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software test<br />

where you can construct and save<br />

your own effects using 14 tools<br />

including Basic Adjustments,<br />

Levels and Curves, Bokeh, Lens<br />

Distortion, and Dirt and Scratches.<br />

Each tool has its own adjustments<br />

and options. It doesn’t take long to<br />

figure out that Analog Efex Pro 2<br />

is more than just a collection of<br />

retro effects – it’s a deep and<br />

powerful creative tool that can<br />

achieve practically any ‘look’<br />

you can imagine.<br />

Color Efex Pro 4<br />

On the surface, Color Efex Pro 4<br />

looks like little more than a large<br />

collection of filter effects, some<br />

more useful than others. However,<br />

each one can be customised and<br />

controlled, as well as ‘stacked’ and<br />

saved as ‘recipes’. This is where<br />

Color Efex Pro 4 reveals its true<br />

depth and power. The longer you<br />

spend with this plug-in, the more<br />

you’re left feeling you’ve only just<br />

scratched the surface.<br />

The 55 different filters vary<br />

in usefulness. You may never<br />

use the burnt landscape look<br />

of Indian Summer, the false<br />

colours of the Ink filter or the<br />

soft-focus Duplex effect. Some,<br />

though, are near-indispensable,<br />

HDR Efex Pro 2’s preset effects can look a little overcooked,<br />

but its manual tools allow much more natural-looking results<br />

such as Graduated Filters,<br />

Contrast Colour Range (which is<br />

terrific for enhancing colour in<br />

landscapes), Detail Extractor and<br />

Tonal Contrast.<br />

Each filter has its own adjustment<br />

parameters, and they all use Nik’s<br />

control-point technology for<br />

localised adjustments. You click to<br />

add a control point and it adds its<br />

own mask, based on the colour<br />

values where you clicked, operating<br />

over an adjustable radius. Initially<br />

this feels vague, but it proves to be<br />

a quick and intuitive way to make<br />

localised enhancements.<br />

HDR Efex Pro 2<br />

Like other HDR tools, HDR Efex<br />

Pro 2 can be used on either single<br />

images or HDR exposure sets,<br />

which it can merge with automatic<br />

alignment, ghost reduction and<br />

chromatic aberration removal. Its<br />

strength is that it makes instant<br />

HDR effects relatively easy.<br />

It still wraps it up in a bit too<br />

much jargon, though, some of it<br />

specific to this particular software.<br />

For example, it’s not obvious what<br />

the Depth, Detail and Drama<br />

settings are likely to do, so you<br />

have to use a good deal of trial<br />

and error to find out.<br />

However, it’s not hard to find an<br />

HDR look you like with HDR Efex<br />

Pro 2, and it deserves proper<br />

credit for this, given that many<br />

rival HDR tools are complex and<br />

difficult to use.<br />

Viveza 2<br />

Viveza 2 offers the equivalent<br />

of black & white dodge and burn<br />

for colour photos. It uses Nik<br />

Software’s control-point<br />

technology to both mask and<br />

adjust areas of the image in a<br />

single operation. There are no<br />

preset effects at all; it’s simply<br />

a vehicle for a more detailed<br />

version of the suite’s control<br />

point technology.<br />

Arguably, there’s nothing here<br />

that you couldn’t do with layers and<br />

masks in Photoshop, but Viveza 2<br />

does encourage you to visualise<br />

and build your enhancements<br />

in perhaps a more natural way.<br />

Individually, control points can<br />

look like a somewhat crude and<br />

imprecise way of selecting and<br />

adjusting areas of a picture;<br />

however when they’re used in<br />

‘groups’ and, particularly, when you<br />

use two ‘competing’ control<br />

points close together, they actually<br />

produce very precise and<br />

natural-looking tonal transitions<br />

around object edges.<br />

HDR Efex Pro 2 quickly generates HDR images from bracketed exposure sets, but needs some skill and effort<br />

52 14 May 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 1113

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