The Art of

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112 SCULPTURES Clay Head, Squashed, 1955 Assemblage: Clay mounted on Masonite, 28 × 23 cm
NO COMPROMISES 113 The Art of CILLY KUGELMANN “I would have loved to make pretty pictures ...” 114 GERTRUD KOCH Boris Lurie’s NO!art and the Canon 136 BORIS LURIE Biography and Exhibitions 169 VOLKHARD KNIGGE “Art really exists, no kidding” 118 TAL STERNGAST Shock Treatment: Figures of Women in Boris Lurie’s Work 126 MIRJAM WENZEL From Display to Lust: The Deconstruction of Photographs in Boris Lurie’s Collages 144 MATTHIAS REICHELT “We have more or less said that we shit on everything:” Boris Lurie and NO!art 154 EXHIBITED WORKS 171 AUTHORS 175 COLOPHON 176 EIKO GRIMBERG A Failed Portrait 160
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NO COMPROMISES 1 The Art of FAMILY
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FAMILY 3 Family, 1945-49 Oil on Mas
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FAMILY 5 Fragments Of Jewish Histor
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SATURATION PAINTINGS 7 Back From Wo
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SATURATION PAINTINGS 9 Untitled, 19
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NIGHT, STUTTHOF The day ends at six
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Entrance, 1940-55 Oil on board, 103
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WAR SERIES 15 War Series 85, 1946 P
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WAR SERIES 17 War Series 77, 1946 I
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WAR SERIES 19 War Series 98, 1946 C
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CAMPS 21
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CAMPS 23 Railroad to America, 1963
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Dismembered Woman: The Stripper, 19
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Dismembered Stripper, 1956 Oil on c
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DISMEMBERED WOMEN 29 Dismembered Wo
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DISMEMBERED WOMEN 31 Dismembered Wo
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33 I’m half Russian serf half kik
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DANCE HALL SERIES 35 Dance Hall Ser
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DANCE HALL SERIES 37 Untitled, 1955
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LOVE SERIES 39 Love Series, 1970-72
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LOVE SERIES 41 Love Series: Bound W
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ALTERED PORTRAITS 43 Altered Photos
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45 The Jew pays well for sauerkraut
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STAR OF DAVID 47 Untitled, 1960/61
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STAR OF DAVID 49 Suitcase, 1964 Ass
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STAR OF DAVID 51 Altered Israeli Fl
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STAR OF DAVID 53 Untitled, 1959-64
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Yellow Star NO!art Bag, 1960-69 Col
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PIN-UPS 57 Salad, 1962 Collage: Oil
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PIN-UPS 59 More Insurance, 1963 Col
Page 63 and 64: PIN-UPS 61 Untitled, 1961 Collage:
Page 65 and 66: PIN-UPS 63 Untitled, 1973-77 Collag
Page 67 and 68: PIN-UPS 65 Untitled, 1960-70 Collag
Page 69 and 70: PIN-UPS 67
Page 71 and 72: PIN-UPS 69 (Hand), 1962 Collage: Oi
Page 73 and 74: NO 71 NO, 1965-69 Assemblage: Newsp
Page 75 and 76: No (Red And Black), 1963 Oil on can
Page 77 and 78: 75 A Nazi who secretly slipped a sl
Page 79 and 80: NO 77 NO I Sprayed, 1963 Spray pain
Page 81 and 82: NO 79 Untitled, 1963 Assemblage: Oi
Page 83 and 84: HARD WRITINGS 81 IN, 1960-62 Assemb
Page 85 and 86: HARD WRITINGS 83 German Word “God
Page 87 and 88: ADIEU AMERIQUE 85 NO With Mrs. Kenn
Page 89 and 90: Untitled (AMERICAN), 1961 Collage:
Page 91 and 92: ADIEU AMERIQUE 89 Adieu Amerique, 1
Page 93 and 94: ADIEU AMERIQUE 91
Page 95 and 96: Adieu Amerique, 1960 Oil on canvas,
Page 103 and 104: ADIEU AMERIQUE 101 Mort Aux Juif! I
Page 107 and 108: Now, No More, 1962 Oil on canvas, 1
Page 109 and 110: SCULPTURES 107 Ax Series #3, 1970-7
Page 111 and 112: 109 Dear Old Master Chagall! The cr
Page 113: SCULPTURES 111 Untitled, undated As
Page 117 and 118: 115 While most survivors of the Nat
Page 119 and 120: 117 ‘Zeitgenössische Kunst gegen
Page 121 and 122: 119 The first NO!art anthology appe
Page 123 and 124: 121 reprinted an enlarged photograp
Page 125 and 126: 123 06 See KARL JASPERS The Questio
Page 127 and 128: 125 often turned into anti-Semitism
Page 129 and 130: 127 03 Lacan juxtaposed the metapho
Page 131 and 132: 129 05 BORIS LURIE “Les Lions Sho
Page 133 and 134: 131 09 The newly attained sexual fr
Page 135 and 136: 133 image of the woman is integrate
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Page 139 and 140: 137 The canon defines a system of r
Page 141 and 142: 139 sible to ascertain and discuss
Page 143 and 144: 141 06 In the Jewish Encyclopedia,
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Page 147 and 148: 145 03 On this, see LIFE from 10 Ma
Page 149 and 150: 147 First illustration in the broch
Page 151 and 152: 149 09 See HANNAH ARENDT Ich will v
Page 153 and 154: 151 Wolf Vostell, Wir waren so eine
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Page 157 and 158: 155 03 ESTERA MILMAN NO!art and the
Page 159 and 160: 157 09 Video interview by Matthias
Page 161 and 162: 159 19 MILMAN 2000, time code 01:05
Page 163 and 164: 161 I Boris had pledged to smoke le
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163 Although Boris rarely leaves hi
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165 saw not only the reason for the
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167 East Village. I would really ha
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Biography Exhibitions Selection 169
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(Hand), 1962 Collage: Oil and pictu
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Untitled, 1960-70 Oil on canvas, 91
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AUTHORS 175 EIKO GRIMBERG is an art
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