4.52am Issue: 003 9th October 2016
4.52am A Free Weekly Music and Guitar Magazine
4.52am A Free Weekly Music and Guitar Magazine
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SUSIE BLUE<br />
People like Us<br />
Well, this is a first for us. For a start, so far,<br />
we have only featured bands and artists<br />
that have albums under their belts, big tours<br />
and festivals over their shoulders. But that<br />
really isn’t what <strong>4.52am</strong> is all about – I want<br />
it to be somewhere you find out about new<br />
bands, new artists, new music, not just<br />
somewhere you can check out the latest<br />
chapter in somebody famous’s story.<br />
So that is why Susie Blue are here, because<br />
we think they are special, that they have<br />
greatness ahead of them, not just a memory<br />
in the rear view camera of their Range<br />
Rover.<br />
So what makes them so special?<br />
For a start, I love the passion Susie Blue<br />
have for righting wrongs and the fact that<br />
they write seriously cool songs to get their<br />
point across. It is really easy to be cynical<br />
about such things, easy to Bono-ify people<br />
who care.<br />
So who are they?<br />
Well, the Derry four piece are epic tubthumper,<br />
John Goodman, throbbing thickstringer<br />
Mark Doherty, the uber cool player<br />
that is guitarist Caolan Moore and the sirenvoiced<br />
Susan Donaghy who together create<br />
a wonderful explosion of edgy panic before<br />
blowing everything away with a super cool<br />
chorus.<br />
And for those of you confused by my<br />
listing the band members (as I never,<br />
ever, list the band members), I did it for a<br />
reason as I think these names will be<br />
ones that trip off everybody’s tongues<br />
further down the line, as in Donaghy they<br />
have a singer that could eclipse any<br />
southern Sinead or Delores, and not just<br />
because of her voice, but because there is<br />
some serious song-writing going on here,<br />
for you can have nuances and passion in<br />
indie-pop, even if too many others have<br />
gone for the ‘biscuit cutter’ approach<br />
instead.<br />
In fact this may well be the only<br />
historically significant review I ever write,<br />
so bear it in mind and maybe print it out<br />
and stick it on your wall to yellow-fade, so<br />
that for ever more the cool kids will know<br />
you got it first and you got it well.<br />
But I shouldn’t glide over the fact that<br />
People Like Us deals with serious issues<br />
and the fact that as a band they have<br />
been brave enough (and even in <strong>2016</strong> it<br />
is still brave, to our eternal shame) to<br />
make a video that deals with ‘gay<br />
bashing’ and intolerance generally. I<br />
snuck the chance to ask Susan what her<br />
feeling on the song were, and she very<br />
nicely didn’t call security:<br />
"People like us is a song we wanted to<br />
write for people who don't feel like they