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The work of contemporary Iraqi artist Hayv Kahraman encompasses<br />

sculpture, drawing and painting with her central themes relating to gender<br />

and feminism as well as diaspora-related issues and the efects herewith<br />

on her. Equally inspired by Arabic calligraphy, Persian miniatures, Japanese<br />

woodblock tradition, Renaissance painting and Art Nouveau, the work of<br />

Iraqi-born Kahraman transcends geographical boundaries to tackle universal<br />

issues that are deeply-rooted in her personal experiences.<br />

The Iraqi artist moved to Sweden with her family as a young girl and from<br />

there to California. The combination of defning origin, art history references<br />

and feminist matters are at the core of her oeuvre. Kahraman explores<br />

the body as a cultural construct and rethinks the bond between body and<br />

space. The many female fgures populating her works identify her dedication<br />

to examining gender inequalities within her own cultural origin such as<br />

the subservience of women to men, as well as society’s high demands of<br />

attaining a particular physical ideal. War and honour killings also come into<br />

play in her work. She confronts both local and globally derived issues about<br />

women through the use of colour, pattern and fguration. Her fgures are<br />

delicate in appearance and comical at times in the exaggeration of their<br />

boufant hairstyles. Her highly polished painting technique set on wood or<br />

fabric juxtapose with the painted patterns on the garments of her fgures,<br />

hence creating a sense of both space and spatial illusion whereby the deeper<br />

questions at hand can be examined. The Interpreter exemplifes Kahraman’s<br />

dedication to these various themes through the mirroring of a female subject<br />

and the details of her dress and through her physical interaction with her<br />

refection, delineated by a dark black line at the centre. Containing negative<br />

space and a lack of decorative detail, spatial and fgural illusion references<br />

a duality of contexts, yet it might also suggest a duality inherent in the<br />

same fgure. Moreover, it alludes to the duality of personalities a woman<br />

must contain so as to be able to navigate the many dificulties of daily<br />

life, ‘interpreting’ moments and situations for herself by reacting to things<br />

physically as well as emotionally in the best possible manner.

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