by copies of some of the drawings. It is in fulfilment of this<br />

intention, and of the pledge contained in their former paper,<br />

that the vicar, churchwardens, and vestry, now present this more<br />

extended address, in the hope and belief that the public will<br />

feel as well satisfied as the parish authorities in their preliminary<br />

address stated themselves <strong>to</strong> be; that the able and eminent archi<br />

tects alluded <strong>to</strong>, have, in their consideration of the matters<br />

referred <strong>to</strong> them, “been governed by views not less honourable<br />

<strong>to</strong> their reputation for taste and science, than for sound and


1N APPEAL TO RESTORE ST. MARY REDCLIFFE.<br />

practical knowledge; and that could the views of those gentlemen<br />

be carried out, our city would possess a parochial church, and<br />

the west of England a national monument, of unequalled beauty,<br />

and one <strong>to</strong> be visited and admired by multitudes of strangers of<br />

our own and of foreign nations."<br />

In their reports on the present state and contemplated repairs<br />

and res<strong>to</strong>ration of the church of <strong>St</strong>. <strong>Mary</strong> Redclifl‘e, Messrs.<br />

Bruno»: and Hosxme commence by drawing the attention 01<br />

the parish authorities <strong>to</strong> the injuries sustained by the fabric, from<br />

the long-continued access of damp and moisture, both in the<br />

superstructure and foundation walls,—produced, as <strong>to</strong> theformer,<br />

by the insufiicient means for carrying ofi‘ the rain and snow,—<br />

and, as <strong>to</strong> the latter, by the want of drainage; both which<br />

deficiencies they principally ascribe <strong>to</strong> the original arrangement<br />

for the discharge of water from the roofs, and want of drainage<br />

round the fabric. To the former of these defects, they attribute,<br />

in a great degree, the injury <strong>to</strong>, if not destruction of, the external<br />

faces of the masons’ work upon the walls and buttresses. They<br />

have, in much detail, set out the nature, extent, and causes of<br />

the mischief; and, in a subsequent part of their report, have<br />

suggested, with like detail, the extensive and efficient measures<br />

recommended for remedying the evils alluded <strong>to</strong>, and for pre<br />

venting their future recurrence.<br />

They describe the Roqf Covering as, throughout, in a very<br />

defective state, though heavy expence is annually incurred in<br />

repairing it; and they suggest its entire re-arrangement and<br />

re-construction, upon the principles described in their reports.<br />

They have also ascertained and have very accurately described,<br />

an original defect existing in the great Tower, evinced in a bulg<br />

ing outwards of the external faces of that part of the structure,<br />

and produced by an inequality of strength and resisting power<br />

between the finely-wrought and closely-jointed masonry of the<br />

faces, and the rubble backing which constitutes the main bulk of<br />

the walls; and they state that, with the exception of the <strong>to</strong>wer<br />

and the flank wall and buttresses of the south aisle of the chancel,<br />

all the walls and foundations, throughout, appear <strong>to</strong> be perfectly<br />

sound and but little injured. They attribute the settlement out<br />

wards of the flank wall, first noticed, <strong>to</strong> the want of proper<br />

drainage before alluded <strong>to</strong>, and <strong>to</strong> the <strong>to</strong>o near approach of graves<br />

t0 the foundations of the wall in question, which are not, in<br />

that part of the fabric, more than four or five feet in depth;<br />

and they state that, by an attempt formerly made <strong>to</strong> prevent<br />

the flank from going further, or <strong>to</strong> hold it up, mischief has been<br />

occasioned <strong>to</strong> the pillars which stand between it and the chancel,


54 AN APPEAL FOR THE<br />

and, through those pillars, <strong>to</strong> the cleres<strong>to</strong>ry resting upon them.<br />

They express their opinion that the chancel is in an insecure<br />

state therefrom, and point out in very strong and clear terms<br />

the mischief and danger <strong>to</strong> be apprehended, unless immediate<br />

attention be given there<strong>to</strong>; and they enter, at considerable detail,<br />

in<strong>to</strong> the comparative inefficiency of the repairs which have been<br />

from time <strong>to</strong> time effected.<br />

Recurring <strong>to</strong> the Tower, they state, that the solid structure<br />

of this beautiful work is generally sound and trustworthy, though<br />

its exterior surface has almost wholly perished ; and that from<br />

the dilapidated state of the whole exterior, and especially of the<br />

enrichments previously noticed by them, the <strong>to</strong>wer is unsafe<br />

<strong>to</strong> approach; and they therefore recommend means for excluding<br />

persons from passing within reach of the danger <strong>to</strong> be appre<br />

ended, from the constant liability of fragments of s<strong>to</strong>ne, of no<br />

mean size, <strong>to</strong> become detached, and <strong>to</strong> fall in every direction.<br />

They represent the masons' work of the Spire as generally<br />

sound, though the surface of the s<strong>to</strong>ne upon the exterior is<br />

rapidly disintegrating from the causes described in the report.<br />

In proceeding <strong>to</strong> advise as <strong>to</strong> the solid and substantial repair<br />

of the fabric, in its more important parts, and the res<strong>to</strong>ration<br />

of the ornamental parts, Messrs. BRITTOR and Hosxme state<br />

that so intimate a connection exists between the parts of such a<br />

building as that under consideration, as <strong>to</strong> render what may<br />

apppar <strong>to</strong> be merely ornamental in most cases essential <strong>to</strong> the<br />

sta ility of the structure,—-that they feel themselves compelled<br />

<strong>to</strong> report on these two heads <strong>to</strong>gether; and they furnish very<br />

able and sufficient grounds for their determination; but dividing<br />

the subject in<strong>to</strong> two parts, viz. :—<br />

First, the Tower and S ire; and second, the <strong>Church</strong> with<br />

the Lady Chapel, the Porc es, and other accessories.<br />

With respect <strong>to</strong> the first, it would be injustice <strong>to</strong> the architects<br />

<strong>to</strong> give in any other language than their own, the suggestions<br />

they have offered, viz. :—<br />

“ The Tower and Spire—This singularly beautiful composi<br />

tion is al<strong>to</strong>gether distinct in style and date from the church,<br />

which has been added <strong>to</strong> it, and deserves, as it requires, <strong>to</strong><br />

be considered, not as a merely provincial edifice, and far less as<br />

a simple parish steeple, but as a national monument, and in the<br />

first rank of the many noble structures of the kind in existence<br />

in this country. In magnitude it is exceeded by few; in destined<br />

altitude, the larger cathedrals alone would excel it; and in<br />

chaste simplicity of design, combined with elaborately beautiful,<br />

but subdued and appropriate, decoration, Redclifl'e Tower is sur


RESTORATION on ST. MARY REDCLIFFE. 55<br />

passed by none; whilst it is re-eininent in its position, on a lofty<br />

bank of the Avon, within t e commercial capital of the west of<br />

England. We have already intimated that the solid structure<br />

of the <strong>to</strong>wer is sound and trustworthy, and that it is capable of<br />

being easily made <strong>to</strong> bear all that it was ever intended <strong>to</strong> carry.<br />

............It would appear, however, that when the church was<br />

built, the idea of completing the spire was abandoned, as the<br />

south-western buttresses of the <strong>to</strong>wer were reduced in projection,<br />

and otherwise altered <strong>to</strong> compose with the west from of the<br />

church,——and the south-eastern angle was altered, throughout,<br />

<strong>to</strong> extend the nave of the church uninterruptedly <strong>to</strong> its western<br />

front. The tact and skill with which the outer, or south-western<br />

angle of the <strong>to</strong>wer was altered, and the fine taste with which<br />

the turret pier, in front of the church, which composes with the<br />

reduced buttress of the <strong>to</strong>wer, is arranged, <strong>to</strong> connect the parts of<br />

the composition, are most admirable; but not so the arrangement<br />

at the other angle, where a low, heavy arch, and an unmeaning<br />

blank, upon a heavier pier, obtrude themselves immediately within<br />

the church door; contrasting, most disadvantageoust <strong>to</strong>o, with<br />

the composition of the arches of the aisle, and with the cleres<strong>to</strong>ry<br />

on the other side of the entrance.<br />

“ It may be remarked here, that, at the time Redclifl'e church<br />

was built, the taste which produced the original design of the<br />

magnificent superstructure <strong>to</strong> the <strong>to</strong>wer no longer existed: spires<br />

were not built <strong>to</strong> Gloucester cathedral nor <strong>to</strong> Bath Abbey church,<br />

in the 15th century,—-as they had been at Salisbury, Norwich,<br />

and Litchfield, in the 13th and 14th centuries: comparatively<br />

small spires, on lofty <strong>to</strong>wers, as at Louth and Newcastle,—or<br />

lanterns, as at Bos<strong>to</strong>n,—indicate the prevailing taste, in that<br />

respect, when this church was built, and the abutments of the<br />

spire of the original design were altered or removed. In this<br />

manner, the incomplete or demolished spire was left, and the<br />

original composition was shom of its fair proportions.<br />

“ In compliance with the instructions <strong>to</strong> us, <strong>to</strong> advise as <strong>to</strong> such<br />

