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Volume 21 Issue 9 - Summer 2016

It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.

It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.

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FOR OPENERS | DAVID PERLMAN<br />

On Music Making In Particular Places<br />

Perspectives by incongruity 1<br />

In this particular version of an ancient allegory, the Editor-In-Chief<br />

summons two scribes to his lofty perch and says, “Go forth and<br />

ascertain the health of the operatic art form in our realm during<br />

the months when shorts are shortest and the sun is at its highest in<br />

the sky.”<br />

So off they go, and in due course they return and the one scribe<br />

steps forward and says:<br />

“A peculiar thing happens each year around mid-May in this, the<br />

largest, busiest city of Canada: Toronto opera life all but shuts down,<br />

give or take an intrepid indie daring a short, early-June run. And the<br />

season stays shut until the latter half of September.”<br />

“Aha!” says the Editor-In-Chief. “Thank you!”<br />

Then the other scribe steps forward and says:<br />

“It used to be that, come June, Ontarians had to leave the province<br />

to seek opera performances elsewhere. That’s not the case this<br />

summer, which is surprisingly filled with opera, especially with<br />

new ones.”<br />

“Aha!” says the Editor-In-Chief. “Thank you!”<br />

At this point, the Managing Editor, who has been observing all<br />

this with an almost imperceptible frown, steps forward: “They can’t<br />

both of them be ‘Aha!’” the Managing Editor says. (And the Senior<br />

Proofreader, who has also been observing all this, nods in almost<br />

imperceptible agreement.)<br />

“Aha!!” says the Editor-In-Chief. “Thank you!”<br />

Perspectives by incongruity 2<br />

When Luminato first burst onto the Toronto scene a little over<br />

a decade ago, (as, among other things, a civic vaccine for<br />

SARS), their mission statement/slogan was “Bringing the<br />

World to Toronto,” and I remember feeling a grudging admiration for<br />

the sneakily clever ambiguity of it all.<br />

“Way to hedge your bets,” I thought at the time. If the global public<br />

does come to see how wonderfully cultural we are, mission accomplished.<br />

If, on the other hand, those of us who can’t afford plane and<br />

concert tickets get to take in some of the great art and culture of our<br />

time right here in our own backyard, then mission still accomplished!<br />

(That being said, I will forever remain grateful for the opportunity<br />

to take in the Ex Machina/Robert Lepage production of Lip Sync at<br />

the Bluma Appel Theatre in 2009. It was worth every penny, at a time<br />

when pennies were still worth something.)<br />

I’m quite sure, though, that this ambiguity of mission has not<br />

served Luminato very well over the years. “And if they still don’t get<br />

that it doesn’t serve them well, then it serves them right,” is what I<br />

would have said, right up until a few months ago. But methinks, as<br />

Andrew Timar intimates in his World View column this issue, there<br />

may be some hope on the eastern horizon.<br />

The decision to tie Luminato’s fortunes to a single location – the<br />

decommissioned Hearn Generating Station in the eastern portlands<br />

represents for me, the recognition, finally, that the stated goal<br />

of attempting to turn the whole of downtown Toronto into a ten-day<br />

cultural wonder of the world has been as much of an exercise in<br />

futility as it would have been be to try to turn the outfield at the<br />

Rogers Centre into a world-class rose garden.<br />

The WholeNote <br />

VOLUME <strong>21</strong> NO 9| JUNE 1 -SEPTEMBER 7, <strong>2016</strong><br />

Centre for Social Innovation<br />

720 Bathurst St., Suite 503, Toronto ON M5S 2R4<br />

PHONE 416-323-2232 | FAX 416-603-4791<br />

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publisher@thewholenote.com<br />

Chairman of the Board | Allan Pulker<br />

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EDITORIAL<br />

Managing Editor | Paul Ennis<br />

editorial@thewholenote.com<br />

Recordings Editor | David Olds<br />

discoveries@thewholenote.com<br />

Social Media Editor | Sara Constant<br />

editorial@thewholenote.com<br />

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listings@thewholenote.com<br />

Club Listings Editor | Bob Ben<br />

jazz@thewholenote.com<br />

SALES, MARKETING & MEMBERSHIP<br />

Concerts & Events/Membership | Karen Ages<br />

members@thewholenote.com<br />

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Website/Systems Support | Kevin King<br />

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Circulation/Subscriptions | Chris Malcolm<br />

circulation@thewholenote.com<br />

SUBSCRIPTIONS<br />

$35 per year + HST (9 issues)<br />

THANKS TO THIS MONTH’S CONTRIBUTORS<br />

Beat Columnists<br />

Paul Ennis, Wendalyn Bartley, Brian Chang,<br />

Christopher Hoile, David Podgorski, Hans de<br />

Groot, Andrew Timar, Jack MacQuarrie, Bob Ben,<br />

mJ buell<br />

Features<br />

David Perlman, Ori Dagan, David Jaeger, Sara<br />

Constant, Lydia Perovic<br />

CD Reviewers<br />

Alex Baran, John Beckwith, Stuart Broomer, Max<br />

Christie, Raul da Gama, Hans De Groot, Daniel<br />

Foley, Janos Gardonyi, Tiina Kiik, Roger Knox,<br />

Alison Melville, Lesley Mitchell-Clarke, David Olds,<br />

Ivana Popovic, Ted Quinlan, Cathy Riches, Cathy<br />

Riches, Terry Robbins, Sharna Searle, Bruce<br />

Surtees, Robert Tomas, Ken Waxman, Dianne<br />

Wells, Vanessa Wells, Elliot Wright<br />

Proofreading<br />

Vanessa Wells, Jennifer Liu, John Sharpe, Paul<br />

Ennis, Sara Constant<br />

Listings<br />

John Sharpe, Bob Ben,Tilly Kooyman, Ruth<br />

Atwood, Simone Desilets, Jennifer Liu, Katie White<br />

Circulation Team<br />

Abram Bergen, Beth Bartley / Mark Clifford, Bob<br />

Jerome, Dagmar Sullivan, Dave Taylor, Garry<br />

Page, Gero Hajek, Jack Buell, James Harris, John<br />

Dodington, Jeff Hogben, Jonathan Spencer, Lorna<br />

Nevison, Manuel Couto, Micah Herzog, Patrick<br />

Slimmon, Paul Ennis, Robert Faulkner, Sharon<br />

Clark, Tiffany Johnson, Tom Sepp, Vanita<br />

Butrsingkorn, Wende Bartley<br />

Layout & Design<br />

Bryson Winchester, Susan Sinclair<br />

an Ontario government agency<br />

un organisme du gouvernement de l’Ontario<br />

Upcoming Dates & Deadlines<br />

Free Event Listings Deadline<br />

6pm Monday August 8<br />

Display Ad Reservations Deadline<br />

6pm Monday August 15<br />

Classifieds Deadline<br />

6pm Thursday August 25<br />

Advertising Materials Due<br />

6pm Thursday August 18<br />

Publication Date<br />

Tuesday August 30 (Online)<br />

Thursday September 1 (Print)<br />

<strong>Volume</strong> 22 No 1 covers<br />

September 1 - October 7, <strong>2016</strong><br />

WholeNote Media Inc. accepts no responsibility or<br />

liability for claims made for any product or service<br />

reported on or advertised in this issue.<br />

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<strong>Summer</strong> <strong>2016</strong>: 30,000 printed & distributed<br />

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COPYRIGHT © <strong>2016</strong> WHOLENOTE MEDIA INC<br />

thewholenote.com<br />

6 | June 1, <strong>2016</strong> - September 7, <strong>2016</strong> thewholenote.com

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