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Brick<br />

Response:<br />

Simon Gould<br />

What factors tend to lead you to<br />

use bricksinaproject?<br />

The quality and richness of the<br />

finished product that we andthe<br />

client aspiretoo; the project<br />

location and built context; and<br />

the budget. Ipersonally love using<br />

bricks to make places because<br />

they bringsomuch playful<br />

opportunity to aproject. It is<br />

quite extraordinarythat aproduct<br />

with astandardmodule of 215x65<br />

x102.5mm can be used to give<br />

formtosuch avarietyofbuildings<br />

and places.<br />

What can bricks offer in termsof<br />

creativity?<br />

My early memories of massive<br />

industrial structures and civic<br />

buildings in the West Midlands<br />

have informed my view that brick<br />

has limitless opportunities. From<br />

heavy,moody volumes to delicate,<br />

refined structures, one can use<br />

brick to create allmanner of<br />

different surfaces, walls, floors and<br />

roofs. Bricks arenot justred –<br />

from their raw claystate through<br />

the firing process to the finished<br />

article thereare many<br />

opportunities for them to be<br />

made into atotally different type<br />

of product. Also, bricks can be<br />

stacked and bondedina<br />

multitude of ways, and one mustn’t<br />

forget the all-important mortar that<br />

completes the palette.<br />

Which brick projects by Mitchell<br />

Eley Gouldhave pleasedyou most?<br />

King’s College library –wewere<br />

asked by the Taunton schoolto<br />

build alibraryasanextension to a<br />

grade-twolistedbuilding of locally<br />

quarriedstone. We were facedwith<br />

the challenge of complementing<br />

and enhancing the built setting,<br />

but thequarry had long since<br />

closed. We thereforedecided to use<br />

amix of five different bricks, one of<br />

which was aklinkerbrick that had<br />

beenstamped on and distorted<br />

beforebeing fired. Afat,flush<br />

mortar joint made the individual<br />

elements read as acohesivewhole.<br />

Initially therewas some doubt as to<br />

whether theproposed blend of<br />

materials would work, but five years<br />

on thebuilding is full of character<br />

and charms its users.<br />

Kingswood Classroom Buildingis<br />

located in Bath conservationarea,<br />

and theplanning officer requested<br />

that Bath stone be used. We argued<br />

that another prominent materialin<br />

the city was slate, andthat long<br />

slate-coloured blocks would be<br />

appropriate for the walls.They<br />

agreed, and we identified black<br />

Fireborn bricks for the purpose,<br />

with anarrow5mm mortar jointto<br />

create amorerefined surface. The<br />

end product is adark, engineered<br />

facade that plays in acompelling<br />

manner offthe neighbouring soft<br />

Bath stone.<br />

Which projects by other architects<br />

have impressed or influenced?<br />

SigurdLewerentz and AlvarAalto<br />

createdverydifferent buildings<br />

but both made brick structures of<br />

character and charm, along with<br />

raw spatialqualities that inspire.<br />

Is brick amaterial of thefuture?<br />

Of course.Bricks have beenused<br />

for hundreds of years to create the<br />

places that we inhabit andIbelieve<br />

we will continuetouse bricks for<br />

many moreyears to come<br />

Simon Gould<br />

Director at architect<br />

Mitchell EleyGould, which<br />

he joinedin2007 after<br />

studying at the universities<br />

of Bath and Cambridge,and<br />

working withMJP and FCB<br />

Studios. MuchofGould’s<br />

work is in education,<br />

placemaking andhousing,<br />

andcurrentprojects<br />

include an animal welfare<br />

centre in Gloucester.Heis<br />

atutorand teachingfellow<br />

at Bathand an external<br />

examiner at theUniversity<br />

of the West of England.<br />

Above<br />

Mitchell Eley Gould’s<br />

library at King’sCollege,<br />

Taunton (2011);Sigurd<br />

Lewerentz’s St Peter’s<br />

Church,Klippan (1966).<br />

46 •IBSTOCK <strong>DESIGN</strong> •AUTUMN 2016

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