The Art of

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108 SCULPTURES Untitled, 1978–80 Two machetes in concrete, 32 × 72 × 16 cm Knives In Cement, 1970–79 Two machetes in cement, 70 × 67 × 20 cm Knife In Cement, 1974 Machete and cement, 46 × 20 × 46 cm Untitled (Two Knives In Concrete), 1979/80 Metal and wood in plaster and cloth, 30 × 46 × 72 cm
109 Dear Old Master Chagall! The cradle-bodies from the Riga-shtetl! slither through the purple pall you drape as a mirror from the sheer face of New York’s sky-scrapers! The little bodies give themselves away in your diamond-ink and forgive each other for looking so lovely in your pink bluish yellowish hues. We paint them as you do! Just being dragged on a rope with hairy hooks. BORIS LURIE, OCTOBER 15, 2000 My sympathy is with the mouse But I feed the cat. BORIS LURIE, JUNE 2, 2001
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NO COMPROMISES 1 The Art of FAMILY
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FAMILY 3 Family, 1945-49 Oil on Mas
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FAMILY 5 Fragments Of Jewish Histor
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SATURATION PAINTINGS 7 Back From Wo
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SATURATION PAINTINGS 9 Untitled, 19
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NIGHT, STUTTHOF The day ends at six
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Entrance, 1940-55 Oil on board, 103
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WAR SERIES 15 War Series 85, 1946 P
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WAR SERIES 17 War Series 77, 1946 I
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WAR SERIES 19 War Series 98, 1946 C
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CAMPS 21
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CAMPS 23 Railroad to America, 1963
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Dismembered Woman: The Stripper, 19
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Dismembered Stripper, 1956 Oil on c
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DISMEMBERED WOMEN 29 Dismembered Wo
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DISMEMBERED WOMEN 31 Dismembered Wo
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33 I’m half Russian serf half kik
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DANCE HALL SERIES 35 Dance Hall Ser
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DANCE HALL SERIES 37 Untitled, 1955
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LOVE SERIES 39 Love Series, 1970-72
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LOVE SERIES 41 Love Series: Bound W
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ALTERED PORTRAITS 43 Altered Photos
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45 The Jew pays well for sauerkraut
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STAR OF DAVID 47 Untitled, 1960/61
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STAR OF DAVID 49 Suitcase, 1964 Ass
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STAR OF DAVID 51 Altered Israeli Fl
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STAR OF DAVID 53 Untitled, 1959-64
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Yellow Star NO!art Bag, 1960-69 Col
Page 59 and 60: PIN-UPS 57 Salad, 1962 Collage: Oil
Page 61 and 62: PIN-UPS 59 More Insurance, 1963 Col
Page 63 and 64: PIN-UPS 61 Untitled, 1961 Collage:
Page 65 and 66: PIN-UPS 63 Untitled, 1973-77 Collag
Page 67 and 68: PIN-UPS 65 Untitled, 1960-70 Collag
Page 69 and 70: PIN-UPS 67
Page 71 and 72: PIN-UPS 69 (Hand), 1962 Collage: Oi
Page 73 and 74: NO 71 NO, 1965-69 Assemblage: Newsp
Page 75 and 76: No (Red And Black), 1963 Oil on can
Page 77 and 78: 75 A Nazi who secretly slipped a sl
Page 79 and 80: NO 77 NO I Sprayed, 1963 Spray pain
Page 81 and 82: NO 79 Untitled, 1963 Assemblage: Oi
Page 83 and 84: HARD WRITINGS 81 IN, 1960-62 Assemb
Page 85 and 86: HARD WRITINGS 83 German Word “God
Page 87 and 88: ADIEU AMERIQUE 85 NO With Mrs. Kenn
Page 89 and 90: Untitled (AMERICAN), 1961 Collage:
Page 91 and 92: ADIEU AMERIQUE 89 Adieu Amerique, 1
Page 93 and 94: ADIEU AMERIQUE 91
Page 95 and 96: Adieu Amerique, 1960 Oil on canvas,
Page 103 and 104: ADIEU AMERIQUE 101 Mort Aux Juif! I
Page 107 and 108: Now, No More, 1962 Oil on canvas, 1
Page 109: SCULPTURES 107 Ax Series #3, 1970-7
Page 113 and 114: SCULPTURES 111 Untitled, undated As
Page 115 and 116: NO COMPROMISES 113 The Art of CILLY
Page 117 and 118: 115 While most survivors of the Nat
Page 119 and 120: 117 ‘Zeitgenössische Kunst gegen
Page 121 and 122: 119 The first NO!art anthology appe
Page 123 and 124: 121 reprinted an enlarged photograp
Page 125 and 126: 123 06 See KARL JASPERS The Questio
Page 127 and 128: 125 often turned into anti-Semitism
Page 129 and 130: 127 03 Lacan juxtaposed the metapho
Page 131 and 132: 129 05 BORIS LURIE “Les Lions Sho
Page 133 and 134: 131 09 The newly attained sexual fr
Page 135 and 136: 133 image of the woman is integrate
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Page 139 and 140: 137 The canon defines a system of r
Page 141 and 142: 139 sible to ascertain and discuss
Page 143 and 144: 141 06 In the Jewish Encyclopedia,
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Page 147 and 148: 145 03 On this, see LIFE from 10 Ma
Page 149 and 150: 147 First illustration in the broch
Page 151 and 152: 149 09 See HANNAH ARENDT Ich will v
Page 153 and 154: 151 Wolf Vostell, Wir waren so eine
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Page 157 and 158: 155 03 ESTERA MILMAN NO!art and the
Page 159 and 160: 157 09 Video interview by Matthias
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159 19 MILMAN 2000, time code 01:05
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161 I Boris had pledged to smoke le
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163 Although Boris rarely leaves hi
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165 saw not only the reason for the
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167 East Village. I would really ha
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Biography Exhibitions Selection 169
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(Hand), 1962 Collage: Oil and pictu
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Untitled, 1960-70 Oil on canvas, 91
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AUTHORS 175 EIKO GRIMBERG is an art
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