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Volume 21 Issue 8 - May 2016

INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.

INSIDE: The Canaries Are Here! 116 choirs to choose from, so take the plunge! The Nylons hit the road after one last SING! Fling. Jazz writer Steve Wallace wonders "Watts Goode" rather than "what's new?" Paul Ennis has the musical picks of the HotDocs crop. David Jaeger's CBC Radio continues golden for a little while yet. Douglas McNabney is Music's Child. Leipzig meets Damascus in Alison Mackay's fertile imagination. And "C" is for KRONOS in Wende Bartley's koverage of the third annual 21C Festival. All this and as usual much much more. Enjoy.

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FOR OPENERS | DAVID PERLMAN<br />

What Would You<br />

Say The Odds Are?<br />

What are the odds of two concerts both involving recreations<br />

of Zimmermann’s Coffee House in Leipzig (circa<br />

1725), both happening on Saturday <strong>May</strong> <strong>21</strong>, <strong>2016</strong>,<br />

one in Toronto and one in Bethlehem, and that I will get to<br />

go to both of them? Pretty good actually because they’re<br />

both happening on other nights as well, and it’s only a shorthaul<br />

hop, skip and bus ride from Toronto’s Island Airport to<br />

Bethlehem, Pennsylvania. But it’s a pretty neat coincidence, as<br />

Alison Mackay agrees. (All is revealed in my conversation with<br />

Alison Mackay, starting on page 16.) That story, by the way, is<br />

excerpted from a much longer conversation taped in what we<br />

refer to, rather grandly, as “our studio” in The WholeNote offices.<br />

The entire conversation is one of two (the other is with choral<br />

conductor Lydia Adams) recently made available as a podcast on<br />

our website at thewholenote.com.<br />

Still on the topic of <strong>May</strong> <strong>21</strong>, what are the odds that the other<br />

concert this month I really don’t want to miss (Ernie Watts, Brad<br />

Goode, Adrean Farrugia et al.) also takes place that very same<br />

night, at the George Weston Recital Hall in North York. Steve<br />

Wallace explains why it’s a concert not to miss (the story starts<br />

on page 13).<br />

Still on the subject of odds, it was a pretty safe bet that<br />

Toronto would be one of the venues as 37-year-old iconic a<br />

cappella group the Nylons kick off a yearlong farewell tour.<br />

Ori Dagan talks with sole remaining founding member Claude<br />

Morrison in a great little meander through the evolution of our a<br />

cappella scene from those beginnings to today (page 11).<br />

Simple coincidence throws up all kinds of interesting patterns<br />

and synchronicities when one views things, that maybe<br />

just happened to have taken place at the same time, from a<br />

particular point of view. Face to face with the momentous, we<br />

can look back on some small moment as the one that started<br />

it all. Listening to Tanya Tagaq with the Kronos Quartet on the<br />

opening night of the upcoming <strong>21</strong>C Music Festival (see Wendalyn<br />

Bartley’s cover story) for example, it will be hard for me not to<br />

wonder what would have happened had David Harrington not<br />

listened all the way through to track 18 of that particular CD on<br />

that particular plane on that particular night 13 years ago.<br />

Odds are, I suppose, that if one compiles enough stories and<br />

facts about all the interesting musical stuff going on around us<br />

all the time, the resulting document will always contain enough<br />

different threads for the individual reader, depending on your<br />

likes, to weave into pleasurable patterns of interesting connectedness.<br />

<strong>May</strong>be for you, somewhere down the line, you will<br />

look back on something you found in this issue of the magazine<br />

as having changed things for you in some interesting way<br />

– a piece of music that fell fresh on your ears, a new ensemble<br />

or performer or recording. Or, for that matter, a band or choir<br />

to join, so that making music became (again) an integral part of<br />

your life.<br />

The WholeNote <br />

VOLUME <strong>21</strong> NO 8| MAY 1 -JUNE 7, <strong>2016</strong><br />

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THANKS TO THIS MONTH’S CONTRIBUTORS<br />

Beat Columnists<br />

Paul Ennis, Wendalyn Bartley, Brian Chang, David<br />

Podgorski, Hans de Groot, Andrew Timar, Jack<br />

MacQuarrie, Bob Ben, mJ buell, David Olds<br />

Features<br />

David Perlman, Wendalyn Bartley, Steve Wallace,<br />

Ori Dagan, David Jaeger, Paul Ennis, Vanessa<br />

Wells<br />

CD Reviewers<br />

Alex Baran, Wendalyn Bartley, Stuart Broomer,<br />

Raul Da Gama, Hans De Groot, Janos Gardonyi,<br />

Richard Haskell, Tiina Kiik, Jesse Locke, Lesley<br />

Mitchell-Clarke, Ted Quinlan, Terry Robbins,<br />

Michael Schulman, Paul Steenhuisen, Bruce<br />

Surtees, Andrew Timar, Robert Tomas, Ken<br />

Waxman, Dianne Wells, Elliot Wright<br />

Proofreading<br />

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John Sharpe, Paul Ennis<br />

Listings<br />

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Butrsingkorn, Wende Bartley<br />

Layout & Design<br />

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Publication Date<br />

Wednesday June 1 (Online)<br />

Friday June 3 (Print)<br />

<strong>Volume</strong> <strong>21</strong> No 9 covers<br />

June 1 - September 7, <strong>2016</strong><br />

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6 | <strong>May</strong> 1, <strong>2016</strong> - June 7, <strong>2016</strong> thewholenote.com

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