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MEMBERS NEWS<br />
catch<br />
up with:<br />
Justin<br />
Bates<br />
illions will have<br />
admired Sky’s<br />
spectacular visual<br />
effects but few will<br />
know that one of the<br />
creative talents behind<br />
them is former Sussex<br />
off-spinner Justin Bates.<br />
Bates, who played 21 first-class matches<br />
and eight one day between 1997 and 2000,<br />
has progressed from a freelance designer to<br />
Creative Director of Visual Effects at Sky.<br />
As Head of the Visual Effects department,<br />
Bates now leads a large specialised team<br />
of artists and has been responsible for<br />
creating many of the high end visuals and<br />
designs for Sky’s branding, entertainment,<br />
movies and sports channels.<br />
Amongst an impressive CV of work that<br />
Bates has generated in a 14 year association<br />
with Sky are eye-catching graphics to<br />
promote their coverage of Premier League<br />
football, Ashes cricket, F1, and rugby.<br />
Bates’ success story begins with his<br />
decision to be released from contract<br />
by Sussex at the end of the 2000<br />
season despite taking four five wicket<br />
hauls including nine in the match at<br />
Northampton in 1998.<br />
“I went straight into cricket as most of us<br />
do. I didn’t go to university, I went straight<br />
from doing A Levels to signing for Sussex,”<br />
Bates said.<br />
“I did computer science and fine art at A<br />
Levels and I had always done some graphic<br />
design work in my off seasons, print stuff<br />
and brochures mainly.<br />
“When I finished with Sussex I didn’t<br />
decide to try anywhere else. I love cricket<br />
but I was a bit disillusioned with it all at<br />
that time. Instead I went straight back to<br />
doing graphics by going freelance. I didn’t<br />
have any clients though so I had to start<br />
from scratch.”<br />
Bates worked on a few projects for his<br />
“The final results were fantastic, the<br />
Champions League set was used in production<br />
for many years and it will always be close to<br />
me, as that is where it all started”<br />
father’s office furniture company and taught<br />
himself Computer Generated Imagery (CGI)<br />
which provided him with experience that<br />
was to prove crucial for the future.<br />
“I used one of the CG software<br />
programmes that was around at the time,<br />
read the manual front to back and taught<br />
myself how to use it,” he said.<br />
“I then started doing architectural<br />
stuff for brochures. My dad was in the<br />
partitioning and office furniture business so<br />
I started trying to recreate full CG rooms<br />
so they didn’t have to go and photograph<br />
them. That’s how I taught myself to do 3D.<br />
It went from there really.”<br />
A contact put him in touch with Sky but<br />
he lacked a diverse portfolio of work to<br />
impress at his first interview. But Bates went<br />
away, produced a showreel and used that to<br />
get his foot in the door.<br />
“Coming from a cricket background<br />
I’m pretty determined so I went home and<br />
created a mock-up of a NatWest cricket<br />
sponsorship sequence. Looking back, the<br />
animation would have been pretty basic but<br />
I wanted to prove that I could create and<br />
design motion graphics that would have<br />
been relevant to Sky Sports. I phoned Sky<br />
up and said: ‘ I have got some new work,<br />
can I come back in and show you?’” he said<br />
“I went in showed them all the new<br />
animations plus my architectural images and<br />
they asked me to come in and do some work.<br />
“They placed me in set design team<br />
because of the architectural work. That is<br />
where I started. I got my foot in the door<br />
working for Sky Sports on the set designs<br />
for their programmes.<br />
“The first thing I designed at Sky was<br />
for one of their flagship football shows the<br />
Champions League. I built the set in 3D<br />
and showed them all the camera moves<br />
they could potentially achieve in the studio.<br />
“It was the first time they had really seen<br />
a set designed and visualised in 3D so they<br />
could actually see what they were going to<br />
get. The final results were fantastic, that<br />
particular set was used in production for<br />
many years and it will always be close to<br />
me as that is where it all started for me in<br />
the broadcast industry.”<br />
Bates spent 10 years as a freelancer,<br />
during which time he designed and crafted<br />
the opening titles sequences for Sky Sports<br />
flagship Premier League football coverage.<br />
He has now been on the staff based at their<br />
Isleworth headquarters for almost four years.<br />
View Justin Bates’ Showreel at<br />
https://vimeo.com/35885062<br />
12 BtB issue 18 / thepca.co.uk