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glencoeanchor.com life & arts<br />

the glencoe anchor | August 18, 2016 | 17<br />

Glencoe native’s novel looks back on racist incident<br />

‘The Lynching<br />

Waltz’ revisits<br />

1947 Glencoe<br />

controversy<br />

Fouad Egbaria, Editor<br />

Some events in history<br />

stick with<br />

you forever.<br />

For Glencoe<br />

native<br />

Stephen L.<br />

Kanne, a racist<br />

incident<br />

that occurred Kanne<br />

in the community<br />

while he was a student<br />

at Central School stuck<br />

with him forever.<br />

“It was more than in my<br />

head,” he told The Anchor<br />

earlier this summer about<br />

his memory of the incident.<br />

“It was like a very heavy<br />

brick in a knapsack on my<br />

back which I carried with<br />

me throughout my life.”<br />

Kanne, 82, was so affected<br />

by the incident that<br />

he wrote his second novel,<br />

“The Lynching Waltz,”<br />

published in June, a work<br />

of historical fiction drawing<br />

from that incident in the<br />

fall of 1947. His work was<br />

well-received, so much so<br />

that Kanne was asked to<br />

be a presenter at this year’s<br />

Juneteenth celebration in<br />

Washington, D.C., an annual<br />

event celebrating the<br />

abolition of slavery in the<br />

United States.<br />

In the late 1940s, Glencoe<br />

youngsters, black and<br />

white, enjoyed Friday ballroom<br />

dance classes, called<br />

Fortnightly. The classes<br />

served as a fun departure<br />

from the regular routine,<br />

particularly in a time when<br />

boys and girls were separated<br />

at school assemblies and<br />

other functions, Kanne said.<br />

However, a dark cloud<br />

was cast over the dance<br />

floor by one decision, a decision<br />

that forced the community<br />

to make a choice.<br />

Then heading into eighth<br />

grade, Kanne recalled there<br />

were maybe six black students<br />

in the 80-student<br />

class at Central School —<br />

but as kids, he said none of<br />

them paid much attention<br />

to skin color.<br />

Skin color did become<br />

a talking point, however,<br />

when the instructor of the<br />

class (who was independent<br />

of the Glencoe school<br />

district), said that the black<br />

students would not be allowed<br />

to participate in the<br />

ballroom dancing classes,<br />

which took place in the<br />

ballroom above the Central<br />

School auditorium.<br />

“When this happened, it<br />

was like an A-bomb going<br />

off in Glencoe,” Kanne said.<br />

“It was really a big deal.”<br />

As a result, members of<br />

the community organized a<br />

meeting to decide what to<br />

do: whether the class should<br />

be allowed to continue,<br />

with the black students excluded,<br />

or, if it should be<br />

canceled. Ultimately, the<br />

class was discontinued, but<br />

the effects of the decision<br />

rippled onward in Kanne’s<br />

life. Kanne said he was unable<br />

to find documentation<br />

of that community meeting<br />

in Glencoe Historical Society<br />

archives or in archived<br />

news coverage — that,<br />

combined with the fact that<br />

the attendees of that meeting<br />

are all likely deceased,<br />

Glencoe native Stephen L. Kanne’s second novel, “The<br />

Lynching Waltz,” was published earlier this summer<br />

— a work of historical fiction, it draws from a racist<br />

incident that occurred in Glencoe during his youth.<br />

Image Submitted<br />

inspired Kanne to write a<br />

book based on the incident,<br />

but fictionalized.<br />

After later graduating<br />

from New Trier, then<br />

from Harvard University,<br />

Kanne worked as an Army<br />

journalist while stationed<br />

in France. He then got his<br />

law degree from Stanford<br />

University, later going on<br />

to practice real-estate law<br />

for three decades, moving<br />

to Los Angeles because he<br />

couldn’t handle the Midwestern<br />

winters, he joked.<br />

Through all his travels,<br />

he carried that fateful saga<br />

buried in Glencoe’s past<br />

with him.<br />

“I’ve always carried the<br />

story which inspired ‘The<br />

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