alterations in the res<strong>to</strong>ration of the ornamental parts of the<br />

fabric, both external and internal, as may seem necessary for<br />

reinstating it <strong>to</strong> its ancient and pristine beauty, we urge, most<br />

strongly, the necessity of res<strong>to</strong>ring, at the same time, the perished<br />

surfaces of the <strong>to</strong>wer, and its immediate accessories,—adapting<br />

it <strong>to</strong> receive the completed spire,-—and carrying on, <strong>to</strong> comple<br />

tion, that beautiful feature of a masterwork of architectural<br />

composition, which, in its truncated state, is but an unpicturesque<br />

deformity. Thus the original design may be both res<strong>to</strong>red and<br />

completed, and Bris<strong>to</strong>l possess a noble national monument, that


56 AN APPEAL FOR THE<br />

will add <strong>to</strong> the beauty of her locality and <strong>to</strong> her pre-eminence<br />

amongst English cities.<br />

“ In res<strong>to</strong>ring the <strong>to</strong>wer, as contradistinguished from the super<br />

imposed spire, it will, of course, be proper that the work should<br />

be set upright on all its faces; and, in doing this, it will become<br />

necessary <strong>to</strong> take out and reinstate the whole of the ashlaring<br />

of the surfaces, even when it might otherwise remain, though<br />

that, indeed, is of very small extent. Moreover, all the s<strong>to</strong>nes<br />

upon which the enrichments occur, must, of necessity, be drawn,<br />

wherever the enriched surfaces are defective; and these require<br />

ments <strong>to</strong>gether would involve the reinstatement of all the external<br />

surfaces of the <strong>to</strong>wer. Paring old work, and pinning in patches<br />

of new s<strong>to</strong>ne, where there is not any left <strong>to</strong> pare, we consider<br />

al<strong>to</strong>gether out of the question,—as paring would reduce the<br />

original proportions of the design,—and pinning-in, among the<br />

pared faces, pieces, in the place of s<strong>to</strong>nes al<strong>to</strong>gether ruined, would<br />

not produce a res<strong>to</strong>ration of the fabric <strong>to</strong> its ancient and pristine<br />

beauty. The absolutely necessary res<strong>to</strong>ration of the faces of the<br />

<strong>to</strong>wer, with its buttresses,-turrets, pinnacles, niches, canopies,<br />

pediments, windows, and their enrichments, parapets, cornices,<br />

and corbels, will give the means of doing all that is necessary,<br />

with a trifling exception, <strong>to</strong> fit the <strong>to</strong>wer <strong>to</strong> receive the spire of<br />

its full dimensions. This exception involves an alteration within<br />

the church; but we shall be able <strong>to</strong> shew, that what is required<br />

there, can be made, not only consistent with, but most desirable<br />

for, the services of the interior.<br />

“ The existing portion of the spire is, fortunately, quite enough<br />

<strong>to</strong> give the means of developing the original design, whilst it<br />

affords demonstrative evidence that a complete spire was con<br />

templated by the original designer of the structure. If lines<br />

be drawn from points within the footings of the buttresses of the<br />

<strong>to</strong>wer, through the base of the spire, on the summit of the<br />

<strong>to</strong>wer, they will follow the sides of the spire, as far as it now<br />

exists, and meet at such a height as similar compositions of equal<br />

date would justify by analogy. We have drawn such lines, or<br />

rather we have set up the present compartment as it exists,<br />

and find that its thrust is within the abutments afl'orded by<br />

the buttresses, and that the sub-structure generally has the<br />

strength necessary <strong>to</strong> carry the super-structure resulting from<br />

carrying it up <strong>to</strong> the height indicated; which height results<br />

from a continuation of the same lines upwards, and is further<br />

jtlistified by the best existing examples of works of the same<br />

c ass.<br />

“ The decorations of the spire, as it exists, are of singular


RESTORATION OF ST. MARY REDCLIFFE.<br />

beauty and propriety; the ribs are exquisitely moulded; and the<br />

characteristic enrichment of the vertical and pointed moulding:<br />

of the <strong>to</strong>wer below, is carried with great good taste and beautiful<br />

efl'ect, up in<strong>to</strong> the spire : so that nothing has <strong>to</strong> be imagined in<br />

that respect; and we may say with confidence, that the design,<br />

as we present it, of the <strong>to</strong>wer with the res<strong>to</strong>red spire, is a true<br />

presentment of the original intention of the first designer. We<br />

may have omitted <strong>to</strong> state hither<strong>to</strong>, however, what is most<br />

satisfac<strong>to</strong>ry <strong>to</strong> know, that in the midst of the dilapidation and<br />

disintegration which pervade the work, nothing in the moulded<br />

forms or other enrich-ments, and nothing in the form: and<br />

proportions generally, is entirely lost,- but specimen: remain,<br />

from which res<strong>to</strong>rations may be made with certain truth.<br />

" It will be remarked, that the basement of the <strong>to</strong>wer, in the<br />

drawing of the elevation of the west front, shews a greater depth<br />

of faced work than appears at present. This we consider it<br />

desirable <strong>to</strong> res<strong>to</strong>re, <strong>to</strong> prevent the structure from losing any<br />

part of its apparent elevation, in raising the level of Redcliflb<br />

<strong>St</strong>reet before the north-west entrance <strong>to</strong> the enclosure; and we<br />

have suggested, in the drawings, a re-arrangement of the stgps<br />

of approach <strong>to</strong> the church, in accordance with this view. e<br />

propose <strong>to</strong> alter the windows of the <strong>to</strong>wer, from their present<br />

forms and proportions, <strong>to</strong> others, more in character with the<br />

design of the superstructure.”<br />

For the reasons detailed in the report, Messrs. Bar'r'ron and<br />

HOSKING recommend that attention should be first directed <strong>to</strong><br />

the res<strong>to</strong>ration of the <strong>to</strong>wer and spire; and that the former<br />

should, under the circumstances, not be deferred any longer, if<br />

it be desired <strong>to</strong> preserve this beautiful monument from utter<br />

destruction.<br />

Speaking of “ the <strong>Church</strong>, with the Lady Chapel, the Porches,<br />

and other accessories,"——after the recommendations, before alluded<br />

<strong>to</strong>, as <strong>to</strong> what are termed the hydraulic arrangements and the ro<br />

posed reconstruction of the roofs,-—Messrs. Burma and os<br />

KING suggest a new gateway at the north-west corner of the<br />

church enclosure, and other arrangements consequent upon the<br />

recent alterations under the Bris<strong>to</strong>l Improvement Act, and for<br />

giving more efl'ect thereby <strong>to</strong> the beautiful edifice under con<br />

sideration; and, after their valuable suggestions for the substantial<br />

repair of the fabric, in the south flank of the chancel and the<br />

transept, they refer <strong>to</strong> their drawings, as shewing with sufficient<br />

clearness the res<strong>to</strong>rations they propose of the various parts of<br />

the exterior of the building; which res<strong>to</strong>rations, they state, are<br />

mostly from existing authority within the building itself, and


58 n: APPEAL FOR me<br />

where no specimen exists of the original parts, the res<strong>to</strong>rations<br />

are stated <strong>to</strong> be made, <strong>to</strong> the best of their judgment, from analogy.<br />

Repeating their difliculty of separating the substantial from the<br />

ornamental parts, they go on <strong>to</strong> shew that many portions com<br />

monly considered merely ornamental, are either absolutely neces<br />

sary, or highly useful, <strong>to</strong> the substantial structure; and after<br />

naming several instances of this sort, they add :—<br />

“ We do not contemplate, however, and cannot imagine that<br />

the necessary and useful reparations are re aired <strong>to</strong> be made<br />

in merely shaped blocks of s<strong>to</strong>ne, without (the mouldings and<br />

other decorations a propriate <strong>to</strong> them; and, for ourselves, had<br />

rather see the church a picturesque ruin, than be instrumental<br />

in res<strong>to</strong>ring it <strong>to</strong> strength without its native beauty. \Ve propose,<br />

therefore. the res<strong>to</strong>ration of all the decorations that ever existed<br />

upon the surfaces of the work, and” that with new materials,<br />

and not by paring and patching the old."<br />

They add, however, that in some few cases, the heads of the<br />

windows, with the tracery in them, may, perhaps, be preserved.<br />

The architects propose <strong>to</strong> remove the modern attachment <strong>to</strong><br />

the south porch, also the lobby <strong>to</strong> the lady chapel, and likewise<br />

the sheds and other unsightly objects about the church and of<br />

the doorway and steps at the south-east side of the north porch;<br />

they further suggest certain provisions and res<strong>to</strong>rations conse<br />

quent on such removals.<br />

fls <strong>to</strong> the Interior of the <strong>Church</strong>.——The suggestions of Messrs.<br />

