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Volume 21 Issue 9 - Summer 2016

It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.

It's combined June/July/August summer issue time with, we hope, enough between the covers to keep you dipping into it all through the coming lazy, hazy days. From Jazz Vans racing round "The Island" delivering pop-up brass breakouts at the roadside, to Bach flute ambushes strolling "The Grove, " to dozens of reasons to stay in the city. May yours be a summer where you find undiscovered musical treasures, and, better still, when, unexpectedly, the music finds you.

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Olivia Shortt<br />

seeking out more traditional styles of music and art practices but there<br />

isn’t as much for those seeking workshops that offer an approach<br />

to more current music,” adds Shortt. “Especially as a saxophonist,<br />

Toronto doesn’t offer much in the way of workshops and opportunities<br />

to network as a classical/new music performer. I’ve often had to<br />

seek these opportunities in other cities.”<br />

A project like TCML couldn’t come at a better time of year for people<br />

like me. Taking place at the end of June means that TCML can create<br />

these opportunities in Toronto, for participants, who at any other time<br />

would be busy at work, schools or conservatories all over the world.<br />

And for both organizers, June offers a moment to reflect on the rest of<br />

the year, and put their observations into action.<br />

“[TCML] fits in well with my day-to-day life,” explains Doell. “I’m<br />

a full-time composer and I also create music educator programs, so a<br />

lot of what we are trying to accomplish at TCML is in the front of my<br />

mind regularly.” And for Shortt, an incoming masters student at the<br />

University of Toronto, being on the giving rather than the receiving<br />

end of a summer workshop has so far been a valuable experience.<br />

“This is one of the first projects for me that hasn’t been something I’m<br />

organizing for myself, like a recital or a tour,” she says. “And there’s a<br />

lot that school couldn’t teach me, so this has been the most practical<br />

educational opportunity that I’ve been a part of.”<br />

For my part, the workshop will be a refreshing break from my restof-the-year<br />

schoolwork, and a welcome challenge after some time<br />

away from my instrument. It will be, in other words, the perfect<br />

summer vocation.<br />

The final concert of TCML, featuring all of the premieres workshopped<br />

during the week’s rehearsals, takes place on June 24 at the<br />

918 Bathurst Centre; details at tcml.ca.<br />

Of course, Shortt and Doell aren’t the only ones with exciting<br />

musical plans in the works for the next three months. After speaking<br />

with them, we were inspired to get in touch with other local musicians<br />

to ask them this one thing:<br />

How do you make use of Toronto’s long musical summer to<br />

recharge your musical batteries for the season ahead?<br />

Here are some of their responses.<br />

Name: Gordon Mansell<br />

Instrument: Organ<br />

<strong>Summer</strong> Vocations continues on page 89<br />

thewholenote.com June 1, <strong>2016</strong> - September 7, <strong>2016</strong> | 9

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