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Music 4.1: A Survival Guide for Making Music in the Internet Age

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Contents<br />

<strong>Music</strong> Aggregators........................................................................................................................................................176<br />

License or Distribution?.............................................................................................................................................176<br />

Games—Hip or Hype? ...............................................................................................................................................179<br />

The New Brick and Mortar.......................................................................................................................................180<br />

Chapter 11. THE NEW PUBLISHING PARADIGM.....................................................................183<br />

The Three Basic Types of Publish<strong>in</strong>g Income..........................................................................................................183<br />

The Different Sources of Publish<strong>in</strong>g Royalties ......................................................................................................185<br />

Publish<strong>in</strong>g and <strong>the</strong> Indie Artist...................................................................................................................................186<br />

Gett<strong>in</strong>g Your Songs Placed <strong>in</strong> Movies and Television.....................................................................................187<br />

<strong>Music</strong> Supervisors: The New A&R?...................................................................................................................188<br />

The Problem with Digital Account<strong>in</strong>g .....................................................................................................................189<br />

Why Use a Publisher? .................................................................................................................................................189<br />

Chapter 12. WHEN MUSIC IS YOUR PRODUCT.........................................................................191<br />

Stream<strong>in</strong>g Royalty Basics............................................................................................................................................192<br />

The Different Types of Streams ................................................................................................................................193<br />

Non<strong>in</strong>teractive Streams ......................................................................................................................................193<br />

Interactive Streams...............................................................................................................................................196<br />

<strong>Mak<strong>in</strong>g</strong> Sense of Stream<strong>in</strong>g Income .........................................................................................................................197<br />

A Million Isn’t What It Used to Be ...................................................................................................................197<br />

The Sound Record<strong>in</strong>g Royalty...........................................................................................................................197<br />

The Middleman Factor ........................................................................................................................................198<br />

The Per<strong>for</strong>mance Royalty...................................................................................................................................199<br />

The Stream<strong>in</strong>g Mechanical Royalty...................................................................................................................201<br />

How Royalty Rates Are Set .......................................................................................................................................201<br />

Stream<strong>in</strong>g Royalty Examples......................................................................................................................................202<br />

1 Million Spotify Streams Example....................................................................................................................203<br />

1 Million Pandora Free-Tier Streams Example ..............................................................................................205<br />

The Reality of <strong>the</strong> Situation.......................................................................................................................................208<br />

Chapter 13. MONETIZING VIDEO VIEWS .......................................................................................209<br />

Monetiz<strong>in</strong>g YouTube.....................................................................................................................................................209<br />

How YouTube Videos Are Monetized...............................................................................................................209<br />

View Variables........................................................................................................................................................210<br />

YouTube and <strong>the</strong> Labels ......................................................................................................................................211<br />

Content ID.............................................................................................................................................................212<br />

A YouTube Success Story ...........................................................................................................................................212<br />

Facebook Video ............................................................................................................................................................213<br />

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