BRITTON and Hosxmo refer <strong>to</strong> matters of which they describe<br />

the res<strong>to</strong>ration for the most part as easy. But the most important<br />

res<strong>to</strong>ration of the interior is that at the east end, involving the<br />

removal of Hogarth's pictures, and other inappropriate attach<br />

ments, and the reinstatement of the east and cleres<strong>to</strong>ry windows;<br />

and they hope <strong>to</strong> find that reparations only will he wanted <strong>to</strong> the<br />

screen, between the chancel and the lady chapel. The latter<br />

will want certain alterations, including a new floor.<br />

In the res<strong>to</strong>ration of the spire will be involved some alterations,<br />

pointed out by them, at the west end of the church, including<br />

a new arrangement for the organ; and they ex ress their hope,<br />

that as the whole of the lead and glass must e removed from<br />

the windows for the res<strong>to</strong>ration of the mullions and tracery, it<br />

may, in the principal ones at least, be reinstated with stained<br />

glass of an appropriate character.<br />

They also propose, in detail, numerous and important altera<br />

tions in the re-arrangement of the pews and seats, by which<br />

with an increased seat accommodation, and better command from<br />

the pulpit, reading desk, and altar, a more perfect view of the


RESTORATION or s'r. MARY REDCLIFFE. 59<br />

building may be obtained; whilst all the beautiful pillars shall<br />

be in every case insulated, that the eye may range over their<br />

lofty and symmetrical forms and proportions from the base <strong>to</strong><br />

the summit.<br />

The reports of Messrs. BRITTON and Hosxnso, with their<br />

accompanying drawings, though (for want of more time and<br />

labour than t ey have yet been able <strong>to</strong> bes<strong>to</strong>w,) not made with<br />

the fulness of detail required for actual operations, are, never<br />

theless, the result of admeasurements and of careful delineation<br />

of the most important parts; and their observations arise fiom<br />

close examination of the work in general and in detail, upon<br />

personal survey and attentive study and consideration of what<br />

they have observed; and their estimates subjoined are the result<br />

of such survey and consideration, and also upon comparison with<br />

the cost of other large works of analogous extent and character.<br />

The Tower and Spire.-—The complete reinstatement and<br />

res<strong>to</strong>ration of the <strong>to</strong>wer with its pinnacles, and all its decorations,<br />

in the manner, and with the s<strong>to</strong>ne they contemplate adopting,<br />

will cost about £8,200.<br />

The re-construction and completion of the ire, according<br />

<strong>to</strong> the data afforded by the existing portion thereofihnd according<br />

<strong>to</strong> the drawing of the west front res<strong>to</strong>red, and making the requi<br />

site additions <strong>to</strong> the buttresses of the <strong>to</strong>wer, and including the<br />

scaffolding and machinery necessary, will cost about £3,600.<br />

The <strong>Church</strong>, with the Lady Chapel, the Porches, and other<br />

accessories:—<br />

lst.——The hydraulic arrangements, including new roofs <strong>to</strong><br />

the church and lady chapel, the re-arrangement of the north<br />

west approaches, with the earthwork, drains, &c., as recommended<br />

in their general report, after giving credit for old materials, will<br />

cost £1,850.<br />

2nd.-—The substantial repair and reinstatement of the interiors,<br />

and the repair, reinstatement, and perfect res<strong>to</strong>ration of the whole<br />

of the exteriors of the church, lady chapel, and orches, including<br />

the re-working of the whole of the external ecorations in the<br />

s<strong>to</strong>ne alluded <strong>to</strong>, <strong>to</strong>gether with the alterations and presumed<br />

improvements recommended in the general report, it is estimated<br />

will cost nearly £21,400.<br />

3rd.—The re-arrangement and refitting of the interior of the<br />

church, as pro osed by Messrs. Barr'rou and Hosxmo, will<br />

cost £2,600. he whole presenting a <strong>to</strong>tal outlay of £37,650,<br />

which, with a due estimate for contingencies, in works so exten<br />

sive and of such comparatively novel character, cannot, in the<br />

judgment of the arish authorities, be safely calculated at a sum<br />

much less than 40,000.


60 AN APPEAL FOR THE<br />

It is, however, stated by the architects, that the expence<br />

under the second head may admit of reduction, by their finding,<br />

on further examination, portions of the work capable of remain<br />

ing, or of being re-worked and re-applied in places less exposed<br />

<strong>to</strong> the weather; and it is their opinion, that the part of the<br />

work contemplated in this section may, after precautions are<br />

taken <strong>to</strong> secure it, generally be distributed over any reasonable<br />

number of years.<br />

In allusion <strong>to</strong> the large sum required for effecting the object in<br />

all its proposed details, the parish authorities can but repeat,<br />

in the language of their preliminary address, that such an amount<br />

is only <strong>to</strong> be raised by the liberal co-operation of those, whom<br />

providence has blessed with the ability and the desire <strong>to</strong> aid in<br />

such objects as that for which this appeal is intended; and<br />

upon those of our own locality who have been so favoured by<br />

Providence, they repeat their confidence, that an appeal will<br />

not be made in vain for the res<strong>to</strong>ration of a fabric, which, if not<br />

wholly the work of a Bris<strong>to</strong>l merchant, is <strong>to</strong> be ascribed princi<br />

pally <strong>to</strong> one of that class. Their confidence is strengthened by<br />

the able and energetic support they have received from many<br />

and influential quarters, and especially from our local press, by<br />

one of whose edi<strong>to</strong>rs it has been well and eloquently said, that,<br />

“the question for the public—for the church-going public in<br />

" particular—<strong>to</strong> answer, is,——shall decay he suffered <strong>to</strong> proceed<br />

“ until res<strong>to</strong>ration shall have become impossible 7’ The amount<br />

“required (£40,000) for the complete repair of the fabric is<br />

“ certainly great, but when we recollect the large sums which<br />

“ have been raised for the res<strong>to</strong>ration of Hereford Cathedral, and<br />

“ of York Minster, we cannot doubt that the nobility, gentry,<br />

" and wealthy commoners of Gloucestershire, Somersetshire,<br />

“and the neighbouring counties, will evince equal liberality in<br />

“ worthin upholding—<br />

“ ‘ The pride of Bris<strong>to</strong>we and the western land.’<br />

“ Nor must the afliuent merchants of Bris<strong>to</strong>l forget, that <strong>to</strong> a<br />

“ Bris<strong>to</strong>l merchant the existence of <strong>St</strong>. <strong>Mary</strong> Redclifl‘e is princi<br />

“pally owing, and that, as they occupy the position, so ought<br />

“ they <strong>to</strong> emulate the spirit, of a Canynges. But, indeed, it is <strong>to</strong><br />

“ be supposed that every Bris<strong>to</strong>l man, without distinction of party<br />

“ or sect, will feel, on this occasion, a laudable pride in con<br />

“ tributing, according <strong>to</strong> his means, <strong>to</strong>wards the preservation of<br />

“ an edifice which, for centuries, has formed the chief ornament<br />

“ of his native city.


RESTORATION OF ST. MARY REDCLIFFE. 61<br />

“ To the rich dissenter, who conscientiously objects <strong>to</strong> church<br />

“ rates, we would remark that no compulsory rate is about <strong>to</strong> be<br />

“ attempted, but that the sum required is <strong>to</strong> be raised by voluntary<br />

“ contribution, for the laudable purpose of preserving from decay<br />

" and ruin one of the finest specimens of ecclesiastical architecture<br />

“ <strong>to</strong> be found in England; and, we would also remind him, that<br />

“ he may prove, by his gift, that it is principle, and not interest,<br />

“which actuates his resistance <strong>to</strong> enforced rates. But not <strong>to</strong><br />

“ Bris<strong>to</strong>l, or the immediate neighbourhood, nor even <strong>to</strong> the sur<br />

“ rounding counties, will be confined the exertions necessary <strong>to</strong><br />

“ preserve from ruin this magnificent gothic structure. The<br />

“interest felt will be of a far more expansive character. The<br />

" clergy generally, the nobility, the gentry, the scholar, the<br />

“ antiquarian, the lover and admirer of the past, the man of<br />

“ poetical temperament, who recognises in architectural beauty<br />

" poetry in one of her grandest forms,—all will come forward in<br />

“ order <strong>to</strong> contribute, in proportion <strong>to</strong> their revenues, <strong>to</strong> the pre<br />

