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4.52am Issue: 003 9th October 2016

4.52am A Free Weekly Music and Guitar Magazine

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SUSIE BLUE<br />

People like Us<br />

Well, this is a first for us. For a start, so far,<br />

we have only featured bands and artists<br />

that have albums under their belts, big tours<br />

and festivals over their shoulders. But that<br />

really isn’t what <strong>4.52am</strong> is all about – I want<br />

it to be somewhere you find out about new<br />

bands, new artists, new music, not just<br />

somewhere you can check out the latest<br />

chapter in somebody famous’s story.<br />

So that is why Susie Blue are here, because<br />

we think they are special, that they have<br />

greatness ahead of them, not just a memory<br />

in the rear view camera of their Range<br />

Rover.<br />

So what makes them so special?<br />

For a start, I love the passion Susie Blue<br />

have for righting wrongs and the fact that<br />

they write seriously cool songs to get their<br />

point across. It is really easy to be cynical<br />

about such things, easy to Bono-ify people<br />

who care.<br />

So who are they?<br />

Well, the Derry four piece are epic tubthumper,<br />

John Goodman, throbbing thickstringer<br />

Mark Doherty, the uber cool player<br />

that is guitarist Caolan Moore and the sirenvoiced<br />

Susan Donaghy who together create<br />

a wonderful explosion of edgy panic before<br />

blowing everything away with a super cool<br />

chorus.<br />

And for those of you confused by my<br />

listing the band members (as I never,<br />

ever, list the band members), I did it for a<br />

reason as I think these names will be<br />

ones that trip off everybody’s tongues<br />

further down the line, as in Donaghy they<br />

have a singer that could eclipse any<br />

southern Sinead or Delores, and not just<br />

because of her voice, but because there is<br />

some serious song-writing going on here,<br />

for you can have nuances and passion in<br />

indie-pop, even if too many others have<br />

gone for the ‘biscuit cutter’ approach<br />

instead.<br />

In fact this may well be the only<br />

historically significant review I ever write,<br />

so bear it in mind and maybe print it out<br />

and stick it on your wall to yellow-fade, so<br />

that for ever more the cool kids will know<br />

you got it first and you got it well.<br />

But I shouldn’t glide over the fact that<br />

People Like Us deals with serious issues<br />

and the fact that as a band they have<br />

been brave enough (and even in <strong>2016</strong> it<br />

is still brave, to our eternal shame) to<br />

make a video that deals with ‘gay<br />

bashing’ and intolerance generally. I<br />

snuck the chance to ask Susan what her<br />

feeling on the song were, and she very<br />

nicely didn’t call security:<br />

"People like us is a song we wanted to<br />

write for people who don't feel like they

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