Kerrang - March 12, 2016

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David Debiak (left) and Mikey: kindred musical spirits; not so much in agreement about window shopping “I WAS Y ±-[EWXSPHF]HSGXSVWXLEX-WLSYPHRIZIV LEZI [SOIRYT²LIWE]W±;LEX-[EWHSMRKGSYPH LEZI FIIR HIEHP]8LIVI[IVITPIRX]SJSGGEWMSRW[LIVI - LEH RSFYWMRIWW[EOMRKYTIZIVEKEMRERH-HMH8LIVI´W E VIEWSRJSVXLEX-[EWKMZIREWIGSRHGLERGI² %RHRS[X[S]IEVWEJXIVLI½VWXYRZIMPIH LMW TSWX 1]'LIQMGEP6SQERGITVSNIGX)PIGXVMG'IRXYV] 1MOI] MWVIEH]XSKVEFXLEXWIGSRHGLERGI[MXLFSXL LERHW R I[MRHX[S]IEVWXSXLIPEWXXMQI)PIGXVMG 'IRXYV]WTSOIXS/IVVERK%XXLIXMQI 1MOI] WIIQIHJYPPSJFIERW,I½^^IH[MXL I\GMXIQIRX EFSYXXLIWIRWISJVIRI[EPERHPMFIVEXMSR LI JIPX JVSQ JSVKMRKERI[WSRK[VMXMRKTEVXRIVWLMT[MXL(EZMHE TVSPM½GQYWMGMER[LS´HFIIRMRXLIFERH2I[0SRHSR *MVIERHSRISJ1MOI]´WJEZSYVMXIKVSYTW7PIIT7XEXMSR ,IIRXLYWIHEFSYXKIXXMRK)PIGXVMG'IRXYV]´WHIFYX EPFYQSYXW[MJXP]GIVXEMRP]F]WYQQIV%RHLI HIGPEVIH±8LISRP]VYPIWEVIXLIVIEVIRSVYPIW² %VSYRHXLIXMQILIWTSOIXSYWLS[IZIV1MOI] [SYPHIRXIVEVILEFJEGMPMX]MR4IRRW]PZERME-XXYVRIHSYX XLIVI[IVIWSQIVYPIWEJXIVEPPERHXLII\1'6FEWWMWX LEHFVSOIRQSWXSJXLIQ&YXXLIR1MOI]LMQWIPJLEH RSMHIELI[EWKSMRKXSVILEFYRXMPLI¾I[XSXLI)EWX 'SEWXJVSQLMWLSQIMR0SW%RKIPIWI\TIGXMRKXSEHH XLI½RMWLMRKXSYGLIWXS[LEX[SYPHIZIRXYEPP]FIGSQI )'ẂHIFYXEPFYQ*SV8LI2MKLX8S'SRXVSP (EZMHQIXLMQEXXLIEMVTSVX ±6MKLXEVI[IKSMRKXSXLIWXYHMS#²1MOI]EWOIH 20 KERRANG! H ” M I K E Y W A Y ±%GXYEPP] QER -´ZI KSX RI[W JSV ]SY² VITPMIH (EZMH ±;I´VI RSX KSMRK XS XLI WXYHMS;I´VI KSMRK XS XLMW TPEGI ERH XLMW MW [LEX [I´ZI KSX MR WXSVI JSV ]SY ERH ]SY´VIKSMRKXSLEZIXSHSMX² (EZMHLEHLEXGLIHXLIMRXIVZIRXMSRTPER[MXL 1MOI]´WGSRGIVRIHJEQMP]ERHJVMIRHW)ZIRXLSYKL 1MOI]LEHFIIR±JVERO²EFSYXLMWTVSFPIQWERH[LEX LI[EWKSMRKXLVSYKL(EZMH[EWI\TIGXMRKLMQXS½KLX EKEMRWXMXSVEXPIEWXEVKYI,IHMHR´X ±,IMQQIHMEXIP]WEMH³3OE]´²WE]W(EZMH±,IHMHR´X ½KLXQISRIFMX,IWEMH³=SY´VIVMKLX-RIIHLIPT´-XSSO LMQXSXLITPEGIERHXLEXẂ[LIVIXLITVSGIWWWXEVXIH² ±-[EWKPEHXSWYFQMX²EHQMXW1MOI]±-X´WWSQIXLMRK -WLSYPHLEZIHSRIQE]FIIEVPMIVMRQ]PMJIFYX]SY´ZI KSXXSQEOI]SYVS[RQMWXEOIWEX]SYVS[RTEGI² %RH1MOI]F]LMWS[REHQMWWMSRLEHQEHITPIRX]SJ QMWXEOIW,MWSZIVHSWIWLEHFVSYKLXQEXXIVWXSELIEH FYXLMWTVSFPIQWLEHFIIRFVI[MRKJSVEPSRKXMQI,I´H PIEVRIHXS±WIPJWSSXLI²EWLIGEPPWMX[MXLHVMROERH HVYKWMRLMWE[O[EVHXIIREKI]IEVWERHLEHGEVVMIHSR XLITVEGXMGIXLVSYKLLMW]IEVWSJKPSFEPVSGOWXEVHSQ [MXL1]'LIQMGEP6SQERGIERHSYXXLISXLIVWMHI ±-X[EWWIPJQIHMGEXMSR[MXLEGSQFMREXMSRSJ VIGVIEXMSREPERHTLEVQEGIYXMGEPXLMRKW²LIWE]W±-´H EP[E]WLEHVIEPP]FEHER\MIX][LMGL[EWRSWIGVIX-´ZI