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MEMBERS NEWS<br />

catch<br />

up with:<br />

Justin<br />

Bates<br />

illions will have<br />

admired Sky’s<br />

spectacular visual<br />

effects but few will<br />

know that one of the<br />

creative talents behind<br />

them is former Sussex<br />

off-spinner Justin Bates.<br />

Bates, who played 21 first-class matches<br />

and eight one day between 1997 and 2000,<br />

has progressed from a freelance designer to<br />

Creative Director of Visual Effects at Sky.<br />

As Head of the Visual Effects department,<br />

Bates now leads a large specialised team<br />

of artists and has been responsible for<br />

creating many of the high end visuals and<br />

designs for Sky’s branding, entertainment,<br />

movies and sports channels.<br />

Amongst an impressive CV of work that<br />

Bates has generated in a 14 year association<br />

with Sky are eye-catching graphics to<br />

promote their coverage of Premier League<br />

football, Ashes cricket, F1, and rugby.<br />

Bates’ success story begins with his<br />

decision to be released from contract<br />

by Sussex at the end of the 2000<br />

season despite taking four five wicket<br />

hauls including nine in the match at<br />

Northampton in 1998.<br />

“I went straight into cricket as most of us<br />

do. I didn’t go to university, I went straight<br />

from doing A Levels to signing for Sussex,”<br />

Bates said.<br />

“I did computer science and fine art at A<br />

Levels and I had always done some graphic<br />

design work in my off seasons, print stuff<br />

and brochures mainly.<br />

“When I finished with Sussex I didn’t<br />

decide to try anywhere else. I love cricket<br />

but I was a bit disillusioned with it all at<br />

that time. Instead I went straight back to<br />

doing graphics by going freelance. I didn’t<br />

have any clients though so I had to start<br />

from scratch.”<br />

Bates worked on a few projects for his<br />

“The final results were fantastic, the<br />

Champions League set was used in production<br />

for many years and it will always be close to<br />

me, as that is where it all started”<br />

father’s office furniture company and taught<br />

himself Computer Generated Imagery (CGI)<br />

which provided him with experience that<br />

was to prove crucial for the future.<br />

“I used one of the CG software<br />

programmes that was around at the time,<br />

read the manual front to back and taught<br />

myself how to use it,” he said.<br />

“I then started doing architectural<br />

stuff for brochures. My dad was in the<br />

partitioning and office furniture business so<br />

I started trying to recreate full CG rooms<br />

so they didn’t have to go and photograph<br />

them. That’s how I taught myself to do 3D.<br />

It went from there really.”<br />

A contact put him in touch with Sky but<br />

he lacked a diverse portfolio of work to<br />

impress at his first interview. But Bates went<br />

away, produced a showreel and used that to<br />

get his foot in the door.<br />

“Coming from a cricket background<br />

I’m pretty determined so I went home and<br />

created a mock-up of a NatWest cricket<br />

sponsorship sequence. Looking back, the<br />

animation would have been pretty basic but<br />

I wanted to prove that I could create and<br />

design motion graphics that would have<br />

been relevant to Sky Sports. I phoned Sky<br />

up and said: ‘ I have got some new work,<br />

can I come back in and show you?’” he said<br />

“I went in showed them all the new<br />

animations plus my architectural images and<br />

they asked me to come in and do some work.<br />

“They placed me in set design team<br />

because of the architectural work. That is<br />

where I started. I got my foot in the door<br />

working for Sky Sports on the set designs<br />

for their programmes.<br />

“The first thing I designed at Sky was<br />

for one of their flagship football shows the<br />

Champions League. I built the set in 3D<br />

and showed them all the camera moves<br />

they could potentially achieve in the studio.<br />

“It was the first time they had really seen<br />

a set designed and visualised in 3D so they<br />

could actually see what they were going to<br />

get. The final results were fantastic, that<br />

particular set was used in production for<br />

many years and it will always be close to<br />

me as that is where it all started for me in<br />

the broadcast industry.”<br />

Bates spent 10 years as a freelancer,<br />

during which time he designed and crafted<br />

the opening titles sequences for Sky Sports<br />

flagship Premier League football coverage.<br />

He has now been on the staff based at their<br />

Isleworth headquarters for almost four years.<br />

View Justin Bates’ Showreel at<br />

https://vimeo.com/35885062<br />

12 BtB issue 18 / thepca.co.uk

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