“ servation of <strong>St</strong>. <strong>Mary</strong> Redcliti'e."<br />

The parish authorities, whilst they feel that they cannot, with<br />

propriety, divest themselves of the responsibility of carrying out,<br />

so far as they shall be enabled <strong>to</strong> do, the repair and res<strong>to</strong>ration<br />

contemplated, feel sensibly that the public, from whom the means<br />

of accomplishment is so largely <strong>to</strong> be drawn, are entitled <strong>to</strong> every<br />

reasonable security for the due appropriation of the sums con<br />

tributed: and it is therefore the desire of the parish authorities,<br />

at an early period after any considerable subscription shall have<br />

been obtained, <strong>to</strong> convene a. meeting of the subscribers, by the<br />

majority of whom, subscribing not less than £10 each, six con<br />

tribu<strong>to</strong>rs of not less than £50 each shall be chosen, who, with<br />

the members of the vestry for the time being, shall form a<br />

committee for carrying out such repair and res<strong>to</strong>ration, and for<br />

controlling the moneys received, and the expenditure thereof.<br />

The parish authorities, in aid of the object intended, propose<br />

<strong>to</strong> anticipate, as far as they possibly can be advised <strong>to</strong> do, the<br />

revenues of the estates vested in them for the repair and support<br />

of the church, and by means of which, that object has been<br />

hither<strong>to</strong> (however inadequately) accomplished without the parish<br />

having been ever burdened by a church rate, and from this<br />

source they will apply the sum of £2,000, <strong>to</strong> be paid, as they<br />

propose the individual contributions shall be paid, by five equal<br />

and successive yearly instalments, <strong>to</strong> meet the expenditure as it<br />

will probably annually progress.<br />

In conclusion, the vicar, churchwardens, and vestry, of <strong>St</strong>.<br />

<strong>Mary</strong> Redclifl'e, venture <strong>to</strong> quote and apply <strong>to</strong> their church, the


62 AN APPEAL, ETC.<br />

language used by the learned and Very Reverend the Dean of<br />

Hereford, in reference <strong>to</strong> his own cathedral, which at the present<br />

moment is in a dangerous state; but which is likely <strong>to</strong> be pre<br />

served and renovated by the united efforts of the benevolent<br />

friends of the church and of archaeology. “ Res<strong>to</strong>ration is the<br />

grand object <strong>to</strong> be achieved, not mending and patching." *<br />

* * * * * “I earnestly intreat that res<strong>to</strong>ration may<br />

be regarded as the one thing sought,—sound and legitimate<br />

res<strong>to</strong>ration, for which there is sufficient authority.”* ‘<br />

To the preceding appeal the parish authorities append the<br />

following remarks and suggestions by their senior architect, who,<br />

as an antiquary and author, has laboured nearly half a century<br />

<strong>to</strong> elucidate and illustrate the ecclesiastical architecture of Great<br />

Britain.<br />

M. R. WHISH, Vrcaa.<br />

THOS. PROCTOR, Cmcnwaanass.<br />

JOHN FARLER,<br />

‘ “ A <strong>St</strong>atement of the condition, 810., of the Cathedral <strong>Church</strong> of Here<br />

ford, by the Very Rev. John Mereweather, Dean," &c. &c. 8v0. 1842.<br />

a“ Since the Report from Messrs. Brit<strong>to</strong>n and Hosking,<br />

dated Oc<strong>to</strong>ber, 1842, was issued, professional engagements in<br />

London induced Mr. Hosking <strong>to</strong> resign the duties of Architect<br />

<strong>to</strong> the reparation of this church; and Mr. George Godwin, F. R. S.,<br />

F. S. A., was appointed in his place. Subsequently <strong>to</strong> ‘Mr.<br />

Hosking’s retirement, Mr. Brit<strong>to</strong>n also, from advanced age,<br />

thought well <strong>to</strong> resign, and the res<strong>to</strong>ration has proceeded and<br />

will continue <strong>to</strong> proceed under the able and zealous guidance<br />

of Mr. Godwin alone.


REMARKS AND SUGGESTIONS BY MR. BRI'I'I‘ON.<br />

As stated in the preceding address, I was applied <strong>to</strong> by the parochial ofii'<br />

cers of Redclifl'e <strong>Church</strong> for advice respecting its repairs and res<strong>to</strong>ration, in<br />

conse uence of having published, about thirty years ago, a his<strong>to</strong>ry of that<br />

truly utiful and interesting edifice. To justify that application, as well<br />

as my own opinions and advice, and at the same time <strong>to</strong> secure the confidence<br />

and iberal co-operation of the public, in the res<strong>to</strong>ration of a church which<br />

has been re-eminent for originality and beauty, and is susceptible of being<br />

again e as sound in masonry, and exquisite in architectural enrichment,<br />

as when left by Gan es’ architect: I trust it may not be deemed irrelevant,<br />

orlpseless, <strong>to</strong> make a ew remarks on matters immediately belonging <strong>to</strong> the<br />

so 'ect.<br />

en I wrote the his<strong>to</strong>ry alluded <strong>to</strong>, I had a comparatively limited ac<br />

quaintance with the ancient ecclesiastical edifices of the country; and the<br />

series of drawings, by Mr. Wild, were not so strictly architectural as they<br />

ought <strong>to</strong> have been. Hence the volume is not so full and in<br />

its architech information as I could wish, or as I could make it now, nor<br />

are the engraved illustrations equal <strong>to</strong> those I subsequentl produced, in the<br />

“ Cathedral Antiquities.” Since that time I have criti y examined, de<br />

scribed, and illustrated most of the magnificent and elaborate cathedrals of<br />

the country; several of the finest churc es; and have likewise inves '<br />

the his<strong>to</strong>ries and characteristics ofmany of the most distinguished buil '<br />

of Europe. Thus ualified, I felt competent <strong>to</strong> afi‘ord some useful advice <strong>to</strong><br />

the ves of Redcflfi‘e parish when they applied <strong>to</strong> me. Redclifi'e <strong>Church</strong><br />

has now orne the rude blasts and tempests of some centuries; has sustained<br />

much dilapidation by the elements; and suffered also various and serious<br />

injuries by the neglect of some persons, and by the injudicious alterations<br />

and repairs of others. Hence it had become the imperious duty of its present<br />

guardians, <strong>to</strong> make a bold and powerful etfort, not merely <strong>to</strong> check the rapid<br />

Elog'ress of destruction, but <strong>to</strong> aim at a complete and efficient res<strong>to</strong>ration.<br />

at this may be accomplished is, I trust, clearly and satisfac<strong>to</strong>rily explained<br />

by the detailed reports presented <strong>to</strong> the vestry.<br />

Advanced in age, and therefore incompetent <strong>to</strong> traverse scafi'oldings,<br />

ascend lofty stairs, and examine roofs of buildings, I found it impossible <strong>to</strong><br />

undertake the execution of the practical duties r uired, and must have<br />

declined the honour and atification of being pro essionolly em loyed in<br />

the proposed res<strong>to</strong>ration ad not the parochial oflicers readily owed me<br />

<strong>to</strong> nominate my friend, liir. Hosxnvo, <strong>to</strong> co-operate with me in surve 'ng<br />

and reportinv on the church, and undertaking the constructive duties 0 the<br />

architect. With this assistance,—with a most zealous and united body of<br />

gentlemen in the vestry,—with a subject calculated <strong>to</strong> awaken and reuse <strong>to</strong><br />

energy the most laudable ambition, I shall cheerfully and ardently devote<br />

the remainder of my life, and all my experience, <strong>to</strong> prove that the genuine<br />

res<strong>to</strong>ration of such a church as Redcliii‘e, will be at once highly honourable<br />

<strong>to</strong> its oflicers, <strong>to</strong> the parishioners, <strong>to</strong> the citizens of Bris<strong>to</strong>l, and <strong>to</strong> all persons<br />

concerned in the work; whilst it will be a las ' monument of the consum<br />

mate skill and taste of its original architect, an tend <strong>to</strong> put <strong>to</strong> shame many<br />

of the bald and flimsy buildings of modern date.<br />

To those persons who are not acquainted with Redclifi'e <strong>Church</strong>, it may be<br />

both interesting and useful <strong>to</strong> give a short account of its peculiarities, beau<br />

ties, and his<strong>to</strong>ric annals. As a parochial Christian temple it is acknowledged


64 MR. BRITTON’S<br />

<strong>to</strong> rank, if not the first, at least in the first class, amongst the many fine<br />

sacred edifices of our country. As compared with the cathedral and con<br />

ventual churches of En land, it surpasses most in symmetry of design,—-in<br />

harmony and unity of c er,—in rich and elaborate adornments,—in the<br />

picturesque composition of exterior forms and pam,—and in the fascinating<br />

combination of clustered pillars, mullioned windows, panelled walls, an<br />

in-ribbed ceilings of the interior. I know of no building, <strong>to</strong> compare with<br />

it in all these features, in Great Britain; and I feel assured, that there is<br />

none superior in graceful dashing and beauty of detail in all civilized Europe.<br />

