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AmateurPhotographer

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INBOX<br />

was a title given to the<br />

train that ran between<br />

Kings Cross and Edinburgh,<br />

not the locomotive. As your<br />

letter suggests, Flying<br />

Scotsman should not have<br />

been described as a steam<br />

train, and to be technically<br />

correct, it’s a steam<br />

locomotive – Michael<br />

Topham, deputy<br />

technical editor<br />

A matter of taste<br />

I have been a member of<br />

a camera club for 63 years,<br />

so it is not surprising that John<br />

Heywood’s letter (A reminder<br />

to judges in Inbox, AP 9 April)<br />

grabbed my attention. The<br />

next page I always turn to<br />

on receiving my AP on a<br />

Saturday is Roger Hicks’s<br />

column, and on this occasion<br />

it was a critique of ‘Abstraction<br />

#X, Wall Meets Floor’, 2005,<br />

by Pavel Banka. The two<br />

contributions triggered a<br />

memory of a club competition<br />

we had some years ago,<br />

when I showed a print of the<br />

above image entitled<br />

‘Freedom’. It’s a shot of a gull<br />

crossing the tide line, taken<br />

from a nearby hill with<br />

a Kodak Brownie Twin 20<br />

camera. The judge’s<br />

immediate response was:<br />

‘This photograph leaves me<br />

cold. I really wonder why it<br />

was taken.’ Not a particularly<br />

helpful assessment, but<br />

© VANDA RALEVSKA<br />

accepted as an honest opinion<br />

of my work. I entered the<br />

same print in the next monthly<br />

competition, where the judge<br />

was a photographer with<br />

numerous international<br />

competition and salon entries<br />

to his credit: it won fi rst place!<br />

What did I learn from the<br />

experience? Well, three things:<br />

there is ‘your taste’, ‘my taste’<br />

and ‘no taste’. My experience<br />

of club judges has been that<br />

the vast majority do a good<br />

job, giving their time and<br />

experience generously. The<br />

very few, such as those in<br />

John Heywood’s case,<br />

should be regarded as light<br />

entertainment and do not<br />

have to be asked to come<br />

again. To paraphrase Roger<br />

Hicks’s concluding sentence:<br />

for me, looking at others’ work<br />

is how we learn to appreciate<br />

photography, and is the main<br />

purpose and real value of<br />

camera clubs.<br />

Clifford Brown, Somerset<br />

Well said, Clifford. As a<br />

judge in several major<br />

national photographic<br />

competitions, I’m often<br />

baffled by the tastes of<br />

the other judges, but I’m<br />

always interested to hear<br />

the reasons for their likes<br />

or dislikes. Photography is<br />

subjective, and at an<br />

amateur level should be<br />

more about trying to please<br />

ourselves, rather than<br />

second guessing the tastes<br />

of a random judge. If others<br />

happen to like our work<br />

then that’s a bonus – Nigel<br />

Atherton, Editor<br />

In next week’s issue On sale Tuesday 17 May<br />

Landscape<br />

loversÉ<br />

Don’t keep your landscape photos<br />

a secret – join a collective<br />

One judge wasn’t impressed by this image, while another loved it<br />

Canon EOS 80D<br />

Michael Topham finds<br />

out whether Canon has<br />

another game-changing<br />

DSLR in the shape of<br />

the 24MP EOS 80D<br />

Sony FE 85mm<br />

f/1.4 GM<br />

Richard Sibley tests<br />

Sony’s telephoto<br />

prime lens for<br />

Alpha 7 cameras<br />

Life’s a beach<br />

Jon Gibbs explains how<br />

to seek out the subtle<br />

beauty of sand dunes<br />

© CLIFFORD BROWN<br />

CONTENT FOR NEXT WEEK’S ISSUE MAY BE SUBJECT TO CHANGE<br />

Contact<br />

Amateur Photographer, Time Inc (UK) Ltd, Pinehurst 2,<br />

Pinehurst Road, Farnborough, Hampshire GU14 7BF<br />

Telephone 01252 555 386<br />

Email amateurphotographer@timeinc.com<br />

Picture returns: telephone 01252 555 378<br />

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Editorial team<br />

Group Editor<br />

Nigel Atherton<br />

Group Editor’s PA<br />

Christine Lay<br />

Deputy Editor<br />

Richard Sibley<br />

Technical Editor<br />

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Deputy Technical Editor Michael Topham<br />

Features & Technique Editor Phil Hall<br />

Senior Features Writer Oliver Atwell<br />

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Special thanks to The moderators of the AP website Andrew<br />

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All contributions to Amateur Photographer must be original, not copies or duplicated to other<br />

publications. The editor reserves the right to shorten or modify any letter or material submitted.<br />

Time Inc. (UK) or its associated companies reserves the right to re-use any submission sent to the<br />

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ELECTRONIC OR OTHERWISE Amateur Photographer® is a registered trademark of Time Inc. (UK)<br />

© Time Inc. (UK) 2016 Amateur Photographer (incorporating Photo Technique & Camera Weekly)<br />

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