Katalog_AADR_Spurbuch_2017

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14 | <strong>AADR</strong> ISBN 978-3-88778-462-1 English 224 pages | size 19 x 24,5 cm hardcover numerous colour and b/w illustrations DE 32,– E | A 32,80 E Constructing Atmospheres Test Sites for an Aesthetics of Joy Margit Brünner / Adelaide and Vienna About this book Constructing Atmospheres is concerned with subjective perceptions and affections and the co-production of collective spatial realities. The book speculates upon the production of joy as a worthwhile and effective collective practice applied toward the refinement of shared spaces. The author suggests that atmospheres precede matter, including built environments. As a report on the artistic labour of bringing forth joyful affects, the book puts to the test Spinoza’s fundamental conception of substance as a self-creating universal principle – philosophical theory is productively entangled with concrete spatial experimentation. About the author Margit Brünner holds a PhD in Visual Arts and undertakes her artistic research practice between Vienna, Austria and Adelaide Australia. Working through performative intervention, video and drawing her work investigates the spatiality of affective relations. Margit studied and undertook her Masters degree project in architecture with Hans Hollein, at the University of Applied Arts, Vienna. She has received several grants from the Austrian Federal Chancellery and was awarded with a MF & MH Joyner Fine Arts scholarship. Her work has been shown at the Museum of Modern Art, Vienna; the Architectural Biennale Venice; AEDES Gallery in Berlin; the Centre for Contemporary Photography, Melbourne; and the Australian Experimental Art Foundation in Adelaide, amongst other places. Currently she holds a visiting research position at the University of Adelaide. “This is a really wonderful book. Backing up her theory of an aesthetics of joy with Spinoza, Bergson, and Deleuze, Margit’s very strength is a kind of pragmatic phenomenology. By offering insights into her own practice, ways of creating and experiencing atmospheres is suggested to the reader, who as a result is obviously moved.“ Gernot Böhme www.spurbuch.de | www.aadr.info
<strong>AADR</strong> | 15 ISBN 978-3-88778-412-6 English 212 pages | size 19 x 24,5 cm hardcover numerous colour and b/w illustrations DE 32,– E | AT 32,80 E Introduction by Hélène Frichot, Associate Professor, KTH Stockholm Foreword by Lori A. Brown, Associate Professor, Syracuse University Performing Matter Interior Surface and Feminist Actions Julieanna Preston / Wellington About this book Performing Matter inquires about the material constitution of interiors as sites of political protest and ethical exchange. By forwarding feminist agency and a concern for the emancipation of interiors and their surfaces, this work oscillates between practical aspects of building construction, material properties, making processes, and embodied knowledge concerning interior materiality and spatiality. “Julieanna Preston captures and mobilises the vibrancy of interior life in a book of delightful wit and light strength of matter. Configured in four ’suites‘, she shows the capacious interiors and spatial designs that a performative material practice enables for the contemporary designer. Throughout these performative acts, enriched conceptual, physical and digital transversal relationships are constructed, so that the design languages, materials, together with the traditional and advanced technologies available for use, resonate with poetic and ethical expressions of human and nonhuman life.“ Dr Peg Rawes, UCL Bartlett School of Architecture, London About the author Dr Julieanna Preston is a spatial artist and designer working through sculptural objects, performative installations, interior interventions, building renovations and speculative furniture designs. Her projects are developed via a spatial-writing and transdisciplinary creative practice and have been exhibited at such events as the Arts Festival in Auckland and Whirlwinds, UCL, London. She has edited Interior Atmospheres (Architectural Design, 2008), Intimus: Interior Design Theory Reader (Wiley, 2006), Interior Economies (IDEA, 2012); and has published in Feminist Practices: Interdisciplinary Approaches to Women in Architecture (Ashgate, 2011) and After Taste: Expanded practice in Interior Design (Princeton Architectural Press, 2011). Julieanna teaches at the College of Creative Arts, Massey University, Wellington, New Zealand.
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Page 40 and 41: ARCHITEKTUR | 13 Manfred Lehmbruck
Page 42 and 43: ARCHITEKTUR | 15 Die 25 Einfamilien
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Page 46 and 47: Eine Schule für Gestaltung 1893-20
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