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Contents<br />
<strong>Music</strong> Aggregators........................................................................................................................................................176<br />
License or Distribution?.............................................................................................................................................176<br />
Games—Hip or Hype? ...............................................................................................................................................179<br />
The New Brick and Mortar.......................................................................................................................................180<br />
Chapter 11. THE NEW PUBLISHING PARADIGM.....................................................................183<br />
The Three Basic Types of Publish<strong>in</strong>g Income..........................................................................................................183<br />
The Different Sources of Publish<strong>in</strong>g Royalties ......................................................................................................185<br />
Publish<strong>in</strong>g and <strong>the</strong> Indie Artist...................................................................................................................................186<br />
Gett<strong>in</strong>g Your Songs Placed <strong>in</strong> Movies and Television.....................................................................................187<br />
<strong>Music</strong> Supervisors: The New A&R?...................................................................................................................188<br />
The Problem with Digital Account<strong>in</strong>g .....................................................................................................................189<br />
Why Use a Publisher? .................................................................................................................................................189<br />
Chapter 12. WHEN MUSIC IS YOUR PRODUCT.........................................................................191<br />
Stream<strong>in</strong>g Royalty Basics............................................................................................................................................192<br />
The Different Types of Streams ................................................................................................................................193<br />
Non<strong>in</strong>teractive Streams ......................................................................................................................................193<br />
Interactive Streams...............................................................................................................................................196<br />
<strong>Mak<strong>in</strong>g</strong> Sense of Stream<strong>in</strong>g Income .........................................................................................................................197<br />
A Million Isn’t What It Used to Be ...................................................................................................................197<br />
The Sound Record<strong>in</strong>g Royalty...........................................................................................................................197<br />
The Middleman Factor ........................................................................................................................................198<br />
The Per<strong>for</strong>mance Royalty...................................................................................................................................199<br />
The Stream<strong>in</strong>g Mechanical Royalty...................................................................................................................201<br />
How Royalty Rates Are Set .......................................................................................................................................201<br />
Stream<strong>in</strong>g Royalty Examples......................................................................................................................................202<br />
1 Million Spotify Streams Example....................................................................................................................203<br />
1 Million Pandora Free-Tier Streams Example ..............................................................................................205<br />
The Reality of <strong>the</strong> Situation.......................................................................................................................................208<br />
Chapter 13. MONETIZING VIDEO VIEWS .......................................................................................209<br />
Monetiz<strong>in</strong>g YouTube.....................................................................................................................................................209<br />
How YouTube Videos Are Monetized...............................................................................................................209<br />
View Variables........................................................................................................................................................210<br />
YouTube and <strong>the</strong> Labels ......................................................................................................................................211<br />
Content ID.............................................................................................................................................................212<br />
A YouTube Success Story ...........................................................................................................................................212<br />
Facebook Video ............................................................................................................................................................213<br />
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