EP[E]WFIIRTVIXX]STIREFSYXXLEX² -RHIIH1MOI]WYJJIVIHERER\MIX]MRHYGIHFVIEOHS[R HYVMRKXLIVIGSVHMRKSJ1'6ẂEPFYQ8LI&PEGO 4EVEHI%RHIZIRXLSYKLLIHVIEQIHSJVSGOWXEVHSQ WMRGILI[EWEPMXXPIOMHLIJSYRHXLITVSGIWWSJKSMRK SRWXEKIERHEGXMRKSYXXLEXHVIEQMRGVIEWMRKP]WXVIWWJYP ±-[ERXIHXSFIMREVSGO´R´VSPPFERHERH-[ERXIHXS VIEGLTISTPI²LIWE]W±-KSXXLEXERHMX[EWEPSXJSVQI XSTVSGIWWFYXWSQISJQ]QIXLSHWSJTVSGIWWMRKMX [IVI¾E[IH-[EWXV]MRKXSXEGOPIQ]ER\MIX]IWTIGMEPP] XLIER\MIX]XLEXGEVVMIHMRXSTIVJSVQERGIW4ISTPI[SYPH EP[E]WWE]XLIVI[IVIWLS[W[LIVI-PSSOIHVMKMHSV KYEVHIHFYX-[EWTIXVM½IHSRWXEKIWSQIXMQIW² 1MOI]WSSRHMWGSZIVIHXLEXGIVXEMRXLMRKW[SYPHXEOI XLIIHKISJJXLEXER\MIX],MWQEMREHHMGXMSRTVSFPIQW [IVI[MXLEPGSLSPERH:MGSHMRETVIWGVMTXMSRTEMROMPPIV ±-LEHE[E]XSKIXMXERH-[EWKIXXMRKMX²LIWMKLWFYX LIJVIIP]EHQMXWXSFIMRKEGSQTPIXIP]MRHMWGVMQMREXI FY^^WIIOIV2SXLMRK[EWSJJPMQMXWI\GITXJSVWSFVMIX] -RE[E]MXWIIQWVIQEVOEFPIXLEX1MOI]QEREKIHXS QEWOLMWTVSFPIQWJSVWSPSRKKMZIRXLIMRXIRWIWTSXPMKLX XVEMRIHSRIZIV]XLMRK1'6IZIVHMH&YXLMWJVMIRHW[IVI QSZIHXSWXEKIXLIMVMRXIVZIRXMSRFIGEYWI1MOI][EWRS
INSIDE MIKEY AND DAVID GUIDE YOU THROUGH YOUR KERRANG!-EXCLUSIVE ALBUM PSRKIV LMKLJYRGXMSRMRK QSVI FEVIP]JYRGXMSRMRK ±-X LEH TIEOW ERH ZEPPI]W² LI WE]W SJ LMW EHHMGXMSR ±7SQIXMQIW - HMHR´X XLMRO MX [EW E TVSFPIQ FYX WSQIXMQIW - knew MX [EW E TVSFPIQ - [EW EFPI XS OIIT MX YRHIV XLI VEHEV JSV E PSRK XMQI XLIR EX XLEX TSMRX MR XMQI - [EWR´X EFPI XS GSRXEMR MX - [EW GSQTPIXIP] YTJVSRX [MXL Q] GPSWI JVMIRHW ERH JEQMP] EFSYX [LEX [EW LETTIRMRK ERH - [EW GV]MRK SYX JSV LIPT XS EPP SJ XLIQ² %RH [LMPI LI LEH WTPMX [MXL LMW KMVPJVMIRH ERH JSYRH WSQI TISTPI LI XLSYKLX [IVI LMW FYHHMIW QIPXIH E[E] ±;LIR XLI TEVX] IRHW ]SY WII [LS ]SYV JVMIRHW EVI² LI WMKLW QSWX SJ LMW MRRIVGMVGPI GEQI XLVSYKL JSV LMQ ±-´Q VIEPP] JSVXYREXI JSV XLEX² LI WE]W±- [EWR´X IEW] XS HIEP [MXL EX XLI XMQI WS MXẂ E VIEP XIWXEQIRX XS Q] GPSWI JVMIRHW ERH JEQMP] KMZMRK E WLMX EFSYX QI8LI] GSYPH LEZI [VMXXIR QI SJJ ¯ ERH MX [SYPH LEZI FIIR [EVVERXIH² RehEF [EW XSYKL SR 1MOI];E] FYX TSWXVILEF [EW XSYKLIV -RWMHI LI GSQQMXXIH XS XLI WXIT TVSKVEQQI SVMKMREPP] HIZMWIH F] %PGSLSPMGW %RSR]QSYW8LI TVSGIWW MRZSPZIW WYFQMXXMRK XS E ±LMKLIV TS[IV² 1ER] GLSSWI E VIPMKMSYW ½KYVI FYX 1MOI] STXIH JSV XLI PMXXPI ZSMGI MR XLI FEGO SJ LMW LIEH LI´H LIEV HYVMRK LMW ZEVMSYW QMWHIQIERSYVW LMW S[R ±KVIEXIV WIPJ² 3RGI LI [EW GPIER LI EKVIIH XS EXXIRH XLI QIIXMRKW MR HE]W XLEX XLI TVSKVEQQI VIGSQQIRHIH %RH XLEXẂ [LIR LMW ±VIEP NSYVRI]² XS VIGSZIV] FIKER ±;LEX E