Excepting the cathedral of S ' bury, which is nearly of one age and design<br />

throughout, the other cathedrals, and indeed most of the large parish and<br />

oonventual churches, consist of heterogeneous parts, of varied and discorth<br />

dates and styles.<br />

The accompanying views of Redclifi‘e <strong>Church</strong>, though on a small scale,<br />

cannot fail <strong>to</strong> impress every eye that can see, and every mind that can ap‘<br />

preciate the beauties and merits of architectural dos~ , that the churn ,<br />

now fast approaching ruin, was once, as it may again made, a splendid<br />

edifice; a temple eminently adapted for the soothing and sublime devotions<br />

of Christian worshi , and also calculated <strong>to</strong> impress eve specta<strong>to</strong>r with<br />

wonder, delight, an admiration. Forciny and appositely as it been said.<br />

in the quaint language of ancient lore :—<br />

" <strong>St</strong>ay, curious traveller, and pass not bye<br />

Until this relive [elegant] pile as<strong>to</strong>und thine eye,—<br />

Thou seen this mayslrie of a human hande,<br />

The pride of Brisiowe and the westerns lande.—<br />

Well maies! then he as<strong>to</strong>unde, but view it well;<br />

Go not from hence, before thou see thy fill,<br />

And learn the builder's vertues and his name;<br />

Or this tall rpm in every countrye lelle,<br />

And will: thy tale the lazing rych man shame;<br />

Shows how the Glorious Canynges (lid excelle;<br />

How he, good man, a friend <strong>to</strong> lryngel became,<br />

And glorious paved at once, the way <strong>to</strong> heaven and fame."<br />

These singular and trul poetical lines, by an uneducated boy, embrace<br />

points .adnnrallly appli'ca le <strong>to</strong>.our pre‘sent tune and pprpose.. ‘<br />

Although essential and substantial repairs and res<strong>to</strong>ration be the main<br />

object in the contemplated works, these will be applied <strong>to</strong> the interior even<br />

more than <strong>to</strong> the exterior of the bail ' ; for if the latter may be regarded<br />

as the shell, the former is the kernel; ' the last he the case, the first is the<br />

jewel intended <strong>to</strong> be preserved. Indeed, as the inside of Redclifi'e <strong>Church</strong><br />

was in its ori ' and finished state an architectural design of pre-eminent<br />

richness and u ,—as it was destined by its founder and architect <strong>to</strong> sur<br />

pass all its neighbours in originality of com 'tion and elaborate finish, so<br />

was it adapted <strong>to</strong> satisfy the wants and wis es of those for whose devotions<br />

it was intended: the resent architects, emulous <strong>to</strong> follow such example,<br />

ropose <strong>to</strong> render it yand completely adapted for the rites, as well as the<br />

bits, of its protestant occupants. In (10' this they consider it material<br />

<strong>to</strong> provide accommodation for the many, ra er than merel <strong>to</strong> please the<br />

few; they think the clergyman and his congregation should in such close<br />

communion, that the former may be seen, as well as heard by the latter. If<br />

the numerous shafled pillars tend <strong>to</strong> interfere with this communion in some<br />

11 60., the few sittings, so placed as <strong>to</strong> be out of view of the minister; will<br />

on y be rsorted <strong>to</strong> on emergencies. flu designing and disposing the altar,<br />

the number desk, ofand seats, the the pulpit, most the scrupurlous oven, attention and the will out, be aspaid wellby as the thearchitects<br />

required<br />

<strong>to</strong> the ancient of the Anglican church, and they confidently anticipate<br />

many striking an beautiful scenes and efl‘ects when the whole is completed,<br />

p the subordinate appendages being made <strong>to</strong> correspond and harmonise with


.<br />

/_<br />

VIEW FROM THE SOUTHEAST, WITH THE SPIRE, AS PROPOSED TO BE REfiTORED<br />

pv‘uu—v<br />

a- __,-_-_ e_<br />

0'<br />

_.—-_<br />

~-v<br />

_—<br />

-<br />

,-<br />

‘<br />

.<br />

. _<br />

_ , ~ut 0 ~— P— -<br />

M.'__~"\—’?-'~w‘p~ Mfufi_—~—m-w: - ~ 3:---zfl—QQJ<br />

‘_.-\ "'_' ., ,'2_<br />

' " M<br />

"hem-f”<br />

_J.P.LHCNP§ON:' * '“" ‘<br />

~_~ 0 ‘ 7"“‘-—-I-'“. ~‘- , -Q‘fl _ -<br />


VIEW OF THE NAVE, Bic, LOOKING TOWARDS THE EAST, RES'I'ORED.<br />

lll" Ifun<br />

ii<br />

/'<br />

l<br />

| l<br />

a<br />

~‘"‘.l"‘_lllai.'vt§ti ii i<br />

Divested ol' pews, seats, and other furniture of a<br />

details of the interior otthis truly beautiful edifice.<br />

testant church, the above print shews the architectural character and<br />

f not equal in sculptured decoration <strong>to</strong> the gorgeous chapel: of Henry VIL,<br />

Iondon, and Kin s Coll Cambridge, it will bear comparison with those justly famed buildings, and will he found <strong>to</strong> surpass<br />

PM! of th: ‘eath rals an other large churches of our own and of foreig: countries in this respect- Although in miniature, this<br />

‘1 J Ind i<br />

' in wood<br />

‘ the finaly ItiersOver or pillars, this tncened with thewall<br />

arches <strong>to</strong> the aisles, and the<br />

panelled walls above them in the‘situation til' the triforium of the] oath<br />

is a series of cluu<strong>to</strong>ry<br />

windows of dimensions. and 0! fine forms and pro rtions, wi mnllious and tracery. These, itis reasonably‘inkrred, were<br />

originally till with stained glass, “casting a dim. 1e igious light" over the whole scene. (ionnectin , and apparently tyinns<br />

t ther, the twn side walls, is a groin-vaulted ceiling, profusely adorned with intertwining moulded n s, foliated tracery<br />

ric ly sculptured bosses spreading over the whole. In t eview presented by the engraving, the eye ran through I bepiztiful<br />

vista full of the most charming architectural eti'ects. lt requires but little stretch of fancy <strong>to</strong> imagine t e exquisite and indeed<br />

sublime appearance of the whole, were the windows tilled with pictured glass, and the ribs, bosses, and capitals of the vaulted<br />

ceilings, and of the shalted pillars, with gold and colours " richly ight."


'<br />

REMARKS AND SUGGESTIONS. 65<br />

the architectural disposition and character of the church. A learned and<br />

travelled cle an, who has devoted some years <strong>to</strong> the study of the church<br />

architecture 0 the middle ages, writes <strong>to</strong> me thus; “ The harmam‘ous eii‘ect<br />

of Redclifi'e <strong>Church</strong> must at one time have been quite unrivalled. I am not<br />

aware of any cathedral or parish church, either in England or abroad, that<br />

contains an e ual amount of rich and uniform vaulting. The bosses, more<br />

particularl , th in quality and quantity, s ass all that I have met with<br />

elsewhere. He then laments the effects of ogarth’s ictures, with their<br />

vulgar draperies, and the filling in of the east window an of the altar-screen<br />

beneath; and re robates the barbarous and lo pews, which cut up and<br />

destroy much of e architectural beauty of the c urch.<br />

Fortunately for the cause of architecture and of good taste, we are living<br />

in times when the enlightened higher orders of the clergy apipreciate the<br />

beauties of the ancient churches in which they ofiiciate; and w on not only<br />

deans and archdeacons, but many churchwardens, consider it <strong>to</strong> be a plea<br />

sure as well as a duty <strong>to</strong> render willin aid in upholding and preserving,<br />

whilst they really adorn, the sacred ' ces committed <strong>to</strong> their care. Hence<br />

the contrast between this and a former age is striking, and, at the same time,<br />

truly gratifying <strong>to</strong> all admirers of ancient architecture.<br />

SEPULCHRAL AND CBNOTAPHIAL MONUMENTS IN CHURCHES.—NO one,<br />

until very latel , has uestioned the propriety of placing public memorials<br />

within the walls of C ' tiau churches; as funeral ceremonies and local<br />

associations jointly conspired <strong>to</strong> int <strong>to</strong> those buildings as fitting and appro<br />

priate places for such testimonialls' ; but we know that these sacred spots, and<br />

onorary privileges, have been most wofully misused, and even disgraced,<br />

on <strong>to</strong>o man occasions. There is scarcely a. cathedral, or other fine church<br />

in Englan , whose symmetry, beauty, and even stability have not been<br />

greatly injured/b the introduction of all sorts 0f fantastical, and even ugly<br />

compositions, c ed monuments; whilst the same have been as lamenta ly<br />

misplaced. The Abbey-church of Westminster, and that of Bath, are no<strong>to</strong><br />

rious examples; the former presenting the appearance of a warehouse, or<br />

lumber lack of gallery, art; whilst of all thesorts, latter sizes, was, forms, till very and lately, colours, equally of soulIdisfigured tured art and<br />

injured. Recently, however, the guardians of Ba church, advised by their<br />

skilful architect, have tastefully renovated the building, and arranged its<br />

numerous tablets, &c., with some regard <strong>to</strong> system and propriety. In<br />

general, we find church monuments inserted in, and weakening the solid<br />

and essential walls; out in<strong>to</strong>, and 'nst slender and elegant pillars; placed<br />

in windows, <strong>to</strong> the destruction of e aborate mullions and s<strong>to</strong>ried lazing; or<br />

otherwise disposed, without the least feeling ofrespect <strong>to</strong> the sacre character<br />

of thpflpllace, or <strong>to</strong> its architectural beauty and his<strong>to</strong>rical interest. Hence the<br />

gene 'ty of such works have been rendered more offensive than pleasing<br />

and impressive; and instead of conferring compliment and reflecting honour<br />

both on the dead and the living, have impeached the taste and judgment of<br />

* My respected friend, I. H. Markland, has lately agitated this subject in a pam—<br />

phlel on “English <strong>Church</strong>es and Sepulchral Memorials ;" and “the Quarterly<br />

