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DEPARTMENT OF<br />

ART & ART HISTORY<br />

PROFESSIONAL ART EXHIBITIONS AND LECTURES<br />

Creating and Collecting: New Faculty Work<br />

and Collection Acquisitions for the de Saisset Museum<br />

September 19 ~ November 18, 2016<br />

OPENING RECEPTION Friday, October 7 | 5 ~ 7p.m.<br />

These exciting side-by-side exhibitions showcase recent work by the<br />

Department of Art and Art History studio faculty and collaborative work<br />

between the Department’s art historians, de Saisset Museum, and Santa<br />

Clara University students.<br />

Over the past ten years, our students have collaborated with the de Saisset<br />

Museum and the Department of Art and Art History on six acquisition<br />

projects, selecting thirty-three artworks for the Museum’s permanent<br />

collection. Many were developed as Acquisition for Diversity projects,<br />

to help the Museum pursue its dedication to acquiring works of art that<br />

showcase artists and communities that are under-appreciated and<br />

under-recognized.<br />

CURATED EXHIBITION<br />

April 3 ~ 28, 2017<br />

OPENING RECEPTION<br />

Thursday, April 13 | 5 ~ 7p.m.<br />

This curated group exhibit will be judged by John Seed. John Seed is<br />

a professor of art and art history at Mt. San Jacinto College in Southern<br />

California. Seed has written about art and artists for Arts of Asia, Art<br />

Ltd., Catamaran, Harvard Magazine, International Artist, Hyperallergic<br />

and Poets and Artists.<br />

His interests and specialties include Bay Area Figurative art, contemporary<br />

figurative art and Hawaiian, Philippines, and Southeast Asian art of the<br />

19th and 20th centuries.<br />

Recent studio faculty artworks, produced in a wide variety of media,<br />

address a range of contemporary issues in art and society. The contemporary<br />

themes include such topics as self-expression, technology’s place in<br />

art, immigration and race, human interactions with nature, and the impact<br />

of gender and consumer society on our sense of self.<br />

Together, these two exhibitions provide a window on the visual arts at<br />

Santa Clara University.<br />

AMER KOBASLIJA: Visiting Artist Exhibition<br />

January 9 ~ March 10, 2017<br />

OPENING RECEPTION Tuesday, March 7 | 5 ~ 7p.m.<br />

Originally from Banjaluka in Bosnia, Amer Kobaslija (b. 1975) fled his<br />

war-ravaged homeland in 1993 to a refugee camp in Nuremberg, Germany.<br />

Later he traveled to Düsseldorf, where he attended the Kunst Akademie. In<br />

1997, Kobaslija was offered asylum by the United States and immigrated<br />

to Florida. There in Sarasota he completed his Bachelor of Fine Arts at the<br />

Ringling College of Art and Design. In 2003 he went on to pursue a Master<br />

of Fine Arts degree at the Montclair College of the Arts in New Jersey and<br />

has since established his base in New York City.<br />

A 2013 Guggenheim Fellow for painting, Kobaslija has had numerous<br />

one-person exhibitions in Paris, New York, Los Angeles, San Francisco,<br />

and New Orleans. He is represented by George Adams Gallery in New York<br />

where he has had seven solo shows in the last decade, including the 2015-<br />

16 traveling survey exhibition “Amer Kobaslija: Places, Spaces.” In conjunction<br />

with this exhibition, George Adams Gallery published a comprehensive<br />

monograph on Kobaslija’s art and life. Kobaslija’s paintings have<br />

been reviewed and reproduced in numerous publications including The<br />

New York Times, Art in America, ARTNews, Art &amp; Antiques, New York<br />

Magazine, New York Time Out, The Village Voice, The Florida Times Union,<br />

The San Francisco Chronicle and The Japan Times.<br />

16 scu • presents

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