PSX SJ TISTPI JEPP MRXS [LIR XLI] KIX SYX MW ?WE]MRKA³- HMHR´X LEZI E TVSFPIQ [MXL [IIH WS - GER HS 1. YOU GOT IT ALL WRONG MIKEY: “This song is a big piece of the album. Because people think one thing about me, and this is another side. That sentiment is fitting for this project. But I don’t necessarily think people do have the wrong idea about me – it’s just me being tongue-in-cheek.” DAVID: “It was a great way to start the record. It’s just a groove. It sums the whole thing up.” 2. RIGHT THERE DAVID: “Was it influenced by The Cure? Absolutely. Mikey sent me the bassline that starts off the song. He was playing it over and over, then, when we got to the studio, we wrote it on the spot. He played the lick and then – boom! I jumped in with the chorus. The lyrics are pretty uplifting and I don’t know why. The hook just really spoke to me like that. That was the most fun I had in the studio.” MIKEY: “Me too!” 3. HEY LACEY DAVID: “Who’s Lacey? Lacey is a girl. She’s fictional, nobody we know. It’s about trying to take on the world together. Having to struggle to get that done. It’s not especially based on my own experiences, but there’s a character I thought of when I was writing the song, a guy who’s yearning for somebody who’s out of his reach. It’s a struggle for them to unite and that’s the basis of that song.” MIKEY: “We’ve all been there before, right?” 4. I LIED DAVID: “It’s about addiction, but Mikey wasn’t really in my mind. But it totally fits with that period of our lives. When the song came together and was released it was around the same time Mikey was 6. LET YOU GET AWAY DAVID: “I wrote that song about the girl tha away. I think everyone can relate to that on som level. I wanted to do something that was more of a summer, feel-good, roll-your-window-down song.” MIKEY: “Like [Bryan Adams’] Summer Of ’69! It’s our Boys Of Summer [by Don Henley].” DAVID: “I looked at it lyrically from her perspective, like, ‘This guy is cool and I dig him but something just didn’t work out.’ He’s reflecting on a better time in life when he had less responsibility.” 7. UNTIL THE LIGHT GOES OUT ON ME DAVID: “That was a song I wrote for [previous band] New London Fire. Mikey decided we could take it in a totally different direction and have it in the vibe of Electric Century. We had a gang of people come into the studio and sing the chorus. We had a blast.” MIKEY: “I love so many of Dave’s songs and that was one that particularly spoke to me. I wanted to give it a different flavour. I don’t think I took it that far away, it still has the original feeling.” 