[Catalyst 2016] Final
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BUT FIRST, LET ME TAKE A SELFIE<br />
The Science Behind the Social Trend<br />
S<br />
elfies are arguably the largest<br />
photographic trend of our generation.<br />
“Selfie,” defined as “a photograph that<br />
one has taken of oneself,” was Oxford<br />
Dictionaries’ 2013 Word of the Year. 1 Since<br />
then, selfies have exploded in popularity, with<br />
everyone from the Pope to Kim Kardashian<br />
taking them. Searches for the term have<br />
increased by more than 2000%, and more<br />
than 55 million Instagram posts are labeled<br />
with “#selfie.” 1<br />
BY JENNY REN<br />
Why are we so in love with taking and sharing<br />
selfies? Technological improvements, such as<br />
front-facing cameras, and the rise of social<br />
media make taking selfies extremely easy.<br />
There are also social causes for our obsession<br />
with selfies. Although we learn to recognize<br />
and respond correctly to others’ facial<br />
expressions, we lack an accurate perception<br />
of our own faces. With selfies, we can now<br />
create images of our own appearances<br />
without the aid of another person. 2<br />
Selfie critics claim that these self-portraits<br />
mar our generation, suggesting that selfies<br />
represent deeper psychosocial issues. Both<br />
the advent of social media and upsurge of<br />
selfies contribute to the importance our<br />
society places on appearances. 3 Research<br />
has linked selfies and social networking<br />
to self-objectification and narcissism, with<br />
people seeking likes and comments to offset<br />
their insecurities. 4 Furthermore, although<br />
social media was developed to enhance<br />
rapport with others, another study in the UK<br />
found that increased selfie posting through<br />
social media actually decreases intimacy in<br />
relationships. 5 Although the shared picture is<br />
only of one person, it may negatively affect<br />
that person’s connections with many others.<br />
On the other hand, selfie supporters<br />
are excited about the recent increase in<br />
popularity. Keith Campbell, Professor of<br />
Psychology at the University of Georgia,<br />
asserts that selfies serve as a creative outlet. 3<br />
This self-expression allows us to exert<br />
greater control over how others perceive<br />
us. Additionally, according to Dr. Pamela<br />
Rutledge, director of the Media Psychology<br />
Research Centre in Boston, selfies let<br />
us experiment with different identities. 6<br />
The ability to re-invent different parts of<br />
ourselves gives us new opportunities to<br />
temporarily change how we act and feel.<br />
Contrary to popular belief, this “selective selfpresentation”<br />
enhances self-esteem rather<br />
than diminishing it. 7 Selfies are also a form<br />
“RESEARCH HAS LINKED SELFIES<br />
AND SOCIAL NETWORKING TO<br />
SELF - OBJECTIFICATION AND<br />
NARCISSISM, WITH PEOPLE<br />
SEEKING LIKES AND COMMENTS<br />
TO OFFSET THEIR INSECURITIES.”<br />
of communication. “Your face is the caption<br />
and you’re trying to explain a moment or tell<br />
a story,” says Frédéric della Faille, the founder<br />
and designer of Frontback, a photo-sharing<br />
app that lets users take photographs using<br />
both front- and rear-facing cameras. 8 To<br />
people like Faille, selfies represent a dynamic<br />
and exciting snapshot in time, not just a<br />
static self-portrait. They portray diversity<br />
and encourage social dialogue; we don’t post<br />
selfies for others to observe, but instead to<br />
engage others.<br />
What does the selfie phenomenon suggest<br />
about our society? Some claim selfies<br />
represent superficiality and narcissism,<br />
diminishing the quality of relationships and<br />
augmenting personal insecurity. Others view<br />
selfies as a harmless form of self-expression,<br />
an attempt to understand who we are and<br />
how others perceive ourselves. Selfies may be<br />
a consequence of present social media and<br />
digital culture, but they also serve as a visual<br />
diary — a way to record our existence and<br />
make an artistic statement.<br />
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works cited also online<br />
CATALYST 34