Review” (Sept. 1842,) has taken up the cause, <strong>to</strong> show the impropriety, the nudevo<br />

tional tendency, of occu%ing the walls and areas of churches with “sepulchral me<br />

morials" of any kind. hilst it most justly reprobales all the vulgar and tasteless<br />

slabs, sculpture, and inscriptions, that have <strong>to</strong>o long defaced the architectural beauties<br />

of Christian temples, i! also more strongly and earnestly censures the practice of<br />

interring bodies within their walls. This subject is entitled <strong>to</strong> the deliberate and<br />

candid investigation of the scholar, critic, and philosopher; for, <strong>to</strong>o much enslaved<br />

and blinded by old habits and established cus<strong>to</strong>ms, the general mind is unqualified <strong>to</strong><br />

come <strong>to</strong> sound and impartial conclusions. We are in a state of transilicu,——enquiry<br />

and research have opened the long-closed door: of mystery and prejudice, and truth<br />

and light will inevitably burst forth and illuminate the mental hemisphere. My own<br />

pursuits have impelled me <strong>to</strong> read and think much on the subject, and l have long<br />

meditated on a novel and nearly matured plan, <strong>to</strong> preserve, display, and give full<br />

efficiency <strong>to</strong> monumental memorials.<br />

E


66 MR. narrron’s<br />

the latter, and rendered that ridiculous which might <strong>to</strong> have been admoni<strong>to</strong>ry<br />

and sublime. It is time this evil, this vulgar practice, were remedied; and<br />

the present is a most favourable opportunity <strong>to</strong> set a laudable example. In<br />

preserving the <strong>to</strong>mbs already belonging <strong>to</strong>tlle church, it is proposed <strong>to</strong> class<br />

and arrange them with some attention <strong>to</strong> simplicity and symmetry, and <strong>to</strong><br />

adopt suc regulations for the future as may ensure a continuance of the<br />

system. In explaining this subject <strong>to</strong> the worthy descendants of a time<br />

honoured individual, whose mortal remains repose within this splendid<br />

Christian mausoleum, they immediately commissioned the architects <strong>to</strong> make<br />

such a design as would be at once appropriate <strong>to</strong> the deceased, and <strong>to</strong> the<br />

buildi , <strong>to</strong>wards the complete res<strong>to</strong>ration of which they profi'ered also<br />

cheerffily <strong>to</strong> contribute.<br />

To accommodate and afford eve degree of comfort <strong>to</strong> even larger congre—<br />

tious than have generally assent led within the walls of this church, we<br />

lave made such arrangement of the seats, as shall bring all persons more<br />

fully and freely within sight and hearin of the minister; and have also<br />

taken especial care <strong>to</strong> display the comp etc height and design of all the<br />

raceful clustered pillars of the edifice. Many other material, and it is<br />

lieved important, improvements of the interior are pointed out in the<br />

reports <strong>to</strong> the vestry; and in the progress of the works, it will be not only<br />

our duty, but our most anxious Wish and study, <strong>to</strong> render the whole building<br />

as perfect, as it is original and uni ue ; and then, whilst its exterior and<br />

interior architecture may secure the miration of the critical antique , the<br />

imangemcnt and fittings of the latter shall be in harmony with the bui ding,<br />

and fully adapted <strong>to</strong> all the comforts and accommodation of a large protestant<br />

congregation.<br />

In our report <strong>to</strong> the vestry, we have suggested the eligibility of commenc—<br />

ing res<strong>to</strong>ration with the <strong>to</strong>wer and spire; in completing which, two objects<br />

and ends will be attained, and rendered pable <strong>to</strong> all persons, viz., the true<br />

pro rtions, architectural beauties, an admirable design of the former,<br />

wlu t the sublime and graceful effect of the latter, will be seen both near<br />

and far 011'; and thus completed, they will jointly demonstrate what can be<br />

done with good materials and skilfu workmen, in renovating this decayed<br />

garb of antiquity, and giving <strong>to</strong> it a quality and power of endurance for many<br />

successive ages.<br />

HISTORICAL N0’I‘lCES.—-The church ofRedclifi'e is not cnlypopularly called<br />

Canynges’ work, but the <strong>to</strong>pographers of the cityulso ascribe it <strong>to</strong> a rson of<br />

this name. Hence much error, and much confusion, have prevail . There<br />

were several persons named Canynges, two of whom appear <strong>to</strong> have been rich<br />

merchants, ma ore, and liberal benefac<strong>to</strong>rs <strong>to</strong> the r and <strong>to</strong> the religious<br />

fraternities of ris<strong>to</strong>l. Barrett, Seyer, Evans, D away, and other unti—<br />

quarics, have failed <strong>to</strong> indentify the works and deeds of the senior and junior<br />

members ofthat family ; although the lastreverend gentleman has endeavoured<br />

<strong>to</strong> do so, and has certainly given a better and more discriminating account of<br />

the varieties of architecture in this church than any other writer: but he is<br />

occasionally very obscure and confused, not only in his “ Essa on Can 3,"<br />

but pro-eminently so in his “ Discourses upon Architecture in England. ' It<br />

cannot fail <strong>to</strong> rplex any person <strong>to</strong> discover what he means by the ‘ Ora<strong>to</strong>ries<br />

in Redclifl'e hurch were built <strong>to</strong> receive perpetual Chantries :" (p. 20.)<br />

Scyer and Evans have not made out the true his<strong>to</strong>ry of the edifice, nor was<br />

mv former assay at all successful. It would require more s ace than can be<br />

afforded on this occasion, <strong>to</strong> unravel the entangled thread which these authors<br />

have 5 un. I must confine myself <strong>to</strong> the mere consideration of the dates and<br />

ol2 the building, as intimated by those members or parts which are of<br />

dissimilar styles.<br />

There are four palpable varieties of Christian architecture in Redclifi'e<br />

<strong>Church</strong>, manifesting as many architects, and as man different times when<br />

they were respectively designed and erected. The mner north rch, or<br />

vestibule,—the <strong>to</strong>wer and spire,—the outer north poroh,—the bog; of the


\<br />

REMARKS AND soconsrrons. 67<br />

church, with the lady chapel, and the south porch,-—we feel assured were<br />

built successively; and it 1s generally admitted, that an older church was<br />

removed <strong>to</strong> give lace <strong>to</strong> the present nave and chancel, with their aisles, and<br />

the transept. The oldest of these members, i. e. the vestibule, is of a date<br />

between A. D. 1200 and 1230. “ In 1207, Lord Robert de Berkeley granted<br />

<strong>to</strong> Redclifi'e <strong>Church</strong>, at the request of William, the cha lain, his fountain of<br />

water from Huge Well, for the friars of <strong>St</strong>. John the aptist in Redolifi'e.”<br />

Lands were conferred on the same church, about that time, plainly showing<br />

that there was one then in the 'ile The <strong>to</strong>wer and spire we may safely<br />

refer <strong>to</strong> the reign of Edward , as cor-res nding with known specimens of<br />

that age. According <strong>to</strong> the chronicles of ris<strong>to</strong>l, Simon de Bur<strong>to</strong>n, who was<br />

mayor, in 1293, “ began <strong>to</strong> build the church of <strong>St</strong>. <strong>Mary</strong> de Redclitie, when<br />

John Lamyng<strong>to</strong>n was cha ninz" (Evans‘s Chronological Outline.) Seyer,<br />

in his “ Memoirs of Bris<strong>to</strong>l, ’ (vol. II. p. 77) from MS. calendar, more cautious<br />

and particular, says, “ It was about the year 1293 or 1294, that Simon de<br />

Bour<strong>to</strong>n, a person of wealth and consequence, who was mayor of Bris<strong>to</strong>l in<br />

that car, and bore the same oflice six times, built the church of <strong>St</strong>. <strong>Mary</strong><br />

Redc ifi'e, where the eastern end now is.” Here we find it positively stated<br />

by one writer, that the church was built, and by another that it was begun<br />

at the above date. To us it is quite clear that no part of the resent chum<br />

is so early as 1294. That the eater portion of it is <strong>to</strong> be ascri ed <strong>to</strong> lVilliam<br />

Gang/ages, Jam, may be safe y inferred by the testimony of written docu<br />

ments, and the architectural features of the building. He was a religious, a<br />