8. SOMEONE LIKE YOU MIKEY: “It’s not the Adele song!” DAVID: “As with Until The Light…, this was a New London Fire song. We recut it because Mikey said, ‘We can make this song a little different and give it a different flavour.’ We both have to give Dan [D. James Goodwin, producer] a lot of credit for it.” MIKEY: “I said I wanted a real driving, Depeche Mode sound, and he knocked it out of the park.” 9. LATELY DAVID: “When I wrote it, I had Mikey in mind – and Gerard It’s about watching a person blossom into ng [My big.” ion, of Dave. Sleep bums all n, I need And here E DIE only for. It’s en you ng], ’s heme of my life. mes you n’t.” e me feel er, who atching My bit kept to his meant that hat.” eally KERRANG! 21
Page 1 and 2: THE REDEMPTION OF MIKEY WAY
Page 3 and 4: TWENTY ONE PILOTS p46 Tyler Joseph
Page 5 and 6: ISSUE 1610 MAR 12, 2016 The moment
Page 7 and 8: ISSUE 1610 MAR 12, 2016 Sam’s off
Page 9 and 10: ISSUE 1610 MAR 12, 2016 SIRENS’ F
Page 11 and 12: S.J.M. CONCERTS PRESENTS + SPECIAL
Page 13 and 14: GET YOUR TICKET NOW WWW.SEETICKETS.
Page 15 and 16: K!OMMUNITY IT’S YOUR PAGE, YOUR L
Page 17 and 18: START COLLECTING TOKENS NOW 1 2 3 4
Page 19: Mikey Way, photographed exclusively
Page 23 and 24: [IIHRS[-HSR´XHSLIVSMR´²LIWE]W±-
Page 25 and 26: James: “Who’s your topless pal,
Page 27 and 28: FLEMMING RASMUSSEN: “When I heard
Page 29 and 30: PHOTO: TINA KORHONEN/PHOTOSHOT MY C
Page 31 and 32: MY CHEMICAL ROMANCE POSTER SPECIAL
Page 33 and 34: PHOTO: GETTY
Page 35 and 36: PHOTO: TINA KORHONEN/PHOTOSHOT MY C
Page 37 and 38: BRIAN FALLON PHOTOS: ANDY FORD THAN
Page 39 and 40: MUNCIE GIRLS “It would be great t
Page 41 and 42: AMERICA’S JOHN FELDMANN JOHN FELD
Page 43 and 44: ISSUE 1610 MAR 12, 2016 THE SONG I
Page 45 and 46: ANATOMY A ROCKST TUK S IT HOW DID T
Page 47 and 48: ISSUE 1610 MARCH 12, 2016 TWENTY ON
Page 49 and 50: THE JOY FORMIDABLE OSLO, LONDON. 23
Page 51 and 52: “I HOPE PEOPLE FIND MESSAGES OF L
Page 53 and 54: K!LASSIC ALBUM ISSUE 1610 MAR 12, 2
Page 55 and 56: GET A ISSUE 1610 MARCH 12,2016 This
Page 57 and 58: ISSUE 1610 MAR 12, 2016 YOUR WEEK!
Page 59 and 60: ISSUE 1610 MAR 12, 2016 HEVY FEST L
Page 61 and 62: DON’T LET YOUR CD/DVD/BLU-RAY COL
Page 63: ISSUE 1610 MAR 12, 2016 DON’TWORR

Kerrang - March 12, 2016

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