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digital humanities and digital media

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Introduction 15<br />

terms of anthropology <strong>and</strong> cultural studies, <strong>media</strong> literacy is not<br />

inclined to the generation of frictionless new <strong>media</strong> usage, but<br />

is determined to explore which cultural values <strong>and</strong> social norms<br />

new <strong>media</strong> create or negate <strong>and</strong> how we, as a society, should<br />

underst<strong>and</strong> <strong>and</strong> value this. Media literacy in this sense, is, for<br />

example, not only concerned with how to read a search engine’s<br />

ranking list but also with how the retrieval of information based<br />

on the use of a search engine changes the way we perceive <strong>and</strong><br />

value knowledge.<br />

The urge to develop reflective <strong>media</strong> literacy rather than<br />

just vocational knowhow raises the question about the appropriate<br />

institutional frameworks within which such literacy is<br />

to be offered. Is Digital Humanities – the new ‘big thing’ in the<br />

Humanities at large – be the best place? The qualified compound<br />

phrase “sounds like what one unacquainted with the whole issue<br />

might think it is: humanistic inquiry that in some way relates<br />

to the <strong>digital</strong>.” 5 For people acquainted with the ongoing debate<br />

(<strong>and</strong> with grammar), <strong>digital</strong> <strong>humanities</strong> is first <strong>and</strong> foremost<br />

what the adjective-plus-noun combination suggests: ‘a project of<br />

employing the computer to facilitate humanistic research,’ as Jay<br />

David Bolter, an early representative of Digital Media Studies,<br />

puts it, ‘work that had been done previously by h<strong>and</strong>.’ Digital<br />

Humanities is, so far, computer-supported <strong>humanities</strong> rather<br />

than <strong>humanities</strong> discussing the cultural impact of <strong>digital</strong> <strong>media</strong>.<br />

Some academics even fear Digital Humanities may be a kind of<br />

Trojan horse, ultimately diverting our attention not only from<br />

critical philosophical engagement but also from engaging with<br />

<strong>digital</strong> <strong>media</strong> itself. 6 Others consider, for similar reasons, <strong>digital</strong><br />

humanists the ‘golden retrievers of the academy’: they never<br />

get into dogfights because they hardly ever develop theories that<br />

anyone could dispute. 7<br />

To become a breed of this kind in the academic kennel scholars<br />

<strong>and</strong> commentators have to shift their interest ‘away from<br />

thinking big thoughts to forging new tools, methods, materials,<br />

techniques …’ 8 In this sense, Johanna Drucker proposes<br />

an interesting, rigorous distinction of responsibilities: ‘Digital<br />

Humanities is the cook in the kitchen <strong>and</strong> [...] Digital Media

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