Wealthy, and a charitable merchant; and after amassing large riches, marr -<br />

ing, and having two children, and becoming a widower, in 1460 or 1466, re<br />

retired from business and the civil and civic pursuits of life, <strong>to</strong> become priest<br />

of the religious house at Westbury-upon-Trym, founded by his confessor and<br />

early friend, John Ca nter, Bishop of Worcester. To this association, <strong>to</strong><br />

the influence of the (>3.th hierarchy, and <strong>to</strong> the general fashion of the age,<br />

we may refer the size and style of the church, whose res<strong>to</strong>ration we strenu<br />

ously advocate. That other persons contributed <strong>to</strong>wards the same building<br />

there can scarcely be a doubt; indeed the armorial bearings and devices on<br />

many of the bosses of the ceiling, lainly shew that the <strong>St</strong>aii'ords, Berkeleys,<br />

Beairchamps, Montacutes, and. o ers, aided in this sacred and propitia<strong>to</strong>ry<br />

wor .<br />

A critical his<strong>to</strong>ry of the whole edifice, with biographical accounts of the<br />

founders and contribu<strong>to</strong>rs, would constitute an interesting, and indeed an<br />

important literary memoir; for whilst it would unfold and elucidate the local<br />

manners, cus<strong>to</strong>ms, pursuits, and habits, of a large and influential class of<br />

provincial society, it would also tend <strong>to</strong> exemplify the political, moral, and<br />

philoso hical state of the country, at different epochs. In the volume I<br />

former y published on Redclifi‘e C urch, these matters are barely alluded <strong>to</strong>;<br />

for my sources of information were then limited; but from the vast mass of<br />

his<strong>to</strong>rical documents since brought <strong>to</strong> lirrht and rendered accessible, and also<br />

from the discoveries of antiquaries, emf the investigations of authors, there<br />

are at the present time abundance of materials for such an essa as I have<br />

suggested: on this occasion I can only allude <strong>to</strong> the subject, an express a<br />

be e that it may be undertaken and achieved by a. competent writer.<br />

t may not be irrelevant <strong>to</strong> say that, at the 1present time, many and great<br />

renovations and improvements are making in anglish and foreign cathedral<br />

and other churches; particularly in those of Canterbury and York, of Colo e<br />

and of Antwerp, also at <strong>St</strong>afford, <strong>St</strong>ratford-‘upon-Avon, the round churc es<br />

at Cambridge, and the Temple, London. The latter, now completed, is the<br />

most clip-ant and also the most interesting edifice of its class, and in appro<br />

priate ornment, in Europe. Though small and plain in des'gn, as compared<br />

with that of Redclifl'e, more money has lately been expende on the one in<br />

London than is required <strong>to</strong> make that of Bris<strong>to</strong>l a perfect renovation. So<br />

also on the anterior only of Her the Seventh‘s Chapel, more than £42,000<br />

were paid for its renewal, after t e year 1809.


68 MR. Ban'roiv’s REMARKS AND SUGGESTIONS.<br />

Loon. PATRIMXSM is a virtue which has essentially promoted the im<br />

provement and importance of almost every old city and <strong>to</strong>wn in Great Britain.<br />

An Englishman’s native place and home is naturall dear <strong>to</strong> him, and when<br />

the pleasures and cares of life have accompanied ' <strong>to</strong> ripe old age and<br />

fortune has crowned his career, he meditates on the reminiscences of2 that<br />

home, and of the relations and friends with which it has been associated.<br />

Hence originated most of the noble foundations and exem lary charities<br />

which belong <strong>to</strong> Bris<strong>to</strong>l, and <strong>to</strong> many other ‘ lish <strong>to</strong>wns an cities :—hence<br />

the names of Cols<strong>to</strong>n, Cabot, Penn, Carr, itson, the Whites, the Fitz<br />

hardin , the Thames, and the Canynges, of the olden times,—a.nd those of<br />

Seyer, uthey, h‘reeling, Chatter<strong>to</strong>n, and many others of the present,—-are<br />

intimately associated with this place by deeds of munificent benevolence, or<br />

by works of merit. To some 0 these men, not only is Bris<strong>to</strong>l indebted for<br />

much of its fame and greatness, but thousands and tens of thousands of its<br />

natives have derived many and important benefits from their ood deeds and'<br />

their p0 ular influence. Their names and memories shoul , therefore, be<br />

constantly brought under public notice, not merely <strong>to</strong> do them just honours,<br />

but <strong>to</strong> reuse others <strong>to</strong> follow their praiseworthy example. Portraits of some<br />

of them are reserved in the Council House, and those of others should be<br />

procured an duly exhibited in that or in other public places. Their Immu<br />

menta should also be guarded with real 'ous care; and were such testimonies<br />

as the following repeated, of all public nefac<strong>to</strong>rs, it would still further pro<br />

mote the cause of local triotism :-—“ A Pious Meditation, b John Whitson,<br />

Alderman of the City 0 Bris<strong>to</strong>l, with some Account of the uthor, by G. S.<br />

Catcott, and the Rev. John Eden, 8vo., 1829, with a Portrait and View of his<br />

Monument."—“Go thou and do likewise ;" or, as inscribed on the sim ly<br />

beautiful monument raised <strong>to</strong> commemorate “ William Canynges, who ed<br />

ye 7th of July, 1474 :—<br />

" No age nor time can wear out well-woon fame,<br />

The s<strong>to</strong>ne! themselves a natlie worke doth show,<br />

From senseless grave we ground may men! good name,<br />

And noble minds by ventrous deeds we know.<br />

A Lanterns clear sols forth a candcl light,<br />

A worthy act declares a worthy Wight.<br />

The buildings rare that here you may behold<br />

To shrine his bones, deserves a <strong>to</strong>mbe of gold:<br />

The famous {shriek that he here hath donne,<br />

Shines in its sphere as glorious as the wane.<br />

What needs more words, the future worlds he soughte,<br />

And set ye pomp and pride of this at nonghle:<br />

Heaven was his alme, let heaven be still his station,<br />

That leaves such works for others imitation."<br />

With these apposite and pertinent lines, and with the sincere belief that<br />

there are many benevolent hearts as much alive <strong>to</strong> perform deeds of charity<br />

and goodness now, as the time-honoured Cnnynges' heart was in a former<br />

age, and which may prom t the livin <strong>to</strong> imitate the glorious works of the<br />

dead, I conclude an apps , which I ear is very inadequate <strong>to</strong> the subject,<br />

as it is <strong>to</strong> the feelings and wishes of<br />

J. BRI'I'I‘ON,<br />

Oc'roass 3|, lsn.<br />

Bur<strong>to</strong>n <strong>St</strong>reet, London.


69<br />

ORIGINAL ADDRESS,<br />

\<br />

ISSUED IN JULY, 1w, AND REFERRED TO IN THE COMMENCE<br />

MENT OF THE FOREGOING APPEAL.<br />

Tm: Vicar, <strong>Church</strong>wardens, and Vestry of <strong>St</strong>. <strong>Mary</strong> Redclifl'e,<br />

having resolved 11 on a public and extended appeal on behalf<br />

of the venerable abric entrusted <strong>to</strong> their care, are induced <strong>to</strong><br />

h0pe that they will be justified in this course by the circumstances<br />

connected with its present condition.<br />

They have been long and painfully aware, that all the pecu<br />

niary resources at their command applicable <strong>to</strong> the sustentation<br />

of their church, though applied with the utmost care and<br />

vigilance, have been scarcely adequate <strong>to</strong> the repair of the con<br />

tinual breaches and decays in the lead and s<strong>to</strong>ne work, where<br />

immediate danger had been apprehended; and they have long<br />

felt it vain and useless, with such inadequate means, <strong>to</strong> con<br />

template any thing like general or extensive repair, even of the<br />

more solid and substantial parts of the church, however impressed<br />

with the well-grounded conviction, that time and weather were<br />

silently, but surely, carrying on the work of destruction. <strong>St</strong>ill<br />

less could the parish authorities dare <strong>to</strong> think of the res<strong>to</strong>ration<br />

of their church <strong>to</strong> its architectural pristine beauty. Circumstances<br />

have now arisen, which, though not foreseen, are of such peculiar<br />

importance and character as <strong>to</strong> require them <strong>to</strong> make a great<br />

efl'ort on behalf of a church so venerable, so beautiful, and so<br />

renowned as that of <strong>St</strong>. <strong>Mary</strong> Redclifle, described by Queen<br />

Elizabeth, in her charter, as “ one of the most famous, abso<br />

lute, fairest, and goodliestlparish churches within the realm of<br />

England," and deemed by the ablest judges <strong>to</strong> be inferior in<br />

magnitude only <strong>to</strong> the noble cathedrals of Wells and Gloucester,<br />

whilst it is susceptible of being made truly the pride of Bris<strong>to</strong>l<br />

and the surrounding counties.<br />

The circumstances alluded <strong>to</strong> were the recent general and<br />

deep interest excited in the study of ancient Christian architec<br />

ture, and, with a view of promoting that study, the establishment<br />

of societies in the two Universities of Oxford and Cambridge,<br />

in London and in Bris<strong>to</strong>l; but above all, the very recent Act of<br />

