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October 2016

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East London makers<br />

notion of an artist’s place. Inside,<br />

the conglomeration of finished<br />

bronzes, drawings, found<br />

objects, paints and wax models<br />

reveals Jonesy’s artistic variety.<br />

While he picked up the bronze<br />

casting techniques over the<br />

years he’s worked at the<br />

foundry, his other skills<br />

are self-taught.<br />

Jonesy came to street<br />

art almost by accident.<br />

One afternoon he went<br />

out and placed a few<br />

figures randomly around<br />

the streets. It made him realise<br />

that it’s the ideal platform for an<br />

environmental message.<br />

“I feel the art world in this<br />

country is broken," he says. "It<br />

should be a means of expression<br />

for the public. But it is controlled<br />

by money through the gallery<br />

system. It stops galleries<br />

promoting artists who are critical<br />

of its sponsors.”<br />

That’s why it’s important for<br />

Jonesy to do stuff on the street.<br />

It's not commercial and it’s<br />

accessible to everybody.<br />

He didn’t expect any response<br />

when he started installing his<br />

pieces, but it didn’t take long for<br />

people to notice them. Today,<br />

Jonesy is a known name and a<br />

favourite of the street art tour<br />

guides who like the fact that his<br />

pieces are not easily noticeable.<br />

At the moment, Jonesy has an<br />

illegal intervention going on<br />

at the Tate Modern. In<br />

broad daylight he glued<br />

a round bronze medal,<br />

with an environmental<br />

message onto a wall<br />

at the museum’s new<br />

Switch House. It’s been<br />

up five weeks and Jonesy<br />

wonders if nobody has noticed it<br />

yet – or whether they have left it<br />

there on purpose.<br />

Weapons of<br />

free speech<br />

“I’m almost a bit disappointed<br />

that I didn’t get caught. I wanted<br />

to make a point of why I did it,”<br />

he says, laughing.<br />

Another of Jonesy's passions is<br />

crafting musical instruments.<br />

On the wall of the studio hangs<br />

a series of hand-made guitars.<br />

All of them are made from<br />

sustainable or recycled wood<br />

and are decorated with amazing<br />

details.<br />

Music is another means of<br />

getting across an environmental<br />

message. “Making guitars is like<br />

making weapons of freedom of<br />

speech,” he says.<br />

Jonesy gives his musical<br />

instruments away to musicians<br />

who he thinks could voice his<br />

environmental concerns. With<br />

that, his message reaches<br />

people on the streets through<br />

yet another artform.<br />

Jonesy’s pieces can be found<br />

around the Brick Lane area<br />

(Fournier St, Hanbury St,<br />

Osborne St, Sclater St, Bacon<br />

St) on Columbia Road, along the<br />

canals and by Bow Locks.<br />

Two of Jonesy's pieces (the Tate Switch<br />

House installation is above left)<br />

Hair studio in the heart of London Fields<br />

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www.kennaland.com<br />

0207 254 1499<br />

47 Martello St, E8 3PE<br />

kennaland_london<br />

kennaland<br />

LOVEEAST OCTOBER <strong>2016</strong> 13

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