Parliament for improving the latter city, by the salutary opera<br />

tions of which, the entire north front of the church, in all its


70 ORIGINAL annaass.<br />

beautiful and interesting details, has, for the first time for many<br />

centuries, been laid open <strong>to</strong> public view: but while the eye of<br />

taste has been gratified with this beautiful exhibition, the feelings<br />

have been pained <strong>to</strong> observe that it is but beauty in decay, thus<br />

more forcibly a peeling <strong>to</strong> the parish authorities <strong>to</strong> make the<br />

effort <strong>to</strong> which t ey have alluded.<br />

The vicar, churchwardens, and vestry, thus called on, gave<br />

their best consideration <strong>to</strong> the subject, and the result was, their<br />

determination <strong>to</strong> obtain from some gentleman of the highest<br />

reputation for science and practical knowledge in such subjects,<br />

a detailed survey and report on the state and condition of their<br />

church, directed <strong>to</strong> the following heads :—<br />

First,--The solid and substantial repair of the fabric, in all<br />

the more important parts of its walls, pillars, arches, buttresses,<br />

and roofs.<br />

Secondly—The res<strong>to</strong>ration of its ornamental parts both ex<br />

ternal and internal, or of such portions thereof as with reference<br />

<strong>to</strong> the next head, it might be deemed proper <strong>to</strong> retain.<br />

Thirdly,-—Snch alterations (principally internal) as might<br />

seem necessary for res<strong>to</strong>ring the fabric <strong>to</strong> its ancient and pristine<br />

beauty.<br />

In the selection of the gentleman in question, their attention<br />

was naturally drawn <strong>to</strong> Mr. BRITTON, who had thirty years ago,<br />

considered their church as worthy of his deep study and of the<br />

able efforts of his mind, in a separate publication of considerable<br />

extent, equally celebrated for its literary character and its accu<br />

rate and beautiful illustrations; and it is no small gratification <strong>to</strong><br />

them <strong>to</strong> find this gentleman, after the lapse of so long a period,<br />

still able and anxious <strong>to</strong> devote his best efforts <strong>to</strong>wards the<br />

accomplishment of the objects they had in view, bringing <strong>to</strong> the<br />

task the more matured knowledge which had been since afforded<br />

him, during the thirty years in question, from his investiga<br />

tion and ably written accounts of many of our cathedrals and<br />

other churches, and from his extensive reading and study, by<br />

which he was enabled <strong>to</strong> prepare and give repeated lectures<br />

on the architectural antiquities of Europe, and in the completion<br />

of these works and lectures, has been impelled or induced criti<br />

cally <strong>to</strong> examine most of the ecclesiastical edifices of our own<br />

country. And it was, they repeat, with heartfelt gratification,<br />

that the parish authorities found Mr BRITTON, with all his<br />

matured knowledge and increased reputation, willing <strong>to</strong> resume<br />

the subject of Redclifl'e church, and <strong>to</strong> apply his talents and<br />

knowledge <strong>to</strong>wards its res<strong>to</strong>ration.<br />

The result of this communication with Mr. Barr'ron, was his


ORIGINAL ADDRESS.<br />

calling <strong>to</strong> his aid the talent. of that eminent architect and civil<br />

engineer, Mr. \VILLIAM HOSKING, Professor of Architecture,<br />

&c., King's College, London; and after a minute and attentive<br />

examination of the church in general and in its details, upon<br />

personal survey and close study and consideration, these gentle<br />

men have now presented <strong>to</strong> the vicar, churchwardens, and vestry,<br />

luminous and detailed reports on all the matters referred <strong>to</strong><br />

them, accompanied by plans and drawings illustrative of their<br />

views; and, so far as these documents have been yet considered,<br />

the parish authorities feel satisfied, that the gentlemen alluded<br />

<strong>to</strong> have been governed by views not less honourable <strong>to</strong> their<br />

reputation for taste and science, than for sound and practical<br />

knowledge, and that could the views of those gentlemen be carried<br />

out, our city would possess a parochial church, and the west of<br />

England a national monument, of unequalled beauty, and one<br />

<strong>to</strong> be visited and admired by multitudes of strangers of our own<br />

and foreign nations: but <strong>to</strong> effect this object, an expenditure ap<br />

proaching very nearly <strong>to</strong> the sum of forty thousand pounds must<br />

be encountered, and such an amount can only be raised by the<br />

liberal contributions of those throughout our country, whom<br />

providence has blessed with the ability and the desire <strong>to</strong> aid in<br />

such objects as that for which this appeal is intended; and, upon<br />

those of our own locality, who have been so favoured by Provi~<br />

deuce, it is confidently felt an appeal will not be made in vain<br />

for the res<strong>to</strong>ration of a fabric, which,—if not wholly the work<br />

of a Bris<strong>to</strong>l merchant or merchants,—is certainly <strong>to</strong> be ascribed<br />

principally <strong>to</strong> one of that class. ~<br />

The reports alluded <strong>to</strong> are of <strong>to</strong>o great extent <strong>to</strong> be introduced<br />

in this appeal, but it is intended <strong>to</strong> embody in a subsequent and<br />

early address, such an analysis thereof as shall embrace their<br />

more leading and prominent parts, illustrated by copies of the<br />

drawings; but the vicar, churchwardens, and vestry, knowing<br />

the deep and anxious interest which the subject has excited in<br />

the city, were unwilling <strong>to</strong> delay some communication of the<br />

progress they had made, and in the mean time the drawings<br />

alluded <strong>to</strong> are left at the vestry-room in the church for inspec<br />

tion.<br />

M. R. WHISH, VICAR.<br />

THOS.PROCTOR, C<br />

JOHN FARLER, } nuacnwaansus.<br />

BRISTOL, July 26, 1842.<br />

J. <strong>Chilcott</strong>, Printer, Clare <strong>St</strong>reet, Bris<strong>to</strong>l.


“- —~M--Ma.-;Mm- -'


ltecmlly Published by J. <strong>Chilcott</strong>, Bris<strong>to</strong>l.<br />

CHILCOTT’S DESCRIPTIVE HISTORY OF BRISTOL; or,<br />

Guide <strong>to</strong> Bris<strong>to</strong>l, Clif<strong>to</strong>n, 8'. the Hotwells; containing a Description<br />

of the Origin, Boundary, Extension, Public Buildings, the Domestic<br />

His<strong>to</strong>ry, Habitations, and Manners, of ANCIENT Buls'rOL ; also a<br />

Description of the Public Companies, principal Institutions, Natural<br />

Beauties, and Topographical Curiosities of Monmm BRISTOL, Clif<strong>to</strong>n,<br />

and the Hotwells; with Topographical Notices of the Seats, Villages,<br />

\Vatering Places, and other objects of Interest in the Neighbourhood;<br />

illustrated with Maps, Copper Plates, \Vood Cuts, &c. &c. _, Agent<br />

Pocket Volume, boards, 40. 6d.<br />

a<br />

'<br />

A NEW MAP OF BRISTOL, CLIFTON, & THE HOTWELLS;<br />

containing References <strong>to</strong> the <strong>Church</strong>es, Chapels, Schools, Almshouses,<br />

principal Hotels, and Public Buildings of the City and its Vicinity,<br />

ls. 6d.; or neatly done up on counts, in a case for the pocket, 28.<br />

STRANGERS' GUIDE TO BRISTOL, cur'roN, THE<br />

HOTWELLS; with a Description of the many \Valks'and Ride: in<br />

the Neighbourhood. With Map, Is. 6d. stitched.<br />

CHILCOTT'S NEW GUIDEWON 8; THE HOT WELLS;<br />

with Topographical Notices be e ' ages, \Vatering Places,<br />

and other objects of Interest in the Neigh<br />

Map, 'il'ood Engravings, &c. 28.<br />

hood; illustrated with<br />

A NEW MAP OF CLIFTON, corrected <strong>to</strong> <strong>1848</strong>, a Sheet, 1.9.; or<br />

neatly done up on cloth, in a case for the pocket, 18" 6d.<br />

TINTERN AND ITS VICINITY, by IV. H. Thomas, M. R. C. 8.;<br />

illutraterl with numerous Wood Engravings and Diagrams. sncon'n<br />

EDITION, greatly improved, 2s. 6d.<br />

CHILCOTP’S CLEVEDON NEW GUIDE“, with His<strong>to</strong>rical Notices<br />

of Clevedon Court, Wal<strong>to</strong>n <strong>Church</strong> and Castle, &c. ; also a Descrip<br />

tion of Coleridge’s Cottage, and of the mad} pleasant Walks and<br />

Rides <strong>to</strong> objects of interest in the Neighboifrh‘ood, A new EDITION,<br />

illustrated with Engravings, l'lmo. stitched, Is. 611.<br />

4;, .


D 3! W 1985


D 3 W I985

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